“
I don't know if anyone's ever told you this", he begins. He doesn't blush, and his eyes don't dart away. Instead I find myself staring into a pair of oceans - one perfect, the other blemished by that tiny ripple. "You're very attractive."
I've been complimented on my appearance before. But never in his tone of voice. Of all the things he's said, I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know."
A slow grin spreads across his face. "Oh, trust me. I know.
”
”
Marie Lu (Legend (Legend, #1))
“
She started walking toward me and perfect white teeth caught her full bottom lip between them. I’d fantasized about those lips way too many times. She’d barely covered up her long tanned legs with a pair of shorts that made me want to go to church this Sunday just to thank God for creating her.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
There’s a Greek legend—no, it’s in something Plato wrote—about how true lovers are really two halves of the same person. It says that people wander around searching for their other half, and when they find him or her, they are finally whole and perfect. The thing that gets me is that the story says that originally all people were really pairs of people, joined back to back, and that some of the pairs were man and man, some woman and woman, and others man and woman. What happened was that all of these double people went to war with the gods, and the gods, to punish them, split them all in two. That’s why some lovers are heterosexual and some are homosexual, female and female, or male and male.
”
”
Nancy Garden (Annie on My Mind)
“
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
”
”
Gillian Flynn (Gone Girl)
“
Most of us won't see one another after graduation, and even if we do it will be different. We'll be different. We'll be adults--cured, tagged and labeled and paired and identified and placed neatly on our life path, perfectly round marbles set to roll down even, well-defined slopes.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Kate makes good sausage," Jim said.
Six pairs of eyes stared at me. Thank you, Mr. Wonderful. Just what I needed.
"Oh yeah," Andrea snapped her fingers. "The links? The ones we had the beginning of the month? I didn't know you made those. I thought they were bought. They were so good." Her smile was positively cherubic. Of all the times not to be able to shoot laser beams out of my eyes...
"What do you put into your sausage, Kate?" Raphael wanted to know, giving me a perfectly innocent look.
Werejaguars with big mouths with a pinch of werehyena thrown in. "Venison and rabbit."
"That sounds like some fine sausage," Doolittle said. "Will you share the recipe?"
"Sure."
"I had no idea you were a sausage expert," Curran said with a completely straight face.
Die, die, die, die...
Even Derek cracked a smile. Raphael put his head down on the table and jerked a little.
"Is he choking?" Dali asked, wrinkling her forehead.
"No, he just needs a moment," Curran said. "Young bouda males. Easily excitable.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Want to make out?”
“With who?” she asks, not bothering to look up.
“Me.”
She lifts her head from her book just long enough to give me a once-over. “No, thanks,” she says, then goes back to her homework.
She’s fuckin’ with me. She’s got to be fuckin’ with me, right?
“Because of that pendejo Tuck?”
“No. Because I don’t want Madison’s leftovers.”
Wait. Un. Momento. I’ve been called a lot of things before, but . . .
“You callin’ me leftovers?”
“Yeah. Besides, Tuck is a great kisser. I wouldn’t want you to feel bad when there’s no way you can compete.”
That guy hardly owns a pair of lips. “Wanna bet?
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
One more sign of how perfect Damen is—he keeps a pair of trunks in his car.
”
”
Alyson Noel (Evermore (The Immortals, #1))
“
You look... amazing!"
And I have to say, I agree. I'm wearing all black - but expensive black. The kind of deep, soft black that you fall into. A simple sleeveless dress from Whistles, the highest of Jimmy Choos, a pair of stunning uncut amethyst earrings. And please don't ask how much it all cost, because that's irrelevant. This is investment shopping. The biggest investment of my life.
I haven't eaten anything all day so I'm nice and thin and for once my hair has fallen perfectly into shape. I look... well, I've never looked better in my life.
But of course, looks are only part of the package, aren't they?
”
”
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
“
The God who made the moon and the stars and the mountains and the oceans, the Creator who did all of those things, believed that you and your baby were meant to be a pair. That doesn’t mean you’re going to be a perfect fit. That doesn’t mean you won’t make mistakes. It does mean that you need not fear failure because you can’t fail a job you were created to do.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Have you ever heard of penguin love stones?” “What?” “A penguin love stone. When a male likes a female, he finds a perfect stone and he brings it to her. If she likes it, she puts it in her nest and that’s it. They’re paired for life.” Brian watched Liz taking an order at another table but talked to us. “And your point?” “My point is, the penguin’s not picking her mate because he’s the one who has the best rock. It might look that way, but she’s not. She’s taking the rock because the male she wants the most is offering it. Sometimes what you have to give is enough. Even if it’s a rock instead of a diamond.
”
”
Abby Jimenez (Part of Your World)
“
That's some catch, that Catch-22,' he observed.
'It's the best there is,' Doc Daneeka agreed.
Yossarian saw it clearly in all its spinning reasonableness. There was an elliptical precision about its perfect pairs of parts that was graceful and shocking, like good modern art, and at times Yossarian wasn't quite sure that he saw it at all, just the way he was never quite sure about good modern art…
”
”
Joseph Heller (Catch-22)
“
A corrupt angel . . . corrupted by me, agent of the devil himself. The perfect pairing
”
”
Tillie Cole (Sick Fux)
“
A perfect misanthropist's heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us.
”
”
Emily Brontë (Wuthering Heights)
“
The boy speaks up. When he does, there's such a tender quality to his voice that I can't help looking up at him. "I don't know if anyone's ever told you this," he begins. He doesn't blush,and his eyes don't dart away. Instead I find myself staring into a pair of oceans-one perfect,the other blemished by that tiny ripple. "You're very attractive."
I've been complimented on my appearance before.But never in his tone of voice.Of all the things he's said,I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know."
A slow grin spreads across his face. "Oh,trust me.I know.
”
”
Marie Lu (Legend (Legend, #1))
“
In modern physics, there is no such thing as "nothing." Even in a perfect vacuum, pairs of virtual particles are constantly being created and destroyed. The existence of these particles is no mathematical fiction. Though they cannot be directly observed, the effects they create are quite real. The assumption that they exist leads to predictions that have been confirmed by experiment to a high degree of accuracy.
”
”
Richard Morris
“
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
”
”
Victor Hugo (Les Misérables)
“
There was history in this house. It was worn in like the perfect pair of old jeans
”
”
Laurie Gilmore (The Pumpkin Spice Café (Dream Harbor, #1))
“
Delk shifted in his chair, the arrow point never wavering. "What do you want?"
"Oh, the usual.World peace, a pair of Christian Louboton heels, a perfect wedding.
”
”
MaryJanice Davidson (Undead and Uneasy (Undead, #6))
“
One of the great differences that set Jews apart from other cultural groups is that we see our wealth as a means to partner with God, as a way to bring God’s kingdom into this earth, a concept that we call tikkun olam – perfecting the world. We perfect the world by using our God- given wealth to further God’s realm on this planet. So what you see is that the Jewish people’s pursuit of wealth is often paired with the pursuit of charitable works, not only for selfish purposes.
”
”
Celso Cukierkorn (Secrets of Jewish Wealth Revealed!)
“
His low voice breaks the stillness. “You didn’t say what you were doing out this late.”
“I couldn’t sleep either,” I reply. Not a lie.
His mouth curves. “So we’re perfect for each other. A pair of insomniacs.”
Perfect for each other.
I grin a mad, stupid smile.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Shane was born perfectly fine, despite the same genetic pairing.
One in four.
That's what their odds were.
God gave Shelby SMA.
Shane just got "gay".
”
”
Ellen Hopkins (Triangles)
“
He was shockingly easy to follow. The pressure of his hand, the step of his foot, the angle of his frame... it was like reading his mind. When he leaned right, they turned in perfect unison. He swept her across the gallery in a quick three, a dizzying pace. Gilded frames and glass cases and the window blurred in her vision, and Azalea spun out, her skirts pulling and poofing around her, before he caught her and brought her back into dance position. She could almost hear music playing, swelling inside of her.
Mother had once told her about this perfect twining into one. She called it interweave, and said it was hard to do, for it took the perfect matching of the partners’ strengths to overshadow each other’s weaknesses, meshing into one glorious dance. Azalea felt the giddiness of being locked in not a pairing, but a dance. So starkly different than dancing with Keeper. Never that horrid feeling that she owed him something; no holding her breath, wishing for the dance to end. Now, spinning from Mr. Bradford’s hand, her eyes closed, spinning back and feeling him catch her, she felt the thrill of the dance, of being matched, flow through her.
”Heavens, you’re good!” said Azalea, breathless.
”You’re stupendous,” said Mr. Bradford, just as breathless. “It’s like dancing with a top!
”
”
Heather Dixon Wallwork (Entwined)
“
Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
'That's some catch, that Catch-22,' he observed.
'It's the best there is,' Doc Daneeka agreed.
Yossarian saw it clearly in all its spinning reasonableness. There was an elliptical precision about its perfect pairs of parts that was graceful and shocking, like good modern art, and at times Yossarian wasn't quite sure he saw it at all, just the way he was never quite sure about good modern art or about the flies Orr saw in Appleby's eyes. he had Orr's word to take for Appleby's eyes.
”
”
Joseph Heller (Catch-22)
“
Perfect. Imperfect. A pair of adjectives that come over and again, in all seasons, day in and day out, taunting us, judging us, isolating us, turning our isolation into illness. Is there a more accomplished adjective than perfect? Perfect is free from comparison, perfect rejects superlative. We can always be good, do better, try our best, but how perfect can we be before we can love ourselves and let others love us? And who, my dear child, has taken the word lovable out of your dictionary and mine, and replaced it with perfect?
”
”
Yiyun Li (Where Reasons End)
“
Sometimes, a perfect sandwich is not just about the sandwich itself, but about the setting. The experience of eating the sandwich. Context can elevate a great sandwich to a spiritual experience.
”
”
Casey McQuiston (The Pairing)
“
The strangest thing about humans is the way they pair up, males and females. Constantly at war with each other, never content to leave each other alone. They never seem to grasp the idea that males and females are separate species with completely different needs and desires, forced to come together only to reproduce
Of course you feel that way. Your mates are nothing but mindless drones, extensions of yourself, without their own identity.
We know out lovers with perfect understanding. Humans invent an imaginary lover and put that mask over the face of the body in their bed.
That is the tradegy of language, my friend. Those who know each other only through symbolic representations are forced to imagine each other. And because their imagination is imperfect, they are often wrong,
This is the source of their misery.
And some of their strength, I think. Your people and mine, each for their own evolutionary reasons, mate with vastly unequal partners. Our mates are always, hopelessly, our intellectual inferiors. Humans mate with beings who challenge their supremcy. They have conflicts between mates, not because their communication is inferior to ours, but because they commune with each other at all.
”
”
Orson Scott Card (Xenocide (Ender's Saga, #3))
“
There’s something so admirable about his directness. I like you. Stay in my life. It’s perfectly simple, when he says it like that.
”
”
Casey McQuiston (The Pairing)
“
Being with Ethan increasingly feels like spoiling myself with a perfect new pair of shoes or an extravagant dinner out. I just remain unconvinced that I deserve this daily... or that it can last.
”
”
Christina Lauren (The Unhoneymooners (Unhoneymooners, #1))
“
Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.
”
”
William Gibson (Neuromancer (Sprawl, #1))
“
Fascism talks ideology, but it is really just marketing—marketing for power. It is recognizable by its need to purge, by the strategies it uses to purge, and by its terror of truly democratic agendas. It is recognizable by its determination to convert all public services to private entrepreneurship, all nonprofit organizations to profit-making ones—so that the narrow but protective chasm between governance and business disappears. It changes citizens into taxpayers—so individuals become angry at even the notion of the public good. It changes neighbors into consumers—so the measure of our value as humans is not our humanity or our compassion or our generosity but what we own. It changes parenting into panicking—so that we vote against the interests of our own children; against their health care, their education, their safety from weapons. And in effecting these changes it produces the perfect capitalist, one who is willing to kill a human being for a product (a pair of sneakers, a jacket, a car) or kill generations for control of products (oil, drugs, fruit, gold).
”
”
Toni Morrison (The Source of Self-Regard: Selected Essays, Speeches, and Meditations)
“
If you don’t know what love feels like, you’re in luck, because I just finished making a new pair of Love Gloves. They’re lined with fur and are perfect for a cold February 14th winter day. I’ll let you borrow them sometime, maybe even this summer. I recommend wearing them in conjunction with my Sensitivity Pants, which are so tight they show the emotion betrayed by your crotch.
”
”
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
“
People, like buildings, have facades. Tom created his. His walk was a feat. It had taken him twenty years of killing bad guys and a pair of Tony Lama boots to perfect the illusion. He made sure that everyone felt it by the third clunk of his boot heel. When he entered a crime scene there was a hush, and no one ever quite knew why they were holding their breath. But he did. A crime scene was theater and the stage was his.
”
”
Michael Ben Zehabe
“
Of Woman and Chocolate
"Chocolate shares both the bitter and the sweet.
Chocolate melts away all cares, coating the heart while smothering every last ache.
Chocolate brings a smile to the lips on contact, leaving a dark kiss behind.
Chocolate is amiable, complimenting any pairing; berries, peanut butter, pretzels, mint, pastries, drinks...everything goes with chocolate.
The very thought of chocolate awakens taste buds, sparking memories of candy-coated happiness.
Chocolate will go nuts with you, no questions asked.
Chocolate craves your lips, melts at your touch, and savors the moment.
Chocolate is that dark and beautiful knight who charges in on his gallant steed ready to slay dragons when needed.
Chocolate never disappoints; it leaves its lover wanting more.
Chocolate is the ultimate satisfaction, synonymous with perfection.
Chocolate is rich, smooth pleasure.
Chocolate has finesse - the charm to seduce and indulge at any time, day or night.
Chocolate is a true friend, a trusted confidant, and faithful lover.
Chocolate warms and comforts and sympathizes.
Chocolate holds power over depression, victory over disappointment.
Chocolate savvies the needs of a woman and owns her.
Simply put, chocolate is paradise.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
He woke one morning tantalized by an idea: if he could catch the orchard trees motionless for one second -- for half of one second -- then none of it would have happened. The kitchen door would bang open and in his father would walk, red-faced and slapping his hands and exclaiming about some newly whelped pup. Childish, Edgar knew, but he didn't care. The trick was to not focus on any single part of any tree, but to look through them all toward a point in the air. But how insidious a bargain he'd made. Even in the quietest moment some small thing quivered and the tableau was destroyed.
How many afternoons slipped away like that? How many midnights standing in the spare room, watching the trees shiver in the moonlight? Still he watched, transfixed. Then, blushing because it was futile and silly, he forced himself to walk away.
When he blinked, an afterimage of perfect stillness.
To think it might happen when he wasn't watching.
He turned back before he reached the door. Through the window glass, a dozen trees strummed by the winter wind, skeletons dancing pair-wise, fingers raised to heaven.
Stop it, he told himself. Just stop.
And watched some more.
”
”
David Wroblewski (The Story of Edgar Sawtelle)
“
Yesterday is history, Tomorrow is a mystery, and today is a gift.
To handle yourself, use your head, To handle others, use your heart.
What would life be if we had not courage to attempt anything?
When the going gets tough, the tough get going.
”
”
Connie Fairbanks (Scratch That (TM) Seasonal Menus and Perfect Pairings)
“
We needed something to nurture, and they needed nurturing. Constant attention made you need it even more. The band never learned to be alone and neither did we. But if they were starved for attention and we were, too, didn't we make a perfect pair?
”
”
Sarah Priscus (Groupies)
“
Now and then a pair of eyes would burn at us out of the dark ahead. I knew that they were the eyes of a cow–a poor dear stoic old cow with a cud, standing on the highway shoulder, for there wasn't any stock law–but her eyes burned at us out of the dark as though her skull were full of blazing molten metal like blood and we could see inside the skull into that bloody hot brightness in that moment when the reflection was right before we picked up her shape, which is so perfectly formed to be pelted with clods, and knew what she was and knew that inside that unlovely knotty head there wasn't anything but a handful of coldly coagulated gray mess in which something slow happened as we went by. We were something slow happening inside the cold brain of a cow.
”
”
Robert Penn Warren (All the King's Men)
“
Yet there must be something repulsive about her somewhere, something more repelling than just a pair of eyes that couldn't see, for she'd been told they were still outwardly blue and clear and large as new. Or maybe the flaw was in the other people, in the old mistrust of a person who wasn't exactly like them, or in the equally time-polished belief that, because a person wasn't physically perfect outside, she must be either superhuman or subhuman inside and shouldn't or couldn't be treated like other people.
”
”
Beverly Butler (Light a Single Candle (Cathy Wheeler, #1))
“
She was very pretty: exceedingly pretty. With a dimpled, surprised-looking, capital face; a ripe little mouth, that seemed made to be kissed — as no doubt it was; all kinds of good little dots about her chin, that melted into one another when she laughed; and the sunniest pair of eyes you ever saw in any little creature's head. Altogether she was what you would have called provoking, you know; but satisfactory, too. Oh, perfectly satisfactory.
”
”
Charles Dickens (Christmas Books: A Christmas Carol, The Chimes, The Cricket on the Hearth, The Battle of Life, The Haunted Man and the Ghost's Bargain)
“
We did musical chairs to sit with our partner. Glasses were refilled and heads bent in pairs. Looking over the table, I was suffused with affection for my friends. If you could bottle this warm feeling and turn it into words, I thought, that would be the perfect toast.
”
”
Kerry Reichs
“
A penguin love stone. When a male likes a female, he finds a perfect stone and he brings it to her. If she likes it, she puts it in her nest and that’s it. They’re paired for life.
”
”
Abby Jimenez (Part of Your World (Part of Your World, #1))
“
This “who’s on top” banter continues until one wrestler (who has slyly gone to hide behind a chair) leaps upon his rival with an animal cry. The pair then proceeds to create a series of tableaux that appear to be from the Kama Sutra, Vatsyayana's ancient Indian textbook of carnal satisfaction. Occasionally, the tension is broken by a wrestler who picks up a large object, such as a table, to throw on the other's head, as if suddenly disgusted by his forbidden love.
”
”
A.C. Kemp (The Perfect Insult for Every Occasion)
“
they were puffing at him with a great pair of bellows; for the whole adventure was so well planned by the duke, the duchess, and their majordomo, that nothing was omitted to make it perfectly successful.
”
”
Miguel de Cervantes Saavedra (Don Quixote (Illustrated))
“
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this:
She was Cunt.
She had "lost" something.
Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost").
And there I was at eleven years of age:
She was out late at night.
She was in the wrong part of town.
Her skirt was too short and that provoked him.
She liked having her eye blacked and her head banged against the sidewalk.
I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies.
I was dirty.
I was crying.
I demanded comfort.
I was being inconvenient.
I did not disappear into thin air.
”
”
Joanna Russ (The Female Man)
“
Accordingly, he had the two leaders beheaded, and straightway installed the pair next in order as leaders in their place. When this had been done, the drum was sounded for the drill once more; and the girls went through all the evolutions, turning to the right or to the left, marching ahead or wheeling back, kneeling or standing, with perfect accuracy and precision, not venturing to utter a sound. Then Sun Tzu sent a messenger to the King saying: “Your soldiers, Sire, are now properly drilled and disciplined, and ready for your majesty's inspection. They can be put to any use that their sovereign may desire; bid them go through fire and water, and they will not disobey.
”
”
Sun Tzu (The Art of War)
“
Being perfectly turned out, from kid slippers to lace parasol, including pearl-embroidered petticoats and the third new pair of gloves that day, was the exclusive province of the American woman. More, it was her patriotic duty. The daughters of dukes could indulge in loose-waisted “pre-Raphaelite” dresses, but Americans had to look like aristocrats.
”
”
Carol Wallace (To Marry an English Lord)
“
A better-constituted boy would certainly have profited under my intelligent tutors, with their scientific apparatus; and would, doubtless, have found the phenomena of electricity and magnetism as fascinating as I was, every Thursday, assured they were. As it was, I could have paired off, for ignorance of whatever was taught me, with the worst Latin scholar that was ever turned out of a classical academy. I read Plutarch, and Shakespeare, and Don Quixote by the sly, and supplied myself in that way with wandering thoughts, while my tutor was assuring me that "an improved man, as distinguished from an ignorant one, was a man who knew the reason why water ran downhill." I had no desire to be this improved man; I was glad of the running water; I could watch it and listen to it gurgling among the pebbles and bathing the bright green water-plants, by the hour together. I did not want to know why it ran; I had perfect confidence that there were good reasons for what was so very beautiful. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave.
Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter.
Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note.
Got it.
The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath.
A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
“
You act like life is fulfilling a checklist. ‘I need to get a good wife or husband, then I get a good car, then I get a good house, then I get a promotion, then I get a better car and a better house and I make a name for myself and then…’ ” He rattled off more accomplishments that fulfill the American Dream. “But this plan will never materialize perfectly. And even if it does, then what? You don’t settle, you add more items to the checklist. It is the nature of desire to get one thing and immediately want the next thing, and this cycle of accomplishment and acquisitions won’t necessarily make you happy—if you have ten pairs of shoes you want eleven pairs.
”
”
Michael Easter (The Comfort Crisis: Embrace Discomfort to Reclaim Your Wild, Happy, Healthy Self)
“
After so many years of fighting to pour herself into skintight, low-rise jeans and binding pencil skirts and slacks that always felt like a vise around her waist, she found leggings were God’s apology to women everywhere. For the first time, something that was in style actually flattered her figure perfectly by hiding her less-than-stellar mid- and rear section while accentuating her reasonably shapely legs. Every day she pulled a pair on she offered a silent thank-you to their inventor and a quiet prayer that they’d remain in fashion just a little bit longer.
”
”
Lauren Weisberger (Last Night at Chateau Marmont)
“
I walked back to the front of the bakery to see a knot of people stalking our display for June. Apricot and lavender might seem like an unusual pairing, but it made perfect sense to me. Luscious, sweet apricots taste best when they're baked and the flavor is concentrated. On the other hand, lavender likes it cool; the buds have a floral, almost astringent flavor. Lavender was a line drawing that I filled in with brushstrokes of lush apricot.
”
”
Judith M. Fertig (The Memory of Lemon)
“
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
”
”
Clayton M. Christensen (How Will You Measure Your Life?)
“
Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!
”
”
Sarah Waters (Tipping the Velvet)
“
I know what you’re thinking,” Ellis said, hitting the key remote in his hand. “It’s pretty much the most stunning example of vehicular perfection
ever.”
We all stood there, watching as the back door of the sky blue van slid open, revealing two rows of seats, the rear of which was stacked with
soccer balls and various pairs of cleats.
“Don’t try to point out to him that it is just a minivan,” Heather said, climbing into the backseat and pushing a ball onto the floor. “We’ve tried.
”
”
Sarah Dessen
“
How can it be the same pair of hands? How many mistakes would it take to attain near perfection demanded from a neurosurgeon? How do you walk into a hospital room and say hello to your next patient, when you feel that you had not been good enough for the last one? How may unforgivable errors can you cary in your conscience before you give in to the discouraging voice that says, Are you sure this is the right path for you? How much is too much empathy, how little is too little care?
”
”
Ronnie E. Baticulon (Some Days You Can’t Save Them All)
“
It means that, while our branded world can exploit the unmet need to be part of something larger than ourselves, it can’t fill it in any sustained way: you make a purchase to be part of a tribe, a big idea, a revolution, and it feels good for a moment, but the satisfaction wears off almost before you’ve thrown out the packaging for that new pair of sneakers, that latest model iPhone, or whatever the surrogate is. Then you have to find a way to fill the void again. It’s the perfect formula for endless consumption and perpetual self-commodification through social media, and it’s a disaster for the planet, which cannot sustain these levels of consumption.
”
”
Naomi Klein (No Is Not Enough: Resisting Trump's Shock Politics and Winning the World We Need)
“
Polly was the same age as Alma, but daintier and startlingly beautiful. She looked like a perfect figurine carved out of fine French soap, into which someone had inlaid a pair of glittering peacock-blue eyes. But it was the tiny pink pillow of her mouth that made this girl more than simply pretty; it made her an unsettling little voluptuary, a Bathsheba wrought in miniature.
”
”
Elizabeth Gilbert (The Signature of All Things)
“
Oh, don’t look so put out, Captain,” she said, turning away from Rowan and sliding into a seat across from Rolfe. “You hate me, I hate you, we both hate being told what to do by busybody, overlording empires—it’s a perfect pairing.” Rolfe spat, “You nearly wrecked everything I’ve worked for. Your silver tongue and arrogance won’t get you through this.” Just for the hell of it, she smiled and stuck out her tongue. Not the real thing—but a forked tongue of silver fire that wriggled like a snake’s in the air. Fenrys choked on a dark laugh. She ignored him. She’d deal with their presence later. She just prayed she’d be able to warn Aedion before he ran into his father—who was now sitting two seats down from her, gawking at her as if she had ten heads.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
You will heal," he said, and then he put his hand on her cheek. There was no feeling of dread, just the feeling of Feradach's hand on her.
"You will always be impossible," he added, and he put his other hand on her other cheek. There was still no sense of doom; of what might be to come.
"You will still be Merida of DunBroch," he said, and he kissed her.
Neither the mortal nor the god had ever been in love before. It is not every day or every week or every month or every year that one person meets another who is their perfect foil, and it is not even every century that the pairing is a mortal and a god. It's more than simply love when it is a pair like this: it is balance, perfect balance, the push-pull of opposite forces that require each other.
It is a sort of love that never grows old.
Magic, magic, magic.
”
”
Maggie Stiefvater (Bravely)
“
Yet whatever her enthusiasm for independence, with time Chloe nevertheless began leaving things behind. Not toothbrushes or pairs of shoes, but pieces of herself. It began with language, with Chloe leaving me her way of saying not ever instead of never, and of stressing the be of before, or of saying take care before hanging up the telephone. She in turn acquired use of my perfect and if you really think so. Habits began to leak between us: I acquired Chloe's need for total darkness in the bedroom, she followed my way of folding the newspaper, I took to wandering in circles around the sofa to think a problem through, she acquired a taste carpet.
”
”
Alain de Botton (On Love)
“
The first green tissues of a radish seedling are two perfectly heart-shaped, symmetric leaves. In twenty years of growing hundreds of these plants, I have seen exactly two deviants, each with a perfect third leaf—a baffling green triad where there should be only a pair. I think of those two plants often, and they even enter my dreams occasionally, causing me to wonder why I was meant to see them. Being paid to wonder seems like a heavy responsibility at times. At
”
”
Hope Jahren (Lab Girl)
“
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences."
"It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly."
Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course."
Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself."
"How could anyone resist you?" Phoebe asked, half-mocking, half-sincere.
He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them."
"Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?"
"Is that a question?"
"Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!
”
”
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
“
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face.
Tyler had been around before we met.
Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle.
You wake up at the beach.
We were the only people on the beach.
With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base.
I was the only person watching this.
Tyler called over, “Do you know what time it is?”
I always wear a watch,
“Do you know what time it is?”
I asked, where?
“Right here,” Tyler said. “Right now.”
It was 4:06 P.M.
After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask.
I had to know what Tyler was doing while I was asleep.
If I could wake up in a different place, at a different time, could I wake up as a different person?
I asked if Tyler was an artist.
Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log.
Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself.
You wake up, and you’re nowhere.
One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.
You wake up, and that’s enough
”
”
Chuck Palahniuk (Fight Club)
“
In the woodblock prints of the Genroku period one often finds the features of a pair of lovers to be surprisingly similar, with little to distinguish the man from the woman. The universal ideal of beauty in Greek sculpture likewise approaches a close resemblance between the male and female. Might this not be one of the secrets of love? Might it not be that through the innermost recesses of love there courses an unattainable longing in which both the man and the woman desire to become the exact image of the other? Might not this longing drive them on, leading at last to a tragic reaction in which they seek to attain the impossible by going to the opposite extreme? In short, since their mutual love cannot achieve a perfection of mutual identity, is there not a mental process whereby each of them tries instead to emphasize their points of dissimilarity—the man his manliness and the woman her womanliness—and uses this very revolt as a form of coquetry toward the other? Or if they do achieve a similarity, it unfortunately lasts for only a fleeting moment of illusion. Because, as the girl becomes more bold and the boy more shy, there comes an instant at which they pass each other going in opposite directions, overshooting their mark and passing on beyond to some point where the mark no longer exists.
”
”
Yukio Mishima (Confessions of a Mask)
“
A man chooses a bride, loves her, makes a covenant with her, and gives himself completely to her. The woman responds by receiving his love, surrendering to him, entering into this covenant bond with him, and becoming one flesh with him. It’s not a perfect representation, of course, since the best marriage we can possibly make on earth still involves a pair of fallen, broken people. But in its deepest sense, at its deepest level, this primary human relationship between husband and wife is meant to be a living witness to others of the love of Christ for His church (Eph. 5:22–33).
”
”
Priscilla Shirer (Fervent: A Woman's Battle Plan to Serious, Specific, and Strategic Prayer)
“
Even if a particle could travel backward in time, information could not. Retrocausality will be replaced by something more sophisticated. There are no perfect symmetries, there is no pure randomness everything is an approximation of something else. Information may appear in a digital form but meaning never does. Spacetime is built up from approximations, not discrete ones and zeros, and the only constant may be ratios. Quantum entanglement and geometry; if we think of a particle as being at one pole of an expanding sphere that is not perfectly symmetrical, this surface would be "rippling" like the surface of the ocean (in the audio world this is called dithering), at the other pole is the entangled particle's pair and it is a property of the sphere that gives the illusion of connectivity. This is not a physical geometry, it is a computational geometry. Is spacetime a product of entanglement? Renate Loll believes that time is not perfectly symmetrical. Her computer models require causality. Possibly some form of quantum random walk in state space. If a photon is emitted by an electron inside of a clock on Earth and it travels to a clock four light years away, time stops for the clock on Earth and time jumps forward eight years for the distant clock also, the electron that will capture the photon becomes infinitely large relative to the photon but the electron that emitted it does not become infinitely small therefore, time is not perfectly symmetrical.
”
”
Rick Delmonico
“
She squints into the shadows between the trees, but there is no shape, no god to be found—only that voice, close as a breath against her cheek. “Adeline, Adeline,” it says, mocking, “… they are calling for you.” She turns again, finding nothing but deep shadow. “Show yourself,” she orders, her own voice sharp and brittle as a stick. Something brushes her shoulder, grazes her wrist, drapes itself around her like a lover. Adeline swallows. “What are you?” The shadow’s touch withdraws. “What am I?” it asks, an edge of humor in that velvet tone. “That depends on what you believe.” The voice splits, doubles, rattling through tree limbs and snaking over moss, folding over on itself until it is everywhere. “So tell me—tell me—tell me,” it echoes. “Am I the devil—the devil—or the dark—dark—dark? Am I a monster—monster—or a god—god—god—or…” The shadows in the woods begin to pull together, drawn like storm clouds. But when they settle, the edges are no longer wisps of smoke, but hard lines, the shape of a man, made firm by the light of the village lanterns at his back. “Or am I this?” The voice spills from a perfect pair of lips, a shadow revealing emerald eyes that dance below black brows, black hair that curls across his forehead, framing a face Adeline knows too well. One that she has conjured up a thousand times, in pencil and charcoal and dream. It is the stranger. Her stranger. She knows it is a trick, a shadow parading as a man, but the sight of him still robs her breath. The darkness looks down at his shape, seeing himself as if for the first time, and seems to approve. “Ah, so the girl believes in something after all.” Those green eyes lift. “Well now,” he says, “you have called, and I have come.” Never pray to the gods that answer after dark.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Mr. Wonderful was probably taking his sweet time, right?”
“No, it was actually my fault this morning. I was busy with…paperwork.”
“Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?”
He smiled. “Nothing important.”
Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact.
Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor.
He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century.
I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together.
As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!”
Mr. Kadam asked, “What was that, Miss Kelsey?”
“Nothing.”
Ren raised an eyebrow and smirked.
He probably heard me. Stupid tiger hearing.
The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence.
When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
Lend finished texting someone and slipped his phone into his back pocket, then stood up. I’d never paid much attention to guys’ jeans before (not for lack of desire, but rather lack of opportunity in the Center), but in the past few months I’d come to realize that most guys’ jeans are really, truly horrendous. Too baggy, too tight, too low, etc. It’s like guys don’t realize that they can look great in a good pair of jeans. Shockingly enough girls, too, enjoy a well-framed butt.
Another area Lend was perfect in. His jeans choice, I mean. Well, his butt, too.
I smiled and stared at his face, watching his two profiles—the glamour one, which fit snugly over his real one. He looked down and caught me staring.
“Evie?”
“You, my dear boyfriend, are kind of beautiful, you know that?”
“That’s what all the old ladies tell me before pinching my cheek.”
“Which cheek?” I reached out and goosed him. He jumped and swatted my hand away, laughing.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.”
“I set down my tile,” Irex said coldly. “I cannot take it back.”
“I’ll let you take it back. Just this once.”
“You want me to take it back.”
“Ah. So you agree that I know what tile you mean to play.”
Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.”
“I’m merely offering friendly advice.”
Benix snorted.
Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox.
“Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.”
Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone.
Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society.
“That wasn’t necessary,” Benix told Kestrel.
“It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.”
“You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.”
“Lord Irex can spare it,” Ronan added.
“Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.”
Benix groaned.
“She’s a fiend,” Ronan agreed cheerfully.
“Then why do you play with her?”
“I enjoy losing to Kestrel. I will give anything she will take.”
“While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat.
“Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
”
”
Robert Jordan
“
He’d been spending more time in the past lately. He liked to close his eyes and let his memories overtake him. A life, remembered, is a series of photographs and disconnected short films: the school play when he was nine, his father beaming in the front row; clubbing with Arthur in Toronto, under whirling lights; a lecture hall at NYU. An executive, a client, running his hands through his hair as he talked about his terrible boss. A procession of lovers, remembered in details: a set of dark blue sheets, a perfect cup of tea, a pair of sunglasses, a smile. The Brazilian pepper tree in a friend’s backyard in Silver Lake. A bouquet of tiger lilies on a desk. Robert's smile. His mother's hands, knitting while she listened to the BBC.
”
”
Emily St. John Mandel (Station Eleven)
“
I opened it. At first sight it appeared to contain nothing except thin white paper, but when I lifted the paper I found a pair of shoes. They were made of canvas of a blue-green colour that reminded me of the Tides of the Southern Halls. The rubber soles were thick and white and they had white laces. I removed them from the box and put them on. They fitted perfectly. I tried walking about in them. My feet felt beautifully cushioned and bouncible. All day long I have been running and dancing for the sheer pleasure of feeling my feet in their new shoes. ‘Look!’ I said to the crows in the First Northern Hall when they flew down from the High Statues to see what I was doing, ‘I have new shoes!’ But the crows only cawed and flew back to their perches.
”
”
Susanna Clarke (Piranesi)
“
continued. “The solution to almost every problem imaginable can be found in the outcome of a fairy tale. Fairy tales are life lessons disguised with colorful characters and situations. “‘The Boy Who Cried Wolf ’ teaches us the value of a good reputation and the power of honesty. ‘Cinderella’ shows us the rewards of having a good heart. ‘The Ugly Duckling’ teaches us the meaning of inner beauty.” Alex’s eyes were wide, and she nodded in agreement. She was a pretty girl with bright blue eyes and short strawberry-blonde hair that was always kept neatly out of her face with a headband. The way the other students stared at their teacher, as if the lesson being taught were in another language, was something Mrs. Peters had never grown accustomed to. So, Mrs. Peters would often direct entire lessons to the front row, where Alex sat. Mrs. Peters was a tall, thin woman who always wore dresses that resembled old, patterned sofas. Her hair was dark and curly and sat perfectly on the top of her head like a hat (and her students often thought it was). Through a pair of thick glasses, her eyes were permanently squinted from all the judgmental looks she had given her classes over the years. “Sadly, these timeless tales are no longer relevant in our society,” Mrs. Peters said. “We have traded their brilliant teachings for small-minded entertainment like television and video games. Parents now let obnoxious cartoons and violent movies influence their children. “The only exposure to the tales some children acquire are versions bastardized by film companies. Fairy
”
”
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
“
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
”
”
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
“
Mary.”
Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?”
“I’m over here.”
“Where?” She looked all around. “Why is your voice echoing?”
“Chimney.”
“What?”
“I’m stuck in the fucking chimney.”
She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?”
His voice emanated from somewhere above her. “Don’t tell anyone, okay?”
“What are you—”
An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash.
“You’re stuck!” she exclaimed. “And thank God no one lit this fire!”
“You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.”
Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—”
“I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?”
“What?”
“This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.”
Mary sat back and shook her head. “I’m more worried about you—”
“Justopenthefuckingthingalready.”
Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond…
“A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.”
Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely.
-Lassiter & Mary
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
”
”
Sarah Rayner (One Moment, One Morning)
“
Specious, but wrongful deem The speech of those ill-taught ones who extol The letter of their Vedas, saying, "This Is all we have, or need;" being weak at heart With wants, seekers of Heaven: which comes—they say—As "fruit of good deeds done;" promising men Much profit in new births for works of faith; In various rites abounding; following whereon Large merit shall accrue towards wealth and power; Albeit, who wealth and power do most desire Least fixity of soul have such, least hold On heavenly meditation. Much these teach, From Veds, concerning the "three qualities;" But thou, be free of the "three qualities," Free of the "pairs of opposites,"[ FN# 2] and free From that sad righteousness which calculates; Self-ruled, Arjuna! simple, satisfied![ FN# 3] Look! like as when a tank pours water forth To suit all needs, so do these Brahmans draw Text for all wants from tank of Holy Writ. But thou, want not! ask not! Find full reward Of doing right in right! Let right deeds be Thy motive, not the fruit which comes from them. And live in action! Labour! Make thine acts Thy piety, casting all self aside, Contemning gain and merit; equable In good or evil: equability Is Yog, is piety! Yet, the right act Is less, far less, than the right-thinking mind. Seek refuge in thy soul; have there thy heaven! Scorn them that follow virtue for her gifts! The mind of pure devotion—even here—Casts equally aside good deeds and bad, Passing above them. Unto pure devotion Devote thyself: with perfect meditation Comes perfect act, and the right-hearted rise—More certainly because they seek no gain—Forth from the bands of body, step by step, To highest seats of bliss.
”
”
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
“
If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why.
In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair.
Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty.
Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both.
The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Did you have any yourself?" she said.
"Just one."
Harold thought of David, but it was too much to explain. He saw the boy as a toddler and how his face darkened in sunshine like a ripe nut. He wanted to describe the soft dimples of flesh at his knees, and the way he walked in his first pair of shoes, staring down, as if unable to credit they were still attached to his feet. He thought of him lying in hit cot, his fingers so appallingly small and perfect over his wool blanket. You could look at them and fear they might dissolve beneath your touch.
Mothering had come so naturally to Maureen. It was as if another woman had been waiting inside her all along, ready to slip out. She knew how to swing her body so that a baby slept; how to soften her voice; how to curl her hand to support his head. She knew what temperature the water should be in his bath, and when he needed to nap, and how to knit him blue wool socks. He had no idea she knew these things and he had watched with awe, like a spectator from the shadows. It both deepened his love for her and lifted her apart, so that just at the moment when he thought their marriage would intensify, it seemed to lose its way, or at least set them in different places. He peered at his baby son, with his solemn eyes, and felt consumed with fear. What if he was hungry? What if he was unhappy? What if other boys hit him when he went to school? There was so much to protect him from, Harold was overwhelmed. He wondered if other men had found the new responsibility of parenting as terrifying, or whether it had been a fault that was only in himself. It was different these days. You saw men pushing buggies and feeding babies with no worries at all.
”
”
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
“
Goggles but no bathing suit?" she asked.
Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?"
Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course."
The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below.
The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder.
"This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea?
"I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me."
Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon.
Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim."
They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove.
Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew.
He was glowing.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Once upon a time there was a child who had a golden brain. His parents only discovered this by chance when he injured his head and gold instead of blood flowed out. They then began to look after him carefully and would not let him play with other children for fear of being robbed. When the boy was grown up and wanted to go out into the world, his mother said: “We have done so much for you,we ought to be able to share your wealth.” Then her son took a large piece of gold out of his brain and gave it to his mother. He lived in great style with a friend who, however, robbed him one night and ran away. After that the man resolved to guard his secret and to go out to work, because his reserves were visibly dwindling. One day he fell in love with a beautiful girl who loved him too, but no more than the beautiful clothes he gave her so lavishly. He married her and was very happy, but after two years she died and he spent the rest of his wealth on her funeral, which had to be splendid. Once, as he was creeping through the streets,weak,poor, and unhappy, he saw a beautiful little pair of boots that would have been perfect for his wife. He forgot that she was dead- perhaps because his emptied brain no longer worked- and entered the shop to buy the boots. But in that very moment he fell, and the shopkeeper saw a dead man lying on the ground.
This story sounds as though it were invented, but it is true from beginning to end. There are people who have to pay for the smallest things in life with their very substance and their spinal cord. That is a constantly recurring pain, and then when they are tired of suffering…
Does not mother love belong to the ‘smallest’, but also indispensable, things in life, for which many people paradoxically have to pay by giving up their living selves?
”
”
Alice Miller
“
Subject: Some boat
Alex,
I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol.
The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask.
I won't ask.
My mother loves his wife's suits.
I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too.
I'll save you some cannoli.
-Ella
Subject: Shh
Fiorella,
Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you?
I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?).
Okay.
Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four.
Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits.
Three: We have a house kinda near Surf City. Maybe I'll be there when your there.
You'd better burn this after reading.
-Alexai
Subect: Happy Thanksgiving
Alexei,
Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course.
Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian.
She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back.
-F/E
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
With his tongue between his teeth, Officer Wally cocked his weapon and took aim.
BANG!
Mario felt the bullet enter his left foot, but carried on running undeterred. In place of screams, there was laughter. The golden ecstasy supplied by the drug was at its peak. It wouldn’t be long now; he could feel it.
BANG!
The second bullet caught him in his right foot, yet he dared not stop. It was near now, so near...
BANG!
“He missed,” Mario thought initially, but as he brought his hands to his lips, he tasted iron. Both his palms were bleeding profusely, and so were his feet. He laughed once again – head spinning, heart dancing, mind burdened by his search for meaning – his wet eyes on the velvet sky. The clouds were clearing.
‘The spear!’ he shouted to the heavens above. ‘Don’t forget the spear!’
It happened faster than any pair of eyes could capture it: the fourth bullet cut through the air with a tangible screech, and the nearby building exploded into applause. Like a marionette whose strings had been cut, Mario Fantoccio fell theatrically, the wound at his side painting the cobbles in Marsmeyer’s No.4 vermillion red.
The ground beneath him split down the middle, and from the depths of asphalt, he heard music. It was the Music of Strings, of Celestial Spheres – an underworld rhapsody with dark aftertones, gushing out of the earth like puss from a wound.
It was alluring, resplendent and at the same time, terrifying.
Demonic and eternal, devastating and yet hypnotizing, the Sounds of Hell beckoned, and like an obedient child, Mario followed, sinking deeper and deeper into the Underworld.
In a perfect moment of synchronicity, the orange sun of dusk broke through the rainclouds and cast a single beam of sunlight upon Mario’s forehead. He closed his eyes, his mind at ease, his head full of Music.
The cobbles trembled under the approaching sound of footsteps.
‘Where is he? Where did he go?’ said the pursuing man.
‘H-he just vanished, sarge. In-into thin air!’
‘Don’t be silly, Wally. People don’t just vanish into thin air. I know I got him. Heaven preserve me, I got him four times!’
‘Yes, sarge.’
‘What’s this now?’
‘Rather looks like our man, sarge. Or at least, his rough outline filled out in blood. Well, except—’
‘—except this one’s got wings,’ said the sergeant, his knees cracking as he crouched. He cautiously prodded the red shape with his index.
‘This ain’t blood, either.’
‘Sir?’
The sergeant shoved the finger in his mouth.
‘Theatrical red paint.
”
”
Louise Blackwick (The Underworld Rhapsody)
“
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him.
That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company.
He took his time turning and once he did, he started at the shoes.
They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin.
He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts.
He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color.
But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.”
Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere.
Madison Allain was home.
A day early.
Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month.
Owen stood just watching her, fighting back all of the first words that he was tempted to say.
Like, “Damn, you’re even more gorgeous than the last time I saw you.”
Or, “I haven’t put anyone in the hospital lately.”
Or, “I’ve missed you so fucking much.”
Just for instance.
”
”
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
“
God created the human species by materialising the bodies of man and woman through the force of His will; He endowed the new species with the power to create children in a similar ‘immaculate’ or divine manner. Because His manifestation in the individualised soul had hitherto been limited to animals, instinct-bound and lacking the potentialities of full reason, God made the first human bodies, symbolically called Adam and Eve. To these, for advantageous upward evolution, He transferred the souls or divine essence of two animals. In Adam or man, reason predominated; in Eve or woman, feeling was ascendant. Thus was expressed the duality or polarity which underlies the phenomenal worlds. Reason and feeling remain in a heaven of cooperative joy so long as the human mind is not tricked by the serpentine energy of animal propensities. “The human body was therefore not solely a result of evolution from beasts, but was produced by an act of special creation by God. The animal forms were too crude to express full divinity; the human being was uniquely given a tremendous mental capacity—the ‘thousand-petalled lotus’ of the brain—as well as acutely awakened occult centres in the spine. “God, or the Divine Consciousness present within the first created pair, counselled them to enjoy all human sensibilities, but not to put their concentration on touch sensations. These were banned in order to avoid the development of the sex organs, which would enmesh humanity in the inferior animal method of propagation. The warning not to revive subconsciously present bestial memories was not heeded. Resuming the way of brute procreation, Adam and Eve fell from the state of heavenly joy natural to the original perfect man.
”
”
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
“
Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
“I--Hermione, I’m sorry--I didn’t--”
“Didn’t realize that Ron and I know perfectly well what might happen if we come with you? Well, we do. Ron, show Harry what you’ve done.”
“Nah, he’s just eaten,” said Ron.
“Go on, he needs to know!”
“Oh, all right. Harry, come here.”
For the second time Ron withdrew his arm from around Hermione and stumped over to the door.
“C’mon.”
“Why?” Harry asked, following Ron out of the room onto the tiny landing.
“Descendo,” muttered Ron, pointing his wand at the low ceiling. A hatch opened right over their heads and a ladder slid down to their feet. A horrible, half-sucking, half-moaning sound came out of the square hole, along with an unpleasant smell like open drains.
“That’s your ghoul, isn’t it?” asked Harry, who had never actually met the creature that sometimes disrupted the nightly silence.
“Yeah, it is,” said Ron, climbing the ladder. “Come and have a look at him.”
Harry followed Ron up the few short steps into the tiny attic space. His head and shoulders were in the room before he caught sight of the creature curled up a few feet from him, fast asleep in the gloom with its large mouth wide open.
“But it…it looks…do ghouls normally wear pajamas?”
“No,” said Ron. “Nor have they usually got red hair or that number of pustules.”
Harry contemplated the thing, slightly revolted. It was human in shape and size, and was wearing what, now that Harry’s eyes became used to the darkness, was clearly an old pair of Ron’s pajamas. He was also sure that ghouls were generally rather slimy and bald, rather than distinctly hairy and covered in angry purple blisters.
“He’s me, see?” said Ron.
“No,” said Harry. “I don’t.”
“I’ll explain it back in my room, the smell’s getting to me,” said Ron.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see.
Everyone already saw
A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby.
"Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes.
"Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy).
Clearly, ice wasn't required for me to fall.
A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good.
I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently.
The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say.
She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon.
"Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better.
Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder.
"Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming?
"Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?"
Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be.
Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again.
"Actually," Romeo said, his voice calm, "I am pretty bored."
Three smirks were sent my way. What a bunch of idiots.
"The view from where I'm standing sure leaves a lot to be desired."
One by one, their eyes rounded when they realized the view he referenced was them.
Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair."
Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
The Case of the Eyeless Fly
The fruit fly has a mutant gene which is recessive, i.e., when paired with a normal gene, has no discernible effect (it will be remembered that genes operate in pairs, each gene in the pair being derived from one parent). But if two of these mutant genes are paired in the fertilised egg, the offspring will be an eyeless fly. If now a pure stock of eyeless flies is made to inbreed, then the whole stock will have only the 'eyeless' mutant gene, because no normal gene can enter the stock to bring light into their darkness. Nevertheless, within a few generations, flies appear in the inbred 'eyeless' stock with eyes that are perfectly normal. The traditional explanation of this remarkable phenomenon is that the other members of the gene-complex have been 'reshuffled and re-combined in such a way that they deputise for the missing normal eye-forming gene.' Now re-shuffling, as every poker player knows, is a randomising process. No biologist would be so perverse as to suggest that the new insect-eye evolved by pure chance, thus repeating within a few generations an evolutionary process which took hundreds of millions of years. Nor does the concept of natural selection provide the slightest help in this case. The re-combination of genes to deputise for the missing gene must have been co-ordinated according to some overall plan which includes the rules of genetic self-repair after certain types of damage by deleterious mutations. But such co-ordinative controls can only operate on levels higher than that of individual genes. Once more we are driven to the conclusion that the genetic code is not an architect's blueprint; that the gene-complex and its internal environment form a remarkably stable, closely knit, self-regulating micro-hierarchy; and that mutated genes in any of its holons are liable to cause corresponding reactions in others, co-ordinated by higher levels. This micro-hierarchy controls the pre-natal skills of the embryo, which enable it to reach its goal, regardless of the hazards it may encounter during development. But phylogeny is a sequence of ontogenies, and thus we are confronted with the profound question: is the mechanism of phylogeny also endowed with some kind of evolutionary instruction booklet? Is there a strategy of the evolutionary process comparable to the 'strategy of the genes'-to the 'directiveness' of ontogeny (as E.S. Russell has called it)?
”
”
Arthur Koestler (The Ghost in the Machine)
“
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door.
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened.
And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor.
“R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched.
“Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug.
“Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him.
It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Suddenly a violent noise leaped at them from no source that he could identify. He gasped in terror at what sounded like a man trying to gargle while fighting off a pack of wolves. “Shush!” said Ford. “Listen, it might be important.” “Im … important?” “It’s the Vogon captain making an announcement on the tannoy.” “You mean that’s how the Vogons talk?” “Listen!” “But I can’t speak Vogon!” “You don’t need to. Just put this fish in your ear.” Ford, with a lightning movement, clapped his hand to Arthur’s ear, and he had the sudden sickening sensation of the fish slithering deep into his aural tract. Gasping with horror he scrabbled at his ear for a second or so, but then slowly turned goggle-eyed with wonder. He was experiencing the aural equivalent of looking at a picture of two black silhouetted faces and suddenly seeing it as a picture of a white candlestick. Or of looking at a lot of colored dots on a piece of paper which suddenly resolve themselves into the figure six and mean that your optician is going to charge you a lot of money for a new pair of glasses. He was still listening to the howling gargles, he knew that, only now it had somehow taken on the semblance of perfectly straightforward English. This is what he heard … * Ford Prefect’s original name is only pronounceable in an obscure Betel-geusian dialect, now virtually extinct since the Great Collapsing Hrung Disaster of Gal./Sid./Year 03758 which wiped out all the old Praxibetel communities on Betelgeuse Seven. Ford’s father was the only man on the entire planet to survive the Great Collapsing Hrung Disaster, by an extraordinary coincidence that he was never able satisfactorily to explain. The whole episode is shrouded in deep mystery: in fact no one ever knew what a Hrung was nor why it had chosen to collapse on Betelgeuse Seven particularly. Ford’s father, magnanimously waving aside the clouds of suspicion that had inevitably settled around him, came to live on Betelgeuse Five, where he both fathered and uncled Ford; in memory of his now dead race he christened him in the ancient Praxibetel tongue. Because Ford never learned to say his original name, his father eventually died of shame, which is still a terminal disease in some parts of the Galaxy. The other kids at school nicknamed him Ix, which in the language of Betelgeuse Five translates as “boy who is not able satisfactorily to explain what a Hrung is, nor why it should choose to collapse on Betelgeuse Seven.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas.
Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor.
Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt.
Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot.
In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack
(aka Because this stuff won’t stop being confusing and my friends are mean edition)
From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.)
From Green to Red, with all the colours in between
Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn
Green
Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”
My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop.
Green-Yellow
Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”
My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash
Yellow
Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”
My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen
Yellow-Orange
Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)
My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren.
Orange
Friends’ Reaction: “So pretty it makes you jealous. Or gay.”
“Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.
My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting.
o Possible tie-in to romantic feels? Not sure yet.
Orange-Red
Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”
My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow
o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come?
Red (aka the most controversial code)
Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).
“Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”
“K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)
My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
”
”
Claire Kann (Let's Talk About Love)
“
There is no silence upon the earth or under the earth like the silence under the sea;
No cries announcing birth,
No sounds declaring death.
There is silence when the milt is laid on the spawn in the weeds and fungus of the rock-clefts;
And silence in the growth and struggle for life.
The bonitoes pounce upon the mackerel,
And are themselves caught by the barracudas,
The sharks kill the barracudas
And the great molluscs rend the sharks,
And all noiselessly--
Though swift be the action and final the conflict,
The drama is silent.
There is no fury upon the earth like the fury under the sea.
For growl and cough and snarl are the tokens of spendthrifts who know not the ultimate economy of rage.
Moreover, the pace of the blood is too fast.
But under the waves the blood is sluggard and has the same temperature as that of the sea.
There is something pre-reptilian about a silent kill.
Two men may end their hostilities just with their battle-cries,
'The devil take you,' says one.
'I'll see you in hell,' says the other.
And these introductory salutes followed by a hail of gutturals and sibilants are often the beginning of friendship, for who would not prefer to be lustily damned than to be half-heartedly blessed?
No one need fear oaths that are properly enunciated, for they belong to the inheritance of just men made perfect, and, for all we know, of such may be the Kingdom of Heaven.
But let silent hate be put away for it feeds upon the heart of the hater.
Today I watched two pairs of eyes. One pair was black and the other grey. And while the owners thereof, for the space of five seconds, walked past each other, the grey snapped at the black and the black riddled the grey.
One looked to say--'The cat,'
And the other--'The cur.'
But no words were spoken;
Not so much as a hiss or a murmur came through the perfect enamel of the teeth; not so much as a gesture of enmity.
If the right upper lip curled over the canine, it went unnoticed.
The lashes veiled the eyes not for an instant in the passing.
And as between the two in respect to candour of intention or eternity of wish, there was no choice, for the stare was mutual and absolute.
A word would have dulled the exquisite edge of the feeling.
An oath would have flawed the crystallization of the hate.
For only such culture could grow in a climate of silence--
Away back before emergence of fur or feather, back to the unvocal sea and down deep where the darkness spills its wash on the threshold of light, where the lids never close upon the eyes, where the inhabitants slay in silence and are as silently slain.
”
”
E.J. Pratt
“
Marlboro Man’s call woke me up the next morning. It was almost eleven.
“Hey,” he said. “What’s up?”
I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged.
“Were you asleep?” he said.
“Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings.
“Yes. You,” he said, chuckling. “I can’t believe you were asleep!”
“I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser.
“You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me.
I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?”
“Oh, I had to run to the city early this morning,” he said.
“Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there?
Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.”
Huh?
I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged.
“Yep. I am,” he answered.
“No you’re not,” I repeated.
“Yes. I am,” he said.
I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking.
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)