β
We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one.
β
β
Arthur Golden (Memoirs of a Geisha)
β
If you have experienced an evening more exciting than any in your life, you're sad to see it end; and yet you still feel grateful that it happened.
β
β
Arthur Golden (Memoirs of a Geisha)
β
If you keep your destiny in mind, every moment in life becomes an opportunity for moving closer to it.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Was life nothing more than a storm that constantly washed away what had been there only a moment before, and left behind something barren and unrecognizable?
β
β
Arthur Golden (Memoirs of a Geisha)
β
It was what we Japanese called the onion life, peeling away a layer at a time and crying all the while.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Occasionally in life we come upon things we can't understand, because we have never seen anything similar.
β
β
Arthur Golden (Memoirs of a Geisha)
β
From this experience, I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
β
β
Arthur Golden (Memoirs of a Geisha)
β
I've lived my life again just telling it to you.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Perhaps it seems odd that a casual meeting on the street could have brought about such change. But sometimes life is like that isn't it
β
β
Arthur Golden (Memoirs of a Geisha)
β
Neither you nor I can know your destiny. You may never know it! Destiny isn't always like a party at the end of the evening. Sometimes it's nothing more than struggling through life from day to day.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Nothing in life is ever as simple as we imagine.
β
β
Arthur Golden (Memoirs of a Geisha)
β
I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things, and finds the secret paths no one else has thought about -- the tiny hole through the roof or the bottom of the box. There's no doubt it's the most versatile of the five elements. It can wash away earth; it can put out fire; it can wear a piece of metal down and sweep it away. Even wood, which is its natural complement, can't survive without being nurtured by water. And yet, you haven't drawn on those strengths in living your life, have you?
β
β
Arthur Golden (Memoirs of a Geisha)
β
I expect you to go through life with your eyes open! If you keep your
destiny in mind, every moment in life becomes an opportunity for moving closer to it.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Cleaning is considered a vital part of the training process in all traditional Japanese disciplines and is a required practice for any novice. It is accorded spiritual significance. Purifying an unclean place is believed to purify the mind.
β
β
Mineko Iwasaki (Geisha, a Life)
β
Here you are...A beautiful girl with nothing to be ashamed of...And yet you are afraid to look at me. Someone has been cruel to you...Or perhaps life has been cruel.
"I don't know sir" I said, Though of course I knew perfectly well.
β
β
Arthur Golden (Memoirs of a Geisha)
β
If those sorts of moments would be the only pleasure life offered me, I'd be better off shutting out that one brilliant source of light to let my eyes begin to adjust to the darkness.
β
β
Arthur Golden (Memoirs of a Geisha)
β
What an unbearable sorrow it would be, to realized I'd never really tasted to things I'd eaten, or seen the places I'd been. What life would I have? I would be like the dancer who had practiced since childhood for a performance she would never give.
β
β
Arthur Golden (Memoirs of a Geisha)
β
And we are not mountaintop sages who can live by consuming mist.
β
β
Mineko Iwasaki (Geisha, a Life)
β
I understood that he left me at the end of his long life just as naturally as the leaves fall from the trees.
β
β
Arthur Golden (Memoirs of a Geisha)
β
When a stone is dropped into a pond, the water continues quivering even after the stone has sunk to the bottom.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Here's the thing: this eel spends its entire life trying to find a home, and what do you think women have inside them? Caves, where the eels like to live...when they find a cave they like, the wriggle around inside it for a while to be sure that...well, to be sure it's a nice cave, I suppose. And when they've made up their minds that it's comfortable, they mark the cave as their territory...by spitting.
β
β
Arthur Golden (Memoirs of a Geisha)
β
And suddenly everything around me seemed to grow quiet, as if he were the wind that blew and I were just a cloud carried upon it.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Here again, I saw life in all its noisy excitement passing me by.
β
β
Arthur Golden (Memoirs of a Geisha)
β
If Mother and Mameha couldn't come to an agreement, I would remain a maid all my life just as surely as a turtle remains a turtle
β
β
Arthur Golden (Memoirs of a Geisha)
β
Even now that he is gone I have him still, in the richness of my memories. I've lived my life again just telling it to you.
β
β
Arthur Golden (Memoirs of a Geisha)
β
As a young girl I believed my life would never have been a struggle if Mr.Tanaka hadn't torn me away from my tipsy house. But now I know that our world is no more permanent than a wave rising on the ocean. Whatever our struggles and triumphs, however we may suffer them, all too soon they bleed into a wash, just like watery ink on paper.
β
β
Arthur Golden (Memoirs of a Geisha)
β
... nothing in life is ever as simple as we imagine.
β
β
Arthur Golden (Memoirs of a Geisha)
β
I cannot tell you what it is that guides us in this life; but for me, I fell toward the Chairman just as a stone must fall toward the earth. When I cut my lip and met Mr. Tanaka, when my mother died and I was cruelly sold, it was all like a stream that falls over rocky cliffs before it can reach the ocean. Even now that he is gone I have him still, in the richness of my memories.
β
β
Arthur Golden (Memoirs of a Geisha)
β
In the instant before the door opened, I could almost sense my life expanding just like a river whose waters have begun to swell; for I had never before taken such a drastic step to change the course of my own future. I was like a child tiptoeing along a precipice overlooking the sea. And yet somehow I hadn't imagined a great wave might come and strike me there, and wash everything away.
β
β
Arthur Golden (Memoirs of a Geisha)
β
And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
β
β
Arthur Golden
β
Waiting patiently doesn't suit you.I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things. There's no doubt it's the most versatile of the five elements. It can wash away earth it can put fire it can wear a piece of metal down and sweep it away. And yet, you haven't drawn on those strengths in living your life, Have you?
β
β
Arthur Golden (Memoirs of a Geisha)
β
I wasnβt thanking him for the coin, or even for the trouble heβd taken in stopping to help me. I was thanking him for... well,
for something Iβm not sure I can explain even now. For showing me that something besides cruelty could be found in the world, I suppose.
β
β
Arthur Golden (Memoirs of a Geisha)
β
But, Mameha-san, I donβt want kindness!β
βDonβt you? I thought we all wanted kindness. Perhaps what you mean is that you want something more than kindness. And that is something youβre in no position to ask.
β
β
Arthur Golden (Memoirs of a Geisha)
β
They begged me not to quit. But they didnβt offer to change anything.
β
β
Mineko Iwasaki (Geisha: A Life)
β
And when I raised myself to look at the man whoβd spoken, I had a feeling of leaving my misery behind me there on the stone wall.
β
β
Arthur Golden (Memoirs of a Geisha)
β
I had the sudden insight that nothing in life is ever as simple as we imagine.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Destiny isnβt always like a party at the end of the evening. Sometimes itβs nothing more than struggling through life from day to day.
β
β
Arthur Golden (Memoirs of a Geisha)
β
I long ago developed a very practical smile, which I call my "Noh smile" because it resembles a Noh mask whose features are frozen. Its advantage is that men can interpret it however they want; you can imagine how often I've relied on it.
β
β
Arthur Golden
β
A star geiko is never, ever alone and I always wanted to be by myself.
β
β
Mineko Iwasaki (Geisha: A Life)
β
No matter how deep in disgrace, a human being IS human, after all.
β
β
Sayo Masuda (Autobiography of a Geisha)
β
Now, Chiyo, stumbling along in life is a poor way to proceed. You must learn how to find the time and place for things.
β
β
Arthur Golden (Memoirs of a Geisha)
β
It's your duty to use what influence you have, unless you want to drift through life like a fish belly-up on the stream"
"I wish I could believe that life really is something more than a stream that carries us along, belly-up"
"Alright, if it's a stream, you're still free to be in this part of it or that part, aren't you? The water will divide again and again. If you bump, and tussle, and fight, and make use of whatever advantages you might have-"
"Oh, that's fine, I'm sure, when you have advantages."
"You'd find them everywhere, if you ever bothered to look!
β
β
Arthur Golden (Memoirs of a Geisha)
β
We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course. If I'd never met Mr. Tanaka, my life would have been a simple stream flowing from our tipsy house to the ocean. Mr. Tanaka changed all that when he sent me out into the world.
β
β
Arthur Golden (Memoirs of a Geisha)
β
If we rub a fabric too often, it will quickly grow threadbare; and Nobuβs words had rasped against me so much, I could no longer maintain that finely lacquered surface Mameha had always counseled me to hide behind.
β
β
Arthur Golden (Memoirs of a Geisha)
β
This was what we Japanese called the βonion lifeββpeeling away a layer at a time and crying all the while.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Kimono, the. Costumes of our profession, are sacred to us. They are the emblems of our calling. Kimono embody beautyas we understand!!!
β
β
Mineko Iwasaki (Geisha, a Life)
β
He lived in a world that was visible, even if it didn't always please him to be there.
β
β
Arthur Golden (Memoirs of a Geisha)
β
How come we kept celebrating things that made me feel bad?
β
β
Mineko Iwasaki (Geisha: A Life)
β
Once when I was a little child of six or so, I watched a spider spinning its web in a corner of the house. Before the spider had even finished its job, a mosquito flew right into the web and was trapped there. The spider didn't pay it any attention at first, but went on with what it was doing; only when it was finished did it creep over on its pointy toes and sting that poor mosquito to death. As I sat there on that wooden floor and watched Hatsumomo come reaching for me with her delicate fingers, I knew I was trapped in a web she had spun for me.
β
β
Arthur Golden (Memoirs of a Geisha)
β
After this, I couldn't hear their voices any longer; for in my ears I heard a sound like a bird's wings flapping in panic. Perhaps it was my heart, I don't know. But if you've ever seen a bird trapped inside the great hall of a temple, looking for some way out, well, that was how my mind was reacting. It had never occurred to me that my mother wouldn't simply go on being sick. I won't say I'd never wondered what might happen if she should die; I did wonder about it, in the same way I wondered what might happen if our house were swallowed up in an earthquake. There could hardly be life after such an event.
β
β
Arthur Golden (Memoirs of a Geisha)
β
It was an evening of torment, and I remember only one other thing about it. At some point after everyone was asleep, I wandered away from the inn in a daze and ended up on the sea cliffs, staring out into the darkness with sound of the roaring water below me. The thundering of the ocean was like a bitter lament. I seemed to see beneath everything a layering of cruelty I have never known was there. The howling of the wind and shaking of the trees seemed to mock me. Could it really be that the stream of my life had divided forever.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Women are always expected to be the gracious hostess, quick with an anecdote and a sprinkling of laughter at others' stories. We are always the ones who have to smooth over all the awkward moments in life with soul-crushing pleasantries. We are basically unpaid geishas. But when we do not fulfill this expectation ( because we are introverted ) people asume we must be either depressed or a cunt".
β
β
Amy Schumer (The Girl with the Lower Back Tattoo)
β
I lived in that contented state a long while before I was finally able to look back and admit how desolate my life had once been. Iβm sure I could never have told my story otherwise; I donβt think any of us can speak frankly about pain until we are no longer enduring it.
β
β
Arthur Golden (Memoirs of a Geisha)
β
I won't say I'd never wondered what might happen if she should die; I did wonder about it, in the same way I wondered what might happen if our house were swallowed up in an earthquake. There could hardly be life after such an event.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Since the day Iβd left Yoroido, Iβd done nothing but worry that every turn of lifeβs wheel would bring yet another obstacle into my path; and of course, it was the worrying and the struggle that had always made life so vividly real to me.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Whom did I belong to?
β
β
Mineko Iwasaki (Geisha: A Life)
β
Dance and the other art forms can be taught, but how to make an ozashiki sparkle can not.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I knew even then that she was right. An en is a karmic bond lasting a lifetime. Nowadays many people seem to believe their lives are entirely a matter of choice; but in my day we viewed ourselves as pieces of clay that forever show the fingerprints of everyone who has touched them. Nobu's touch had made a deeper impression on me than most. No one could tell me whether he would be my ultimate destiny, but I had always sensed the en between us. Somewhere in the landscape of my life Nobu would always be present. But could it really be that of all the lessons I'd learned, the hardest one lay just ahead of me? Would I really have to take each of my hopes and put them away where no one would ever see them again, where not even I would ever see them?
β
β
Arthur Golden (Memoirs of a Geisha)
β
The moment I formulated this thought, everything aroud me seemed to droop heavily toward the earth. Outside in the garden, the eaves of the roof dripped rain like beads of weighted glass. Even the mats themselves seemed to press down upon the floor. I remember thinking that I was dacing to express not the pain of a young woman who has lost her supernatural lover, but the pain I myself would feel when my life was finally robbed of the one thing I cared most deeply about. I found myself thinking,too,of satsu; I danced the bitterness of our eternal separation.By the end I felt almost overcome with grief; but I certainly wasn't prepared for what I saw when I turned to look at the Chairman.He was sitting at the near corner of the table so that, as it happened, no one but me could see him. I thought he wore an expression of astonishment at first, because his eyes were so wide. But just as his mouth sometimes twitched when he tried not to smile, now I could see it twitching under the strain of a different emotion. I couldn't be sure, but I had to impression his eyes were heavy with tears. He looked toward the door, pretending to scratch the side of his nose so he cold wipe a finger in the corner of his eye; and he smoothed his eyebrows as if the were the source of his trouble. I was so shocked to see the Chairman in pain I felt almost disoriented for a moment.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Suppose that you and I were sitting in a quiet room overlooking a garden, chatting and sipping at our cups of green tea while we talked about something that had happened a long while ago, and I said to you, βThat afternoon when I met so-and-so . . . was the very best afternoon of my life, and also the very worst afternoon.
β
β
Arthur Golden (Memoirs of a Geisha)
β
No, Mineko, beauty is universal. There is an absolute principle in this world that underlies the appearance and disappearance of all phenomena. That is what we call karma. It is constant and immutable, and gives rise to universal values like beauty and morality.
β
β
Mineko Iwasaki (Geisha, a Life)
β
It is said that a person who has the eyes to see can penetrate to the core of a personβs character, no matter how old that person might be.
β
β
Mineko Iwasaki (Geisha: A Life)
β
Oneβs dresser often becomes oneβs confidant, a person one turns to for brotherly advice and counsel.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I remember thinking that this transformation, which I witnessed thousands of times, was an eloquent statement of the styleβs ability to evoke and express beauty.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I feel such poignancy when I look back and see this image of myself, this unworldly young woman, trying so hard to please, yet not wanting anyone to come near.
β
β
Mineko Iwasaki (Geisha: A Life)
β
And a geiko brings with her the cornucopia of connections she has cultivated over her career, which can be very important for a young man starting out.
β
β
Mineko Iwasaki (Geisha: A Life)
β
Even though I knew little about money, I knew that I was the main support of the household.
β
β
Mineko Iwasaki (Geisha: A Life)
β
Youβre not fine. You could die if you keep this up.β βAh, the beautiful always die young.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I felt powerless, like a carp on the cutting board ready to be sliced into sashimi.
β
β
Mineko Iwasaki (Geisha: A Life)
β
The only adult male I had ever known was my father. All my ideas about love and responsibility came from him.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I blurted out my whole laundry list of requirements. I clearly had in mind someone as sophisticated as my father or Dr. Tanigawa.
β
β
Mineko Iwasaki (Geisha: A Life)
β
These days, unfortunately, people of means may no longer have the time and interest to pursue such hobbies.
β
β
Mineko Iwasaki (Geisha: A Life)
β
This transparent system of accounting means that we know which geiko did the most business on any given day. It is always clear who is Number One.
β
β
Mineko Iwasaki (Geisha: A Life)
β
We are de facto diplomats who have to be able to communicate with anyone. But this doesnβt mean we are doormats.
β
β
Mineko Iwasaki (Geisha: A Life)
β
My real problem isnβt in my throat or kidneys. The doctor should have operated on my heart instead.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I'd done nothing but worry that every turn of life's wheel would bring yet another obstacle into my path; and of course, it was the worrying and the struggle that had always made life so vividly real to me. When we fight upstream against a rocky undercurrent, every foothold takes on a kind of urgency.
β
β
Arthur Golden (Memoirs of a Geisha)
β
But life was too full for me to dwell on anything for very long. When I was seven I became self-conscious of the fact that I was a βvery busy person.β I always had somewhere to go, something to do, someone to see.
β
β
Mineko Iwasaki (Geisha: A Life)
β
This is why the whole notion of βgeisha housesβ being dens of ill repute is so ridiculous. Men are barely allowed inside these bastions of feminine society, let alone permitted to frolic with the inhabitants after they arrive.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I wonder why I was so hard on myself. It was something about my father, something about feeling so alone. I completely believed that the answer to everything was self-discipline. I believed that self-discipline was the key to beauty.
β
β
Mineko Iwasaki (Geisha: A Life)
β
that droplet of moisture that had slipped from me like a tear seemed almost to tell the story of my life. It fell through empty space, with no control whatsoever over its destiny; rolled along a path of silk; and somehow came to rest there on the teeth of that dragon. I thought of the petals Iβd thrown into the Kamo River shallows outside Mr. Arashinoβs workshop, imagining they might find their way to the Chairman. It seemed to me that, somehow, perhaps they had.
β
β
Arthur Golden (Memoirs of a Geisha)
β
From the geikoβs point of view, she needs a partner who is as interesting as the men she meets every night of the week. Most have no desire to leave their aerie of glamour and openness for the constriction of a middle-class existence.
β
β
Mineko Iwasaki (Geisha: A Life)
β
It struck me that we-that moth and I-were two opposite extremes. My existence was as unstable as a stream, changing in every
way; but the moth was like a piece of stone, changing not at all. While thinking this thought, I reached out a finger to feel the mothβs velvety surface; but when I brushed it with my fingertip, it turned all at once into a pile of ash without even a sound, without even a moment in which I could see it crumbling. I was so astonished I let out a cry. The swirling in my mind stopped; I felt as if I had stepped into the eye of a storm. I let the tiny shroud and its pile of ashes flutter to the ground; and now I understood the thing that had puzzled me all morning. The stale air had washed away. The past was gone.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Sometimes I had to be nice to people whom I found physically repulsive. This was the hardest because repulsion is a difficult reaction to conceal. But the customers had paid for my company. The least I could do was treat every one of them graciously.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I had a serious conversation with the flowers and they told me where they came from. I was right. They were from the man who was secreted away in my heart. I missed him so much. I couldnβt wait to see him again. But, at the same time, I was scared of him. Whenever I thought of him a little door in my heart banged shut and I felt like crying. I had no idea what was going on.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I have no idea. Itβs not my problem. But Iβm sure youβll do just fine. Anyway, you arenβt what Iβm looking for. Iβm looking for a grand passion, someone who will sweep me off my feet and teach me all about love. And then Iβm going to become a really great dancer.
β
β
Mineko Iwasaki (Geisha: A Life)
β
I watched him walk away with sickness in my heartβthough it was a pleasing kind of sickness, if such a thing exists. I mean to say that if you have experienced an evening more exciting than any in your life, youβre sad to see it end; and yet you still feel grateful that it happened. In that brief encounter with the Chairman, I had changed from a lost girl facing a lifetime of emptiness to a girl with purpose in her life. Perhaps it seems odd that a casual meeting on the street could have brought about such change. But sometimes life is like that, isnβt it? And I really do think if youβd been there to see what I saw, and feel what I felt, the same might have happened to you.
β
β
Arthur Golden (Memoirs of a Geisha)
β
My father had two favorite sayings. One is a saying about samurai. It is a kind of proverb that says a samurai must keep to a higher standard than the common man. Even if he has nothing to eat, he pretends that he has plenty, meaning that a samurai never lets go of his pride.
β
β
Mineko Iwasaki (Geisha: A Life)
β
A geikoβs kimono is a work of art and I would never wear a kimono that wasnβt absolutely perfect. All the kimono worn by maiko and geiko are one of a kind. Many of them are given names, like paintings, and are treasured as such. This is why I have such a vivid memory of everything I ever wore.
β
β
Mineko Iwasaki (Geisha: A Life)
β
Men have a kind of... well, an 'eel' on them... It isn't an eel really, but pretending it's an eel makes things so much easier. Here's the thing: this eel spends its entire life trying to find a home, and what do you think women have inside them? Caves, where the eels like to live.
You may not know this about eels, but they're quite territorial. When they find a cave they like, they wriggle around inside it for awhile to be sure that... well to be sure it's a nice cave, I suppose. And when they've made up their minds that it's comfortable, they mark the cave as their territory, by spitting.
Men like doing this very much. There are even men who do little in their lives besides search for different caves to let their eels live in.
β
β
Arthur Golden (Memoirs of a Geisha)
β
Because I'd lived through adversity once before, what I learned about myself was like a reminder of something I'd once known but had nearly forgotten-namely, that beneath the elegant clothing, and the accomplished dancing, and the clever conversation, my life had no complexity at all, but was as simple as a stone falling toward the ground. My whole purpose in everything during the past ten years had been to win the affections of the Chairman.
β
β
Arthur Golden (Memoirs of a Geisha)
β
That Seigo could go into geisha houses, accept luncheon invitations, drop in at the Club, see people off at Shimabashi, meet them at Yokohama, run out to Oiso to humor the eldersβthat he could put in his appearance at large gatherings from morning to evening without seeming either triumphant or dejectedβthis must be because he was thoroughly accustomed to this kind of life, thought Daisuke; it was probably like the jellyfish's floating in the sea and not finding it salty.
β
β
Natsume SΕseki (And Then)
β
I had unwittingly crossed a line. Not only was Hikari-chan an outcast, but she was also a half-breed, fathered out of wedlock by an American GI. It was all too much for Auntie Oima, who couldnβt contain her fear that I would be contaminated by association. Keeping my reputation unsullied was one of her major preoccupations.
β
β
Mineko Iwasaki (Geisha: A Life)
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One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe theyβll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethovenβs Fifth. Itβll roll like thunder through a different frontier. Human music will permeate the Milky Wayβs outer reaches. Thereβll be Chuck Berry and Bach, thereβll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps theyβll hear the trundle of a tractor and the voice of a child.
When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a humanβs mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEGβs pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earthβs tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geishaβs expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
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Samantha Harvey (Orbital)
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The fee for a banquet at an ochaya is not inexpensive. An ozashiki costs about $500 an hour. This includes the use of the room and the services of the ochaya staff. It does not include the food and drink that is ordered, nor the fees for the services of the geiko. A two-hour party with a full dinner for a few guests and three or four geiko in attendance can easily cost $2,000.
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Mineko Iwasaki (Geisha: A Life)
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I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
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Arthur Golden (Memoirs of a Geisha)
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We lead our lives like water flowing down a hill, going more or less in one direction until we splash into something that forces us to find a new course. If I'd never met Mr. Tanaka, my life would have been a simple stream flowing from our tipsy house to the ocean. Mr. Tanaka changed all that when he sent me out into the world. But being sent out into the world isn't necessarily the same as leaving your home behind you. I'd been in Gion more than six months by the time I received Mr. Tanaka's letter; and yet during that time, I'd never for a moment given up the belief that I would one day find a better life elsewhere, with at least part of the family I'd always known. I was living only half in Gion; the other half of me lived in my dreams of going home. This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes consume us completely.
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Arthur Golden (Memoirs of a Geisha)
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You're eighteen years old, Sayuri," she went on. "Neither you nor I can know your destiny. You may
never know it! Destiny isn't always like a party at the end of the evening. Sometimes it's nothing more
than struggling through life from day to day."
"But, Mameha-san, how cruel!"
"Yes, it is cruel," she said. "But none of us can escape destiny."
"Please, it isn't a matter of escaping my destiny, or anything of that sort. Nobu-san is a good man, just as
you say. I know I should feel nothing but gratitude for his interest, but . . . there are so many things I've
dreamed about."
"And you're afraid that once Nobu has touched you, after that they can never be? Really, Sayuri, what
did you think life as a geisha would be like? We don't become geisha so our lives will be satisfying. We
become geisha because we have no other choice."
"Oh, Mameha-san . . . please . . . have I really been so foolish to keep my hopes alive that perhaps one
day-"
"Young girls hope all sorts of foolish things, Sayuri. Hopes are like hair ornaments. Girls want to wear
too many of them. When they become old women they look silly wearing even one.
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Arthur Golden (Memoirs of a Geisha)
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Now she took a close look at me for the first time, puffing on her pipe while the old woman beside her sighed. I didnt feel I could look at Mother directly, but I had the impression of smoke seeping out of her face like steam from a crack in the earth. I was so curious about her that my eyes took on a life of their own and began to dart about. The more I saw of her, the more fascinated I became. Her kimono was yellow, with willowy branches bearing lovely green and orange leaves; it was made of silk gauze as delicate as a spiders web. Her obi was every bit as astonishing to me. It was a lovely gauzy texture too, but heavier-looking, in russet and brown with gold threads woven through. The more I looked at her clothing, the less I was aware of standing there in that dirt corridor, or of wondering what had become of my sister and my mother and father and what would become of me.
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Arthur Golden
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When I was a nursemaid at the home of the landowners, a nun who happened to pass once gave me something square and white.Timidly I licked it and discovered that it was sweet and delicious. I realize now that it must have been a sugar cube;but still, more than twenty years later, I remember clearly the joy I felt then. It's not just children; everyone seems to be deeply touched by unexpected joy brought to them by others and is unable to forget it.
That child will be grown up by now, and if he hasn't forgotten me, whenever he sees a crying child he'll want to say a kind word and wipe the kid's nose. And when that kid grows up, he'll do the same. To do something kind for another is never a bad feeling; it fosters a spirit of caring for other people. And who knows,after a hundrend years, human beings may even learn to cooperate with one another...Yes, that was it: I'd try to teach children that if they felt glad when someone gave them a single piece of candy,then they in turn should give to others.
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Sayo Masuda