Percival Everett Quotes

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Read. Always read. No one can take that away from you.
Percival Everett (I Am Not Sidney Poitier)
Belief has nothing to do with truth.
Percival Everett (James)
If you're not making mistakes, you're not learning.
Percival Everett (James)
At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them, sounding them out or comprehending them. It was a completely private affair and completely free and, therefore, completely subversive.
Percival Everett (James)
Everybody should read fiction… I don’t think serious fiction is written for a few people. I think we live in a stupid culture that won’t educate its people to read these things. It would be a much more interesting place if it would. And it’s not just that mechanics and plumbers don’t read literary fiction, it’s that doctors and lawyers don’t read literary fiction. It has nothing to do with class, it has to do with an anti-intellectual culture that doesn’t trust art.
Percival Everett
I hated the world that wouldn’t let me apply justice without the certain retaliation of injustice.
Percival Everett (James)
Which would frighten you more? A slave who is crazy or a slave who is sane and sees you clearly?
Percival Everett (James)
I had never seen a white man filled with such fear. The remarkable truth, however, was that it was not the pistol, but my language, the fact that I didn’t conform to his expectations, that I could read, that had so disturbed and frightened him.
Percival Everett (James)
With my pencil, I wrote myself into being.
Percival Everett (James)
Dey takes the lies dey want and throws away the truths dat scares ’em.
Percival Everett (James)
Everybody talks about genocides around the world, but when the killing is slow and spread over a hundred years, no one notices. Where there are no mass graves, no one notices. American outrage is always for show. It has a shelf life.
Percival Everett (The Trees)
Why will I bury you? So that one day I might disturb your grave.
Percival Everett (The Water Cure)
- You know, dull tools are much more dangerous than sharp ones. - I paused to admire his metaphor, but he continued.
Percival Everett (James)
But my interest is in how these marks that I am scratching on this page can mean anything at all. If they can have meaning, then life can have meaning, then I can have meaning.
Percival Everett (James)
I did not look away. I wanted to feel the anger. I was befriending my anger, learning not only how to feel it, but perhaps how to use it.
Percival Everett (James)
There is no God, child. There’s religion but there’s no God of theirs. Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. But when we’re around them, we believe in God. Oh, Lawdy Lawd, we’s be believin’. Religion is just a controlling tool they employ and adhere to when convenient.
Percival Everett (James)
We're slaves. We're not anywhere. Free person, he can be where he wants to be. The only place we can ever be is in slavery.
Percival Everett (James)
It’s a horrible world. White people try to tell us that everything will be just fine when we go to heaven. My question is, Will they be there? If so, I might make other arrangements.
Percival Everett (James)
To fight in a war,' he said. 'Can you imagine?' 'Would that mean facing death every day and doing what other people tell you to do?' I asked. 'I reckon.' 'Yes, Huck. I can imagine.
Percival Everett (James)
Religion is just a controlling tool they employ and adhere to when convenient.
Percival Everett (James)
I can tell you that I am a man who is cognizant of his world, a man who has a family, who loves a family, who has been torn from his family, a man who can read and write, a man who will not let his story be self-related, but self-written.
Percival Everett (James)
I chose the word enemy, and still do, as oppressor necessarily supposes a victim.
Percival Everett (James)
The world demands that you introduce yourself twice, first as you are, and second as you are told to be.
Percival Everett (Erasure)
White people often spent time admiring their survival of one thing or another. I imagined it was because so often they had no need to survive, but only to live.
Percival Everett (James)
I saw the surface of her, merely the outer shell, and realized that she was mere surface all the way to her core.
Percival Everett (James)
How strange a world, how strange an existence, that one’s equal must argue for one’s equality, that one’s equal must hold a station that allows airing of that argument, that one cannot make that argument for oneself, that premises of said argument must be vetted by those equals who do not agree.
Percival Everett (James)
The children said together, “And the better they feel, the safer we are.” “February, translate that.” “Da mo’ betta dey feels, da mo’ safer we be.” “Nice.
Percival Everett (James)
You should know I consider police shootings to be lynchings
Percival Everett (The Trees)
I considered the northern white stance against slavery. How much of the desire to end the institution was fueled by a need to quell and subdue white guilt and pain? Was it just too much to watch? Did it offend Christian sensibilities to live in a society that allowed that practice? I knew that whatever the cause of their war, freeing slaves was an incidental premise and would be an incidental result.
Percival Everett (James)
It's okay to love something bigger than yourself without fearing it. Anything worth loving is bigger than we are anyway.
Percival Everett (Wounded)
Way I sees it is dis. If’n ya gots to hab a rule to tells ya wha’s good, if’n ya gots to hab good ’splained to ya, den ya cain’t be good. If’n ya need sum kinda God to tells ya right from wrong, den you won’t never know.
Percival Everett (James)
I felt tired of the failures of men. They were always failing in the most basic ways, like looking down or away at the moment when they should be gutsy enough to meet your eye.
Percival Everett (James)
I am a sign. I am your future. I am James.
Percival Everett (James)
Linda Mallory is the postmodern fuck.
Percival Everett (Erasure)
What you’re saying is that if someone pays you enough, it’s okay to abandon what you have claimed to understand as moral and right.
Percival Everett (James)
He could have gone through life without the knowledge I had given him and he would have been no worse off for it. But I understood at that moment that I had shared the truth with him for myself. I needed for him to have a choice.
Percival Everett (James)
Why are people so fucked up?” I asked “Maybe you do need college, Poiter,” Everett said. “You want to know why people are so fucked up? Son, that’s about the only question I can answer with even a small measure of authority. It’s because they’re people. People, my friend, are worse than anybody.
Percival Everett (I Am Not Sidney Poitier)
I was, in life, to be a gambler, a risk taker, a swashbuckler, a knight. I accepted, then and there, my place in this world. I was a fighter of windmills. I was a chaser of whales.
Percival Everett (I Am Not Sidney Poitier)
It’s a bitch, ain’t it? The things we assume.
Percival Everett (I Am Not Sidney Poitier)
When you step on the gas, do it gently, softly, slowly. Okay? All right, let's try it again. Gently. Treat it like you would a woman." "I would never step on a woman.
Percival Everett (Dr. No)
I had never heard such bullshit in my life. I opened my mouth and said, "I have never heard such bullshit in my life.
Percival Everett (Telephone)
Unknown Male is a name,” the old woman said. “In a way, it’s more of a name than any of the others. A little more than life was taken from them.
Percival Everett (The Trees)
A reiteration of the obvious is never wasted on the oblivious.
Percival Everett (Erasure)
It's incredible that a sentence is ever understood. Mere sounds strung together by some agent attempting to mean some thing but the meaning need not, and does not, confine itself to that intention.
Percival Everett (Erasure)
History is a motherfucker,
Percival Everett (The Trees)
Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares ’em.
Percival Everett (James)
As a matter of fact, just recently I passed for white so I could pass for black.
Percival Everett (James)
But in this notebook I would reconstruct the story I had begun, the story I kept beginning, until I had a story.
Percival Everett (James)
I had never read a novel, though I understood the concept of fiction. It wasn't so unlike religion, or history, for that matter.
Percival Everett (James)
You sound like a physicist," she said. "There's no need to be insulting.
Percival Everett (Dr. No)
If you don’t want a secret, don’t accept it.
Percival Everett (Erasure)
I suspected at that moment that I would not die, but it was unclear whether I would be pleased about that fact.
Percival Everett (James)
I am the angel of death, come to offer sweet justice in the night. I am a sign I am your future. I am James.
Percival Everett (James)
Yes, but them people liked it, Jim. Did you see their faces? They had to know them was lies, but they wanted to believe. What do you make of that?” “Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares ’em.
Percival Everett (James)
I don’t think meaning exists without form, and certainly form does not exist without meaning. Meaning and story come first. Story is the most important part of fiction. Without it, what’s the point? If all you care about is form, become a critic.
Percival Everett
I ain't never seen two fellas talk so much and say so little," Huck said. "You be almos' thinkin' dey be preachers," I said. "You know what I could go fer, Bilgewater?" "What's that, Dolphin?
Percival Everett (James)
Was it evil to kill evil? The truth was that I didn't care. It was this apathy that left me wondering about myself - not wondering why I didn't feel anything or whether I was incapable of feeling, but wondering what else I was capable of doing. It was not an altogether bad feeling.
Percival Everett (James)
I had already come to understand the tidiness of lies, the lesson learned from the stories told by white people seeking to justify my circumstance. I appreciated Voltaire’s notion of tolerance regarding religious difference and I understood, as absorbed as I was, that I was not interested in the content of the work, but its structure, the movement of it, the calling out of logical fallacies. And so, after these books, the Bible itself was the least interesting of all. I could not enter it, did not want to enter it, and then understood that I recognized it as a tool of my enemy. I chose the word enemy, and still do, as oppressor necessarily supposes a victim.
Percival Everett (James)
Babies are smarter than us. It seems they’re always trying to kill themselves. That’s why we have to watch them every second, so they don’t swallow nickels or drink weed killer or eat Tylenol like candy. Then we get stupid and want to live.
Percival Everett (The Trees)
It could have been my turn to experience a bit of guilt, having toyed with the boy's feelings, and he being too young to actually understand the problem with his behavior, but I chose not to. When you are a slave, you claim choice where you can.
Percival Everett (James)
The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it. I don’t believe in race. I believe there are people who will shoot me or hang me or cheat me and try to stop me because they do believe in race, because of my brown skin, curly hair, wide nose and slave ancestors. But that’s just the way it is.
Percival Everett (Erasure)
could believe it, I thought, pretending, in slave fashion, not to be there. After being cruel, the most notable white attribute was gullibility.
Percival Everett (James)
Tell them I’m called February, but that I was born in June. They like thinking that we’re stupid like that.
Percival Everett (James)
had already come to understand the tidiness of lies, the lesson learned from the stories told by white people seeking to justify my circumstance.
Percival Everett (James)
hear him shouting, “But I paid two hundred dollars for you.” A man who refused to own slaves but was not opposed to others owning slaves was still a slaver, to my thinking.
Percival Everett (James)
To fight in a war,” he said. “Can you imagine?” “Would that mean facing death every day and doing what other people tell you to do?” I asked. “I reckon.” “Yes, Huck, I can imagine.
Percival Everett (James)
And though I missed my lover, I was not sad. I was satisfied. I was different.
Percival Everett (So Much Blue)
It had a rear bumper sticker that read Legalize Recreational Plutonium.
Percival Everett (Dr. No)
Of all possible worlds this was the one in which I had landed.
Percival Everett (Telephone)
People should know, understand that not all Thursdays are the same.
Percival Everett (The Trees)
She stared at the television. “Why is it that after all the bullets have bounced off Superman’s chest, he then ducks when the villain throws the empty gun at him?
Percival Everett (I Am Not Sidney Poitier)
Huck nodded. “You know where we goin’?” the boy asked. “Ain’t got no idee. But we’s on our way.” —
Percival Everett (James)
What did I do? I'm a slave, Norman. I inhaled when I should have exhaled. What did I do?
Percival Everett (James)
It would of course be a shame to get too old. There’s no virtue in living too long. Living shouldn’t become a habit.
Percival Everett (Erasure)
With my pencil, I wrote myself into being. I wrote myself to here.
Percival Everett (James)
Why did God set it up like this?” Rachel asked. “With them as masters and us as slaves?” “There is no God, child. There’s religion but there’s no God of theirs. Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. But when we’re around them, we believe in God. Oh, Lawdy Lawd, we’s be believin’. Religion is just a controlling tool they employ and adhere to when convenient.” “There must be something,” Virgil said. “I’m sorry, Virgil. You might be right. There might be some higher power, children, but it’s not their white God. However, the more you talk about God and Jesus and heaven and hell, the better they feel.” The children said together, “And the better they feel, the safer we are.
Percival Everett (James)
Linda Mallory was the postmodern fuck. She was self conscious to the point of distraction, counted her orgasms and felt none of them. She worried about how she looked while making love, about how her expression changed when she started to come, whether she was too tight, too loose, too dry, too wet, too loud, to quiet and she found need to express these concerns during the course of the event.
Percival Everett (Erasure)
It’s a horrible world. White people try to tell us that everything will be just fine when we go to heaven. My question is, Will they be there? If so, I might make other arrangements.” Easter laughed.
Percival Everett (James)
Hannibal. I’m looking for the Graham farm.” “The breeder?” he asked. “What do you mean?” “Graham’s a breeder. He breeds slaves and sells them.” “My wife and daughter were taken there.” The man was silent.
Percival Everett (James)
At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them,
Percival Everett (James)
Then I wondered which was more confidence killing: believing that you should not have felt inadequate when in fact you were, or discovering that, all along, you were actually smart enough to see things clearly, that you were correct in your fear.
Percival Everett (Erasure)
Why are you still a priest?” Eigen asked, not letting the subject go. “My dear girl,” Karras said. “I remain a goddamn cleric because in this world one needs something to hide behind. I have chosen this fucking collar. You have chosen mathematics.
Percival Everett (Dr. No)
Papa, why do we have to learn this?” “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” I said. “The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.
Percival Everett (James)
There was a mama raccoon that lived in the tree. She had taken to walking past me nonchalantly in the darkness. Tonight she stayed in the tree, high above me, listening to the dogs. We were both animals and we didn’t know which of us was the prey. We accepted that we both were.
Percival Everett (James)
Is she dead?” Norman asked. I rolled her onto her stomach to try to force the water out of her. I pushed on her chest and her shirt came up to reveal a hole. “Is that…” Norman stopped. I touched the blackened indentation. “She’s been shot,” I said. “Good Lord,” Norman said. “She’s dead.” “We should have left her where she was,” Norman said. “At least she’d be a live slave. Not just another dead runaway.” I studied the lifeless body on the ground before me. “She was dead when I found her,” I said. “She’s just now died again, but this time she died free.
Percival Everett (James)
People, and by people I mean them, never look for truth, they look for satisfaction. There is nothing worse, certain painful and deadly diseases notwithstanding, than an unsatisfactory, piss-poor truth, whereas a satisfactory lie is all too easy to accept, even embrace, get cozy with.
Percival Everett (Telephone)
I read and read, but what I needed was to write. I needed that pencil. I could not keep track of my thoughts. I could not follow my own reasoning after a while. This was perhaps because I couldn't stop reading long enough to make space in my head. I was like a man who had not eaten for a season and had then gorged himself until sick. And my books, once read, were not what I wanted, not what I needed. (...) With my pencil, I wrote myself into being. I wrote myself to here.
Percival Everett (James)
You know', I said, 'I have come to dislike museums.’ 'Why is that?’, she asked. 'It is where art comes to die.
Percival Everett (So Much Blue)
I wrote to extend my thought, I wrote to catch up with my own story, wondering all the while if that was even possible.
Percival Everett (James)
She looked at Norman. “Are you really a slave?” she asked. “I am.” “And you’re colored,” she said. Norman nodded. “Who can tell?” “Nobody,” Norman said. “Then why do you stay colored?” “Because of my mother. Because of my wife. Because I don’t want to be white. I don’t want to be one of them.” Sammy looked at me. “That’s a pretty good answer.” “I thought so,” I said.
Percival Everett (James)
Let’s try some situational translations. Something extreme first. You’re walking down the street and you see that Mrs. Holiday’s kitchen is on fire. She’s standing in her yard, her back to her house, unaware. How do you tell her?” “Fire, fire,” January said. “Lawdy, missum! Looky dere.” “Perfect,” I said. “Why is that correct?” Lizzie raised her hand. “Because we must let the whites be the ones who name the trouble.
Percival Everett (James)
Like most people I am smarter than some, dumber than others, skinnier than most, and fatter than a few, but none was ever more confused than I was. I flew with confusion always parallel to me, and a whole internal chase at my rear. The one matter that was not confusing to me, but seemed to escape all the others, was the fact that the only thing that was certain to become obsolete, would necessarily become wearied and worn, was the truth. I knew this in spite of the truth that I had had little truck with the truth in my life. It was not that I considered myself a resident in a den of lies, but rather that my history was shrouded and diced and soaking wet with hysteria and contradiction. Contradictions or no, my trajectory through life, though different from most, was, nonetheless, a trajectory.
Percival Everett (I Am Not Sidney Poitier)
Less than 1 percent of lynchers were ever convicted of a crime. Only a fraction of those ever served a sentence. Teddy Roosevelt claimed the main cause of lynching was Black men raping White women. You know what? That didn’t happen.” “Why do you think White people are so afraid of that?” “Who knows. Sexual inadequacy, maybe. An amplification of their own desire to rape, which they did.” Mama Z puffed out smoke. “But I think rape was just an excuse.” “You think Whites are just afraid of Black men?” “I think it’s sport.” 73 Sheriff Red Jetty sat in a booth in the back of the Dinah.
Percival Everett (The Trees)
Was she pretty?” he asked. “I dunno. I reckon. It’s a scary thing for a slave to think such things.” “Why is that?” “Jest the way the world is.” “You think this here river is pretty?” Huck asked. “I reckon I do,” I said. “Then why you cain’t say if my mama was pretty?” “River ain’t a white woman.
Percival Everett (James)
I really wanted to read. Though Huck was asleep, I could not chance his waking and discovering me with my face in an open book. Then I thought, How could he know that I was actually reading? I could simply claim to be staring dumbly at the letters and words, wondering what in the world they meant. How could he know? At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them, sounding them out or comprehending them. It was a completely private affair and completely free and, therefore, completely subversive.
Percival Everett (James)
White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” I said. “The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.’ So, let’s pause to review some of the basics.” “Don’t make eye contact,” a boy said. “Right, Virgil.” “Never speak first,” a girl said. “That’s correct, February,” I said.
Percival Everett (James)
Should we save them, Jim?" The boy was so innocent. "Huck, I reckon if'n we save 'em, dey gonna turn me in. What you think?" The boy studied on that for a spell. "I reckon you're right. But what will them folks do to them?" "I don't know, Huck. Maybe dey jest pay a fine. Maybe dey get tarred and feathered. I don't know." "That seems right awful." "I s'pose it do. But dey was stealin' from dem folk. Tellin' lies lak dey was. He weren't neber no pirate." "Yes, but them people liked it, Jim. Did you see their faces? They had to know them was lies, but they wanted to believe. What do you make of that?" "Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares 'em." The river put its full pull on us and we watched the men grow smaller. "I reckon I do that, too," the boy said. "What say?" "I kin see how much you miss yer family and yet I don't think about it. I forget that you feel things jest like I feel. I know you love them." "Thank you, Huck.
Percival Everett (James)
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence)
The fear of course is that in denying or refusing complicity in the marginalization of 'black' writers, I ended up on the very distant and very 'other' side of a line that is imaginary at best. I didn't write as an act of testimony or social indignation (though all writing in some way is just that) and I did not write out of a so-called family tradition of oral storytelling. I never tried to set anybody free, never tried to paint the next real and true picture of the life of my people, never had any people whose picture I knew well enough to paint. Perhaps if I had written in the time immediately following Reconstruction, I would have written to elevate the station of my fellow oppressed. But the irony was beautiful. I was a victim of racism by virtue of my failing to acknowledge racial difference and by failing to have my art be defined as an exercise in racial self-expression. So, I would not be economically oppressed because of writing a book that fell in line with the very books I deemed racist. And I would have to wear the mask of the person I was expected to be.
Percival Everett (Erasure)
Yes?” “That is what equality is, Jim. It’s the capacity for becoming equal. The same way a black man in Martinique can learn French and so become French, he can also acquire the skills of equality and so become equal. But I repeat myself.” “I hate you,” I said through my fever and chills. “You realize, of course, that I have been bitten by a snake. Only to have you come to me in this delirium.” “Well, yes, but all men are equal. That’s my point. But even you have to admit the presence of, shall we call him—it—the devil, in your African humans.” Voltaire adjusted his position and held his hands to the fire. “You’re saying we’re equal, but also inferior,” I said. “I’m detecting a disapproving tone,” he said. “Listen, my friend, I’m on your side. I’m against the institution of slavery. Slavery of any kind. You know that I am an abolitionist of the first order.” “Thank you?” “You’re welcome.” “You do not believe that humans are inherently bad?” I asked. “I do not. If they were, they would kill as soon as they could walk.” “How do you explain slavery? Why are my people subjected to it, treated with such cruelty?” Voltaire shrugged. “Let me try this,” I said. “You have a notion, like Raynal, of natural liberties, and we all have them by virtue of our being human. But when those liberties are put under
Percival Everett (James)