People Run In Packs Quotes

We've searched our database for all the quotes and captions related to People Run In Packs. Here they are! All 89 of them:

Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.
Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
Most creatures run when they sense danger. People grab a six-pack and a folding chair.
Nenia Campbell (Black Beast (Shadow Thane, #1))
The Unavailable Available Pattern.” It’s where you convince yourself (and others) that you are available for relationship, but you always find a way to stop short. That stopping short can manifest in many ways: choosing unavailable people, looking for excuses to run, focusing on a lover’s imperfections rather than their appealing qualities, getting lost in the excitement of ecstatic possibility until the first glimpse of real vulnerability sends you packing. It’s the addiction to possibility and the fear of intimacy all rolled into one.
Jeff Brown (An Uncommon Bond)
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast. You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.
Nora Ephron (I Remember Nothing)
My consultants recommended several nihilists and existentialists but I rejected them all. A black turtleneck sweater does not a misanthrope make. Nihilists and existentialists tend to be bohemians, who invariably run in packs; despite their alienated stance, they have always struck me as a sociable lot who surround themselves with people because they are forever saying "Nothing matters," and they need someone to say it to.
Florence King
There may not be a hell, but those who judge may create one. I think people are over-taught. They are over-taught everything. You have to find out by what happens to you, how you will react. I’ll have to use a strange term here… “good.” I don’t know where it comes from, but I feel that there’s an ultimate strain of goodness born in each of us. I don’t believe in God, but I believe in this “goodness” like a tube running through our bodies. It can be nurtured. It’s always magic, when on a freeway packed with traffic, a stranger makes room for you to change lanes… it gives you hope.
Charles Bukowski
Don’t pack out ______________ To some people, you make life bright When you decide to dim your light Their lives will be full of darkness Do shine your light in kindness To some people, you bring out a joy With their emotions, never ever toy With your smiles, grease them with oil And make them glad when their lives boil To other people, you are the warmth That kills coldness and brings strength Don’t do it; don’t pack out Else, they will have blackout You’re on earth to do two things here Wake up and do them now; this year First, dare to grow and become better Second, help others to also become greater Never in any of the four seasons Should you neglect your gifts for any reasons The world needs you to make it a better place Don’t pack out; run your race
Israelmore Ayivor (Become a Better You)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
2100 Hours: The lights went out inside the compound. People throughout the auditorium began to shriek. It was chaos.           Then they experienced what felt like a sonic boom. Pack’s vehicle had blown apart, metal fragments hurled a quarter mile away. The CEV had knocked the main gate over as if it were a fist going through papier-mache. Once the explosion had run its course, the car was in flames, which caught some of the crew still wearing the night vision devices off guard.
John M Vermillion (Packfire (Simon Pack, #9))
Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.
Paulo Coelho (The Devil and Miss Prym)
We live in a world in which speed is prized above almost all else, and acting faster than the other side has itself become the primary goal. But most often people are merely in a hurry, acting and reacting frantically to events, all of which makes them prone to error and wasting time in the long run. In order to separate yourself from the pack, to harness a speed that has devastating force, you must be organized and strategic. First, you prepare yourself before any action, scanning your enemy for weaknesses. Then you find a way to get your opponents to underestimate you, to lower their guard. When you strike unexpectedly, they will freeze up. When you hit again, it is from the side and out of nowhere. It is the unanticipated blow that makes the biggest impact.
Robert Greene (The 33 Strategies Of War (The Modern Machiavellian Robert Greene Book 1))
Neither Doyle nor Sullivan had ever been to visit him at Regina Cleri, and Tip had only come one time and then left after five minutes. To Father Sullivan it was as if this part of his family, these people whom he loved, had all packed up and gone to Africa.
Ann Patchett (Run)
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
...in all the Kalahari Desert, only six true hunters remained. The renegades agreed to let Louis hang around, an offer he took to the extreme; once installed, Louis acted like an unemployed in-law, basically squatting with the Bushmen for the next four years...He learned to keep his campfire burning and tent zipped even on the most sweltering nights, since packs of hyenas were known to drag people from open shelters and tear out their throats. He leaned that if you stumble upon an angry lioness and her cubs, you stand tall and make her back down, but in the same situation with a rhino, you run like hell. (p. 234) Know why people run marathons? he said... Because running is rooted in our collective imagination, and our imagination is rooted in running. Language, art, science; space shuttles... intravascular surgery, they all had their roots in our ability to run. Running was the superpower that made us human- which means it's a superpower all humans possess. (p. 239)
Christopher McDougall
A society that values order above all else will seek to suppress curiosity. But a society that believes in progress, innovation and creativity will cultivate it, recognising that the enquiring minds of its people constitute its most valuable asset. In medieval Europe, the enquiring mind – especially if it enquired too closely into the edicts of Church or state – was stigmatised. During the Renaissance and Reformation, received wisdoms began to be interrogated, and by the time of the Enlightenment, European societies started to see that their future lay with the curious, and encouraged probing questions rather than stamping on them. The result was the biggest explosion of new ideas and scientific advances in history. The great unlocking of curiosity translated into a cascade of prosperity for the nations that precipitated it. Today, we cannot know for sure if we are in the middle of this golden period or at the end of it. But we are, at the very least, in a lull. With the important exception of the internet, the innovations that catapulted Western societies ahead of the global pack are thin on the ground, while the rapid growth of Asian and South American economies has not yet been accompanied by a comparable run of indigenous innovation. Tyler Cowen, a professor of economics at George Mason University in Virginia, has termed the current period ‘the great stagnation’.
Ian Leslie (Curious: The Desire to Know and Why Your Future Depends on It)
People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.
Nora Ephron (I Remember Nothing: And Other Reflections)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
You may not like this idea; none of us wants to admit that we are pack animals. But in a complicated world, running with the herd can make sense. Who has time to think through every decision and all the facts behind it? If everybody around you thinks that conserving energy is a good idea—well, maybe it is. So if you are the person designing an incentive scheme, you can use this knowledge to herd people into doing the right thing—even if they’re doing it for the wrong reasons.
Steven D. Levitt (Think Like a Freak)
Cambridge was run by a mixture of fogeys too old to be considered dangerous, and Puritans who had been packed into the place by Cromwell after he’d purged all the people he did consider dangerous. With a few exceptions such as Isaac Barrow, none of them would have had any use for Isaac’s sundial, because it didn’t look like an old sundial, and they’d prefer telling time wrong the Classical way to telling it right the newfangled way. The curves that Newton plotted on the wall were a methodical document of their wrongness—a manifesto like Luther’s theses on the church-door.
Neal Stephenson (The Baroque Cycle: Quicksilver, The Confusion, and The System of the World)
Why do we learn things we'll never use? Why are we taught f(x+y) = f(x) + f(y)? Why are we made to memorize the decline and fall or royal dynasties but not stories of people who've experienced and overcome heartbreak? Why do we answer dozens of questions about the layers of the earth but not of what lies within ourselves? Why do we break down the cellular anatomies of amoebas and plankton but not the anatomy of pain? Why are we told to win, before we're told to overcome ourselves? Why are we lectured on English and French grammar, before we can learn what it is we really need to hear in life? Why are we taught to compete, not cooperate? Why are we forced to compare and ask, what grade did you get, what place did you finish in, whose clothes are you wearing, where did you go to school, where do you work? Why does not being at the top automatically mean you've failed? Why do we feel the need to look good on paper, and who decides what's written on this "paper"? Why can't everyone just be left alone? Why can't everyone just stop running? Who is making us feel more shame with every ounce of envy? Who is this elusive Pied Piper at the head of the pack, luring everyone with his pipe? And just who and where am I?
Min-gyu Park (Pavane for a Dead Princess)
But before you call PETA, let me explain. I think all dogs should be off leashes, biting people! That's what they want to be doing, running in packs like the wild canines I saw in Bucharest that seem so happy to attack you, snarling and yapping when you get out of a cab. Dogs don't want to be home with their owners stuck in some sort of sick S&M relationship, sentenced to a lifetime of human caresses! How would you like to take a shit with someone following you around, waiting to pick it up with a plastic newspaper bag? Talk about humiliating! Also, I hate to tell you this, but can't you see? Your cat hates you
John Waters (Carsick: John Waters Hitchhikes Across America)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.
Lionel Shriver
your legs buckle like a tired horse running for safety drag them by the hips and move faster you do not have the privilege to rest in a country that wants to spit you out you have to keep going and going and going till you reach the water hand over everything in your name for a ticket onto the boat next to a hundred others like you packed like sardines you tell the woman beside you 'this boat is not strong enough to carry this much sorrow to a shore what does it matter' she says 'if drowning is easier than staying' how many people has this water drunk up is it all one long cemetery bodies buried without a country perhaps the sea is your country perhaps the boat sinks because it is the only place that will take you
Rupi Kaur
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
During my time at Eton, I led regular nighttime adventures, and word spread. I even thought about charging to take people on trips. I remember one where we tried to cross the whole town of Eton in the old sewers. I had found an old grill under a bridge that led into these four-foot-high old brick pipes, running under the streets. It took a little nerve to probe into these in the pitch black with no idea where the hell they were leading you; and they stank. I took a pack of playing cards and a flashlight, and I would jam cards into the brickwork every ten paces to mark my way. Eventually I found a manhole cover that lifted up, and it brought us out in the little lane right outside the headmaster’s private house. I loved that. “All crap flows from here,” I remember us joking at that time.
Bear Grylls (Mud, Sweat and Tears)
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
The little car was soon free of the city, for the smear of suburbia that had once lain along the western highways for miles was gone. During the Plague Years of the eighties, when in some areas not one person in twenty remained alive, the suburbs were not a good place to be. Miles from the supermart, no gas for the car, and all the split-level ranch homes around you full of the dead. No help, no food. Packs of huge status-symbol dogs—Afghans, Alsatians, Great Danes—running wild across the lawns ragged with burdock and plantain. Picture window cracked. Who’ll come and mend the broken glass? People had huddled back into the old core of the city; and once the suburbs had been looted, they burned. Like Moscow in 1812, acts of God or vandalism: they were no longer wanted, and they burned. Fireweed, from which bees make the finest honey of all, grew acre after acre over the sites of Kensington Homes West, Sylvan Oak Manor Estates, and Valley Vista Park.
Ursula K. Le Guin (The Lathe of Heaven)
In a televised version of one of Nancy’s books, these child hunts were given a more sinister connotation with the children running terrified through woods while their father, on horseback, thundered after them with a pack of hounds baying. In fact the children loved it – they thought the hound was ‘so clever’.29 In her novel Nancy had referred to ‘four great hounds in full cry after two little girls’ and ‘Uncle Matthew and the rest would follow on horseback’.30 As a result, fiction overlaid fact, and during research for this book I met people who believed, and read articles that stated, that the Mitfords led the lives of the fictional Radletts, and at least one American journalist was convinced that David had ‘hunted’ his poor abused children with dogs. There was never any pressure to conform and the children grew as they wanted. There were no half-measures in their behaviour. ‘We either laughed so uproariously that it drove the grown-ups mad, or else it was a frightful row which ended in one of us bouncing out of the room in floods of tears, banging the door as loud as possible.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
In modern warfare, people disappear. Not because they run off, or go native, or get taken prisoner. I don’t even mean that they’re gone because they’re dead. I mean they vanish. One second they’re right there, standing next to you, as bright and alive as they will always remain in the eyes of their parents, wives, children. Maybe they’re talking about how the Broncos just put some whup-ass on the Raiders or how they’re going to start a computer repair business when they get home or maybe just about how sweet that first post-dawn cigarette tastes and would you like one, too? And then they take a few steps and the bomb goes off, and when the pink mist is done soaking into the dust, all you’re left with is a single boot and the guy’s hand. Or maybe just his rucksack spewing his med pack and his lucky rabbit’s foot and his last clean pair of underwear across the field. And there you stand, scared all to shit and grieving like you’ve never grieved. But fuck if you aren’t happy, too. Because part of you is like, sweet Jesus, that could have been me. —Sydney Parnell. Personal journal. Cohen
Barbara Nickless (Blood on the Tracks (Sydney Rose Parnell, #1))
Do you ever feel that same need? Your life is so very different from my own. The grandness of the world, the real world, the whole world, is a known thing for you. And you have no need of dispatches because you have seen so much of the American galaxy and its inhabitants—their homes, their hobbies—up close. I don’t know what it means to grow up with a black president, social networks, omnipresent media, and black women everywhere in their natural hair. What I know is that when they loosed the killer of Michael Brown, you said, “I’ve got to go.” And that cut me because, for all our differing worlds, at your age my feeling was exactly the same. And I recall that even then I had not yet begun to imagine the perils that tangle us. You still believe the injustice was Michael Brown. You have not yet grappled with your own myths and narratives and discovered the plunder everywhere around us. Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling. This is what the rappers mean when they pronounce themselves addicted to “the streets” or in love with “the game.” I imagine they feel something akin to parachutists, rock climbers, BASE jumpers, and others who choose to live on the edge. Of course we chose nothing. And I have never believed the brothers who claim to “run,” much less “own,” the city. We did not design the streets. We do not fund them. We do not preserve them. But I was there, nevertheless, charged like all the others with the protection of my body. The crews, the young men who’d transmuted their fear into rage, were the greatest danger. The crews walked the blocks of their neighborhood, loud and rude, because it was only through their loud rudeness that they might feel any sense of security and power. They would break your jaw, stomp your face, and shoot you down to feel that power, to revel in the might of their own bodies.
Ta-Nehisi Coates (Between the World and Me)
The biggest fear for homeschooled children is that they will be unable to relate to their peers, will not have friends, or that they will otherwise be unable to interact with people in a normal way. Consider this: How many of your daily interactions with people are solely with people of your own birth year?  We’re not considering interactions with people who are a year or two older or a year or two younger, but specifically people who were born within a few months of your birthday. In society, it would be very odd to section people at work by their birth year and allow you to interact only with persons your same age. This artificial constraint would limit your understanding of people and society across a broader range of ages. In traditional schools, children are placed in grades artificially constrained by the child’s birth date and an arbitrary cut-off day on a school calendar. Every student is taught the same thing as everyone else of the same age primarily because it is a convenient way to manage a large number of students. Students are not grouped that way because there is any inherent special socialization that occurs when grouping children in such a manner. Sectioning off children into narrow bands of same-age peers does not make them better able to interact with society at large. In fact, sectioning off children in this way does just the opposite—it restricts their ability to practice interacting with a wide variety of people. So why do we worry about homeschooled children’s socialization?  The erroneous assumption is that the child will be homeschooled and will be at home, schooling in the house, all day every day, with no interactions with other people. Unless a family is remotely located in a desolate place away from any form of civilization, social isolation is highly unlikely. Every homeschooling family I know involves their children in daily life—going to the grocery store or the bank, running errands, volunteering in the community, or participating in sports, arts, or community classes. Within the homeschooled community, sports, arts, drama, co-op classes, etc., are usually sectioned by elementary, pre-teen, and teen groupings. This allows students to interact with a wider range of children, and the interactions usually enhance a child’s ability to interact well with a wider age-range of students. Additionally, being out in the community provides many opportunities for children to interact with people of all ages. When homeschooling groups plan field trips, there are sometimes constraints on the age range, depending upon the destination, but many times the trip is open to children of all ages. As an example, when our group went on a field trip to the Federal Reserve Bank, all ages of children attended. The tour and information were of interest to all of the children in one way or another. After the tour, our group dined at a nearby food court. The parents sat together to chat and the children all sat with each other, with kids of all ages talking and having fun with each other. When interacting with society, exposure to a wider variety of people makes for better overall socialization. Many homeschooling groups also have park days, game days, or play days that allow all of the children in the homeschooled community to come together and play. Usually such social opportunities last for two, three, or four hours. Our group used to have Friday afternoon “Park Day.”  After our morning studies, we would pack a picnic lunch, drive to the park, and spend the rest of the afternoon letting the kids run and play. Older kids would organize games and play with younger kids, which let them practice great leadership skills. The younger kids truly looked up to and enjoyed being included in games with the older kids.
Sandra K. Cook (Overcome Your Fear of Homeschooling with Insider Information)
Miss Kay Alan had a run-in with the police one Sunday morning while he was in New Orleans and as best he can recall, one of the officers said to him, “Let me talk to you. What are your mom and dad doing right now?” “They’re in church, where they always go,” Alan answered. “I knew,” said the officer, “that you were raised different.” In other words, the policeman could tell Alan was not what some people might call a “common criminal.” The officer went on to speak some very strong words: “You have just done something really bad. Whatever you’re doing here, pack it up. Go home and live like your mom and dad; go live like you were raised. I don’t know your parents, but I have a feeling they will welcome you back like the Prodigal Son.” Phil and I had not been able to get through to Alan or influence him to change his ways while he was living with us, but that policeman in New Orleans sure got through to him. Sometimes we wonder if that policeman was an angel. Whether he was or was not, God definitely used him to get Alan back where he needed to be. Alan left “the Big Easy” right away and came back to us. He started walking with God again; he reconnected with Lisa. He and Phil began studying the Bible together; Phil baptized him in the river by our house, and he has been a totally different person ever since.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
Hunting parties spent weeks scouring the zone and shot all the abandoned family pets, which had begun to roam in packs. It was a necessary evil to avoid the spread of radioactivity, prevent decontamination workers from being attacked, and put the animals out of their misery. A quick death was better than slowly dying of starvation and radiation sickness. “The first time we came, the dogs were running around near their houses, guarding them, waiting for people to come back”, recounted Viktor Verzhikovskiy, Chairman of the Khoyniki Society of Volunteer Hunters and Fishermen. “They were happy to see us, they ran toward our voices. We shot them in the houses, and the barns, in the yards. We’d drag them out onto the street and load them onto the dump truck. It wasn’t very nice. They couldn’t understand: why are we killing them? They were easy to kill, they were household pets. They didn’t fear guns or people.220” They didn’t all die this way. At the beginning of June, Nikolai Goshchitsky, a visiting engineer from the Beloyarsk nuclear power station, witnessed some which had escaped the bullets. “[They] crawled, half alive, along the road, in terrible pain. Birds looked as if they had crawled out of water... unable to fly or walk... Cats with dirty fir, as if it had been burnt in places.221” Animals that had survived that long were now blind.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Who can ignore that the Olympians of the new bourgeois aristocracy no longer inhabit. They go from grand hotel to grand hotel, or from castle to castle, commanding a fleet or a country from a yacht. They are everywhere and nowhere. That is how they fascinate people immersed into everyday life. They transcend everyday life, possess nature and leave it up to the cops to contrive culture. Is it essential to describe at length, besides the condition of youth, students and intellectuals, armies of workers with or without white collars, people from the provinces, the colonized and semi-colonized of all sorts, all those who endure a well-organized daily life, is it here necessary to exhibit the derisory and untragic misery of the inhabitant, of the suburban dweller and of the people who stay in residential ghettoes, in the mouldering centres of old cities and in the proliferations lost beyond them? One only has to open one's eyes to understand the daily life of the one who runs from his dwelling to the station, near or far away, to the packed underground train, the office or the factory, to return the same way in the evening and come home to recuperate enough to start again the next day. The picture of this generalized misery would not go without a picture of 'satisfactions' which hides it and becomes the means to elude it and break free from it.
Henri Lefebvre (Writings On Cities)
Every July, when Eli was grwoing up, his mother would close the cabin and move the family to the Sun Dance. Eli would help the other men set up the tepee, and then he and Norma and Camelot would run with the kids in the camp. They would ride horses and chase each other across the prairies, their freedom interrupted only by the ceremonies. Best of all, Eli liked the men’s dancing. The women would dance for four days, and then there would be a day of rest and the men would begin. Each afternoon, toward evening, the men would dance, and just before the sun set, one of the dancers would pick up a rifle and lead the other men to the edge of the camp, where the children waited. Eli and the rest of the children would stand in a pack and wave pieces of scrap paper at the dancers as the men attacked and fell back, surged forward and retreated, until finally, after several of these mock forays, the lead dancer would breach the fortress of children and fire the rifle, and all the children would fall down in a heap, laughing, full of fear and pleasure, the pieces of paper scattering across the land. Then the dancers would gather up the food that was piled around the flagpole—bread, macaroni, canned soup, sardines, coffee—and pass it out to the people. Later, after the camp settled in, Eli and Norma and Camelot would lie on their backs and watch the stars as they appeared among the tepee poles through the opening in the top of the tent. And each morning, because the sun returned and the people remembered, it would begin again.” (p. 116)
Thomas King (Green Grass, Running Water)
Clingmans Dome in the middle of the park. Then, it’s downhill to Virginia, and people have told me Virginia is a cakewalk. I’ll learn soon enough that “easy” trail beyond the Smoky Mountains is as much a fantasy as my dream lunch with pizza…uh, I mean Juli, but for now I’ve convinced myself all will be well once I get through the Smokies. I leave Tray Mountain Shelter at 1:00 with ten miles to go. I’ve eaten the remainder of my food. I’ve been hiking roughly two miles per hour. Downhill is slower due to my sore knee. I need to get to Hiawassee by 6:00 p.m., the check-in deadline at Blueberry Patch Hostel, where my mail drop is waiting.5 I have little margin, so I decide to push for a while. I down a couple of Advil and “open it up” for the first time this trip. In the next hour I cover 3.5 miles. Another 1.5 miles and I am out of water, since I skipped all the side trails leading to streams. Five miles to go, and I’m running out of steam. Half the strands of muscle in my legs have taken the rest of the day off, leaving the other half to do all the work. My throat is dry. Less than a mile to go, a widening stream parallels the trail. It is nearing 6:00, but I can handle the thirst no longer. There is a five-foot drop down an embankment to the stream. Hurriedly I drop my pack and camera case, which I have clipped over the belt of my pack. The camera starts rolling down the embankment, headed for the stream. I lunge for it and miss. It stops on its own in the nook of a tree root. I have to be more careful. I’m already paranoid about losing or breaking gear. Every time I resume hiking after a rest, I stop a few steps down the trail and look back for anything I may have left behind. There’s nothing in my pack that I don’t need. Finally, I’m
David Miller (AWOL on the Appalachian Trail)
I ran. It was fantastic how far I ran without stopping to rest. I can't even remember what places I passed. I must have left by the back gate next to the Kyohoku Tower in the north of the temple precincts, then I must have passed by the Myoo Hall, run up the mountain path that was bordered by bamboo grass and azalea, and reached the top of Mount Hidari Daimonji. Yes, it was surely on top of Mount Hidari Daimonji that I lay down on my hack in the bamboo field in the shadow of the red pines and tried to still the fierce beating of my heart. This was the mountain that protected the Golden Temple from the north. The cry of some startled birds brought me to my senses. Or else it was a bird that flew close to my face with a great fluttering of its wings. As I lay there on my back I gazed at the night sky. The birds soared over the branches of the redpines in great numbers and the thin flakes from the fire, which were already becoming scarce, floated in the sky above my head. I sat up and looked far down the ravine towards the Golden temple. A strange sound echoed from there. It was like the sound of crackers. It was like the sound of countless people's soul joints all cracking at once. From where I sat the Golden Temple itself was invisible. All that I could see was the eddying smoke and the great fire that rose into the sky. The flakes from the fire drifted between the trees and the Golden Temple's sky seemed to be strewn with golden sand. I crossed my legs and sat gazing for a long time at the scene. When I came to myself, I found that my body was covered in blisters and scars and that I was bleeding profusely. My fingers also were stained with blood, evidently from when I had hurt them by knocking against the temple door. I licked my wounds like an animal that has fled from its pursuers. I looked in my pocket and extracted the bottle of arsenic, wrapped in my handkerchief, and the knife. I threw them down the ravine. Then I noticed the pack of cigarettes in my other pocket. I took one out and started smoking. I felt like a man who settles down for a smoke after finishing a job of work. I wanted to live.
Yukio Mishima
The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deliverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta. Why is the Deliverator so equipped? Because people rely on him. He is a role model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it -- talking trade balances here -- once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here -- once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel -- once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity -- y'know what? There's only four things we do better than anyone else: * music * movies * microcode (software) * high-speed pizza delivery The Deliverator used to make software. Still does, sometimes. But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator's report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills." So now he has this other job. No brightness or creativity involved -- but no cooperation either. Just a single principle: The Deliverator stands tall, your pie in thirty minutes or you can have it free, shoot the driver, take his car, file a class-action suit. The Deliverator has been working this job for six months, a rich and lengthy tenure by his standards, and has never delivered a pizza in more than twenty-one minutes.
Neal Stephenson (Snow Crash)
That settles it,” said Mr. Trapwood. “We’re going back to the pension. We’re going to pack. We’re going to be on the Bishop first thing tomorrow. Sir Aubrey will have to send someone else out. Nothing is worth another day in this hellhole.” Mr. Low did not answer. He had caught a fever and was lying in the bottom of a large canoe owned by the Brothers of the São Gabriel Mission, who had arranged for the crows to be taken back to Manaus. His eyes were closed and he was wandering a little in his mind, mumbling about a boy with hair the color of the belly of the golden toad which squatted on the lily leaves of the Mamari River. There had, of course, been no golden-haired boys; there hadn’t been any boys at all. What there had been was a leper colony, run by the Brothers of Saint Patrick, a group of Irish missionaries to whom the crows had been sent. “They’re good men, the Brothers,” a man on the docks had told them as they set off on their last search for Taverner’s son. “They take in all sorts of strays--orphans, boys with no homes. If anyone knows where Taverner’s lad might be, it’ll be them.” Then he had spat cheerfully into the river because he was a crony of the chief of police and liked the idea of Mr. Low and Mr. Trapwood spending time with the Brothers, who were very holy men indeed and slept on the hard ground, and ate porridge made from manioc roots, and got up four times in the night to pray. The Brothers’ mission was on a swampy part of the river and very unhealthy, but the Brothers thought only about God and helping their fellowmen. They welcomed Mr. Trapwood and Mr. Low and said they could look over the leper colony to see if they could find anyone who might turn out to be the boy they were looking for. “They’re a jolly lot, the lepers,” said Father Liam. “People who’ve suffered don’t have time to grumble.” But the crows, turning green, thought there wouldn’t be much point. Even if there was a boy there the right age, Sir Aubrey probably wouldn’t think that a boy who was a leper could manage Westwood. Later a group of pilgrims arrived who had been walking on foot from the Andes and were on their way to a shrine on the Madeira River, and the Brothers knelt and washed their feet. “We know you’ll be proud to share the sleeping hut with our friends here,” they said to Mr. Low and Mr. Trapwood, and the crows spent the night on the floor with twelve snoring, grunting men--and woke to find two large and hungry-looking vultures squatting in the doorway. By the time they returned to Manaus the crows were beaten men. They didn’t care any longer about Taverner’s son or Sir Aubrey, or even the hundred-pound bonus they had lost. All they cared about was getting onto the Bishop and steaming away as fast as it could be done.
Eva Ibbotson (Journey to the River Sea)
Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D
Anonymous
The Great Cloud of Witnesses The writer of Hebrews wrote about the active pursuit of a faith that embraces discipleship: Therefore, since we are surrounded by such a great cloud of witnesses, let us throw off everything that hinders and the sin that so easily entangles, and let us run with perseverance the race marked out for us. Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before him endured the cross, scorning its shame, and sat down at the right hand of the throne of God. Consider him who endured such opposition from sinful men, so that you will not grow weary and lose heart. (Hebrews 12:1-3) The writer earlier created a list of heroes of the faith from the Old Testament era (see Hebrews 11:4-38): By faith Abel offered a proper sacrifice. By faith Noah built an ark. By faith Abraham packed up his family and moved. By faith Joseph ran from evil. By faith Moses chose a life of self-denial, confronted Pharaoh, and led the people through the Red Sea. By faith Joshua led the people around Jericho's walls. By faith Gideon showed courage in his obedience even though he was afraid. Samson, David, and Samuel-the world wasn't worthy of them. These are our great cloud of witnesses; they taught us faith. Notice that with their actions, they showed us what it means to believe. What kind of disciples is the gospel meant to create naturally? The answer is people like these, whose faith embraced following their Lord. Without this kind of faith demonstrated by obedience, can a person really please God (see Hebrews 11:6)? The lesson here is clear: Faith that doesn't result in action isn't faith, but something less. The apostle James, the half-brother of Jesus, wrote, "What good is it, my brothers, if a man claims to have faith but has no deeds? ... In the same way, faith by itself, if it is not accompanied by action, is dead" (James 2:14,17). Jesus, "the author and perfecter of our faith" (Hebrews 12:2), taught James about faith. He demonstrated it by obeying in spite of the shame and suffering he faced and endured on the cross. In fact, Jesus' own words about faith couldn't be clearer: "Why do you call me, `Lord, Lord,' and do not do what I say? I will show you what he is like who comes to me and hears my words and puts them into practice. He is like a man building a house, who dug down deep and laid the foundation on rock. When a flood came, the torrent struck that house but could not shake it, because it was well built. But the one who hears my words and does not put them into practice is like a man who built a house on the ground without a foundation. The moment the torrent struck that house, it collapsed and its destruction was complete." (Luke 6:46-49)
Bill Hull (The Complete Book of Discipleship: On Being and Making Followers of Christ (The Navigators Reference Library 1))
Here’s some news that will raise the hackles of many a serious artiste: People do judge books by their covers. You may not want to hear that, but it’s true. You may have the most awesome story ever told, and it might deserve to kick Hemingway and Steinbeck in the nuts and run off with their girlfriends, but nobody will ever read it if you have a terrible cover.
Sean Platt (The Indie Author Power Pack: How To Write, Publish & Market Your Book)
The same process is now occurring in the developing world, but much more quickly. The population density of metropolitan Beijing has collapsed since 1970, falling from 425 people per hectare to 65. Indian cities are following; Brazil’s are ahead. And suburbanisation has a long way to run. Beijing is now about as crowded as metropolitan Chicago was at its most closely packed, in the 1920s. Since then Chicago’s density has fallen by almost three-quarters. This is welcome. Romantic notions of sociable, high-density living—notions pushed, for the most part, by people who themselves occupy rather spacious residences—ignore the squalor and lack of privacy to be found in Kinshasa, Mumbai or the other crowded cities of the poor world. Many of them are far too dense for
Anonymous
Thursday, January 29 God ’s Provision And my God will liberally supply (fill to the full) your every need according to His riches in glory in Christ Jesus. PHILIPPIANS 4:19 AMP Sometimes the littlest words in our language pack a lot of meaning into them. All is one of those words. Three letters encompass the total extent of the whole. Everything is in the word all. In the letter to the Philippians, Paul is wrapping up a discussion of how God had used the church to provide for Paul’s need while he was in prison, even though many of them didn’t have much to give. Paul spoke out of experience when he told them God would supply all their financial needs because they gave sacrificially to help another person with a greater need. But God meeting their financial need isn’t all that is encompassed in the meaning Paul intended to convey when he chose this particular word. When Jesus taught this principle to His disciples, Luke recorded it in his Gospel: “Give, and you will receive. You will be given much. Pressed down, shaken together, and running over, it will spill into your lap. The way you give to others is the way God will give to you” (6:38 NCV). Jesus indicated that whatever people have to give, when they give it, they will receive as they have given. Emotional, spiritual, physical, material—whatever the need, God will supply it abundantly, “pressed down, shaken together, and running over.” Father, thank You for this promise that You will abundantly supply for every need I have through the riches of heaven in Christ Jesus.
Various (Daily Wisdom for Women 2015 Devotional Collection - January (None))
There was no room in his head right now for self-doubt — nor that heartbreaking scene not twenty minutes past, when, after getting ready for the match, he'd come downstairs to find Juliet silently packing her trunk, tears running down her set-in-stone face... It seemed unreal. It could not be happening to him. She could not be leaving him, not when everything had been so good between them, not when she'd just told him she loved him, not when he was risking everything he had — his health, his reputation, his life — to win Swanthorpe back for his family and provide a home for the two people he loved most in this world. Damn it, I need you Juliet!  Please — oh, God, please — come to your senses; please have faith in me; please, please, please be at the house when I get back. And as the butterflies began to beat against his stomach, he realized he was not afraid of facing or losing to the Butcher. He was afraid of losing his wife. His dear wife, whom he loved more than life itself.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra. On all of our documentary trips, Steve packed the food, set up camp, fed the crew. He knew to take the extra tires, the extra fuel, the water, the gear. He anticipated the needs of six adults and two kids on every film shoot we ever went on. As I watched him at Lakefield, the situation was no different. Our croc crew came and went, and the park rangers came and went, and Steve wound up organizing anywhere from twenty to thirty people. Everyone did their part to help. But the first night, I watched while one of the crew put up tarps to cover the kitchen area. After a day or two, the tarps slipped, the ropes came undone, and water poured off into our camp kitchen. After a full day of croc capture, Steve came back into camp that evening. He made no big deal about it. He saw what was going on. I watched him wordlessly shimmy up a tree, retie the knots, and resecure the tarps. What was once a collection of saggy, baggy tarps had been transformed into a well-secured roof. Steve had the smooth and steady movements of someone who was self-assured after years of practice. He’d get into the boat, fire up the engine, and start immediately. There was never any hesitation. His physical strength was unsurpassed. He could chop wood, gather water, and build many things with an ease that was awkwardly obvious when anybody else (myself, for example) tried to struggle with the same task. But when I think of all his bush skills, I treasured most his way of delivering up the natural world. On that croc research trip in the winter of 2006, Steve presented me with a series of memories more valuable than any piece of jewelry.
Terri Irwin (Steve & Me)
Familiar was good. Unfamiliar was bad. A soft scuffing came from beyond the old female’s crate. Maggie instantly lifted her head, and cocked her ears toward the sound. She recognized human footsteps, and understood two people were coming up the drive. Maggie hurried to the French doors and pushed her nose under the curtain. She heard a twig snap, brittle leaves being crushed, and the scuffing grow louder. Tree rats stopped moving to hide in their stillness. Maggie walked quickly to the side of the curtains, stuck her head under, and sampled more air. The footsteps stopped. She cocked her head, listening. She sniffed. She heard the soft metal-to-metal clack of the gate latch, caught their scent, and recognized the intruders. The strangers who had entered their crate had returned. Maggie erupted in a thunder of barking. She lunged against the glass, the fur on her back bristling from her tail to her shoulders. Crate in danger. Pack threatened. Her fury was a warning. She would drive off or kill whatever threatened her pack. She heard them running. “Maggie! Mags!” Scott came off the couch behind her, but she paid him no mind. She drove them harder, warning them. “What are you barking at?” The scuffing faded. Car doors slammed. An engine grew softer until it was gone. Scott pushed aside the curtains, and joined her. The threat was gone. Crate safe. Pack safe. Alpha safe. Her job was done. “Is someone out there?” Maggie gazed up at Scott with love and joy. She folded her ears and wagged her tail. She knew he was seeking danger in the darkness, but would find nothing. Maggie
Robert Crais (Suspect (Scott James & Maggie, #1))
Have you ever thought about your soul can it be saved? Or perhaps you think that when you're dead you just stay in your grave Is God just a thought within your head or is he a part of you? Is Christ just a name that you read in a book when you were in school? , When you think about death do you lose your breath or do you keep your cool? Would you like to see the Pope on the end of a rope do you think he's a fool? Well I have seen the truth, yes I've seen the light and I've changed my ways And I'll be prepared when you're lonely and scared at the end of our days , Could it be you're afraid of what your friends might say If they knew you believe in God above? They should realize before they criticize That God is the only way to love , Is your mind so small that you have to fall In with the pack wherever they run Will you still sneer when death is near And say they may as well worship the sun? , I think it was true it was people like you that crucified Christ I think it is sad the opinion you had was the only one voiced Will you be so sure when your day is near, say you don't believe? You had the chance but you turned it down, now you can't retrieve , Perhaps you'll think before you say that God is dead and gone Open your eyes, just realize that he's the one The only one who can save you now from all this sin and hate Or will you still jeer at all you hear, yes I think it's too late
Black Sabbah
All my adult life I have been a guest in other people’s houses, following the sun and seasons like a migratory bird, an instinct in me, the rich man’s cunning feel for ripeness, some oyster-in-an-r-month notion working there which knows without reference to anything outside itself when to pack the tennis racket, when to bring along the German field glasses to look at a friend’s birds, the telescope to stare at his stars, the wet suit to swim in beneath his waters when the exotic fish are running. It’s not in the Times when the black dinner jacket comes off and the white one goes on; it’s something surer, subtler the delicate guidance system of the privileged, my playboy astronomy.
Stanley Elkin (The Making of Ashenden (Covent Garden Stories Number3))
So what happened? How did we go from leader of the pack to lost and left behind? It’s hard to determine a single cause for any event in this complex world, of course, but forced to choose, the answer is best summed up as follows: $ Sure, plenty of people will throw up excuses about Kenyans having some kind of mutant muscle fiber, but this isn’t about why other people got faster; it’s about why we got slower. And the fact is, American distance running went into a death spiral precisely when cash entered the equation. The Olympics were opened to professionals after the 1984 Games, which meant running-shoe companies could bring the distance-running savages out of the wilderness and onto the payroll reservation. Vigil could smell the apocalypse coming, and he’d tried hard to warn his runners. “There are two goddesses in your heart,” he told them. “The Goddess of Wisdom and the Goddess of Wealth. Everyone thinks they need to get wealth first, and wisdom will come. So they concern themselves with chasing money. But they have it backwards. You have to give your heart to the Goddess of Wisdom, give her all your love and attention, and the Goddess of Wealth will become jealous, and follow you.” Ask nothing from your running, in other words, and you’ll get more than you ever imagined.
Christopher McDougall (Born to Run)
was a child. When someone needed a ride and didn’t have a boat available, they called Dick. He charged twenty bucks, a twelve-pack of beer, or a fifth of vodka. Cate paid cash. His thirty-year-old son, Adam, accompanied him these days and stared at Cate in a way that gave her the creeps. She stared back, and Adam finally had the grace to look away. Cate decided she’d never ride with Adam when he took over for his father in the future. “I brought over Dr. Powers,” answered Dick. “He’s the one who said to call the FBI. Kurt Olson from the sheriff’s office and a new deputy, Bruce Taylor, were already there.” Dick glanced over his shoulder at Cate. “You met Bruce or Dr. Powers yet?” “No.” She only knew Kurt. He’d been a deputy on Widow’s Island forever. “Bruce is young. Only been here a few months. From southern Oregon. Haven’t made up my mind about him yet,” Dick said, pulling at his beard. “Dr. Powers is a good guy. We’ve needed a doctor on the island since Dr. Hardy died three years ago. Tessa Black from the sheriff’s department shared his ride. Didn’t you two run around together when you were young? You know she’s a county deputy now, right?” “Yes.” Tessa had been like a sister to Cate while growing up. After nearly ten years of being a Seattle police officer and detective, Tessa had returned to Widow’s Island about a year and a half ago and joined the sheriff’s office. Cate had been back on the island for five days and still hadn’t contacted her good friend. Her grandmother had repeatedly pushed her to call Tessa, but Cate had dragged her feet, stating she needed more rest, and had firmly ordered her grandmother to keep this visit to the island under her hat. Cate wasn’t ready to face people. But tonight’s discovery gave her no choice. Trespassing teenage lovebirds had found the bones. The coroner—the new Dr. Powers—believed they belonged to a teenage female. Two years ago the FBI had conducted an investigation of a missing local girl, Becca Conan, with no results. Fourteen-year-old Becca was the daughter of Rex Conan, sole resident and current owner of Ruby’s Island. Now the FBI—meaning
Kendra Elliot (Close to the Bone (Widow's Island #1))
An obsession is a pleasure that has attained the status of an idea.” I believe that to lend a book is an incitement to theft. Superstition and the art of libraries are tightly entwined. The search for others—to text, to email, to Skype, or to play with—establishes our own identities. We are, or we become, because someone acknowledges our presence. Perhaps all intercourse—with pictures, with books, with people, with the virtual inhabitants of cyberspace—breeds sadness because it reminds us that, in the end, we are alone. Because my childhood was largely nomadic, I liked to read about settled lives running their ordinary course. And yet, I was aware that without disruption there would be no adventure. “The gods weave misfortunes for men,” King Alcinous says in the Odyssey, “so that the generations to come will have something to sing about.” Don Quixote has attained the state of perfect readership, knowing his books by heart in the strictest sense of the word. Loss helps you remember, and loss of a library helps you remember who you truly are. “We must be grateful that we don’t know what the great books were that perished in Alexandria, because if we knew what they were, we’d be inconsolable.” Losing things is not so bad because you learn to enjoy not what you have but what you remember. You should grow accustomed to loss. Buenos Aires has always been a city of books, ever since its foundation. I remember the curious pride I felt when our history teacher told us that Buenos Aires had been founded with a library.
Alberto Manguel (Packing My Library: An Elegy and Ten Digressions)
You see, whenever we live in relationship, whenever we simply live in proximity to other people, sooner or later we will run up against their issues—the unhealed or unholy parts of their personalities. Just as they will run into ours. Living in community is like a pack of porcupines sharing the same den. We will get stuck.
John Eldredge (Walking with God: Talk to Him. Hear from Him. Really.)
I got you some stuff,” he said gruffly and set the food and drinks down at his feet before walking over to stand directly in front of me. I watched as he opened the first bag and began pulling out deodorant, a toothbrush and toothpaste, a hairbrush and ponytail holders, girly shampoo, conditioner, a razor, and soap—since whatever I’d been using was definitely meant for men. The next bag opened and he pulled out large packs of men’s undershirts and boxer-briefs. I raised an eyebrow at first when he sat them down next to me, but I didn’t say anything. “There’s no way in hell I was going to be able to pick out a bra for you, and women have too many different kinds of underwear. This was easiest, but they might be too big on you.” I couldn’t even complain. My throat was closing up, my eyes were burning, and it was taking everything in me not to reach out and run my hands over it all. I hadn’t brushed my teeth since the night before I was taken, and I hadn’t put deodorant on or brushed my hair since the same time. Even though I was able to take showers every day, I had to put my old underwear, sleep shirt, and little shorts on once I was done; and it felt like I was never getting clean. If I could have clean clothes, even men’s clothes, I didn’t care. The last bag opened, and a shaky smile crossed my face for the first time since I’d had the unfortunate pleasure of meeting Taylor, as he pulled out different colored nail polishes. “I don’t know if you like these colors, but I watched you pick off what you had on your nails. So . . . here.” A package of pens followed, and the smile fell as confusion set in; but then he brought out a journal, and my stomach dropped. “I had to watch you for a long time, I don’t know what you wrote about, but I know you used to write every day. Anyway, that’s it,” he said and took a step away from the mattress. I picked up the journal and ran my hand over the front of it as tears fell down my cheeks. I knew sometime later I would be creeped out and put Taylor in the same zone Blake had been in, since Blake had people following me, and somehow had gotten cameras into our apartment. But right now, all I could think about was that I was going to be able to write to my parents again. It’d been over four and a half years since my parents died, and for four years I’d been writing in journals to them every day. Not being able to talk to them had been about as hard as not being with Kash. My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
I was also really fortunate at Eton to have had a fantastic housemaster, and so much of people’s experience of Eton rests on whether they had a housemaster who rocked or bombed. I got lucky. The relationship with your housemaster is the equivalent to that with a headmasterat a smaller school. He is the one who supervises all you do, from games to your choice of General Certificate of Secondary Education (GCSE), and without doubt he is the teacher who gets to know you the best--the good and the bad. In short, they are the person who runs the show. Mr. Quibell was old-school and a real character--but two traits made him great: he was fair and he cared. And as a teenager those two qualities really matter to one’s self-esteem. But, boy, did he also get grief from us. Mr. Quibell disliked two things: pizzas and the town of Slough. Often, as a practical joke, we would order a load of Slough’s finest pizzas to be delivered to his private door; but never just one or two pizzas--I am talking thirty of them. As the delivery guy turned up we would all be hidden, peeping out of the windows, watching the look of both horror, then anger, as Mr. Quibell would send the poor delivery man packing, with firm instructions never to return. The joke worked twice, but soon the pizza company got savvy.
Bear Grylls (Mud, Sweat and Tears)
And Then It Was Less Bleak Because We Said So" Today there has been so much talk of things exploding into other things, so much that we all become curious, that we all run outside into the hot streets and hug. Romance is a grotto of eager stones anticipating light, or a girl whose teeth you can always see. With more sparkle and pop is the only way to live. Your confetti tongue explodes into acid jazz. Small typewriters that other people keep in their eyes click away at all our farewell parties. It is hard to pack for the rest of your life. Someone is always eating cold cucumber noodles. Someone will drop by later to help dismantle some furniture. A lot can go wrong if you sleep or think, but the trees go on waving their broken little hands.
Wendy Xu (You Are Not Dead)
If you looking for Rafting Company in Rishikesh? Then we are the people to call because we have it all. If you are looking for camping in Rishikesh, adventure, fun, anticipation and family bonding then your one weekend with us is awaiting. As in this weekend we give you all kind of rafting in Rishikesh like river rafting, bungee jumping and trekking, if you are the daring kind. And you can dare to paint the town red then paintball is your thing. Diffidence prevents us from audacity, but we do have the best camps for hosting your family weekends. So what are you coming up for Pack your bags as Uttarakhand Adventure is calling. If adventure runs from side to side your veins and you dare to ride high on the wild waters of the Ganga then head to Rishikesh for a rejuvenate and exciting holiday journey. Revitalize your drained body and mind in the good-looking surroundings of this holy town and let the thrill of white water rafting take you absent from the rest of the world. Offering a synthesis of chilly conditions and gorgeous sand beaches with Garhwal Himalaya Mountains in the background, Rishikesh is one of the most important rafting destinations in India. It is a place that continues to strike the thoughts of city dwellers who want to escape from their work routine and droning lifestyle. The best element of river rafting company in Rishikesh is that it can be enjoyed by anyone; you don’t need to be a swimmer or a specialized rafter to enjoy this sport. The strong present of the Ganga flowing down from a very high height through the Himalayan Mountain Range makes it one of the best rivers in India to enjoy rafting adventure. Wash away your fears and go in front and sail crossways the river awash with demanding whirlpools and rapids. If you manage to successfully man oeuvre through the stretch with little help from the guide, you positively deserve a pat on your back for your skirmishing spirit. Most of river rafting packages in Rishikesh are incomplete without experiencing the rustic charm of beach camping under the open sky. The best instance for white water rafting in Rishikesh is from February to May and as of September to November. River Rafting is best enjoyed in the consecrated valley of Rishikesh which boasts of the Great Ganges River downward with an ultimate force and existing precisely as the originator intended her to be- Wild and Free. The attendance of numerous rapids and troughs along the make bigger of the river fortifies the stand of Rishikesh as the River Rafting capital of India. Once here; you will be given a crash course on the sport, its navigational technique, and how to make it safer. Following the briefing, the organizers will hand you gear like rafts, paddles, helmets and life jackets.
uttarakhand adventure
Don’t pack out! To some people, you make life bright When you decide to dim your light Their lives will be full of darkness Do shine your light in kindness To some people, you bring out a joy With their emotions, never ever toy With your smiles, grease them with oil And make them glad when their lives boil To other people, you are the warmth That kills coldness and brings strength Don’t do it; don’t pack out Else, they will have blackout You’re on earth to do two things here Wake up and do them now; this year First, dare to grow and become better Second, help others to also become greater Never in any of the four seasons Should you neglect your gifts for any reasons The world needs you to make it a better place Don’t pack out; run your race.
Israelmore Ayivor (Become a Better You)
One theme is an unflinching pioneer optimism. You can do great things. Everyone has this capacity. Every day, you can be better than you were yesterday; and there is nothing that exceeds your grasp if you put your mind to it. This sort of optimism is, of course, a semi-ubiquitous mantra of American life. I love this belief, and I find its profession, by large swathes of the American population, touching and sincere. The only problem is that I'm pretty sure it's not true. Most things lie outside the grasp of most people. And the one unbreakable truth of life is that we get worse.
Mark Rowlands (Running with the Pack: Thoughts from the Road on Meaning and Mortality. Mark Rowlands)
It is sometime necessary to reevaluate your life from where it all started, so you can live the life you truly deserve. There may have just been a variety pack of abuse from the very beginning. From the aggressive to the passive aggressive parent. One or both of them unable to show you what true compassion feels or looks like. You then go out into the big world a frightened people pleaser, running straight into the arms of more oddly comforting toxicity, and repeat this cycle over and over again.
Christine E. Szymanski
The people running the prisons are crying out for more money from the federal government or else “murderers will go free and the streets won’t be safe.” When really, from what I’ve seen, the prisons are being packed with mostly petty drug offenders. That’s how the system stays in business, and the corrupt few like Sheriff Joe Arpaio enrich themselves. Enough said.
Shaun Attwood (Hard Time: Banged Up Abroad Raving Arizona)
Driving along Broadway, he sees a young guy exit a bus and then turn to help an old woman who was waiting to board that bus. In his entire life, Bobby’s never seen more people help little old ladies cross streets, avoid puddles or potholes, carry their groceries, or find their car keys in purses overstuffed with rosary beads and damp tissues. Everyone knows everyone here; they stop one another in the streets to ask after spouses, children, cousins twice removed. Come winter, they shovel walks together, join up to push cars out of snowbanks, freely pass around bags of salt or sand for icy sidewalks. Summertime, they congregate on porches and stoops or cluster in lawn chairs along the sidewalks to shoot the shit, trade the daily newspapers, and listen to Ned Martin calling the Sox games on ’HDH. They drink beer like it’s tap water, smoke ciggies as if the pack will self-destruct at midnight, and call to one another—across streets, to and from cars, and up at distant windows—like impatience is a virtue. They love the church but aren’t real fond of mass. They only like the sermons that scare them; they mistrust any that appeal to their empathy. They all have nicknames. No James can just be a James; has to be Jim or Jimmy or Jimbo or JJ or, in one case, Tantrum. There are so many Sullivans that calling someone Sully isn’t enough. In Bobby’s various incursions here over the years, he’s met a Sully One, a Sully Two, an Old Sully, a Young Sully, Sully White, Sully Tan, Two-Time Sully, Sully the Nose, and Little Sully (who’s fucking huge). He’s met guys named Zipperhead, Pool Cue, Pot Roast, and Ball Sac (son of Sully Tan). He’s come across Juggs, Nicklebag, Drano, Pink Eye (who’s blind), Legsy (who limps), and Handsy (who’s got none). Every guy has a thousand-yard stare. Every woman has an attitude. Every face is whiter than the whitest paint you’ve ever seen and then, just under the surface, misted with an everlasting Irish pink that sometimes turns to acne and sometimes doesn’t. They’re the friendliest people he’s ever met. Until they aren’t. At which point they’ll run over their own grandmothers to ram your fucking skull through a brick wall. He has no idea where it all comes from—the loyalty and the rage, the brotherhood and the suspicion, the benevolence and the hate. But he suspects it has something to do with the need for a life to have meaning.
Dennis Lehane (Small Mercies)
He felt her open to him, her mind and heart and soul, softly feminine, exquisitely woman, all his. Her pleasure matched his own beat for beat, shudder for shudder. He had to hold her to keep himself on his feet, and they collapsed together into the soaked vegetation. Holding each other, the rain cooling their bodies, they laughed like children. “I expected steam this time,” Jacques said, crushing her to him. “Can you do that?” Shea fit the back of her head into the niche of his sternum. One hand idly slid over the heavy muscles of his chest. “Make us so hot we turn the rain to steam?” He grinned boyishly down at her, for the first time so carefree that he forgot for a moment the torment he had suffered. She made him invincible. She made him vulnerable. Most of all, she made him alive. “No, really--what they did, those others. They were like fog or mist. Can you really do that?” Shea persisted. “I mean, you said you could, but I thought maybe you were delusional.” His eyebrows shot up. “Delusional?” Jacques flashed a cocky grin, held out his arm, and watched as fur rippled along the length of it, as the fingers curved and extended into claws. He had to make a grab for Shea as she scrambled away from him, her eyes enormous. Jacques was careful not to hurt her with his strength. “Stop laughing at me, you brute. That’s not exactly normal.” A slow smile was beginning to curve her soft mouth. She couldn’t help but be happy for the innocent joy he found in each piece of information that came to him, each new memory of his gifts. “It is normal for us, love. We can shape-shift whenever we like.” She made a face. “You mean all those hideous stories are true? Rats and bats and slimy worm things?” “Now, why would I want to be a slimy worm thing?” He was openly laughing. The sound startled him; he couldn’t remember laughing aloud. “Very funny, Jacques. I’m so glad you find this amusing. Those people actually formed themselves out of fog, like something in a movie.” She gave a punch to his arm for emphasis. “Explain it.” “Shape-shifting is easy once you are strong. When I said we run with the wolf, I meant it literally. We run with the pack. We can fly with the owl and become the air.
Christine Feehan (Dark Desire (Dark, #2))
It is normal for us, love. We can shape-shift whenever we like.” She made a face. “You mean all those hideous stories are true? Rats and bats and slimy worm things?” “Now, why would I want to be a slimy worm thing?” He was openly laughing. The sound startled him; he couldn’t remember laughing aloud. “Very funny, Jacques. I’m so glad you find this amusing. Those people actually formed themselves out of fog, like something in a movie.” She gave a punch to his arm for emphasis. “Explain it.” “Shape-shifting is easy once you are strong. When I said we run with the wolf, I meant it literally. We run with the pack. We can fly with the owl and become the air.
Christine Feehan (Dark Desire (Dark, #2))
The award-winning American TV series Breaking Bad has a scene in its second season set in the murder capital of Ciudad Juárez. In this episode, American and Mexican agents are lured to a patch of desert just south of the border looking for an informant. They discover the informant’s head has been cut off and stuck on the body of a giant turtle. But as they approach, the severed cranium, turned into an IED, explodes, killing agents. The episode was released in 2009. I thought it was unrealistic, a bit fantastic. Until July 15, 2010. In the real Ciudad Juárez on that day, gangsters kidnapped a man, dressed him in a police uniform, shot him, and dumped him bleeding on a downtown street. A cameraman filmed what happened after federal police and paramedics got close. The video shows medics bent over the dumped man, checking for vital signs. Suddenly a bang rings out, and the image shakes vigorously as the cameraman runs for his life. Gangsters had used a cell phone to detonate twenty-two pounds of explosives packed into a nearby car. A minute later, the camera turns back around to reveal the burning car pouring smoke over screaming victims. A medic lies on the ground, covered in blood but still moving, a stunned look on his face. Panicked officers are scared to go near him. The medic dies minutes later along with a federal agent and a civilian. I’m not suggesting that Breaking Bad inspired the murders. TV shows don’t kill people. Car bombs kill people. The point of the story is that the Mexican Drug War is saturated with stranger-than-fiction violence. Mexican writer Alejandro Almazán suffered from a similar dilemma. As he was writing his novel Among Dogs, he envisioned a scene in which thugs decapitate a man and stick a hound’s head on his corpse. It seemed pretty out there. But then in real life some gangsters did exactly that, only with a pig’s head. It is just hard to compete with the sanguine criminal imagination. Cartel thugs have put a severed head in a cooler and delivered it to a newspaper; they have dressed up a murdered policeman in a comedy sombrero and carved a smile on his cheeks; and they have even sewn a human face onto a soccer ball.
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
And how is it that anybody steps up and says he’s running for office, he’s the man for the job, who thinks like that? But once the idea has crept into your mind, then why not? Who else? People emerge. Ordinary citizens, something triggers them to stand in front of the pack and say, It’s me. And then people say yes to you, or no to you, but how can you know who you are in their eyes unless you stand up?
Lawrence Wright (Mr. Texas)
Given this postulate, a prospect would (in theory) purchase something from you, and the moment their credit card was run, it would immediately become their reality. That is infinite value. Imagine clicking the purchase button on a weight loss product and instantly seeing your stomach turn into a six-pack. Or imagine hiring a marketing firm, and as soon as you sign your document, your phone begins ringing with new highly qualified prospects. How valuable would these products/services be? Infinitely valuable. And that’s the point. I don't know if we entrepreneurs will ever get there, but that is the hypothetical limit we all should strive towards, and why I structured the equation this way.
Alex Hormozi ($100M Offers: How To Make Offers So Good People Feel Stupid Saying No (Acquisition.com $100M Series Book 1))
I step up to a podium and speak to the audience as if I were addressing a rally. But just as I begin, a tall figure in the fifth row stands up and says, "Excuse me, Jesus..." I lean forward to search the blackness for the voice. The figure raises a pistol and fires a shot that echoes all over the auditorium. The place goes nuts. People scream. I smash the blood pack under my shirt and collapse on the floor as the figure dashes out the nearest exit. A couple of audience members actually run after him like it's real. The stage goes to red and the electric guitars start to wail. It's fucking brilliant. There's no time for the audience to recover. Onstage it's chaos: fifty teenagers keen and scream, choristers dressed as cops, paramedics, and reporters dash on trying to restore order, but only complicating things. And in the middle of it all is me, lying in a pool of blood. This, this, this is what being an actor is about. To be able to elicit such a strong reaction from hundreds of people at once - that power is awesome and irresistible and humbling. If you want to think I'm needy because I love applause, go ahead. But I know that the reason I perform is for moments like these, moments when you connect with an audience and take them somewhere.
Marc Acito (How I Paid for College: A Novel of Sex, Theft, Friendship & Musical Theater (Edward Zanni, #1))
One of the common expectations about hearing from God is that we will be able to get direct guidance for decisions we need to make. I may want to know which car to buy so I do not get a lemon, or which job to take, or whom to marry. We often think of God's will as a particular set of right and wrong choices we can make, in which case we would want to get a clear direction from Him as to what to do. Any time there is a seminar on how to know the will of God for your life, the place is usually packed out. While seeking guidance from God is important, this particular emphasis and approach to finding God's will is somewhat misguided.[27] First, God's will involves much more than choosing “A” or “B.” Thinking about God's will only in this way can severely limit the quality of our connection with Him. Second, people sometimes seek these kinds of answers as a way of avoiding the work of deciding or taking responsibility for making decisions. Third, getting the right answer without going through the process of getting there can sidestep the learning that may be available in that choice. As noted above, Jesus often preferred teaching over giving short answers to questions, choosing to help people see a given situation through the eyes of heaven rather than telling them what to do. Asking God what we need to see in order to make better choices is something that we can have confidence He will help us with. Generally speaking, our perspective on life needs to come from God, but it is up to us to intentionally choose what is good based on what He shows us. And yes, sometimes God does have something specific in mind that He wants us to know. If that is the case, we can be fairly certain He will not play a guessing game with us, leaving vague clues around for us to pick up on. Whenever we ask for direction and find that clarity is not on the horizon, we might want to consider asking God what else He wants us to know about the issue and seek to become learners in the process. Of course, you will not receive anything that runs contrary to Scripture.
David Takle (Forming: A Work of Grace)
If we keep it up, we’re going to look around and someone will say, ‘I want my constitutional rights,’ and they’ll be told, ‘We have no Constitution.’ I think we have to be really, really careful… We’re running the risk of one day not having a Constitution, and hence not having a country. We’re going to pay a price. People forget what happened to the great empires of the world: the Ottoman Empire, gone, fragmented; the Habsburg Empire; the Roman Empire. And the one thing that we have is this long-lasting written constitution, that should be, for us, like the Holy Grail: to be protected. Our desires don’t amend the Constitution, that’s the touchstone for everything. It allows us to live in a free society, but it doesn’t guarantee us the best position in that free society.
Michael Pack (Created Equal: Clarence Thomas in His Own Words)
seems to have quite a stash of gold coins. Isn’t that interesting, Jack?” she said, that long sly grin spreading across her broad face. She gave him a wink as he headed out the door. “Most interesting,” Jack said, tucking the information into his brain. Jack was putting a lot of things together, and they added up to trouble. The banker, Feemster, and his big mouth told Jack about the mine payroll, even when it was leaving Elko. “If he told me,” Jack said to Cactus, “how many other people did he tell?” The Elko County Sheriff, Cyrus Simpson, wanted to own lots of property in The Meadows but doesn’t assign a deputy to the area. “Is that why Melissa Thompson was having difficulty with her property sale? What is the sheriff’s game?” Jack’s mind continued rambling at a high lope. Irene told him about Clint Bayliss spending lots of money even though the fool couldn’t keep a job. “If you robbed a payroll, would you start spending that money wildly?” he asked Cactus Jack. “I don’t know yet how I’m going to prove it, but I’d be willing to bet that Bayliss was behind that mine payroll robbery. This meeting might get very interesting, Cactus Jack, my friend,” he said as they walked into a packed barn. “Looks like at least fifty people,” he said, wending his way toward where Paddock was seated, near the front. Chairs and benches were set up in a semi-circle, almost in a horseshoe pattern, and just about every space was filled when Valley Paddock rose and turned to the audience. “For most of us,” he began, “this is the first time that we have all been together, and I’m certainly glad that so many of us have turned out for this important gathering. Our little community, the town with so many names,” and there was genuine laughter at that, “has many problems and those that want to run Elko County don’t give a hoot about us.
Johnny Gunn (Jack Slater: Orphan Train to Cattle Baron)
Overeating, or comfort eating, is the cheap, meek option for self-satisfaction, and self-obliteration. You get all the temporary release of drinking, fucking, or taking drugs, but without - and I think this is the important bit - ever being left in a state where you can't remain responsible and cogent. In a nutshell, then, choosing food as your drug - sugar highs, or the deep, soporific calm of carbs, the Valium of the working classes - you can still make the packed lunches, do the school run, look after the baby, pop in on your mum, and then stay up all night with the ill five-year-old - something that is not an option if you're coming off a gigantic bag of skunk or regularly climbing into the cupboard under the stairs and knocking back quarts of Scotch. Overeating is the addiction of choice of carers, and that's why it's come to be regarded as the lowest-ranking of all the addictions. It's a way of fucking yourself up while still remaining fully functional, because you have to. Fat people aren't indulging in the "luxury" of their addiction making them useless, chaotic, or a burden. Instead, they are slowly self-deconstructing in a way that doesn't inconvenience anyone. And that's why it's so often a woman's addiction of choice.
Caitlin Moran
I often wonder about this sort of thing. You’re running a jet full of 500 passengers. Do you pack 250 chicken and 250 squid medley? Really? Or do you think, ‘Hm, more people seemed to opt for the chicken and rice, rather than the fish tentacles in slime. In fact, this has been the case on every flight for the last ten years. Maybe this time I’ll take more chicken and less octopus…’ Obviously, that thought process has never taken place.
Tony James Slater (Can I Kiss Her Yet?: A True Tale of Love, Marriage... and Camels)
Kaden leaned against the doorframe, running his fingers through his dark hair. He was barefoot and shirtless, wearing only a pair of gray sweatpants. His upper body was tanned and cut to perfection. A sparse patch of dark hair covered the center of his chest while a thin line ran down the middle of his stomach muscles. Oh, sweet baby Jesus, his stomach. She’d seen professional athletes on television with an eight-pack but hadn’t thought normal people could actually achieve them. Her fingertips tingled with the urge to run her fingers over each of his pecs.
Stacey O'Neale (Under His Skin (Alien Encounters, #1))
But he’s still your family, right? You run together. See, that’s important. Nothing’s more important. But you can’t,” she coughed again, “you can’t have a pack that’s so big that just everybody’s in it. I’m not saying you shouldn’t care about people. Try to help them. But you can’t take it all on yourself, girl. That’s all I’m saying.
Masha du Toit (Wolf Logic (Crooked World Book 2))
THE HANDS OF THE TRAIN Mumbai’s trains, which transport six million passengers a day, break the laws of physics: more passengers enter them than fit. Suketu Mehta, who knows about these impossible voyages, says when every jam-packed train pulls out, people run after it. Whoever misses the train, loses his job. Then the cars sprout hands out of windows or from roofs, and they help the ones left behind clamber aboard. And these train hands do not ask the one running up if he is foreign or native-born, nor do they ask what language he speaks, or if he believes in Brahma or in Allah, in Buddha or in Jesus, nor do they ask which caste he belongs to, if he is from a cursed caste or no caste at all.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
But now that I’m sitting up, nausea hits me. I flop back onto the bed. “Go get Friday a can of ginger ale,” Paul says to Hayley. “Her tummy hurts.” Hayley runs out of the room and comes back with a cold can as Paul said. She opens it up, takes a sip, and hands it to me. She grins and wipes her hand across the back of her mouth. “What did I tell you about drinking out of people’s drinks?” “It’s just Friday,” she says. She blinks those blue eyes at me. I’m just Friday. I’m just Paul’s girlfriend, which makes me something serious in her life. It’s kind of scary, knowing I’m something to her. But in a good way, for the first time ever. “Is your tummy feeling better?” she asks. “Not yet.” She sits cross-legged in front of me. “Maybe you just need to go poop,” she says, looking at me very seriously. Paul falls back on the bed, clutching his gut as he laughs. He laughs until he has tears rolling out of his eyes. He wipes them and goes to get me some crackers, laughing all the way down the hall. Sam stops and pops his head into the room. I’m glad I’m wearing one of Paul’s really long T-shirts. Sam grins at me. “Maybe you should just give it a try,” he says, “just in case you need to poop.” I throw a pillow at his head. He ducks, and it flies over him. He mocks an affronted look. “You didn’t throw a pillow at Hayley.” I grab her toe and tug it. “Because I like her.” She grins at me and looks smugly at Sam. He scrunches up his face like he’s upset. “I like you, too,” Hayley says quietly when Sam steps out of the doorway. I could get used to this family thing. Paul comes back with a pack of crackers, opens them, and hands me one. I nibble the edge of it. He leans down and kisses my cheek. “Just so you know,” he says softly, “I’ve never had a woman sleep in my bed when Hayley’s here before.” My heart squeezes in my chest, and my belly flutters. I know this much about him. “So no matter what, don’t break her heart, okay?” he asks softly. His blue eyes stare into mine. “You cuddled with her daddy and with her, so that makes you special. Keep that in mind, no matter what.” There’s something almost ominous about his tone, but I have no idea what his reticence is about. I wish I did.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Eventually, at 7:22 A.M. on the morning of May 26, 1998, with tears still pouring down my frozen cheeks, the summit of Mount Everest opened her arms and welcomed me in. As if she now considered me somehow worthy of this place. My pulse raced, and in a haze I found myself suddenly standing on top of the world. Alan embraced me, mumbling excitedly into his mask. Neil was still staggering toward us. As he approached, the wind began to die away. The sun was now rising over the hidden land of Tibet, and the mountains beneath us were bathed in a crimson red. Neil knelt and crossed himself on the summit. Then, together, with our masks of, we hugged as brothers. I got to my feet and began to look around. I swore that I could see halfway around the world. The horizon seemed to bend at the edges. It was the curvature of our earth. Technology can put a man on the moon but not up here. There truly was some magic to this place. The radio suddenly crackled to my left. Neil spoke into it excitedly. “Base camp. We’ve run out of earth.” The voice on the other end exploded with jubilation. Neil passed the radio to me. For weeks I had planned what I would say if I reached the top, but all that just fell apart. I strained into the radio and spoke without thinking. “I just want to get home.” The memory of what went on then begins to fade. We took several photos with both the SAS and the DLE flags flying on the summit, as promised, and I scooped some snow into an empty Juice Plus vitamin bottle I had with me.* It was all I would take with me from the summit. I remember having some vague conversation on the radio--patched through from base camp via a satellite phone--with my family some three thousand miles away: the people who had given me the inspiration to climb. But up there, the time flew by, and like all moments of magic, nothing can last forever. We had to get down. It was already 7:48 A.M. Neil checked my oxygen. “Bear, you’re right down. You better get going, buddy, and fast.” I had just under a fifth of a tank to get me back to the Balcony. I heaved the pack and tank onto my shoulders, fitted my mask, and turned around. The summit was gone. I knew that I would never see it again. *Years later, Shara and I christened our three boys with this snow water from Everest’s summit. Life moments.
Bear Grylls (Mud, Sweat and Tears)
artists and acrobats, the walls were enough to keep most people in. I don’t get super strength or scary points. But speed is my friend, and I caught her flat-footed because she thought one thing was happening when it was really something else. She thought I was running from her—and I was just trying to get up some speed. I ran for the wall. I don’t know what she thought I was doing, but she chased me hard for most of the distance. But as I approached the giant stone wall that surrounded the grounds, she slowed, anticipating that I would be stopped by it. A few months ago, a bunch of the pack had been at Warren’s house watching a Jackie Chan movie—I don’t remember which one because we were having a marathon—and Jackie just ran up a wall like magic. Warren had a wall around his backyard. Someone stopped the movie, and we’d all gone out and tried it. A lot. The werewolves had gotten moderately proficient, but my light weight and speed had made me the grand champion. The trick is to find a corner and have enough speed to make it to the top. Instead of stopping at the wall, I Jackie-Channed it up the stone surfaces and leaped over. I caught the werewolf totally by surprise. I don’t expect Bonarata and she watched old martial arts movies together. It didn’t seem like that kind of relationship. Her pause meant that the wolf, who could have caught me because as agile as I’d learned to be imitating Jackie Chan, going up was still slower than going forward, had missed her chance. I didn’t intend to give her another. I changed to coyote as I came off the top of the wall. I’m not a were-anything. It takes them time to change from human to wolf. I could do it—well, in this case I could do it in the time it took me to drop off the wall. I landed on four feet, running as fast as I could down a narrow road that was walled on both sides. I had no idea where I was, but out was a good direction, and I didn’t hesitate as I headed one way. Nor did I slow
Patricia Briggs (Silence Fallen (Mercy Thompson, #10))
Angeline says that we’re not doing very well. Apparently they expected the Japs from the south, by the sea, but they came from the north instead and just breezed right through the defenses there. And it’s really awful outside.” Her voice hiccups. “I saw a dead baby on a pile of rubbish this morning as I came here. It’s all around, the rubbish and the corpses, I mean, and they’re burning it so it smells like what I imagine hell smells like. And I saw a woman being beaten with bamboo poles and then dragged off by her hair. She was half being dragged, half crawling along, and screaming like the end of the world. Her skin was coming off in ribbons. You’re supposed to wear sanitary pads so that . . . you know . . . if a soldier tries to . . . Well, you know. The locals and the Japanese both are looting anything that’s not locked down, and thieving and generally being impossible. They’re all over the place in Kowloon, running amok. We’re thinking about moving out to one of the hotels, just so we’re more in the middle of things, and we can see people and get more information. The Gloucester is packed to the rafters but my old friend Delia Ho has a room at the Repulse Bay and says we can have it because she’s leaving to go to China. We can share the room with Angeline, don’t you think? And apparently, the American Club has cots out and people are staying there as well. They have a lot of supplies, I suppose. Americans always do. Everyone wants to be around other people.
Janice Y.K. Lee (The Piano Teacher)
Questions When she asked me out for coffee, I knew she was different. Her words were funny but lonely. Her eyes nervously asked questions. I was looking into a murky well, but I couldn't turn away. Sometimes I wish I could take her away. We could walk a beach sipping coffee, and she'd laugh and feel really well and not start crying. She'd be different. No one would ask me questions about being with someone so weird, lonely. 'Save me,' she whispers. It makes me lonely. My life before that first day seems far away. Her cutting habit scares me. I ask questions so maybe she can say what hurts. I offer coffee with lots of sugar and milk, something different. She dries her smudged eyes, sighs, 'Oh, well.' I wish we could hold hands by a rock well and fling in her thorny wounds, fears, loneliness. Maybe things with her will never be different. Maybe I need to pack up and run far away, but then tomorrow, alone, she'd drink bitter coffee again, and I'd be asking myself what-if questions. My counselor asks me confusing questions about whether I can cure her, make her well, and what if I hadn't gone out for that first coffee, can I really save anyone but me. 'But she's so lonely,' I say, 'and I love her and can't just turn away.' I even pray that she'll wake up smiling, different. My family says, 'Think of college, a new different life, a clean start.' Maybe a roommate will question my politics, sign us up for a trip to the mountains far away. Can, should I, forget her, and focus just on me? Well, I'd miss her too, digging into my skin, lonely for what I provide, warmth and not just in the coffee. People say I don't look well, I stopped coffee, but the broken questions just replay, won't go away. I want to be different even if I'm lonely.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
Living in America exposes a citizen to the refined genteelness that draws some people to public services as well as the glad-handing politicians and their bucket brigade of minions fervidly running interference for their party’s headline hunting political agendas. The clash of social tension, imagery of racial and class outrage, and frequent raucous celebrations inundate America. Americans are also targets to the ceaseless wave of propaganda spewed out by national and international companies hawking their plastic products. The unadulterated grotesque mélange spit out by the American publicity machine exposes its citizenry to more meaningless mental pulp than other any other county’s citizens must tolerate. Public debates, scandals, violence, political grandstanding, and crisis management drive much of the public discourse. American politics is an oily affair, akin to watching a pack of overfed, flushed face, and breathless contestants chasing a greased pig at a county fair. Politics is class warfare and American politics contains its share of Rambo politicians. Warring American political parties include Taliban subgroups, people who would prefer to cut the heads off their ideological enemies.
Kilroy J. Oldster
Wolves avoid people whenever possible. The number of attacks by wolves on humans is low. Most of the ones people hear about are undocumented stories from ancient times. There have been two cases in North America where individuals were killed by a wolf pack, but there’s conflicting evidence on even these two. Wolves have an amazing lack of interest in attacking people. Moose On the Loose Sandy Sisti My relationship with a moose cow and her calf began on May 21 when I stopped to photograph the pair. The calf was less than one day old. The moose cow had ventured to a secluded area to give birth. Her little calf was born on a small island in the middle of the Shoshone River, just twelve miles outside of Yellowstone’s East Entrance. Choosing such an isolated place isn’t unusual, since moose often give birth on islands in an effort to keep their helpless calves safe for the first few days of their lives. Unfortunately the extremely warm weather in 2014 caused the mountain snows to melt rapidly, flooding parts of the Shoshone River. While watching the pair, I couldn’t help but notice that the rising water was swallowing up their tiny island. Only a few bare patches were left where the moose could bed down. At the same time the flooding was stranding the cow and her newborn calf. The young fellow could barely stand and when he was able to get to his feet a few times a day to nurse, it was obviously quite an effort. I worried that this drama would end badly, so on that very first day I vowed to myself that I wouldn’t spend any more time with the cow and her calf for fear of the heartbreak I would feel if tragedy struck. I stuck to my vow for four days, although I would always quickly glance over at the mother and calf each time I drove past. The pair was stuck on a small bit of land far from the opposite shore. I couldn’t imagine how the little calf could ever make it across the rushing floodwaters to freedom and to an area where his mother could graze. For those first few days, the calf didn’t move much. He spent most of his time sleeping alongside his mother or standing to nurse as the river continued to rise. When the calf was five days old, I was surprised to see him up and about as I drove past on my way home from Yellowstone. Although he wasn’t yet steady on his feet, he was able to follow his mother around their island as she grazed. I spent six hours watching the pair that day and from that moment on I knew I could no longer keep my vow to not get emotionally involved. I grew attached to the little family and became very concerned that the calf would never be able to safely swim across the river to the mainland. A friend of mine had already contacted Wyoming Game and Fish and informed them of the situation. He was told that nature must be allowed to run its course. So all I could do was watch and wait. By Day Six of the calf’s life the moose cow had eaten all of
Carolyn Jourdan (Dangerous Beauty: Encounters with Grizzlies and Bison in Yellowstone)
The history of the land is a history of blood. In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming. It’s all in the telling. The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow. Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness. Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.) The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting. The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded. The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb. All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing. One nation, under the earth. E Pluribus unum mortuis. Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
Libba Bray
A couple of miles down the road from Catulus’ villa we passed another large house that appeared to be abandoned. It looked as though someone had set fire to it and left the ruins. Most of the roof had fallen in. “What happened to that place?” Aurora asked, turning to one of Catulus’ men, a tall, gloomy fellow named Syrus. “Ghouls,” he said. “Did you say ghouls?” “Yes. Creatures that would eat humans or animals and take on the shape of whoever or whatever they ate.” He sounded utterly serious. Some people are able to make their jokes more believable that way. From the other side of Aurora I couldn’t help but laugh. “That’s preposterous.” “All I know is what I’m told, my lord. It happened some time ago, when I was a boy.” “What happened?” “The couple that lived there—Leander and Chloe was their names—they had no children. When they got old they hired some people to help them run the place. Turns out, though, the people they hired was a pack of these flesh-eating ghouls.” I shook my head in disbelief. “People around here actually believe this nonsense?” Syrus looked a bit offended. “Call it that if you will, my lord. When animals began disappearing and, finally, a couple of villagers disappeared, folks started suspecting something. They traced it all to that house.” “Traced what?” I asked. “Strange noises, glimpses of beasts, occasional bones. They attacked the place and set fire to it. We don’t know if they killed the ghouls. They could have changed their shapes and got away.” “What happened to Leander and Chloe?” Aurora asked. “Never seen again. Some around here think they was ghouls themselves. Or maybe eaten by the ghouls.
Albert A. Bell Jr. (Hiding From the Past (Pliny the Younger #8))
Have you ever loved someone for a thousand years? I would have bet it impossible, but that's how long we were together. A thousand years we traveled the halls of Hell together. I don't remember fighting. She was magic. Nights were wondrous. Days full of laughter and long, slow conversations. Once for fifty years we discussed dogs and decided to spend a few years pretending we were dogs, running on all fours and eating only dog food out of a dish, or occasionally gnawing on a meaty bone. Oddly enough, it caught on and several people joined our pack. We pulled the mattresses down off the beds with our teeth and slept on the floor. In our 708th year together, we started an elaborate game of tag that involved hundreds of people and lasted for over twelve years. We developed a series of complex strategies for freeing prisoners and gaining allies when we were It - and we were always It together. We were a team, Rachel and I. Oh, I miss her so much. I think our love could have lasted forever. I'm sure it would have. She was so…no, I won't cheapen it by trying to express it in words and short sentences. I loved her. That is enough.
Steven Peck
Los Angeles was the kind of place where everybody was from somewhere else and nobody really dropped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically— any way you want to look at it— everybody in L.A. keeps a bag packed. Just in case.
Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))