People Are Portals Quotes

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I fell in love with books. Some people find beauty in music, some in painting, some in landscape, but I find it in words. By beauty, I mean the feeling you have suddenly glimpsed another world, or looked into a portal that reveals a kind of magic or romance out of which the world has been constructed, a feeling there is something more than the mundane, and a reason for our plodding.
Donald Miller (To Own a Dragon: Reflections On Growing Up Without A Father)
Books are not really just books at all, but doorways. They are portals into places I've never been and people I'll never be.
Ashley Poston (Bookish and the Beast (Once Upon a Con, #3))
The people who lived in the portal were often compared to those legendary experiment rats who kept hitting a button over and over to get a pellet. But at least the rats were getting a pellet, or the hope of a pellet, or the memory of a pellet. When we hit the button, all we were getting was to be more of a rat.
Patricia Lockwood (No One Is Talking About This)
I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
People don't believe me when I tell them I'm a magician who makes portals to other worlds. So I tell them I'm a writer instead.
Genesis Quihuis
Books have given me a magic portal to connect with people of the past and the present. I know I shall never feel lonely or powerless again.
Lisa Bu
The Internet is your portal to the rest of the world. The people online are your only friends.
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
Scientists are not like other people, sir. We cannot slam our portals. We have to follow evidence where it leads, even if no one likes that place. Even if it suggests that all we have ever believed might be mistaken.
Barbara Kingsolver (Unsheltered)
They banged doors, they shouted Trick or Treat and their brown paper bags began to fill with incredible sweets. They galloped with their teeth glued shut with pink gum. They ran with red wax lips bedazzling their faces. But all the people who met them at doors looked like candy factory duplicates of their own mothers and fathers. It was like never leaving home. Too much kindness flashed from every window and every portal. What they wanted was to hear dragons belch in basements and banged castle doors.
Ray Bradbury (The Halloween Tree)
It says the American people are full of goodness and wisdom, and you just have to be paying attention. And sometimes that's hard to do when you're inside this bubble, but this was a little portal through which I could remind myself of that every day. The letters are beautiful, aren't they? -Obama
Jeanne Marie Laskas (To Obama: With Love, Joy, Anger, and Hope)
Gen Z became the first generation in history to go through puberty with a portal in their pockets that called them away from the people nearby and into an alternative universe that was exciting, addictive, unstable, and—as I will show—unsuitable for children and adolescents.
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness)
Surrender — the letting go of mental-emotional resistance to what is — also becomes a portal into the Unmanifested. The reason for this is simple: inner resistance cuts you off from other people, from yourself, from the world around you. It strengthens the feeling of separateness on which the ego depends for its survival. The stronger the feeling of separateness, the more you are bound to the manifested, to the world of separate forms. The more you are bound to the world of form, the harder and more impenetrable your form identity becomes. The portal is closed, and you are cut off from the inner dimension, the dimension of depth. In the state of surrender, your form identity softens and becomes somewhat “transparent,” as it were, so the Unmanifested can shine through you.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
I am the goblin king," he said with a shrug. "Tell your people this and demand that they help us find the portal back to Mylena." Wyatt started to laugh like a frickin' hyena, which made Greta groan again.
Chloe Jacobs (Greta and the Lost Army (Mylena Chronicles, #3))
It was like time would stop, and the dancer would sort of step through some kind of portal and he wasn't doing anything different than he had ever done, 1,000 nights before, but everything would align. And all of a sudden, he would no longer appear to be merely human. He would be lit from within, and lit from below and all lit up on fire with divinity. And when this happened, back then, people knew it for what it was, you know, they called it by it's name. They would put their hands together and they would start to chant, "Allah, Allah, Allah, God God, God." That's God, you know.
Elizabeth Gilbert
Books are not really just books at all, but doorways. They are portals into places I've never been and people I'll never be.” “Sometimes the universe deals us fates that make us happy, but sometimes it simply deals us fates that make us.
Ashley Poston (Bookish and the Beast (Once Upon a Con, #3))
I gradually shrank in size until I was a teenager, then a child, and then, at last, a baby, crawling, until inevitably I was sucked naked and screaming through that portal every man's mother possesses, into a black hole where all light vanished. As that last glimmer faded, it occurred to me that the light at the end of the tunnel seen by people who have died and come back to life was not Heaven. Wasn't it much more plausible that what they saw was not what lay ahead of them but what lay behind? This was the universal memory of the first tunnel we all pass through, the light at its end penetrating our fetal darkness...
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Blogging, writing conventional articles, and being science consultant and pocket protector ninja to various web portals and TV programs, quite often trying to promote the penicillin of hard data to people who had no interest in being cured of their ignorance.
Stephen L. Burns (Analog Science Fiction and Fact, 2012 December)
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
Catherynne M. Valente
Elle, you have a pure heart. You possess love and compassion for your friends and for people you have never met. You have made a huge difference in the lives of fifteen widows and their children. Those children will now grow up safely and be able to provide opportunities for their own children and grandchildren someday. In the end, you will have made a difference in thousands of lives. That is no small feat.
Peggy M. McAloon (Elle Burton and the Reflective Portals (Lessons from Fiori, #1))
You are always in danger in the forest, where no people are. Step between the portals of the great pines where the shaggy branches tangle about you, trapping the unwary traveller in nets as if the vegetation itself were in a plot with the wolves who live there, as though the wicked trees go fishing on behalf of their friends--step between the gateposts of the forest with the greatest trepidation and infinite precautions, for if you stray from the path for one instant, the wolves will eat you. They are grey as famine, they are as unkind as plague.
Angela Carter
There came a time, however, when death ceased to be the enforcer of finitude and began to look, instead, like the last opportunity for radical transformation, the only plausible portal to the infinite. But to be seen as the finite carcass in a sea of blood and bone chips and gray matter-- to inflict that version of himself on other people-- was a violation of privacy so profound it seemed it would outlive him. He was also afraid that it might hurt. And there was a very important question that he still wanted answered. His children were coming, Gary and Denise and maybe even Chip, his intellectual son. It was possible that Chip, if he came, could answer the very important question. And the question was: The question was:
Jonathan Franzen (The Corrections)
These colorful polaroids Are like magical portals Leading to places, emotions, and people Who had slipped into the midst of the forgotten, Into the odd ether of willful omittance.
Justin Wetch (Bending The Universe)
Why had it taken her so long to see her train carriage as a fascinating portal into other people's stories, rather than just a way of getting from A to B?
Clare Pooley (Iona Iverson's Rules for Commuting)
so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.
Homer (The Iliad)
Come in and see, that something seemed to whisper in my head. Never mind all the rest of it, Jake—come in and see. Come in and visit. Time doesn’t matter in here; in here, time just floats away. You know you want to, you know you’re curious. Maybe it’s even another rabbit-hole. Another portal. Maybe it was, but I don’t think so. I think it was Derry in there—everything that was wrong with it, everything that was askew, hiding in that pipe. Hibernating. Letting people believe the bad times were over, waiting for them to relax and forget there had ever been bad times at all.
Stephen King (11/22/63)
When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow. But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe. In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings? If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.
Boria Sax (The Raven and the Sun: Poems and Stories)
We are all, of course, wayfaring strangers on this earth. But coming out of the rainbow tunnel, the liminal portal between Marin and San Francisco, myth and reality, I catch sight of a beautiful, sparkling city that might as well be on the moon. I can name the sights, the streets, the eateries, but in my heart it feels as unfamiliar as Cape Town or Cuzco. I've lived here for fourteen years. This is the arena of my adult life, with its large defeats and small victories. Maybe, like all transplants (converts?), I've asked too much of the city. I would never have moved to Pittsburh or Houston or L.A. expecting it to save my soul. Only here in the great temple by the bay. It's a mistake we've been making for decades, and probably a necessary one. The city's flaws, of course, are numerous. Our politics can suffer from humourless stridency, and life here is menacingly expensive. But if you're insulated from these concerns, sufficiently employed and housed, if you are -in other words- like most people, you are in view of the unbridgeable ideal. Here, with our plentiful harvest, our natural beauty, our bars, our bookstores, our cliffs and ocean, out free to be you and me; here, where pure mountain water flows right out of the tap. It's here that the real questions become inescapable. In fact the proximity of the ideal makes us more acutely aware of the real questions. Not the run-of-the-mill insolubles-Why am I here? Who am I?- but the pressing questions of adult life: Really? and Are you sure? And Now what?
Scott Hutchins (A Working Theory of Love)
Gamers even develop some unusual emotional “superpowers.” Perhaps the most surprising power has to do with dreaming. People who frequently play first-person games (which graphically show you the game world from the point of view of the hero, like Minecraft, Halo, and Portal) develop two rather amazing skills: They can halt nightmares in their tracks, controlling themselves in their dreams the way they control a character in a video game.
Jane McGonigal (SuperBetter: A Revolutionary Approach to Getting Stronger, Happier, Braver and More Resilient--Powered by the Science of Games)
What our phrenological exam says is that we understand how the universe behaved, but that most of the universe is made of stuff about which we are clueless. Our profound areas of ignorance notwithstanding, today, as never before, cosmology has an anchor, because the CMB reveals the portal through which we all walked. It’s a point where interesting physics happened, and where we learned about the universe before and after its light was set free.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
December. The days begin white and glittering with snow---on the roof, the branches of the sycamore, where a robin has taken up residence. It reminds Kate of Robin Redbreast from The Secret Garden---for so many years, her only safe portal to the natural world. Only now does she truly understand her favorite passage, memorized since childhood: "Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us." Often, before she leaves for work, she stand outside to watch the sun catch on the white-frosted plants, searching for the robin's red breast. A spot of color against the stark morning. Sometimes, while she watches it flutter, she feels a tugging inside her womb, as if her daughter is responding to its song, anxious to breach the membrane between her mother's body and the outside world. The robin is not alone in the garden. Starlings skip over the snow, the winter sun varnishing their necks. At the front of the cottage, fieldfares---distinctive with their tawny feathers---chatter in the hedgerows. And of course, crows. So many that they form their own dark canopy of the sycamore, hooded figures watching.
Emilia Hart (Weyward)
Maniac Mansion,” Sadie said. “That’s it. Of course, it’s Maniac Mansion. God, we loved that game. I was thinking, we should make something set in a mansion sometime.” “And each room is a time-travel portal.” “Maybe all the people from all the different periods who ever lived there are there.” “And they’re not happy about it,” Sadie said.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Our desires, dreams and hopes, open portals. These portals manifest in our conscience and five senses, in the form of decisions related to the material world but also opportunities. Now, at the exact same time, or maybe even slightly before in time, we get the exact opposite, the temptation, the illusion and deception. And when we are about to make a decision, as if by magic, the two things come stronger to us, as if pushing us into a duality that makes it hard to decide. Now, this brings me to another super interesting fact: Most people assume that they have freewill, and that choices are hard to be made, and that life is full of dualities. And I've learned that this is just a great deception related to our planet, which, as human beings, we must transcend. And what I'm really saying here is that the duality and the freewill don't exist. There's only one choice to be made, the one that bring us upwards. Self-destruction is not a choice. And yet, every duality presents exactly that, and not really a choice.
Robin Sacredfire
But there is so much more in those words than just loving books. I love the smell of them. I love the way their bindings look pressed together on a shelf. I love the feel of pages buzzing through my fingers. I love big books and small books. I love words and how they're strung together, and most of all, I love the stories. I love how books are not really just books at all, but doorways. They are portals into places I've never been and people I'll never be, and in them I have lived a thousand lives and seen a thousand worlds. In them I can be a princess or a knight of valor or a villian - I can be coveted, I can conquer evils, I can defeat Dark Lords and destroy the One Ring and unite a Federation on the brink of collapse.
Ashley Poston (Bookish and the Beast (Once Upon a Con, #3))
Where does someone’s energy go when their body is cracked open? Does it end up in the corners of all the bedrooms they visited, nestled in the hearts of everyone they knew? Do they have their own secret portals through which they come in and out of the world, where we can sometimes feel them? And if they’re an artist, does their influence go even deeper, into places inside people that they didn’t even know they had?
Guy Mankowski
When we had shaken enough hands and embraced enough people, Amar pulled me away from the sounds, back through the room with flimsy walls where the torn obsidian mirror-portal glowed blearily. There was only a handful of air between us, but it was all illusion. We were closer than that, two souls sewn together with light. His palm slid to my cheek and my skin sang. I loved him with two loves. One, a relic of another era. Another, unformed and hot, a freshly wrought star. All enigma and song. I think he felt the same way because his next words were almost resentful: “You are quite deceptive, my queen. Like a handful of light one moment and then winged night the next.” He smiled. “I would know all your mysteries if you would let me.” “You can try, but you’ll never know them,” I said. “I have a thousand smiles, a hundred forms. Not to mention all my names.” He closed the space between us, lips skimming hungrily across mine. “Then I am pleased we have eternity,” he said, pulling me into a kiss.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Equally as intriguing as the concept of personalized medicine is the proposal to develop the first drugs based on race. Think of the paradox: a classification system constructed centuries ago to enslave people became the portal for the most cutting-edge biomedical advance of the twenty-first century. Predicting drug response based on a patient’s race rather than on genetic traits, says Lawrence Lesco of the FDA’s Center for Drug Evaluation Research, is “like telling time with a sundial instead of looking at a Rolex watch.
Dorothy Roberts (Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-First Century)
A problem related to perceptions of Mormonism’s monopoly on truth is the impression that Mormons claim a monopoly on salvation. It grows increasingly difficult to imagine that a body of a few million, in a world of seven billion, can really be God’s only chosen people and heirs of salvation. That’s because they aren’t. One of the most unfortunate misperceptions about Mormonism is in this tragic irony: Joseph Smith’s view is one of the most generous, liberal, and universalist conceptions of salvation in all Christendom. In section 49, when the Lord refers to “holy men” about whom Joseph knew nothing, and whom the Lord had reserved unto Himself, He is clearly indicating that Mormons do not have a monopoly on righteousness, truth, or God’s approbation. That temple covenants may be made and kept here or hereafter, and the ordinances of salvation performed in person or vicariously, means our conception of His church should be as large and as generous as God’s heart. Joseph’s teachings suggest that the Church is best understood as a portal for the saved, not the reservoir of the righteous. As
Terryl L. Givens (The Crucible of Doubt: Reflections on the Quest for Faith)
And now, if the people of the lower world chanced to be looking upward out of the turmoil of their petty perplexities, they probably mistook the castle in the air for a heap of sunset clouds, to which the magic of light and shade had imparted the aspect of a fantastically constructed mansion. To such beholders it was unreal, because they lacked the imaginative faith. Had they been worthy to pass within its portal, they would have recognized the truth, that the dominions which the spirit conquers for itself among unrealities become a thousand times more real than the earth whereon they stamp their feet, saying, “This is solid and substantial; this may be called a fact.
Nathaniel Hawthorne (Mosses from an Old Manse)
There are different kinds of people in this world. Some people, if they stepped outside and saw a glowing portal hovering in their yard—a shimmering doorway that led to another world where the sky is the color of emeralds and crystal palaces shimmer in the distance—they would go right back inside the house and lock the door and pray for the freaky thing to go away. Other people would grab a couple of power bards, a bottle of water, and a baseball bat for self-defense and step on through, because the regret of wondering what might have been would tear them to pieces eventually if they did anything else. Turns out I'm the kind of girl who has a hard time turning her back on what might be.
Tim Pratt
The poetry of music composes each generation of Americans’ autobiographical memories. Language and music represent two rotaries of the revolving and evolving wheels that we employ to internalize the axis of identification. Music plays a profound role in the definitive stages of most people’s lives. Reminiscent of the sounds and smells that flavored our youth, musical intonations organize our personal memories into temporal time sequence. Modulation of musical memories comprises an important quotient in people’s autographical memory system. If we listen to enough music, its pitch, tone, timbre, and cadence eventually seeps into our unconsciousness. The lilt of music becomes a portal through which we perceive, feel, and experience worldly inflections and how we synthesize swirling emotions.
Kilroy J. Oldster (Dead Toad Scrolls)
The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
One such evening Burnham led a tour of the fair aboard an electric launch for a group that included John Root’s widow, Dora, and a number of foreign emissaries. Burnham loved escorting friends and dignitaries through the grounds but sought always to orchestrate the journeys so that his friends saw the fair the way he believed it should be seen, with the buildings presented from a certain perspective, in a particular order, as if he were still back in his library showing drawings instead of real structures. He had tried to impose his aesthetic will on all the fair’s visitors by insisting during the first year of planning that the number of entrances to Jackson Park be limited to a few and that these be situated so that people had to enter first through the Court of Honor, either through a large portal at the rail station on the west side of the park or an entry on the east from the exposition wharf.
Erik Larson (The Devil in the White City)
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.” Kiaran moves to stand beside me. “I would have pulled off your wings.” “Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.” Kiaran’s emotionless gaze flickers to her. “Phiuthair.” “Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.” “Don’t.” Kiaran’s voice dips in warning. “I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?” “Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?” “You’re here because Kam wanted your help. Not because I did.” “Damn it, MacKay—” “You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.” “I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.” “Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.” Derrick peeks through my hair. “What’s that murderous arsehole doing here?” Sorcha blinks at him. “What did you just call me?” “You heard me, pointy-toothed hag.” “Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.” “So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.” “I chose the one who was conveniently chained up, rather than the one in hiding.” Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?” “I’m standing right here,” Sorcha says sharply. “Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.” “Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Our desires, dreams and hopes, open portals. These portals manifest in our conscience and 5 senses, in the form of decisions related to the material world - one person, a job, an opportunity. Now, at the exact same time, or maybe even slightly before in time, we get the exact opposite, the temptation, the illusion and deception. And when we are about to make a decision, as if by magic, the two things come stronger to us, as if pushing us into a duality that makes it hard to decide. Now, this brings me to another super interesting fact. Most people assume that they have freewill, and that choices are hard to made, and that life is full of dualities. And I've learned that this is just a great deception related to our planet, which as human beings, we must transcend. And what I'm really saying here, is that the duality and the freewill don't exist. There's only one choice to be made, the one that bring us upwards. Self-destruction is not a choice. And yet, every duality presents exactly that, and not really a choice.
Robin Sacredfire
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’” Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.” While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit. “Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
Andrew Morton (Diana: Her True Story in Her Own Words)
The presence of this extraordinary being caused, as it were, a breath of life to circulate throughout the entire cathedral. It seemed as though there escaped from him, at least according to the growing superstitions of the crowd, a mysterious emanation which animated all the stones of Notre-Dame, and made the deep bowels of the ancient church to palpitate. It sufficed for people to know that he was there, to make them believe that they beheld the thousand statues of the galleries and the fronts in motion. And the cathedral did indeed seem a docile and obedient creature beneath his hand; it waited on his will to raise its great voice; it was possessed and filled with Quasimodo, as with a familiar spirit. One would have said that he made the immense edifice breathe. He was everywhere about it; in fact, he multiplied himself on all points of the structure. Now one perceived with affright at the very top of one of the towers, a fantastic dwarf climbing, writhing, crawling on all fours, descending outside above the abyss, leaping from projection to projection, and going to ransack the belly of some sculptured gorgon; it was Quasimodo dislodging the crows. Again, in some obscure corner of the church one came in contact with a sort of living chimera, crouching and scowling; it was Quasimodo engaged in thought. Sometimes one caught sight, upon a bell tower, of an enormous head and a bundle of disordered limbs swinging furiously at the end of a rope; it was Quasimodo ringing vespers or the Angelus. Often at night a hideous form was seen wandering along the frail balustrade of carved lacework, which crowns the towers and borders the circumference of the apse; again it was the hunchback of Notre-Dame. Then, said the women of the neighborhood, the whole church took on something fantastic, supernatural, horrible; eyes and mouths were opened, here and there; one heard the dogs, the monsters, and the gargoyles of stone, which keep watch night and day, with outstretched neck and open jaws, around the monstrous cathedral, barking. And, if it was a Christmas Eve, while the great bell, which seemed to emit the death rattle, summoned the faithful to the midnight mass, such an air was spread over the sombre façade that one would have declared that the grand portal was devouring the throng, and that the rose window was watching it. And all this came from Quasimodo. Egypt would have taken him for the god of this temple; the Middle Ages believed him to be its demon: he was in fact its soul.
Victor Hugo (The Hunchback of Notre Dame)
Beyoncé and Rihanna were pop stars. Pop stars were musical performers whose celebrity had exploded to the point where they could be identified by single words. You could say BEYONCÉ or RIHANNA to almost anyone anywhere in the industrialized world and it would conjure a vague neurological image of either Beyoncé or Rihanna. Their songs were about the same six subjects of all songs by all pop stars: love, celebrity, fucking, heartbreak, money and buying ugly shit. It was the Twenty-First Century. It was the Internet. Fame was everything. Traditional money had been debased by mass production. Traditional money had ceased to be about an exchange of humiliation for food and shelter. Traditional money had become the equivalent of a fantasy world in which different hunks of vampiric plastic made emphatic arguments about why they should cross the threshold of your home. There was nothing left to buy. Fame was everything because traditional money had failed. Fame was everything because fame was the world’s last valid currency. Beyoncé and Rihanna were part of a popular entertainment industry which deluged people with images of grotesque success. The unspoken ideology of popular entertainment was that its customers could end up as famous as the performers. They only needed to try hard enough and believe in their dreams. Like all pop stars, Beyoncé and Rihanna existed off the illusion that their fame was a shared experience with their fans. Their fans weren’t consumers. Their fans were fellow travelers on a journey through life. In 2013, this connection between the famous and their fans was fostered on Twitter. Beyoncé and Rihanna were tweeting. Their millions of fans were tweeting back. They too could achieve their dreams. Of course, neither Beyoncé nor Rihanna used Twitter. They had assistants and handlers who packaged their tweets for maximum profit and exposure. Fame could purchase the illusion of being an Internet user without the purchaser ever touching a mobile phone or a computer. That was a difference between the rich and the poor. The poor were doomed to the Internet, which was a wonderful resource for watching shitty television, experiencing angst about other people’s salaries, and casting doubt on key tenets of Mormonism and Scientology. If Beyoncé or Rihanna were asked about how to be like them and gave an honest answer, it would have sounded like this: “You can’t. You won’t. You are nothing like me. I am a powerful mixture of untamed ambition, early childhood trauma and genetic mystery. I am a portal in the vacuum of space. The formula for my creation is impossible to replicate. The One True God made me and will never make the like again. You are nothing like me.
Jarett Kobek (I Hate the Internet)
The boy's smile was a mockery of innocence. 'Are you frightened?' 'Yes,' I said. Never lie- that had been Rhys's first command. The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?' 'A question for a question,' I replied, as I'd been instructed over breakfast. ... Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked... I had to calm my breathing to think- to remember. But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop- Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there. I bunched my hands into fists. I had lived; I had gotten out. I would get out today. 'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.' The Bone Carver's violet eyes seemed to glow brighter. 'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.' 'But was there anyone there- were you seeing anything beyond?' 'There was only that bond in the darkness.' Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-' 'Were you afraid?' 'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.' 'There was no other world,' the Bone Carver pushed. 'If there was or is, I did not see it.' 'No light, no portal?' Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.' 'Did you have a body?' 'No.' 'Did-' 'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.' The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Mirrors are considered portals. It was originally a Roman custom. Reflective water also had to be covered in the ancient world after death as well as coins put on the eyelids for payment to the ferryman, Charon. Southern people still cover mirrors as well as Jews who do it out of respect for the dead. Some Europeans put coins on the eyes to this day,” I replied.
Abigail Keam (Death By Bridle (Josiah Reynolds Mystery, #3))
Smartphones are a great portal for knowledge, but when the people do not know how to use them, those very devices do more harm to the inner wellbeing of a person, young and old alike, than they do good.
Abhijit Naskar
The next day, I hired someone to overhaul my company Web site. I wanted it to look like the portal to a very serious corporation. I needed to impress people. Perception was key. And the guy did a great job. Anyone looking at the flashy graphics and the 3-D logos must have thought they were dealing with a major player. Most of them probably never even looked at my Web site, of course, which was fine with me. All they knew was that Gary Singh delivered, and that’s all they cared about. They had no idea they were dealing with a sixteen-year-old kid because I presented myself as a serious professional. Once again, perception is reality. That’s not a kid on the other end of the line. It’s a guy who delivers on his promises. Before
Gurbaksh Chahal (The Dream: How I Learned the Risks and Rewards of Entrepreneurship and Made Millions)
To wish the best for all people; to find the good in everything; to be content in all circumstances—such thoughts are the portal to heaven.
James Allen (As a Man Thinketh)
History may be just bones and ruins to you, but it is people, Janet. People loving, hurting, and dying.
Cindy Tomamichel (The First Journey (Druid's Portal #1))
Interpreters of the Bible have the task of filling in those gaps, not with their own ideas (theological or otherwise) but with the ideas of the writer as those ideas can be understood. Often the words he uses and the ideas he is trying to convey are rooted in the culture and therefore need the assistance of background studies.[13] For example, the tower of Babel is described as being built “with its head in the heavens.” Without the benefit of ancient Near Eastern backgrounds, early interpreters were inclined to provide the theological explanation that the builders were trying to build a structure that would allow them to launch an attack on the heavens. In other words, the tower was seen as a way for people to ascend to heaven. But background study has allowed modern interpreters to recognize that the tower is an expression used to describe the ziggurats of Mesopotamia that were intended to serve as a bridge or portal between heaven and earth for the gods to use. Thus comparative study offers an alternative, and arguably more accurate, interpretation of the text.[14] In Genesis the tower should be viewed as providing a way for deity to descend.
John H. Walton (Ancient Near Eastern Thought and the Old Testament: Introducing the Conceptual World of the Hebrew Bible)
Borders are rife with violence, but also longing. As we move through this portal, we face the truth that the cracks and lies in our systems are being exposed. This is the endgame of late capitalism. No greater myth than the free market built on racist legacies of slavery, sexual violence, police brutality, fascism, and war—once fueled by the European colonial quest for fragrant spices.
Tanaïs (In Sensorium: Notes for My People)
Slate’s eyes narrowed. Uh-oh. Don’t say “It’s for your own good.” Don’t say it. Don’t. Among the many skills paladins required was the ability to convince people to evacuate dangerous areas. This was sometimes difficult. People were reluctant to admit that, say, the ancestral family farm was now an open portal to hell. There were phrases you used and phrases you very much learned to avoid. Saying “It’s for your own good” pretty much guaranteed that no one was going anywhere. “Really, it’s for your own good,” said Brenner. Damn it all to hell…
T. Kingfisher (The Wonder Engine (Clocktaur War, #2))
The Ouija board brought necromancy to the ordinary people. It democratized necromancy. It’s a portal to the dead, to the afterlife, to the Spirit World. But it’s a somewhat basic technology, a poor man’s version of the phone. What would you do if you had a special smartphone that allowed you direct communication with the dead – a Necrophone? Would you use it all the time? Would it be the most popular gadget of all time? Or would people be scared to use it? Would it make people too sad? Would it provoke a suicide epidemic?
Rob Armstrong (The Ordinary Necromancers: The Science of Ouija)
So what is the lesson art can teach us about how to live in the future? As much as possible, choose infinite game problems. Why? (1) Because, as an individual human being, doing so can ensure your psychological well-being, and offer a sustainable source of meaning that can weather complex times. (2) Because, as a member and candidate emissary of the World called the Human Condition, doing so has the potential to open portals for more people, and makes being alive more interesting for all. Fail or thrive, big or small, your work on infinite game problems contribute to expanding the frontier limit of the Human Condition, a new beat in its never-ending story, a new stretch in its shape. Cheng, Ian. Emissary's Guide To Worlding (p. 81). Metis Suns. Kindle Edition.
Ian Cheng (Emissary's Guide To Worlding)
If we knew each other in a past life, did I have these same eyes that you love to gaze into through the little portal in your hand? These eyes that are near-sightless without my glasses. In another life, when I felt you inside of me, were you just a blur?
Tanaïs (In Sensorium: Notes for My People)
In January 2017, doctors diagnosed metastatic prostate cancer; for a while, I was shocked to hear that since I went to the urologist in 2016 for the entire year, the doctor did not consider it seriously that I had bleeding in my urine and burning. Consequently, I became a victim of chronic cancer, and doctors cannot cure it; treatment only can prolong life. However, I am a true believer that miracles can cure every disease with the grace of Allah. In that situation, I started to write my autobiography and completed it in a few months. Waseem Malik, the editor-in-chief of Daily Dharti, published that in its online news portal. The characters that caused me distress, harassment, and criminal attempts to gain their immoral and ugly motives are still busy practicing such activities. I cannot believe such mindless criminals and scoundrels, with fake female names on their profiles, try to victimize sincere people.
Ehsan Sehgal
Relationships provide a portal for facts to enter and learning to occur. They create what Bryan Stevenson, founder and executive director of the Equal Justice Initiative and author of Just Mercy, refers to as “proximity.” People need to get proximate to one another for change to occur.
Robert Livingston (The Conversation: How Seeking and Speaking the Truth About Racism Can Radically Transform Individuals and Organizations)
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And after all that searching, someone finally answered. A Daglan who had been using his army of mystics to scour galaxies for our world. The Daglan promised him every reward, if only he could nudge my mother toward this moment, to use the Dread Trove to open a portal to the world he indicated. A step beside her, Nesta clicked her tongue in disgust. My mother did not question Pelias, her conspirator and ally, when he told her to will the Horn and Harp to open a doorway to this world. She did not question how and why he knew that this island, our misty home, was the best place to do it. She simply gathered our people, all those willing to conquer and colonize—and opened the doorway. In a chamber—this chamber, if the eight-pointed star on the floor was any indication, though the celestial carvings had not yet been added—beside red-haired Fae who looked alarmingly like Bryce’s father, Helena and Silene appeared, grown and beautiful, and yet still young—gangly. Teenagers. In the center of the chamber, a gate opened into a land of green and sunshine. And standing there among the greenery, waiting for them … “Oh fuck.” Bryce’s mouth dried out. “Rigelus.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
My mother did not recognize the enemy when they wore a friendly face, beckoning her and the others through the portal. Had she any hesitations upon finding that the empty world she’d been promised was indeed populated, they were calmed when the strangers claimed to be Fae as well, long separated from our world by the Daglan, whom they too claimed to have overthrown. And they had waited all this time to reunite our people. With a few words from the Daglan, my mother’s doubts melted away, and our exodus into Midgard began. Long lines of Fae passed through the chamber, through the portal, and into Midgard. Nausea twisted through Bryce. “She opened the front door to the Asteri. Brought the Trove right to them.” “Fool,” Nesta growled at the image. “Power-hungry fool.” But if Theia had opened the door to this realm, if she had the Horn and Harp, why hadn’t the Asteri immediately pounced on both? They’d wanted this world, wanted the Trove, and Theia had practically hand-delivered both to them. The Asteri were too smart, too wicked, to have forgotten either fact. So there must have been some plan in place—
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Stories orient the life of a people through time, establishing the reality of their world. Without stories, we do not exist. They are how we discover who we are. The aim of these stories is to serve as a kind of portal into the daily lives and emotional realities that reflect the rich depth and humanity that is India.
Catherine Ann Jones (East & West: Stories of India)
One of the first things the Imagineers had done when shutting down the portal system was remove all the guides and maps they could find to prevent people from using it.
Honor Raconteur (Imagineer (Imagineer #1))
There’s a charge to being around Duncan, like one of those light bulbs you touch in the science museum that make your hair stand up, and we hadn’t stopped talking—urgently—since I arrived. We bounced from topic to topic, frantically, like fast friends excited to find someone else who also wanted to talk about religion, mysticism, sex, ghosts, and drugs. We sat down next to the incense like two kids in a dorm room trying to mask illegal aromas, and Duncan hit Record. I told him I wasn’t used to things getting so deep and so interesting so quickly. “That’s what happens when you’re with cool people,” Duncan said. “You end up getting in great conversations.” I wondered in this moment if Duncan knew how unique he was. I wondered if he knew how bored and dismissive people can be when you try to talk about dreams, or out-of-body experiences, or the afterlife, or if you suggest that the physical world is only just a small piece of what’s really going on here. “The plague of the world is that so many people allow themselves to be surrounded by vampires,” Duncan said, using the classiest monster as a word to describe all the what-you-see-is-what-you-get people, the ones who are busy cockblocking the curious weirdos from tripping out on their basic wonder. “Their whole life is one shit conversation to the next to the next to the next until they’re on their deathbed, and that’s the one real conversation they have. They finally say, ‘I love you so much!’ And then they die.” This is Duncan, the opposite of a vampire. He doesn’t drain life from people, he infuses them, resuscitating their awe and bringing color back to their cheeks. The vampires, he warned, “will keep you stuck in the harbor of sorrows. They’ll try to keep your fucking anchor down.” I cackled with laughter. Duncan is one of those rare people who remind you that we’re all here, stuck in our human bodies, confused and curious since we all emerged from the interdimensional space portal commonly known as a vagina. He wants to get into it; he wants to touch, taste, scream, laugh, and sing his way toward enlightenment, and as I sat with him that day, he made me think he just might bring me along with him.
Pete Holmes (Comedy Sex God)
In January 2017, doctors diagnosed metastatic prostate cancer; for a while, I was shocked to hear that since I went to the urologist in 2016 for the entire year, the doctor did not consider it seriously that I had bleeding in my urine and burning. Consequently, I became a victim of chronic cancer, and doctors cannot cure it; treatment only can prolong life. However, I am a true believer that miracles can cure every disease with the grace of Allah. In that situation, I started to write my autobiography and completed it in a few months. Waseem Malik, the editor-in-chief of Daily Dharti, published that in its online news portal. The characters that caused me distress, harassment, and criminal attempts to gain their immoral and ugly motives are still busy practicing such activities. I cannot believe such mindless criminals and scoundrels, with fake female names on their profiles, try to victimize sincere people.
Ehsan Sehgal
The little people are still believed to inhabit caves and tunnels throughout and below the jagged, bare-rock mountains. To this day, some Apaches believe the Tuar-tums guard a subterranean portal to a fiery underworld abyss.
Thomas Horn (On the Path of the Immortals: Exo-Vaticana, Project L. U. C. I. F. E. R. , and the Strategic Locations Where Entities Await the Appointed Time)
As we mentioned earlier,” Yusuf began, “Mount Moriah is the hill in Jerusalem that is graced by the Muslim shrine known as the Dome of the Rock. This real estate is no doubt the most religiously revered in the world. It is valued by Muslims as one of their holiest sites, remembered by Jews and Christians alike as the site of the Holy Temple in ancient times, and looked to by some as the site at which another temple will one day be built. The eyes and hearts of the world are focused on Mount Moriah. “Because of this, that revered piece of land is an outward symbol both of our conflicts and our possibilities. One side may say it is their holy place, set apart for millennia. Others may believe it was bequeathed them by God. There seems to be little opportunity for peace in such views. Looked at in another way, however, this passionate belief provides the portal to peace. “Think about it. From within the box, passions, beliefs, and personal needs seem to divide us. When we get out of the box, however, we learn that this has been a lie. Our passions, beliefs, and needs do not divide but unite: it is by virtue of our own passions, beliefs, and needs that we can see and understand others’. If we have beliefs we cherish, then we know how important others’ beliefs must be to them. And if we have needs, then our own experience equips us to notice the needs of others. To scale Mount Moriah is to ascend a mountain of hope. At least it is if one climbs in a way that lifts his soul to an out-of-the-box summit—a place from where he sees not only buildings and homes but people as well.
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
Your physical body is the portal of your spirit, the God fragment that you are, through which you physically experience and shape the world you create.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
She had always understood that love could have an intense physical effect; could fill a space somewhere in the chest, could turn knees weak, could raise the pulse; could intoxicate, just as could a strong martini or a glass of champagne. Could, she thought, and would…but only if you allowed it, only if you opened whatever portals of the heart needed to be opened. And some people, of course, found it difficult to do that.
Alexander McCall Smith (At the Reunion Buffet (Isabel Dalhousie, #10.5))
It is said that years ago a skilled mage, perhaps the most gifted our world has known, chose the dark arts. His outlook became twisted, and the things and people touching his life became twisted as well. He knew that a mage and Source, linked by partnership, could wield much greater power than he could by himself. He also knew that if he linked with a Source, he might not be able to fully control that partnership. He thought it best, therefore, to eliminate any possible competition - by annihilating the Sources.
Cate Rowan (The Source of Magic: A Portal Fantasy Romance (Alaia Chronicles))
When I asked her about her marriage, she'd only say that sometimes people, even those who love each other, can hurt each other just by being themselves.
Cate Rowan (The Source of Magic: A Portal Fantasy Romance (Alaia Chronicles))
To Mike—to most people who have ever known her—Kath Conlon has disappeared completely. It is an addict’s trick, this vanishing act, this dizzying plunge through a dim portal into a dark and beguiling parallel world.
Jennifer Haigh (Faith)
The goal of natural history is to catalog the creations of the Lord,” Reverend Finnias insisted one night. “I disagree,” Father replied. “This new age of scientific reason insists that we ask the question of how things work. We must be continually measuring and weighing our results in a scientific manner.” “Don’t speak to me of science!” Reverend Finnias thundered. “Science is the portal by which the Devil works his malfeasance. Science makes people question God.
Suzanne Weyn (Invisible World)
The generation brought up during the Great Depression and the Second World War, still in measure steeped in the much-maligned Protestant work ethic, resolved to work hard and provide a more secure heritage for their children. And, in measure, they did. But the children, for whom the Depression and the War belonged to the relics of history, had nothing to live for but more “progress.” There was no grand vision, no taste of genuine want, and not much of the Protestant work ethic either.83 Soon the war in Vietnam became one of the central “causes” of that generation, but scarcely one that incited hard work, integrity in relationships, frugality, self-denial, and preparation for the next generation. That ’60s generation, the baby boomers, have now gone mainstream—but with a selfishness and consumerism that outstrips anything their parents displayed. There is no larger vision. Contrast a genuine Christian vision that lives life with integrity now because this life is never seen as more than the portal to the life to come, including perfect judgment from our Maker. At its best, such a stance, far from breeding withdrawal from the world, fosters industry, honest work for honest pay, frugality, generosity, provision for one’s children, honesty in personal relationships and in business relationships, the rule of law, a despising of greed. A “Protestant work ethic” of such a character I am happy to live with. Of course, a couple of generations later, when such a Christian vision has eroded, people may equate prosperity with God’s blessing, and with despicable religious cant protest that they are preparing for eternity when in their heart of hearts they are merely preparing for retirement. But a generation or two after that their children will expose their empty fatuousness. In any case, what has been lost is a genuinely Christian vision. This is not to say that such a vision will ensure prosperity. When it is a minority vision it may ensure nothing more than persecution. In any case, other unifying visions may bring about prosperity as well, as we have seen. From the perspective of the Bible, prosperity is never the ultimate goal, so that is scarcely troubling. What is troubling is a measuring stick in which the only scale is measured in terms of financial units.
D.A. Carson (The Gagging of God: Christianity Confronts Pluralism)
With the concept of an afterlife, religion creates a portal to infect people by means of terror and fear of death. If one has no concept of an afterlife, then fear of eternal punishment becomes an effective way to convince people of the need to perform specific rituals and live a certain way.
Darrel Ray (Sex & God: How Religion Distorts Sexuality)
Charlie tipped her head up. “Are you sure? We’re a simple people. No automobiles or fancy gadgets.” “Simple?” She chuckled. “Ha! Worlds that think and kings that plot? Sandobbles and goblins, portals and two moons? You are sadly mistaken. Besides,” she said, tracing the edge of his forewing with the tip of her finger. He shuddered against her. “There’s magic here.
Cheryl Sterling (What Do You Say to a Naked Elf? (Lowth #1))
So the place attracted drifters, artists, misfits, natural exiles, political and other eccentrics and slightly deranged or badly messed-up people of more or less every sort, and always had. Most were from Ulubis but some were more exotic and from further afield, generally trustafarians and-or gappers portaling in from the rest of the Mercatoria, taking time out between education and responsibility to relax a little. The place produced good art, it was an unofficial - but tax-deductible - finishing school for the aforesaid children of the rich (give the darling brats true freedom and let them see how empty it was, was the idea), it was a way station for those heading out to disgrace or back from perdition, and it was a halfway house for those who might or might not ever again contribute anything useful to society but who just might galvanise it fundamentally. (And, if you wanted to be really paranoid about stuff, it was - as far as the authorities were concerned - a relatively easy-to-watch and even easier-to-close-down sump for dangerous ideas: a radical trap.) It was useful, in other words. It fulfilled a purpose, if not several.
Anonymous
Books are portals. Even if the people and events inside are all fictitious, the magic of it all is real.
Kaylin R. Boyd (Tell City: A Novel)
Her people were once dead, yet they live; they have sloped heads like stones, eyes like berries, breath like breezes, laughter like crows, skin like stream-wet sand, bodies like ghosts, worlds like visions in the night, and yearnings that mortals sometimes share. Their Lordly king is so broad and handsome, so full of strength; the King and Queen's tables are always full of generous portions of fruit and meat, of honey and finest breads. Great and hairy cows cry out and make their frightful noises in the Elf-king’s mighty herd. Look into the hollow places of the earth for their pleasant and darksome land. Look to the bloodstained stone-side and hillside for their old feasting tables. Look to your own hide and innards for their portal and resounding gulf.
Robin Artisson (Letters from the Devil's Forest: An Anthology of Writings on Traditional Witchcraft, Spiritual Ecology and Provenance Traditionalism)
The point is: If we can store music on a compact disc, why can't we store a man's intelligence and personality on one? So I have the engineers figuring that out now. Brain Mapping. Artificial Intelligence. We should have been working on it thirty years ago. I will say this - and I'm gonna say it on tape so everybody hears it a hundred times a day: If I die before you people can pour me into a computer, I want Caroline to run this place. Now she'll argue. She'll say she can't. She's modest like that. But you make her.
Cave Johnson - Portal 2
Gen Z became the first generation in history to go through puberty with a portal in their pockets that called them away from the people nearby and into an alternative universe that was exciting, addictive, unstable, and- as I will show-unsuitable for children and adolescents. Succeeding socially in that universe required them to devote a large part of their consciousness-perpetually-to managing what became their online brand. This was now necessary to gain acceptance from peers, which is the oxygen of adolescence, and to avoid online shaming, which is the nightmare of adolescence. Gen Z teens got sucked into spending many hours of each day scrolling through the shiny happy posts of friends, acquaintances, and distant influencers.
Jonathan Haidt (The Anxious Generation: How the Great Rewiring of Childhood Caused an Epidemic of Mental Illness)
These technologies are powerful, but have led to widespread addiction in your civilization. And, paradoxically, technologies designed to bring people together have done just the opposite, bringing about a massive loss of attention span and human connection.
Douglas E. Richards (Portals)
Today’s one true way is frequently much removed from the one true way carried forth in the same name a thousand years ago. Once you acknowledge that religious structures can and do change, all suggestion of their divine perfection must be called into question. The influence of people, politics and immediate need are clearly visible in the histories of all religions. If they were only ever expressions of the divine, what need would there be to ever change them? It is precisely the human aspects that create change. If we can take this onboard and hold religious systems more lightly, recognizing them as ideas and traditions, not hard truths, they can become more human and more compassionate as well as being more practically functional.
Nimue Brown (Pagan Portals - Spirituality Without Structure)
People are always trying to prove that the way things are is wrong, and that someone should do something about it, to make the world better. Often it’s under the guise of ‘fairness’. People die because someone else thinks their theory of the world is more fair.
Chloe Garner (House of Midas (Portal Jumpers, #2))
Inside the portal, a man who three years ago only ever posted things like ‘I’m a r*tard with butt aids’ was now exhorting people to open their eyes to the power of socialism, which suddenly did seem the only way.
Patricia Lockwood (No One Is Talking About This)
You almost had to feel sorry for women trying to make it to the top of the crime world—they had a tougher road. I mean, a woman would have to murder twice as many people in cold blood as a man to get to the top, and much more viciously. It really wasn’t fair to these corrupt, soulless, psychopathic women. But, hey, I didn’t make the rules.
Douglas E. Richards (Portals)
the only people qualified to help govern are those who have no interest in doing so.
Douglas E. Richards (Portals)
She sits back in her chair and thumbs her lip, like she’s organizing her thoughts. When she speaks, she sounds older. Weary. “People like us‒half-breeds‒we walk in two worlds. Most times we’re not accepted in either, but the worst part is, we don’t accept ourselves. We try to bury half our nature to blend in, but that only works for so long. Eventually we have to come to terms with who and what we are. We’re not one or the other. We’re both. Unique. That’s what I learned. Now I have to figure out where I fit into their world.” “Is that why you sit here in the corner of a hunters’ bar getting drunk alone?” She shrugs and polishes off another glassful. “Nope. I sit here because they keep me human. Without them, it would be too easy to revert to my nonhuman side.” I shudder at the truth of that statement. “So this enlightenment, how did it happen?” “You afraid of something?” “No, I just…well, I’m looking for answers.” “Each man must walk his own path,” she quotes as if from some ancient wisdom. I try not to, but I roll my eyes. She grins and refills the glass. The bottle is already half gone. “We all have this innate sense of our portal. How we pass from this realm to the next.” “What do you mean, ‘we’?” “Nephilim. But I’m sure it’s the same with all souled beings.” Something inside me stills. How much does she know about that, and where did she learn it? “I’m not sure I follow you,” I say cautiously. She grabs my wrist and yanks my arm closer, her eyes boring into mine. Instinct awakens the demon-learned threat response while the protective glyphs on my body start to flare. She’s about a half second away from a personal demonstration of what I am. “You know exactly what I’m talking about. Things we know but we’re not supposed to remember. Memories. Abilities. Knowledge. It’s all there.” She lets go of my arm and points to her head. “Usually just out of reach. And here’s the kicker. You know why you can’t grab those memories? It’s not because someone wiped them out. We did this to ourselves. This is what we wanted.
Aesyn Cravery (Trust (The Sacrifice, #3))
I am not suggesting that a bird, say, with her fleet heart, experiences more in a short life of three years than we do in that same period but that her actual perceived life may be longer than three years. The measure is mysterious; the time of the bird's life expands beyond our typical calculation in ways that we cannot understand, at least not yet. is it possible that some people, too, experience this time/space portal, allowing more experience to billow within and around them?
Lyanda Lynn Haupt (Mozart's Starling)
When upper atmosphere or Indra children in the name of Dharma using Tantra or Tantric wisdom for knowledge grabbing, human resource utilization and sustainable development, they speak about good cause and good dharma but it also affects good people and sometimes even benefit bad people, so what is the excuse they have? That is why I prefer neutrality, I agree their dharmic terms But I will not agree when they are using these tantric dharma even against good people for getting full domination and control, business people are even more tanric than that of upper people, becuase business people always swing in between and they ignite the ignorance that destroys the door between north and south but opens portals only for business , this is why human body and girls became business rather than of being dharmic angels. So mistake is with both down and up, in between business people always clever, that is why I always choose neutrality
Ganapathy K
No matter how solitary your path, when it comes to the quest for meaning it is useful to remember that other people are doing it too, and it’s not your sole responsibility to sort everything out. You do what you can, no one can do more than that.
Nimue Brown (Pagan Portals - Spirituality Without Structure)
Waiting for Steve to come back felt like forever. I had to be strong for Boney Pete, who paced the end stone the entire time, waiting for his friend to come back. I might have done the same if I wasn’t caring for Pete, stroking his spine and telling him that Steve was going to be all right. We knew he defeated Herobrine when Lucius began to glow. “Oh my!” he said as white light flashed from inside him, a lot like the ender dragon when it exploded, but he zero time to be afraid. The change happened so quick. One minute Lucius was a snow-white fox jumping in fright and the next he was a librarian villager spinning in circles, as if chasing his tail. When Lucius realized he no longer had a tail, he froze, and, trembling looked over his old body, newly acquired. “It feels so strange… I have hands. I - I have hands! HAHA!” He jumped for joy and ran to me, grabbing my hands and shouting, “Dance with me, Alex! Dance with me!” When he got tired of dancing he sat down. When he got tired of that he crawled on his hands and feet. “How did I ever get around on four legs? It is the most unnatural thing in the world.” Soon the realization hit us that it was over. Herobrine was defeated. Lucius paused party and looked back at the bridge. “But does that mean…” Boney Pete inched toward the bridge and whinnied into the void. He called and he called, but there was no answer. I walked up beside him and rubbed his neck. Boney Pete pushed his body against me and shuddered. I had to hold him up, or else he might have collapsed. “There there, buddy,” I said and pet his forehead, not sure how else to comfort an undead horse on the death of his friend. And the death of my friend… Steve… I could feel the stupid emotions filling me up and I hated it, but it also felt right, so I let the tears flow. I always hated crying, hated the way it made me feel—weak and powerless. Worse, I hated the way people looked at me when I cried, but I didn’t feel those things then. I just felt sad and crying felt good. I hugged Boney Pete tight and clung to his back. “I’m sorry, Pete,” I said. Then I heard something from the void bridge. A voice. “Ow… Ow… Ow… Ow… Ow…” Boney Pete and I raised our heads and there, coming across the bridge toward us, was Steve. We rushed to the edge of the end island, but still waited until he got off to crush him in a hug. Boney Pete got him first, and then me, and then Lucius. Steve winced each time we hugged him, and I saw why. His leg was twisted in a way that no amount of cooked chicken would heal. “Your leg…” I said and reached my hand toward it, but Steve flinched back. “Yeah, I used an ender pearl to escape falling into the void and the fall damage got my leg pretty good. I think my hero days are over, and honestly that sounds okay with me.” He rubbed Boney Pete. “What do you say buddy, are you ready to rebuild?” Together, the four of us left the end through the portal and reappeared in a birch forest.
Mark Mulle (Hero Steve Book 3: Final Battle)
Slabber Olli told her about the places he had been. He had been to the bottom of the sea and wandered endless gardens of stars in outer space. He said that human time as we know it was over. That the waters would rise and then fall, and then fiery waters would come. The Earth would be reshaped into something new. Mud would flow. Boiling canyons would open up. "The mountains are already starting to move,” Slabber Olli said. He told her about creatures that used to live in the sea, like reptiles with two mouths, a horizontal one and a vertical one. He told her about creatures at the bottom of the sea shaped like elm leaves, with five eyes and long, bendy elephant trunks and scissors on their heads. About sharks with anvils growing on their backs. Flightless birds three meters tall that ran after deer on graceful, muscular legs that bent and stretched, bent and stretched, their beaks opened wide. He told her about the rockets people would build to shoot themselves off to other planets, and how badly it would turn out. Humans would continue their journey. They would find doors to knock on and portals that wouldn't open when they knocked, and the humans would break them down, and the ones they couldn't break they would build keys for. And all the while, humans would be changing. Humans would be changed not just by time but by humans themselves, and before long you'd have to call them human derivatives, and then something else entirely. In the end, it was just matter rearranging itself over and over. What was the Earth? Nothing more than an entrance hall where humanity had once briefly waited. Slabber Olli talked about a lot of other things, too, and Elina listened and understood that the part of Slabber Olli that was still human wanted to wander and search for knowledge, just like anyone else. The evening advanced, the light softened. At some point, Slabber Olli disappeared. Elina went back to the boat.
Juhani Karila
Bryce had taken one look at what sailed out of the void suspended in the Heart Gate and knew Micah had not opened a portal to unknown worlds, as he’d intended. This one went straight to Hel. People screamed as winged, scaled demons soared out of the Gate—demons from the Pit itself.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
But occasionally, someone will climb the hill, someone who has lost a husband or a child, someone who has somehow learned the secrets of sleepers, of the presence of a portal
Jennifer McMahon (The Winter People)
Many of them also spoke of a sense of blissful serenity and deep peace. In the Tibetan Book of the Dead, it is described as “the luminous splendor of the colorless light of Emptiness,” which it says is “your own true self.” This portal opens up only very briefly, and unless you have already encountered the dimension of the Unmanifested in your lifetime, you will likely miss it. Most people carry too much residual resistance, too much fear, too much attachment to sensory experience, too much identification with the manifested world. So they see the portal, turn away in fear, and then lose consciousness. Most of what happens after that is involuntary and automatic. Eventually, there will be another round of birth and death. Their presence wasn’t strong enough yet for conscious immortality
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
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Resa Gooding (Empowering Marketing and Sales with HubSpot: Take your business to a new level with HubSpot's inbound marketing, SEO, analytics, and sales tools)