Penguins Movie Quotes

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Free food!" mumbled Hamilton, his mouth full. "No wonder you're rich. You don't have to pay for anything." "Since when is it free?" Jonah demanded. "If I don't leave a big tip, it'll be all over Europe that the Wiz is a cheapskate! They'll seat me behind the sound-man from the penguin movie at the Oscars!
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
Geeks are not the world’s rowdiest people. We’re quiet and introspective, and usually more comfortable communing with our keyboards or a good book than each other. Our idea of how to paint the Emerald City red involves light liquor, heavy munchies, and marathon sessions of video games of the ‘giant robots shooting each other and everything else in sight’ variety. We debate competing lines of software or gaming consoles with passion, and dissect every movie, television show, and novel in the science fiction, fantasy, and horror genres. With as many of us as there are in this town, people inevitably find ways to cater to us when we get in the mood to spend our hard-earned dollars. Downtown Seattle boasts grandiose geek magnets, like the Experience Music Project and the Experience Science Fiction museum, but it has much humbler and far more obscure attractions too, like the place we all went to for our ship party that evening: a hole-in-the-wall bar called the Electric Penguin on Capitol Hill.
Angela Korra'ti (Faerie Blood (The Free Court of Seattle #1))
It’s not just that,” Chief Porter said. “A guy who once would have raped and killed a woman, now a lot of times he also has to cut off her lips and mail them to us or take her eyes for a souvenir and keep them in his freezer at home. There’s more flamboyant craziness these days.” Giving the buttered cinnamon roll a reprieve, Ozzie said, “Maybe it’s all these superhero movies with all their supervillains. Some psychopath who used to be satisfied raping and murdering, these days he thinks that he should be in a Batman movie, he wants to be the Joker or the Penguin.” “No real-life bad guy wants to be the Penguin,” I assured him. “Norman Bates was happy just dressing up like his mother and stabbing people,” Chief Porter said, “but Hannibal Lecter has to cut off their faces and eat their livers with fava beans. The role models have become more intense.
Dean Koontz (Saint Odd (Odd Thomas, #7))
FRANK: That boy’s going to be a real doctor; he’s smart. JIM: Over my dead body he’ll be a doctor. A good beginning, too. FRANK: Why? It’s an honorable profession. JIM, looks at him tiredly: Frank, will you stop talking like a civics book? Keller laughs. FRANK: Why, I saw a movie a couple of weeks ago, reminded me of you. There was a doctor in that picture . . . KELLER: Don Ameche! FRANK: I think it was, yeah. And he worked in his basement discovering things. That’s what you ought to do; you could help humanity, instead of . . . JIM: I would love to help humanity on a Warner Brothers salary.
Arthur Miller (The Penguin Arthur Miller: Collected Plays)
When will we realise the hypocrisy of our situation? On our own planet we are the bad guys, thoughtlessly annihilating life of all kinds for our convenience. We intuitively grasp that the aliens of the movie 'Independence Day' have no right to take our planet; I wonder what goes through the mind of an orang-utan as it sees its forest home bulldozed to the ground? There should not have to be a 'point of slugs' for us to allow them their existence. Do we not have a moral duty to look after our fellow travellers on planet Eart, beautiful or ugly, providing vital ecosystem services or utterly inconsequential, be they penguins, pandas, or silverfish?
Dave Goulson (Silent Earth: Averting the Insect Apocalypse)
At that moment, Bobbie Faye felt an unbridled hatred for every movie heroine who'd ever raced away from he villain in Jimmy Choo shoes, looking perfectly coiffed and ready for an afternoon tea. That was just wrong. When the pain finally got to her, she tossed pride way the hell away and pressed her free arm across her chest to hold her boobs a little steadier. Unfortunately, that shortened her reach and she was unable to block briars and limbs and vines at face-level. Unwilling to admit defeat, Bobbie Faye held her forearm across her breasts while twisting her wrist so that her hand flapped in front of her to help with deflecting the underbrush, all while holding her hair with the other hand. She hadn't quite perfected the coordination of running to flapping when Trevor glanced over his shoulder. As he turned away, she distinctly heard something that sounded a little too much like 'spastic, hobbled penguin.
Toni McGee Causey (Bobbie Faye's Very (very, very, very) Bad Day (Bobbie Faye, #1))
timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,
Blake Crouch (Recursion)
as another television veteran put it, “This isn’t like publishing some lunatic’s novel or letting him direct a movie. This is handing a lunatic a division of General Motors.
The Penguin Press (Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad)