Dying On Your Birthday Quotes

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I called to wish you an unhappy birthday because you're evil and you lie and if you should die I may feel slightly sad, but I won't cry.
Morrissey
Love is like the little red toy wagon you get for your Christmas or your sixth birthday. It makes you deliriously happy and you just can't leave it alone. But sooner or later the wheels come off. Then you leave it in a corner and forget it. Falling in love is great. Being in love is a disaster
Mario Puzo (Fools Die)
I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...
David Mitchell (The Bone Clocks)
He is the straight to video sequel to your summer hit movie. He is the verse to that song on the radio you have to hum cause you can’t remember the words. You couldn’t break this kid’s heart, he is so far beyond that. This is the kind of kid who blew out the candles on hope all alone for too many birthdays to remember. And no one has ever fallen in love with anyone with a smile that’s dripping with “please die”.
Pete Wentz (The Boy With The Thorn In His Side)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
For Mum, life was fundamentally hell. You went blind, you got raped, people forgot your birthday, Nixon got elected, your husband fled with a blonde from Beckenham, and then you got old, you couldn't walk and you died.
Hanif Kureishi (The Buddha of Suburbia)
Get used to it. She'll be there for the rest of your life. She'll be there on birthdays, at Christmastime, when you get your period, when you graduate, have sex, when you marry, have children, when you die. She'll be there and she won't be there.
Kaui Hart Hemmings (The Descendants)
So you stole someone’s cupcakes on their birthday, and the only ones you left behind spell out the word ‘die’ right after another guy has been randomly found dead? You’re a fucking psycho.
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
If we don't accept any common beliefs, we can't exist in spacetime. But when we don't believe in age, at least we don't have to die because our numbers change. [...] When you don't believe in birthdays, the idea of aging turns a little foreign to you. You don't fall into trauma over your sixteenth birthday or your thirtieth or the big Five-Oh or the deadly Century. You measure your life by what you learn, not by counting how many calendars you've seen. If you're going to have trauma, better it be the shock of discovering the fundamental principle of the universe that some date predictable as next July.
Richard Bach (Running from Safety: An Adventure of the Spirit)
You won't always spoil her .or treat her like a princess.You won't tell her she's beautiful everyday.You won't make her smile every night and you won't always want her the way you do now.That fades.Those giddy little stomach flutters fade and you're then left with reality.There will be day's you will forget to tell her she's beautiful,even though she needs to hear it.There will be days you'll to say i love you.There will be days you'll forget a birthday or an anniversary.There will be a time when she will walk past you and you won;t want to ravish her, the way you do now.Those things fade, and when they do, what's left is what's truly worth fighting for Love isn't always beautiful, heck,it's not even close to being perfect half the time,feelings change, the spark dies down and what you're left with is something you either chose to fight for you don't When you know that even through those things are gone,you're still willing to fight for every breath ,then you know the love is real.
Bec Botefuhr (Racing for Freedom)
When you grow up, your heart dies.” -Allison Reynolds, The Breakfast Club
Penelope Douglas (Birthday Girl)
I had let it all grow. I had supposed It was all OK. Your life Was a liner I voyaged in. Costly education had fitted you out. Financiers and committees and consultants Effaced themselves in the gleam of your finish. You trembled with the new life of those engines. That first morning, Before your first class at College, you sat there Sipping coffee. Now I know, as I did not, What eyes waited at the back of the class To check your first professional performance Against their expectations. What assessors Waited to see you justify the cost And redeem their gamble. What a furnace Of eyes waited to prove your metal. I watched The strange dummy stiffness, the misery, Of your blue flannel suit, its straitjacket, ugly Half-approximation to your idea Of the properties you hoped to ease into, And your horror in it. And the tanned Almost green undertinge of your face Shrunk to its wick, your scar lumpish, your plaited Head pathetically tiny. You waited, Knowing yourself helpless in the tweezers Of the life that judges you, and I saw The flayed nerve, the unhealable face-wound Which was all you had for courage. I saw that what you gripped, as you sipped, Were terrors that killed you once already. Now I see, I saw, sitting, the lonely Girl who was going to die. That blue suit. A mad, execution uniform, Survived your sentence. But then I sat, stilled, Unable to fathom what stilled you As I looked at you, as I am stilled Permanently now, permanently Bending so briefly at your open coffin.
Ted Hughes (Birthday Letters)
Love equals a morbid and relentless fear of losing the other person. It’s a freak-accident fear, a piece of space junk falling from the sky and obliterating him, leaving nothing but his smoking boots. It’s the unfortunate-organ-defect fear—suddenly, on his thirtieth birthday, the little crack in his heart that’s been there since birth will rear its ugly head and take him in his sleep while he’s spooning you. It’s the only way to know you’re really in love, when you ask the question would it be harder to watch him die, or to know he’ll watch me die? Is there more mercy in being the one who does the watching or in being the one who does the dying? It’s when you realize what mercy-killing actually means, it’s when you actually care to the point of tormenting worry. It’s not roses and white horses, it’s fucking brutal and it can send a person running for the hills. To love is brave and Will was the bravest person I knew.
Renee Carlino (Sweet Thing (Sweet Thing, #1))
We were just about to head to the lake to do that thing where we celebrate America’s birthday by terrifying all of its dogs,
Jason Pargin (If This Book Exists, You're in the Wrong Universe (John Dies at the End #4))
Attempts to locate oneself within history are as natural, and as absurd, as attempts to locate oneself within astronomy. On the day that I was born, 13 April 1949, nineteen senior Nazi officials were convicted at Nuremberg, including Hitler's former envoy to the Vatican, Baron Ernst von Weizsacker, who was found guilty of planning aggression against Czechoslovakia and committing atrocities against the Jewish people. On the same day, the State of Israel celebrated its first Passover seder and the United Nations, still meeting in those days at Flushing Meadow in Queens, voted to consider the Jewish state's application for membership. In Damascus, eleven newspapers were closed by the regime of General Hosni Zayim. In America, the National Committee on Alcoholism announced an upcoming 'A-Day' under the non-uplifting slogan: 'You can drink—help the alcoholic who can't.' ('Can't'?) The International Court of Justice at The Hague ruled in favor of Britain in the Corfu Channel dispute with Albania. At the UN, Soviet Foreign Minister Andrei Gromyko denounced the newly formed NATO alliance as a tool for aggression against the USSR. The rising Chinese Communists, under a man then known to Western readership as Mao Tze-Tung, announced a limited willingness to bargain with the still-existing Chinese government in a city then known to the outside world as 'Peiping.' All this was unknown to me as I nuzzled my mother's breast for the first time, and would certainly have happened in just the same way if I had not been born at all, or even conceived. One of the newspaper astrologists for that day addressed those whose birthday it was: There are powerful rays from the planet Mars, the war god, in your horoscope for your coming year, and this always means a chance to battle if you want to take it up. Try to avoid such disturbances where women relatives or friends are concerned, because the outlook for victory upon your part in such circumstances is rather dark. If you must fight, pick a man! Sage counsel no doubt, which I wish I had imbibed with that same maternal lactation, but impartially offered also to the many people born on that day who were also destined to die on it.
Christopher Hitchens (Hitch 22: A Memoir)
It is true that almost everyone in the foothills farmed and hunted, so there were no breadlines, no men holding signs that begged for work and food, no children going door to door, as they did in Atlanta, asking for table scraps. Here, deep in the woods, was a different agony. Babies, the most tenuous, died from poor diet and simple things, like fevers and dehydration. In Georgia, one in seven babies died before their first birthday, and in Alabama it was worse. You could feed your family catfish and jack salmon, poke salad and possum, but medicine took cash money, and the poorest of the poor, blacks and whites, did not have it. Women, black and white, really did smother their babies to save them from slow death, to give a stronger, sounder child a little more, and stories of it swirled round and round until it became myth, because who can live with that much truth.
Rick Bragg (Ava's Man)
I spoke softly. “The cops will eat you alive, Benjamin Blue. You have to go.” Ben tensed, ready to argue. “Detective Hawfield died. This is going to get serious. It’s way too much heat for you. Please be sensible.” Ben hesitated. Then his shoulders slumped. “Maybe you’re right.” Deep breath. “But you’re taking away the other possibility, too.” “I don’t understand.” I glanced over my shoulder at the approaching vehicle. “What other possibility?” He smiled wanly. “Ben Blue, The Hero. That kinda would’ve been nice.” I paused, at a loss for words. My heart broke for him. “But that’s okay.” Ben dug keys from his pocket. “After all, we’re Virals, not heroes. And that’s fine. Plus, I’m not really the hero type.” He turned to leave. Impulsively, I grabbed Ben’s arm. Pulled him close. Smashed my lips against his. The kiss only lasted a second, but also an eternity. Then I stepped back and shoved Ben toward the Explorer. “Of course you’re the type.” I was grateful the darkness hid my blushes. “Now go.” Ben stared, stricken, thunderstruck. Hi and Shelton watched, wide-eyed with shock. “Weirdest birthday ever,” Hi whispered.
Kathy Reichs (Exposure (Virals, #4))
Lord, so many things skitter through my mind, and I give chase to gather them and hold them up in a bunch to you, but they go this way and that while I go that way and this ... So, gather me up instead and bless what eludes my grasp but not yours: trees and bees, fireflies and butterflies, roses and barbecues, and people ... Lord, the people ... bless the people: birthday people, giving birth people, being born people; conformed people, dying people, dead people; hostaged people, banged up people, held down people; leader people, lonely people, limping people; hungry people, surfeited
Ted Loder (Guerrillas Of Grace: Prayers For The Battle)
That is exactly what nobody seems to grasp about this karma business. It’s not a simple matter of cause and effect, reward and punishment. It’s a question of what’s available. You see, as long as life for the majority of souls on this planet is just a long round of starvation, misery, torture, and early death—and believe me, outside this fortunate watershed that is an apt description of the state of affairs—as long as only a few live in comfort while the masses scrape along in want, then all us returning souls have to take our fair share of shifts among the hungry. You think this life you’ve lived was tough? Let me tell you, it was just R and R between the ones where you never get a solid meal two days running or you die before your first birthday from drinking bad water.
Starhawk (The Fifth Sacred Thing (Maya Greenwood #1))
When you grow up, your heart dies.
Penelope Douglas (Birthday Girl)
There are many cells in your body that are dying as you read these words. Fifty to seventy billion cells die each day in the average human adult. You are too busy to organise funerals for all of them! At the very same time, new cells are being born, and you don't have the time to sing Happy Birthday to them. If old cells don't die, there's no chance for new cells to be born. So death is a very good thing. It's very crucial for birth. You are undergoing birth and death in this very moment.
Thich Nhat Hanh (No Mud, No Lotus: The Art of Transforming Suffering)
One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Greg had been nearly out the door, on his way next door to Shari’s birthday party, when the phone rang. “Hi, Greg. Why aren’t you on your way to my party?” Shari had asked when he’d run to pick up the receiver. “Because I’m on the phone with you,” Greg had replied dryly.
R.L. Stine (Say Cheese and Die! (Goosebumps, #4))
What if . . . what if heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to your for no reason, or . . . ' Mam's pancakes with Mars Bar sauce; Dad dashing up from the bar just to tell me, 'Sleep tight don't let the bedbugs bite'; or Jacko and Sharon singing "For She's a Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. "S'pose heaven's not like a painting that's just hanging there forever, but more like . . . like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or . . . upstairs windows when you're lost . . .
David Mitchell
But not because I hate being pitied. I do, but it's more than that. When people pity, it's like they honestly don't realize the exact same thing's coming for them. And I feel embarrassed and uncomfortable and have to pity them, because, like, do you not realize it's always someone's turn? You haven't noticed everyone gets a few blows that seem so big you can't survive them? And then here is this person looking at you and dramatically murmuring, I'm sorry for your loss. And you have to look at them and hope your eyes aren't saying, Don't be too sorry. You're next. You have to spend all this energy making your face say, Yes it's horrible, and extremely rare. I can't believe I was the person who lost my father. You certainly won't lost anyone. You'll die first, out of everyone you love, on the eve of your hundredth birthday.
Emily Henry (A Million Junes)
This investigation is nothing more to you than a mere crime among the multitude." Matron Kim's upper lip curled slightly. "My daughter died on her birthday. I made a jeogori jacket for her as a gift, sewed the silk pieces together myself, and I knew the length and circumference of her arms, the length and breadth of her torso, all measured meticulously. I knew her. She was my daughter. And from the day of her death, all you saw was a crime to be solved. From that day, you disrespected my affection for my daughter, and even now, you speak to me with a cruel, impatient look in your eyes.
June Hur (The Silence of Bones)
SELF-HELP FOR FELLOW REFUGEES If your name suggests a country where bells might have been used for entertainment, or to announce the entrances and exits of the seasons and the birthdays of gods and demons, it's probably best to dress in plain clothes when you arrive in the United States. And try not to talk too loud. If you happen to have watched armed men beat and drag your father out the front door of your house and into the back of an idling truck, before your mother jerked you from the threshold and buried your face in her skirt folds, try not to judge your mother too harshly. Don't ask her what she thought she was doing, turning a child's eyes away from history and toward that place all human aching starts. And if you meet someone in your adopted country and think you see in the other's face an open sky, some promise of a new beginning, it probably means you're standing too far. Or if you think you read in the other, as in a book whose first and last pages are missing, the story of your own birthplace, a country twice erased, once by fire, once by forgetfulness, it probably means you're standing too close. In any case, try not to let another carry the burden of your own nostalgia or hope. And if you're one of those whose left side of the face doesn't match the right, it might be a clue looking the other way was a habit your predecessors found useful for survival. Don't lament not being beautiful. Get used to seeing while not seeing. Get busy remembering while forgetting. Dying to live while not wanting to go on. Very likely, your ancestors decorated their bells of every shape and size with elaborate calendars and diagrams of distant star systems, but with no maps for scattered descendants. And I bet you can't say what language your father spoke when he shouted to your mother from the back of the truck, "Let the boy see!" Maybe it wasn't the language you used at home. Maybe it was a forbidden language. Or maybe there was too much screaming and weeping and the noise of guns in the streets. It doesn't matter. What matters is this: The kingdom of heaven is good. But heaven on earth is better. Thinking is good. But living is better. Alone in your favorite chair with a book you enjoy is fine. But spooning is even better.
Li-Young Lee (Behind My Eyes: Poems)
Anyway, time is more than counting days. On the outside, people think clocks tell them the time. They set an alarm for work and wake up to a blinking light that says six a.m. They look to an office wall to tell them if it is time to go home. The truth is, clocks don’t tell time. Time is measured in meaning. I better get up for work or It’s time to feed the baby. Or That was the year I got cancer or That is the day we celebrate your birthday. Or Remember when our father died or Let’s remember to plant turnips this spring. It is meaning that drives most people forward into time, and it is meaning that reminds them of the past, so they know where they are in the universe.
Rene Denfeld
How do people choose their final words? Do they realize their gravity? Are they fated to be wise? By his 83rd birthday, Eddie had lost nearly everyone he'd cared about. Some had died young, and some had been given a chance to grow old before a disease or an accident took them away. At their funerals, Eddie listened as mourners recalled their final conversations. "It's as if he knew he was going to die. . . ." some would say. Eddie never believed that. As far as he could tell, when your time came, it came, and that was that. You might say something smart on your way out, but you might just as easily say something stupid. For the record, Eddie's final words would be "Get back!
Mitch Albom (The Five People You Meet in Heaven)
You’re wrong Lucas,” Slade says, his voice low. “You won't always spoil her, or treat her like a princess. You won't tell her she's beautiful every day. You won't make her smile every night and you won't always want her the way you do now. That fades. Those giddy little stomach flutters fade and you're then left with reality. There will be days you will forget to tell her she's beautiful, even though she needs to hear it. There will be days you'll forget to say I love you. There will be days when you forget a birthday or an anniversary. There will be a time when she will walk past you, and you won't want to ravish her, the way you do now. Those “things fade, and when they do, what's left is what's truly worth fighting for. Love isn't always beautiful, heck, it's not even close to being perfect half the time. Feelings change, the spark dies down and what you're left with is something you either chose to fight for or you don't. When you know that even though those things are gone, you're still willing to fight for her every breath, then you know the love is real.” Excerpt From: Botefuhr, Bec. “Racing For Freedom.” iBooks. This material may be protected by copyright.
Bec Botefuhr (Racing for Freedom)
I finished the Bible last night. Spoiler alert: Jesus doesn’t make it. Or maybe he does, now that I think about it. I may have stopped reading too soon. In my defense though it was getting really depressing. Honestly, that book is my Waterloo. But I guess technically Jesus didn’t die. He just faked it. Or maybe it was a dream sequence. Or possibly he’s a zombie or something? But it’s confusing because Jesus died for our sins but God didn’t accept his death, so does that mean that our sins are still all outstanding? And when I say ‘outstanding’ I mean that they’re like … still on the books. Not like ‘AWESOME! THOSE SINS ARE OUTSTANDING!’ Some people think stuff like that is sacrilegious but I’m pretty sure Jesus would think this shit was hilarious. Plus we could bond over how shitty it is to have your birthday so close to Christmas.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
And then she died on your birthday. Fuck a duck, bro. You win." I thought about my last birthday I'd had at Aunt June's. Mom didn't really enter into it. I told Angus my mom being dead wasn't something I pinned exactly on my birthday.' "It's more like this bag of gravel I'm hauling around every day of the year. If somebody else brings it up, honestly, I'm glad of it. Like just for that minute they can help me drag the gravel.
Barbara Kingsolver (Demon Copperhead)
I don’t know how much time we have left. Could be fifty years. Could be one more week. But I do know that we’re not going to get cheated out of one second of being together. We’re going to share everything and feel everything together. And I am going to let you know, in the way I touch you, and the way I kiss you”—as he said it, he touched her, and kissed her—“that you are the best thing in my life. And I’m a selfish man, and I want every inch of you, and every minute of your life I can have. There’s no my life anymore. And no your life. Just our life, and we’re going to have it our way. I want birthday cake every day and you naked in bed every night. And when it’s time to be done, we’ll have that our way, too. We’ll open that bottle of wine we bought in France and listen to our favorite music and have some laughs and take some happy pills and go to sleep. Die pretty after the party is over, instead of going down screaming
Joe Hill (The Fireman)
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
There was a small public library on Ninety-third and Hooper. Mrs. Stella Keaton was the librarian. We’d known each other for years. She was a white lady from Wisconsin. Her husband had a fatal heart attack in ’34 and her two children died in a fire the year after that. Her only living relative had been an older brother who was stationed in San Diego with the navy for ten years. After his discharge he moved to L.A. When Mrs. Keaton had her tragedies he invited her to live with him. One year after that her brother, Horton, took ill, and after three months he died spitting up blood, in her arms. All Mrs. Keaton had was the Ninety-third Street branch. She treated the people who came in there like her siblings and she treated the children like her own. If you were a regular at the library she’d bake you a cake on your birthday and save the books you loved under the front desk. We were on a first-name basis, Stella and I, but I was unhappy that she held that job. I was unhappy because even though Stella was nice, she was still a white woman. A white woman from a place where there were only white Christians. To her Shakespeare was a god. I didn’t mind that, but what did she know about the folk tales and riddles and stories colored folks had been telling for centuries? What did she know about the language we spoke? I always heard her correcting children’s speech. “Not ‘I is,’ she’d say. “It’s ‘I am.’” And, of course, she was right. It’s just that little colored children listening to that proper white woman would never hear their own cadence in her words. They’d come to believe that they would have to abandon their own language and stories to become a part of her educated world. They would have to forfeit Waller for Mozart and Remus for Puck. They would enter a world where only white people spoke. And no matter how articulate Dickens and Voltaire were, those children wouldn’t have their own examples in the house of learning—the library.
Walter Mosley (White Butterfly (Easy Rawlins #3))
Don hits rock bottom in the series’ finest hour, “The Suitcase,” which is essentially a two-character play about Don and Peggy stuck in the office through a tumultuous night. She wants to leave for a birthday dinner with her boyfriend, while he needs company to avoid placing the phone call that will tell him that Anna Draper — the widow of the real Don, and the one person on Earth with whom this Don feels truly comfortable and safe — has died of cancer. Over the course of the episode, Jon Hamm and Elisabeth Moss are asked to play every emotion possible: rage and despair, joy and humiliation, companionship and absolute contempt. In the most iconic moment, Peggy complains that Don took all the credit for an award-winning campaign she helped conceive. “It’s your job,” he tells her, his voice dripping with condescension. “I give you money. You give me ideas.” “And you never say, ‘Thank you,’” she complains, fighting back tears. “That’s what the money is for!” he screams.
Alan Sepinwall
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
You are a thoughtless person with no consideration for the feelings of others. Your best quality is someday you’re gonna die. If you were a planet in the solar system among millions of beautiful heavenly bodies, you’d still choose to revolve around yourself. If every day was Christmas, you’d give yourself 366 gifts, two on your birthday. If you thought about looking into your soul to become a better person, you’d change your mind because there’s no mirror attached and you couldn’t admire your face or flexed muscles. If rulers could measure a man’s character, you’d be a centimeter. And if you ever again decide to call me a name, next time try Liz.
K.L. Brady (Worst Impressions)
With each birthday, we change. With each death, we change. With each great love and each bitter heartbreak, we change. With each hurtful word and each cut of betrayal, we change. With each burst of happiness and each tear-inducing laugh, we change. With each good story, great friendship, and meaningful conversation, we change. Our lives are in a constant state of change, moving fluidly between the past, the present, and the future. And so it is until the day we die. We can’t stop change or do much to control it, but we can control the way we react to what happens to us along the way. With God’s help, we can overcome our past, transform our present, and embrace our future.
Kasey Van Norman (Named by God: Overcoming Your Past, Transforming Your Present, Embracing Your Future)
TO MY BELOVED, Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words. While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you. The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart. Dedicated '' I don't know when and how you arrived in my life, Don't know when my heart star beating for you, day n night.... My eyes kept staring the window pane, Wishing one day u'll come in my lane.... Darling you're the only one whom I admire, It's you whom my heart desperately desires... Being with you is my only need, You are now the medicine of my heartbeat... I Craved your name on my heart, The day when I decided not to loose you ever, And I promise you sweetheart that, I love you & i'll love you for ever, ever n ever...... It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........ Dying to have your reply..... Truly Your's PK
Prabhat Kumar
The smell of flowers was overwhelming, and it reminded me of walking into a flower shop to pick the perfect bouquet when my gran died. It wasn’t a good memory, and the smell was intoxicating. My heart broke while looking at the beautiful variations of flowers and smelling the sweet nectar. It was a terrible mix. The beauty, the nature, the colors, and the smell—all laced with grief. And what I could never comprehend was that flowers were for every occasion. You get them when you’re in love and when it’s your birthday; you can get them with a new job or a raise. And how is it supposed to make you feel when all you can remember is the smell of heartbreak, and it takes you back to that space in time? It doesn’t feel like a celebration of anything, but more like torture. Torture of the mind and soul.
Laura C. Reden (Dark Reflections (The Phantom, #2))
For some people, the transition to adulthood happens almost overnight. It certainly did with me. I’ve met other orphans. We are kids who can’t even pinpoint when this change happened. We have felt like old people since our fathers died. Our mothers looked to us for big decisions. They relied on us. Before we ever went out on our first date, we were already acting like a retired father of four. All our paychecks went toward rent. All our spare time went toward helping to keep a home fire burning. We got so good at pretending we were older than our age that we started to believe it. We begin to hate our own reflections because they betray how we see ourselves. The mirror portrays us too young. We are not children; we are ancient. We’re fifty years old thirty-five years before our fiftieth birthday.
Sean Dietrich (Will the Circle Be Unbroken?: A Memoir of Learning to Believe You’re Gonna Be Okay)
Hello, little man,’ I said and kissed his cheek. ‘Urgh.’ He wiped the kiss off. ‘I hate lipstick.’ I laughed as if he were joking and kissed him again. ‘You’ll love it when you’re older.’ ‘When I’m older,’ he asked, ‘will you be dead?’ Though there was nothing in his tone but interest, the question floored me completely. Stunned, I opened my mouth to reply, but could think of nothing to say. ‘The mum of one of the kids in Ben’s class is dead,’ Red said, his tone neutral. ‘Ever since he found out, he’s been obsessed.’ ‘Will you?’ Ben pressed. ‘Mummy will die when she’s old,’ his father answered, and I had to bite my tongue, because I knew better than anyone that death did not pre-book appointments decades in advance. Its approach was random, based on whimsy, often violent. I came from a line of women who bore a single child and were dead before its eighteenth birthday. ‘You’ve got nothing to worry about,’ Red said.
Yvvette Edwards (A Cupboard Full of Coats)
Marvin thought of his bowel movements as BMs, a phrase he'd heard an army doctor mutter once. His BMs were turning against him, turning violent in a way. He and Eleanor went through the Dolomites and across Austria and nipped into the northwest corner of Hungary and the stuff came crashing out of him, noisy and remarkably dark. But mainly it was the smell that disturbed him. He was afraid Eleanor would notice. He realized this was probably a normal part of every early marriage, smelling the other's smell, getting it over and done with so you can move ahead with your lives, have children, buy a little house, remember everybody's birthday, take a drive on the Blue Ridge Parkway, get sick and die. But in this case the husband had to take extreme precautions because the odor was shameful, it was intense and deeply personal and seemed to say something awful about the bearer. His smell was a secret he had to keep from his wife.
Don DeLillo
How do we stop them?” Edilio asked. He raised his head, and Sam saw the distress on his face. “How do you think we stop them? When your fifteenth birthday rolls around, the easy thing is to take the poof. You gotta fight to resist it. We know that. So how are we going to tell kids this isn’t real, this Orsay thing?” “We just tell them,” Astrid said. “But we don’t know if it’s real or not,” Edilio argued. Astrid shrugged. She stared at nothing and kept her features very still. “We tell them it’s all fake. Kids hate this place, but they don’t want to die.” “How do we tell them if we don’t know?” Edilio seemed genuinely puzzled. Howard laughed. “Deely-O, Deely-O, you are such a doof sometimes.” He put his feet down and leaned toward Edilio as if sharing a secret with him. “She means: We lie. Astrid means that we lie to everyone and tell them we do know for sure.” Edilio stared at Astrid like he was expecting her to deny it. “It’s for people’s own good,” Astrid said in a low voice, still looking at nothing. “You know what’s funny?” Howard said, grinning. “I was pretty sure we were coming to this meeting so Astrid could rank on Sam for not telling us the whole truth. And now, it turns out we’re really here so Astrid can talk us all into becoming liars.
Michael Grant (Lies (Gone, #3))
There were four ways out of Nickel. One: serve your time. A typical sentence fell between six months and two years, but the administration had the power to confer a legal discharge before then at its discretion. Good behavior was a trigger for a legal discharge, if a careful boy gathered enough merits for promotion to Ace. Whereupon he was released into the bosom of his family, who were very glad to have him back or else winced at the sight of his face bobbing up the walk, the start of another countdown to the next calamity. If you had family. If not, the state of Florida's child-welfare apparatus had assorted custodial remedies, some more pleasant than others. You could also serve time by aging out. The schools showed boys the door on their eighteenth birthday, quick hand-shake and pocket change...Boys arrived banged up in different ways before they got to Nickel and picked up more dents and damage during their term. Often graver missteps and more fierce institutions waited. Nickel boys were f***** before, during, and after their time at the school, if one were to characterize the general trajectory... Three: You could die. Of 'natural causes' even, if abetted by unhealthy conditions, malnutrition, and the pitiless constellation of negligence. In the summer of 1945, one young by died of heart failure while locked in a sweatbox, a popular corrective at that time, and the medical examiner called it natural causes.
Colson Whitehead (The Nickel Boys)
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
You see Matt and Anthony every week. You see everyone every week.” “Not everyone, Nick,” his mother said pointedly. Then her voice changed and turned warmer. “Well, except for this upcoming weekend.” Nick paused at this. It could’ve been a trap. Perhaps his mother suspected something was up with her birthday and was fishing for information. Although it was surprising that she’d come to him—she usually went after Anthony, who had the secret-keeping skills of a four-year-old. “Why? What’s happening this weekend?” he asked nonchalantly. “Oh, nothing much. I just heard something about a sixtieth birthday party your father and you boys are planning for me.” Fucking Anthony. “And don’t go blaming Anthony,” his mother said, quick to protect her youngest. “I’d already heard about it from your aunt Donna before he slipped.” Nick knew what her next question would be before the words left her mouth. “So? Are you bringing a date?” she asked. “Sorry, Ma. It’ll just be me.” “There’s a surprise.” He pulled into the driveway that led to the parking garage of his condo building. “Just a warning, I’m about to pull into the garage—I might lose you.” “How convenient,” his mother said. “Because I had a really nice lecture planned for you.” “Let me guess the highlights: it involved me needing to focus on something other than work, and you dying heartbroken and miserable without grandchildren. Am I close?” “Not bad. But I’ll save the rest of the lecture for Sunday. There’s going to be a lot of gesturing on my part, and the phone doesn’t quite capture the spirit.” Nick smiled. “Shockingly, I’m looking forward to it. I’ll see you Sunday, Ma.” Her voice softened. “I know how busy you are, Nick. It means a lot to me that you’re coming home.” He knew it did. “I wouldn’t miss it for the world.
Julie James (A Lot like Love (FBI/US Attorney, #2))
The church has never lacked valiant men. On August 15, 1714, the Romanian king Constantin Brincoveanu died a martyr’s death. During the twenty-five years of his reign, he had been a valiant defender of the Christian world against Islam. On Good Friday in 1714, he and his whole household were arrested by the Turkish sultan’s men and taken to Constantinople, where they were put in the notorious Yedikule prison. On his sixtieth birthday, King Brincoveanu was sentenced to death together with his four sons. Before the executioner raised his axe, the sultan said, “I will pardon you if you tell me where the wealth of your country is and if you will deny the Christian faith and convert to Islam.” King Brincoveanu replied: “I will never abandon the Christian faith. I was born in it, have lived in it, and will die in it. I have filled my country with churches, monasteries and hospitals. I will not worship in your mosques, neither I nor my children.” Then he turned to his sons and said: “My beloved, be strong in faith. We have lost all things. Let us not lose our souls as well.” The sultan ordered that the sons should die first. Young Constantin prayed and quietly put his head on the block. As he was beheaded, his father sighed and said, “God, Your will be done.” The next two sons followed. Then Matthew, who was only sixteen, wavered at the sight of the blood and hid himself near his mother. “Follow your brothers,” urged King Brincovaneau. “Do not deny Christ.” The youngster put his head on the block and said to the executioner, “Strike.” The king followed them. Kneeling, he prayed with many tears: “God, accept our sacrifice. For the blood of our martyrdom, I desire that the Romanian principates remain Christian. Amen.
Richard Wurmbrand (The Midnight Bride)
Jesus, it’s the beloved day we call Christmas Eve, the date we’ve set aside to remember and reflect upon your nativity. Luke took so much care to fix your birthday in the context of real history and a real world, but whether or not you were born anywhere close to December 25 is not important at all. That you were born—that you actually came from eternity into time and space—that’s what’s important, Jesus. I sing to you today with all the passion and delight I can possibly muster, “Born that man (including me) no more may die, born to raise the sons of earth (including me), born to give them (including me) second birth.” For the certainty of your birth, and therefore my rebirth, I give you great praise.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
Recoiling backwards from the horror, his flight catapulted him headlong over the rail of the balcony. His piercing scream drowned out the uproarious Happy Birthday greeting from his wife, friends, and neighbors flooding into the hallway and the living room to begin the celebration. In midair, when someone turned on the lights in the dining room, Gary saw the monster from the master bedroom pulling off her rubber mask and looking down at him from the railing with sad eyes. It was Janine, his next-door neighbor. In the seconds before Gary lost consciousness after breaking his neck on the ceramic tile floor, he saw the entire room fill with balloons and confetti. Gwen looked ravishing in her favorite cocktail dress blowing a noisemaker and tossing a streamer into the air. A huge banner with the words, “Happy Halloween, Gary on Your 40th Birthday… A Night To Remember” was the last thing he saw before the grim reaper gobbled him up. Gwen had done it again. She had planned a truly memorable party that no one in attendance would ever forget. Gary died on the same day he was born, October 31.
Billy Wells (Don't Look Behind You)
•    Be an intentional blessing to someone. Devote yourself to caring for others. Even when your own needs begin to dominate your attention, set aside time daily to tune in to others. Pray for their specific needs and speak blessings to those you encounter each day. Make them glad they met you.     •    Seek joy. Each morning ask yourself, “Where will the joy be today?” and then look for it. Look high and low—in misty sunbeams, your favorite poem, the kind eyes of your caretaker, dew-touched spiderwebs, fluffy white clouds scuttling by, even extra butterflies summoned by heaven just to make you smile.     •    Prepare love notes. When energy permits, write, videotape, or audiotape little messages of encouragement to children, grandchildren, and friends for special occasions in their future. Reminders of your love when you won’t be there to tell them yourself. Enlist the help of a friend or family member to present your messages at the right time, labeled, “For my granddaughter on her wedding day,” “For my beloved friend’s sixty-fifth birthday,” or “For my dear son and daughter-in-law on their golden anniversary.”     •    Pass on your faith. Purchase a supply of Bibles and in the front flap of each one, write a personal dedication to the child or grandchild, friend, or neighbor you intend to give it to. Choose a specific book of the Bible (the Gospels are a great place to start) and read several chapters daily, writing comments in the margin of how this verse impacted your life or what that verse means to you. Include personal notes or prayers for the recipient related to highlighted scriptures. Your words will become a precious keepsake of faith for generations to come. (*Helpful hint: A Bible with this idea in mind might make a thoughtful gift for a loved one standing at the threshold of eternity. Not only will it immerse the person in the comforting balm of scripture, but it will give him or her a very worthwhile project that will long benefit those he or she loves.)     •    Make love your legacy. Emily Dickinson said, “Unable are the loved to die. For love is immortality.” Ask yourself, “What will people remember most about me?” Meditate on John 15:12: “Love each other as I have loved you” (NIV). Tape it beside your bed so it’s the last thing you see at night and the first thing you see in the morning.     •    “Remember that God loves you and will see you through it.
Debora M. Coty (Fear, Faith, and a Fistful of Chocolate: Wit and Wisdom for Sidestepping Life's Worries)
Or consider how we citizens of rich countries obtain our oil and minerals. Teodoro Obiang, the dictator of tiny Equatorial Guinea, sells most of his country’s oil to American corporations, among them Exxon Mobil, Marathon, and Hess. Although his official salary is a modest $60,000, this ruler of a country of 550,000 people is richer than Queen Elizabeth II. He owns six private jets and a $35 million house in Malibu, as well as other houses in Maryland and Cape Town and a fleet of Lamborghinis, Ferraris, and Bentleys. Most of the people over whom he rules live in extreme poverty, with a life expectancy of forty-nine and an infant mortality of eighty-seven per one thousand (this means that more than one child in twelve dies before its first birthday).
Peter Singer (The Life You Can Save: How to play your part in ending world poverty)
That summer, she wrote a birthday letter to my daughter that read, “I hope for your birthday you managed to get those grown-ups to give you a dolls’ house and the cardigan and the pony hair brush you wanted. Don’t believe their excuses.” She wrote similar letters to thousands of other people and always in her own hand. The effect was magical. “Please don’t say anything unkind about her. She’s my friend,” our daughter instructed her father. That, I think, explains the extraordinary outpouring of grief we witnessed when Diana died. Her appeal was as simple as it was unique. Diana touched the child in each and every one of us. She wasn’t the “people’s princess”—she was the people’s friend. The words of a London cabbie still ring in my ears when I think about the week after her death. “We’ll never see the like of her again,” he said as he dropped me off near the ocean of flowers outside Buckingham Palace. He was right. —Ingrid Seward
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
What’s up, Sam?” “What birthday?” he panted. “What?” “What birthday, Anna?” It took a while for her to absorb his fear. It took a while for the reason for his fear to dawn on her. “Fifteen,” Anna said in a whisper. “What’s the matter?” Emma asked, sensing her twin’s mood. “It doesn’t mean anything.” “It doesn’t,” Anna whispered. “You’re probably right,” Sam said. “Oh, my God,” Anna said. “Are we going to disappear?” “When were you born?” Sam asked. “What time of day?” The twins exchanged scared looks. “We don’t know.” “You know what, no one has blinked out since that first day, so it’s probably—” Emma disappeared. Anna screamed. The other older kids took notice, the littles, too. “Oh, my God!” Anna cried. “Emma. Emma. Oh, God!” She grabbed Sam’s hands and he held her tight. The prees, some of them, caught the fear. Mother Mary came over. “What’s going on? You’re scaring the kids. Where’s Emma?” Anna just kept saying, “Oh, my God,” and calling her sister’s name. “Where’s Emma?” Mary demanded again. “What’s going on?” Sam didn’t want to explain. Anna was hurting him with the pressure of her fingers digging into the backs of his hands. Anna’s eyes were huge, staring holes in him. “How far apart were you born?” Sam asked. Anna just stared in blank horror. Sam lowered his voice to an urgent whisper. “How far apart were you born, Anna?” “Six minutes,” she whispered. “Hold my hands, Sam,” she said. “Don’t let me go, Sam,” she said. “I won’t, Anna, I won’t let you go,” Sam said. “What’s going to happen, Sam?” “I don’t know, Anna.” “Will we go to where our mom and dad are?” “I don’t know, Anna." “Am I going to die?” “No, Anna. You’re not going to die.” “Don’t let go of me, Sam.” Mary was there now, a baby on her hip. John was there. The prees, some of them, watched with serious, worried looks on their faces. “I don’t want to die,” Anna repeated. “I…I don’t know what it’s like.” “It’s okay, Anna.” Anna smiled. “That was a nice date. When we went out.” “It was.” For a split second it was like Anna blurred. Too fast to be real. She blurred, and Sam could almost swear that she had smiled at him. And his fingers squeezed on nothing. For a terribly long time no one moved or said anything. The littles didn’t cry out. The older kids just stared. Sam’s fingertips still remembered the feel of Anna’s hands. He stared at the place where her face had been. He could still see her pleading eyes. Unable to stop himself, he reached a hand into the space she had occupied. Reaching for a face that was no longer there. Someone sobbed. Someone cried out, other voices then, the prees started crying. Sam felt sick. When his teacher had disappeared he hadn’t been expecting it. This time he had seen it coming, like a monster in a slow-motion nightmare. This time he had seen it coming, like standing rooted on the railroad tracks, unable to jump aside.
Michael Grant
Come on Piper, it’s just one drink. Tomorrow’s your birthday, after all.
Trish Marie Dawson (Dying To Forget (The Station #1))
i booked a ticket home to watch grandma die but it was my boyfriend's birthday. after the party he said "no one thought you were weird but i think you think you're weird
Darcie Wilder (Literally Show Me a Healthy Person)
Sometimes people’s diets take on a religiosity of their own. I remember a man once telling me that he could never “go plant based” because he could never give up his grandma’s chicken soup. Huh? Then don’t! After I asked him to say hello to his bubby for me, I told him that enjoying her soup shouldn’t keep him from making healthier choices the rest of the time. The problem with all-or-nothing thinking is that it keeps people from even taking the first steps. The thought of never having pepperoni pizza again somehow turns into an excuse to keep ordering it every week. Why not scale down to once a month or reserve it for special occasions? We cannot let the “perfect” be the enemy of the good. It’s really the day-to-day stuff that matters most. What you eat on special occasions is insignificant compared to what you eat day in and day out. So don’t beat yourself up if you really want to put edible bacon-flavored candles on your birthday cake. (I’m not making those up!40) Your body has a remarkable ability to recover from sporadic insults as long as you’re not habitually poking it with a fork.
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
1) I may lose something today, I may get anything else tomorrow. But, I can never lose and ever get one thing and thats ‘YOU’ So, be my friend forever! 2) I CARE For U Bcoz You Are MY $weet……… friend for ever. 3) Each day i meet some one new, But never find another u..The world is full of ppl its true, Yet no one ever equals a friend like you.. 4) A best friend is one who never get tired ,of listening to your pointless drama over and over again ! 5) Best friends have CONVERSATION impossible to UNDERSTAND for others. 6) A good friend knows all your story , and a best friend has lived them with you. 7) BEST FRIEND knows , how stupid you are, but still choose to be with you . 8) BEST FRIENDS are like stars, you don’t always see them , but they are always there. 9) You are my BEST FRIEND , my HUMAN DIARY and my OTHER HALF , you mean the WORLD for me. 10) Best friends ,make the good time better and the hard times easier !! 11) When destiny forget , to tie some people in relationship,it corrects its mistake by making them your best friends .. 12) Best FRIENDS are like diamond , when you hit them they don’t break, they just slip away from your life. 13) When I die, friends would come at my funeral, good friends would cry for me , but my BEST FRIEND would change my Whatsapp status ” Chilling WITH Jesus ” 14) Weekly One Day Holiday, Monthly One Day Salary Day, Yearly One Day Birthday, Lifely One Day Death Day, But Sharing FRIENDSHIP with BEST FRIEND Is Every Day
Francesco Fauda
I would like nothing better than to see you die, Mr. McKinney. However, this is the time to begin the healing process. To show mercy to someone who refused to show any mercy. Mr. McKinney, I am going to grant you life, as hard as it is for me to do so, because of Matthew. Every time you celebrate Christmas, a birthday, the fourth of July, remember that Matt isn't. Every time you wake up in your prison cell, remember that you had the opportunity and the ability to stop your actions that night. You robbed me of something very precious. and I will never forgive you for that. Mr. McKinney, I give you life in the memory of the one who no longer lives. May you have a long life, and may you thank Matthew every day for it.
Moisés Kaufman (The Laramie Project)
Later in the day, Holly frowned at her reflection in the mirror. “This can’t be right!” Holly muttered to herself. She looked like a cross between a panda bear and a raccoon. She had tried to apply a more advanced version of makeup than she was used to, and it was not going well. “Smokey eye, my foot! I look like I have two black eyes.” She had not done the proper shading with her eye shadow, and now her large green eyes were encased with a deep black color that spanned her entire eyelid. “Maybe I should try a different one,” Holly mused aloud. She sat in William’s bedroom at his dresser. She already had on her pretty crushed velvet black dress and a small heart-shaped diamond pendant. It had been William’s birthday gift to her last year. “Let me re-read this article again to see if I can make sense of these instructions.” Holly read her magazine article out loud. “Which Greek Goddess are you? Athena, Venus, or Aphrodite? Check out our makeup tips below to turn heads at your next event!” “Hmmmm, that sounds soooooo good, if only I was better at applying makeup.” She had decided to try their Aphrodite look and had been trying to apply the eyeliner to give her a smoky eye effect. Holly had to wash her face four times already and start over because each time was worse than the last. “Concentrate, Holly, or you’ll be late for the gala. This is your last chance; it’s do or die time!” she warned her reflection in the mirror. “So, it says to put the light grey eyeshadow on the inner one-third of my eyelids. Hmmm, maybe that’s the problem. I don’t know where the inner third is.” She got an idea and went to William’s desk. Looking around, she found a ruler. “Ah-ha! Eureka, I got it!” She went back to her position at his dresser and closed her eyes for a quick, small prayer, then held the ruler up to measure her eye. “Ah-ha! Twenty-one millimeters. So, that means the inner one-third of my eye must be from my nose out seven millimeters . . . right about HERE!” Holly expertly applied the light grey eye shadow to the inner third of her eyelids. “What a big improvement already! Wow! I’m not a panda bear anymore! Ok, one-third down, two-thirds to go . . . I can do this!” Reading further, she said, “Ok, now apply the dark grey eye shadow to the next third of your eye, finishing with the dark brown eye shadow on the outer third of your eyelid.” Holly expertly followed the instructions and sat back in her chair, stunned. She looked beautiful! She had achieved the desired effect, and now her green eyes were enhanced to perfection. “Wow, wow, wow!” Holly felt encouraged to keep going. She read the next instructions. “‘Now, apply blush to your face with an emphasis on contouring your cheekbones.’” “‘Contouring my cheekbones? Who do they think I am, Rembrandt?” Holly said with a groan. Holly gingerly picked up her blush container as if it were about to bite her. She decided another quick prayer wouldn’t go amiss. With a deep breath she muttered, “Ok, I’m going in!” She glanced nervously at the picture in the magazine and tried her hardest to follow it along her cheekbones. “That turned out pretty good!” Holly turned her face this way and that, examining it. It may not have been exactly as in the picture, but the blush now accentuated her beautiful high cheekbones. “Whew! Only the lip left, thank goodness! You got this, Holly!” She encouraged her reflection in the mirror.
Kira Seamon (Dead Cereus)
I was walking all along just going for a walk outside after the party, I just felt good, I didn’t know if I wanted to sing, dance, and or cry; I was that happy getting to be with Marcel, so I went to my spot in the old car in the junkyard. I have to jump the face and rip my tank top or something like that yet it worth it, to see my dream car, sitting there I not a girlie girl but I love this cute thing it's sex looking like me. I found this old car at colleen’s junkyard it like right next door, I freak’n loved this old piece of crap, I even had sex with myself in the back seat, I took the old hood ornament off myself and keep it, my dad said it was off of Neveah’s dad's car, yet it was given to my mom and that why it just sitting outside for all the kids like me to rip the parts off of and sell on eBay. My stepmom hated Kristen, my real mother, so that is why the car ended up where it’s at, it was passed down yet the step-monster made sure I would never have it. My stepdad said the emblem is of a 1950 Nash that I found, little did I know it doesn’t go on that car yet, I think it’s a good fit, I was getting the car on my eighteenth birthday- I freaked up and had to die, just like me in the graveyard we both are retreating away. My stepdads had the 1950 Nash which he said was the first real sports car and it’s all steel, so I put it back on without him knowing that I did, funny maybe that's why I passed doing something like that… it was like it was meant for that car, or so he said and I did also. There is an old fender off what likes to be some old ford over there too that is rusty red, I am not sure of the year it’s too damn old for me to know. I remember right my dad said that grand-ma Nevaeh went to school in something like a 1965 Cadillac Deville convertible, yet, I don’t see that she had like nothing, I don’t know what that thing is. Like with these old cars, don't think you have a seat belt, you just cracked your head off the dash of the Nash and then they wiped it off, and sold it to some other poor ass hole.
Marcel Ray Duriez (Nevaeh They Call Out)
A fact about motherhood that no one ever tells you. I will tell you. When you become a mother, the first thing you learn is: You never knew just how much you could love another human being. This new little creature becomes the most important being in your life. You live for it. You’d die for it. You can’t even remember how your life was before you became a mother. When you have another child, you don’t give them half the love that you gave the first one. Not at all! Your love doubles. Your heart becomes larger. And, like a balloon filling with air, the more it’s filled the more fragile it becomes. Yet, it still grows. When they hurt, you hurt for them double because two hearts are hurting. A mother’s love is exponential. No one ever tells you that. Now, introduce a grandchild to your life. Your heart grows larger still. More fragile. As your family grows, you’re holding more and more love in your heart. It expands more than you ever dreamed was possible. You literally want to wrap your heart around each of them and keep them safe—always. Because, when they hurt, you hurt with them—double. When a grandchild is hurt, you not only feel their hurt, but also their mother’s hurt— because now you know what they’re feeling. When I was little, my mother told me, “Motherhood is a heartbreaking job.” At the time, I just looked at her with a blank, uncomprehending stare. Now I know—SHE WAS RIGHT!! Now, I’m in no way trying to discourage women from hav- ing children. Not in the least. I just feel we should all know what we’re really signing up for from the start. What my mother didn’t tell me is that this job is permanent. It has no end. It doesn’t stop on your child’s 18th birthday. You can’t retire or take a vacation from it. It’s with you every day. Twenty-four hours. Seven days a week. Motherhood is a lifelong, continual, non-stop, exponentially expanding, heartbreaking and heart-filling job. It grows in your heart—and I wouldn’t trade it for anything.
Vonda Maxwell Newsome (Itchy Nipples and Anxiety: My Life is a Comedy of Perils)
You’re more likely to die from a falling coconut than from a shark attack, and more likely to die on your birthday than any other day of the year. The average person falls asleep in seven minutes and, over a lifetime, spends twenty-five years sleeping. About 11 percent of the population are left-handed. The most typical human face on Earth is that of a 28-year-old Chinese man.
David Darling (Weirdest Maths: At the Frontiers of Reason)
There is no end to it, no way to measure it. Consciousness is like the cosmos multiplied by the number of people alive in the world (assuming that consciousness dies when we do, and it may not) because each of our minds is a cosmos of its own: unknowable, even to ourselves. Hence the instant appeal of Mandala’s Own Your Unconscious. Who could resist the chance to revisit our memories, the majority of which we’d forgotten so completely that they seemed to belong to someone else? And having done that, who could resist gaining access to the Collective Consciousness for the small price of making our own anonymously searchable? We all went for it on our twenty-first birthday, Mandala’s age of consent, just as prior tech generations went for music sharing and DNA analysis, never fully reckoning, in our excitement over our revelatory new freedom, with what we surrendered by sharing the entirety of our perceptions to the Internet—and thereby to counters, like me. Strict rules govern the use of gray grabs by data gatherers, but there are occasions when I’m obliged, in my professional capacity, to search the psyches of strangers. It’s an eerie sensation
Jennifer Egan (The Candy House)
MISTAKES AND CURVEBALLS YOU MUST LET YOUR KID EXPERIENCE19 • Not being invited to a birthday party • Experiencing the death of a pet • Breaking a valuable vase • Working hard on a paper and still getting a poor grade • Having a car break down away from home • Seeing the tree he planted die • Being told that a class or camp is full • Getting detention • Missing a show because she was helping Grandma • Having a fender bender • Being blamed for something he didn’t do • Having an event canceled because someone else misbehaved • Being fired from a job • Not making the varsity team • Coming in last at something • Being hit by another kid • Rejecting something he had been taught • Deeply regretting saying something she can’t take back • Not being invited when friends are going out • Being picked last for neighborhood kickball
Julie Lythcott-Haims (How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success)
When you die, your privacy dies with you. Eventually, someone will rifle through your purse, your bathroom cabinet, your pockets. Someone will discover your journal and your secret feelings, all of your angriest and silliest and most lustful thoughts on paper. Someone will notice the stains in the underarms of your t-shirts, the hole in your worn-out underwear, the stash of candy in your bottom dresser drawer, the birthday gift that you shoved to the very back of your closet in the box marked "Yard Sale." Eventually, all your secrets are told, all of you discovered and exposed. Perhaps this is the scariest part about dying. The living go on to know you better than you might have wanted. When you die, their discoveries will lift you on a pedestal or diminish your legacy.
Autumn Stringam (A Promise Of Hope: The Astonishing True Story of a Woman Afflicted With Bipolar Disorder and the Miraculous Treatment That Cured Her)
I lost my life many times since your birth. Though finally, you killed me twenty years ago, I am still alive to wish you on your birthday ... Greetings
'LORD VISHNU' P.S.JAGADEESH KUMAR
It comes down to this: if I do not lose weight, I shall die; if I do not curb my drinking, I shall die; if I do not take more exercise, I shall die; and, according to that ghastly inflatable contraption that measures your blood pressure, if they don’t get me a burst artery will. Sobering news on the eve of a chap’s fifty-eighth birthday; especially so when Daddy didn’t live to see his fifty-ninth.
Nevil Warbrook (The Reluctant Ascent of Nevil Warbrook, in his own words: Volume One, Intimations of Mortality)
17. You know you’re getting old when your birthday cake is a fire hazard.
Roderick Edwards (All Old People Must Die: The Last Generation)
Serch." Why did he always sound like the one who'd been left, who'd been denied? His fingers brushed Serch's forearm, though, and it damn near took him out. His belly pulled tight and heat crashed over his head like a fucking wave, rocking him and weakening his limbs. "Don't do this," German begged softly. "Gram is gone. It's just you and me now." He clasped Serch's shoulder. "I don't want to fight." All Serch had was the fight, otherwise, he'd be empty, hollowed out by the pain with no one to pass it off to. "Serch." German's whole fucking palm rested on Serch's face. It just sat there, warm and enticing. The best touch a beggar like him could ever hope to have. "I love you." His soul shook. His heart broke all over again. Serch spun away from him, giving German his back as he leaned against the doorframe, head bowed. "Please." That shaky voice sounded close, too close to Serch. "Please." "Fuck your love." Serch faced him with a snarl, chest heaving as he gave up on attempting to control himself. "You love me, German? You kiss me and tell me you want me, and then the instant I turn my back you move across the fucking country with somebody else. You love me? You stay away for years and only speak to me once, once--" He held up a finger. "On the phone." His brother's mouth opened and closed, but Serch refused to let him talk. "I've had birthdays without you. I've taken care of Gram without you. I had to watch her die..." His voice disappeared then, and he had to swallow and swallow before finishing. "Without you." "I'm sorry." "Don't tell me that shit!" Serch exploded. "Tell me how I can stop wanting you, because I do. Tell me how I can stop feeling your body against mine, because I do. Your cries, your taste. I still get off on them." He grabbed the front of his own t-shirt, fisting it, tugging on it. "Tell me how to stop missing you, because I've been lonely since the day you left. And I'm alone now, even with your breath incinerating my skin." "I miss you, too." Fuck! Somebody moved. Somebody must have moved because they were on each other, the press of their bodies so fucking good Serch's eyes watered. German was in his embrace, arms at his nape, fingers gripping his hair. Parted lips on his.
Avril Ashton (Want It)
We, by contrast, have a risk of death which doubles every eight years. This doesn’t start out so bad: aged 30, your odds of dying that year are less than 1 in 1,000. However, if you keep on doubling something it can start small but, eventually, get very large very quickly: at 65, your risk of death that year is 1 percent; at 80, 5 percent; and by 90, if you make it that far, your odds of not making your 91st birthday are a sobering one in six. There is some evidence that this relationship flattens out after the age of 105 or so, meaning that these exceptionally long-lived people might have technically stopped aging—but, with odds of death around 50 percent per year by then, they might wish it had flattened out slightly sooner.
Andrew Steele (Ageless: The New Science of Getting Older Without Getting Old)
I’m in the middle of my fantasy when I hear Him, loud and clear in my mind. “Jennette, I, the spirit of the Holy Ghost, command you to cross your name out on the sign-in sheet, go to the restroom, touch your underwear band five times in a row, twirl on one foot, unlock and relock the bathroom door five times, come back, and re-sign in on the sign-in sheet.” I’m elated. He has spoken. The Holy Ghost, aka my Still Small Voice, has finally spoken to me. I’ve been waiting for Him to speak to me since my eighth birthday when I had my baptism.
Jennette McCurdy (I'm Glad My Mom Died)
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
However, if you quit smoking before your 40th birthday, you'll reduce your risk of dying from a smoking-related disease by 90 percent.
J.K. Young (Quit Smoking: Finally Tell Cigarettes to Fuck Off: The Easy Way to Quit Smoking in 96 Hours or Less)
And isn’t it unpatriotic to spend America’s birthday distracted by nonsense?
Jason Pargin (If This Book Exists, You're in the Wrong Universe (John Dies at the End #4))
Thunderwing is going to execute you on your first birthday.” Star said nothing, hoping they hadn’t dragged him here just to tell him that. Rockwing narrowed his eyes. “But you already know that, don’t you?” The patchy clouds drifted, allowing the sun to peek through. Star closed his eyes and let the rays warm him. “Yes,” he said simply. He knew he was scheduled to die this winter, but he was still relieved to know he wasn’t going to die today.
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
It’s probably a good idea to warn you about Grandma Melvyn in case you’re expecting her to be a sweet little grandma who brings me cookies and milk and knits me cozy blankies. She’s not. But if you have an extra grandma like that, I’m interested. Grandma Melvyn is not even my real grandma. She’s not anyone’s grandma. She’s my great-great-aunt, but trust me, it doesn’t matter how many “greats” you put in front of her title—there is nothing great about her. Dad started calling her Grandma Melvyn after our real grandma died. I guess he felt sorry for her because she didn’t have anyone to call her Grandma. This might be a good time to point out that feeling sorry for Grandma Melvyn is like kissing a scorpion. You get over the idea real fast. I know that sounds mean, but it’s not. All it takes is one look at Grandma Melvyn to understand. She’s about as tall as a mailbox and she wears glasses that are two inches thick and make her eyes look as big as baseballs. You can see every vein and every floater and sometimes, when she gets mad, her eyeballs wobble. That is not something you want to see. Trust me. I once saw her make a nine-year-old cry at his own birthday party. Okay, it was me. But you’d cry, too, if she gave you the Wicked Wobble Eye. Grandma Melvyn never smiles and she never ever, ever laughs. Did I mention never? One last thing about Grandma Melvyn. She calls everybody “Trixie.” And I mean everybody! Keep reading. You’ll see what I mean. When Ape Boy yelled, I ran out of the kitchen and looked out the dining room window. Uncle Pete was trying to help Grandma Melvyn up the sidewalk. Every couple of steps, she pushed him away and waved her cane at him like a fencer with a foil. Then she tottered forward a bit and tilted to the right, then the left and backward, until she looked like she would fall over. Even through the window glass, I could hear her yell, “Get over here, Trixie! Are you going to let an old lady fall down and die out here in this zoysia wasteland you call a yard? Zoysia? Who plants zoysia?” Uncle Pete grabbed Grandma Melvyn’s arm and helped her for a couple of steps, until she pushed him away and the whole thing started all over again, like some weird modern dance. Aunt
Andrea Beaty (Dorko the Magnificent)
I’m going to kill the president. I promise. I surrender. I'm sorry. I'm gay. I'm pregnant. I'm dying. I'm not your father. You're fired. Fire. I forgot your birthday. You will have to lose the leg. She was asking for it. It ran right under the car. It looked like a gun. It's contagious. She’s with God now. Help me. I don't have a problem. I’ve swallowed a bottle of aspirin. I'm a doctor. I'm leaving you. I love you. Fuck you. I’ll change.
Ben Lerner
Ingrid Seward Ingrid Seward is editor in chief of Majesty magazine and has been writing about the Royal Family for more than twenty years. She is acknowledged as one of the leading experts in the field and has written ten books on the subject. Her latest book, Diana: The Last Word, with Simone Simmons, will be published in paperback in 2007 by St. Martin’s Press. Although Diana assured me that she was happy and finally felt she had found a real purpose in her life, I could still sense some of her inner turmoil. When we were gossiping, she was relaxed, but when we moved on to more serious matters, such as her treatment by the media, her body language betrayed her anxiety. She wrung her hands and looked at me out of the corner of her starling blue eyes. “No one understands what it is like to be me,” she said. “Not my friends, not anyone.” She admitted, however, that there was a positive side to her unique situation in that she could use her high profile to bring attention to the causes she cared about, and this, she assured me, was what she was doing now and wanted to do in the future. But it was the darker, negative side that she had to live with every day. After all this time, she explained, it still upset her to read untruths about herself, and it was simply not in her nature to ignore it. “It makes me feel insecure, and it is difficult going out and meeting people when I imagine what they might have read about me that morning.” Diana had no idea how much she was loved. To the poor, the sick, the weak, and the vulnerable, she was a touchstone of hope. But her appeal extended much further than that. She had the ability to engage the affections of the young and the old from all walks of life. That summer, she wrote a birthday letter to my daughter that read, “I hope for your birthday you managed to get those grown-ups to give you a doll’s house and the cardigan and the pony hair brush you wanted. Don’t believe their excuses.” She wrote similar letters to thousands of other people and always in her own hand. The effect was magical. “Please don’t say anything unkind about her. She’s my friend,” our daughter instructed her father. That, I think, explains the extraordinary outpouring of grief we witnessed when Diana died. Her appeal was as simple as it was unique. Diana touched the child in each and every one of us. She wasn’t the “people’s princess”--she was the people’s friend. The words of a London cabbie still ring in my ears when I think about the week after her death. “We’ll never see the like of her again,” he said as he dropped me off near the ocean of flowers outside Buckingham Palace. He was right.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The first event, which looked back but also forward like a kind of historical hinge, was the centennial of the birth of Albert Hofmann, the Swiss chemist who, in 1943, accidentally found that he had discovered (five years earlier) the psychoactive molecule that came to be known as LSD. This was an unusual centennial in that the man being feted was very much in attendance. Entering his second century, Hofmann appeared in remarkably good shape, physically spry and mentally sharp, and he was able to take an active part in the festivities, which included a birthday ceremony followed by a three-day symposium. The symposium’s opening ceremony was on January 13, two days after Hofmann’s 100th birthday (he would live to be 102). Two thousand people packed the hall at the Basel Congress Center, rising to applaud as a stooped stick of a man in a dark suit and a necktie, barely five feet tall, slowly crossed the stage and took his seat. Two hundred journalists from around the world were in attendance, along with more than a thousand healers, seekers, mystics, psychiatrists, pharmacologists, consciousness researchers, and neuroscientists, most of them people whose lives had been profoundly altered by the remarkable molecule that this man had derived from a fungus half a century before. They had come to celebrate him and what his friend the Swiss poet and physician Walter Vogt called “the only joyous invention of the twentieth century.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.
Susan Gregg Gilmore (Looking for Salvation at the Dairy Queen)
Daniel.” “Ma.” “Are you well?” She was angry. If the straight-to-voicemail treatment for the last week hadn’t tipped me off, her tone now was a dead giveaway. “I’m great,” I lied. “And how are you?” “Fine.” I laughed, silently. If she heard me laugh, she’d have my balls. “Did you get my messages?” “Yes. Thank you for calling.” I waited for a minute, for her to say more. She didn’t. “I leave you twenty-one messages, three calls a day, and that’s all you got for me?” “I’m not going to apologize for needing some time to cool off and I’m not going to sugarcoat it. Who do you think I am? Willy Wonka? You missed my birthday.” She sniffed. And these weren’t crocodile tears either. I’d hurt her feelings. Ahh, there it is. The acrid taste of guilt. “Ma . . .” “I don’t ask for a lot. I love you. I love my children. I want you to call me on my birthday.” “I know.” I was clutching my chest so my heart didn’t fall out and bleed all over the grass. “What could have been so important that you couldn’t spare a few minutes for your mother? I was so worried.” “I did call you—” “Don’t shit on a plate and tell me it’s fudge, Daniel. You called after midnight.” I hadn’t come up with a plausible lie for why I hadn’t called on her birthday, because I wasn’t a liar. I hated lying. Premeditated lying, coming up with a story ahead of time, crafting it, was Seamus’s game. If I absolutely had to lie, I subscribed to spur-of-the-moment lying; it made me less of a soulless maggot. “That’s true, Ma. But I swear I—” “Don’t you fucking swear, Daniel. Don’t you fucking do that. I raised you kids better.” “Sorry, sorry.” “What was so important, huh?” She heaved a watery sigh. “I thought you were in a ditch, dying somewhere. I had Father Matthew on standby to give you your last rights. Was your phone broken?” “No.” “Did you forget?” Her voice broke on the last word and it was like being stabbed. The worst. “No, I sw—ah, I mean, I didn’t forget.” Lie. Lying lie. Lying liar. “Then what?” I grimaced, shutting my eyes, taking a deep breath and said, “I’m married.” Silence. Complete fucking silence. I thought maybe she wasn’t even breathing. Meanwhile, in my brain: Oh. Shit. What. The. Fuck. Have. I. Done. . . . However. However, on the other hand, I was married. I am married. Not a lie. Yeah, we hadn’t had the ceremony yet, but the paperwork was filed, and legally speaking, Kat and I were married. I listened as my mom took a breath, said nothing, and then took another. “Are you pulling my leg with this?” On the plus side, she didn’t sound sad anymore. “No, no. I promise. I’m married. I—uh—was getting married.” “Wait a minute, you got married on my birthday?” Uh . . . “Uh . . .” “Daniel?” “No. We didn’t get married on your birthday.” Shit. Fuck. “We’ve been married for a month, and Kat had an emergency on Wednesday.” Technically, not lies. “That’s her name? Cat?” “Kathleen. Her name is Kathleen.” “Like your great aunt Kathleen?” Kat wasn’t a thing like my great aunt. “Yeah, the name is spelled the same.” “Last month? You got married last month?” She sounded bewildered, like she was having trouble keeping up. “Is she—is she Irish?” “No.” “Oh. That’s okay. Catholic?” Oh jeez, I really hadn’t thought this through. Maybe it was time for me to reconsider my spur-of-the-moment approach to lying and just surrender to being a soulless maggot. “No. She’s not Catholic.” “Oh.” My mom didn’t sound disappointed, just a little surprised and maybe a little worried. “Daniel, I—you were married last month and I’m only hearing about it now? How long have you known this woman?” I winced. “Two and a half years.” “Two and a half years?” she screeched...
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
You are 14% more likely to die on your birthday than any other day. 51
John Lloyd (1,227 Quite Interesting Facts to Blow Your Socks Off)