Penguin Mountain Quotes

On the barren shore, and on the lofty ice barrier in the background, myriads of grotesque penguins squawked and flapped their fins; while many fat seals were visible on the water, swimming or sprawling across large cakes of slowly drifting ice.

It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and unforming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter.

I myself stand on one side and the rest of the world on the other. There is an abyss between, that no power can cross, a strange barrier more insuperable than a mountain of fire. Husband and wife know nothing of one another. However ardent their passion, however intimate their union, they are never one; they are scarcely more to one another than strangers.

Accursed cowards, so eager to sleep in a brave man's bed! But listen - as when a fallow deer leaves the twin fawns just born to her to slumber in some great lion's den, while she herself goes roving and browsing over the mountain spurs and grassy hollows, but then the lion returns to his lair and strikes the two sucklings with hideous death, so will Odysseus strike these suitors with hideous death.

It’s possible to search in vain for that point where your running feels “just right.” As I considered the point of balance for myself, I was reminded of a quote from Zen and the Art of Motorcycle Maintenance by Robert Pirsig. He wrote: “Mountains should be climbed with as little effort as possible and without desire. The reality of your own nature should determine the speed. If you become restless, speed up. If you become winded, slow down. You climb the mountain in an equilibrium between restlessness and exhaustion. Then, when you’re no longer thinking ahead, each footstep isn’t just a means to an end but a unique event in itself.

We must think of men who are cruel today as stages of earlier cultures, which have been left over; in their case, the mountain range of humanity shows openly its deeper formations, which otherwise lie hidden. They are backward men whose brains, because of various possible accidents of heredity, have not yet developed much delicacy or versatility. They show us what we all were, and frighten us. [...] In our brain, too, there must be grooves and bends which correspond to that state of mind, just as there are said to be reminders of the fish state in the form of certain human organs. But these grooves and bends are no longer the bed in which the river of our feeling courses.

Cruel men as backward. We must think of men who are cruel today as stages of earlier cultures, which have been left over; in their case, the mountain range of humanity shows openly its deeper formations, which otherwise lie hidden. They are backward men whose brains, because of various possible accidents of heredity, have not yet developed much delicacy or versatility. They show us what we all were, and frighten us. But they themselves are as little responsible as a piece of granite for being granite. In our brain, too, there must be grooves and bends which correspond to that state of mind, just as there are said to be reminders of the fish state in the form of certain human organs. But these grooves and bends are no longer the bed in which the river of our feeling courses.

Happily, nobody saves mountain gorillas, yellow-eyed penguins, and sea turtles because they believe human civilization depends on it. We save them for a simpler reason: we love them.90

XIV [Every day you play with the light of the universe.]” Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I can contend only against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the gray light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees. Pablo Neruda, Twenty Love Poems and a Song of Despair. Trans. W.S. Merwin (Penguin Classics; Bilingual edition, December 26, 2006)

I stop regularly to examine the landscape. A range of porcelain blue mountains rises off to my right. They exhibit a slight dichotomy of character, being smooth as glass in some places and craggy in others. Glittering streams of meltwater ribbon through the rocks. The lower slopes are startlingly colorful. They are lit up with lichens in lime green, yellows, pink and fiery orange.

The largest of them, Petty Officer Taffy Evans, a mountain of a man, and from the outset the strongest of them all, gets the same rations as the rest of them. If they are inadequate for the smallest of them, they are pitiful for him. He is suffering the most and his condition is exacerbated because Scott’s plan had called for him to change the runners of the sledge from twelve-foot ones to ten-foot ones when they were on the plateau; a process that took him many hours to accomplish and damaged his hands badly from the cold. He fingers are covered now in large painful blisters from frostbite.

(really, both are just the tips of great mountains that poke through the top of the Beardmore Glacier),

Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!

Dear …, I’m writing as a Canadian woman and a member of one of the so-called “visible” or “ethnic” minorities to protest the exclusionary—racist and sexist—practices of Canadian publishers. Why racist? Because they discriminate against white writers. Why sexist? Because they discriminate against male writers. I feel quite perturbed about Penguin Canada’s submission policy which solicits exclusively unagented LGBTQIA2S+ and BIPOC writers (as well as those from "traditionally underrepresented” communities). This is publishing madness that has gone too far in the name of diversity. If publishing exclusively white male writers (and that has never been the case) is a clearcut wrong, two wrongs do not make a right. Oddly enough, only Penguin Canada has this bizarre exclusionary policy. Penguin Australia and Penguin New Zealand, in contrast, welcome submissions from writers of all backgrounds. Penguin UK Merky Books New Writers’ Prize aims to discover new UK voices and writers regardless of race, creed, or colour. Could this be the reason why Canada lags so far behind UK and arguably even Australia/NZ in reputation in the literary and publishing worlds? You may say, oh, look at the history, white male writers have traditionally dominated the publishing field. But why should white male writers TODAY be discriminated against in order to address the inequities of the past? That's the crux of the problem created by Penguin Canada’s woke madness. So, let’s look at the books published recently. Are white males still dominating the field? The truth of the matter is, they don’t, with a whopping 73% of editors being female (Editor Demographics in the United States, 2023). The quality of books isn’t decided by a writer’s colour or gender. It’s decided by the story and writers’ skills in presenting that story. As an avid lifelong reader of books in 3 languages (one of them English), I love books. At times I can’t even remember a writer’s name, far less their skin colour or sexual orientation, but I DO remember the story. Yet today’s exclusionary publishing policies at Penguin Canada imply that only people of colour have the chops to write about people of colour (ditto for any social subgroup you choose). This not only suffocates the world of fiction writing but, as a logical corollary, limits writing about 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages SOLELY to 59-year-old, ethnically Chinese, twice-divorced soccer moms with 2 mortgages. For the record, I—and thousands of others, judging by mountains of internet posts—am interested in how men write about women, how white writers write about other races, how old men write about youth—and of course vice versa. I’m interested in how writers see the world regardless of their sexual orientation. Paying the piper to play only a single +ALPHABETSOUP tune, we get to hear only that single tune, reducing the depth of human experience to only what passes through that one artificially imposed filter. One last example: Simon & Schuster (US) has books like us first novel contest to discover new local writers regardless of who they are. Only in Canada’s Orwellian publishing world some writers are more equal than others. Shame on my country. Let the books speak for themselves!!

in the foothills of the Pocono Mountains, home of the Baby Penguins, their American Hockey League farm team.

the final secret, you must go To a burning mountain of ice and snow On wheels, by air, then all fall down, Till you come to the Cave of the Ancient Crown. Then speed to Camelot by close of day, Lest grief take Merlin forever away.

These passes were used so frequently that it is incorrect to project the north-western mountains as barriers. They were corridors of communication.

Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Szabó The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami

Altitude sickness, also known as mountain sickness, is caused by a lack of oxygen at great heights. Symptoms include headaches, dizziness, and shortness of breath. Climbers traveling up Mount Erebus train for days by climbing to gradually increasing heights.

With his back turned on the life-giving sea, he eventually sets off waddling toward the mountains of the interior. There’s more disturbing footage from polar regions, but it’s the implications that needle at me. The penguin’s journey is certain death. Were they to catch him and bring him back, the biologist explains, he would only head for the mountains again. It sounds like the voice of experience, as if they’ve tried and failed. The penguins refuse to be saved.

The ibex ran off with her neighbor, after five days, to do some environmental and social reform campaigning in the Mexican mountains hoping to see some casaba melons, as well as houses for sheep, and informed the penguin he would do well.

Her eyes told him that she thought he was a fool; but that, even had she loved him ever so desperately, it would have been beneath her to argue about his decision - a large part of her simplicity consisted in determining not to want what she could not have with ease.

It was he who, unforgivably, taught her that there are people in the world for whom 'coming along' is a perpetual process, people who are destined never to arrive.

...in the silence something waited, ready to spring.

You don't know what to do with this boy, and that's why you all the time trying to fix the blame on somebody. Ain't nobody to blame...

She was not, however, fooled; she remembered the instant at which her heart had stopped, and she knew that it beat now with a difference.

Men spoke of how the heart broke up, but never spoke of how the soul hung speechless in the pause, the void, the terror between the living and the dead; how, all garments rent and cast aside, the naked soul passed over the very mouth of Hell. Once there, there was no turning back; once there, the soul remembered, though the heart sometimes forgot.

But I reckon,' she said slowly, 'that I don't want to be with you no more'n you want to be with me. I don't want no man what's ashamed and scared. Can't do me no good, that kind of man.

...you was born wild, and you's going to die wild. But ain't no use to try to take the whole world with you.

Behind them was the darkness, nothing but the darkness, and all around them destruction, and before them nothing but the fire - a bastard people, far from God, singing and crying in the wilderness!

It had always been there, at his back perhaps, all these years, but he had never turned to face it. Now it stood before him, staring, nevermore to be escaped, and its mouth was enlarged without any limit. It was ready to swallow him up.

He would be lead into darkness, and in darkness would remain...

This power had struck John, in the head or in the heart; and, in a moment, wholly, filling him with an anguish that he could never in his life have imagined, that he surely could not endure, that even now he could not believe, had opened him up; had cracked him open, as wood beneath the axe cracks down the middle, as rocks break up; had ripped him and felled him in a moment, so that John had not felt the wound, but only the agony, had not felt the fall, but only the fear; and lay here, now, helpless, screaming, at the very bottom of darkness.

Only the soul, obsessed with the journey it had made, and had still to make, pursued its mysterious and dreadful end; and carried, heavy with weeping and bitterness, the heart along.