Pending Death Quotes

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Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
The Code of Hammurabi Detailed legal pronouncements for numerous situations can be found also in the Code of Hammurabi, which dates to the 18th century BCE and in which four of the 10 biblical commandments appear repeatedly. For example, the ninth of the Ten Commandments or Decalogue is, “You shall not bear false witness against your neighbor,” whereas in the Code of Hammurabi, we read: “1. If a man bring an accusation against a man, and charge him with a (capital) crime, but cannot prove it, he, the accuser, shall be put to death…. 3. If a man, in a case (pending judgment), bear false (threatening) witness, or do not establish the testimony that he has given, if that case be a case involving life, that man shall be put to death.”833
D.M. Murdock (Did Moses Exist?: The Myth of the Israelite Lawgiver)
In October 2005, this startling development also threatened to have implications for the gardaí, Mr Bailey’s pending High Court appeal and even the Irish government. On 13 October, TV3’ s southern correspondent, Paul Byrne, broke the story that Marie Farrell, the so-called ‘star witness’ of the Circuit Court libel hearing, was now retracting all her statements. The Schull shopkeeper, in a truly astonishing TV interview, claimed not only that her evidence was false but that it had only been offered after she had been put under extreme duress by gardaí to incriminate Mr Bailey. The interview dominated the news headlines in Ireland for days.
Ralph Riegel (A Dream of Death: How Sophie Toscan du Plantier’s Dream Became a Nightmare and a West Cork Village Became the Centre of Ireland’s Most Notorious Unsolved Murder)
A fragrância da vegetação, ainda humedecida p'las gotas de orvalho, penetra gentilmente meu quarto, pela janela entreaberta, em sublime comunhão com o vapor libertado p'la infusão de camomila sobre a ecrivaninha. Diante dela, estou eu. Ou o que considero ser "eu". Invadido pelos odores que o olfato deleitam, com igual doçura ao rouxinol que no parapeito pousa, e cujo canto efeitiça minha escuta. Ah! Uma orquestra que sensações- Uma sinfonia para os sentidos. Mas resisto. Resisto. Jamais nenhum destes estímulos, nenhum tilintar da natureza, aprisionará mais minha atenção do que corda que do teto pende. Jamais o natural alcançará a suntuosidade, a imponência, a magnificiência, da artifiial serpente que em meu lar acolhi. Materialização da descrença. Da esperança que em mim se diluiu e que lugar deu à tristeza. À melancolia que em mim não cabe. E que transborda a tudo aquilo em que toco, que vejo, que sinto, que ouço.
Anonymous
He re-read the federal rule again: (A) For Not Obeying a Discovery Order. If a party or a party's officer, director, or managing agent—or a witness designated under Rule 30(b)(6) fails to obey an order to provide or permit discovery, the court where the action is pending may issue further just orders. They may include the following: (i) directing that the matters embraced in the order or other designated facts be taken as established for purposes of the action, as the prevailing party claims; (ii) prohibiting the disobedient party from supporting or opposing designated claims or defenses, or from introducing designated matters in evidence;
John Ellsworth (Beyond A Reasonable Death (Thaddeus Murfee Legal Thrillers #3))
For Marin, the city had an almost medieval look. The effect was belied by the swarms of hopjets, and Taxi-Airs, and other aircraft, large and small. But his training had sharpened his ability to shut out extraneous material and to see essentials; and so, he saw a city pattern that had a formal, oldfashioned beauty. The squares were too rigid, but their widely varying sizes provided some of the randomness so necessary to achieve what was timeless in true art. The numerous parks, perpetually green and rich with orderly growth, gave an overall air of graceful elegance. The city of the Great Judge looked prosperous and long-enduring. Ahead, the scene changed, darkened, became alien. The machine glided forward over a vast, low-built, rambling gray mass of suburb that steamed and smoked, and here and there hid itself in its own rancorous mists. Pripp City! Actually, the word was Pripps: Preliminary Restriction Indicated Pending Permanent Segregation. It was one of those alphabetical designations, and an emotional nightmare to have all other identification removed and to find yourself handed a card which advised officials that you were under the care of the Pripps organization. The crisis had been long ago now, more than a quarter of a century, but there was a line in fine print at the bottom of each card. A line that still made the identification a potent thing, a line that stated: Bearer of this card is subject to the death penalty if found outside restricted area. In the beginning it had seemed necessary. There had been a disease, virulent and deadly, perhaps too readily and too directly attributed to radiation. The psychological effects of the desperate terror of thousands of people seemed not to have been considered as a cause. The disease swept over an apathetic world and produced merciless reaction: permanent segregation, death to transgressors, and what seemed final evidence of the rightness of what had been done: people who survived the disease . . . changed.
A.E. van Vogt (The Mind Cage (Masters of Science Fiction))
In the midst of a pandemic, with hundreds of thousands of deaths attributed to COVID, and the economy in free fall, Dr. Fauci’s suggestion that we withhold promising treatments that have an established safety profile—from patients who have a potentially lethal disease—pending the completion of randomized controlled clinical trials, is highly manipulative and utterly unethical. It is not medically ethical to allow a COVID-19 patient to deteriorate in the early stages of the infection when there is an inexpensive, safe, and demonstrably effective HCQ treatment that CDC’s and NIAID’s own studies show blocks coronavirus replication. It would be equally unethical to enroll sick individuals in such studies—as Dr. Fauci proposes—in which half the infected patients would receive a placebo.
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
Who owns those scrawny little feet? Death. Who owns this bristly scorched-looking face? Death. Who owns these still-working lungs? Death. Who owns this utility coat of muscles? Death. Who owns these unspeakable guts? Death. Who owns these questionable brains? Death. All this messy blood? Death. These minimum-efficiency eyes? Death. This wicked little tongue? Death. This occasional wakefulness? Death. Given, stolen, or held pending trial? Held. Who owns the whole rainy, stony earth? Death. Who owns all of space? Death. Who is stronger than hope? Death. Who is stronger than the will? Death. Stronger than love? Death. Stronger than life? Death. But who is stronger than Death? Me, evidently. Pass, Crow.
Ted Hughes
How the hell can it end happily? Raise your hand if you survived your own death because you had a trick up your sleeve when the Grim Reaper showed up at your doorstep. The end is known and unavoidable. Life is a fucking tragedy, which no one survives. That's how it is. Mankind cannot escape the inevitable, and Earth cannot avert its pending demise. The sun, the universe and everything that exists will not survive. It will all come to an end one day. That is the only unquestionable truth.
Jaka Tomc (You Only Die Once: A Short Story)