Pencil Skirt Quotes

At fifty-five, immaculate from head to toe, his smart jacket and pencil skirt, manicured and painted nails, pristine hair and make-up are in stark contrast to Maiegryn’s Bohemian freefall.

After so many years of fighting to pour herself into skintight, low-rise jeans and binding pencil skirts and slacks that always felt like a vise around her waist, she found leggings were God’s apology to women everywhere. For the first time, something that was in style actually flattered her figure perfectly by hiding her less-than-stellar mid- and rear section while accentuating her reasonably shapely legs. Every day she pulled a pair on she offered a silent thank-you to their inventor and a quiet prayer that they’d remain in fashion just a little bit longer.

The only fashion advice my father has ever given me is never wear anything you couldn't run from an assailant in. As pessimistic as that counsel may be, he has a point. So many of the hallmarks of women's fashion, from high heels to pencil skirts, in addition to being uncomfortable, slow us down and even endanger us.

Long and slender in her tailored pencil skirt, Grace Lyndon stood on her executive desk, balancing in her fine designer heels, reaching for a burned-out

I can’t help but turn around and watch her in shock. Her round hips sway, taking up more space than the other flight attendants I’ve seen on board, but her little pencil skirt dips in at the waist.

Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.

If you put a group of professionally tanned and blown-out women in Alice + Olivia pencil skirts and four-inch Celine heels in a room together, it’s not a means to a feminist revolution, but a way to ensure you never want to work with women again.

Got it," I say as he hands me a pencil skirt, a crisp long-sleeved white shirt, and some low black heels. "This is what I'm wearing?" I'm a librarian. "Can I safely assume the accessories will include glasses on a chain and my hair in a bun? Should I shush people tonight?

Cowboy Rodeo was a very simple man. He liked his life simple. He liked his ranch full of animals, he liked the breeze across the plains, and he liked when the sun rose and set. He liked strong, cold whiskey and the stars at night. Cowboy Rodeo realized at that moment he also really, really liked corsets and black pencil skirts that showed off the curve of the hip.

What if life had taken a different route? What is had preserved with those letters to publishers when she was twenty-two? Might it have been Emma, instead of Stephanie Shaw, eating Pret A Manger sandwiches in a pencil skirt? For some time now she has had conviction that life is about to change if only because it must, and perhaps this it, perhaps this meeting is the new start.

My closet door wouldn't close. I pushed. I leaned on it. I eventually realized that my bathrobe sleeve was blocking the latch. When I opened the door to deal with the problem, most of the clothing I had tried and rejected tumbled out onto my feet. I shoveled my jeans,two of Sienna's sweaters, and one of her skirts back in.She would have a fit if she saw, but I reasoned she would have more of a fit if I shoved her things under the bed, with its resident dust wombats and lost charcoal pencils.

fad is a wave in the ocean, and a trend is the tide. A fad gets a lot of hype, and a trend gets very little. Like a wave, a fad is very visible, but it goes up and down in a big hurry. Like the tide, a trend is almost invisible, but it’s very powerful over the long term. A fad is a short-term phenomenon that might be profitable, but a fad doesn’t last long enough to do a company much good. Furthermore, a company often tends to gear up as if a fad were a trend. As a result, the company is often stuck with a lot of staff, expensive manufacturing facilities, and distribution networks. (A fashion, on the other hand, is a fad that repeats itself. Examples: short skirts for women and double-breasted suits for men. Halley’s Comet is a fashion because it comes back every 75 years or so.) When the fad disappears, a company often goes into a deep financial shock. What happened to Atari is typical in this respect. And look how Coleco Industries handled the Cabbage Patch Kids. Those homely dolls hit the market in 1983 and started to take off. Coleco’s strategy was to milk the kids for all they were worth. Hundreds of Cabbage Patch novelties flooded the toy stores. Pens, pencils, crayon boxes, games, clothing. Two years later, Coleco racked up sales of $776 million and profits of $83 million. Then the bottom dropped out of the Cabbage Patch Kids. By 1988 Coleco went into Chapter 11. Coleco died, but the kids live on. Acquired by Hasbro in 1989, the Cabbage Patch Kids are now being handled conservatively. Today they’re doing quite well.

In America: each year the day before school after summer vacation I sat on my bed touching my notebooks, pencils, ruler-holding the stern and sweet smelling brown oxfords in my lap and spreading my skirt and blouse and underwear and socks before me. My mother would come in and always say the same thing: “Free paper burn now.” Such words conspire to make a past. Such words conjure a knowledge. Such words make assimilation impossible. They stay with you for years. They puzzle but you sense a significance. I need these words.

You don't know it, but you captured me quickly, with your faux innocence, the nerdy-glasses, pencil-skirt look that you were trying to pull off. When I saw you later, dressed to the hilt, pure sex from your stilettos to your hair, I didn't believe it. I saw you as playing a part. But - " he breathed, reaching out and trailing a finger over my open lips "- you are pure sex. When you are in your element, which is typically when you are stuffed full of cock, I've never seen a more sexually perfect being in my life." His mouth twitched, and he pulled me to him for a soft, gentle kiss. "I fell for that feisty, smart-ass Julia that calls me on my shit. But I'm owned by the vixen that you become behind closed doors.

In other words, you'll pretend to be someone else in order to snag a husband." "Oh, for heaven's sake," she said defensively, "it's no different than what half the women in society do to catch a man. I don't want to waste my time in pointless flirtation when a little knowledge will improve my aim on the targets." He flashed her a condescending smile. "What is it?" she snapped. "Only you would approach courtship as a marksman approaches a shooting match." He licked the tip of his pencil. "So who are these hapless targets?" "The Earl of Devonmont, the Duke of Lyons, and Fernandez Valdez, the Viscount de Basto." His jaw dropped. "Are you insane?" "I know they're rather beyond my reach, but they seem to like my company-" "I daresay they do!" He strode up to her, strangely angry. "The earl is a rakehell with a notorious reputation for trying to get beneath the skirts of every woman he meets. The duke's father was mad, and it's said to run in his family, which is why most women steer clear of him. And Basto is a Portuguese idiot who's too old for you and clearly trawling for some sweet young thing to nurse him in his declining years." "How can you say such things? The only one you know personally is Lord Devonmont, and you barely know even him." "I don't have to. Their reputations tell me they're utterly unacceptable." Unacceptable? Three of the most eligible bachelors in London? Mr. Pinter was mad, not her. "Lord Devonmont is Gabe's wife's cousin. The duke of Gabe's best friend, whom I've known since childhood, and the viscount...well..." "Is an oily sort, from what I hear," he snapped. "No, he isn't. He's very pleasant to talk to." Really, this was the most ridiculous conversation. "Who the devil do you think I should marry, anyway?" That seemed to take him aback. He glanced away. "I don't know," he muttered. "But no...That is, you shouldn't..." He tugged at his cravat. "They're wrong for you, that's all." She'd flustered Mr. Pinter. How astonishing! He was never flustered. It made him look vulnerable and much less...stiff. She rather liked that. But she'd like it even better if she understood what had provoked it. "Why do you care whom I choose, as long as you're paid? I'm wiling to pay extra to ensure that you find out everything I want to know." Once more he turned into Proud Pinter. "It isn't a matter of payment, madam. I choose my own assignments, and this one isn't to my taste. Good day," Turning on his heel, he headed for the door. Oh, dear, she hadn't meant to run him off entirely.

The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.

see a bald woman in a black pencil skirt and white blouse.

Working Nine to Five   Wet, cold, miserable, Monday morning.  I had toast for breakfast, no bananas.  I think my mum is taking out her revenge on Steve’s behalf by withholding the purchase of bananas.  I stood by the sink sipping my morning tea watching the rain wash down the kitchen window.  Damn, I noticed that an eye had fallen off one of my bunny slippers.  I decided to wear the blue pencil skirt with a white blouse to work and to tie my hair up as best I could.  The journey was short and uneventful, no desperate people throwing themselves in

Ma’am. It should’ve made her feel old and possibly respected, but instead made her flash on a vision of herself in librarian glasses and a pencil skirt, with her hair in a bun and a ruler in her hand.

Do you sleep in your suits, too?" He dragged his gaze from the sweater she held up to her and completed a slow perusal starting at her totally reasonable three-and-a-half-inch metallic silver heels, up her bare calves, across the fitted pear-green pencil skirt, over her winter-white cashmere sweater and stopping briefly on her lips before reaching her eyes. She'd been stark naked, pressed up against a sixteenth-floor window, having one of the best orgasms of her life from a lover-s tongue and hadn't been as turned on as she was at that moment. Fire licked its way across her skin, flicking at all of her sensitive spots until her entire body vibrated. "Do I sleep in my suits? Do you really want to know?" he asked, his voice low with just enough dominating arrogance in it to make her shiver.

I won’t give you her address, but I can tell you where she works.” She worked? I would’ve fallen flat on my ass if I wasn’t seated. “Hit me with it.” “Misfits and Shadows.” “Please tell me it’s not a sex dungeon,” I grumbled, already typing out the name on my laptop. Thorne roared out a laugh. “Who knew you could crack a joke, Lockwood? No. It’s a tattoo shop.” “Will she be working today?” “I’m her father, not her secretary.” “Thanks for the clarification. The pencil skirt threw me off.

I pop open a bottle of champagne and pour it into a flute. Then I remove the clear vial out of my pocket and dump all the contents into the drink. Taking a knife, I stir it around and then wipe it off on my already wet jeans. Picking it up, I hold it out for the blonde to take. She looks at me wide-eyed. They drop to the flute, and she swallows nervously, running her hands down her tight black pencil skirt. “Problem?” I ask. “No.” She shakes her head. “Uh, no, sir.

4 Danger Walks Among Us Mostly because of Sir Kipling’s scathing comments about frumpy old maids, Lily caved and wore a black cocktail dress instead of her normal pencil skirt suit. After all, she reasoned, she needed to blend in with the guests, and it was a black tie event. This little black dress was the kind every girl had languishing in the back of her closet, never worn yet prized for its potential.

Elle held her breath as Darcy frowned thoughtfully. “Okay, got it. May I ask a question?” “Absolutely.” Elle gestured for Darcy to go on. “There’s no such thing as a stupid question. There’s a definite learning curve to this.” Darcy nodded. “All right. If your Jupiter is . . . in Virgo?” Elle nodded. “Where’s your Uranus?” “My Uranus is in Capri—” Elle froze. “Wow.” Darcy’s dimples deepened as she smiled impishly. “Sorry, it was just right there. You probably get that a lot.” “From frat boys and five-year-olds, not . . .” She trailed off, gesturing up and down in Darcy’s general direction with her free hand. “People like you.” “People like me?” Darcy’s brows rose and fell. “Like me how?” People who drank fifty-six-dollar glasses of wine and wore tight little pencil skirts and Christian Louboutin heels and worked as actuaries. Insufferable know-it-alls with cunning sensibilities and kissable little moon-shaped freckles. People with eyes like burnt caramel and full lips that looked candy-apple sweet. People who . . . who . . . Elle waved the notebooks in the air. “I don’t know. Which is why I’m here. I figured, we’d drink a little wine, play twenty questions, jot down our notes, and get to know each other a little. Make this charade a little more believable, if not truthful. Or close enough to assuage my conscience.” Darcy did that thing where she stared, brown eyes studying Elle from across the living room. It was only a look and yet it made Elle feel weirdly naked. “If you think it’s silly, we can—” “No.” Darcy shook her head and stepped closer, nudging the remaining bag with a stocking-covered toe. Stockings. Fuck. Elle sunk her teeth into her bottom lip. Pantyhose were the bane of her existence—if she so much as tried to put on a pair, she’d immediately get a run—but on Darcy . . . Elle tore her eyes away and feigned interest in ripping open the cardboard pen packaging. Darcy went on, “It’s not silly. No doubt Brendon will dig for details. It’s important for us to be on the same page. Good idea.

Elle shifted the bags from her left arm to the right and tried—subsequently failing—to smother her smile when Darcy opened the door, this time wearing a camel-colored pencil skirt that hugged her hips, and a polka-dotted pussy-bow blouse in off-white that Darcy would probably dub something fancy like eggshell or mascarpone. On anyone else it would’ve been very blah, but the fall of Darcy’s copper hair over one shoulder and her curves made it less boring and more librarian chic. Never before had Elle met someone so pretty that it pissed her off.

Alex." I murmured as if stuck in a dream. "Alex." I said again. "Is... is that a pencil skirt?

It's yours if you wanted it. My greatest achievement was getting to keep you." She said honestly. "If Merridian was mine to give, I'd give it to you, Alex. All my titles, my life of luxury–hell you can even have my pencil skirts–" She didn't let me finish, she threw me straight into the water.

She is here. She is not here. She is reaching out to me with a touch deceptive as down, with hands and fingers that wave like grass around my feet, and her hair falls and falls and falls from her head like streamers of paper rain. She is a maypole woman to whose apron-string streamers I cling and around whose skirts I dance. She is a ship leaving the harbour, tied to me by coloured paper streamers that break and fall into a swirling wake. The wake is a thin black pencil-line that deepens and widens and fills with a greyness that reaches out with tentacles to embrace me. I leap and wake.

The insolent young trainee writing those emails had been Strait-laced. I can’t get the two images of her to merge into one in my head. The dark-haired vixen, coy and seductive on Saturday. The proper, pencil-skirted young woman meeting my gaze across the conference table.

Isn’t it stunning,” she said breathlessly. She stopped and smoothed the trim, pencil-slim skirt with proud hands.

always wrapped tightly in a perfect bun. I slide a white blazer over an emerald-green blouse and straighten out my pencil skirt.

I’m giving you the opportunity to be involved in a very high-quality private catering event. Isn’t that something you’re supposed to be training for?’ Nathan hissed. ‘I don’t care what Maude may or may not feel. This is business.’ The door was opened by an attractive middle-aged woman wearing a crisp grey pencil skirt, forest-green blouse and black stilettos, standing in the doorway. ‘Ah, Mr DaCosta? The catering? Perfect timing.’ Lila suddenly felt dowdy in her catering whites. ‘And your colleague? Welcome. I’m Sarah, the housekeeper; I’ll show you where to set up.’ They followed Sarah into the house, her high heels clicking on a perfect white marble floor. Lila wondered if she ever lost her balance on such a slippery surface, especially in those heels. A housekeeper wearing what looked suspiciously like Louboutins wasn’t quite what Lila had expected. She was cross with Nathan and wished she’d never come, even though the extra money was useful. Still, she thought to herself, she was here now, and Nathan was her boss. So she was stuck here. ‘Just checking it’s a party of twenty?’ Nathan asked her as they traversed the long hall, hung with old-fashioned oil portraits intermixed with modern paintings. Just that wall of art would probably pay for my flat, Lila thought, admiring

I was already hard just thinking about seeing her in a place full of naked women. She would be fully clothed and only I knew what those button-up blouses and black pencil skirts hid underneath. Fuck, I had to stop thinking of Christina or that secretary would think this tent in my pants was for her.

pencil skirt she was wearing.

Those black pencil skirts shore wore may be professional, but they were fucking sexy, too.

Gina was pretty in a sexy librarian sort of way. She wore oversized sweaters and tight pencil skirts, her hair was usually pulled back into a loose ponytail or bun. She was the kind of woman who could get away with a look like that and somehow still appear corporate and professional.

She folded her arms and fixed Celia with a stern look. Celia was the only person who ever got her stern look. ‘I’m older than you by three years, so stop trying to pull rank on me.’ ‘Just warning you off the big bad wolf.’ ‘Well, there’s no need,’ Neve started to say as she glanced over to the bar again to get a third look at Skirt’s infamous Editor-at-Large, who now had an arm looped round each of the blonde girls’ shoulders. ‘I’ve never seen a genuine cad in the flesh before. He should have a pencil moustache really, shouldn’t he?’ Celia looked at her sister with fond exasperation. ‘He’s not a cad like they have in those mouldy old books of yours, Neevy,’ she said witheringly. ‘He’s a twenty-first-century manwhore, bless him.’ ‘Yeah, he’s a tart with a heart of gold,’ Yuri added.

Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.

suit with a fitted jacket and pencil skirt. It

Getting a six-foot dead man into his SUV wasn't easy for a small woman in stilettos and a pencil skirt. He flopped like a dead fish and seemed to have more limbs than an octopus.

I don’t want to be a secretary.” She thought of Patricia in her pencil skirts and tight sweaters typing for men at the bank, seething with thwarted ambition.

Do you need to answer that?” “I already know what they want.” “They?” “Bill collectors.” “As in, looking for payment?” “No. They’re calling to find out if white pumps and pencil skirts are in for the spring.

How much longer can I get away with being so fucking cute? Not much longer. The shoes with bows, the cunning underwear with slogans on the crotch — Knock Here, and so forth — will have to go, along with the cat suit. After a while you forget what you really look like. You think your mouth is the size it was. You pretend not to care. When I was young I went with my hair hiding one eye, thinking myself daring; off to the movies in my jaunty pencil skirt and elastic cinch-belt, chewed gum, left lipstick imprints the shape of grateful, rubbery sighs on the cigarettes of men I hardly knew and didn’t want to. Men were a skill, you had to have good hands, breathe into their nostrils, as for horses. It was something I did well, like playing the flute, although I don’t. In the forests of grey stems there are standing pools, tarn-coloured, choked with brown leaves. Through them you can see an arm, a shoulder, when the light is right, with the sky clouded. The train goes past silos, through meadows, the winter wheat on the fields like scanty fur. I still get letters, although not many. A man writes me, requesting true-life stories about bad sex. He’s doing an anthology. He got my name off an old calendar, the photo that’s mostly bum and daisies, back when my skin had the golden slick of fresh-spread margarine. Not rape, he says, but disappointment, more like a defeat of expectations. Dear Sir, I reply, I never had any. Bad sex, that is. It was never the sex, it was the other things, the absence of flowers, the death threats, the eating habits at breakfast. I notice I’m using the past tense. Though the vaporous cloud of chemicals that enveloped you like a glowing eggshell, an incense, doesn’t disappear: it just gets larger and takes in more. You grow out of sex like a shrunk dress into your common senses, those you share with whatever’s listening. The way the sun moves through the hours becomes important, the smeared raindrops on the window, buds on the roadside weeds, the sheen of spilled oil on a raw ditch filling with muddy water. Don’t get me wrong: with the lights out I’d still take on anyone, if I had the energy to spare. But after a while these flesh arpeggios get boring, like Bach over and over; too much of one kind of glory. When I was all body I was lazy. I had an easy life, and was not grateful. Now there are more of me. Don’t confuse me with my hen-leg elbows: what you get is no longer what you see.

Ms. Whitlock stands in front of her desk in her patented white button-down shirt, gray pencil skirt and dark-rimmed glasses.

These are the 57 PIECES FOR THE INITIAL BASIC WARDROBE IN TRANS-SEASONAL FABRIC (best if KNITTED with stretch) See the List below in linear order with Cycles. The 27 for Cycle 2 are starred [*] with details listed for each. Later you can add 2 more seasons to this INITIAL WARDROBE FOR YOUR WORK & FULL LIFESTYLE. 6 - (3 SETS) UNDER SHAPERS of stretch to hold the body tight. (Cycle 1) *2 - JACKET LONG AND LEAN, 2 for each season, plus Holiday and Resort. (Cycle 1 & 2) *2 - TROUSERS (easy fit) flattering on your shape either:fitted, flared or straight. 2 for each season plus Holiday and Resort (Cycles 1 & 2) *1 - PENCIL SKIRT or a fitted, flared, or stitched-down-pleats, flattering Silhouette. (Cycle 1 & 2) *1 - JEAN, dark navy denim or black knit, both with stretch. (Cycle 1 & 2) 7 - TANKS, for the bottom necessary layer (Cycle 1) *3 - TOPS/BLOUSES/SHIRTS (Cycle 1 & 2) *1 - DAY-DRESS (Cycle 1 & 2) 1 – L.B.D. (Cycle 1, then as needed) 1 - EVENING BLACK JERSEY GOWN (Cycle 1, then as needed) 2 - RAINCOAT WITH ZIP OUT LINING AND AN UMBRELLA THAT IS FOLDABLE (Cycle 1 = 2) then, a WINTER COAT (Cycle 2 = 1, other Cycles select a jacket/sweater coat/art piece coat)

She is about to close the book and return it to the desk when she catches sight of a face passing on the flickering pages. She leafs her way back until she finds it again- not an entire face, but a section; an eye, the sweep of a cheekbone, the curved line of a neck observed from side-on; all illustrated as if seen in the reflection of a small, oval mirror. A car-wing mirror. She peers at the page more closely, breath held in her chest as the moment returns to her: sitting in Charles's new car, Jack scrunched in the back and Lillian in the front, a peacock barring their path. It is exactly how he would have seen her reflected back at him in the wing-mirror. As with the other drawings, the accuracy is remarkable. She is amazed at his ability to recall the smallest details. There is the pearl stud at her earlobe and the almost indiscernible beauty spot above her lip. Yet the more closely she studies the sketch, the more she is discomforted. It isn't just the precision of the pencil lines conjuring her on the paper- butt more the expression he has captured- a certain wistfulness she hadn't known she wore so plainly. The portrait feels so intimate; almost as if he had laid her bare on the page. She continues to leaf through the sketches and finds a second portrait. This time she is seated in the drawing room, her face turned to the window, the skirt of her dress falling in a fan to to the floor. A third reveals her standing on the terrace, leaning against the balustrade, a long evening dress sweeping about her legs. The night of the party. The next page shows just her arm, identifiable by a favorite diamond bracelet dangling at the wrist. The last is of her head and shoulders, viewed from behind, the curves of her neck rising up to a twisted knot of hair. Looking at the images she isn't sure how she feels; flattered to be seen, to be deemed worthy of his time and attention, though at the same time a little uncomfortable at the intimacy of his gaze and at the thought of having been so scrutinized when she hadn't even known he was watching her.

I did," Ace says. "I think Ms. Manning will be pleased to know that her daughter suffered before she died.” Corina steps out from behind him. My expression goes slack with shock. She's cleaned her face, removed all evidence of her earlier crocodile tears—if what my memory is telling me is true. She's redressed in a black pencil skirt and heels that flash red on the bottoms as she makes her way towards me. Her makeup is perfectly applied once more—black eyeliner and red lipstick to match the rest of her. Her hair has been pulled back into a high ponytail, and I suddenly have the urge to do to her what I did to Kate. No. I have the urge to do far worse than simply make her piss herself as I chop off her hair. I’d rather take a blade to her motherfucking throat and let her drown in her own blood.