Pen Nib Quotes

Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself.

I kissed her," he explained, aggrieved. "Mmm, yes, I had the dubious pleasure of witnessing that, ah-hem, overly public occurrence." Lyall sharpened his pen nib, using a small copper blade that ejected from the end of his glassicals. "Well! Why hasn't she done anything about it?" the Alpha wanted to know. "You mean like whack you upside the noggin with that deadly parasol of hers? I would be cautious in that area if I were you.

I prefer the pen. There is something elemental about the glide and flow of nib and ink on paper.

Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt. But butterfly wings break when touched. Red knows her own weaknesses as well as anyone. She presses too hard, breaks what she would embrace, tears what she would touch to her teeth.

Temptation was the color white. It was black ink, quivering at the point of a pen's nib.

How did society ever function without you, little Sharpies? Your nibs have the precise amount of give to create a line quality with character, yet not so much character as to be smushy. Thank you, little pens.

Writers, in essence, are professional word tamers; if the words walking down the lines were living creatures, they would surely fear and hate the pen’s nib as tamed animals do the raised whip.

... your writer of intensities must have very black ink, and a very big pen, with a very blunt nib.

She comes when classes are to start, She gathers up last midnight’s clutter – burnt cigarettes, a rusted pen nib

Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt.

But the point is, when the writer turns to address the reader, he or she must not only speak to me—naively dazzled and wholly enchanted by the complexities of the trickery, and thus all but incapable of any criticism, so that, indeed, he can claim, if he likes, priestly contact with the greater powers that, hurled at him by the muse, travel the parsecs from the Universe’s furthest shoals, cleaving stars on the way, to shatter the specific moment and sizzle his brains in their pan, rattle his teeth in their sockets, make his muscles howl against his bones, and to galvanize his pen so the ink bubbles and blisters on the nib (nor would I hear her claim to such as other than a metaphor for the most profound truths of skill, craft, or mathematical and historical conjuration)—but she or he must also speak to my student, for whom it was an okay story, with just so much description.

Chronicler wiped the nib of his pen clean, “It’s not really my place to comment on the story,” he said placidly. “If you say you saw a dragon…” He shrugged. Kvothe gave him a profoundly disappointed look. “This from the author of The Mating Habits of the Common Draccus? This from Devan Lochees, the great debunker?” “This from Devan Lochees who agreed not to interrupt or change a single word of the story he is recording.” Chronicler lay his pen down and massaged his hand. “Because those were the only conditions under which he could get access to a story he very much desired.

Her pen had a heart inside , and the nib was a wound in Vein .

your pen sticks upright by the nib in the carpet. If there were a cat to swing or a wife to murder now would be the time. So

Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself.

He ran his finger over the wood. His nails would not do. A knife would have been ideal, but he’d never carried one. At last, he pulled a fountain pen from his pocket and pressed the tip into the knob. The wood gave purchase. He scratched hard several times to make the cross visible – his fingers ached, and the nib was irreversibly ruined – but at last he left his mark.

After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind.

Many an otherwise dull book which I had to read have I enjoyed in this way, with a fine-nibbed pen in my hand: one is making something all the time and a book so read acquires the charm of a toy without losing that of a book.

I think of the note I found, of the press of his nibbed pen hard enough to send flecks of ink spattering as he wrote my name. Hard enough to dig through the page, maybe to scar the desk beneath. If that's what he did to the paper, I shudder to think what he wants to do to me.

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labour camp. Winston fitted a nib into the penholder and sucked it to get the grease off. The pen was an archaic instrument, seldom used even for signatures, and he had procured one, furtively and with some difficulty, simply because of a feeling that the beautiful creamy paper deserved to be written on with

He went to the board to write lots of Greek symbols and calculus equations. The course had started with cute little things like how people choose between tea and biscuits. It had moved on to scary equations that would dominate exams. The class took mad notes. Kanyashree wrote so hard I could feel the seismic vibrations from her pen's nib.

He was the most astonishing contradiction of components I’d ever encountered. Shy yet fiercely communicative when putting an idea into your head. Vocally astringent regarding his own abilities but not to the point that he couldn’t produce—he was as prolific an artist (yes, an artist, and I never use the term, especially regarding people I like) I’ve ever seen. But I could feel it. Everything he sketched, penciled, inked, made—was a payment, one he could scarcely afford; as if it physically hurt him to put pencil to paper. Yet that only seemed to spur him on, to live far beyond his means. He was unable not to. For Sketch, to draw was to breath, and so the air became lead—silvery in the right light, dark soot in the wrong; heavy, slick and malleable—into shapes he brought together in glorious orchestration, with a child’s eye and a rocket scientist’s precision, all fortified by a furious melancholy, a quiet engine of sourceless shame and humility. When it came to another’s work, he longed to praise it but then couldn’t resist critiquing it all within an inch of its life, analyzing deficiencies with uncontrollable abandon and laser accuracy. He was sharp as his Radio 914 pen nibs, and as pointed. And then he’d apologize. Oh, he would apologize: Oh my GOD, forgive me, please don’t hate me, I’m SORRY, don’t listen to me, why am I saying things, what do I know, I don’t know anything, why do you listen to me you should just tell me to shut UP, I’m awful, forgive me, you hate me, don’t you? Tell the truth. Please don’t hate me. Please don’t. Please.

We do not lack devices for measuring these miserable days of ours, in which it should be our pleasure that they be not frittered away without leaving behind any memory of ourselves in the mind of men.”46 He began scribbling the same phrase over and over again, every time he needed to try a new pen nib or to fritter away a moment: “Tell me if anything was ever done . . . Tell me . . . Tell me.”47 And at one point he jotted a cry of anguish: “While I thought that I was learning how to live, I have been learning how to die.

He was one of those men who can both get money and keep it. He must have been a millionaire. He kept accounts. He introduced a post-office atmosphere into his shady dealings. Not a stamp, not a pen-nib escaped him, and he would stay up half the night to figure out what had happened to a mislaid farthing. You cannot conceive the caution and the meanness of that man! He would have made a Syrian pawn-broker appear like Diamond Jim Brady. But he had brains, and also nerve. At the same time, he was as smooth as glycerine. He looked like an octopus — he had a dirtyish pallor, no shape, evil eyes, and a beak. In shaking hands with him, you felt that six or seven other hands were investigating your pockets while a dozen eyes watched you. He was feared. He made money out of everything. But he was still unknown to the police.

AFTER DINNER, WITH A GREAT FLOURISH, my friend Andrew brought out a lovely leather box. “Open it,” he said, proudly, “and tell me what you think.” I opened the box. Inside was a gleaming stainless-steel set of old mechanical drawing instruments: dividers, compasses, extension arms for the compasses, an assortment of points, lead holders, and pens that could be fitted onto the dividers and compasses. All that was missing was the T square, the triangles, and the table. And the ink, the black India ink. “Lovely,” I said. “Those were the good old days, when we drew by hand, not by computer.” Our eyes misted as we fondled the metal pieces. “But you know,” I went on, “I hated it. My tools always slipped, the point moved before I could finish the circle, and the India ink—ugh, the India ink—it always blotted before I could finish a diagram. Ruined it! I used to curse and scream at it. I once spilled the whole bottle all over the drawing, my books, and the table. India ink doesn’t wash off. I hated it. Hated it!” “Yeah,” said Andrew, laughing, “you’re right. I forgot how much I hated it. Worst of all was too much ink on the nibs! But the instruments are nice, aren’t they?” “Very nice,” I said, “as long as we don’t have to use them.

I maybe many things to many people; but for me I am a writer; always have been and always will be. I may not contribute to great literatures, but my contribution to writing would be always there; etched in the minds of the people whose lives I have touched with words. Only a writer can understand what it means to a writer to not be able to be one. To have the nib of pen broken ... like a death sentence .. Or a life imprisonment in one's own mind without an outlet to thoughts. I would give up things I love the most if that's the choice I am given to be able to be what I really want to be - A writer. (C) Arti Honrao

Then there are the scores of notebooks, their contents calling — confession, revelation, endless variations of the same paragraph — and piles of napkins scrawled with incomprehensible rants. Dried-out ink bottles, encrusted nibs, cartridges for pens long gone, mechanical pencils emptied of lead. Writer's debris.

It is a glorious thing, to be able to write with pen on paper instead of nail or hook into oak, to feel one's words flowing so smoothly from instrument to surface, without the barriers of friction or poor leverage, and yet its own subtle tactile pleasures as the nib scratches tiny channels into the sheet. And here, unlike in his cabin, here he feels no division between his mind and his hand, no errors in translation or static in the transmission: the words appearing on the page are the ones he has intended to put there, the images match the scenes in his mind, the sensations the very ones that warm his chest, prickle his scalp, push against his eyes.

He sat down and picked up a pen. He looked at the photograph of him and his brother just after they’d joined up, and words that had so long evaded his mouth now gathered at the nib of his pen, and he wrote down everything he felt and everything he could see. He wrote to Peace once a week between their courting, and what he couldn’t get down on paper that first week he continued into the second week, then the third. He wrote sitting on a harbour bench, he wrote at the tiller of his boat. Peace got to know her fisherman through his letters. And when they met up she made him read them out loud, so that the words that had gathered at the nib of his pen found their rightful place upon his tongue. 47

To enjoy a book like [Froissart’s Chronicles] thoroughly I find I have to treat it as a sort of hobby and set about it seriously. I begin by making a map on one of the end leafs: then I put in a genealogical tree or two. Then I put a running headline at the top of each page: finally I index at the end all the passages I have for any reason underlined. I often wonder — considering how people enjoy themselves developing photos or making scrapbooks — why so few people make a hobby of their reading in this way. Many an otherwise dull book which I had to read have I enjoyed in this way, with a fine-nibbed pen in my hand: one is making something all the time and a book so read acquires the charm of a toy without losing that of a book.

I have spent a vexing half-hour scrapping with Fräulein Engel over the pen nib, which I swear I did not bend on purpose the first time. It is true that it spared me having to continue for a good long while but it did not move things along for that harpy to straighten it out against my teeth when I could have easily done it myself against the table. It is also true that it was stupid of me to bend it out of shape again, on purpose, the second she handed it back to me. Then she had to show me SEVERAL TIMES how, when she was at school, the nurse would use a pen nib to make a pinprick for a blood test. I don’t know why I bent the stupid thing again. It is so easy to wind Miss Engel up. She always wins; but only because my ankles are tied to my chair. Well, and also because at the end of every argument she reminds me of the deal I made with a certain officer of the Gestapo, and I collapse.

Do you remember the mangoes?" she asked. She thought she was whispering but the scratching of the pen nib stopped. "You must remember them." She could hear him push the chair away from his desk, slowly stand and then lean against the wall. The floorboards creaked. "The mangoes?" she asked again. She could hear him breathing. He cleared his throat and then, quietly, said, "They were sweet, were they not?" "It was a sweetness more intense than anything I have ever known." And then the room fell quiet. The two sat listening to the familiar sound of each other's breath. Without words, there was comfort: a sonata, tone poem of silence and knowing. After a time, Escoffier said, "The Hindus believe that mangoes are a true sign that perfection is attainable." She thought of the mangoes with their smooth marbled skin, the carmine and field grass green of them, and then the flesh itself, that vivid orange, and then, each bite, the juice sliding down her arm.

Once a renowned skirt-chaser, now an exceptionally devoted husband, St. Vincent knew as much about these matters as any man alive. When Cam had asked glumly if a decrease in physical urges was something that naturally occurred as a man approached his thirties, St. Vincent had choked on his drink. “Good God, no,” the viscount had said, coughing slightly as a swallow of brandy seared his throat. They had been in the manager’s office of the club, going over account books in the early hours of the morning. St. Vincent was a handsome man with wheat-colored hair and pale blue eyes. Some claimed he had the most perfect form and features of any man alive. The looks of a saint, the soul of a scoundrel. “If I may ask, what kind of women have you been taking to bed?” “What do you mean, what kind?” Cam had asked warily. “Beautiful or plain?” “Beautiful, I suppose.” “Well, there’s your problem,” St. Vincent said in a matter-of-fact tone. “Plain women are far more enjoyable. There’s no better aphrodisiac than gratitude.” “Yet you married a beautiful woman.” A slow smile had curved St. Vincent’s lips. “Wives are a different case altogether. They require a great deal of effort, but the rewards are substantial. I highly recommend wives. Especially one’s own.” Cam had stared at his employer with annoyance, reflecting that serious conversation with St. Vincent was often hampered by the viscount’s fondness for turning it into an exercise of wit. “If I understand you, my lord,” he said curtly, “your recommendation for a lack of desire is to start seducing unattractive women?” Picking up a silver pen holder, St. Vincent deftly fitted a nib into the end and made a project of dipping it precisely into an ink bottle. “Rohan, I’m doing my best to understand your problem. However, a lack of desire is something I’ve never experienced. I’d have to be on my deathbed before I stopped wanting—no, never mind, I was on my deathbed in the not-too-distant past, and even then I had the devil’s own itch for my wife.” “Congratulations,” Cam muttered, abandoning any hope of prying an earnest answer out of the man. “Let’s attend to the account books. There are more important matters to discuss than sexual habits.” St. Vincent scratched out a figure and set the pen back on its stand. “No, I insist on discussing sexual habits. It’s so much more entertaining than work.

I have a fine desk but I prefer to work from my bed, as if I’m a convalescent in a Robert Louis Stevenson poem. An optimistic zombie propped by pillows, producing pages of somnambulistic ­fruit—not quite ripe or overripe. Occasionally I write directly into my small laptop, sheepishly glancing over to the shelf where my typewriter with its antiquated ribbon sits next to an obsolete Brother word processor. A nagging allegiance prevents me from scrapping either of them. Then there are the scores of notebooks, their contents ­calling—confession, revelation, endless variations of the same ­paragraph—and piles of napkins scrawled with incomprehensible rants. Dried-out ink bottles, encrusted nibs, cartridges for pens long gone, mechanical pencils emptied of lead. Writer’s debris.

There’s no efficient way to kill yourself with a dressmaker’s pin (I wouldn’t call contracting gangrene an efficient way to kill yourself) – I puzzled over it for a long time, seeing as they’d left the pins there, but it’s just not possible. Useful for picking locks though. I so loved the burglary lessons we got when we were training. Didn’t so much enjoy the bleak aftermath of my unsuccessful attempt to put them to use – very good at picking locks but not so good at getting out of the building. Our prison cells are only hotel bedrooms, but we are guarded like royalty. And also, there are dogs. After that episode with the pins, they had a good go at making sure I wouldn’t be able to walk if I did manage to get out – don’t know where you pick up the skills for disabling a person without actually breaking her legs, Nazi School of Assault and Battery? Like everything else it wasn’t permanent damage, nothing left this week but the bruises, and they check me carefully now for stray bits of metal. I got caught yesterday trying to hide a pen nib in my hair (I didn’t have a plan for it, but you never know). Oh – often I forget I am not writing this for myself, and then it’s too late to scratch it out. The evil Engel always snatches everything away from me and raises an alarm if she sees me trying to retract anything. Yesterday I tried ripping off the bottom of the page and eating it, but she got to it first. (It was when I realised I had thoughtlessly mentioned the factory at Swinley. It is refreshing sometimes to fight with her. She has the advantage of freedom, but I am a lot more imaginative. Also I am willing to use my teeth which she is squeamish about.) Where was I? Hauptsturmführer von Linden has taken away everything I wrote yesterday. It is your own fault, you cold and soulless Jerry bastard, if I repeat myself.

To Jacob, bleeding into the ground, in the midst of an endless war, that goal seemed more distant than ever, hopeless, even impossible. And still, had he been able, he would have fought on, died not just once but a thousand times, not for the country as it was, but for the noble, sacred objective upon which it had been founded—liberty and justice for all. Whatever the cost, the Union must hold together. So much hung in the balance, so very much. Not only the hope and valor of those who had gone before, but the freedom, perhaps the very existence, of those yet to be born. In solidarity, the United States could be a force for good in a hungry, desperate world. Torn asunder, it would be ineffectual, two bickering factions, bound to divide into still smaller and weaker fragments over time, too busy posturing and rattling sabers to meet the demands of a fragile future or to stand in the way of new tyrannies, certain to arise. We hold these truths to be self-evident, that all men are created equal... That belief, inspiring as it was, had chafed the consciences of thinking people since it flowed from the nib of Thomas Jefferson’s pen, as well it should have.

But everything else appealed too, all the paraphernalia that went with making marks on paper: fresh exercise books full of lined pages just waiting to be filled, botany books with one page lined and one page blank, project books with blank pages throughout, sketchbooks for drawing, rulers, paste, scissors, fountain pens, nibs, ink, lead pencils, erasers. They were best when new, of course, when everything lay ahead of them, and before any mistakes and erasures had occurred. Which is no doubt why I loved them, because they were promise made manifest.

My Lord, It was very kind of you to send the lovely gift which is very useful now that the weather has turned. I am pleased to relate that the cashmere absorbed an application of black dye quite evenly so that it is now appropriate for mourning. Thank you for your thoughtfulness. Lady Trenear “You dyed it?” Devon asked aloud, setting the note on his desk with mixture of amusement and irritation. Reaching for a silver penholder, he inserted a fresh nib and pulled a sheet of writing paper from a nearby stack. That morning he had already written a half-dozen missives to lawyers, his banker, and contractors, and had hired an outside agent to analyze the estate’s finances. He grimaced at the sight of his ink-stained fingers. The lemon-and-salt paste his valet had given him wouldn’t entirely remove the smudges. He was tired of writing, and even more so of numbers, and Kathleen’s letter was a welcome distraction. The challenge could not go unanswered. Staring down at the letter with a faint smile, Deon pondered the best way to annoy her. Dipping the pen nib into the inkwell, he wrote, Madam, I am delighted to learn that you find the shawl useful in these cooler days of autumn. On that subject, I am writing to inform you of my recent decision to donate all the black curtains that currently shroud the windows at Eversby Priory to a London charitable organization. Although you will regrettably no longer have use of the cloth, it will be made into winter coats for the poor, which I am sure you will agree is a far nobler purpose. I am confident in your ability to find other ways of making the atmosphere at Eversby Priory appropriately grim and cheerless. If I do not receive the curtains promptly, I will take it to mean that you are eager for my assistance, in which case I will be delighted to oblige you by coming to Hampshire at once. Trenear Kathleen’s reply was delivered a week later, along with massive crates containing the black curtains.

To some people mishaps never come singly. Shells vanished from the desk of Commander Richardson, but in their place arrived two Free Balloon Barrage detonators. Richardson soon forgot his unnerving experience, and a month later he was again speaking on the phone — this time to Captain Long at the Ordnance Board when he prodded one of the detonators with his pen-nib. There was a deafening explosion, and as Richardson staggered into the outer room clutching a wounded hand the phlegmatic Swan picked up the receiver. “Would you mind calling back a little later, sir?” he said. “Commander Richardson has just shot himself, but I don’t think it’s anything more serious than usual.

Her pen had a heart inside, and the nib was a wound in a vein.

Eldrith Jhondar, seated at a lapis-inlaid table beneath a hanging on one white-plastered wall, was making careful notes from a tattered manuscript; sometimes she absently cleaned the nib of her pen on the sleeve of her dark wool dress. Marillin

There was little conversation between them, just an oddly companionable silence. “What time is it?” Daisy would ask every now and then, and he would produce a pocket watch. Mildly intrigued by the jangle of objects in his coat pocket, Daisy demanded to see what was inside it. “You’ll be disappointed,” Swift said as he unearthed the collection of items. He dumped the lot into her lap while Daisy sorted through it all. “You’re worse than a ferret,” she said with a grin. There was the folding knife and the fishing line, a few loose coins, a pen nib, the pair of spectacles, a little tin of soap— Bowman’s, of course— and a slip of folded waxed paper containing willowbark powder. Holding the paper between thumb and forefinger, Daisy asked, “Do you have headaches, Mr. Swift?” “No. But your father does whenever he gets bad news. And I’m usually the one who delivers it.” Daisy laughed and picked up a tiny silver match case from the pile in her lap. “Why matches? I thought you didn’t smoke.” “One never knows when a fire will be needed.” Daisy held up a paper of straight pins and raised her brows questioningly. “I use them to attach documents,” he explained. “But they’ve been useful on other occasions.” She let a teasing note enter her voice. “Is there any emergency for which you are not prepared, Mr. Swift?” “Miss Bowman, if I had enough pockets I could save the world.

I write into an old book that smells of dust and whose pages are floppy with damp. Sometimes the ink splodges onto the paper, other times it will barely leave the nib of my pen.

Autobiography, we know, is flawed from the moment the nib of the pen touches the parchment.

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labour camp. Winston fitted a nib into the penholder and sucked it to get the grease off. The pen was an archaic instrument, seldom used even for signatures, and he had procured one, furtively and with some difficulty, simply because of a feeling that the beautiful creamy paper deserved to be written on with a real nib instead of being scratched with an ink-pencil. Actually he was not used to writing by hand. Apart from very short notes, it was usual to dictate everything into the speak-write which was of course impossible for his present purpose. He dipped the pen into the ink and then faltered for just a second. A tremor had gone through his bowels. To mark the paper was the decisive act. In small clumsy letters he wrote:

The thing that he was about to do was to open a diary. This was not illegal (nothing was illegal, since there were no longer any laws), but if detected it was reasonably certain that it would be punished by death, or at least by twenty-five years in a forced-labour camp. Winston fitted a nib into the penholder and sucked it to get the grease off. The pen was an archaic instrument, seldom used even for signatures, and he had procured one, furtively and with some difficulty, simply because of a feeling that the beautiful creamy paper deserved to be written on with a real nib instead of being scratched with an ink-pencil. Actually he was not used to writing by hand. Apart from very short notes, it was usual to dictate everything into the speak-write which was of course impossible for his present purpose. He dipped the pen into the ink and then faltered for just a second. A tremor had gone through his bowels. To mark the paper was the decisive act. In small clumsy letters he wrote: April 4th, 1984.

You shouldn't listen to me. I only know half as much as I pretend to." "Well, in that case, I suppose can listen to you half the time." A small smile played at the corner of her lips. "But not about arsenic." His grin stretched, beckoning hers, and— damn, there it was again, that spark, that small absorbing heat, as though their mirrored smiles were kindling. The whisky burn once again stirred him, and he knew by the answering flare in her hazel eyes, she saw it happen. He cleared his throat, absently running his hand along his newly smooth jaw. “You shaved, I see.” Her eyes followed his fingers. “Yes.” She lowered her eyes and found a fresh page in her journal. “I’m partial to it, you know.” “The poison? Or the beard?” “Ah.” She pressed her thumb to the nib of her pen. “What fun would it be if I told you?

The first thing I did as your husband was to “sit you down,” like the old folks say. You were wasting your time and your talents doing temp work. You wanted to sew, so I made it happen. No strings. That was my love letter to say, “I got this. Make your art. Rest yourself. Whatever you need to do.” But now all I have is this paper and this raggedy ink pen. It’s a ballpoint, but they take away the casing so you just have the nib and this plastic tube of ink. I’m looking at it, thinking, This is all I have to be a husband with? But here I am trying. Love, Roy

Red wrote too much too fast. Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt.

THE QUILL SWIRLED and lunged over the page in a slow but relentless three-steps-forward, two-steps-back sort of process, and finally came to a full stop in a tiny pool of its own ink. Then Louis Phélypéaux, first comte de Pontchartrain, raised the nib; let it hover for an instant, as if gathering his forces; and hurled it backwards along the sentence, tiptoeing over i’s, slashing through t’s and x’s, nearly tripping over an umlaut, building speed and confidence while veering through a slalom-course of acute and grave accents, pirouetting though cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing-master dispatch twenty opponents with a single continuous series of maneuvers. He drew his hand up with great care, lest his lace cuff drag in the ink; it inflated for a moment as it snatched a handful of air, then flopped down over his hand, covering all but the fingertips that pinched the pen, and giving them an opportunity to warm up. Twin jets of steam unfurled from Pontchartrain’s cavernous elliptical nostrils as he re-read the document.

A sidewalk café. Coffee. Beignets. A favorite book of poems, the pages edged in gilt. A serenading band. Wistful jazz. Happy jazz. Glo. Gin. A poem dancing off the nib of his pen. The sun and moon holding hands in the sky. A tickle of champagne. A stroke of reefer.

In tribunal, Mother held a funeral. Fake condolers spread, A debate they held For here I was, Behind bars, Her heart I took stealthily, And she… Fell for me, Unwillingly. Silence! the judge said to audience: Mother, defense, Reporters, radio agents, The girl's father; the wronged. Plead your case, judge says, to the father, my prosecutor, to guillotine, pushing me closer. "This boy is but a thief, Stealing a heart from my daughter. His poetry starting a war within her, Between his charm and care For her and another, Between his eloquence and fear, And how much closer she went. On love she came to reflect. And his way a choice she sent: Love not the rhyme, but me… repent. Or let poetry be enough, throw away my love. Of quitting poetry, he reported then betrayed her heart and stole it. Now without him she is With her love he lives And caused his madness her death This, your honor is the case. I now demand Justice, And the guillotine." "Silence! Defense." This boy, your honor, A poet and a sweet-talker, Both things, inevitable and meritless. He, I say, shall be sold To the unemployed, And those who of hope are void, Or to radio agents To break him apart And be, for entertainment, sold in a gallery of yearning and joining, specially or renouncement and criticism, alternately, or love unescapable. Money, it shall yield, a compensation to the girl and her lost heart that is now ancient." "Silence! The Mother." "Your honor, If him you must kill, Include me in the will. Let the pond of his blood Water the crops Let its source be my heart and his unpublished poems and the starved bellies and the nibs of birds the branch inhabitants That should be rather the middle Between his memory and the kill Rather fearless Not a hunger filled injustice" The father, "I object, It is all of him I want A compensation for my daughter and her heart" The defense, "Rather to pieces be fractioned, Between the ill, the unemployed and the runaway; Divided." A humming noise, In his honor's chest, In my rhymes, Rather… in the entire court. "Silence!", he said. He a man who is free His heart telling him to revolt The only power he's got Is but a plea to God To be by the revolution killed not And by karma hit not. What I now see fit, Is for him to be executed, by what to his nature is opposite. Deny him the pen And the flag Tell him every detail of the girl and her lost heart No way to reach her will be allowed he This is my decree Allowed not his poetry Is but death to the free To be by his words suffocated To love stealthily "All Rise!" "Case dismissed." Oh, la la la Oh, la la la

Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself.

Her pen had a heart inside, and the nib was a wound in a vein. She stained the page with herself. She sometimes forgets what she wrote, save that it was true, and the writing hurt. But butterfly wings break when touched. Red knows her own weaknesses as well as anyone. She presses too hard, breaks what she would embrace, tears what she would touch to her teeth. She dreams of a morpho butterfly with wings spread large as a world.