Pen Gift Quotes

She had an unequalled gift, usually pen in hand, of squeezing big mistakes into opportunities.

You gave me Christopher Robin, and then You breathed new life in Pooh. Whatever of each has left my pen Goes homing back to you. My book is ready, and comes to greet The mother it longs to see -- It would be my present to you, my sweet, If it weren't your gift to me.

What has God given you? Moses had a stick, David had a slingshot, and Paul had a pen. Mother Teresa possessed a love for the poor; Billy Graham, a gift for preaching; and Joni Eareckson Tada, a disability. What did they have in common? A willingness to let God use whatever they had, even when it didn't seem very useful. If you will assess what you have to offer in terms of your time, your treasure, and your talents, you will have a better understanding of how you might uniquely serve.

What was I thinking?" Chiron cried. " I can't let you get away without this." He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents. Gee," I said. "Thanks." Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one. I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...? I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands. The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos." Riptide," I translated, surprised the Ancient Greek came so easily. Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.

Your mind is a book; God is the pen.

[The Doctor] pulled the thing out of Prince Boris's mouth, waving it around. 'Oh. Blimey. This is not a spatula. What is it?' I [Amy] stared at the stubby thing. It looked like the world's chunkiest novelty gift pen... I coughed. 'That, Doctor, is the sonic screwdriver.' 'Ah,' Dr Smith boggled. 'Right. Is it? Oh dear.' Another pause. 'What does it do?' 'Well... it screws things... sonically. On a good day, we fight off monsters with it.' 'Monsters, eh?' Dr Smith nodded gravely and... pointed it at the doorway like a gun and said, hopefully, 'Pew! Pew! Pew!' He turned back to me. 'Like that?' 'Other way up,' I said gently.

Then, after all the excitement, I shall experience a certain satiation of suffering--perhaps on the mountain pass to a kind of happiness which it is too early for me to know (I know only that when I reach it, it will be with pen in hand).

This is why the Enemy wants you to think you have no song to write, no story to tell, no painting to paint. He wants to quiet you. So sing. Let the Word by which the Creator made you fill your imagination, guide your pen, lead you from note to note until a melody is strung together like a glimmering constellation in the clear sky. Love the Lord your God, and love your neighbor, too, by making worlds and works of beauty that blanket the earth like flowers. Let your homesickness keep you always from spiritual slumber. Remember that it is in the fellowship of saints, of friends and family, that your gift will grow best, and will find its best expression. And until the Kingdom comes in its fullness, bend your will to the joyful, tearful telling of its coming. Write about that. Write about that, and never stop.

The kiss, dear maid ! thy lip has left Shall never part from mine, Till happier hours restore the gift Untainted back to thine. Thy parting glance, which fondly beams, An equal love may see: The tear that from thine eyelid streams Can weep no change in me. I ask no pledge to make me blest In gazing when alone; Nor one memorial for a breast, Whose thoughts are all thine own. Nor need I write --- to tell the tale My pen were doubly weak: Oh ! what can idle words avail, Unless the heart could speak ? By day or night, in weal or woe, That heart, no longer free, Must bear the love it cannot show, And silent ache for thee.

A writer's life and work are not a gift to humankind; they are its necessity.

...my father had been born from the minds of writers. I believed the Great Creator had flown these writers on the backs of thunderbirds to the moon and told them to write me a father. Writers like Mary Shelley, who wrote my father to have a gothic understanding of the tenderness of all monsters. It was Agatha Christie who created the mystery within my father and Edgar Allan Poe who gave darkness to him in ways that lifted him to the flight of the raven. William Shakespeare wrote my father a Romeo heart at the same time Susan Fenimore Cooper composed him to have sympathy toward nature and a longing for paradise to be regained. Emily Dickinson shared her poet self so my father would know the most sacred text of mankind is in the way we do and do not rhyme, leaving John Steinbeck to gift my father a compass in his mind so he would always appreciate he was east of Eden and a little south of heaven. Not to be left out, Sophia Alice Callahan made sure there was a part of my father that would always remain a child of the forest, while Louisa May Alcott penned the loyalty and hope within his soul. It was Theodore Dreiser who was left the task of writing my father the destiny of being an American tragedy only after Shirley Jackson prepared my father for the horrors of that very thing.

Celebrate your day of birthday as special day.Make a specific birthday wishes and write it down.You will be amazed about the power of pen and inner strength to accomplish the wishes. This will be a special gift for yourself on each birthday.

Most people now are looking for a better place, which means that a lot of them will end up in a worse one. I think this is what Nathan learned from his time in the army and the war. He saw a lot of places, and he came home. I think he gave up the idea that there is a better place somewhere else. There is no “better place” than this, not in this world. And it is by the place we’ve got, and our love for it and our keeping of it, that this world is joined to Heaven. . . . “Something better! Everybody’s talking about something better. The important thing is to feel good and be proud of what you got, don’t matter if it ain’t nothing but a log pen.” Those thoughts come to me in the night, those thoughts and thoughts of becoming sick or helpless, of the nursing home, of lingering death. I gnaw again the old bones of the fear of what is to come, and grieve . . . over . . . (those) who have gone before. Finally, as a gift, as a mercy, I remember to pray, “thy will be done,” and then again I am free and can go to sleep.

Develop what you have. Project it to the world. God will put a star up there on you. Then the wise men will look for you as they looked for Christ. They are going to bring the gold, the frankinsence and the myrrh. Even if you are hiding in the sheep's pen, they will find you once the star directs them!

It is an oyster, with small shells clinging to its humped back. Sprawling and uneven, it has the irregularity of something growing. It looks rather like the house of a big family, pushing out one addition after another to hold its teeming life - here a sleeping porch for the children, and there a veranda for the play-pen; here a garage for the extra car and there a shed for the bicycles. It amuses me because it seems so much like my life at the moment, like most women's lives in the middle years of marriage. It is untidy, spread out in all directions, heavily encrusted with accumulations....

It was curious to me then, as now, the power of the performer over an audience when, in fact, the gift itself springs from the writer’s pen.

We can all take pictures but not everyone can capture the beauty that's usually hidden in plain view... We can all open our mouth to sing but not everyone can melodically touch your soul... We can all pick up a pen to write but not everyone can write words in such a way that they leap off of the page for you... We can all part our lips to speak but not everyone can speak life into you... We can all move our bodies to a beat but not everyone can become one with music, stir emotions and shift energy with dance... Point is: WE CAN all do something but Know your gifts, cultivate them and ALWAYS, ALWAYS BE YOURSELF! Then working together becomes effortless. Copies aren't accepted everywhere...ORIGINALS are eventually required!

The gift list is thinking upon His goodness – and this, this pleases Him most! And most profits my own soul and I am beginning, only beginning, to know it. If clinging to His goodness is the highest form of prayer, then this seeing His goodness with a pen, with a shutter, with a word of thanks, these really are the most sacred acts conceivable. The ones anyone can conceive, anywhere, in the midst of anything. Eucharisteo takes us into His love. Ann Voskamp, one thousand gifts, page 61

Inspiration comes unawares, from unaccountable sources that have nothing to do with planning or intelligence. Let it cool ever so slightly, and you are left, pen or brush in hand, with no inspiration at all. Gifted people need not, therefore, make a song and dance about being or supposing themselves superior. They simply happened to be born with that fortunate, subconscious equipment of theirs, and the mystery exists independently of intelligence or ambition.

I finally understood that I didn’t lack pen and paper but my own memorizing mind. It had been given away with a hundred poems, called rote learning, old-fashioned, backward, an enemy of creative thinking, a great human gift disowned.

Maman had been a gifted writer. Pari has read every word Maman had written in French and every poem she had translated from Farsi as well. The power and beauty of her writing was undeniable. But if the account Maman had given of her life in the interview was a lie, then where did the images of her work come from? Where was the wellspring for words that were honest and lovely and brutal and sad? Was she merely a gifted trickster? A magician, with a pen for a wand, able to move an audience by conjuring emotions she had never known herself? Was that even possible? Pari does not know—she does not know. And that, perhaps, may have been Maman’s true intent, to shift the ground beneath Pari’s feet. To intentionally unsteady and upend her, to turn her into a stranger to herself, to heave the weight of doubt on her mind, on all Pari thought she knew of her life, to make her feel as lost as if she were wandering through a desert at night, surrounded by darkness and the unknown, the truth elusive, like a single tiny glint of light in the distance flickering on and off, forever moving, receding.

They that go down to the sea in ships' see strange things, but what they tell is oft-times stranger still. A faculty for romancing is imparted by a seafaring life as readily and surely as a rolling gait and a weather-beaten countenance. A fine imagination is one of the gifts of the ocean-witness the surprising and unlimited power of expression and epithet possessed by the sailor. And a fine imagination will frequently manifest itself in other ways besides swear words. ("The Gorgon's Head")

Life teaches you tough lessons. Learn to find the good in all of it. You may not like to experience the ugly side of people, but in the end, it allows you to see and appreciate the beautiful souls you encounter. I've learned more about friendship and sisterhood from people who claimed to be both and have shown neither. I've learned more about respect and support from those who I expected to show both but expressed none. I've learned more about compassion, forgiveness, understanding, and acceptance from people who one might argue didn't deserve these gifts of the heart. The negative in others can actually amplify the positive in you. So, let folks be who they are. Good or bad, you grow from each encounter. Have an amazing day, beautiful people.

The problem with adulthood was feeling like everything came with a timer—a dinner date with Sam was at most two hours, with other friends, probably not even as long. There was maybe waiting for a table, there was a night at a bar, there was a party that went late, but even that was just a few hours of actual time spent. Most of Alice’s friendships now felt like they were virtual, like the pen pals of her youth. It was so easy to go years without seeing someone in person, to keep up to date just through the pictures they posted of their dog or their baby or their lunch. There was never this—a day spent floating from one thing to another. This was how Alice imagined marriage, and family—always having someone to float through the day with, someone with whom it didn’t take three emails and six texts and a last-minute reservation change to see one another. Everyone had it when they were kids, but only the truly gifted held on to it in adulthood. People with siblings usually had a leg up, but not always.

My deepest gratitude goes to those we’ve quoted — men and women who labored long and hard to express in a few words a lifetime of experience; others who rarely wrote but paused in the middle of a busy life or a sleepless night with pen in hand, who wept and found a way to make of their suffering a gift, who laughed and found a way to make us laugh, too.

It is with a heavy heart that I take up my pen to write these the last words in which I shall ever record the singular gifts by which my friend Mr. Sherlock Holmes was distinguished. In

We ambled on to the gift store where I found a t-shirt that tickled my fancy. I also fell in love with a pen holder that looked like a family of spotted Nessies. I asked the clerk to first wrap the pen holder in some tissue paper and then in the t-shirt. My heart would be broken if it didn’t survive the trip back home. There were some things a woman cannot live without.

The greatest of my gifts being a consummate capacity for doing nothing, I cannot even point to boredom as a rational stimulus for taking up a pen. The pen, at any rate, was there, and there is nothing wonderful in that.

This pen: this is nothing less than the driving of nails. Nails driving out my habits of discontent and driving in my habit of eucharisteo. I’m hammering in nails to pound out nails, ugly nails that Satan has pierced through the world, my heart. It starts to unfold, light in the dark, a door opening up, how all these years it’s been utterly pointless to try to wrench out the spikes of discontent. Because that habit of discontentment can only be driven out by hammering in one iron sharper. The sleek pin of gratitude. I

THE SCRIBE Under the wings Of the feathered Goddess And in the middle Of the three dancing women, The scribe comes alive To reveal mysteries hidden Through divine gifts given The scribe is driven On his mission To wake up All the universe's Men, women and Heavenly children. Under the seven rays of Aten, And from the age of just ten, The scribe comes alive With the ink Of his luminous pen. Below the spectacle of the moon, And in the smile of the sun, The scribe is here to show us How we are all one. THE SCRIBE by Suzy Kassem

She lives inside the book. She loves English literature to the point that her bedroom looks like it came out of Jane Austen’s Pride and Prejudice. She is in love with the words, the characters, the paper, the pens … even the smell of the pages. – Uncle of avid reader

A great gift would be a cheap pen, mounted on a wooden plaque, with the accompanying label that reads, “This is the pen that was first used to write down these words. This is history. This happened. Now, go write your own history. But use another pen, because this one’s not only super glued to the wood, but it’s out of ink.

returned wedding gifts and penned endless notes of apology to the givers and to all our would-be-turned-would-not-be wedding guests, and if I say that I felt every word of those notes carve themselves into my skin like in that scary Dolores Umbridge detention scene in the fifth Harry Potter, I’m exaggerating, but only a little.

Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).

Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo.

Just let me grab my thinking cap,” she told him, heading for her locker. The long floppy hat was required during midterms, designed to restrict Telepaths and preserve the integrity of the tests—not that anything could block Sophie’s enhanced abilities. But after the exams, the hats became present sacks, and everyone filled them with treats and trinkets and treasures. “I’ll need to inspect your presents before you open them,” Sandor warned as he helped Sophie lift her overstuffed hat. “That’s perfect,” Fitz said. “While he does that, you can open mine.” He pulled a small box from the pocket of his waist-length cape and handed it to Sophie. The opalescent wrapping paper had flecks of teal glitter dusted across it, and he’d tied it with a silky teal bow, making her wonder if he’d guessed her favorite color. She really hoped he couldn’t guess why. . . . “Hopefully I did better this year,” Fitz said. “Biana claimed the riddler was a total fail.” The riddle-writing pen he’d given her last time had been a disappointment, but . . . “I’m sure I’ll love it,” Sophie promised. “Besides. My gift is boring.” Sandor had declared an Atlantis shopping trip to be far too risky, so Sophie had spent the previous day baking her friends’ presents. She handed Fitz a round silver tin and he popped the lid off immediately. “Ripplefluffs?” he asked, smiling his first real smile in days. The silver-wrapped treats were what might happen if a brownie and a cupcake had a fudgey, buttery baby, with a candy surprise sunken into the center. Sophie’s adoptive mother, Edaline, had taught her the recipe

As a member of the style committee, Hamilton showed that, for all his misgivings about the Constitution, he could be cooperative and play a serviceable part. The convention showed good judgment in choosing him, given his literary gifts and rapid pen. It is hard to believe that the Committee of Style and Arrangement took only four days to burnish syllables that were to be painstakingly explicated by future generations.

The silence stretched out, heartbeat after heartbeat – taut, excruciating. And then, finally, came the first sound: a slow, deliberate clapping. Startled, Maddy opened her eyes to see Harvir leaning back in his desk, his dark gaze steady on her as his hands came together, unhurried, almost leisurely, announcing his approval. A second later, from across the room, Kara joined in, followed by August, and Paul and Jeremy and Theresa. Ms. Mousumi got to her feet with a broad smile on her face, then Rhonda began to applaud, and Nikki. Not everyone followed suit – Ken continued to sit stonefaced, as did Julie and her retinue. David, too, remained motionless, staring at his desktop. Elliot gazed out the classroom windows; Sheng played with a pen. Still, the heartbeat clapping continued on, and Maddy realized she would never forget the gift of it. If it didn’t include everyone, it was enough. She had her soul back.

Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.

Whatever it be that keeps the finer faculties of the mind awake, wonder alive, and the interest above mere eating and drinking, money-making and money-saving; whatever it be that gives gladness, or sorrow, or hope—this, be it violin, pencil, pen, or, highest of all, the love of woman, is simply a divine gift of holy influence for the salvation of that being to whom it comes, for the lifting of him out of the mire and up on the rock. For it keeps a way open for the entrance of deeper, holier, grander influences, emanating from the same riches of the Godhead.

Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.

Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.

It was my mother who bought me green ink for the first time, along with the fountain pen she gave me as a gift to mark my graduation from high school. When I asked ‘Why green?’ she laughed and shrugged. ‘I don’t know, maybe just because it’s different from black and blue.’ My father smirked. ’It’s different from black and blue!’ Madam insists that all of her things be different from those of other people.’ My mother looked at him for a few moments and then turned to me. Nowadays she had to look up at me to meet my eyes, and I had to lean down to kiss her. She said, ‘Write something, see if you like it.’ On the corner of the Alik newspaper that was delivered to our house in the afternoon for my father, I wrote, ‘Green ink is different from all other inks. I like people and things that are different.

The problem with adulthood was feeling like everything came with a timer—a dinner date with Sam was at most two hours, with other friends, probably not even as long. There was maybe waiting for a table, there was a night at a bar, there was a party that went late, but even that was just a few hours of actual time spent. Most of Alice’s friendships now felt like they were virtual, like the pen pals of her youth. It was so easy to go years without seeing someone in person, to keep up to date just through the pictures they posted of their dog or their baby or their lunch. There was never this—a day spent floating from one thing to another. This was how Alice imagined marriage, and family—always having someone to float through the day with, someone with whom it didn’t take three emails and six texts and a last-minute reservation change to see one another. Everyone had it when they were kids, but only the truly gifted held on to it in adulthood.

In the same essay, Said (who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction) congratulates them on their forceful use of tautology: ‘Orwell belonged to the category of writers who write.’ And could afford to write, they might have added. In contrast they speak of George Garrett, whom Orwell met in Liverpool, a gifted writer, seaman, dockworker, Communist militant, ‘the plain facts of [whose] situation—on the dole, married and with kids, the family crowded into two rooms—made it impossible for him to attempt any extended piece of writing.’ Orwell’s writing life then was from the start an affirmation of unexamined bourgeois values. This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing—under the name Matt Lowe—for John Middleton Murry’s Adelphi. As he told his diary: I urged him to write his autobiography, but as usual, living in about two rooms on the dole with a wife (who I gather objects to his writing) and a number of kids, he finds it impossible to settle to any long work and can only do short stories. Apart from the enormous unemployment in Liverpool, it is almost impossible for him to get work because he is blacklisted everywhere as a Communist. Thus the evidence that supposedly shames Orwell by contrast is in fact supplied by—none other than Orwell himself! This is only slightly better than the other habit of his foes, which is to attack him for things he quotes other people as saying, as if he had instead said them himself. (The idea that a writer must be able to ‘afford’ to write is somewhat different and, as an idea, is somewhat—to use a vogue term of the New Left—‘problematic’. If it were only the bourgeois who were able to write, much work would never have been penned and, incidentally, Orwell would never have met Garrett in the first place.)

Despite the rocky start, I wound up enjoying a beautiful day on the ranch with Marlboro Man and his parents. I didn’t ride a horse--my legs were still shaky from my near-murder of his mother earlier in the day--but I did get to watch Marlboro Man ride his loyal horse Blue as I rode alongside him in a feed truck with one of the cowboys, who gifted me right off the bat with an ice-cold Dr. Pepper. I felt welcome on the ranch that day, felt at home, and before long the memory of my collision with a gravel ditch became but a faint memory--that is, when Marlboro Man wasn’t romantically whispering sweet nothings like “Drive much?” softly into my ear. And when the day of work came to an end, I felt I knew Marlboro Man just a little better. As the four of us rode away from the pens together, we passed the sad sight of my Toyota Camry resting crookedly in the ditch where it had met its fate. “I’ll run you home, Ree,” Marlboro Man said. “No, no…just stop here,” I insisted, trying my darnedest to appear strong and independent. “I’ll bet I can get it going.” Everyone in the pickup burst into hysterical laughter. I wouldn’t be driving myself anywhere for a while.

The problem with adulthood was feeling like everything came with a timer—a dinner date with Sam was at most two hours, with other friends, probably not even as long. There was maybe waiting for a table, there was a night at a bar, there was a party that went late, but even that was just a few hours of actual time spent. Most of Alice’s friendships now felt like they were virtual, like the pen pals of her youth. It was so easy to go years without seeing someone in person, to keep up to date just through the pictures they posted of their dog or their baby or their lunch. There was never this—a day spent floating from one thing to another. This was how Alice imagined marriage, and family—always having someone to float through the day with, someone with whom it didn’t take three emails and six texts and a last-minute reservation change to see one another. Everyone had it when they were kids, but only the truly gifted held on to it in adulthood. People with siblings usually had a leg up, but not always. There were two boys from Belvedere, best friends since kindergarten, who had grown up and married a pair of sisters, and now all four of their children went to Belvedere, driven by one mom or the other in a little cousin carpool. That was next-level friendship—locking someone in through marriage. It seemed positively medieval, like when you realized that all the royal families in the world were more or less cousins. Even just the concept of cousins felt like bragging—Look at all these people who belong to me. Alice had never felt like she belonged to anyone—or like anyone belonged to her—except for Leonard.

While I was deep in my fantasy, in yet another episode of perfect timing, Marlboro Man called from the road. “Hey,” he said, the mid-1990s spotty cell phone service only emphasizing the raspy charm of his voice. “Oh! Just the person I want to talk to,” I said, grabbing paper and a pen. “I have a question for you--” “I bought your wedding present today,” Marlboro Man interrupted. “Huh?” I said, caught off guard. “Wedding present?” For someone steeped in the proper way of doing things, I was ashamed that a wedding gift for Marlboro Man had never crossed my mind. “Yep,” he said. “And you need to hurry up and marry me so I can give it to you.” I giggled. “So…what is it?” I asked. I couldn’t even imagine. I hoped it wasn’t a tennis bracelet. “You have to marry me to find out,” he answered. Yikes. What was it? Wasn’t the wedding ring itself supposed to be the present? That’s what I’d been banking on. What would I ever get him? Cuff links? An Italian leather briefcase? A Montblanc pen? What do you give a man who rides a horse to work every day? “So, woman,” Marlboro Man said, changing the subject, “what did you want to ask me?” “Oh!” I said, focusing my thoughts back to the reception. “Okay, I need you to name your absolute favorite foods in the entire world.” He paused. “Why?” “I’m just taking a survey,” I answered. “Hmmm…” He thought for a minute. “Probably steak.” Duh. “Well, besides steak,” I said. “Steak,” he repeated. “And what else?” I asked. “Well…steak is pretty good,” he answered. “Okay,” I responded. “I understand that you like steak. But I need a little more to work with here.” “But why?” he asked. “Because I’m taking a survey,” I repeated. Marlboro Man chuckled. “Okay, but I’m really hungry right now, and I’m three hours from home.” “I’ll factor that in,” I said. “Biscuits and gravy…tenderloin…chocolate cake…barbecue ribs…scrambled eggs,” he said, rattling off his favorite comfort foods. Bingo, I thought, smiling. “Now, hurry up and marry me,” he commanded. “I’m tired of waiting on you.” I loved it when he was bossy.

We arrived here yesterday . The ambassador is indisposed and will therefore be staying indoors for a few days. If only he were not so morose, all would be well. I can see all too clearly Fate has severe trials in store for me. But courage! A lighthearted spirit can put up with anything. A light heart? It makes me laugh, the way the words flow from my pen: oh, if there were a little more lightheartedness in my veins I should be the happiest creature under the sun. Am I to despair of my own powers, my own gifts, when others with paltry abilities and talents go showing off, smugly self-satisfied? Dear God who bestowed all these gifts on me, why didst Thou not keep half back, and in their place grant me confidence and contentment? Patience! Patience! All will improve. And I tell you, my dear fellow, you were right. I feel far better within myself now that I am among these people, kept busy day in, day out, watching their doings and goings-on. It is true that, since we are so constituted as to be forever comparing ourselves with others and our surroundings with ourselves, our happiness or misery depends on the things in our environment; and, this being so, nothing is more dangerous than solitude. It is in the nature of our imagination to be rising, impelled and nurtured by the fantastic images of poetry; and it conceives of a chain of beings with ourselves as the most inferior and everything else more glorious and with greater perfections. All of this is quite natural. We often feel that we lack something and seem to see that very quality in someone else, promptly attributing all our own qualities to him too, and a kind of ideal contentment as well. And so the happy mortal is a model of complete perfection – which we have ourselves created. On the other hand, once we set to work diligently, in spite of all our shortcomings and the toilsomeness of it, we quite often find that in our leisurely, tacking style we make better headway than others who sail and row – and it gives us a genuine sense of ourselves, to keep pace with others or indeed outstrip them.

When we think of the historic struggles and conflicts of the current and past century, we naturally think of famous leaders: men who governed nations, commanded armies, and inspired movements in the defense of liberty, or in the service of ideologies which have obliterated liberty. Yet today, in this hour of human history, when the forces arrayed against the free spirit of man are more powerful, more brutal, and potentially more deadly than ever before, the single figure who has raised the highest flame of liberty heads no state, commands no army, and leads no movement that our eyes can see. But there is a movement—a hidden movement of human beings who have no offices and no headquarters, who are not represented in the great halls where nations meet, who every day risk or suffer more for the right to speak, to think, and to be true to themselves than any of us here are likely to risk in our lifetime. We heed this voice, not because it speaks for the left or the right or for any faction, but because it hurls truth and courage into the teeth of total power when it would be so much easier and more comfortable to submit to and embrace the lies by which that power lives. What is the strength of this voice? How has it broken through to us when others have been silenced? Its strength is art. Art illuminates the truth. It is, in a sense, subversive: subversive of hypocrisy, subversive of delusion, subversive of untruth. Few combinations in all of history have demonstrated the power of the pen coupled with the courage of free men’s minds. We need that power desperately today. We need it to teach the new and forgetful generations in our midst what it means to be free. Freedom is not an abstraction, neither is the absence of freedom. Art is a unique gift. It cannot be transmuted to another. But let us pray that this courage is contagious. We need echoes of this voice. We need to hear echoes in the White House. We need to hear the echoes in Congress and in the State Department and in the universities and media. The American ethos, from its conception to the contemporary, has been dedicated to the firm, unyielding belief in freedom. Freedom for all mankind, as well as for ourselves. It is in this spirit that we live our lives.

That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale. “For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.” She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut. ‘“You are afraid to die?” “Yes, everyone is.” Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her. You are afraid to die? Yes, everyone is. She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’” How she longed for love! For passion. How she ached to be seen. To be cherished. To be known. She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.

Anthology-- What binds together the moments/of earthly grace? What gathers up/the last white daisy in an amber field;/ a baby bird hatching from a speckled egg;/the look in a teacher's kind eyes,/a look that says, You are gifted?/Gifted as in given by God,/like the words she penned on cold/ winter mornings so that/someone way down the way,/someone far into history,/might know what it felt like to be/ what she had become: a girl/ whose life was an anthology/of sad.

If anything's to be praised, it's most likely how the west wind becomes the east wind, when a frozen bough sways leftward, voicing its creaking protests, and your cough flies across the Great Plains to Dakota's forests. At noon, shouldering a shotgun, fire at what may well be a rabbit in snowfields, so that a shell widens the breach between the pen that puts up these limping awkward lines and the creature leaving real tracks in the white. On occasion the head combines its existence with that of a hand, not to fetch more lines but to cup an ear under the pouring slur of their common voice. Like a new centaur. There is always a possibility left to let yourself out to the street whose brown length will soothe the eye with doorways, the slender forking of willows, the patchwork puddles, with simply walking. The hair on my gourd is stirred by a breeze and the street, in distance, tapering to a V, is like a face to a chin; and a barking puppy flies out of a gateway like crumpled paper. A street. Some houses, let's say, are better than others. To take one item, some have richer windows. What's more, if you go insane, it won't happen, at least, inside them. ... and when 'the future' is uttered, swarms of mice rush out of the Russian language and gnaw a piece of ripened memory which is twice as hole-ridden as real cheese. After all these years it hardly matters who or what stands in the corner, hidden by heavy drapes, and your mind resounds not with a seraphic 'do', only their rustle. Life, that no one dares to appraise, like that gift horse's mouth, bares its teeth in a grin at each encounter. What gets left of a man amounts to a part. To his spoken part. To a part of speech. Not that I am losing my grip; I am just tired of summer. You reach for a shirt in a drawer and the day is wasted. If only winter were here for snow to smother all these streets, these humans; but first, the blasted green. I would sleep in my clothes or just pluck a borrowed book, while what's left of the year's slack rhythm, like a dog abandoning its blind owner, crosses the road at the usual zebra. Freedom is when you forget the spelling of the tyrant's name and your mouth's saliva is sweeter than Persian pie, and though your brain is wrung tight as the horn of a ram nothing drops from your pale-blue eye.

It was a matter to be settled behind closed doors. But the press became involved and, more particularly, Thomas Paine, who at the time was secretary to the congressional Committee of Foreign Affairs. In an article published in several installments in the Pennsylvania Packet and transparently written under the pen name “Common Sense,” he asserted in January 1779 that official papers conclusively proved that the supplies furnished by Beaumarchais had been a free gift from France. Paine’s divulgence of such top secret information transformed the issue from a congressional quarrel into an international incident.

Is RECON another acronym?” asked Mudflap. (RECON is not an acronym. It’s short for reconnaissance, because reconnaissance is a tough word to spell correctly.) “Um,” said Josh. “Yes. Yes, RECON is an acronym. Now—” “What does it stand for?” asked Splinters. Josh sighed. “Well . . . it . . . stands for . . .” Josh stared at the ceiling of his barracks. He felt instinctively that this was an important test of his leadership. Josh firmly believed that good leaders never admit when they don’t know something. And the fact was, Josh didn’t know what this acronym stood for. (Again, it wasn’t an acronym.) He began to blush a pale plum color. This was a tough spot. What could he do? “RECON stands for . . . Really . . .” He was off to a good start! “Enormous . . . Counterstrike . . .” O. O. O. “On . . .” Aha! Josh was almost there. He screwed up his eyes and willed all his blood to his brain. Josh’s face darkened and became the shade of a turnip. Just one letter left! His eyes lit up. The word came to him like a gift from his ancestors, inscribed in his mind with the ballpoint pen of principals past. “NIMBUSES!

I have nothing to do with wealth and weapons which lead towards the destruction of good, but defeat is its destiny. I am gifted, the power of the pen; my rule and role, is love, and I reside in the hearts of the people, where God exists, and that is mine and your peaceful world.

Hamilton showed that, for all his misgivings about the Constitution, he could be cooperative and play a serviceable part. The convention showed good judgment in choosing him, given his literary gifts and rapid pen. It is hard to believe that the Committee of Style and Arrangement took only four days to burnish syllables that were to be painstakingly explicated by future generations. The objective was to make the document short and flexible, its language specific enough to constrain abuses but general enough to allow room for growth.

My Lord, It was very kind of you to send the lovely gift which is very useful now that the weather has turned. I am pleased to relate that the cashmere absorbed an application of black dye quite evenly so that it is now appropriate for mourning. Thank you for your thoughtfulness. Lady Trenear “You dyed it?” Devon asked aloud, setting the note on his desk with mixture of amusement and irritation. Reaching for a silver penholder, he inserted a fresh nib and pulled a sheet of writing paper from a nearby stack. That morning he had already written a half-dozen missives to lawyers, his banker, and contractors, and had hired an outside agent to analyze the estate’s finances. He grimaced at the sight of his ink-stained fingers. The lemon-and-salt paste his valet had given him wouldn’t entirely remove the smudges. He was tired of writing, and even more so of numbers, and Kathleen’s letter was a welcome distraction. The challenge could not go unanswered. Staring down at the letter with a faint smile, Deon pondered the best way to annoy her. Dipping the pen nib into the inkwell, he wrote, Madam, I am delighted to learn that you find the shawl useful in these cooler days of autumn. On that subject, I am writing to inform you of my recent decision to donate all the black curtains that currently shroud the windows at Eversby Priory to a London charitable organization. Although you will regrettably no longer have use of the cloth, it will be made into winter coats for the poor, which I am sure you will agree is a far nobler purpose. I am confident in your ability to find other ways of making the atmosphere at Eversby Priory appropriately grim and cheerless. If I do not receive the curtains promptly, I will take it to mean that you are eager for my assistance, in which case I will be delighted to oblige you by coming to Hampshire at once. Trenear Kathleen’s reply was delivered a week later, along with massive crates containing the black curtains.

Yes! You may have rare intellectual gifts and great mental attainments: you may sway kingdoms by your counsel, move millions by your pen, or keep crowds in breathless attention by your tongue; but if you have never submitted yourself to the rule of Christ, and never honored His Gospel by heartfelt reception of it, then you are nothing in His sight. The most insignificant insect that crawls in the dirt is a nobler being than you are; it fills its place in creation and glorifies its Maker with all its power, and you do not. You do not honor God with heart, and will, and intellect, and with the members of your body, which are all His. You overturn His order and arrangement, and live as if your time on earth was more important than eternity, and the body better than the soul. You dare to neglect God's greatest giftHis own incarnate Son. You are cold about that subject which fills heaven with hallelujahs. And as long as this is the case, then you belong to the worthless part of mankind. You are the "chaff" of the earth. Let this thought be engraved deeply in the mind of every reader of this paper, whatever else he forgets. Remember there are only two kinds of people in the world. There are wheat, and there are chaff.

We can all take pictures but not everyone can capture the beauty that's usually hidden in plain view... We can all open our mouth to sing but not everyone can can melodically touch your soul... We can all pick up a pen to write but not everyone can write words in such a way that they leap off of the page for you... We can all part our lips to speak but not everyone can speak life into you... We can all move our bodies to a beat but not everyone can become one with music, stir emotions and shift energy with dance... Point is: WE CAN all do something but Know your gifts, cultivate them and ALWAYS, ALWAYS BE YOURSELF! Then working together becomes effortless. Copies aren't accepted everywhere...ORIGINALS are eventually required!

If you want to change the world, pick up your pen.”2

Entertaining Possibilities "Why sometimes I've believed as many as six impossible things before breakfast." - The Queen of Hearts, Alice in Wonderland riding bareback on a triceratops through green galaxies while you ride beside me on your favorite mastodon running a finger over those I love and like a highlighter pen turning them neon noting them forever so I can return to them easily when I need them thinking something good can come of "ethnic cleansing" swimming in an ocean deep and wet enough to fill the eternity of love between these two sheets walking into the vowels of a word like open and becoming it locking away Pandora's box putting evil back in its place for good and swallowing the key lighting myself with a single match then watching me melt warm and liquid over your body cooling gently in the shape of you sitting flat in round anticipation I will be page 233 in the book that you have just opened and I will chew on each delicious moment of every turn as you move page by page closer to me stowing away in your pillowcase and sailing your dreams so that when you are sent to walk the plank I can catch you together we can be the mutiny on any bounty letting my best ideas ripen beside yours on the vine then stomping it all juicy between toes yours and mine aging then bottling it all till the sun falls and we uncork our store one by one and drink forever in the twilight planting a memory watering the spot watching it grow tall, tender, familiar, then putting my ear to its blossom and hearing my grandmother's voice tell me again that I can be both the gift and the giver

On Christmas morning when the beach is calling and the family’s gathering and the presents are a mystery (or definitely feels book-shaped anyway), and after the splendour and celebration of Christmas Eve, we don’t want Christmas Day to be an anticlimax. We’ve gifted our Oxfam goats or geese and bought our CWS calendars, and what we’d like, on Christmas Day, what we really want, is for things to be—perfect. Just like the old days. Something new, but also something familiar. And that’s what’s so wonderful about the Christmas story, and why preachers penning their reflections approach with trepidation but also with joy: at Christmas, the news is all good.

She pops her head into a bare-looking kitchen and has a little wander round it. Here, she reads, Emily would sometimes make bread with her right hand while holding a book of German verse in her left. Well, OK, Yuki thinks, now you're talking. Because she applauds any woman who is unashamed of her intelligence. Also, what a great little trick. Over dinner last night the Elders were discussing Branwell, the dissolute Bronte brother, and someone mentioned a little party-piece he was said to have performed at the local pub in which he'd write a line of Latin with his right hand while writing the same thing in Greek with his left. So now Yuki's wondering if the Bronte kids weren't, in fact, exceptionally gifted linguists - or whether having your hands do different things simultaneously wasn't just about as wild an evening as you were likely to have back then. She heads up the stairs, where it's a little cooler - and more dismal, if that's possible - and stands on the landing, consulting her leaflet, where she learns that there were, in fact, another two Bronte girls, who died when they were still children. Two invisible, extra Brontes no one's ever heard of, since neither lived long enough to lift a pen. The first bedroom she enters, it seems, is where the mother passed away, knowing that all her children would have to go on, motherless. With just their crazy father to look after them. And this really is just about too much for poor Yukiko. She's tempted to throw herself onto the old bed and have a good long cry about it, and might have done so if she didn't suspect that the bed, bedroom floor and the entire Bronte house would likely to collapse around her, which would only mean her being dragged off to the local jailhouse, to be beaten about the body with copies of 'Wuthering Heights'.

Writing is not just my Hobby . The pen is the mouthpiece of my feelings, and paper is my best friend. My Friend always listens so patiently to whatever I say.

Following the tour, the guides usher the visitors into a cavernous hall where interactive displays invite them to press buttons to learn about the different parts of the dollar or to hear about its history. Children press the buttons, but the lights do not go on, and so none of the questions are answered. They rush to the next interactive display only to find that it too no longer interacts. The large room also offers souvenirs for sale, such as a souvenir pen filled with shredded money. In a corner, Japanese tourists buy sheets of uncut American currency from women behind security windows of thick glass. They take the money home with them to use as novelty wrapping paper for gifts and flowers. The twentieth century became the era of paper money. Never before had so much of it been manufactured in so many countries and in so many denominations. Behind the perpetually operating machines of the U.S. Treasury lay a long process whereby paper money won the confidence of ordinary people.

I don’t know where prayers go, or what they do. Do cats pray, while they sleep half-asleep in the sun? Does the opossum pray as it crosses the street? The sunflowers? The old black oak growing older every year? I know I can walk through the world, along the shore or under the trees, with my mind filled with things of little importance, in full self-attendance. A condition I can’t really call being alive. Is a prayer a gift, or a petition, or does it matter? The sunflowers blaze, maybe that’s their way. Maybe the cats are sound asleep. Maybe not. While I was thinking this I happened to be standing just outside my door, with my notebook open, which is the way I begin every morning. Then a wren in the privet began to sing. He was positively drenched in enthusiasm, I don’t know why. And yet, why not. I wouldn’t persuade you from whatever you believe or whatever you don’t. That’s your business. But I thought, of the wren’s singing, what could this be if it isn’t a prayer? So I just listened, my pen in the air.

A Prayer about God’s Goodness and Nearness in the Storm But now thus says the Lord, he who created you, O Jacob, he who formed you, O Israel: “Fear not, for I have redeemed you; I have called you by name, you are mine. When you pass through the waters, I will be with you; and through the rivers, they shall not overwhelm you; when you walk through fire you shall not be burned, and the flame shall not consume you. For I am the Lord your God, the Holy One of Israel, your Savior.” (Isa. 43:1–3) Heavenly Father, your Word is a balm for the broken, ballast for the bewildered, and bread for the hungry. This is not theory. It’s not even just good theology. It’s my reality and I praise you. You’ve promised to show up, and you have. Thank you for being the Father from whom all fatherhood derives its name and meaning. No god is as near as you and no god is as good, in every season and storm. The aroma of fresh gospel bread is wafting through the air. You’ve created us and you are redeeming us, all for your glory. You’ve summoned us by name, calling us to life in the gospel. You’ve given us a new name, “Mine.” There’s no sweeter name. Father, you don’t promise we won’t experience floods and torrents and fires and flames. But you do promise you will be with us. To know you are near and to know you are good is all we really need. We will go anywhere and do anything as long as we are convinced that you will never leave us, forsake us, abandon us, shame us, or reject us. Father, we know ourselves to be precious and honored in your sight, and greatly loved, because you gave Jesus in exchange for us. Though Jesus was rich, yet for our sakes he became poor, so that through his poverty we might become rich (2 Cor. 8:9). We praise you for the one and only truly indescribable gift (2 Cor. 9:15)! And since you didn’t spare your own Son, we can trust you graciously to give us everything else we need (Rom. 8:32), for every season and storm ahead. We don’t have to be afraid of anything or anyone. You are with us and you are for us. Continue to write bigger and better stories of reconciliation and restoration than we ourselves would ever choose to pen. We pray to the glory of the true Peacemaker, Jesus. Amen.

Humans are survivors. They do things for themselves and then attempt to conceal their motivations through elaborate subterfuges. Gift-giving is a prime example of behavior that is secretly selfish. —ERASMUS, slave pen notes

You say grace before meals. All right. But I say grace before the play and the opera, And grace before the concert and the pantomime, And grace before I open a book, and grace before sketching, boxing, walking, playing, dancing; And grace before I dip the pen in the ink. —G. K. Chesterton

The pen that was once a gift has come to represent all that I hope to achieve.

Mr. Kenton told me about the kiss you shared with Everett. The poor man was completely baffled about how to handle the situation, although he did mention something about a bat being involved, and not the type of bat that flies through the air at night.” Millie’s lips curved into a grin as she looked to Mr. Kenton, who smiled back and sent her a wink. Looking around the backyard, she was about to thank everyone for coming such a long way when Everett and the children reappeared, the children grinning from ear to ear and Everett looking rather . . . determined. He strode across the lawn and came to stop directly in front of her, silence descending as he took hold of her hand. Giving that hand a little squeeze, he smiled. “I was not comfortable saying anything until getting the approval of the children, but now that that has been fulfilled . . .” He dropped to his knees, but then, surprisingly enough, frowned. “Good heavens. This isn’t right. I don’t have a—” “I have one right here, darling.” Dorothy hurried up, pressed a small box into Everett’s hand, muttered something about it being a family heirloom, and then sent Millie a rather misty smile before she hurried back to Fletcher’s side. “You may continue.” “Thank you, Mother.” Everett looked up and smiled at Millie. “Where was I?” “You were getting ready to ask Miss Millie to marry you,” Thaddeus called. “Yes, quite right, thank you, Thaddeus.” Swallowing a laugh, Millie bit her lip as Everett grinned, but then he sobered a second later. “Miss Millie Longfellow, I know we’ve had our differences, and I know I’ve been a complete idiot with you, but as the esteemed Mr. Darcy said, or said something like this—through the pen of Jane Austen, of course—you are my reason for living, and I’d be beyond honored if you’d agree to become my wife.” “That’s not what Jane Austen wrote in her book,” Lucetta called. “Not even close.” “And you forgot to tell her you love her,” Elizabeth added. Everett turned and arched a brow at Lucetta. “I understand you have this gift for memorization, but honestly . . .” He directed his attention to Elizabeth next. “And as for your comment, I thought the whole ‘you are my reason for living’ covered that.” Elizabeth crossed her arms over her chest. “It’s not the same.” Sending Elizabeth a wink, Everett looked back up at Millie and smiled. “Well, there you have it. So I suppose all that’s left for me to say is . . . I love you.” With knees that were distinctly wobbly and a heart that felt ready to burst, Millie smiled back at him. “I love you too.” “And you’ll marry me?” “Of course.” Slipping the ring Dorothy had provided over Millie’s finger, Everett rose to his feet. Pulling Millie close to him, he smiled at the crowd watching them so intently, and then . . . he kissed her.

I went looking for my voice in others people's throats, I went looking for my eyes in others' point of view I went looking for my thoughts in other people's minds I went looking for my ears in other people's noise I went looking for my taste on other people's tongues I went looking for a touch in other people's limbs I went looking for my strength in other people's fear I went looking for my story in other people's pens I went looking for my life in other people's experience I went looking for my hope in other people's eyes I went looking for my talents in others people's gifts I searched the World all over, to find where I was hid- it wasn't until my searching stopped, that in my heart I did.

After many weeks together, we knew it wasn’t enough to confess our sins; we had to turn from them from that time forward. Deeply humbled, we penned prayers of absolute surrender to God and offered ourselves as living sacrifices to him, to live crucified lives, dead to sin and alive to Christ. We yielded our full selves at any price to obedience to his will for our lives. It was a fearsome step to be sure, but it was like pouring pure fuel on the heart-fires God had ignited. Fully surrendered hearts, lying unrestricted on the altar of personal sacrifice, are finally able to burn freely. A few months passed, and when I met again with my friend Jillian, my heart was bursting to invite her to receive the same gift I had received. So I invited Jillian to pick up her own pen, cry out to God, make her confessions, and plead with him to help her write her way back to spiritual health, true fellowship, and passionate intimacy. I had no doubt that, if she were willing, God would revive and ignite her spirit just as he had mine.

Surrendering the Pen to God   Cheryl’s Journal (June 18, 1994) Cheryl’s prayer: There must be a reason, Lord, that You want me alone. You must be shaping me for something. I’ll be honest. I’m sick of it, but as I always say, You know best. I know it will be special when You, my Lord, finally bless me with marriage and a family. My future is in Your hands. Lord, I don’t know where it’s headed, but I’d like for You to use me for Your sake and glory. God’s reply: Trust in Me. Take it day by day. Trust that I know what I’m doing. Be patient. Place your security in Me, not in others. Know who you are, firmly grounded in Me first. Then you are free to share your life with someone else. It’s a gift. I am the Creator of love. I don’t always work in ways expected. Stay open. Receive from Me what I have for you. Cheryl’s prayer: It’s not worth accepting a gift from You, God, if I lose You and me in that gift. God’s reply: Your desire is a natural desire. Yet, like everything else, it must fall into place by My timing, not yours.

Stories are one of the greatest gifts we can give to our children. Stories are equipment for life.

Father, we know ourselves to be precious and honored in your sight, and greatly loved, because you gave Jesus in exchange for us. Though Jesus was rich, yet for our sakes he became poor, so that through his poverty we might become rich (2 Cor. 8:9). We praise you for the one and only truly indescribable gift (2 Cor. 9:15)! And since you didn’t spare your own Son, we can trust you graciously to give us everything else we need (Rom. 8:32), for every season and storm ahead. We don’t have to be afraid of anything or anyone. You are with us and you are for us. Continue to write bigger and better stories of reconciliation and restoration than we ourselves would ever choose to pen. We pray to the glory of the true Peacemaker, Jesus. Amen.

nature’s noblest gift – my grey goose-quill! Slave of my thoughts, obedient to my will, Torn from thy parent bird to form a pen, That mighty instrument of little men! – Lord Byron

eed a gift box? Cover shoe boxes with wrapping paper. Fill them with stationery, a glue stick, small scissors, paper clips, marking pens, memo pads, and thank you notes. You can even add stamps. Any mom, dad, grandparent, or teacher would love such a gift. y motto is "Always be ready for a party." When party supplies go on sale, I stock up. Colored plates, napkins, streamers, little gifts, even party hats. And here's a tip. When you buy candles to use later, store them in your freezer. It helps them burn longer and cleaner. Keep a roll of cookie dough in your freezer, some scone mix in the pantry, and some of those great instant coffees so you'll be ready at any party opportunity. There's nothing like a spontaneous celebration to warm hearts. When you're ready, a party can happen in just a few minutes. You'll be creating memories you and your family and friends will cherish forever.

Once in power, Zayed was an energized man. One of his first acts in office was to throw open the palace strongbox, giving away all the money that his brother had stockpiled. Zayed made an incredible announcement: Anyone in the seven Trucial States who needed cash for any reason should come see him. People streamed in from every corner of every sheikhdom, traveling to Abu Dhabi by camel, by car, by dhow, and on foot. They lined up outside the leader’s palace, waiting for their turn to ask, and receive. Zayed kept up the handouts until he emptied the coffers. 13 The big giveaway sounds like a crazy idea, especially coming as it did before the UAE emerged as an in de pen dent nation, so that most of the recipients were, essentially, foreigners. But Zayed’s gifts weren’t mislaid. Local Arabs considered such over-the-top generosity as the behavior of their kind of leader. The upstarts in Dubai couldn’t match the gesture, nor could the has-beens in Sharjah. Zayed’s giveaway went a long way toward welding disparate sheikhdoms into a nation—and toward positioning Zayed as the paternal über-sheikh who should rule. Sheikh Zayed didn’t disappoint. Each year for the rest of his reign, he made a splashy tour around the emirates, visiting even the dust bowl towns of Ajman and Umm Al-Quwain. People yelled, “The president is coming! The president is coming!” and lined up to greet the great sheikh. He would ask what they needed. “Anything you want, tell me,” Zayed would say. His subjects asked for houses, overseas medical treatment, or the release of a jailed brother. Some handed requests scribbled onto sheets of paper, lest the great sheikh forget. Zayed’s handlers from the diwan, his royal court, compiled names, phone numbers, and requests. Over the next few weeks, the diwan would send officials knocking at each door with cash, whether 10,000 dirhams or 100,000 dirhams. 14 It was a fantastic nation-building tool. Not just the handouts of cash, but the in-person availability of the national ruler, who would respond like a kind father to personal needs. How could anyone speak against the union if it put cash in your hand? “We used to think he was too generous, that

Writing is not just my Hobby . Pen is mouthpiece of my feelings,I have no another one But paper is my best friend. and My Best Friend always Listen so patiently whatever,whenever i speak

Maybe you’ve had moments like these. You know, when you’re tired and run-down and you let your mind go where it shouldn’t? Loneliness and clinical depression can flay you alive or put you on the rack and not only crack your bones and joints but steal your soul. Here, see for yourself. The sun is orange, the sky blue, the sugarcane across the bayou swaying and clattering like broomsticks. But the sun has no warmth, nor the strength to regenerate itself, and it makes me think of a Halloween pumpkin that has been carved too thin, its candle guttering, the inside of its shell scorched and cracked like old skin, when dust devils climb into the sky and scatter ashes and dust on the bayou’s surface. I try to avoid thoughts such as these and concentrate on the natural gifts of the world and the sublimity of the afternoon. The air is tannic, as moist and pure as cave air, like pine needles and sugarcane stubble plowed under black soil, like an autumnal emanation from the pen of John Keats. I remind myself that the world is a fine place and worth the fighting for, as Ernest Hemingway wrote in For Whom the Bell Tolls.

IN ADDITION, THROUGHOUT THESE CHAPTERS, I OFFER PRACTICAL insights about genius such as these: IQ, mentors, and Ivy League educations are greatly overrated. No matter how “gifted” your child is, you do him or her no favor by treating him or her like a prodigy. The best way to have a brilliant insight is to engage in creative relaxation: go for a walk, take a shower, or get a good night’s sleep with pen and paper by the bed. To be more productive, adopt a daily ritual for work. To improve your chances of being a genius, move to a metropolis or a university town. To live longer, find your passion. Finally, take heart, because it is never too late to be creative: for every youthful Mozart there is an aged Verdi; for every precocious Picasso, a Grandma Moses.

Don't open the door or talk to strangers," "Unless they're selling something.Then allow them to disclose what they are selling and see if its something which might be useful. First say a 'No' upfront, that's taking charge of the situation from beginning. Make them explain, do not react at all till they finish, but listen carefully. Now pretend that hypothetically you might like it but not sure if it can be beneficial to you in this life. Without delay, even the sound of interest in another life work as a charge-up for salespeople, they will continue product explanation with enhanced passion. Even so, don't open-up your cards, just restart the game, ask about the first thing they explained than the second. Steer them around in circles by submitting the similar question in altered manner. Its always good to exhaust your opponent, make them so tired mentally that they wont be able to hide any fact or benefit. Once you see them fatigued start bargaining about the cost, remember instantly they either want to run away or slap you hard, but...Its a big but...The targets on their head will not allow them that option so they will listen to every demand, call their boss and offer you the second most reasonable price... Do not say yes yet...Tell them you will buy it but still need some time to think...They are at present in a flightless state, so they will promptly offer you the most competitive price possible and secure the deal. Although you can still ask for a corporate goody like a calendar, diary, pen T-shirt or a cap for me, now they might or might not possess anything big, but even a free pencil is a bonus. Our standards aren't that high when it comes to a gift.

Three propositions of a survivor: That hell is a denial of the ordinary; that nothing lasts; that clean white paper waiting under a pen is the gift beyond history and hurt and heaven. (1959).

We also cannot know whether Frank’s closeness to Archie Butt ever extended beyond the bounds of mere friendship. Archie was far too careful to ever pen anything as indiscreet as Millet’s correspondence with Stoddard. Yet within Archie’s letters there are enough clues to picture him as a Ragtime-era gay man hiding in plain sight. Archie had the same gift for observation and waspish wit found in gay diarists from Horace Walpole and Henry “Chips” Channon to Cecil Beaton and Andy Warhol. He also had a remarkable eye for the details of women’s clothes and jewelry and could, for example, describe from memory a selection of First Lady Edith Roosevelt’s gowns and include such details as “black velvet with passementerie down the front.

live, the words we think in, sing in, speak in; the words which nourish our imagination, words which tell us what we are. Although English only exists in the mouths, minds and pens of its many individual users, I came to feel that English had a character and presence of its own. This is not how professional linguists see it, but just as some historians see “England” with a life of its own at certain times, so the language itself, in my view, can be seen as a living organism. It is not known with any certainty as yet when language evolved: one hundred thousand years ago? Later? It probably began as signs and calls, gestures and facial and bodily expressions, many of which we retain still. We speak of “body language.” We can tell what someone is “saying” by their expression. We “talk” in our expressions still and our extreme calls of fear or ecstasy may not be much different from those of the first Homo sapiens a hundred thousand years ago. But then language began to build. We will never know who laid the foundations. Stephen Pinker and others think that Homo sapiens arrived with the gift of language innate — the language instinct. What remained to be done was to find the methods and opportunities to turn that instinct into words. But who found the first words? Who finds new words today? We know that Shakespeare put into print at least two thousand new words, but the majority of words come out of the crowd. An

Gather six to 12 months of checking, savings, and credit card statements, and break your income and expenses down into categories and then line items. I have suggested some here, but add your own as needed. Check to see if your bank or credit card company provides reporting that categorizes charges or lets you assign categories—your work may already be almost done for you: •Income—paychecks, interest, dividends, rents, royalties, business income, pension, social security, child support, spousal support •Housing—mortgage/rent, property taxes, HOA dues, insurance •Utilities—gas, electric, propane, phone, TV/Internet, trash, water/sewer •Food—groceries, dining out •Auto—car payments, gasoline, repairs, insurance •Medical—health insurance, doctor/dentist visits, prescriptions, physical therapy •Entertainment—travel, concerts/shows, sports •Clothing—personal purchases, dry cleaning, uniforms •Personal care—hair/nails, gym/yoga, vitamins/supplements •Miscellaneous—gifts, pets, donations •Children—education, activities, school lunches, childcare You can use a spreadsheet or pen and paper to take note of income and expenses as you go through statements, then calculate a monthly average for each item.

A compass: “To find your new path.” A packet of smoked salmon: “Because they always come home.” Pens: “Celebrate having time to write.” We are showered every day with gifts, but they are not meant for us to keep. Their life is in their movement, the inhale and the exhale of our shared breath. Our work and our joy is to pass along the gift and to trust that what we put out into the universe will always come back.

dresses, her hair long and wispy, and she waved her hands around when she described a story, as if casting a spell. Come back, Aunt Maude, Astrid thinks in desperation. I need you. You still have life left in you. Her head throbs—her stomach hurts. She hasn’t eaten since breakfast. But she can’t leave Maude’s side, not yet. “I’m sorry I didn’t visit you before,” Astrid says softly. “It was too hard to come back here.” Aunt Maude never pushed—until recently. She called, wrote letters with her fountain pen—often smudging the words—and sent gifts. She even visited Astrid in California now and then. But she never lamented the fact that her family no longer visited Heron Bay. I should’ve been here for her, Astrid thinks. “Miss Johansen?” a soft voice says behind her. Astrid turns, and Dr. Sawari summons her to the door. Compact and quick on her feet, the doctor sports a shiny black ponytail, her eyes a startling, intense green. She seems too young to take charge of Aunt Maude’s care.

[Hand Watches] I opened the drawer Where I keep old things and tokens I glanced over some hand watches With dead batteries and frozen times… Watches that were gifted to me over time By teachers or friends To commend my accomplishments and respect for time… It never occurred to them or to me then That Time would die in a heart attack And will cease to be important The day my homeland was occupied and destroyed… The day the occupying thieves In collaboration with the thieves within Would burn and destroy everything beautiful in it… And since then, I refuse to wear hand watches And will never wear one Until my people get back their Time and dignity… And when that happens, Time will remain unimportant For then, I will turn into a butterfly A sparrow A daffodil or an orange blossom, Or perhaps an apricot blossom on a branch An unstoppable sprig of water That flows beyond time and timing … In that same drawer I found Pens that have run out of ink Looking like mummified corpses.. At a moment of despair, A strong feeling struck me like a lightning Leaving me with a frightening question: What if this is a wound that all time can’t cure A cause that all the ink of the world can’t solve? [Original poem published in Arabic on February 5, 2023 at ahewar.org]

there was a night at a bar, there was a party that went late, but even that was just a few hours of actual time spent. Most of Alice’s friendships now felt like they were virtual, like the pen pals of her youth. It was so easy to go years without seeing someone in person, to keep up to date just through the pictures they posted of their dog or their baby or their lunch. There was never this—a day spent floating from one thing to another. This was how Alice imagined marriage, and family—always having someone to float through the day with, someone with whom it didn’t take three emails and six texts and a last-minute reservation change to see one another. Everyone had it when they were kids, but only the truly gifted held on to it in adulthood.

I see the world in a different way, A gift that comes with challenges each day. My mind is wired in a unique fashion, But my pen and paper are my greatest passion. Words flow freely from my mind, In ways that are hard to define. They dance and twirl, they sing and rhyme, A kaleidoscope of colors, a symphony of time. My writing is my voice, my soul's expression, A way to communicate without hesitation. It's a bridge that connects me to the world, A gift that helps me to be heard. Though my struggles may be many, My writing is a place where I feel plenty. A space where I can be myself, And share my thoughts without anyone else. So I'll keep writing, day by day, And let my words light up the way. For in my writing, I find my strength, And the power to go to any length. I have a non verbal learning disorder, A condition that can make life harder. But when I write, I feel free, And my words help me to be me. My writing is a gift that I treasure, A source of joy that brings me pleasure. It's a way to express what's in my heart, And share my thoughts in a world apart. In a world that often misinterprets, My writing is a way to connect. It gives me a voice that's loud and clear, And helps me to overcome my fear. For though my words may stumble and falter, They are the key to my soul's altar. A place where I can be myself, And share my thoughts with anyone else. So I'll keep writing, day by day, And let my words lead the way. For in my writing, I find my voice, And the strength to make my own choice.

I'm gonna warn you right now, This one might be on some "I'm Feeling myself" sh!t, But when I consider What comes to me as I let my pen move, I stand back and give thanks to the gift that pours out of me. Never wondering how, I already know it's divinely given, And as I receive it I become consumed by it. The words just flow... I could never tell when or from where, And I can't deny it as it comes Because it won't be hushed... Whether it be in pain and hurt,or joy and laughter, anger and confusion or hopelessness and exhaustion. Whether it be about self or society, Love or hate, Confidence or doubt Whatever it is, as it comes, I write. When I read and reread my words Filling my pages My eyebrow raises, My head nods in agreement Smiling at the accomplishment, Because I know not many can do this I’m grateful for the ability I sometimes question "why me?" Yet understanding it's because of a greater being. And whatever needs to be said Speaks through me in poetry.

Hand Watches" I opened the drawer where I keep old things and tokens… I looked over some hand watches with dead batteries and frozen times… Watches gifted to me over the years by teachers or friends commending my accomplishments and respect for time… It never occurred to them nor to me then that Time would die in a heart attack and cease to matter the day my homeland was occupied and destroyed… The day plunderers, in collaboration with thieves at home, would burn and destroy everything beautiful… And ever since, I refuse to wear hand watches… I vowed not to wear a hand watch until my people retrieve their Time and dignity… And when that happens, Time will not matter for I will then turn into a butterfly a sparrow a daffodil an orange Or perhaps an apricot blossom on a branch… I will turn into a spring of water flowing beyond time and timing … In that same drawer I found pens that have run out of ink looking now like mummified corpses… At a moment of despair, A strong feeling struck me like a lightning leaving me with a frightening question: What if this is a wound no time can heal, a cause that no ink can revive? [Published on April 7, 2023 on CounterPunch.org]

We give them power, to play the game Then to who do we blame we do surrender even without struggle keep quiet, we use to sit cool and calm Then to who do we blame ink, Paper pen, and human they are buying all, what they can blood in the street. is washing money rain putridity of Corpse, vanish by the status fragrance Orgy of cruelty everywhere without shame it's a new normal, as we are so tolerance just, religion cast and anti-nation where is health where is education harmony, peace, and love disappearing who is dying nearby, who is caring closed inside the malice cage, just dancing to the leader's fame Then to who do we blame the world is a market full of moon-shine shade the financial value will decide your grade the disease is a business, death is a trade I have seen, people crying for a piece of bread but, TV studio, newspaper, and twitter Filled to the brim with hate thread don't shout, shut your mouth king is sleeping, building the nation in a dream working hard for your butter and cream hunger, Poverty, thirst, nothing at all you must be a pride citizen, that's all keep burning nationalism flame otherwise, you are a traitor, damn We give them power, to play the game let them play, with our future and generation don't cry, don't cry, be little wise if we are a puppet of politics. to earn their bread and fame they need our sacrifice to earn their bread and fame they need our sacrifice

To Stuart on his 10th birthday, with Faith that he will achieve greatness, Hope that this will bring him joy, and Love that now surrounds him will continue all his days.’ The words Faith, Hope and Love were picked out in orange felt pen. Despite the inscription’s peculiar syntax, it was clear Winser worked as hard on the gift as he did on his chess.

Delve into your deepest depths and seek what compels you to write. If it is something that you cannot walk away from, then you are called. Find out for yourself if the reason is rooted into your being, your very existence. Slip into your soul and ask, if writing is your essentiality. Will you be able to live if it would be otherwise? Will a part of you live with a void if you do not hold the pen and let your words flow? Will your living reduce to a mere existence? Ask yourself this question: Is writing a compelling necessity for you to live from a place of passion, purpose and meaning? Dig into your unmined depths and see for once what answer lies in your profound self. If it gifts you the essential essence of living, then give in to this inviting impulse. It will not fail you, rather uplift you in your darkest hours. In your brightest days, it adds more colors and in your rainy days, it gives you the sheltering umbrella.

When writing history, make sure it is well-penned; because life is not like a pencil, it has no eraser.

Just start writing. Much experience is not needed to write and you don't need to have read hundreds of books. Mind you, reading is quite an important part of writing; into the stories, the writer must be immersed in. Read lovely stories and learn to write those vivid descriptions. You simply need a pen, some paper or even typewriters and computers, and a wild imagination to write. The writer is not obliged to have an entire story ready, for a simple idea can form into a magical and endearing story. Let go of the fear and doubt, which is the enemy to creative writing. Live the stories as you write them and plunge yourself into those words and worlds. There is nothing to lose in writing a story or even sending it to someone. Writing is a gift and an art in itself. Write with love and passion and dump all your thoughts even if they seem to be trash because they will soon be such beauty.