Fantastic Four Quotes

The universe, they say, depended for its operation on the balance of four forces which they identified as charm, persuasion, uncertainty, and bloody-mindedness.

Wives should be kissed - not heard.

Listen, I'm going to tell you this because no one else will, Franklin. Spider-Man sucks.

I'm just running through this list of potential nannies and wondered if we should go for a superhero this time. Do you think Wolverine would be interested? He seems to be on every other team right now...

Sometimes, parody or pastiche shows a deeper love for the original source material than a hundred official sequels ever could. In forty years, has there really ever been a better Star Trek movie than Galaxy Quest--or a better Fantastic Four movie than The Incredibles?

Doctor Doom was exactly the sort of bastard who would have armed al-Qaeda with death rays and killer robots if he thought for one second it would piss off the hated Reed Richards and the rest of his mortal enemies in the Fantastic Four, but here he was sobbing with the best of them, as representative not of evil, but of Marvel Comics' collective shock, struck dumb and moved to hand-drawn tears by the thought that anyone could hate America and its people enough to do this.

Who are we to make such a decision? To allow another living being - any living being - to die, when ours is the power to prevent it? - Reed Richards (Mister Fantastic)

Here is my room, in the yellow lamplight and the space heater rumbling: Indian rug red as Cochise's blood, a desk with seven mystic drawers, a chair covered in material as velvety blue-black as Batman's cape, an aquarium holding tiny fish so pale you could see their hearts beat, the aforementioned dresser covered with decals from Revell model airplane kits, a bed with a quilt sewn by a relative of Jefferson Davis's, a closet, and the shelves, oh, yes, the shelves. The troves of treasure. On those shelves are stacks of me: hundreds of comic books- Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four... The shelves go on for miles and miles. My collection of marbles gleams in a mason jar. My dried cicada waits to sing again in the summer. My Duncan yo-yo that whistles except the string is broken and Dad's got to fix it.

A revolutionary war of freedom, he said” Hiawatha responded crisply, “and I agree… does Superman ever fly to Thailand and free the kids slaving in the sweat shops owned by the rich corporations? No, he doesn’t. Does Batman ever break into prison and free the wrongfully convicted and over sentenced black man whose rights were trampled on when he was incarcerated? No, he doesn’t. Does Spider man ever break into a house in suburbia and beat up the abusive and violent husband? No, he doesn’t.” “Do the Fantastic Four ever fly out to third world countries and defend the rights of the poor civilians against greedy American corporations? No, they don’t,” said the Pirate, not to be outdone. “They’re all just tools used by the state to maintain the status quo,” said Hiawatha.

The universe, they said, depended for its operation on the balance of four forces which they identified as charm, persuasion, uncertainty and bloody-mindedness.

I know that you are a mere flea! I know that you need only be squashed to be done away with! I know that I have fought this same battle a thousand thousand times before...but, perhaps this time I can crush you like the insect you are!

Welcome true believers, this is Stan Lee. We’re about to embark the exploration of a fantastic new universe and the best part is that you are gonna create it with me. You may know me as a storyteller, but hey on this journey consider me your guide. I provide the widy and wonderful worlds and you create the sights, sounds and adventures. All you need to take part is your brain. So take a listen and think big, no bigger, we make it an epic. Remember when I created characters like the Fantastic Four and the X-Men? We were fascinated by science and awed by the mysteries of the great beyond. Today we consider a nearer deeper unknown one inside ourselves. […] we asked: What is more real? A world that we are born into or the one we create ourselves. As we begin this story, we find humanity lost within is own techno bubble. With each citizen the star of their own digital fantasy. […] But the real conundrum is, just because we have the ability to recreated ourselves, should we? […] Excelsior!” 

Weird grey forms came pouring out of the woods. They were only about three or four feet tall, but they were covered in taut muscle. Their heads were wider than their shoulders and their mouths, bristling with teeth, stretched from ear to ear. They chattered as they came, shrieking in voices that were at once guttural and chirruping.

It's the superhero problem . . . .Superpowers make everything personal. Batman versus Joker. Fantastic Four versus Galactus. The Big G might be the Devourer of Worlds, but in the end he's just a dude. Beat him and the problem goes away. But the real problems aren't like that. You can't solve them by hitting them. The real supervillains. . . . were people in suits who met in rooms and decided things. Destroy one and another would take her place

Wolgast recalled when he’d come down here with his friends to buy candy and comic books. Back then, a spinning wire rack had stood by the front door: Tales from the Crypt, Fantastic Four, the Dark Knight series, Wolgast’s favorite.

On those shelves are stacks of me: hundreds of comic books — Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four. There are Boy’s Life magazines, dozens of issues of Famous Monsters of Filmland, Screen Thrills, and Popular Mechanics. There is a yellow wall of National Geographics, and I have to blush and say I know where all the African pictures are.

Ever boy deserves a father.

Like Jocelyn, Survivors often think: * That’s just the way I am * I’m not lovable, that’s why I keep having disastrous relationships * I’m not very clever, that’s why I didn’t do well at school * I’m a loner * I’m a weak person * I’m not very nice * I was a difficult child Many survivors find it difficult to accept that being sexually abused as a child can continue to affect them many years later. It may seem too fantastic, or too frightening an idea to believe. David Finkelhor, an American researcher, has tried to explain how sexual abuse affects a child and leads to long-term problems. He suggests four ways in which childhood sexual abuse causes problems: 1 Traumatic Sexualization 2 Stigmatization 3 Betrayal 4 Powerlessness

Borges once claimed that the basic device of all fantastic literature are only four in number: the work within the work, the contamination of reality by dream, the voyage in time, and the double

What is it with Dictators and Writers, anyway? Since before the infamous Caesar-Ovid war they've had beef. Like the Fantastic Four and Galactus, like the X-Men and the Brotherhood of Evil Mutants, like the Teen Titans and Deathstroke, Foreman and Ali, Morrison and Crouch, Sammy and Sergio, they seemed destined to be eternally linked in the Halls of Battle. Rushdie claims that tyrants and scribblers are natural antagonists, but I think that's too simple; it lets writers off pretty easy. Dictators, in my opinion, just know competition when they see it. Same with writers. Like, after all, recognizes like.

So it began, the living escape. The writer’s life. Limits left at the door, with muddy boots, grace and undiscovered fantastical, far away lands. Intrigue exists, beyond the confines of four, suffocating walls. The flawed, vulnerable, messy, selfish heroine makes human mistakes, yet we forgive her. We recognize the broken pieces in ourselves, her honesty forces a hard look in the mirror. Characters become real, we picture them with our own eyes, hear their voices, empathize with their story. We root them on. When the writer does their job well, we love them, never wanting to say good-bye.

Finally, it is no longer completely fantastic to think that a day may come when not the executioners alone will deny the inalienable rights of men, but when even the victims will not be able to say why it is that they are suffering injustice.

No telephone message arrived, but the butler went without his sleep and waited for it until four o'clock - until long after there was anyone to give it to if it came. I have an idea that Gatsby himself didn't believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm, world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about...like that ashen, fantastic figure gliding toward him through the amorphous trees.

Recently I was at a dinner with a political scientist who put down his fork and said to the four of us: “I’m eighty. What should I do with the rest of my life?” That was a really humble but big question to ask. Essentially, he was asking, “What is the best way to grow old?” We started talking about his values, the questions he wanted to ask in his future research, how anyone should spend the final years of their life. It was fantastic.

It was now autumn, and I made up my mind to make, before winter set in, an excursion across Normandy, a country with which I was not acquainted. It must be borne in mind that I began with Rouen, and for a week I wandered about enthusiastic with admiration, in that picturesque town of the Middle Ages, in that veritable museum of extraordinary Gothic monuments. Well, one afternoon, somewhere about four o'clock, as I happened to be passing down an out-of-the-way by-street, in the middle of which flowed a deep river, black as ink, named the Eau de Robec, my attention wholly directed to examining the bizarre and antique physiognomy of the houses, was all of a sudden attracted by the sight of a series of shops of furniture brokers, one after the other, from door to door along the street. Ah! these second-hand brokers had well chosen their locality, these sordid old traffickers of bric-a-brac, in this fantastic alley leading up from stream of that sinister dark water, under the steep pointed overhanging gables of tiled roofs and projecting shingle eaves, where the weathercocks of the past still creaked overhead. ("Who Knows?")

Never shall I truly understand the human race.  What do they seek to prove by their eternal battling? What glory do they find in harming a fellow being? Or, as I sometimes suspect, have I been condemned to a world where madness reigns?” -- the Silver Surfer in Fantastic Four #55, by Stan Lee, Jack Kirby, Joe Sinnott, Sammy Rosen, and Irving Forbush.

What is the true cost of a man's mistakes?

At first glance, Jake, Shayna, Seneca, and Conner seem like average teens. Maybe even like some kids you know. But they’re not. They know that magic, spells, and prophecies are real.

Werewolves spend most of their time as humans (whether wizard or Muggle). Once a month, however, they transform into savage, four-legged beasts of murderous intent and no human conscience.

Do Androids Dream of Electric Sheep?, Philip K. Dick The Secret Meaning of Things, Lawrence Ferlinghetti Fantastic Four #89, Stan Lee and Jack Kirby The Left Hand of Darkness, Ursula K. LeGuin The Armies of the Night, Norman Mailer Behold the Man, Michael Moorcock Portnoy’s Complaint, Philip Roth City of the Chasch, Jack Vance Slaughterhouse-Five, Kurt Vonnegut The Electric Kool-Aid Acid Test, Tom Wolfe

These efforts began in earnest on October 18, 2004, and, rather remarkably, four months later, on January 27, 2005, an entirely new kind of car had been built by eighteen people. It could even be driven around.

with the signs of the Disc zodiac. There were sixty-four of them, from Wezen the Double-headed Kangaroo to Gahoolie, the Vase of Tulips (a constellation of great religious significance whose meaning, alas, was now lost).

a way to get around the country’s rigid labor laws that limit the hours employees can work, by automating a metal stamping factory so that it could run twenty-four hours per day instead of sixteen hours like the factories of rivals.

the Falcon 1 shut down just as planned and reached orbit, making it the first privately built machine to accomplish such a feat. It took six years—about four and half more than Musk had once planned—and five hundred people to make this miracle

Life is wonderful and strange...and it’s also absolutely mundane and tiresome. It’s hilarious and it’s deadening. It’s a big, screwed-up morass of beauty and change and fear and all our lives we oscillate between awe and tedium. I think stories are the place to explore that inherent weirdness; that movement from the fantastic to the prosaic that is life.... What interests me—and interests me totally—is how we as living human beings can balance the brief, warm, intensely complicated fingersnap of our lives against the colossal, indifferent, and desolate scales of the universe. Earth is four-and-a-half billion years old. Rocks in your backyard are moving if you could only stand still enough to watch. You get hernias because, eons ago, you used to be a fish. So how in the world are we supposed to measure our lives—which involve things like opening birthday cards, stepping on our kids’ LEGOs, and buying toilet paper at Safeway—against the absolutely incomprehensible vastness of the universe? How? We stare into the fire. We turn to friends, bartenders, lovers, priests, drug-dealers, painters, writers. Isn’t that why we seek each other out, why people go to churches and temples, why we read books? So that we can find out if life occasionally sets other people trembling, too?

When you start crafting a story and characters, there is something so crazy important that you must always keep it in the back of your mind: there is no single force on this planet more powerful than that of empathy...   Hulk knows your likely counter already: “Oh yeah, Hulk? Well what about Galactus! Galactus is totally the most powerful!!!!”   Pssssh. How does Galactus get defeated? It’s because Alicia Masters appeals to the Silver Surfer's sense of empathy, which causes him to join the Fantastic Four and defeat his former master!   Empathy, bitches. Empathy.

Menopause had finally terminated her fantastically involved and complex relationship with her womb: a legendary saga of irregular bleeding, eleven-month pregnancies straight out of the Royal Society proceedings, terrifying primal omens, miscarriages, heartbreaking epochs of barrenness punctuated by phases of such explosive fertility that Uncle Thomas had been afraid to come near her—disturbing asymmetries, prolapses, relapses, and just plain lapses, hellish cramping fits, mysterious interactions with the Moon and other cœlestial phenomena, shocking imbalances of all four of the humours known to Medicine plus a few known only to Mayflower, seismic rumblings audible from adjoining rooms—cancers reabsorbed—(incredibly) three successful pregnancies culminating in four-day labors that snapped stout bedframes like kindling, vibrated pictures off walls, and sent queues of vicars, mid-wives, physicians, and family members down into their own beds, ruined with exhaustion.

No telephone message arrived, but the butler went without his sleep and waited for it until four o'clock - until long after there was anyone to give it to if it came. I have an idea that Gatsby himself didn't believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how now the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about... like that ashen, fantastic figure gliding towards him through amorphous trees. - (Page 132)

Most of what we got was crockery: from exotic crystal bowls to ceramic anomalies. Then, a cross-section of rugs- from a beautiful Kashmiri original to a memorable one with printed dragons and utterly incomprehensible hieroglyphics. Dibyendu (typically) gave us a scrabble set and Runai Maashi: that rocking chair. Yuppie work friends, trying to be unique and aesthetically offbeat, went for wind-chimes but there were really far too many of them by the end. We also got a fantastic number of white and off-white kurtas, jamdani sarees with complementary blouses, no less than nine suitcases, suit pieces, imported condoms, bed-sheets, bed-covers, coffee makers, coffee tables, coffee-table books, poetry books, used gifts (paintings of sunsets and other disasters), three nights and four days in Darjeeling, along with several variations of Durga, Ganesh and all the usual suspects in ivory, china, terracotta, papier-mâché, and what have you. Someone gave us a calendar that looking back, I think, was laudably sardonic. Others gave us money, in various denominations: from eleven to five hundred and one. And in one envelope, came a letter for her that she read in tears in the bathroom.’ ('Left from Dhakeshwari')

The honky-tonk bartender, who doubled as bouncer, waiter, and cashier, was in no mood to compromise. Mercy was not in him. He came out around the open end of the long counter, waddled threatening across the floor in a sullen, red-faced fury and began to shake the inanimate figure lying across the table with its head bedded on its arms. "Hey, you! Do your sleeping in the gutter!" If you gave these bums an inch; they took a yard. And this one was a particularly glaring example of the genus bar-fly. He was in here all the time like this, inhaling smoke and then doing a sunset across the table. He'd been in here since four this afternoon. The boss and he, who were partners in the joint - the bartender called it jernt - would have been the last ones to claim they were running a Rainbow Room, but at least they were trying to give the place a little class, keep it above the level of a Bowery smoke-house; they even paid a guy to pound the piano and a canary to warble three times a week. And then bums like this had to show up and give the place a bad look! He shook the recumbent figure again, more roughly than the first time. Shook him so violently that the whole reedy table under him rattled and threatened to collapse. "Come on, clear out, I said! Pay me for what you had and get outa here!" ("I'm Dangerous Tonight")

...the daylight subdued by four red walls with narrow white stripes adopted a pink glow which lent faces and every last detail a mysterious grace and a fantastical quality…Sunbeams fell across the house obliquely, wrapping around it like a scarf, cutting across the parlor, expiring in a peculiar sheen on the paneling along the walls that backed onto the courtyard, and enveloping [the] woman in the scarlet zone projected by the damask curtain draped along the window.

But … that’s absurd!” he cried, blushing. “Your poem praises Jesus, it doesn’t revile him … as you meant it to. And who will believe you about freedom? Is that, is that any way to understand it? It’s a far cry from the Orthodox idea … It’s Rome, and not even the whole of Rome, that isn’t true—they’re the worst of Catholicism, the Inquisitors, the Jesuits … ! But there could not even possibly be such a fantastic person as your Inquisitor. What sins do they take on themselves?

Shirogane: "This is a brand-new show called 'Naze? Naze? Neeze!' " I'm Shirogane, the teacher of course.♥" " We're covering Arithmethic!" "Here we have Akira-kun and Kengo-kun, who will tackle the questions with us!" Kengo: "Hello there!" ^_^ Akira: "I'm a high school student, by the way!" "Why do I have to do arithmethic?!" Shirogane: "And here's my assistant, kokuchi!" Kokuchi: "HISS!" Akira: "HEY! I don't get why a kokuchi is here...Besides, does it even remotely understand our language." Shirogane:"Here's the first question" "Akira-kun, what's three times four?" Akira: "Twelve..." Shirogane: "CORRECT!!!" "Wonderful Akira-kun! Fantastic Job!" "You're so smart. Can I call you genius from now on?" Akira: "Only if you want a pencil shoved in your eye!" "Stop making fun of me right now!" Shirogane: "Let's move on to the next question.♥ (Shirogane spinning) Akira: "Why are you so hyper today?" "You're acting like a different person!" Shirogane: "Kengo-kun what is 23 minus 15?" Kengo: "Twe--" Shirogane: "WRONG." " If you can't solve a simple problem like this, you don't even deserve to be considered human. You'd be better off dead. SO JUST DIE." Kengo: "I made a small mistake! No need to walk all over me like that!!" Shirogane: "Let me explain this problem so that stupid Kengo-kun can understand." Kengo: "I...I am not stupid!" Shirogane: "First, you have 23 kokuchi..." "...You take 15 from the 23..." "...AND KILL THEM" (Shirogane killing the Kokuchi) Kengo: "OMG, Akira! Can you stop him?!" Akira: "Well...Why should I? I don't really care...I'm tired." Kengo: "AKIRA!!" (Shirogane covered in Kokuchi blood) Shirogane: Now then! How many kokuchi do we have left now, Kengo-kun." (Kokuchi shivers) Kengo: "SO GROSS! EI--EIGHT! THE ANSWER IS EIGHT!" Shirogane: "Yes you are correct! Well, the dumb boy finally understood the problem, and it's time for us to say goodbye!" "Take care and see you next week!" (Akira sleeping) Kengo: Not likely..." Shirogane: "GOODBYE!

Masih ingat ikrar kita dulu. Mulai hari ini kita berempat adalah sahabat. Layaknya saudara sedarah, tak ada rahasia di antara kita meski itu hanya hal kecil yang tak kasat mata. Tak boleh ada yang disembunyikan meski itu menyakitkan. Dan tak ada pula yang boleh bertengkar hebat, karena itu sama saja dengan menyakiti tubuhnya sendiri.” Ujar Toni panjang lebar sembari mengingatkan kembali ikrar kami berempat dulu saat pertama kali mengucapkan janji sedarah. “Kita punya cita-cita agung, tumbuh sukses dengan kehidupan yang tenang.” Sambung Ilham kemudian sambil meletakkan tangannya di atas punggung tangan Toni. “Tampil brilian, dengan saling menutupi kekurangan yang lain tanpa perlu belas kasihan.” Lanjutku yang ikut meletakkan tangan kanan di atas tangan mereka berdua. “Berani maju karena kita ada untuk saling menopang.” Ucap Reza kemudian melengkapi formasi empat tangan yang telah bersusun rapi. “Kita adalah saudara tak sedarah. Fantastic Four yang siap mengguncang dunia. Eaaaa,” sahut kami berempat kompak dilanjutkan dengan rangkulan hangat.

Miranda ate four slices of greasy, fatty bacon, two sausage links, and a soft cheese Danish every morning, and washed it down with a tall latte from Starbucks (two raw sugars, remember!). As far as I could tell, the office was divided on whether she was permanently on the Atkins diet or just lucky enough to have a superhuman metabolism, the result of some pretty fantastic genes. Either way, she thought nothing of devouring the fattiest, the most sickeningly unhealthy foods--even though the rest of us weren't exactly afforded the same luxury.

But that was where his excitement began to melt into cold anxiety. His dad had been the Gryffindor Seeker, the youngest one in Hogwarts history. The best he, James, could hope for was to match that record. That’s what everyone would expect of him, the first-born son of the famous hero. He remembered the story, told to him dozens of times (although never by his own dad) of how the young Harry Potter had won his first Golden Snitch by virtually jumping off his broom, catching the golden ball in his mouth and nearly swallowing it. The tellers of the tale would always laugh uproariously, delightedly, and if Dad was there, he’d smile sheepishly as they clapped him on the back. When James was four, he found that famed Snitch in a shoe box in the bottom of the dining room hutch. His mum told him it’d been a gift to Dad from the old school headmaster. The tiny wings no longer worked, and the golden ball had a thin coat of dust and tarnish on it, but James was mesmerized by it. It was the first Snitch he had ever seen close up. It seemed both smaller and larger than he’d imagined, and the weight of it in his small hand was surprising. This is the famous Snitch, James thought reverently, the one from the story, the one caught by my dad. He asked his dad if he could keep it, stored in the shoebox when he wasn’t playing with it, in his room. His dad agreed easily, happily, and James moved the shoebox from the bottom of the hutch to a spot under the head of his bed, next to his toy broom. He pretended the dark corner under his headboard was his Quidditch locker. He spent many an hour pretending to zoom and bank over the Quidditch green, chasing the fabled Snitch, in the end, always catching it in a fantastic diving crash, jumping up, producing his dad’s tarnished Snitch for the approval of roaring imaginary crowds.

I grab the nonstick skillet, put it on the stove, and fetch four slices of bread from the breadbox. I've been playing with a new bread recipe, a cross between sourdough and English muffin, baked in a sliceable loaf. Makes fantastic toast, and I've been craving grilled cheese with it since I brought it home yesterday. I literally butter all four slices all the way to each edge, place them butter-side down in the skillet, and top each with a thick slice of American cheese. That way, as the pan slowly heats up, the cheese starts to melt, and by the time the outsides are crunchy and crispy, the cheese is a goo-fest, and nothing gets burnt. And I always make two, because one grilled cheese sandwich is never enough.

But you know what? I’m waving to you from the shores of forty-three and the months are peeling away. It’s looking extremely likely that I’ll still be paying off my student loans when I’m forty-four. Has this ruined my life? Has it kept me from pursuing happiness, my writing career, and ridiculously expensive cowboy boots? Has it compelled me to turn away from fantastically financially unsound expenditures on fancy dinners, travel, “organic” shampoo, and high-end preschools? Has it stopped me from adopting cats who immediately need thousands of dollars in veterinary care or funding dozens of friends’ artistic projects on Kickstarter or putting $20 bottles of wine on my credit card or getting the occasional pedicure? It has not.

The dominant literary mode of the twentieth century has been the fantastic. This may appear a surprising claim, which would not have seemed even remotely conceivable at the start of the century and which is bound to encounter fierce resistance even now. However, when the time comes to look back at the century, it seems very likely that future literary historians, detached from the squabbles of our present, will see as its most representative and distinctive works books like J.R.R. Tolkien’s The Lord of the Rings, and also George Orwell’s Nineteen Eighty-Four and Animal Farm, William Golding’s Lord of the Flies and The Inheritors, Kurt Vonnegut’s Slaughterhouse-Five and Cat’s Cradle, Ursula Le Guin’s The Left Hand of Darkness and The Dispossessed, Thomas Pynchon’s The Crying of Lot-49 and Gravity’s Rainbow. The list could readily be extended, back to the late nineteenth century with H.G. Wells’s The Island of Dr Moreau and The War of the Worlds, and up to writers currently active like Stephen R. Donaldson and George R.R. Martin. It could take in authors as different, not to say opposed, as Kingsley and Martin Amis, Anthony Burgess, Stephen King, Terry Pratchett, Don DeLillo, and Julian Barnes. By the end of the century, even authors deeply committed to the realist novel have often found themselves unable to resist the gravitational pull of the fantastic as a literary mode. This is not the same, one should note, as fantasy as a literary genre – of the authors listed above, only four besides Tolkien would find their works regularly placed on the ‘fantasy’ shelves of bookshops, and ‘the fantastic’ includes many genres besides fantasy: allegory and parable, fairy-tale, horror and science fiction, modern ghost-story and medieval romance. Nevertheless, the point remains. Those authors of the twentieth century who have spoken most powerfully to and for their contemporaries have for some reason found it necessary to use the metaphoric mode of fantasy, to write about worlds and creatures which we know do not exist, whether Tolkien’s ‘Middle-earth’, Orwell’s ‘Ingsoc’, the remote islands of Golding and Wells, or the Martians and Tralfa-madorians who burst into peaceful English or American suburbia in Wells and Vonnegut. A ready explanation for this phenomenon is of course that it represents a kind of literary disease, whose sufferers – the millions of readers of fantasy – should be scorned, pitied, or rehabilitated back to correct and proper taste. Commonly the disease is said to be ‘escapism’: readers and writers of fantasy are fleeing from reality. The problem with this is that so many of the originators of the later twentieth-century fantastic mode, including all four of those first mentioned above (Tolkien, Orwell, Golding, Vonnegut) are combat veterans, present at or at least deeply involved in the most traumatically significant events of the century, such as the Battle of the Somme (Tolkien), the bombing of Dresden (Vonnegut), the rise and early victory of fascism (Orwell). Nor can anyone say that they turned their backs on these events. Rather, they had to find some way of communicating and commenting on them. It is strange that this had, for some reason, in so many cases to involve fantasy as well as realism, but that is what has happened.

Oppie had found the time to coauthor a paper with Hans Bethe, published in Physical Review, on electron scattering. That year he was nominated for the Nobel Prize in physics—but the Nobel committee evidently hesitated to give the award to someone whose name was so closely associated with Hiroshima and Nagasaki. Over the next four years, he published three more short physics papers and one paper on biophysics. But after 1950, he never published another scientific paper. “He didn’t have Sitzfleisch,” said Murray Gell-Mann, a visiting physicist at the Institute in 1951. “Perseverance, the Germans call it Sitzfleisch, ‘sitting flesh,’ when you sit on a chair. As far as I know, he never wrote a long paper or did a long calculation, anything of that kind. He didn’t have patience for that; his own work consisted of little aperçus, but quite brilliant ones. But he inspired other people to do things, and his influence was fantastic.

Hey—we have a problem. You have some unexpected guests down at the gate. You should go check it out.” Guests? Who would come here to see me? I hop in the golf cart and drive down to the main gate. Just in time to hear Franny Barrister, the Countess of Ellington, tearing into a poor, clueless Matched security guard. “Don’t you tell me we can’t come in, you horse’s arse. Where’s Henry—what have you done with him?” Simon, my brother’s best friend, sees me approach, his sparkling blue eyes shining. “There he is.” I nod to security and open the gate. “Simon, Franny, what are you doing here?” “Nicholas said you didn’t sound right the last time he spoke to you. He asked us to peek in on you,” Simon explains. Franny’s shrewd gaze rakes me over. “He doesn’t look drunk. And he obviously hasn’t hung himself from the rafters—that’s better than I was expecting.” “Thanks for the vote of confidence.” Simon peers around the grounds, at the smattering of crew members and staging tents. “What the hell is going on, Henry?” I clear my throat. “So . . . the thing is . . . I’m sort of . . . filming a reality dating television show here at the castle and we started with twenty women and now we’re down to four, and when it’s over one of them will get the diamond tiara and become my betrothed. At least in theory.” It sounded so much better in my head. “Don’t tell Nicholas.” Simon scrubs his hand down his face. “Now I’m going to have to avoid his calls—I’m terrible with secrets.” And Franny lets loose a peal of tinkling laughter. “This is fabulous! You never disappoint, you naughty boy.” She pats my arm. “And don’t worry, when the Queen boots you out of the palace, Simon and I will adopt you. Won’t we, darling?” Simon nods. “Yes, like a rescue dog.” “Good to know.” Then I gesture back to their car. “Well . . . it was nice of you to stop by.” Simon shakes his head. “You’re not getting rid of us that easily, mate.” “Yes, we’re definitely staying.” Franny claps her hands. “I have to see this!” Fantastic.

Joan Blondell had it all: looks, talent, energy, humor. If she never became a top-flight superstar, the fault lies mostly with Warner Brothers. At MGM, Joan could have easily had Jean Harlow’s career; at Paramount, Claudette Colbert’s or Carole Lombard’s; at Fox, Loretta Young’s; at RKO, Ginger Rogers’. Some of the fault lies, too, with Blondell herself, who later admitted, “The instant they said ‘cut!’ I was whammo out of that studio and into the car . . . In order to be a top star and remain a top star and to get all the fantastic roles that you yearned for, you’ve got to fight for it and you’ve got to devote your twenty-four hours to just that; you’ve got to think of yourself as a star, operate as a star; do all the press that is necessary . . . What meant most to me was getting home, and that’s the truth.” But if Joan Blondell got slightly lost in the shuffle at Warners, she still managed to turn in some delightfully snappy performances and typify the warm-hearted, wisecracking Depression dame. And when she aged, she did so with grace and humor.

EXCERPT FROM CHAPTER ONE MY LIFE ON CRAIGSLIST Stars and Cards Never Lie Date: 2011-04-1, 9:17PM EST Reply to: sev-rgddta-26664852@craigslist.org Life and the economy beating you down? The accuracy of the Rider Waite Tarot cards and my Astrology consultations will amaze you. The insight you’ll gain from these readings will be a fantastic catalyst for spiritual growth and personal advancement. Available by phone and skype. Alternative decks and house calls can be arranged upon request. •Location: New York City, MANHATTAN •it's NOT ok to contact this poster with services or other commercial interests Chapter 1 Four Cookies and a Funeral Yesterday I went on Craigslist and hired a Tarot reader to tell me whether I was in any danger of losing my job. I wasn’t really worried because last week, an astrologer I’d also found on Craigslist, had told me there was no major movement in the sixth house, which is the area of my chart that governs work. But just in case, I met with the Tarot card reader who told me everything was going to be okay. Today I got canned.

In his endless journeys of exploration, crawling on all fours around the Urals and the Amazon and the Australian archipelagos which the furniture of the house was to him, sometimes he no longer knew where he was. And he would be found under the sink in the kitchen, ecstatically observing a patrol of cockroaches as if they were wild colts on the prairie. He even recognized a ttar in a gob of spit. But nothing had the power to make him rejoice as much as Nino's presence. It seemed that, in his opinion, Nino concentrated in himself the total festivity of the world, which everywhere else was to be found scattered and divided. For in Giuseppe's eyes, Nino represented by himself all the myriad colors, and the glow of fireworks, and every species of fantastic and lovable animal, and carnival shows. Mysteriously, he could sense Nino's arrival from the moment when he began the ascent of the stairs! And he would hurry immediately, as fast as he could with his method, toward the entrance, repeating ino ino, in an almost dramatic rejoicing of all his limbs. At times, even, when Nino came home late at night, he, sleeping, would stir slightly at the sound of the key, and with a trusting little smile he would murmur in a faint voice: Ino.

A private car was waiting for us and Renée and I were driven back to the Pleasure Prison. As we rode along I was thinking, “Why do I feel so inflated, so pumped up, so on edge? I have been here eight weeks and worked only eight days.” I mean, talk about mad dogs and Englishmen, the British were incredible. A sixty-year-old makeup man stood for hours each day in the burning sun, just to press ice packs on our necks so we wouldn’t faint, and I was complaining? I was feeling ravaged, all spoiled and puffed up. But, oh, how I was going to miss it. How I was going to miss it. Riding in the car, I said a silent farewell. Farewell to the fantastic breakfasts, the pineapple like I’d never tasted and probably never will taste again. Farewell to the fresh mango and papaya, farewell to the Thai maid and the fresh, clean, cotton sheets on the king-size bed every night. Farewell to the incredible free lunches under the circus tent with fresh meat flown in from America every day. Roast lamb, roast potatoes and green beans at 110 degrees, in accordance with British Equity. Farewell to the cakes and teas and ices at four. Farewell to the Thai driver with the tinted glasses and the Mercedes with the one-way windows. Farewell to the single fresh rose in the glass on my bureau every morning. And just as I was dozing off in the Pleasure Prison, I had a flash. An inkling. I suddenly thought I knew what it was that killed Marilyn Monroe.

Lionel Messi (32), who plays for FC Barcelona in the Spanish football league, has recorded his 50th hat-trick. The team also won. Messi made his first hat-trick as a left-handed striker in the 25th round of the away game against Spain in the 2018-2019 Primera División at the Ramon Sánchez Pisjuan Stadium in Seville, Spain. Messi's 50th hat-trick. He wrote 44 hits in Barcelona and 6 hits in Argentina. The start of the game was not good. In the 22nd minute Messi's passing mistake led to a counterattack in Seville. He scored a goal for Navas and Barcelona were 0-1. Four minutes later Messi scored a fantastic goal. On the left side, Ivan Rakitić's cross came up with a direct volley shooting. It was stuck in the left corner of the goal correctly. In the second half of the second half of the match, he managed to take a right-footed shot from the front of Arc Circle, Goalkeeper Thomas Bachlick reached out his hand but he was blind. 텔레【KC98K】카톡【ACD5】라인【SPR331】 ♥100%정품보장 ♥총알배송 ♥투명한 가격 ♥편한 상담 ♥끝내주는 서비스 ♥고객님 정보 보호 ♥깔끔한 거래 ◀경영항목▶ 수면제,여성-최음제,,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,드래곤,99정,바오메이,정력제,남성성기확대제,카마-그라젤,비닉스,센돔,꽃물,남성-조-루제,네노마정 등많은제품 판매중입니다 센돔 판매,센돔 구입방법,센돔 구매방법,센돔 효과,센돔 처방,센돔 파는곳,센돔 지속시간,센돔 구입,센돔 구매,센돔 복용법 In the 39th minute of the second half, Carlos Alenya's shot was deflected and deflected, and Messi broke into the box with a penalty box. Messi helped Luis Suárez score just before the end of the game and made four goals on the day. The team had a pleasant 4-2 victory and solidified the league with 57 points (17 wins, 6 draws, 2 losses). Madrid, who have been at the top of the table for the last time.

A serious reader of fiction is an adult who reads, let's say, two or more hours a night, three or four nights a week, and by the end of two or three weeks he has read the book. A serious reader is not someone who reads for half an hour at a time and then picks the book up again on the beach a week later. While reading, serious readers aren't distracted by anything else. They put the kids to bed, and then they read. They don't watch TV intermittently or stop off and on to shop on-line or to talk on the phone. There is, indisputably, a rapidly diminishing number of serious readers, certainly in America. Of course, the cause is something more than just the multitudinous distractions of contemporary life. One must acknowledge the triumph the screen. Reading, whether serious or frivolous, doesn't stand a chance against the screen: first, the movie screen, then the television screen, now the proliferating computer screen, one in your pocket, one on your desk, one in your hand, and soon one imbedded between your eyes. Why can't serious reading compete? Because the gratifications of the screen are far more immediate, graspable, gigantically gripping. Alas, the screen is not only fantastically useful, it's fun, and what beats fun? There was never a Golden Age of Serious Reading in America but I don't remember ever in my lifetime the situation being as sad for books – with all the steady focus and uninterrupted concentration they require – as it is today. And it will be worse tomorrow and even worse the day after. My prediction is that in thirty years, if not sooner, there will be just as many people reading serious fiction in America as now read Latin poetry. A percentage do. But the number of people who find in literature a highly desirable source of sustaining pleasure and mental stimulation is sadly diminished.

Mirrors I have been horrified before all mirrors not just before the impenetrable glass, the end and the beginning of that space, inhabited by nothing but reflections, but faced with specular water, mirroring the other blue within its bottomless sky, incised at times by the illusory flight of inverted birds, or troubled by a ripple, or face to face with the unspeaking surface of ghostly ebony whose very hardness reflects, as if within a dream, the whiteness of spectral marble or a spectral rose. Now, after so many troubling years of wandering beneath the wavering moon, I ask myself what accident of fortune handed to me this terror of all mirrors– mirrors of metal and the shrouded mirror of sheer mahogany which in the twilight of its uncertain red softens the face that watches and in turn is watched by it. I look on them as infinite, elemental fulfillers of a very ancient pact to multiply the world, as in the act of generation, sleepless and dangerous. They extenuate this vain and dubious world within the web of their own vertigo. Sometimes at evening they are clouded over by someone's breath, someone who is not dead. The glass is watching us. And if a mirror hangs somewhere on the four walls of my room, I am not alone. There's an other, a reflection which in the dawn enacts its own dumb show. Everything happens, nothing is remembered in those dimensioned cabinets of glass in which, like rabbits in fantastic stories, we read the lines of text from right to left. Claudius, king for an evening, king in a dream, did not know he was a dream until the day on which an actor mimed his felony with silent artifice, in a tableau. Strange, that there are dreams, that there are mirrors. Strange that the ordinary, worn-out ways of every day encompass the imagined and endless universe woven by reflections. God (I've begun to think) implants a promise in all that insubstantial architecture that makes light out of the impervious surface of glass, and makes the shadow out of dreams. God has created nights well-populated with dreams, crowded with mirror images, so that man may feel that he is nothing more than vain reflection. That's what frightens us.

I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.

The presence of this extraordinary being caused, as it were, a breath of life to circulate throughout the entire cathedral. It seemed as though there escaped from him, at least according to the growing superstitions of the crowd, a mysterious emanation which animated all the stones of Notre-Dame, and made the deep bowels of the ancient church to palpitate. It sufficed for people to know that he was there, to make them believe that they beheld the thousand statues of the galleries and the fronts in motion. And the cathedral did indeed seem a docile and obedient creature beneath his hand; it waited on his will to raise its great voice; it was possessed and filled with Quasimodo, as with a familiar spirit. One would have said that he made the immense edifice breathe. He was everywhere about it; in fact, he multiplied himself on all points of the structure. Now one perceived with affright at the very top of one of the towers, a fantastic dwarf climbing, writhing, crawling on all fours, descending outside above the abyss, leaping from projection to projection, and going to ransack the belly of some sculptured gorgon; it was Quasimodo dislodging the crows. Again, in some obscure corner of the church one came in contact with a sort of living chimera, crouching and scowling; it was Quasimodo engaged in thought. Sometimes one caught sight, upon a bell tower, of an enormous head and a bundle of disordered limbs swinging furiously at the end of a rope; it was Quasimodo ringing vespers or the Angelus. Often at night a hideous form was seen wandering along the frail balustrade of carved lacework, which crowns the towers and borders the circumference of the apse; again it was the hunchback of Notre-Dame. Then, said the women of the neighborhood, the whole church took on something fantastic, supernatural, horrible; eyes and mouths were opened, here and there; one heard the dogs, the monsters, and the gargoyles of stone, which keep watch night and day, with outstretched neck and open jaws, around the monstrous cathedral, barking. And, if it was a Christmas Eve, while the great bell, which seemed to emit the death rattle, summoned the faithful to the midnight mass, such an air was spread over the sombre façade that one would have declared that the grand portal was devouring the throng, and that the rose window was watching it. And all this came from Quasimodo. Egypt would have taken him for the god of this temple; the Middle Ages believed him to be its demon: he was in fact its soul.

As physicist Edward Witten once said, “String theory is extremely attractive because gravity is forced upon us. All known consistent string theories include gravity, so while gravity is impossible in quantum field theory as we have known it, it’s obligatory in string theory.” Ten Dimensions But as the theory began to evolve, more and more fantastic, totally unexpected features began to be revealed. For example, it was found that the theory can only exist in ten dimensions! This shocked physicists, because no one had ever seen anything like it. Usually, any theory can be expressed in any dimension you like. We simply discard these other theories because we obviously live in a three-dimensional world. (We can only move forward, sideways, and up and down. If we add time, then it takes four dimensions to locate any event in the universe. If we want to meet someone in Manhattan, for example, we might say, Let’s meet at the corner of 5th Avenue and 42nd Street, on the tenth floor, at noon. However, moving in dimensions beyond four is impossible for us, no matter how we try. In fact, our brains cannot even visualize how to move in higher dimensions. Therefore all the research done in higher-dimensional string theory is done using pure mathematics.) But in string theory, the dimensionality of space-time is fixed at ten dimensions. The theory breaks down mathematically in other dimensions. I still remember the shock that physicists felt when string theory posited that we live in a universe of ten dimensions. Most physicists saw this as proof that the theory was wrong. When John Schwarz, one of the leading architects of string theory, was in the elevator at Caltech, Richard Feynman would prod him, asking, “Well, John, and how many dimensions are you in today?” Yet over the years, physicists gradually began to show that all rival theories suffered from fatal flaws. For example, many could be ruled out because their quantum corrections were infinite or anomalous (that is, mathematically inconsistent). So over time, physicists began to warm up to the idea that perhaps our universe might be ten-dimensional after all. Finally, in 1984, John Schwarz and Michael Green showed that string theory was free of all the problems that had doomed previous candidates for a unified field theory. If string theory is correct, then the universe might have originally been ten-dimensional. But the universe was unstable and six of these dimensions somehow curled up and became too small to be observed. Hence, our universe might actually be ten-dimensional, but our atoms are too big to enter these tiny higher dimensions.

us, “How are you doing?” ... without even thinking, we automatically reply, “Oh, just over death,” or “Fantastic!” depending on our internal programs.

Acronyms Seriously Suck: There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum. This was classic Musk. The e-mail is rough in its tone and yet not really unwarranted for a guy who just wants things done as efficiently as possible. It obsesses over something that other people might find trivial and yet he has a definite point. It’s comical in that Musk wants all acronym approvals to run directly through him, but that’s entirely in keeping with the hands-on management style that has, mainly, worked well at both SpaceX and Tesla. Employees have since dubbed the acronym policy the ASS Rule.

It could be argued that no one on the planet knew more about the realities of getting things into space than Griffin, and he was working for Musk as space thinker in chief. (Four years later, in 2005, Griffin took over as head of NASA.)

So try to forget we’re here,” she finishes. “Yeah?” I put my mouth right up against her ear, on purpose this time, to keep the distraction going, but also because I get the feeling I’m not the only one who’s distracted. “That easy, huh?” “You know, most boys would enjoy being trapped in close quarters with a girl.” “Not claustrophobic people, Tris!” “Okay, okay.” She guides my hand to her chest, right under where her collarbone dips. All I can think about is what I want, which has nothing to do with getting out of this box, suddenly. “Feel my heartbeat. Can you feel it?” “Yes.” “Feel how steady it is?” I smile into her shoulder. “It’s fast.” “Yes, well, that has nothing to do with the box.” Of course it doesn’t. “Every time you feel me breathe, you breathe. Focus on that.” We breathe together, once, twice. “Why don’t you tell me where this fear comes from. Maybe talking about it will help us somehow.” I feel like this fear should have vanished already, but what she’s doing is keeping me at a steady level of heightened uneasiness, not taking my fear away completely. I try to focus on where this box comes from. “Um…okay.” Okay, just do it, just say something real. “This one is from my…fantastic childhood.

She guides my hand to her chest, right under where her collarbone dips. All I can think about is what I want, which has nothing to do with getting out of this box, suddenly. “Feel my heartbeat. Can you feel it?” “Yes.” “Feel how steady it is?” I smile into her shoulder. “It’s fast.” “Yes, well, that has nothing to do with the box.” Of course it doesn’t. “Every time you feel me breathe, you breathe. Focus on that.” We breathe together, once, twice. “Why don’t you tell me where this fear comes from. Maybe talking about it will help us somehow.” I feel like this fear should have vanished already, but what she’s doing is keeping me at a steady level of heightened uneasiness, not taking my fear away completely. I try to focus on where this box comes from. “Um…okay.” Okay, just do it, just say something real. “This one is from my…fantastic childhood. Childhood punishments. The tiny closet upstairs.” Shut in the dark to think about what I did. It was better than other punishments, but sometimes I was in there for too long, desperate for fresh air. “My mother kept our winter coats in our closet,” she says, and it’s a silly thing to say after what I just told her, but I can tell she doesn’t know what else to do.

Why don’t you tell me where this fear comes from. Maybe talking about it will help us somehow.” I feel like this fear should have vanished already, but what she’s doing is keeping me at a steady level of heightened uneasiness, not taking my fear away completely. I try to focus on where this box comes from. “Um…okay.” Okay, just do it, just say something real. “This one is from my…fantastic childhood. Childhood punishments. The tiny closet upstairs.” Shut in the dark to think about what I did. It was better than other punishments, but sometimes I was in there for too long, desperate for fresh air. “My mother kept our winter coats in our closet,” she says, and it’s a silly thing to say after what I just told her, but I can tell she doesn’t know what else to do.

This one is from my…fantastic childhood. Childhood punishments. The tiny closet upstairs.” Shut in the dark to think about what I did. It was better than other punishments, but sometimes I was in there for too long, desperate for fresh air. “My mother kept our winter coats in our closet,” she says, and it’s a silly thing to say after what I just told her, but I can tell she doesn’t know what else to do.

Why don’t you tell me where this fear comes from. Maybe talking about it will help us somehow.” I feel like this fear should have vanished already, but what she’s doing is keeping me at a steady level of heightened uneasiness, not taking my fear away completely. I try to focus on where this box comes from. “Um…okay.” Okay, just do it, just say something real. “This one is from my…fantastic childhood. Childhood punishments. The tiny closet upstairs.” Shut in the dark to think about what I did. It was better than other punishments, but sometimes I was in there for too long, desperate for fresh air. “My mother kept our winter coats in our closet,” she says, and it’s a silly thing to say after what I just told her, but I can tell she doesn’t know what else to do. “I don’t really want to talk about it anymore,” I say with a gasp. She doesn’t know what to say because no one could possibly know what to say, because my childhood pain is too pathetic for anyone else to handle--my heart rate spikes again. “Okay. Then…I can talk. Ask me something.” I lift my head. It was working before, focusing on her. Her racing heart, her body against mine. Two strong skeletons wrapped in muscle, tangled together; two Abnegation transfers working on leaving tentative flirtation behind. “Why is your heart racing, Tris?” “Well, I…I barely know you.” I can picture her scowling. “I barely know you and I’m crammed up against you in a box, Four, what do you think?” “If we were in your fear landscape…” I say. “Would I be in it?” “I’m not afraid of you.” “Of course you’re not. That’s not what I meant.” I meant not Are you afraid of me? but Am I important enough to you to feature in the landscape anyway? Probably not. She’s right, she hardly knows me. But still: Her heart is racing.

In Australia alone is to be found the Grotesque, the Weird, the strange scribblings of Nature learning how to write. Some see beauty in our trees without shade, our flowers without perfume, our birds who cannot fly, and our beasts who have not yet learned to walk on all fours. But the dweller in the wilderness acknowledges the subtle charm of this fantastic land of monstrosities. He becomes familiar with the beauty of loneliness... the phantasmagoria of that wild dreamland called the Bush interprets itself, and he begins to understand why free Esau loved his heritage of desert-sand better than all the bountiful richness of Egypt.

… we are not going to add any fresh thrill to the thrill which the loveliness of The Piper at the Gates of Dawn has already given its readers… it seemed clear to me that Rat and Toad, Mole and Badger could only face the footlights with hope f success if they were content to amuse their audiences. There are both beauty and comedy in the book, but the beauty must be left to blossom there, for I, anyhow, shall not attempt to transplant it. But can one transplant even the comedy? Perhaps it has happened to you, as it has certainly happened to me, that you have tried to explain a fantastic idea to an entirely matter-of-fact person. ‘But they don’t,’ he says, and ‘You can’t,’ and ‘I don’t see why, just because –’ and ‘Even if you assume that –’ and ‘I thought you said just now he hadn’t.’ By this time you have thrown the ink-pot at him, with enough of accuracy, let us hope, to save you from his ultimatum, which is this: ‘However fantastic your assumption, you must work it out logically’ – that is to say, realistically. To such a mind The Wind in the Willows makes no appeal, for it is not worked out logically. In reading the book, it is necessary to think of Mole, for instance, sometimes as an actual mole, sometimes as such a mole in human clothes, sometimes as a mole grown to human size, sometimes as walking on two legs, sometimes on four. He is a mole, he isn’t a mole. What is he? I don’t know. And, not being a matter-of-fact person, I don’t mind. At least, I do know, and still I don’t mind. He is a fairy, like so many immortal characters in fiction; and, as a fairy, he can do, or be, anything. But the stage has no place for fairies. There is a horrid realism about the theatre, from which, however hard we try, we can never quite escape. Once we put Mole and his friends on the boards we have to be definite about them. What do they look like?

Dave and the others walked around the building. The building was surrounded by clumps of bushes and vines grew up its walls, but it looked like it had once had a lovely garden. When they reached the other side of the building, they saw a minecart track. It led from inside the building and then went off across the savanna, disappearing into the distance. The track seemed to lead right up to the huge white walls. The minecart track was twice as wide as they usually were. Suddenly an old music box embedded into one of the walls crackled into life, almost making Dave jump out of his skin. “Welcome to Redstone Land Station!” said a recorded voice. “You’re about to have the most fantastic vacation of your life, enjoying all the fun rides and experiences that our theme park has to offer. Ride on a rollercoaster! Stay at our luxury hotels! Chill out by our swimming pools! Or, if you’re feeling adventurous, why not join one of our tour groups and take a two-day horse ride to Bedrock City? This mysterious city has been abandoned for centuries. What kind of people used to live there? Nobody knows! But what we do know is that our Bedrock City tours are a fantastic deal — only forty emeralds per person, and kids get to go free! And if you’re feeling even more adventurous, you can take one of our tours to the Far Lands. Yes, beyond Bedrock City is one of the four edges of the world, a mysterious place where anything can happen! But I’m getting ahead of myself. For now, jump on the train and enjoy the leisurely ride to Redstone Land. The buffet carriage is at the back and is stocked with delicious food and drink! Terms and conditions apply. Redstone Land is not responsible for any injuries or loss of life experienced during one of our Bedrock City or Far Lands tours.” “Okay, that was weird,” said Carl. Suddenly the old music box spluttered into life once more and began to play the same message: “Welcome to Redstone Land Station! You’re about to have the most fantastic — “ WHAM! Carl slammed one of his golem fists into the music box, making it go POOF. A record fell out, and Carl picked it up and flung it across the savanna.

Pierre wakes up for good. As he's lying there yawning, he vaguely remembers a couple of false starts inspired by a ringing phone. He looks to his left. It's eleven. Next thing, he's stumbling down the hall toward his phone machine. 'Wait. Coffee,' he whispers in a shredded voice, veering back into the kitchen. He does what he has to, then plays back the messages, sips. Beep. 'It's Paul at Man Age. Appointment, twelve-thirty P.M., hour, Gramercy Park Hotel, room three-forty-four, name Terrence. Later.' Beep. 'Paul again. Appointment, two P.M., Washington Annex Hotel, room six-twenty, a play-it-by-ear, name Dennis, I think the same Dennis from last night. Check with us mid-afternoon. You're a popular dude. Later.' Beep. 'P., it's Marv, you there? . . . No? . . . Call me at work. Love ya.' On his way to the shower Pierre makes a stop at the stereo, plays side one of Here Comes the Warm Jets, an old Eno album. It's still on his turntable. It has this cool, deconstructive, self-conscious pop sound typical of the '70s Art Rock Pierre loves. He doesn't know why it's fantastic exactly. If he were articulate, and not just nosy, he'd write an essay about it. Instead he stomps around in the shower yelling the twisted lyrics. ' "By this time / I'd got to looking for a kind of / substitute . . ." ' It's weird to get lost in something so calculatedly chaotic. It's retro, pre-punk, bourgeois, meaningless, etc. ' ". . . I can't tell you quite how / except that it rhymes with / dissolute." ' Pierre covers his ears, beams, snorts wildly. Tying his sneakers, he flips the scuffed-up LP, plays his two favorite songs on the second side, which happen to sit third and fourth, and are aurally welded together by some distorted synthesizer-esque percussion, maybe ten, fifteen seconds in length. Pierre flops back in his chair, soaks the interlude up. It screeches, whines, bleeps like an orgasming robot.

Team Musk would grow to include Mike Griffin, and meet with the Russians three times over a period of four months.* The group set up a few meetings with companies like NPO Lavochkin, which had made probes intended for Mars and Venus for the Russian Federal Space Agency, and Kosmotras, a commercial rocket launcher. The appointments all seemed to go the same way, following Russian decorum. The Russians, who often skip breakfast, would ask to meet around 11 A.M. at their offices for an early lunch. Then there would be small talk for an hour or more as the meeting attendees picked over a spread of sandwiches, sausages, and, of course, vodka. At some point during this process, Griffin usually started to lose his patience. “He suffers fools very poorly,” Cantrell said.

One way to make yourself less vulnerable to copycats is to build a moat around your business. How Can I Build a Moat? As you scale your company, you need to think about how to proactively defend against competition. The more success you have, the more your competitors will grab their battering ram and start storming the castle. In medieval times, you’d dig a moat to keep enemy armies from getting anywhere near your castle. In business, you think about your economic moat. The idea of an economic moat was popularized by the business magnate and investor Warren Buffett. It refers to a company’s distinct advantage over its competitors, which allows it to protect its market share and profitability. This is hugely important in a competitive space because it’s easy to become commoditized if you don’t have some type of differentiation. In SaaS, I’ve seen four types of moats. Integrations (Network Effect) Network effect is when the value of a product or service increases because of the number of users in the network. A network of one telephone isn’t useful. Add a second telephone, and you can call each other. But add a hundred telephones, and the network is suddenly quite valuable. Network effects are fantastic moats. Think about eBay or Craigs-list, which have huge amounts of sellers and buyers already on their platforms. It’s difficult to compete with them because everyone’s already there. In SaaS—particularly in bootstrapped SaaS companies—the network effect moat comes not from users, but integrations. Zapier is the prototypical example of this. It’s a juggernaut, and not only because it’s integrated with over 3,000 apps. It has widened its moat with nonpublic API integrations, meaning that if you want to compete with it, you have to go to that other company and get their internal development team to build an API for you. That’s a huge hill to climb if you want to launch a Zapier competitor. Every integration a customer activates in your product, especially if it puts more of their data into your database, is another reason for them not to switch to a competitor. A Strong Brand When we talk about your brand, we’re not talking about your color scheme or logo. Your brand is your reputation—it’s what people say about your company when you’re not around.

Chocolate Mousse Pie TOTAL COOK TIME: 35 MINUTES | MAKES 8 SERVINGS American Seventh-day Adventists have learned to use plant foods like tofu to reinvent classic comfort-food dishes like chocolate mousse pie in a healthier way. This four-ingredient recipe doesn’t require any baking, and it’s fantastic enough for special occasions. This will charm even the biggest chocolate mousse lover; your guests won’t know it’s dairy-free unless you tell them! 1¾cups semisweet chocolate chips 12 ounces silken tofu, drained, patted dry ½ cup vanilla almond milk Ready-made graham cracker pie crust Berries or chopped nuts, for topping (optional) Melt the chocolate chips over a double boiler or in the microwave in 30-second increments. Puree melted chocolate in a blender with tofu and almond milk until smooth, about 1 minute. Pour the mixture into your crust and smooth with a knife. Cover and freeze until set, about 30 minutes. Serve topped with berries or chopped nuts of your choice, if you’d like.

Gaby bit down on her lip and looked to Mia, and her friend’s eyes were moist. Could her heart possibly beat out of her chest? It was so loud! Did anyone else hear it? “Do you know how many pictures I have in my phone of you, just you, that you have no idea about?” Gaby blew out air from pursed lips and deflated. Now something was happening to her physically. “I know every detail on your face, every part of your body, I counted the seconds between your blinks; four, if you’re reading, seven. So I know you don’t believe it, but you tell me…you tell me what that sounds like to you?” Gaby looked off and her first thought was, I’ve been waiting forever to have somebody make me feel this special. Never mind if it was true or not, it felt fantastic just hearing it. But if it was true, then she had to say it. “It… It sounds like love.” She

God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.

Of course, no other world was carried through the starry infinity on the backs of four giant elephants, who were themselves perched on the shell of a giant turtle.

We were a gang. We were three. Like the Fantastic Four, but without the big orange one.

We’d booked twelve weeks of studio time, a fantastic amount of leeway, given that my first record was cut in a total of twenty-four hours and This Year’s Model in a mere eleven days. We

On the park’s stage, two men juggled. I walked past a group of poncho-sheathed students sitting in a semi-circle. A dyed-blond Asian man built like the Thing from the Fantastic Four glided to my right. I glanced behind me. The man who’d been reading the newspaper was gone. I

Back in those days I was stoned almost twenty-four hours a day, seven days a week. The difference today is that there is nothing you or anyone else could say to persuade me to inhale enough even to fill a flea’s lung with cannabis. It’s actually impossible to measure how fantastic I feel.

You’re twenty-four or twenty-five, and they’re trusting you with so much. It was very empowering.” To

Diane Louise Jordan Diane Louise Jordan is a British television presenter best known for her role in the long-running children’s program Blue Peter, which she hosted from 1990 until 1996. She is currently hosting BBC1’s religious show, Songs of Praise. Also noted for her charity work, Diane Louise Jordan is vice president of the National Children’s Home in England. When in late 1997 I was invited by the Right Honorable Gordon Brown, Chancellor of the Exchequer, to sit on the Diana, Princess of Wales Memorial Committee, I was clueless as to why I’d been chosen. I was in the middle of a filming assignment in the United States when the call came through. Sitting on the bed in my New York hotel room, still with the receiver in my hand after agreeing to the chancellor’s request, I kept asking myself, “Why me?” The rest of the committee seemed to me to be high fliers of great influence or closely related to her. I was neither. I didn’t fit. But, perhaps, that’s the point. A lot of us think we don’t fit, don’t believe we’re up to much. Yet the truth is we’re all part of something big, and we’re all capable of inspiring others to be the best that they can be. This is what Princess Diana believed. The Princess influenced and inspired many through her life, and now I had an opportunity to be part of something that ensured her influence would continue. It was out responsibility as the Memorial Committee to sift through more than ten thousand suggestions by the British public to find an appropriate memorial to the life and work of the Princess. It was unanimously felt that the memorial should have lasting impact and reflect the many facets of Diana, so we came up with four commemorative projects: the Diana Nurses, a commemorative 5 pound coin, projects in the Royal Parks, and the Diana, Princess of Wales Memorial Award, for young people between the ages of eleven and eighteen. The Diana Award, as it is now known, was set up to acknowledge and support the achievements of young people throughout Britain. Each year the award is given to individuals or groups who have made an outstanding contribution to their community by improving the lives of others, especially the more vulnerable, or by enhancing the communities in which they live. The Diana Award is also given to those who’ve shown exemplary progress in personal development, particularly if it involves overcoming adversity. I’ve been associated with the Diana Award since it was established in 1999. And now, as a trustee, I’m extremely honored to be further involved, as I believe that the award holders are a living part of the late Princess’s legacy. They represent the kind of brave, caring, idealistic values Diana admired and championed. Like the late Princess, this award simply shines a light on what is already there, already being achieved. It’s as if Diana herself is telling the recipients how fantastic they are. The Princess said her job was to love people, and through this award she is still doing that. Recently, I was at an award holders ceremony. I was overwhelmed to be in an environment surrounded by beautiful young people committed to wanting the best. Like Princess Diana, they all demonstrate, in their individual ways, that when we strive to do our best, whether by overcoming personal adversity or contributing to the well-being of others, it changes us for the better. We see a glimpse of how we could all be if, like Diana, we have the courage to expose our hearts.

With emancipation comes the opening up of new possibilities for challenging assumptions over women's appearance and, more radically, the gender order itself. Ventura (She-Thing) comes not only to accept her new "intragender" status but to see it as advantageous -- for dealing with her misandry, for personal growth, and even for becoming a person capable of giving and accepting love.

It's better to be treated as a paper airplane than a fighter jet. When you are disrupting, the best possible start-up scenario is to be dismissed, even ignored, just as Blockbuster ignored Netflix—right up until Blockbuster was "netflixed."17 Southern New Hampshire University (SNHU) is a good example of an organization that took on fly-under-the-radar market risk.18 A decade ago, SNHU was a two-thousand-student college with declining enrollment. Instead of trying to increase enrollment by competing for Ivy League-caliber professors at the high end or with government-funded community colleges at the low end, the university chose to play where no one else was playing—online. There was no guarantee that students would be interested in online degree programs. But because SNHU took on market risk, playing where no one else was playing, and there were many students looking for the flexibility provided by online courses, it is now considered the Amazon of education, with thirty-four thousand students enrolled. SNHU is in the process of jumping to yet another growth curve to decrease the cost of a college degree by measuring competencies rather than credits. One student demonstrated all 120 competencies in one hundred days. His associate's degree cost a grand total of $1,250. A good example of taking on market risk in personal, career terms is Amy Jo Martin, founder of Digital Royalty. In 2008, of the hundreds of millions of dollars being spent on advertising and publicity by the NBA, very little was allocated to social media. Martin saw an unmet need, and leveraged her expertise to persuade the Phoenix Suns to hire her as director of digital media, a first-of-its-kind position within the NBA. Martin's clients have included Shaquille O'Neal, and she has more than a million Twitter followers. Her gig sounds fantastically fun, but at the outset people wondered if it was even a job.

In an interview with Charlie Parker, another jazz saxophone legend, Paul Desmond, asked Parker if his fantastic ability came as a result of practice, or from performing a lot. Parker said, I can’t see where there’s anything fantastic about it at all. I put quite a bit of study into the horn, that’s true…. I used to put in at least from 11 to 15 hours a day…over three or four years.[1]

Take D-ribose (CORvalen) 5,000 milligrams three times a day for three weeks, then two times a day. It’s a powder that looks and tastes like sugar and does not act as food for yeast. It can be added to food or drinks, even hot tea. Take the Energy Revitalization System vitamin powder (by Enzymatic Therapy) or a similar multivitamin with B-complex vitamins. Take 500 to 1,000 milligrams of acetyl-L-carnitine a day for four to nine months, and then as needed. Take 200 milligrams of coenzyme Q10 daily for four months (Vitaline, Enzymatic Therapy, or Ultraceuticals brand). I would recommend the first

And the and-then-I-woke-up-and-it-was-all-a-dream ending is simply inexcusable in fiction intended for an audience over the age of four.   The Golden Bottle will take two hours from the readers’ life that they won’t get back.

Those interested in excellent, discomfort-inducing horror should read the first four chapters of The Beetle. Those interested in watching potential be wasted should continue beyond that.

How do you feel?” “Like I’ve been kidnapped and ravaged by four wicked villains,” she said. “In other words, I feel fantastic.

They had been trying to mow down some tall grass with their four-wheelers. This seemed like a fantastic idea to them because they were idiots.

It is the case with too many books, I fear. Old leather, fine paper are all very well, but it is the words that matter. They are the wealth of the mind and the heart.

But it was a longer journey than that. A journey that had started four years ago, on a warm winter afternoon, when a kind German officer with sky-blue eyes first gazed down at Feliciano in the sunlight. A journey Feliciano had remembered and recreated so many times it seemed almost fantastical. Speeches of flying and lavender and loyalty; words spoken in too-lyrical German and too-strong Italian. Stolen glances and songs of resistance, language lessons and soccer games beneath a gnarled old oak tree. Falling against Ludwig's military jacket in a narrow alley that echoed with gunshots; wearing that very same jacket, studded with green leaves and rosemary, during a simple, calm, beautiful walk into the hills. Every day of waiting, every hour of not knowing, every endless second of being without the person Feliciano needed more than anything else in the entire world. All of it had led him here. Every step Feliciano had taken for the last four years had led him here.

Witch number three, gonna watch her burn, Witch number four, flogging take a turn.

Fermi supplied it entire. He introduced a new type of force, the “weak interaction,” completing the four basic forces known in nature: gravity and electromagnetism, which operate at long range, and the strong force and Fermi’s weak force, which operate within nuclear dimensions. He introduced a new fundamental constant, now called the Fermi constant, determining it from existing experimental data. “A fantastic paper,” Victor Weisskopf later praised it, “ . . . a monument to Fermi’s intuition.

The gains in wealth and income have gone largely to a tiny share of the population, as is common knowledge by now. The people in the top 0.1 percent did fantastically well after 1980, those in the top 1 percent did very well, those below them in the top 10 percent enjoyed incomes growing at the same pace as the economy and those in the bottom 90 percent all lost ground—their incomes grew more slowly than the overall economy—during the last four decades.

Fifth grade,” I began. “That year Kristy, Mary Anne, Alan, and I were all in the same class. Kristy really got Alan. He’d been tormenting us—all the girls, really—for the entire year, and by June we had had it. So one day, Kristy comes to school and all morning she brags about this fantastic lunch her mother has packed: a chocolate cupcake, Fritos, fruit salad, a ham and cheese sandwich, two Hershey’s Kisses—really great stuff. Kristy says it’s a reward for something or other. And she says the lunch is so great she’s got to protect it by keeping it in her desk instead of in the coat room. So, of course, Alan steals the bag out of her desk during the morning. Then at noontime in the cafeteria, he makes this big production out of opening it. He’s sitting at the boys’ table, and they’re all crowded around, and us girls are looking on from the next table. Alan is the center of attention, which is just what he wants.” “And just what I wanted,” added Kristy. “Right. So Alan carefully takes all the packages and containers out of the bag and spreads them in front of him. Then he begins to open them. In one he finds dead spiders, in another he finds a mud pie.” “David Michael had made it for me,” said Kristy. (David Michael is Kristy’s little brother. He was four then.) “She’d even wrapped up a sandwich with fake flies stuck on it.” Stacey began to giggle. “It was great,” said Mary Anne. “Everyone was laughing. And Kristy had packed a real lunch for herself, which she’d kept in the coat room. All afternoon, the kids kept telling her how terrific her trick had been.

In eighth grade, despite Lansky’s fantastic aptitude, he dropped out of school and joined Luciano’s gang. By then, Luciano had already made friends with Frank Costello (known then by his real name, Francesco Castiglia), and Lansky brought into the gang his fellow Jewish friend Benjamin “Bugsy” Siegel. A year later World War I started,2 and though Lansky was just fifteen years old, the four boys were having success as stickup men and thieves and making more money than they could deal with. Luciano was the brains and the leader, Costello made important connections, Siegel was the brawn, and Lansky was the accountant. It was a fruitful partnership, and the four of them were sitting on a pile of cash just waiting to invest in something. Then, after World War I, the US government solved that problem for them when they passed the eighteenth Amendment, which started Prohibition. 3 Soon after, Lansky split off and started his own gang with Siegel called the “Bugs and Meyer Mob.” Lansky was ambitious, and while the Bugs and Meyer Mob worked with Luciano and Costello frequently, the gangs of New York were still largely divided along racial lines. Lansky recruited other Jews from the neighborhood, and together they provided trucks and protection for the movement of alcohol. They also shook down Jewish moneylenders and made them pay tribute. But of all the rackets that Lansky ran, the most notorious was his murder-for-hire business that the press called “Murder Inc.