Peculiar Girl Quotes

She moved to pinch me again but I blocked her hand. I'm no expert on girls, but when one tries to pinch you four times, I'm pretty sure that's flirting.

What we ask is to be human individuals, however peculiar and unexpected. It is no good saying: "You are a little girl and therefore you ought to like dolls"; if the answer is, "But I don't," there is no more to be said.

Because we weren’t like other people. We were peculiar.” “Peculiar how?” “Oh, all sorts of ways,” he said. “There was a girl who could fly, a boy who had bees living inside him, a brother and sister who could lift boulders over their heads.

Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see - each with their peculiar propensities, necessities and structure.

You are afraid to die?' Yes, everyone is.' But to die as lovers may - to die together, so that they may live together. Girls are caterpillars when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see - each with their peculiar propensities, necessities and structures.

Who are you anyway? What are you even doing here?” “Haven,” she said quietly, peeking at him. He gazed at her peculiarly. “Heaven? No, this definitely isn't Heaven. But I get why you’re confused, since I'm standing in front of you.” She stared at him, and he cracked a smile. “I'm kidding. Well, kinda… I have been told I've taken a girl to Heaven a time or two.” “Haven, not Heaven,” she said, louder than before. Nothing about the conversation made sense to her. “My name’s Haven.

But when they were done, I wondered if there would be a next time. I felt good. I wasn’t dead, yet something was dead. Perhaps I’d managed my peculiar objective of partial suicide. I was lighter, airier than I’d been in years.

Strange, when one thinks of all the other boys, infinite experimental kisses, test tube infatuations, crushes, pseudo-loves. All through this physical separation, through the testing and the trying of the others, there has been this peculiar rapport, comradeship, of us two so alike, so similar, but for science-boy and humanities-girl - the introspection, self examination, biannual deep summarizing conversations, and then the platonic parting.

In reaching toward Emma, I’d risked everything—was risking it again, every day—but in doing so I had grasped and pulled myself into a world once unimaginable to me, where I lived among people who were more alive than anyone I’d known, did things I’d never dreamed I could do, survived things I’d never dreamed I could survive. All because I’d let myself feel something for one peculiar girl.

Maybe being brave was not highly desireable in women. Normal women would have fled, like Pansy.

Am certainly attentive to her but cautiously, without any impropriety that could be laid hold of. Yet my manners are certainly peculiar, not all masculine but rather softly gentleman-like. I know how to please girls.

A lot is being said today about the influence that the myths and images of women have on all of us who are products of culture. I think it has been a peculiar confusion to the girl or woman who tries to write because she is peculiarly susceptible to language. She goes to poetry or fiction looking for her way of being in the world, since she too has been putting words and images together; she is looking eagerly for guides, maps, possibilities; and over and over in the ‘words’ masculine persuasive force’ of literature she comes up against something that negates everything she is about: she meets the image of Woman in books written by men.

Maybe it was only goblin women who were restless and wanted to see the world. She didn't know.

He means that he hopes to find himself a girl, the rarest of rare pieces, and live the life of Rudolfo on the balcony, sitting around on the floor and experiencing soul-communications. I have my doubts. In the first place, he will defeat himself, jump ten miles ahead of himself, scare the wits out of some girl with his great choking silences, want her so desperately that by his own peculiar logic he can't have her; or having her, jump another ten miles beyond both of them and end by fleeing to the islands where, propped at the rail of his ship in some rancid port, he will ponder his own loneliness.

She was a woman still controlled by the traumas of her girlhood. It made more sense to put her three-year-old self in the dock. As Dr Byford explained, she was really the victim of a vicious, peculiarly female psycological disorder: she felt one thing and did another. She was a stranger to herself. And were they still like that, she wondered - these new girls, this new generation? Did they still feel one thing and do another? Did they still only want to be wanted? Were they still objects of desire instead of - as Howard might put it - desiring subjects? No, she could see no serious change. Still starving themselves, still reading women's magazines that explicitly hate women, still cutting themselves with little knives in places they think can't be seen, still faking their orgasms with men they dislike, still lying to everybody about everything.

Boys get to do what they want in this world, and girls do not.

Once you start parsing a face, it's a peculiar item: squishy, pointy, with lots of air vents and wet spots.

Zakath stared at the floor. 'I suddenly feel very helpless,' he admitted, 'and I don't like the feeling. I've been rather effectively dethroned, you know. This morning I was the Emperor of the largest nation on earth; this afternoon, I'm going to be a vagabond.' You might find it refreshing,' Silk told him lightly. Shut up, Kheldar,' Zakath said almost absently. He looked back at Polgara. 'You know something rather peculiar?' What's that?' Even if I hadn't given my word, I'd still have to go to Kell. It's almost like a compulsion. I feel as if I'm being driven, and my driver is a blindfolded girl who's hardly more than a child.' There are rewards,' she told him. Such as what?' Who knows? Happiness, perhaps.' He laughed ironically. 'Happiness has never been a driving ambition of mine, Lady Polgara, not for a long time now.' You may have to accept it anyway,' She smiled. 'We aren't allowed to choose our rewards any more than we are our tasks. Those decisions are made for us.

He said, "He was bigger than you can imagine, and he couldn't get enough to eat. He was hungry all the time. He ate all the food in the dining room and then he ate all the plates and the glasses and the light off the candles; he ate all the air in your lungs and the thoughts right out of your mind. You'd go to him, wanting to be with him, wanting to be like him, and you'd always come away missing something." Bob looked at the girl with anger and of course she was looking peculiarly at him. He said, "So now you know why I shot him.

For standing at the edge of his table was the young girl with the penchant for yellow—studying him with that unapologetic interest peculiar to children and dogs. Adding

I'm insane. I'll admit that. I have that awful condition: cleithrophobia. Father knew all of this, of course, but nowadays he never asks direct questions. I was determined to show him the world outside should be invited in--celebrated. I had every intention of doing the same thing tomorrow, and all nights thereafter, until he conceded, or, I made my escape to gay Paree.

Oh,” Jace said carelessly, as if he hadn’t been waiting out here for the express purpose of seeing Simon off. He looked up, golden gaze casual, then looked away. “You.” Being too cool for school was Jace’s thing. Simon supposed he must have understood and been fond of it, once. “Hey, I figured I wasn’t going to get the chance to ask this again. You and me,” Simon said. “We’re pretty tight, aren’t we?” Jace looked at him for a moment, face very still, and then bounded to his feet and said: “Absolutely. We’re like this.” He crossed two of his fingers together. “Actually, we’re more like this.” He tried to cross them again. “We had a little bit of initial tension, as you may later recall, but that was all cleared up when you came to me and confessed that you were struggling with your feelings of intense jealousy over my—these were your words—stunning good looks and irresistible charm.” “Did I,” said Simon. Jace clapped him on the shoulder. “Yeah, buddy. I remember it clearly.” “Okay, whatever. The thing is … Alec’s always really quiet around me,” Simon said. “Is he just shy, or did I tick him off and I don’t remember it? I wouldn’t like to go away without trying to make things right.” Jace’s expression took on that peculiar stillness again. “I’m glad you asked me that,” he said finally. “There is something more going on. The girls didn’t want me to tell you, but the truth is—

I find the treatment of royalty distinctly peculiar. The royal family lives in palaces heavily screened from prying eyes by fences, grounds, gates, guards, all designed to ensure the family absolute privacy. And every newspaper in London carried headlines announcing PRINCESS ANNE HAS OVARIAN CYST REMOVED. I mean you're a young girl reared in heavily guarded seclusion and every beer drinker in every pub knows the precise state of your ovaries.

I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.

Poe was standing on the border of the clearing, acting most peculiarly. He took a few steps toward the cabin, the paused, shook his head, and marched back out. He repeated the move a few times before stomping off for good. I stood at the window, confused as hell. Why in the wild... and then it hit me, way, way harder than the water when I'd fallen off the boat. Poe liked me.

As a side effect of modern warfare, we had the peculiar privilege of watching the destruction of our country on television.

And they will pause just for an instant, and give a sigh to me, and think, "Poor girl!" believing they do great justice to my memory by this. But they will never, never realize that it was my single opportunity of existence, as well as of doing my duty, which they are regarding; they will not feel that what to them is but a thought, easily held in those two words of pity, "Poor girl!" was a whole life to me, as full of hours, minutes, and peculiar minutes, of hopes and dreads, smiles, whisperings, tears, as theirs: that it was my world, what is to them their world, and that in that life of mine, however much I cared for them, only as the thought I seem to them to be. Nobody can enter into another's nature truly, that's what is so grievous.

At the south, a gentleman can have a shoal of colored children without any disgrace, but if he is known to purchase them, with the view of setting them free, the example is thought to be dangerous to their "peculiar institution," and he becomes unpopular.

But to the slave mother New Year's day comes laden with peculiar sorrows. She sits on her cold cabin floor, watching the children who may all be torn from her the next morning; and often does she wish that she and they might die before the day dawns. She may be an ignorant creature, degraded by the system that has brutalized her from childhood; but she has a mother's instincts, and is capable of feeling a mother's agonies.

If a continental youth wants to declare his love to a girl, he kneels down, tells her that she is the sweetest, the most charming and ravishing person in the world, that she has something in her, something peculiar and individual which only a few hundred thousand other women have and that he would be unable to live one more minute without her. Often, to give a little more emphasis to the statement, he shoots himself on the spot. This is a normal, week-day declaration of love in the more temperamental continental countries. In England the boy pats his adored one on the back and says softly: ‘I don’t object to you, you know.’ If he is quite mad with passion, he may add: ‘I rather fancy you, in fact.

...she immediately became the person they believed her to be: a peculiar, impatient girl, attractive enough yet too old and odd for the village boys who had once been her friends.

Death wakes up from a snooze, checks his pocket watch, and sighs.

I expected as much from you, girl,” said Caul. “You’re so typical of ymbryne-raised peculiars: no ambition, and no sense at all but one of entitlement. Quiet yourself, I am speaking to the male.

That brings us to the essence of this book: There are so many episodes of black mob violence, so astronomically out of proportion, so often celebrated in popular black culture, that we no longer have to do the mob mind-reading trick. Something is happening, something peculiar to black people. And no one wants to talk about it, because people don’t know how. Here’s how: No generalizations. No stereotypes. And also, no apologies. I also don’t do causes or solutions. It’s above my pay grade.

I was twenty-four when I read 'Zarathustra'. I could not understand it, but it made a profound impression upon me, and I felt an analogy between it and the girl in some peculiar way. Later, of course, I found that 'Zarathustra' was written from the unconscious and is a picture of what that man should be. If Zarathustra had come through as a reality for Nietzsche instead of remaining in his 'spirit world,' the intellectual Nietzsche would have had to go. But this feat of realization, Nietzsche could not accomplish. It was more than his brain could master.

I’m no expert on girls, but when one tries to pinch you four times, I’m pretty sure that’s flirting.

All the roses from my kingdom are red. There's no need for paint.

Get ahold of yourself, girl...

No one hears how they whisper, Think me. The words blacken and climb until she can’t see past their spiny tops.

Glad you like my first tableau. Come and see number two. Hope it isn't spoilt; it was very pretty just now. This is 'Othello telling his adventures to Desdemona'." The second window framed a very picturesque group of three. Mr March in an armchair, with Bess on a cushion at his feed, was listening to Dan, who, leaning against a pillow, was talking with unusual animation. The old man was in shadow, but little Desdemona was looking up with the moonlight full upon her face, quite absorbed in the story he was telling so well. The gay drapery over Dan's shoulder, his dark colouring and the gesture of his arm made the picture very striking and both very striking, and both spectators enjoyed it with silent pleasure, till Mrs Jo said in a quick whisper: "I'm glad he's going away. He's too picturesque to have among so many romantic girls. Afraid his 'grand, gloomy and peculiar' style will be too much for our simple maids.

It went on like that till some guys got together and came up with the one-god thing—him being God, the Father, and male and all that—and things went downhill for girls ever after that, far as I can figure. It was always, 'Get in your dress, girl, your smock, your shift or your burnoose or your veil, but whatever it is, girl, put it on and shut the hell up,' is how I see it.

The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.

Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see--each with their peculiar propensity, necessities and structure.

North Koreans have two stories running in their heads at all times, like trains on parallel tracks. One is what you are taught to believe; the other is what you see with your own eyes. It wasn’t until I escaped to South Korea and read a translation of George Orwell’s Nineteen Eighty-Four that I found a word for this peculiar condition: doublethink. This is the ability to hold two contradictory ideas in your mind at the same time—and somehow not go crazy. This

I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.

Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated.

She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’ ('Left from Dhakeshwari')

Without warning, a smooth voice spoke next to her ear- a woman's voice with an American accent. "You're nothing but a skinny, awkward child, just as he described. He's visited me since the wedding, you know. He and I have laughed together over your juvenile infatuation with him. You bore him senseless." Pandora turned and found herself confronted by Mrs. Nola Black. The woman was breathtaking, her features creamy-skinned and flawless, her eyes deep and dark under brows so perfectly groomed and delineated, they looked like thin strips of velvet. Although Mrs. Black was approximately the same height as Pandora, her figure was a remarkable hourglass shape, with a waist so small one could have buckled a cat's collar around it. "That's nothing but bitchful thinking," Pandora said calmly. "He hasn't visited you, or he would have told me." Mrs. Black was clearly "picking for a fight," as Winterborne would have put it. "He'll never be faithful to you. Everyone knows you're a peculiar girl who tricked him into marriage. He appreciates novelty, to be sure, but it will wear off, and then he'll send you packing to some remote country house." Pandora was filled with a confusing mixture of feelings. Jealousy, because this woman had known Gabriel intimately, and had meant something to him... and antagonism, but also a stirring of pity, because there was something wounded in the biting darkness of her eyes. Behind the stunning façade, she was a savagely unhappy woman. "I'm sure you think that's what I should fear," Pandora said, "but I actually don't worry about that at all. I didn't trick him, by the way." She paused before adding, "I'll admit to being peculiar. But he seems to like that.

Her mind won’t listen, veers off into the forest marked Forbidden, holds a knife to her throat when she begs it to stop. For safety, she drinks her own guilt. It inoculates her. Everyone thinks she is the good daughter, her world a gold-leaf illustration. No one knows the words seed themselves in her brain.

But to die as lovers may - to die together, so that they may live together. Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime, there are grubs and larvae, don't you see - each with their peculiar propensities, necessities and structures.

Aunty!” Jean Louise groaned. Coffees were peculiarly Maycombian in nature. They were given for girls who came home. Such girls were placed on view at 10:30 A.M. for the express purpose of allowing the women of their age who had remained enisled in Maycomb to examine them. Childhood friendships were rarely renewed under such conditions.

You are afraid to die?" "Yes, every one is." "But to die as lovers may—to die together, so that they may live together. "Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see—each with their peculiar propensities, necessities and structure.

You had not enough of the artist’s skill and science to give it full being: yet the drawings are, for a school-girl, peculiar. As to the thoughts, they are elfish. These eyes in the Evening Star you must have seen in a dream. How could you make them look so clear, and yet not at all brilliant? for the planet above quells their rays. And what meaning is that in their solemn depth?

She slid her arms around me and kissed me back, and I was overwhelmed by a tingling warmth that flooded my brain and a sudden sensation of being out of my body, like I had floated up to the ceiling and was looking down on the soft, beautiful face of this amazing girl and my friends and the whole scene, and I wondered how it was that such an exquisite moment had appeared in my life.

I move in slow motion to roll out of bed, arrange clothing under the covers, and silently remove the screen from my window. Smoothly and soundlessly, I slip out and lower myself to the ground, reaching high above my head to replace the screen. I crouch and skim across the lawn to the street, moving quickly from tree shadow to tree shadow until I reach his car, the passenger door already open and waiting. “Ready?” Steve asks as we synchronize the closing of the door with the starting of the engine. Within moments, we’re on our way to our favorite spot. “You’re awfully quiet tonight, baby.” He parks the car and we both peer out at the lights of the town displayed below us. “Your father get after you again?” It’s a peculiar way to word it, but even my father won’t use words like beat or hit to describe his actions. He’ll use a quote like, “Spare the rod, spoil the child.” Or declare that he is saving my soul. But my silence tonight isn’t about my father’s form of discipline, nor my mother’s sharp tongue. I take a long, slow breath before speaking the words that I’ve rehearsed for over a month. “I’m pregnant.” My voice comes out soft and raspy.

Jodie had the peculiar courage of a girl who never expected to be hit by a man – which was strange, because all three siblings had seen their mother suffer at the hands of her boyfriends. There was no man that Jodie would not answer back, and although Mungo admired that about his sister, he thought she put too much faith in the decency of men. This belief, this bravery, gave her a gallus tongue.

Some poor creatures have been so brutalized by the lash that they will sneak out of the way to give their masters free access to their wives and daughters. Do you think this proves the black man to belong to an inferior order of beings? What would you be, if you had been born and brought up a slave, with generations of slaves for ancestors? I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work. Southern gentlemen indulge in the most contemptuous expressions about the Yankees, while they, on their part, consent to do the vilest work for them, such as the ferocious bloodhounds and the despised negro-hunters are employed to do at home. When southerners go to the north, they are proud to do them honor; but the northern man is not welcome south of Mason Dixon's line, unless he suppresses every thought and feeling at variance with their "peculiar institution." Nor is it enough to be silent. The masters are not pleased, unless they obtain a greater degree of subservience than that; and they are generally accommodated. Do they respect the northerner for this? I trow not. Even the slaves despise "a northern man with southern principles;" and that is the class they generally see. When northerners go to the south to reside, they prove very apt scholars. They soon imbibe the sentiments and disposition of their neighbors, and generally go beyond their teachers. Of the two, they are proverbially the hardest masters.

Every night I left my bedroom window open on the off-chance Peter Pan would realise he’d forgotten a peculiar little girl, left her in the wrong universe, and come back, take her hand and whisk her away to a world of pirates, pixies and mermaids. Away from her own land, where life was as confusing and difficult as the hardest journey in any fairytale. Day after day, year after year, I sat, wishing, hoping, praying. But Peter didn’t come.

When we’d all settled down from that first night, Julie found a bag on the porch, which we thought must have been left by the same three girls who had brought me to them. Just like the clues on my skin, I’d only been left with two worldly possessions. The first was a wad of cash that I immediately handed to Ben and Julie as compensation for giving me a home. Most of it went to pay for Akinli’s medical bills, which was fine with me. I didn’t know if there was a word bigger than soul mates, something that meant the feeling of being so connected that it was hard to tell where one person ended and the other began. If there was, that word belonged to Akinli and me. The second thing was a bottle of water. It was so peculiar, this water, a blue that was both dark and brilliant, too thick to see through but still carrying light. No matter the season, it was always cold, and there were tiny shells in it that never settled. Sometimes I slept with it, even though it was cold enough to wake me up if I rolled on it the wrong way. It was the only clue I had to tell me who I had been before the night I was left on the porch, and I loved it second only to Akinli. Somehow, I knew that this love was important, as if treasuring the water meant I treasured myself. And I did. I loved my recovering body, I loved my blue-eyed soul mate, I loved my adopted family. I held the water to my chest, and I loved.

I knew, for instance, that rooms where people slept exuded peculiarly human smells just as the goat pen smelt goaty and the cattle kraal bovine. It was common knowledge among the younger girls at school that the older girls menstruated into sundry old rags which they washed and reused and washed again. I knew, too, that the fact of menstruation was a shamefully unclean secret that should not be allowed to contaminate immaculate male ears by indiscreet reference to this type of first in their presence.

Peter is still amazed at the degree to which a certain widening gyre of accolades can change an artist's work, literally change it, not just the new stuff but the old as well, the pieces that have been around for a while, that have seemed "interesting" or "promising" but minor, until (not often, just once in a while) an artist is by some obscure consensus declared to have been neglected, misrepresented, ahead of his time. What's astonishing to Peter is the way the work itself seems to change, more or less in the way of a reasonably pretty girl who is suddenly treated as a beauty. Peculiar, clever Victoria Hwang is going to be in Artforum next month, and probably in the collections of the Whitney and the Guggenheim; Renee Zellweger - moonfaced, squinty-eyed, a character actress if ever there was one - was just on the cover of Vogue, looking ravishing in a silver gown. It is, of course, a trick of perception - the understanding that that funny little artist or that quirky-looking girl must be taken with new seriousness - but Peter suspects there's a deeper change at work. Being the focus of that much attention (and, yes, of that much money) seems to differently excite the molecules of the art or the actress or the politician. It's not just a phenomenon of altered expectations, it's a genuine transubstantiation, brought about by altered expectations. Renée Zellweger becomes a beauty, and would look like a beauty to someone who had never heard of her. Victoria Hwang's videos and sculptures are about, it seems, to become not just intriguing and amusing but significant.

How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.

I am well aware that many will accuse me of indecorum for presenting these pages to the public; for the experiences of this intelligent and much-injured woman belong to a class which some call delicate subjects, and others indelicate. This peculiar phase of Slavery has generally been kept veiled; but the public ought to be made acquainted with its monstrous features, and I willingly take the responsibility of presenting them with the veil withdrawn. I do this for the sake of my sisters in bondage, who are suffering wrongs so foul, that our ears are too delicate to listen to them.

What courses are people excited about now? I asked a blonde senior in cap and gown. Nuclear physics, maybe? Modern art? Civilizations of Africa? Looking at me as if I were some prehistoric dinosaur, she said: "Girls don't get excited about things like that anymore. We don't want careers. Our parents expect us to go to college, everybody goes. You're a social outcast at home if you don't. But a girl who got serious about anything she studied, like wanting to go on and do research, would be peculiar, unfeminine. I guess everybody wants to graduate with a diamond ring on her finger, that's the important thing.

But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. it's just their defencelessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden- the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow on vice, gout, kidney disease, and so on. "This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty- shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her? Do you understand that, friend and brother, you pious and humble novice? Do you understand why this infamy must be and is permitted? Without it, I am told, man could not have existed on earth, for he could not have known good and evil. Why should he know that diabolical good and evil when it costs so much? Why, the whole world of knowledge is not worth that child's prayer to dear, kind God'! I say nothing of the sufferings of grown-up people, they have eaten the apple, damn them, and the devil take them all! But these little ones! I am making you suffer, Alyosha, you are not yourself. I'll leave off if you like

Sorry I am at Mrs. —— falling short of your warm-hearted ideas about her! Can you understand a woman’s hating a girl because it is not a boy — her first child too? I understand it so little that scarcely I can believe it. Some women have, however, undeniably an indifference to children, just as many men have, though it must be unnatural and morbid in both sexes. Men often affect it — very foolishly, if they count upon the scenic effects; affectation never succeeds well, and this sort of affectation is peculiarly unbecoming, except in old bachelors, for there is a pathetic side to the question so viewed. For my part and my husband’s, we may be frank and say that we have caught up our parental pleasures

At last they came to an eminence from which they saw the valley of the Rhine spread out before them under the sun. It was a vast stretch of country, sparkling with golden light, with cities in the distance; and through it meandered the silver ribband of the river. Wide spaces are rare in the corner of Kent which Philip knew, the sea offers the only broad horizon, and the immense distance he saw now gave him a peculiar, an indescribable thrill. He felt suddenly elated. Though he did not know it, it was the first time that he had experienced, quite undiluted with foreign emotions, the sense of beauty. They sat on a bench, the three of them, for the others had gone on, and while the girls talked in rapid German, Philip, indifferent to their proximity, feasted his eyes. ‘By jove, I am happy,’ he said to himself, unconsciously.

Cordelia – “Why so rough?” Aral – “It’s very poor. It was the town center during the time Isolation. And it hasn’t been touched by renovation, minimal water, no electricity choked with refuse.” “Mostly human,” added Peoter tartly. “Poor?” Asked Cordelia bewildered. “No electricity? How can it be on the comm network?” “It’s not of course,” answered Vorkosigan. “Then how can anyone get their schooling?” Cordelia “They don’t.” Cordelia stared. “I don’t understand, how do they get their jobs?” “A few escape to the service, the rest prey on each other mostly.” Vorkosigan regarded her face uneasily. “Have you no poverty on Beta colony?” “Poverty? Well some people have more money than others, but no comm consuls…?” Vorkosigan was diverted from his interrogation. “Is not owning a comm consul the lowest standard of living you can imagine?” He said in wonder. “It’s the first article in the constitution! ‘Access to information shall not be abridged.’” “Cordelia, these people barely have access to food, clothing and shelter. They have a few rags and cooking pots and squat in buildings that aren’t economical to repair or tear down yet with the wind whistling through the walls.” “No air conditioning?” “No heat in the winter is a bigger problem here.” “I suppose so. You people don’t really have summer. How do they call for help when they are sick or hurt?” “What help?” Vorkosigan was growing grim. “If they’re sick they either get well or die.” “Die if we’re lucking” muttered Veoter. “You’re not joking.” She stared back and forth between the pair of them. “Why, think of all the geniuses you must missing!” “I doubt we must be missing very many from the Caravanceri.” Said Peoter dryly. “Why not? They have the same genetic compliment as you.” Cordelia pointed out the – to her -obvious. The Count went rigid. “My dear girl, they most certainly do not. My family has been Vor for nine generations.” Cordelia raised her eyebrows. “How do you know if you didn’t have the gene-typing until 80 years ago?” Both the guard commander and the footman were acquiring peculiar stuffed expressions. The footman bit his lip. “Besides,” she pointed out reasonably, “If you Vor got around half as much as those histories I’ve been reading imply. 90% of the people on this planet must have Vor blood by now. Who knows who your relatives are on your father’s side. Vorkosigan bit his napkin absently. His eyes gone crinkly with much the same expression as the footman and muttered, “Cordelia, you really can’t sit at the breakfast table and imply my ancestors were bastards. It’s a mortal insult here.” “Where should I sit? Oh I’ll never understand.

Parents, and people in general, are very peculiar when it comes to sex. Instead of telling their sons and daughters everything at the age of twelve, they send the children out of the room the moment the subject arises and leave them to find out everything on their own. Later on, when parents notice that their children have, somehow, come by their information, they assume they know more (or less) than they actually do. So why don’t they try to make amends by asking them what’s what? A major stumbling block for the adults—though in my opinion it’s no more than a pebble—is that they’re afraid their children will no longer look upon marriage as sacred and pure once they realize that, in most cases, this purity is a lot of nonsense. As far as I’m concerned, it’s not wrong for a man to bring a little experience to a marriage. After all, it has nothing to do with the marriage itself, does it?

A notion of character, not so much discredited as simply forgotten, once held that people only came into themselves partway through their lives. They woke up, were they lucky enough to have consciousness, in the act of doing something they already knew how to do: feeding themselves with currants. Walking the dog. Knotting up a broken bootlace. Singing antiphonally in the choir. Suddenly: This is I, I am the girl singing this alto line off-key, I am the boy loping after the dog, and I can see myself doing it as, presumably, the dog cannot see itself. How peculiar! I lift on my toes at the end of the dock, to dive into the lake because I am hot, and while isolated like a specimen in the glassy slide of summer, the notions of hot and lake and I converge into a consciousness of consciousness–in an instant, in between launch and landing, even before I cannonball into the lake, shattering both my reflection and my old notion of myself.

UNREQUITED LOVE: Look, you see me, a lonely girl having a drink. What do you do? LOST: Avoid eye contact at all costs? UNREQUITED LOVE: Oh come on, don’t you ever randomly flirt and find yourself falling in love with attractive young women? LOST: I’ve forgotten how. UNREQUITED LOVE: How peculiar. LOST: (Struggles, trying to find the right words.) No…I mean I did once, but I’ve forgotten most things about love I guess. It just comes with the territory of losing your heart. UNREQUITED LOVE: Wait. (Beat.) You lost your heart? LOST: Yeah um...I lost my heart about a year ago. Filed a police report and everything, but they haven’t had any luck finding it. UNREQUITED LOVE: But without a heart, how can you- LOST: Love? I can’t. UNREQUITED LOVE: Can you remember what love feels like? LOST: (Shrugs.) Vaguely, but for the most part I don’t remember much about it. Like when couples hold hands, I don’t understand why they do that. UNREQUITED LOVE: Must make for some lonely nights.

As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells.

Here I will mention one more strange thing; but whether this peculiarity was owing to my shadow at all, I am not able to assure myself. I came to a village, the inhabitants of which could not at first sight be distinguished from the dwellers in our land. They rather avoided than sought my company, though they were very pleasant when I addressed them. But at last I observed, that whenever I came within a certain distance of any one of them, which distance, however, varied with different individuals, the whole appearance of the person began to change; and this change increased in degree as I approached. When I receded to the former distance, the former appearance was restored. The nature of the change was grotesque, following no fixed rule. The nearest resemblance to it that I know, is the distortion produced in your countenance when you look at it as reflected in a concave or convex surface—say, either side of a bright spoon. Of this phenomenon I first became aware in rather a ludicrous way. My host's daughter was a very pleasant pretty girl, who made herself more agreeable to me than most of those about me. For some days my companion-shadow had been less obtrusive than usual; and such was the reaction of spirits occasioned by the simple mitigation of torment, that, although I had cause enough besides to be gloomy, I felt light and comparatively happy. My impression is, that she was quite aware of the law of appearances that existed between the people of the place and myself, and had resolved to amuse herself at my expense; for one evening, after some jesting and raillery, she, somehow or other, provoked me to attempt to kiss her. But she was well defended from any assault of the kind. Her countenance became, of a sudden, absurdly hideous; the pretty mouth was elongated and otherwise amplified sufficiently to have allowed of six simultaneous kisses. I started back in bewildered dismay; she burst into the merriest fit of laughter, and ran from the room. I soon found that the same undefinable law of change operated between me and all the other villagers; and that, to feel I was in pleasant company, it was absolutely necessary for me to discover and observe the right focal distance between myself and each one with whom I had to do. This done, all went pleasantly enough. Whether, when I happened to neglect this precaution, I presented to them an equally ridiculous appearance, I did not ascertain; but I presume that the alteration was common to the approximating parties. I was likewise unable to determine whether I was a necessary party to the production of this strange transformation, or whether it took place as well, under the given circumstances, between the inhabitants themselves.

Echad is first mentioned in the garden. It says a man and a woman, when they join together, become echad, or “one.” But that word echad is more explosive with meaning than just one flesh. It can literally mean to fuse together at the deepest part of our beings. Two becoming one, completely glued together, completely meshing. I still remember one of the hardest conversations I have had with Alyssa. We were just starting to date again, and were sitting in the car after a wonderful date night. We knew marriage was a possibility on the horizon, and I felt like I finally had to share things in my past that would affect her if we got married. I was incredibly nervous, as well as terrified of rejection or hurt, but I realized that if intimacy were to grow, I had to get vulnerable. For marriage to be what it truly is—two people becoming one in mind, body, soul, and spirit—I had to be honest. I remember sharing with her many things, but specifically some details of my sexual past. My teenage years were littered with me almost worshiping sexual fulfillment in pornography, partying, and girls. And I say worship, because that was where I got my worth, value, and purpose as well as what I most lived for (which is what the definition of worship is). I had to apologize and ask forgiveness from Alyssa for things I had done before I even knew her because of echad—one form of complete and utter intimacy. Because of that beauty, mystery, and power, God created it to function best in a man and a woman coming together for life and constantly echading or fusing together. I needed forgiveness because I had betrayed echad. I had betrayed oneness. I had betrayed intimacy. And if I wasn’t honest about it, it’d be a little part of my life or heart that Alyssa didn’t know—thus blocking echad. But something really peculiar happened in that moment. With the grace and forgiveness of Jesus, Alyssa forgave me. She heard all that I was and am, and still wanted to walk this journey with me. I still remember the tenderness in her voice as she spoke truth and forgiveness over me. In that moment I was exposed and known, and yet because of Alyssa’s grace, I was at the same time loved. And that is where intimacy is found—to be fully loved and to be fully known. To be fully loved, but not fully known will always allow us to buy the lie that “if they only knew the real me, they wouldn’t want me anymore.” And to be fully known but not fully loved feels sharp, painful, at a level of rejection that hurts so bad. But to be fully known and at the same time fully loved, now that is intimacy. I don’t want to give the wrong impression. Intimacy is certainly romantic in some aspects, but at its deepest level, it’s much more than that. It can be experienced with friends and family, not just spouses and loved ones.

She buys only the best couverture, from a fair trade supplier down near Marseille, and pays for it all in cash. A dozen blocks of each kind, to begin with, she says; but I already know from her eager response that a dozen blocks will not be enough. She used to make all her own stock, so she tells me, and though I'll admit I didn't quite believe it at first, the way she has thrown herself back into the business tells me that she was not exaggerating. The process is deft and peculiarly therapeutic to watch. First comes the melting and tempering of the raw couverture: the process that enables it to leave its crystalline state and take on the glossy, malleable form necessary to make the chocolate truffles. She does it all on a granite slab, spreading out the melted chocolate like silk and gathering it back toward her using a spatula. Then it goes back into the warm copper, the process to be repeated until she declares it done. She rarely uses the sugar thermometer. She has been making chocolates for so long, she tells me, that she can simply sense when the correct temperature has been reached. I believe her; certainly over the past three days I have been watching her, she has never produced a less than flawless batch. During that time I have learned to observe with a critical eye: to check for streaks in the finished product; for the unappealing pale bloom that denotes incorrectly tempered chocolate; for the high gloss and sharp snap that are the indicators of good-quality work.

What’s sacred to me? thought Fate. The vague pain I feel at the passing of my mother? An understanding of what can’t be fixed? Or the kind of pang in the stomach I feel when I look at this woman? And why do I feel a pang, if that’s what it is, when she looks at me and not when her friend looks at me? Because her friend is nowhere near as beautiful, thought Fate. Which seems to suggest that what’s sacred to me is beauty, a pretty girl with perfect features. And what if all of a sudden the most beautiful actress in Hollywood appeared in the middle of this big, repulsive restaurant, would I still feel a pang each time my eyes surreptitiously met this girl’s or would the sudden appearance of a superior beauty, a beauty enhanced by recognition, relieve the pang, diminish her beauty to ordinary levels, the beauty of a slightly odd girl out to have a good time on a weekend night with three slightly peculiar men and a woman who basically seems like a hooker? And who am I to think that Rosita Méndez seems like a hooker? thought Fate. Do I really know enough about Mexican hookers to be able to recognize them at a glance? Do I know anything about innocence or pain? Do I know anything about women? I like to watch videos, thought Fate. I also like to go to the movies. I like to sleep with women. Right now I don’t have a steady girlfriend, but I know what it’s like to have one. Do I see the sacred anywhere? All I register is practical experiences, thought Fate. An emptiness to be filled, a hunger to be satisfied, people to talk to so I can finish my article and get paid. And why do I think the men Rosa Amalfitano is out with are peculiar? What’s peculiar about them? And why am I so sure that if a Hollywood actress appeared all of a sudden Rosa Amalfitano’s beauty would fade? What if it didn’t? What if it sped up? And what if everything began to accelerate from the instant a Hollywood actress crossed the threshold of El Rey del Taco?

Just walking,” he said quickly. “I know it looks odd, but we didn’t come to the Lower City for trouble.” “We came here for love,” Romeo said earnestly. “Love,” the subcaptain echoed, sounding faintly amused. It was like the time when Paris was a child, and he’d accidentally knocked over a pile of expensive dishes waiting for the servants to clean them. The pile had tottered for several moments, but Paris hadn’t been able to grab and steady them, or even flee before the crash gave him away. He’d been too entranced by the oncoming disaster. It was like that now. Paris knew this was going to end badly, but he couldn’t seem to get his mouth working, and meanwhile Romeo was rambling enthusiastically. “Yes!” he said. “It’s my friend here—he fell in love with a girl who worked in his family’s kitchen, and she loved him in return, but when his father found out he was furious and had her cast out into the Lower City, and then he lied and forged letters and tried to make him believe she had renounced him. But my friend loved her too dearly and trusted her too deeply, and he discovered the truth, and so we’ve come to find her!” Paris found that his panic was turning into a peculiar sort of calm. They were doomed. If he was lucky, he would be executed along with Romeo. If not, he would be handed back to Lord Catresou. “And you, a Mahyanai, are helping him?” asked the subcaptain. “Because I love her as well,” Romeo said earnestly, “and I will see her happy though it breaks my heart in two. Lovely, kind Maretta with eyes like the summer sky at twilight. Have you seen her?” “No,” said the subcaptain, “but I’m not sure I’ve ever seen anyone so bad at lying, either.” Romeo looked uncommonly like a bird fluffing itself up for a mating display. “My love is as true as the stars are bright,” he said with terrifying intensity. “So is his.” The subcaptain’s mouth quirked. “Tiny and flickering and easily clouded over?” She doesn’t believe you, said Paris silently, so can you stop humiliating us? There is no shame in love! It shouldn’t have been possible to shout silently, but Romeo managed it.

It is raining.  The clock ticks.  I am leaning on my elbow.  The wind blows through the cracks.  The door rattles in its frame.  My arm is tired of staying in one position.  There is a pressure on the wrist.  My temple burns on one side.  I wonder what will happen next.  Someone laughs.  If he had heard the rain, the clock, and the door, he would have kept silent.  Had I been laughing, I would not have heard these things. Gaze into a cat's eye or a gorilla's.  You will notice a peculiar thing that will make you shudder.  sometimes cats claw at human eyes.  Some- times gorillas enrage. Telepathy and death are wound inextricably together.  To see why this is so, you must understand consciousness.  When, late at night in your bed, you hear a distant automobile, you and the driver are parts of yourself.  When you speak, you are alone and the listener is both you and himself.  Two men, one on the mountain and the other in the village, cannot communicate.  Each is looking into a mirror.  Wave, and *he* waves - shout, and *he* replies.  All of us see the same moon and feel the same heartbeat, but we can never admit it.  One says the moon is a pale disc, another that it is a satellite of the Earth, a third that it is a silver world.  My heart thumps, yours clatters, and his booms.  Consciousness is distortion. But much telepathy passes unnoticed.  Dogs in the night, a dream of Mabel, Dr. Rhines' dice games - these are self-conscious tricks that mean nothing.  What of the more obvious examples?  You know when another is lying.  You know who is going down the stair.  You know emotion without seeing it.  You know the intelligence of others.  Some sign gives them away.  It is coincidence?  Guessing games again?   Then think of what you could not possibly know, what no one could tell you.  Is there any doubt you do not know that fellow on the gibbet or the thought of that girl on the stake?  Watch someone die and you may read his mind at ease. You need not got so far.  We human beings understand one another better than we think.  Argue, deny, shout, denounce, destroy.  Nothing alters truth.  You, reader, see my flaws and concentrate on them.  You wonder why I choose this word and not that. My arguments are weak and you can drum up stronger ones against them.  But we are eye to eye for all of that.

Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her. Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.

There was a girl who could fly, a boy who had bees living inside him, a brother and sister who could lift boulders over their heads.

And when we get there, I’ll tell you everything.” I was pretty certain it was a plot to get me to make out with her, and had I been any older or wiser, or one of those guys for whom make-out sessions with hot girls were so frequent as to be of no consequence, I might’ve had the emotional and hormonal fortitude to demand that we have our talk right then and there. But

As a child, Lena had pored over pictures of tropical beaches in faraway lands, beaches where sand lay smooth and warm as a blanket. Those were not the beaches of Knob Knoster. She sifted crushed rock, bits of shell, and glass through her fingers. Everything around her was muted in shades of gray—water, sky, and land. She breathed in the distinctive smell of fish and tar. Waves licked the stony shore of the harbor and crashed against the riprap of a jetty. And Lena found that she was listening, as if the wild call of the ocean was familiar. It filled her with strange longings for adventure, longings Nana Crane would say no civilized girl should ever have. Her heart beat faster. Lena tried not to listen, afraid the ocean might call her name.

Emblazoned across the back was THE AMAZING STRONG-GIRL OF SWANSEA!

I’m no expert on girls, but when one tries to pinch you four times, I’m pretty sure that’s flirting

We may also take a moment to feel a little sorry for her, for having a heart leads to the peculiar griefs of the grown.

Millinery and Dressmaking.-The portion of these instructive volumes which describes the condition of the young women employed as milliners and mantua-makers in our great cities, and especially in London, is, however, that which has left the most painful impression upon our minds-not only because the work of these unfortunate girls is of all the most, severe and unremitting-nor because it is inflicted exclusively upon the weaker sex, and at a period of life the most susceptible of injury from overstrained exertion-nor yet because the actual consequences which are shown to ensue in thousands of cases are so peculiarly deplorable-but because the excess of labor (with all its pernicious and fatal results) is endured in the service, and inflicted in execution of the orders, of a class whose own exemption from toil and privation should make them scrupulously careful not to increase, causelessly or selfishly, the toils and privations of their less favored fellow-creatures-a class, too, many of whom have been conspicuously loud in denouncing the cruelties of far more venial offenders, and in expressing a somewhat clamorous and overacted sympathy with sufferings which cannot for a moment be compared in severity with those which are every day inflicted on the helpless of their own sex, in ministering to their own factitious and capricious wants. The remark may appear harsh, but the evidence before us fully warrants it-that probably in no occupation whatever-not in the printing fields of Lancashire-not, in the lace trade of Nottingham-not in the collieries of Scotland-scarcely in the workshops of Willenhall-most assuredly not in the cotton factories of Manchester, (which a few years ago the fashionable fair of London were so pathetic in lamenting)-can any instances of cruelty be met with which do not "whiten in the shade" of those which every spring and autumn season sees practiced-unreprobated, and till now nearly unknown-in the millinery establishments of the metropolis.

Danny Boyle had to employ an army of pretty girls to charm motorists into getting off the roads. And even though the police shut the M1 for two hours, the crew only got one minute’s useable film.

Darwin found that if you looked closely enough, nature conveyed a very different message. How could, for instance, the Galápagos Islands serve as home to thirteen separate species of finches, each similar to the other, yet each peculiarly adapted with different-shaped beaks for their particular island habitats? Clearly these finches had migrated over time from the mainland and from one island to another, and then, once separated, had begun to diverge and to become distinct from one another. But how? And why? Why did the giant sloths, whose bones Darwin recovered on his voyage, go extinct, while other creatures thrived in the same environment at the same time? And how was it that some animals seemed poorly designed for their environments, in defiance of Paley’s perfect watchmaker—woodpeckers that lived on treeless terrain, land birds with webbed feet—yet they managed to adapt and survive through makeshift means that no divine designer would ever have intended? Why did pythons have vestigial legs, and why did the bones inside the wings of a bat parallel the bones in the human hand and arm? This was evidence not of a master design, Darwin realized, but of a slow and gradual change in existing forms, spread across the ages, inherited from remote—and shared—ancestors. The evidence he painstakingly assembled on his voyage, then presented, bit by bit, in his classic book, pointed to very slow, very gradual changes in living things over millions of years, to creatures suddenly dying out and disappearing when their forms no longer allowed them to survive in a changing climate or environment, and to new forms of life that emerged and thrived in their place.

Harry Stickles certainly did possess quite a number of peculiarities which would have been nerve-racking to any less well-constituted girl. These nasty little ways were made worse by the man's preposterous and incredible conceit. But Nancy had been given by Nature one supreme gift—wherein only one other person in Glastonbury rivalled her, and that was John Crow—the gift of forgetting.

Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.

She was, after all, no longer Emily Vale, the peculiar girl who preferred books and frogs to gossip and pretty dresses; whom no one ever listened to; whom no one petted or rhapsodized over, or missed from tea or the picnic or Christmas dinner; whom no one except one boy ever sought out—until he didn’t. She had not been that girl in years.

Hunter tossed another piece of wood onto the fire, sending up a spray of live coals, a few of which fell in Tom’s lap. Tom scrambled backward and tried to shake them off, no easy feat with his hands tied behind him. In the process he lost his balance and toppled sideways. Hunter squatted by the fire and draped his arms over his knees, his gaze fixed on the feeble flames while Tom struggled to sit back up. The Comanche’s eyes shone with that peculiar light Loretta was coming to recognize as laughter. After a long while he said, “When the sun rises, we will leave. You will be set free, old man.” Tom didn’t look as if he believed that. His eyes still glowing with that somber amusement she hated so much, Hunter glanced at her. “I make no grief behind me.” The muscles along Tom’s throat stood out as he struggled to speak. When he finally did, the words came out in a squeak. “And what about her?” “She goes with me.” “I’ll b-buy her from ya. R-rifles, I can get rifles. And cartridges.” There was no mistaking the interest that bit of information sparked in the Comanche. Loretta’s heart soared with sudden hope. “You have rifles?” “I--um, no. B-but I can git ’em.” Hunter studied Tom at length, then slid his gaze to Loretta. “Please,” Tom whispered. “There’s other gals you can steal. Don’t take this one. Let her go home to her family.” Breaking off, he licked his lips. “She ain’t done you no harm.” After a long while, Hunter returned his attention to the fire. “This Comanche does not sell his women. Not even for rifles. She goes with me.” “Why this girl?” Hunter tossed a sliver of wood onto the flames. “Another will not do.

A transient wish crossed his mind; that he could have stayed around and introduced her to the innocent pleasures of... But the devil with innocent pleasures. He dropped his head back against the wooden settle, closing his eyes. His feelings about Princess Field Mouse were as guilty as sin. He wasted a few moments in imagining a warm bed and his head pillowed on her delightfully plump breasts. His lust for her was the most peculiar emotion, unlike anything a female had ever before inspired in him: a sort of passion for peace, a ferocious itch to have her and the bizarre impression that he'd somehow gain serenity from the act, that he could lose himself in her as if she were some primal element: a pathless forest or an endless plain instead of a chubby girl.

That girl is so peculiar, I wonder if she's feeling well. With a dreamy, far-off look, & her nose stuck in a book. What a puzzle to the rest of us.

The question is of utmost importance both theoretically and practically, for the law—whatever it be—is a natural law—a law of human nature—a law of the time-binding energy of man. What is the law? We have already noted the law of arithmetical progression and the law of geometric progression; we have seen the immense difference between them; and we have seen that the natural law of human progress in each and every cardinal matter is a law like that of a rapidly increasing geometric progression. In other words, the natural law of human progress—the natural law of amelioration in human affairs—the fundamental law of human nature—the basic law of the time-binding energy [pg 090] peculiar to man—is a Logarithmic law—a law of logarithmic increase. I beg the reader not to let the term bewilder him but to make it his own. It is easy to understand; and its significance is mighty and everlasting. Even its mathematical formulation can be understood by boys and girls. Let us see how the formulation looks.

North Koreans have two stories running in their heads at all times, like trains on parallel tracks. One is what you are taught to believe; the other is what you see with your own eyes. It wasn’t until I escaped to South Korea and read a translation of George Orwell’s Nineteen Eighty-Four that I found a word for this peculiar condition: doublethink. This is the ability to hold two contradictory ideas in your mind at the same time—and somehow not go crazy. This “doublethink” is how you can shout slogans denouncing capitalism in the morning, then browse through the market in the afternoon to buy smuggled South Korean cosmetics.

She was a peculiar girl. Who sat in the corner of libraries, and flirted with the pages of books.

According to one of those peculiar theories, forensic evidence accumulated over the centuries proved that, after millennia of supposed evolution, humans had managed to eliminate a bit of body hair, perfect their loincloths, and refine their tools, but little else. From this premise, a second part of the theorem was inexplicably arrived at, and it went something like this: what the said threadbare evolution had not achieved even remotely was to understand that the more one tries to hide something from a child, the more he is set on finding it, be it a sweet or a postcard with outrageous chorus girls flaunting their charms to the wind. 'And thank goodness that's the way things are, because the day we lose the spark that makes us want to know things, and young people are content with the nonsense dressed in tinsel sold to them by the current popes of bullshittery—be it a mechanical electrical appliance or a battery-run chamber pot—and become incapable of understanding anything that lies beyond their backsides, we'll return to the age of the slug.

Some see her as peculiar because she is into girls, but I say screw that! Love is devotion. Yes, my sister is a lesbian, and I admire her to death.

After a few minutes, he stood up. “I have to agree with you; I can find nothing wrong. Have you had any headaches, disturbed vision, or other peculiar sensations?” he asked, tapping into her thoughts with uncanny accuracy.