Peculiar Christmas Quotes

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I do think your brother grows more peculiar every day,' I complain to Edward when he comes to my rooms in Whitehall Palace to escort me to dinner. 'Which one?' he asks lazily. 'For you know I can do nothing right in the eyes of either. You would think they would be glad to have a York on the throne and peace in Christendom, and one of the finest Christmas feasts we have ever arranged; but no: Richard is leaving court to go back north as soon as the feast is over, to demonstrate his outrage that we are not slogging away in a battle with the French, and George is simply bad tempered.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
If you don’t mind me saying, you are a very peculiar man.” “Sane though. I’ve got a piece of paper.
Caimh McDonnell (Bloody Christmas (Dublin Trilogy publication order, #4.5; Dublin Trilogy chronological order, #6.5))
Then I learnt of “white Christmas”, which again I found very peculiar since we always have a white Christmas at home for it never passes by without eating rice. That is our white Christmas.
Gloria D. Gonsalves (I am Tausi)
There are several attitudes towards Christmas, Some of which we may disregard: The social, the torpid, the patently commercial, The rowdy (the pubs being open till midnight), And the childish — which is not that of the child For whom the candle is a star, and the gilded angel Spreading its wings at the summit of the tree Is not only a decoration, but an angel. The child wonders at the Christmas Tree: Let him continue in the spirit of wonder At the Feast as an event not accepted as a pretext; So that the glittering rapture, the amazement Of the first-remembered Christmas Tree, So that the surprises, delight in new possessions (Each one with its peculiar and exciting smell), The expectation of the goose or turkey And the expected awe on its appearance, So that the reverence and the gaiety May not be forgotten in later experience, In the bored habituation, the fatigue, the tedium, The awareness of death, the consciousness of failure, Or in the piety of the convert Which may be tainted with a self-conceit Displeasing to God and disrespectful to children (And here I remember also with gratitude St. Lucy, her carol, and her crown of fire): So that before the end, the eightieth Christmas (By “eightieth” meaning whichever is last) The accumulated memories of annual emotion May be concentrated into a great joy Which shall be also a great fear, as on the occasion When fear came upon every soul: Because the beginning shall remind us of the end And the first coming of the second coming.
T.S. Eliot
A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
Robert Pinsky
Morning prayers were longer than usual. He read the chapters from St. Matthew about the birth of Christ, and as we listened it all seemed like something that had happened lately, and near at hand. In his prayer he thanked the Lord for the first Christmas, and for all that it had meant to the world ever since. He gave thanks for our food and comfort, and prayed for the poor and destitute in great cities, where the struggle for life was harder than it was here with us. Grandfather's prayers were often very interesting. He had the gift of simple and moving expression. Because he talked so little, his words had a peculiar force; they were not worn dull from constant use. His prayers reflected what he was thinking about at the time, and it was chiefly through them that we got to know his feelings and his views about things.
Willa Cather (My Ántonia)
But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye-streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled with each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was! In time the bells ceased, and the bakers’ were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too. “Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge. “There is. My own.” “Would it apply to any kind of dinner on this day?” asked Scrooge. “To any kindly given. To a poor one most.” “Why to a poor one most?” asked Scrooge. “Because it needs it most.” “Spirit,” said Scrooge, after a moments thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these peoples opportunities of innocent enjoyment.” “I!” cried the Spirit. “You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?” “I!” cried the Spirit. “You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.” “I seek!” exclaimed the Spirit. “Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge. “There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry* and selfishness in our name; who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.
Charles Dickens (A Christmas Carol)
For what is worth: Slazinger claims to have learned from history that most people cannot open their minds to new ideas unless a mind-opening team with a peculiar membership goes to work on them. Otherwise, life will go on exactly as before, no matter how painful, unrealistic, unjust, ludicrous, or downright dumb that life may be. The team must consist of three sorts of specialists, he says. Otherwise, the revolution, whether in politics or the arts or the sciences or whatever, is sure to fail. The rarest of these specialists, he says, is an authentic person, capable of having seemingly good ideas not in general circulation. „Such a person, working alone“, he says, „is invariably ignored as a lunatic.“ The second sort of specialist is a lot easier to find: a highly intelligent citizen in good standing in his or her community, who understands and admires the fresh ideas, and who testifies that the first specialist is far from mad. „A person like that working alone“, he says, „can only yearn out loud for changes, but fail to say what their shapes should be“. The third sort of specialist is a person who can explain anything, no matter how complicated, to the satisfaction of most people, no matter how stupid or pig-headed they may be. „He will say almost anything in order to be interesting and exciting,“ says Slazinger. „Working alone, depending solely on his own shallow ideas, he would be regarded as being as full of shit as a Christmas turkey.
Kurt Vonnegut Jr.
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Some of the feudal services were peculiar. A Kentishman was required to “hold the king’s head in the boat” when he should cross the Channel. Even more peculiar was the case of a certain vassal obliged every Christmas to make before his lord unum saltum et siffletum et unum bumbulum (“a leap, whistle, and an audible gaseous expulsion”).
Morris Bishop (The Middle Ages)
She was, after all, no longer Emily Vale, the peculiar girl who preferred books and frogs to gossip and pretty dresses; whom no one ever listened to; whom no one petted or rhapsodized over, or missed from tea or the picnic or Christmas dinner; whom no one except one boy ever sought out—until he didn’t. She had not been that girl in years.
Katharine Ashe (The Earl (Devil's Duke, #2; Falcon Club, #5))
You didn’t worry every time you got up with Kit in the middle of the night?” “How did you know we were awake?” He shot her a peculiar look from across the kitchen then went back to hanging towels. “You have a pretty voice, Sophie.” It made no sense, but his compliment had her blushing. She’d received compliments before, on her attire, her mare, her embroidery, but her voice wasn’t something she’d purchased or made, it was part of her. “My mother thought we should all learn an instrument,” she said. “I tried piano, but my next oldest brother is so astoundingly good at it, I put him to use as my accompanist from time to time. My whole family likes to sing, except my father. He cannot, as they say, carry a tune in a bucket.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The night of 'the look' on the avenue de New York. People drift along not seeing each other. It is like a vernissage without paintings. It could be the Exterminating Angel or 'Pure Festival' - pure in the sense of Virilio's 'pure war' - on screen. The only hot spot is the trap-door through which the champagne arrives. Peculiar feverish, power-mad tribe, dissolute yet oversensitive, metaphysics with infrared lighting. Nothing in their gaze, everything in the way they look, nothing in their eyes, everything in the decibel level. The gentle air of the Piazza Navona in December, with the acetylene lamps and the reflections of the turquoise water on the Bernini horses. A beauty that is purely Roman. In the Campo dei Fiori someone has laid fresh flowers at the foot of the statue of Giordano Bruno, burned for heresy on this very spot four centuries ago. The touching loyalty of the Roman people; where else would you see such a thing? The hot December multitudes spill out into the street: Christmas is almost as mild here as in Brazil. The city is only beautiful when the crowd invades it. So many people on the streets always gives the impression of a silent uprising. Everyone walks along in the luminous muted buzz of voices and the narrow streets. Everything is transformed into a silent opera, a theatrical geometry. Everything sings in this part of the city.
Jean Baudrillard (Cool Memories)
The Southern Christmas is rich in its traditions, its own beauties, its own recipes and notions and yes, peculiarities. It is why, no matter where we live in the world, we yearn to come home as time draws near. It is more than a cliche. The Southern Christmas is not one of television advertising. It is a sight better than that.
Rick Bragg
Hannah took an unsteady breath, looking at the four of them. They were a peculiar group, all so bright and pretty, but... different. And she had the feeling that these women encouraged each other's eccentricities, and relished their differences. Anything could be said or done among them, and no matter what it was, they would accept and forgive. Sometimes, in some rare and wonderful friendships, the bond of sisterly love was much stronger than any blood tie.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
But don’t the wights get caught?” I said. “I mean, if they’re helping murder people, you’d think—” “Some do,” Emma said. “Wager you’ve heard of a few, if you follow the news. There was one fellow, they found him with human heads in the icebox and gibletty goodies in a stock pot over a low boil, like he was making Christmas dinner. In your time this wouldn’t have been so very long ago.” I remembered—vaguely—a sensationalized late-night TV special about a cannibalistic serial killer from Milwaukee who’d been apprehended in similarly gruesome circumstances. “You mean … Jeffrey Dahmer?” “I believe that was the gentleman’s name, yes,” said Millard. “Fascinating case. Seems he never lost his taste for the fresh stuff, though he’d not been a hollow for many years.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
WHOEVER YOU ARE, WHEREVER YOU ARE..I'M STARTING TO THINK WE'RE A LOT ALIKE. HUMAN BEINGS SPINNING ON BLACKNESS. ALL WANTING TO BE SEEN, TOUCHED, HEARD, PAID ATTENTION TO. MY LOVED ONES ARE EVERYTHING TO ME HERE. IN THE LAST YEAR OR 3 I'VE SCREAMED AT MY CREATOR. SCREAMED AT CLOUDS IN THE SKY. FOR SOME EXPLANATION. MERCY MAYBE. FOR PEACE OF MIND TO RAIN LIKE MANNA SOMEHOW. 4 SUMMERS AGO, I MET SOMEBODY. I WAS 19 YEARS OLD. HE WAS TOO. WE SPENT THAT SUMMER, AND THE SUMMER AFTER, TOGETHER. EVERYDAY ALMOST. AND ON THE DAYS WE WERE TOGETHER, TIME WOULD GLIDE. MOST OF THE DAY I'D SEE HIM, AND HIS SMILE. I'D HEAR HIS CONVERSATION AND HIS SILENCE..UNTIL IT WAS TIME TO SLEEP. SLEEP I WOULD OFTEN SHARE WITH HIM. BY THE TIME I REALIZED I WAS IN LOVE, IT WAS MALIGNANT. IT WAS HOPELESS. THERE WAS NO ESCAPING, NO NEGOTIATING WITH THE FEELING. NO CHOICE. IT WAS MY FIRST LOVE, IT CHANGED MY LIFE. BACK THEN, MY MIND WOULD WANDER TO THE WOMEN I HAD BEEN WITH, THE ONES I CARED FOR AND THOUGHT I WAS IN LOVE WITH. I REMINISCED ABOUT THE SENTIMENTAL SONGS I ENJOYED WHEN I WAS A TEENAGER.. THE ONES I PLAYED WHEN I EXPERIENCED A GIRLFRIEND FOR THE FIRST TIME. I REALIZED THEY WERE WRITTEN IN A LANGUAGE I DID NOT YET SPEAK. I REALIZED TOO MUCH, TOO QUICKLY. IMAGINE BEING THROWN FROM A PLANE. I WASN'T IN A PLANE THOUGH. I WAS IN A NISSAN MAXIMA, THE SAME CAR I PACKED UP WITH BAGS AND DROVE TO LOS ANGELES IN. I SAT THERE AND TOLD MY FRIEND HOW I FELT. I WEPT AS THE WORDS LEFT MY MOUTH. I GRIEVED FOR THEM, KNOWING I COULD NEVER TAKE THEM BACK FOR MYSELF. HE PATTED MY BACK. HE SAID KIND THINGS. HE DID HIS BEST, BUT HE WOULDN'T ADMIT THE SAME. HE HAD TO GO BACK INSIDE SOON, IT WAS LATE AND HIS GIRLFRIEND WAS WAITING FOR HIM UPSTAIRS. HE WOULDN'T TELL ME THE TRUTH ABOUT HIS FEELINGS FOR ME FOR ANOTHER 3 YEARS. I FELT LIKE I'D ONLY IMAGINED RECIPROCITY FOR YEARS. NOW IMAGINE BEING THROWN FROM A CLIFF. NO, I WASN'T ON A CLIFF, I WAS STILL IN MY CAR TELLING MYSELF IT WAS GONNA BE FINE AND TO TAKE DEEP BREATHS. I TOOK THE BREATHS AND CARRIED ON. I KEPT UP A PECULIAR FRIENDSHIP WITH HIM BECAUSE I COULDN'T IMAGINE KEEPING UP MY LIFE WITHOUT HIM. I STRUGGLED TO MASTER MYSELF AND MY EMOTIONS. I WASN'T ALWAYS SUCCESSFUL. THE DANCE WENT ON.. I KEPT THE RHYTHM FOR SEVERAL SUMMERS AFTER. IT'S WINTER NOW. I'M TYPING THIS ON A PLANE BACK TO LOS ANGELES FROM NEW ORLEANS. I FLEW HOME FOR ANOTHER MARRED CHRISTMAS. I HAVE A WINDOWSEAT. IT'S DECEMBER 27, 2011. BY NOW I'VE WRITTEN TWO ALBUMS, THIS BEING THE SECOND. I WROTE TO KEEP MYSELF BUSY AND SANE. I WANTED TO CREATE WORLDS THAT WERE ROSIER THAN MINE. I TRIED TO CHANNEL OVERWHELMING EMOTIONS. I'M SURPRISED AT HOW FAR ALL OF IT HAS TAKEN ME. BEFORE WRITING THIS I'D TOLD SOME PEOPLE MY STORY. I'M SURE THESE PEOPLE KEPT ME ALIVE, KEPT ME SAFE.. SINCERELY. THESE ARE THE FOLKS I WANNA THANK FROM THE FLOOR OF MY HEART. EVERYONE OF YOU KNOWS WHO YOU ARE.. GREAT HUMANS, PROBABLY ANGELS. I DON'T KNOW WHAT HAPPENS NOW, AND THAT'S ALRITE. I DON'T HAVE ANY SECRETS I NEED KEPT ANYMORE. THERE'S PROBABLY SOME SMALL SHIT STILL, BUT YOU KNOW WHAT I MEAN. I WAS NEVER ALONE, AS MUCH AS I FELT LIKE IT. AS MUCH AS I STILL DO SOMETIMES. I NEVER WAS. I DON'T THINK I EVER COULD BE. THANKS. TO MY FIRST LOVE, I'M GRATEFUL FOR YOU. GRATEFUL THAT EVEN THOUGH IT WASN'T WHAT I HOPED FOR AND EVEN THOUGH IT WAS NEVER ENOUGH, IT WAS. SOME THINGS NEVER ARE.. AND WE WERE. I WON'T FORGET YOU. I WON'T FORGET THE SUMMER. I'LL REMEMBER WHO I WAS WHEN I MET YOU. I'LL REMEMBER WHO YOU WERE AND HOW WE'VE BOTH CHANGED AND STAYED THE SAME. I'VE NEVER HAD MORE RESPECT FOR LIFE AND LIVING THAN I HAVE RIGHT NOW. MAYBE IT TAKES A NEAR DEATH EXPERIENCE TO FEEL ALIVE. THANKS. TO MY MOTHER, YOU RAISED ME STRONG. I KNOW I'M ONLY BRAVE BECAUSE YOU WERE FIRST.. SO THANK YOU. ALL OF YOU. FOR EVERYTHING GOOD. I FEEL LIKE A FREE MAN. IF I LISTEN CLOSELY.. I CAN HEAR THE SKY FALLING TOO. - FRANK
Frank Ocean (Channel Orange)
Below her, bluebells swayed back and forth in the cool autumn breeze. They would last only another week or so, she knew. And then, the garden would change. The hawthorn would flaunt more red berries while the roses would crinkle and wither, allowing the sour orange hips to bloom freely in their place. Beneath her bedroom window, she would begin to smell the sweet aroma of winter honeysuckle, and at the front of the house, delicate white snowdrops and Christmas roses would soon bloom. The plum tree would lose its fruit, and its leaves would turn and drop, and its branches would extend in all directions like gnarled limbs. And, of course, there would be thorns. So many thorns. The ivy, on the other hand, would not change one bit. It would not stop growing. It would not cease moving about as it pleased. It would glow that earthly green all year long. The ivy held everything together--- the house, the garden, even Harriet at times--- no matter what the season.
Chelsea Iversen (The Peculiar Garden of Harriet Hunt)
She carried with her a tender caress for the stems and petals she meant to harvest, thanking them for their beauty and letting them give themselves over to her rather than taking them en masse with reckless haste. She knelt beside the patch of Christmas roses that grew beneath the parlor window. Harriet wondered, as she had a thousand times, how this flower could withstand the colder months with petals so delicate. Small white faces with pale yellow middles turned to look up at Harriet, almost adoringly, and she let their gaze infuse her with warmth. This is how they do it, she thought. They are filled with the magic of love. It was impossible for her to be out in her garden and not feel the love all around, almost consuming her, even on this cold, dreary day.
Chelsea Iversen (The Peculiar Garden of Harriet Hunt)
Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge. “There is. My own.
Charles Dickens (A Christmas Carol)
Year-end: a wonderful time, especially for commerce, which contributes to the increase in income concentration. Most people are taken by a peculiar state – a kind of seasonal depression. Why? Because, for a brief period, they are compelled to reflect on their lives, on their existence, and to escape the diabolical work routine, that balm that temporarily makes us forget the most fundamental questions of life. In general, during Christmas and these festive dates marking the end of cycles, regardless of their culture, people feel a growing weight on their shoulders. However, they cannot express or verbalize what they feel. Unmet expectations, people who are no longer here, concerns about life and the future. In summary, the weight of an unexamined existence. These celebrations are social conventions based on astronomical movements that have acquired religious and sacred connotations. In themselves, they hold no intrinsic meaning, except for the purpose of instilling in individuals a false joy, a false hope that things can – or will – improve. "Feel hope, feel joy," says the good old man, because the system needs it; it needs people to continue believing in it so that everything keeps spinning. In reality, this period should serve precisely an anti-cyclic function, leading individuals to a situational awareness so that they can truly understand the wholeness of their existence and its fundamental questions. An existence that is not fragmented but unique and whole, giving meaning to the present in light of the past and in the attempt to project the future. All of this aims to break free from the annual cycle of forgetfulness and false happiness that is habitually imposed on us. It is time to break this cycle.
Geverson Ampolini