Pebble Brain Quotes

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This was supposed to be yesterday. I was sitting on the Cardiff/London train, supposedly about to write this very column, and realising something quite terrible. My head was entirely empty. A vast echoing void. Bigger on the inside, but with nothing in it. You could drop a pebble in my brain and wait for an hour to hear it land. No actually, you couldn't - that would be aggressive and unhelpful, so keep your damn pebbles to yourself.
Steven Moffat
Nothing like poetry when you lie awake at night. It keeps the old brain limber. It washes away the mud and sand that keeps on blocking up the bends. Like waves to make the pebbles dance on my old floors. And turn them into rubies and jacinths; or at any rate, good imitations.
Joyce Cary (The Horse's Mouth)
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
There was a sudden sunburst in my head. And then black night. That blackness was sublime. I felt distributed through space and time: One foot upon a mountaintop, one hand 150  Under the pebbles of a panting strand, One ear in Italy, one eye in Spain, In caves, my blood, and in the stars, my brain. There were dull throbs in my Triassic; green Optical spots in Upper Pleistocene, An icy shiver down my Age of Stone, And all tomorrows in my funnybone. During
Vladimir Nabokov (Pale Fire)
Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox - how a body that we occupy, that we have worn like a coat from the moment of our birth - from before birth, even - is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn't recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope - that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
Thrity Umrigar (The Space Between Us)
When you first look down, you see everything — and nothing. It’s as if your eyes can see only grayness. But if you tell yourself that there’s treasure at your feet, your eyes will begin to see differences in the shades of gray: silvery cracks, charcoal pebbles, ashy litter. Then, when you find your first glimmering coin, your brain will understand exactly what you want, and it will start to find coins everywhere. It just takes patience.
Jennifer Richard Jacobson (Paper Things)
A person without a sense of humor is like a wagon without springs —jolted by every pebble in the road. — HENRY WARD BEECHER
Linda Graham (Bouncing Back: Rewiring Your Brain for Maximum Resilience and Well-Being)
He realized that all men were like this; that each person was to himself one alone. One oneness, a unit in a society, but always afraid. Like here, standing. If he should scream, if he should holler for help, would it matter? Blackness could come swiftly, swallowing; in one titanically freezing moment all would be concluded. Long before dawn, long before police with flashlights might probe the dark, disturbed pathway, long before men with trembling brains could rustle down the pebbles to his help. Even if they were within five hundred yards of him now, and help certainly was, in three seconds a dark tide could rise to take all ten years from him and— The essential impact of life’s loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family’s love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
Ray Bradbury (Dandelion Wine)
[The Utopians] marvel that any mortal can take pleasure in the weak sparkle of a little gem or bright pebble, when he has a star, or the sun itself, to look at. They are amazed at the foolishness of any man who considers himself a nobler fellow because he wears clothing of specially fine wool. No matter how delicate the thread, they say, a sheep wore it once, and still was nothing but a sheep… They do not understand why a dunderhead with no more brains than a post, and who is as depraved as he is foolish, should command a great many wise and good people simply because he happens to have a great pile of gold.
Thomas More
I know that every atom of life in all this universe is bound up together. I know that pebble cannot be thrown into the ocean without distrubing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain. But I do know that in back of it is a power that made it, that power alone can tell, and if there is no power, then it is an infinite chance which man cannot solve.
Marianne Wiggins (Evidence of Things Unseen)
What does it mean to feel something similar to the way God feels? Is that like saying a pebble is similar to the sun because both are round?” he responded. “Maybe God designed our brains to feel love the same way he feels it. He could do that if he wanted to.
Scott Adams (God's Debris: A Thought Experiment)
Fire Fire In The Heavens Fire in the heavens, and fire along the hills, and fire made solid in the flinty stone, thick-mass'd or scatter'd pebble, fire that fills the breathless hour that lives in fire alone. This valley, long ago the patient bed of floods that carv'd its antient amplitude, in stillness of the Egyptian crypt outspread, endures to drown in noon-day's tyrant mood. Behind the veil of burning silence bound, vast life's innumerous busy littleness is hush'd in vague-conjectured blur of sound that dulls the brain with slumbrous weight, unless some dazzling puncture let the stridence throng in the cicada's torture-point of song.
Christopher Brennan (Xxi Poems, 1893, 1897: Towards The Source)
Odin and his brothers made the soil from Ymir’s flesh. Ymir’s bones they piled up into mountains and cliffs. Our rocks and pebbles, the sand and gravel you see: these were Ymir’s teeth, and the fragments of bones that were broken and crushed by Odin and Vili and Ve in their battle with Ymir. The seas that girdle the worlds: these were Ymir’s blood and his sweat. Look up into the sky: you are looking at the inside of Ymir’s skull. The stars you see at night, the planets, all the comets and the shooting stars, these are the sparks that flew from the fires of Muspell. And the clouds you see by day? These were once Ymir’s brains, and who knows what thoughts they are thinking, even now.
Neil Gaiman (Norse Mythology)
The thought is immediately accompanied by a dull ache below her shoulder. It is a phantom pain, she knows, a psychosomatic ache, but still she feels the hurt. After all, it has been many years since the blow that made her arm swell and ache for days. On the other hand, who knows? Perhaps the body has its own memory system, like the invisible meridian lines those Chinese acupuncturists always talk about. Perhaps the body is unforgiving, perhaps every cell, every muscle and fragment of bone remembers each and every assault and attack. Maybe the pain of memory is encoded into our bone marrow and each remembered grievance swims in our bloodstream like a hard, black pebble. After all, the body, like God, moves in mysterious ways. From the time she was in her teens, Sera has been fascinated by this paradox—how a body that we occupy, that we have worn like a coat from the moment of our birth—from before birth, even—is still a stranger to us. After all, almost everything we do in our lives is for the well-being of the body: we bathe daily, polish our teeth, groom our hair and fingernails; we work miserable jobs in order to feed and clothe it; we go to great lengths to protect it from pain and violence and harm. And yet the body remains a mystery, a book that we have never read. Sera plays with this irony, toys with it as if it were a puzzle: How, despite our lifelong preoccupation with our bodies, we have never met face-to-face with our kidneys, how we wouldn’t recognize our own liver in a row of livers, how we have never seen our own heart or brain. We know more about the depths of the ocean, are more acquainted with the far corners of outer space than with our own organs and muscles and bones. So perhaps there are no phantom pains after all; perhaps all pain is real; perhaps each long-ago blow lives on into eternity in some different permutation and shape; perhaps the body is this hypersensitive, revengeful entity, a ledger book, a warehouse of remembered slights and cruelties. But if this is true, surely the body also remembers each kindness, each kiss, each act of compassion? Surely this is our salvation, our only hope—that joy and love are also woven into the fabric of the body, into each sinewy muscle, into the core of each pulsating cell?
Thrity Umrigar (The Space Between Us)
I do not believe that we have finished evolving. And by that, I do not mean that we will continue to make ever more sophisticated machines and intelligent computers, even as we unlock our genetic code and use our biotechnologies to reshape the human form as we once bred new strains of cattle and sheep. We have placed much too great a faith in our technology. Although we will always reach out to new technologies, as our hands naturally do toward pebbles and shells by the seashore, the idea that the technologies of our civilized life have put an end to our biological evolution—that “Man” is a finished product—is almost certainly wrong. It seems to be just the opposite. In the 10,000 years since our ancestors settled down to farm the land, in the few thousand years in which they built great civilizations, the pressures of this new way of life have caused human evolution to actually accelerate. The rate at which genes are being positively selected to engender in us new features and forms has increased as much as a hundredfold. Two genes linked to brain size are rapidly evolving. Perhaps others will change the way our brain interconnects with itself, thus changing the way we think, act, and feel. What other natural forces work transformations deep inside us? Humanity keeps discovering whole new worlds. Without, in only five centuries, we have gone from thinking that the earth formed the center of the universe to gazing through our telescopes and identifying countless new galaxies in an unimaginably vast cosmos of which we are only the tiniest speck. Within, the first scientists to peer through microscopes felt shocked to behold bacteria swarming through our blood and other tissues. They later saw viruses infecting those bacteria in entire ecologies of life living inside life. We do not know all there is to know about life. We have not yet marveled deeply enough at life’s essential miracle. How, we should ask ourselves, do the seemingly soulless elements of carbon, hydrogen, oxygen, zinc, iron, and all the others organize themselves into a fully conscious human being? How does matter manage to move itself? Could it be that an indwelling consciousness makes up the stuff of all things? Could this consciousness somehow animate the whole grand ecology of evolution, from the forming of the first stars to the creation of human beings who look out at the universe’s glittering constellations in wonder? Could consciousness somehow embrace itself, folding back on itself, in a new and natural technology of the soul? If it could, this would give new meaning to Nietzsche’s insight that: “The highest art is self–creation.” Could we, really, shape our own evolution with the full force of our consciousness, even as we might exert our will to reach out and mold a lump of clay into a graceful sculpture? What is consciousness, really? What does it mean to be human?
David Zindell (Splendor)
More than a century ago Thomas Carlyle described man as a "tool-using animal," as if this were the one trait that elevated him above the rest of brute creation. This overweighting of tools, weapons, physical apparatus, and machines has obscured the actual path of human development. The definition of man as a tool-using animal, even when corrected to read 'tool-making,' would have seemed strange to Plato, who attributed man's emergence from a primitive state as much to Marsyas and Orpheus, the makers of music, as to fire-stealing Prometheus, or to Hephaestus, the blacksmith-god, the sole manual worker in the Olympian pantheon. Yet the description of man as essentially a tool-making animal has become so firmly embedded that the mere finding of fragments of little primate skulls in the neighborhood of chipped pebbles, as wit the Australopithecines of Africa, was deemed sufficient by their finder, Dr. L.S.B. Leakey, to identify the creature as in the direct line of human ascent, despite marked physical divergences from both apes and later men. Since Leakey's sub-hominids had a brain capacity about a third of Homo sapiens-less indeed than some apes-the ability to chip and use crude stone tools plainly neither called for nor by itself generated man's rich cerebral equipment.
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
Fire In The Heavens Fire in the heavens, and fire along the hills, and fire made solid in the flinty stone, thick-mass'd or scatter'd pebble, fire that fills the breathless hour that lives in fire alone. This valley, long ago the patient bed of floods that carv'd its antient amplitude, in stillness of the Egyptian crypt outspread, endures to drown in noon-day's tyrant mood. Behind the veil of burning silence bound, vast life's innumerous busy littleness is hush'd in vague-conjectured blur of sound that dulls the brain with slumbrous weight, unless some dazzling puncture let the stridence throng in the cicada's torture-point of song.
Christopher Brennan (Xxi Poems, 1893, 1897: Towards The Source)
Try to think of it this way,” he began. “You should feel very lucky. StarClan has given you the chance to choose your own destiny: to be a warrior, a mate, a mother—all the things that you were denied as Cinderpelt.” “But is it a real choice?” Cinderheart asked miserably. “What about my duty to my Clan?” “There are many ways to fulfill your duty,” Jayfeather murmured. Cinderheart turned to him; he could feel the force of her gaze. “It’s true, I’m lucky to be here at all!” she burst out. “I know what a debt I owe to my ancestors. But I’m so confused. . . . I don’t know what I’m supposed to do.” “What do you want?” Jayfeather asked quietly. He felt a small start of surprise from Cinderheart, as if no cat had ever asked her that before. “I wanted Lionblaze,” she whispered. “But I can’t have him.” “Oh? Really?” Great StarClan, mouse-brain, he’s been padding after you for moons! “Why not?” “Because of his destiny,” Cinderheart replied. Jayfeather gave an awkward wriggle; he wasn’t comfortable discussing another cat’s relationship problems. But he remembered Half Moon, and felt again the piercing pain he had suffered when he realized that he couldn’t stay with her in her long-ago Tribe. “You have a destiny, too,” he mewed gently. “But that isn’t the whole of who you are. You can still shape your own life.” Cinderheart was silent for a long time; Jayfeather could sense a tiny seed of hope stirring inside her. “You have a chance to be happy,” he prompted, “and to make Lionblaze happy, too. Don’t throw that away because you spent too long trying to figure out the right thing to do.” “Thank you, Jayfeather,” Cinderheart responded with a long sigh. Together they sat on the bank overlooking the lake; Jayfeather could hear the soft lapping of the water on the pebbly shore. For a few moments he and Cinderheart seemed to be wrapped in a cocoon of peace. It can’t last, Jayfeather thought. Not in these turbulent times. But I’m glad of it now, that’s for sure.
Erin Hunter (The Forgotten Warrior (Warriors: Omen of the Stars #5))