Pearls Jewellery Quotes

Another woman catches sight of Fischerle's hump on the ground and runs screaming into the street: 'Murder! Murder!' She takes the hump for a corpse. Further details - she knows none. The murderer is very thin, a poor sap, how he came to do it, you shouldn't have thought it of him. Shot may be, someone suggests. Of course, everyone heard the shot. Three streets off, the shot had been heard. Not a bit of it, that was a motor tyre. No, it was a shot! The crowd won't be done out of its shot. A threatening attitude is assumed towards the doubters. Don't let him go. An accessory. Trying to confuse the trail! Out of the building comes more news. The woman's statements are revised. The thin man has been murdered. And the corpse on the floor? It's alive. It's the murderer, he had hidden himself. He was tring to creep away between the corpse's legs when he was caught. The more recent information is more detailed. The little man is a dwarf. What do you expect, a cripple! The blow was actually struck by another. A redheaded man. Ah, those redheads. The dwarf put him up to it. Lynch him! The woman gave the alarm. Cheers for the woman! She screamed and screamed. A Woman! Doesn't know what fear is. The murderer had threatened her. The redhead. It's always the Reds. He tore her collar off. No shooting. Of course not. What did he say? Someone must have invented the shot. The dwarf. Where is he? Inside. Rush the doors! No one else can get in. It's full up. What a murder! The woman had a plateful. Thrashed her every day. Half dead, she was. What did she marry a dwarf for? I wouldn't marry a dwarf. And you with a big man to yourself. All she could find. Too few men, that's what it is. The war! Young people to-day...Quite young he was too. Not eighteen. And a dwarf already. Clever! He was born that way. I know that. I've seen him. Went in there. Couldn't stand it. Too much blood. That's why he's so thin. An hour ago he was a great, fat man. Loss of blood, horrible! I tell you corpses swell. That's drowned ones. What do you know about corpses? Took all the jewellery off the corpse he did. Did it for the jewellery. Just outside the jewellery department it was. A pearl necklace. A baroness. He was her footman. No, the baron. Ten thousand pounds. Twenty thousand! A peer of the realm! Handsome too. Why did she send him? Should he have let his wife? It's for her to let him. Ah, men. She's alive though. He's the corpse. Fancy dying like that! A peer of the realm too Serve him right. The unemployed are starving. What's he want with a pearl necklace. String 'em up I say! Mean it too. The whole lot of them. And the Theresianum too. Burn it! Make a nice blaze.

She was wearing a simple silver sheath cut within an inch of indecency, curving round her slender shoulders and then falling away to expose the smooth white skin of her back and just a hint of the soft round curve of her breasts. She had on no jewellery, only a pale wash of lipstick, and again the black halo of hair was arranged so that it looked almost wind tossed. Yet her dark tresses shone, framing her face with a soft, unearthly light. Next to the other women at the table, with their diamonds, heavy strands of pearls, and meticulously groomed faces and hair, she seemed feral and bewitching. The impact of her beauty lay in her confidence and her utter lack of self-awareness. In contrast, others appeared to be trying too hard, careful and staid.

This painting was created between 1662 and 1665, and is now housed in the Gemäldegalerie Berlin. It depicts a young woman holding her pearl necklace up to the light, apparently considering whether it is the right piece of jewellery to wear. The woman is caught at the exact moment where she considers her own beauty. Interestingly the mirror appears to be too high for the woman to be naturally able to view her reflection, perhaps commenting in part on her vanity. It is believed that this painting was originally kept in Vermeer’s wife’s bedroom, where it was recorded as being found following his death. Vermeer only kept four of his own paintings, which suggests that the sitter of this work was most likely his wife.

Unlike Alexander’s Greeks, Muslim invaders were well aware of India’s immensity, and mightily excited by its resources. As well as exotic produce like spices, peacocks, pearls, diamonds, ivory and ebony, the ‘Hindu country’ was renowned for its skilled manufactures and its bustling commerce. India’s economy was probably one of the most sophisticated in the world. Guilds regulated production and provided credit; the roads were safe, ports and markets carefully supervised, and tariffs low. Moreover capital was both plentiful and conspicuous. Since at least Roman times the subcontinent seems to have enjoyed a favourable balance of payments. Gold and silver had been accumulating long before the ‘golden Guptas’, and they continued to do so. Figures in the Mamallapuram sculptures and the Ajanta frescoes are as strung about with jewellery as those in the Sanchi and Amaravati reliefs. Divine images of solid gold are well attested and royal temples were rapidly becoming royal treasuries as successful dynasts endowed them with the fruits of their conquests. The devout Muslim, although ostensibly bent on converting the infidel, would find his zeal handsomely rewarded.

Despite the multitude of extraordinary changes that have taken place in almost every area of life, jewellery is still used for pretty well the same purposes as it has always been. Primitive man is said to have worn a kind of ornamentation to enhance his sexual attraction as well as provide protection against all manner of disasters, from snakes to evil spirits. Cleopatra used jewels (with a particular fondness for emeralds) to seduce admirers and rivals not only on her body but in her home. They showed off her fabulous wealth and position. Julius Caesar ruled that only the highest born women could wear pearls, which were Rome’s most valued jewels. Not only does our jewellery mean something to each of us, but it also has meaning to those who view us. Jewellery has forever been a currency understood by all.