Pearls And Diamonds Quotes

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When you ask God for a gift, Be thankful if he sends, Not diamonds, pearls or riches, but the love of real true friends.
Helen Steiner Rice
At the edge of madness you howl diamonds and pearls.
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
Love can crystallize things. When love is in the air, distressing rain can become a wonderful avalanche of shimmering diamonds. Raindrops are transformed into a flood of sparkling crystal pearls. The power of love can convert rain into a multitude of glittering prisms. The mental seduction of love and a boundless illusion, inflamed by a profound uprising emotion, can change any ordinary incident into a radiant, luminous voyage. ( "Crystallization under an umbrella" )
Erik Pevernagie
An intelligent, energetic, educated woman cannot be kept in four walls — even satin-lined, diamond-studded walls — without discovering sooner or later that they are still a prison cell." (America's Medieval Women, Harper's Magazine, August 1938)
Pearl S. Buck
Up then, fair phoenix bride, frustrate the sun; Thyself from thine affection Takest warmth enough, and from thine eye All lesser birds will take their jollity. Up, up, fair bride, and call Thy stars from out their several boxes, take Thy rubies, pearls, and diamonds forth, and make Thyself a constellation of them all; And by their blazing signify That a great princess falls, but doth not die. Be thou a new star, that to us portends Ends of much wonder; and be thou those ends.
John Donne (The Complete English Poems)
Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.
Shel Silverstein (Where the Sidewalk Ends)
He’s not a rough diamond - a pearl-containing oyster of a rustic; he’s a fierce, pitiless, wolfish man.
Emily Brontë (Wuthering Heights)
Well, I don't want to be anyone but myself, even if I go uncomforted by diamonds all my life," declared Anne. "I'm quite content to be Anne of Green Gables, with my string of pearl beads.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
It was indescribable what she wanted. She was restless. She wanted to work. She wanted to be thirty people. She wanted to wear a cap of pearls and a coat of bright blue diamonds. To live as nature does, in many ages, in many brains
Danielle Dutton (Margaret the First)
more diamonds and pearls of electricity
Allen Ginsberg (The Fall of America: Poems of These States 1965-1971)
Most people would call me incompetent, clumsy, flawed..." "A pearl is a flaw. A diamond is an accident of nature. In all of creation, there's nothing more precious than the unexpected deviation.
Todd Mitchell (A Flight of Angels)
A new doctor had been sent for, Lazzaro of Pavia, who had administered to Lorenzo a pulverized mixture of diamonds and pearls. This hitherto infallible medicine had failed to help.
Irving Stone (The Agony and the Ecstasy)
Be patient my little wild one, wondrous things take time. A pearl is hidden before it’s refined. A diamond’s luster is dull before revealing brilliant magnificent breathtaking shine.
Melody Lee (Vine: Book of Poetry)
Anne's lovers are phantom gentlemen, flitting by night with adulterous intent. They come and go by night, unchallenged. They skim over the river like midges, flicker against the dark, their doublets sewn with diamonds. The moon sees them, peering from her hood of bone, and Thames water reflects them, glimmering like fish, like pearls.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
The Earl and Countess of Langford!" That announcement caused an immediate reaction among the inhabitants of the ballroom, who began looking at one another in surprise and then turned to the balcony, but it was nothing compared to the reaction among the small group of seven people who'd been keeping a vigil of hope. A jolt went through the entire group; hands reached out blindly and were clasped tightly by other hands; faces lifted to the balcony, while joyous smiles dawned brightly and eyes misted with tears. Attired in formal black evening clothes with white waistcoat and frilled white shirt, Stephen Westmoreland, Earl of Langford, was walking across the balcony. On his arm was a medieval princess clad in a pearl-encrusted ivory satin gown with a low, square bodice that tapered to a deep V at the waist. A gold chain with clusters of diamonds and pearls in each link rode low on her hips, sawying with each step, and her hair tumbled in flaming waves and heavy curls over her shoulders and back.
Judith McNaught (Until You (Westmoreland, #3))
It is easy to say I am thankful for the sweet and beautiful things in life: flower gardens, ice cream cones, diamond rings, dances under moonlight, children’s laughter, birdsongs, and the like. The challenge is recognizing things of value in the dark, sour, uglier parts of life. But if you look hard enough, you will find that even tough times offer pearls worthy of gratitude.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
these pearls are orient, but they yield in whiteness to your teeth; the diamonds are brilliant, but they cannot match your eyes; and ever since I have taken up this wild trade, I have made a vow to prefer beauty to wealth.
Walter Scott (Ivanhoe)
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
So rest and relax and grow stronger, Let go and let God share your load, Your work is not finished or ended, You’ve just come to “a bend in the road”. “When you ask God for a gift, be thankful if He sends, not diamonds, pearls or riches, but the love of real true friends.” “It takes a Mother’s Love to make a house a home, a place to be remembered, no matter where we roam.” “When you are in troubled and worried and sick at heart And your plans are upset and your world falls apart, Remember God’s ready and waiting to share The burden you find much to heavy to bear– So with faith, “Let Go and Let GOD” lead your way.
Helen Steiner Rice
We Americans are used to viewing war from a distance—the privilege of living, as Chancellor Otto von Bismarck once said, with less powerful neighbors to the north and south, and nothing to the east and west but fish. Even the terrible attack on our own Pearl Harbor came thousands of miles away.
Kate Quinn (The Diamond Eye)
Perhaps the sea's definition of a shell is the pearl. Perhaps time's definition of coal is the diamond.
Kahlil Gibran
Minute diamonds of moisture from the mist hung, too, upon Tess's eyelashes, and drops upon her hair, like seed pearls. When the day grew quite strong and commonplace these dried off her; moreover, Tess then lost her strange and ethereal beauty;
Thomas Hardy (Tess of the D'Urbervilles)
Time is time and that's enough, because time is more precious than diamonds, more rare than pearls. Money comes and goes, but time only goes. Time doesn't come back for anyone, not even for the restless dead, who move it from place to place. Time is finite. Money is not.
Seanan McGuire (Dusk or Dark or Dawn or Day)
She opened her eyes once again and let them drift across the scene laid out before her like a page from a storybook. Inky blackness hung above them as though painted in impasto in an opaque Prussian Blue. The impression it gave was of a sky hand-crafted out of felt with a pearl of a moon and a generous dusting of diamonds sprinkled on for the stars. A night dreams were made of.
Ella J. Fraser (Waking Up In London)
Gilbert laughed and clasped tighter the girlish hand that wore his ring. Anne's engagement ring was a circlet of pearls. She had refused to wear a diamond. "I've never really liked diamonds since I found out they weren't the lovely purple I had dreamed. They will always suggest my old disappointment ." "But pearls are for tears, the old legend says," Gilbert had objected. "I'm not afraid of that. And tears can be happy as well as sad. My very happiest moments have been when I had tears in my eyes-- when Marilla told me I might stay at Green Gables--when Matthew gave me the first pretty dress I ever had--when I heard that you were going to recover from the fever. So give me pearls for our troth ring, Gilbert, and I'll willingly accept the sorrow of life with its joy.
L.M. Montgomery (Anne's House of Dreams)
When we finally arrived, the chauffeur escorted my younger sister, Laila, and me up to my father’s suite. As usual, he was hiding behind the door waiting to scare us. We exchanged many hugs and kisses as we could possibly give in one day. My father took a good look at us. Then he sat me down on his lap and said something that I will never forget. He looked me straight in the eyes and said, “Hana, everything that God made valuable in the world is covered and hard to get to. Where do you find diamonds? Deep down in the ground, covered and protected. Where do you find pearls? Deep down at the bottom of the ocean, covered up and protected in a beautiful shell. Where do you find gold? Way down in the mine, covered over with layers and layers of rock. You've got to work hard to get to them.” He looked at me with serious eyes. “Your body is sacred. You’re far more precious than diamonds and pearls, and you should be covered too.
Hana Yasmeen Ali (More Than a Hero: Muhammad Ali's Life Lessons Presented Through His Daughter's Eyes)
On the evening of her eighteenth birthday, Maddy opened her journal and made a list of the jewels and precious stones she'd held. Gold, diamond, emerald; ruby, turquoise, pearl; amber, jade, marble… There were some she had forgotten. Beneath these she listed what she thought were the most perfect tastes and smells. Coffee, cinnamon, peaches; vanilla, honey, basil; baking bread, fresh bread, toasting bread.
Sonya Hartnett (The Ghost's Child)
Painting a picture is as difficult as finding a large or a small diamond. Now, however, whereas everybody recognizes the value of a louis d’or or a pure pearl, those who cherish pictures and believe in them are unfortunately rare. But they exist nonetheless.
Vincent van Gogh (Delphi Complete Works of Vincent van Gogh (Illustrated) (Masters of Art Book 3))
I watched the shadow of our plane hastening below us across hedges and fences, rows of poplars and canals … Nowhere, however, was a single human being to be seen. No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding. One sees the places where they live and the roads that link them, one sees the smoke rising from their houses and factories, one sees the vehicles in which they sit, but one sees not the people themselves. And yet they are present everywhere upon the face of the earth, extending their dominion by the hour, moving around the honeycombs of towering buildings and tied into networks of a complexity that goes far beyond the power of any one individual to imagine, from the thousands of hoists and winches that once worked the South African diamond mines to the floors of today's stock and commodity exchanges, through which the global tides of information flow without cease. If we view ourselves from a great height, it is frightening to realize how little we know about our species, our purpose and our end, I thought, as we crossed the coastline and flew out over the jelly-green sea.
W.G. Sebald (The Rings of Saturn)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Your mind is gold. Your heart is pearls. Your soul is diamonds. Your life is priceless treasure.
Matshona Dhliwayo
Knowledge is the world's pearl, wisdom is the universe's diamond.
Matshona Dhliwayo
The world's most beautiful pearls are inside your heart. The universe's most beautiful diamonds are inside your soul.
Matshona Dhliwayo
I never dreamed that she meant lights. Sparkling. Shimmering. Waves of light. We could see them from the front of the cafe. Besides the few customers, everyone who lived on the street was gathered inside. And I mean everyone, even strange little Esther. She'd squeezed herself into the darkest corner of the room, sitting on the floor with her arms wrapped around her bent knees. But even her face was in awe. Silvers. Pearls. Iridescent pinks. They now sprayed out into the sunless room and hit the ceiling. The walls. The floor. Glowing copper. Gilded orange. And all kinds or gold. Sequins of light that swirled and spun through the air. Cascades of light flowing in, breaking up, and rolling like fluid diamonds over the worn tile. Emerald. Turquoise. Sapphire. It went on for hours. I looked over there and there were tears streaming down Gabe's wrinkled face: God bless you, Eve. And finally only the muted glow of a cool aquamarine. Then we heard the baby's first thin cry- and the place went wild.
Gloria Naylor (Bailey's Café)
Pedro of Portugal's rapt and bizarre declaration of love, in 1356, for the embalmed corpse of his murdered wife, Inez de Castro, who swayed beside him on his travels, leather-brown and skeletal, crowned with lace and gold circlet, hung about with chains of diamonds and pearls, her bone-fingers fantastically ringed.
A.S. Byatt
They had paused before the table on which the bride’s jewel were displayed, and Lily’s heart gave an envious throb as she caught the refraction of light from their surfaces – the milky gleam of perfectly matched pearls, the flash of rubies relieved against contrasting velvet, the intense blue rays of sapphires kindled into light by surrounding diamonds: all these precious tints enhanced and deepened by the varied art of their setting. The glow of the stones warmed Lily’s veins like wine. More completely than any other expression of wealth they symbolized the life she longed to lead, the life of fastidious aloofness and refinement in which every detail should have the finish of a jewel, and the whole form a harmonious setting to her own jewel-like rareness.
Edith Wharton (The House of Mirth)
She could see why men and women through the ages had become besotted with opals. It was as though an almighty hand had scooped a palmful of emeralds, sapphires, diamonds, and pearls and mixed their radiant hues. Fit for a queen. Such a noble stone.
Tea Cooper (The Woman in the Green Dress)
You’re hard sometimes, but you’re genuine and easy to love.  You give people everything you have to give, Silas.  You’re a rough diamond amongst pearls.  You look like a dirty stone amongst the sheen, but your value far exceeds the silky dull shine of a pearl.
Criss Copp (Fake (A Pretty Pill, #2))
A rainbow is a storm’s masterpiece. A seed is a flower’s masterpiece. A rock is a diamond’s masterpiece. A butterfly is a caterpillar’s masterpiece. A flame is a spark’s masterpiece. A drop is an ocean’s masterpiece. A brick is a mansion’s masterpiece. A cell is a body’s masterpiece. A nest is a bird’s masterpiece. A flame is a spark’s masterpiece. A note is a symphony’s masterpiece. A flower is a garden’s masterpiece. Herbs are a plant’s masterpiece. Honey is a bee’s masterpiece. Silk is a spider’s masterpiece. Wool is a sheep’s masterpiece. Perfume is a flower’s masterpiece. Syrup is a tree’s masterpiece. Wine is a grape’s masterpiece. Fruit is a seed’s masterpiece. Pearls are an oyster’s masterpiece. Beauty is a sky’s masterpiece. Charm is a star’s masterpiece. Spring is nature’s masterpiece. Time is eternity’s masterpiece. Energy is light’s masterpiece. Heat is fire’s masterpiece. Knowledge is truth’s masterpiece. Thoughts are the mind’s masterpiece. Desires are the heart’s masterpiece. Experiences are the soul’s masterpiece. Intelligence is nature’s masterpiece. Enlightenment is wisdom’s masterpiece. The world is the universe’s masterpiece. Life is the Divine One’s masterpiece. Awareness is life’s masterpiece.
Matshona Dhliwayo
Well, I don’t want to be anyone but myself, even if I go uncomforted by diamonds all my life,” declared Anne. “I’m quite content to be Anne of Green Gables, with my string of pearl beads. I know Matthew gave me as much love with them as ever went with Madame the Pink Lady’s jewels.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
The pearls and diamonds on them! Galinda was glad she had chosen a simple silver collar with mettanite struts. There was something vulgar about traveling in jewels. As she realized this truth, she codified it into a saying. At the earliest perfect opportunity she would bring it out as proof of her having opinions—and of having traveled. “The overdressed traveler betrays more interest in being seen than in seeing,” she murmured, trying it out, “while the true traveler knows that the novel world about her serves as the most appropriate accessory.” Good, very good.
Gregory Maguire (Wicked: Everyone Deserves the Chance to Fly (Wicked Years, #1))
Using time, pressure and patience, the universe gradually changes caterpillars into butterflies, sand into pearls, and coal into diamonds. You’re being worked on too, so hang in there. Just because something isn’t apparent right now, doesn’t mean it isn’t happening. It’s not until the end do you realize, sometimes your biggest blessings were disguised by pain and suffering. They were not placed there to break you, but to make you.
John Geiger
I was the Goddess, the hunter of pearls. The drinker of liquid diamonds. The flower girl that threw out golden stars. The prescriber of poems for the soul. The dreamer who sees butterflies with wings of steel. Daughters raised by the voices in their heads Will now blame it on the green sun.
Ayanda Ngema (They Raped Me: So, Now What?)
No pain, no creation. No pressure, no diamond.
Abhijit Naskar (Earthquakin' Egalitarian: I Die Everyday So Your Children Can Live)
Grace used to let her play with these — a pearl bracelet, a diamond ring,
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
Scholars are the world's pearls, sages are the universe's diamonds.
Matshona Dhliwayo
God changes caterpillars into butterflies, sand into pearls and coal into diamonds using time and pressure. He's working on you, too.
Rick Warren
Pearls of wisdom are better than necklaces of diamonds.
Matshona Dhliwayo
What fools men were to look only for diamonds when a precious pearl stood right before them.
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
Pressure makes the diamond, she noted. Grit makes the Pearl. pg 46
Rachel Givney (Jane in Love)
Let us decorate the world with the pearls of a smile, diamonds of hope, and the rubies of love.
Debasish Mridha
From rocks come gold. From coal comes diamonds. From oysters come pearls. From caterpillars come butterflies. From adversity come the great.
Matshona Dhliwayo
They say diamonds are a girl’s best friend, but my grandmother Dorothea always said that pearls are a southern girl’s best friend.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
Twenty 20 Tiaras & Diamonds, Lace & Pearls
Charmaine J. Forde
filling every space of the room. The piles of diamonds, rubies, emeralds, pearls, sapphires,
Sarah Mlynowski (Genie in a Bottle (Whatever After #9))
Taut, merry, nervous, expertly mounted, exquisitely clothed, haughty in their bright youth, the chevaliers of France poured from the disheveled clearing. Sunlit, all that morning, they spanned the glittering woods: diamond on diamond, grey on grey, riches on riches; bough and limb indistinguishable; skirts and meadows sewn in the same silks; skulls in antique fantasy knotted with rhizome and leafy with fern frond. Webs, manes, beards, spun the same smokelike filament; rime flashed; jewels sparked, red and fat, on rosebush and ring. Earth and animals wore the same livery. Jazerained in its berries, the oak tree matched their pearls, and paired their brilliant-sewn housings with low mosses underfoot, freshets winking half-ice in the pile.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
After unlatching the tiny gold clasp, Pandora opened the case and beheld a double-stranded pearl necklace on a bed of red velvet. Her eyes widened, and she lifted one of the strands, gently rolling the lustrous ivory pearls between her fingers. "I never imagined having something so fine. Thank you." "Do they please you, sweet?" "Oh, so very much-" Pandora began, and stopped as she saw the gold clasp, glittering with diamonds. It was fashioned with two interlocking parts of swirling, deep cut leaves. "Acanthus scrolls," she said with a crooked grin. "Like the ones in the settee at the Chaworth ball." "I have a fondness for acanthus scrolls." His gaze caressed her as she put on the necklace. The double strands were so long that there was no need to unfasten the clasp. "They kept you in place just long enough for me to catch you." Pandora grinned, enjoying the cool, sensuous weight of the pearls as they slid against her neck and chest. "I think you were the one who was caught, my lord." Gabriel reached out to touch the curve of her bare shoulder with his fingertips, and followed the pearl strands over her breast. "Your captive for life, my lady.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Velma eyed Kate assessingly. She swiped at her hairline with fingers decorated with several diamond-studded gold rings and long nails shellacked with opalescent pearl polish. "Kate," she said in a ominous tone, "how old are you now?" Ah, Kate thought. Here it comes. Though Velma and Peg had spent their entire lives in Redbud, Kate knew them well from their annual trips to Dallas to see Gran, "I'm thirty-one." "Why in the world haven't you married anyone yet?" "Well..." I'm holding out for Prince Harry. I have cooties, so that makes it hard. Shark attack killed the last prospect.
Becky Wade (My Stubborn Heart)
A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid. Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea. "It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.” To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close. And then, last week.
Megan Abbott (The Fever)
The ladies' robes were of purple and white and scarlet and gold and blue, and they wore many pearls and rubies and diamonds, so that all the place where they were assembled was glowing with light and color.
Maude Radford Warren (King Arthur and His Knights)
Off with our nightgowns, and on with the silks and taffetas! Velvet and damask and lace like foam! Buttoned gloves, coral beads, pearl rings, diamond bracelets! Perfumes, powders, gilt tiaras and satin dancing shoes!
Hilary McKay (Hilary McKay's Fairy Tales)
My heart weighs heavier than a necklace made from the moons of Jupiter. Into the seas between us I have wept diamonds of grief and gathered pearls of hope. But while the stars shine I will sleep in hope of waking to you smiles.
Glenda Millard (All the Colours of Paradise)
The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.
Horace Mann (A Few Thoughts For A Young Man)
That's the world that matters. The world where people glitter like diamonds with a million facets. Where people are like pearls, luminous as nacre on the surface but each with a speck that would destroy it if you were looking only for specks.
James A. Michener (The Fires of Spring)
Using this same principle, we can also use specific gems or gem elixirs to energize and rebalance the individual chakras. Dark opal and tiger's eye help to rebalance the base chakra. Fire agate works on the second chakra. The solar plexus and third chakra are aided by quartz and pearl. Ruby and emerald stimulate the heart chakra. Lapis lazuli is good for the throat chakra. Quartz resonates with both the pituitary and pineal glands, or sixth and seventh chakras. Diamond is beneficial for the crown chakra.18
Gabriel Cousens (Spiritual Nutrition)
Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower’s half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.
Jules Verne (Around the World in Eighty Days)
Islam’s imperial ambitions to resist. From 1 CE to 1500 CE, no region in the world—including China—had a larger share of global GDP. Its copious supply of pearls, diamonds, ivory, ebony, and spices ensured that India ran what amounted to a thousand-year trade surplus.
Steven Johnson (Enemy of All Mankind: A True Story of Piracy, Power, and History's First Global Manhunt)
The blizzard seemed to be dying down, and it was now possible to enjoy the sight of the buildings and embankments and bridges smothered in the diamond-dusted whiteness. There's always something soothing in the snow, thought Gabriel, a promise of happiness and absolution, of a new start on a clean sheet. Snow redesigned the streets with hints of another architecture, even more magnificent, more fanciful than it already was, all spires and pinnacles on pale palaces of pearl and opal. All that New Venice should have been reappeared through its partial disappearance. It was as if the city were dreaming about itself and crystallizing both that dream and the ethereal unreality of it. He wallowed in the impression, badly needing it right now, knowing it would not last as he hobbled nearer to his destination.
Jean-Christophe Valtat (Aurorarama (The Mysteries of New Venice, #1))
The pearl is the favorite of those who are surfeited with jewels. One may become tired of the diamond's splendor, but those who learn to appreciate the unobtrusive loveliness of the pearl seldom lose their fondness for them which is develops. It is the one gem which does not satiate.
Wallis Richard Cattelle (The pearl)
THE PEARL STARTS ITS LIFE AS A SPLINTER—something unwanted like a piece of shell or shard of dirt that accidentally lodges itself in an oyster's body. To ease the splinter, the oyster takes defensive action, secreting a smooth, hard, lucid substance around the irritant to protect itself. That substance is called "nacre.” So long as the splinter remains within its body, the oyster will continue to coat it in nacre, layer upon beautiful layer. I always thought it was remarkable that the oyster coats its enemy not only in something beautiful, but a part of itself. And while diamonds are embraced with warm excitement, regarded to be of highest, deepest value, the pearl is somewhat overlooked. Its humble beginnings are that of a parasite, growing in something that is alive, draining its host of beauty. It’s clever—the plight of the splinter. A sort of rags to riches story.
Tarryn Fisher (Marrow)
This is the most beautiful dress I’ve ever worn,” she admitted, her eyes filling with light. It was not pure white, but rather a grayish offset, and its wide skirts and bodice were encrusted with thousands of minuscule crystals that reminded Celaena of the surface of the sea. Swirls of silk thread on the bodice made rose-like designs that could have passed for a work by any master painter. A border of ermine lined the neck and provided slender sleeves that only covered her shoulders. Tiny diamond droplets fell from her ears, and her hair was curled and swept up onto her head, strands of pearls woven in. Her gray silk mask had been secured tightly against her face. It wasn’t fashioned after anything, but the delicate crystal and pearl whorls had been crafted by a skilled hand. “You could win the hand of a king, looking like that,” said Philippa. “Or perhaps a Crown Prince will do.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
I would go to India for you, Victoria Forester, and bring you the tusks of elephants, and pearls as big as your thumb, and rubies the size of wren’s eggs. ‘I would go to Africa, and bring you diamonds the size of cricket balls. I would find the source of the Nile, and name it after you. ‘I would go to America – all the way to San Francisco, to the gold-fields, and I would not come back until I had your weight in gold. Then I would carry it back here, and lay it at your feet. ‘I would travel to the distant northlands did you but say the word, and slay the mighty polar bears, and bring you back their hides.’ ‘I
Neil Gaiman (Stardust)
It is deplorable ignorance of his character, child, and nothing else, which makes that dream enter your head. Pray, don’t imagine that he conceals depths of benevolence and affection beneath a stern exterior! He’s not a rough diamond—a pearl-containing oyster of a rustic: he’s a fierce, pitiless, wolfish man.
Emily Brontë (Wuthering Heights)
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
Joseph Lewis (Ingersoll the Magnificent)
She'd piled her hair high, leaving silky tendrils to tease bare shoulders. How he longed to festoon that slender neck with cascades of rubies. Rubies, diamonds, pearls, emeralds. Never sapphires. Not even the finest sapphires could rival the beauty of her eyes. He had no jewels to offer, only his longing, loving heart.
Anna Campbell (Untouched)
Fall in love with a plain girl. Plain girls never turn bitter. They appreciate their portion, no matter how meager A small pearl is enough. They never long for the diamond. Beautiful girls have high expectations. You bring them daisies, and they want roses. You buy them a hat, ad they want the matching coat. It's a well so deep you cannot fill it. I know. I've tried.
Adriana Trigiani (The Shoemaker's Wife)
Pareva a me che nube ne coprisse lucida, spessa, solida e polita, quasi adamante che lo sol ferisse. Per entro sè l’eterna margarita ne recepette, com’acqua recepe raggio di luce, permanendo unita. “Meseemed a cloud enveloped us, shining, dense, firm and polished, like diamond smitten by the sun. Within itself the eternal pearl received us, as water doth receive a ray of light, though still itself uncleft”.
T.S. Eliot (The Varieties of Metaphysical Poetry)
She was still on the stairs, now she reached the landing, and the ragbag colors of her boy’s hair, tawny streaks, strands of albino-blond and yellow, caught the hall light. It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks.
Truman Capote (Breakfast at Tiffany's)
I always thought it was remarkable that the oyster coats its enemy not only in something beautiful, but a part of itself. And while diamonds are embraced with warm excitement, regarded to be of highest, deepest value, the pearl is somewhat overlooked. Its humble beginnings are that of a parasite, growing in something that is alive, draining its host of beauty. It’s clever— the plight of the splinter. A sort of rags to riches story.
Tarryn Fisher
I put my hand over Matilda's, caressing the little blue veins that swam just below the skin and squeezing the chunky black pearl-and-diamond ring that adorned her middle finger. Happiness washed over me. We were in a magical place between warm sky and cool grass, between a soft cashmere blanket and a glittering sky. There were so many stars they seemed to rain like confetti at a celebration, and I felt as if Matilda and I were its guests of honor.
Alex Brunkhorst (The Gilded Life of Matilda Duplaine)
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
My first impression was of handsome women wearing classic evening gowns and marvelous tiaras and necklaces. I imagined those heirloom diamonds and pearls coming out of the family vault or the bank safe-deposit box especially for this gala evening. The men looked dignified in tuxedos, tails, or uniforms with ribbons and medals--very English and very military. This was the British aristocracy as I’d always imagined it--the epitome of long-standing tradition, secure in its lineage and customs.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
FREE BOOKLETS …”), answering advertisements (“SUNKEN TREASURE! Fifty Genuine Maps! Amazing Offer …”) that stoked a longing to realize an adventure his imagination swiftly and over and over enabled him to experience: the dream of drifting downward through strange waters, of plunging toward a green sea-dusk, sliding past the scaly, savage-eyed protectors of a ship’s hulk that loomed ahead, a Spanish galleon—a drowned cargo of diamonds and pearls, heaping caskets of gold. A car horn honked. At last—Dick.
Truman Capote (In Cold Blood)
It's all my fault,' she mumbled. 'That scar blights me, I know. I know what you see when you look at me. There's not much elf left in me. A gold nugget in a pile of compost—' He turned around suddenly. 'You're extremely modest,' he drawled. 'I would say rather: a pearl in pig shit. A diamond on the finger of a rotting corpse. As part of your language training you can create even more comparisons. I'll test you on them tomorrow, little Dh'oine. O human creature in whom nothing, but nothing, remains of an elven woman.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Reason and justice grip the remotest and the loneliest star. Look at those stars. Don't they look as if they were single diamonds and sapphires? Well, you can imagine any mad botany or geology you please. Think of forests of adamant with leaves of brilliants. Think the moon is a blue moon, a single elephantine sapphire. But don't fancy that all that frantic astronomy would make the smallest difference to the reason and justice of conduct. On plains of opal, under cliffs cut out of pearl, you would still find a notice-board, 'Thou shalt not steal.'" Valentin
G.K. Chesterton (The Innocence of Father Brown)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
My aunts were elegant American women, dressed in silk and fur, with diamond rings and charm bracelets and other bracelets as heavy as chains. Their moving hands were jangling, they were playing a symphony in gold. The style of these people was so different from mine. They were as strange to me as I must have looked to them. That fall of 1947, women's fashions had changed entirely. While I left Bucharest, went through Europe for a month, a new `look' was launched in Paris by Christian Dior. Skirts were long, coats big and long, a sloppy style, a `new look', the Dior style.
Pearl Fichman (Before Memories Fade)
Pray don't imagine that he conceals depths of benevolence and affection beneath a stern exterior! He's not a rough diamond - a pearl-containing oyster of a rustic; he's a fierce, pitiless, wolfish man... and he'd crush you like a sparrow's egg, Isabella, if he found you a troublesome charge. I know he couldn't love a Linton; and yet he'd be quite capable of marrying your fortune and expectations. Avarice is growing with him a besetting sin. There's my picture; and I'm his friend - so much so, that had he thought seriously to catch you, I should, perhaps, have held my tongue, and let you fall into his trap.
Emily Brontë (Wuthering Heights)
The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.
Matshona Dhliwayo
That shifting, layered sensibility is also, in part, the world into which the King James Bible was born. The king’s instructions were perfectly explicit: they were to use ‘circumlocution’, in other words language in which meaning was to be ‘sett forth gorgeously’. There was no terror of richness in this. Richness, as King David had known when he decorated the temple for God, was one of the attributes of God. Majesty, honour and power were gorgeous in themselves and the Jacobean sense of the beautiful loved both pearls and diamonds, both openness and ceremony. Miles Smith referred in his Preface to ‘the Sun of righteousness, the Son of God’, and it was the beams of that sun which the King James Translators would bring to the people. But the sense of clarity and directness was sewn and fused to those other Jacobean virtues: a pattern of order and authority; the majestic substance, the ‘meat’ of the word of God; the great ceremonial atmosphere of its long, carefully organised, musical rhythms, a ceremony of the word; an atmosphere both godly and kingly; both rich and pure, both multiplicitous and plain. This Bible, in other words, would absorb the full aesthetics of the age. You only have to read the Translators at full flood, feeling behind them the sense of unstoppable divine authority, to hear the immense, gilded majesty of the translation. In describing God’s assembling of the armies of a vengeful justice, they reached their apogee:
Adam Nicolson (God's Secretaries: The Making of the King James Bible)
We are glad to visit your beautiful country. It is prosperous—you all live far from the struggle. Nobody destroys your towns, cities, fields. Nobody kills your citizens, your sisters and mothers, your fathers and brothers. I come from a place where bombs pound villages into ash, where Russian blood oils the treads of German tanks, where innocent civilians die every day.” She caught herself up, exhaled slowly as she marshaled her next words. No one moved, least of all the marksman. “An accurate bullet fired by a sniper like me, Mrs. Roosevelt, is no more than a response to an enemy. My husband lost his life at Sevastopol before my eyes. He died in my arms. As far as I am concerned, any Hitlerite I see through my telescopic sights is the one who killed him.” A frozen silence fell over the room. Only the marksman’s eyes moved as he looked around the table, cataloging responses. The Soviet delegation leader sat clutching his butter knife, looking like he wanted to saw off her head and bowl it through the window into the White House gardens. The smart Washington women in their frills and pearls looked appalled. The First Lady looked . . . Embarrassed? the marksman wondered. Did that horsey presidential bitch look embarrassed? “I’m sorry, Lyudmila dear,” she said quietly, laying down her napkin. “I had no wish to offend you. This conversation is important, and we will continue it in a more suitable setting. But now, unfortunately, it is time to disperse. My duties are calling, and I understand
Kate Quinn (The Diamond Eye)
[I] Appreciation. To glorify God is to set God highest in our thoughts, and to have a venerable esteem of him... There is in God all that may draw forth both wonder and delight; there is a constellation of all beauties; he is prima causa, the original and springhead of being, who sheds a glory upon the creature. We glorify God when we are God-admirers; admire his attributes, which are the glistening beams by which the divine nature shines forth; his promises which are the charter of free grace, and the spiritual cabinet where the pearl of price is hid; the noble effects of his power and wisdom in making the world, which is called 'the work of his fingers.' Psa 8:3. To glorify God is to have God-admiring thoughts; to esteem him most excellent, and search for diamonds in this rock only.
Thomas Watson (A Body of Divinity: Contained in Sermons upon the Westminster Assembly's Catechism)
Between Myself and Death To Jimmy Blanton's Music: Sophisticated Lady, Body and Soul A fervor parches you sometimes, And you hunch over it, silent, Cruel, and timid; and sometimes You are frightened with wantonness, And give me your desperation. Mostly we lurk in our coverts, Protecting our spleens, pretending That our bandages are our wounds. But sometimes the wheel of change stops; Illusion vanishes in peace; And suddenly pride lights your flesh— Lucid as diamond, wise as pearl— And your face, remote, absolute, Perfect and final like a beast's. It is wonderful to watch you, A living woman in a room Full of frantic, sterile people, And think of your arching buttocks Under your velvet evening dress, And the beautiful fire spreading From your sex, burning flesh and bone, The unbelievably complex Tissues of your brain all alive Under your coiling, splendid hair. * * * I like to think of you naked. I put your naked body Between myself alone and death. If I go into my brain And set fire to your sweet nipples, To the tendons beneath your knees, I Can see far before me. It is empty there where I look, But at least it is lighted. I know how your shoulders glisten, How your face sinks into trance, And your eves like a sleepwalker's, And your lips of a woman Cruel to herself. I like to Think of you clothed, your body Shut to the world and self contained, Its wonderful arrogance That makes all women envy you. I can remember every dress, Each more proud then a naked nun. When I go to sleep my eves Close in a mesh of memory. Its cloud of intimate odor Dreams instead of myself.
Kenneth Rexroth (Selected Poems)
To glorify God is to set God highest in our thoughts, and to have a venerable esteem of him. "You, Lord, are most high for evermore!" "You are exalted far above all gods!" There is in God—all that may draw forth both wonder and delight; there is a constellation of all beauties; he is the original and springhead of being, who sheds a glory upon the creature. We glorify God, when we are God-admirers! Admire his attributes, which are the glistening beams by which the divine nature shines forth! Admire his promises which are the charter of free grace, and the spiritual cabinet where the pearl of price is hid! Admire the noble effects of his power and wisdom in making the world, which is called "the work of his fingers." To glorify God is to have God-admiring thoughts; to esteem him most excellent, and search for diamonds in this rock alone!
Thomas Watson (The Works of Thomas Watson)
A naked woman sat sunning herself on a nearby rock like a mermaid. Beads of water sparkled like diamonds on her slicked-back hair and bronze skin. A row of pearls appeared when she grinned. Brigid briefly wondered if women like this were the inspiration of seafaring folks' legends. "Harriet?" Brigid asked, though she recognized the woman immediately. There was no one on the Island--- no one anywhere--- who looked anything like her. "I like to swim in the buff. Hope you don't mind." "Not at all," Brigid said. Harriet's nudity seemed so natural that Brigid had barely taken note. She looked back out at the sound. "I saw a whale out there a few nights ago." "I saw one this morning," Harriet told her. "She's a friend of mine. I've known her for years." Brigid stared off across the endless expanse and imagined the whale out there, keeping watch beneath the waves.
Kirsten Miller (The Women of Wild Hill)
Metaphor is invariably more meaning, not less. Literalism is the lowest and least level of meaning. We must never be too tied to our own metaphors as the only possible way to speak the truth, and yet we also need good metaphors to go deep. That is the inherent tension and conflict: only the right symbol dives deep into the good, the true, and the beautiful and retrieves these like pearls from the ocean depths. The right symbol at the right time allows us to move beyond complexity and illusion. Often that which looks like mere symbol is indeed the doorway to all that you really need to know—if you approach it humbly and respectfully. How else could an always available God be always available? It cannot depend on having a college education or even a common education, but on a simple ability to read the symbolic universe, which some ancients seem to have done much better than we do.2
Richard Rohr (Immortal Diamond: The search for our true self)
She opened the satchel. And honestly, fate couldn't have provided a better prize at the end of a scavenger hunt. She pulled out a beautiful, sparkling crown. Her large green eyes grew even larger. Despite the hour and lack of sunlight, its jewels still managed to shimmer and twinkle in a magical, expensive way. Rapunzel might not have had much experience with royal gems or any kind of precious stone, but it was very clear that these were those. The thing was straight out of a fairy tale, what a princess would be wearing when she was turned back from a swan. The giant diamonds were even shaped like swans' eggs. Under each was a round pink ruby, and threading between them was a strand of perfectly round pearls. She turned it over in her hands, tracing the tiny, intricately wound gold wire that held it all together. And there, in a small flat patch of smooth metal, was the artist's mark-- and a multi-rayed sun symbol. The same one on her bracelet clasp. The same one that she constantly painted and dreamed of. The one that meant life and happiness and energy in the personal vocabulary of Rapunzel's soul.
Liz Braswell (What Once Was Mine)
Laurel stood on stage. She was very still. Her lovely blue eyes were lowered modestly. Her silver blonde hair fell in disheveled curls around her face, white roses and strands of pearls woven artfully throughout. A necklace of what looked like diamonds clasped her slender throat while white kid gloves were drawn up to her elbow. She held a fan of frosted silver in one hand, dangling at her side. Her dress was a shimmering sapphire blue, and it fit her exquisitely, molding to her form, hugging her small bosom and lifting her breasts until they appeared ready to spill from the satin bodice. A silver braided sash cinched her waist, emphasizing its narrowness. And then, she lifted her head, raised the hand that held the fan, then the other one and, tipping her head back, opened her eyes. They were haunting and luminous, soft in the candlelight. Her skin was pale and smooth. The crowd was utterly quiet, watching her. And then, she began to sing. If Dare had thought Laurel Spencer beautiful before, now she became goddess-like to him in an instant as a melody so heart-wrenching and lovely spilled forth from her lips.
Fenna Edgewood (Kiss Me, My Duke (Blakeley Manor, #3))
Truth is universal, we all want assurance. Knowledge is universal, we all want awareness. Identity is universal, we all want acknowledgement. Liberty is universal, we all want choice. Dignity is universal, we all want respect. Peace is universal, we all want harmony. Equality is universal, we all want justice. Tolerance is universal, we all want understanding. Humanity is universal, we all want compassion. Freedom is universal, we all want independence. Recognition is universal, we all want appreciation. God is universal, we all want love. Smile African brother, you are a jewel, you own a piece of the sky; we are all children of the stars. Rejoice European sister, you are a gem, you own a piece of the sun; we are all children of light. Glory Asian mother, you are a treasure, you own a piece of the land; we are all children of the soil. Delight American father, you are a diamond, you own a piece of Earth; we are all children of Mother Nature. Exalt Middle Eastern child, you are a pearl, you own a piece of Heaven; we are all children of the world. Dance citizen of Earth, you are a masterpiece, you own a piece of the cosmos; we are all children of the universe.
Matshona Dhliwayo
They call me Mac. The name's unimportant. You can best identify me by the six chevrons, three up and three down, and by that row of hashmarks. Thirty years in the United States Marine Corps. I've sailed the Cape and the Horn aboard a battlewagon with a sea so choppy the bow was awash half the time under thirty-foot waves. I've stood Legation guard in Paris and London and Prague. I know every damned port of call and call house in the Mediterranean and the world that shines beneath the Southern Cross like the nomenclature of a rifle. I've sat behind a machine gun poked through the barbed wire that encircled the International Settlement when the world was supposed to have been at peace, and I've called Jap bluffs on the Yangtze Patrol a decade before Pearl Harbor. I know the beauty of the Northern Lights that cast their eerie glow on Iceland and I know the rivers and the jungles of Central America. There are few skylines that would fool me: Sugar Loaf, Diamond Head, the Tinokiri Hills or the palms of a Caribbean hellhole. Yes, I knew the slick brown hills of Korea just as the Marines knew them in 1871. Fighting in Korea is an old story for the Corps. Nothing sounds worse than an old salt blowing his bugle. Anyhow, that isn't my story.
Leon Uris (Battle Cry)
All the days of my appointed time will I wait." Job 14:14 A little stay on earth will make heaven more heavenly. Nothing makes rest so sweet as toil; nothing renders security so pleasant as exposure to alarms. The bitter quassia cups of earth will give a relish to the new wine which sparkles in the golden bowls of glory. Our battered armour and scarred countenances will render more illustrious our victory above, when we are welcomed to the seats of those who have overcome the world. We should not have full fellowship with Christ if we did not for awhile sojourn below, for he was baptized with a baptism of suffering among men, and we must be baptized with the same if we would share his kingdom. Fellowship with Christ is so honourable that the sorest sorrow is a light price by which to procure it. Another reason for our lingering here is for the good of others. We would not wish to enter heaven till our work is done, and it may be that we are yet ordained to minister light to souls benighted in the wilderness of sin. Our prolonged stay here is doubtless for God's glory. A tried saint, like a well-cut diamond, glitters much in the King's crown. Nothing reflects so much honour on a workman as a protracted and severe trial of his work, and its triumphant endurance of the ordeal without giving way in any part. We are God's workmanship, in whom he will be glorified by our afflictions. It is for the honour of Jesus that we endure the trial of our faith with sacred joy. Let each man surrender his own longings to the glory of Jesus, and feel, "If my lying in the dust would elevate my Lord by so much as an inch, let me still lie among the pots of earth. If to live on earth forever would make my Lord more glorious, it should be my heaven to be shut out of heaven." Our time is fixed and settled by eternal decree. Let us not be anxious about it, but wait with patience till the gates of pearl shall open.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
Virginia Woolf (The Waves)
On the Hills of Dawn Behold, the morning-glory’s sky-blue cup Is mine wherewith to drink the nectar up That morning spills of silver dew, And song upon the winds that woo And sigh their vows Among the boughs! Behold, I’m rich in diamonds rare, And pearls, and breathe a golden air; My room is filled with shattered beams Of light; my life is one of dreams, In my hut on The hills of dawn.
Alexander Posey
I unrolled my knife bag and saw all my old friends staring back at me. Some girls liked diamonds, some liked pearls, but just give me a good knife. Knives are sexy, that's all there is to it.
Victoria Benton Frank (My Magnolia Summer)
You haven't even asked what I'll pay you," Rapunzel said innocently. "You don't have enough," Flynn promised. Then he turned to Gina and said in a theatrical whisper, "This is where she offers her necklace, or a bracelet, or some other rich girl trinket I couldn't pawn even if I wanted...." "How about a crown?" Rapunzel suggested. Flynn grew very, very still. "Uh-oh," Gina said with a wicked grin. "What, um-- what crown?" Flynn asked casually. "The one that you stole. The one that the Stabbingtons want back. The one that you hid, rather obviously, in a tree hollow," Rapunzel said smugly, crossing her arms. "Diamonds, pearls, about my size... You know, that crown?" "That's my crown! Give it back! I stole it fair and square!" Flynn, cried, leaping up. "You mean you stole it from the castle, or you stole it from the Stabbingtons?" Gina asked interestedly. "Doesn't matter," Flynn said, crossing his arms and setting his jaw childishly. "It's mine now." "Well, no, it's mine," Rapunzel said. "At least until you take me to see the lanterns, and home again. Then it's yours." "You must have seen me hide it! In the tree!" "Déduction très brillante," Rapunzel said archly.
Liz Braswell (What Once Was Mine)
He turned on his heel, calling to Rhew as he hurried down the shadowy hallway. The wolf trotted along to catch up with him, but he wasn't fast enough. An all too familiar voice called his name. A voice he had always struggled to say no to. Taking a deep breath, he turned and faced Ciara. Longing and heartache warred within him at the sight of her, leaving his chest tight. She was wearing a light green, gauzy gown, the color reminding him of the young grass that would blanket the valleys every spring. Her dark hair had been piled on top of her head, a few wavy locks left down to frame her face, while her diamond studded hair pins glittered in the torch light. She was breathtaking and he was caught in her gaze, unable to look away. "Maura said you weren't feeling well," she said, her movements tentative as she closed the distance between them. He cleared his throat, wetting his lips. "Yes, I... the afternoon took much out of me." She tilted her head to the side, her full lips pursing. His gaze dropped to them, his breath hitching. Lips that you have no business focusing on, he reminded himself, slightly shaking his head. "But you're feeling better now?" she asked. "Considerably." He paused, glancing behind her to see if anyone was coming up the steps. "Is dinner over already?" She looked away, biting her lip and fidgeting with her pearl bracelet. "I left early," she answered. "I found that I wasn't quite up to the company." Her words were hollow, leaving a dull ache in his chest.
Hannah E. Carey (The Betrayer: Tales of Pern Coen (Legacy, #1))
Slowly, deeply, Aelin bowed to them. Rowan could have sworn all those tiny heads lowered in answer. A pair of bony grayish hands rose above a nearby rock, something glittering held between them, and set the object on the stone. Rowan went still. A crown of silver and pearl and diamond gleamed there, fashioned into upswept swan’s wings. “The Crown of Mab,” Gavriel breathed.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
When we finally step back and Isolde helps me find my clothes and my belt, I see what was next to me all along—the spray of shattered glass from Mark’s flung gin. That’s why he kept kicking my foot. He didn’t want me to step on the glass and cut myself. As we leave, I dare one last glance back at the shards on the ground. They sparkle against the cum that I spilled all over them, a scatter of diamonds and pearls in the night.
Sierra Simone (Honey Cut (Lyonesse, #2))
TAKES MORE THAN BULLETS #47 FROM TEXAS TO MONTANA #48 LONG RIDE TO NOWHERE #49 KEEP THE GOLD WE KEEP THE
Paul L. Thompson (U.S. Marshal Shorty Thompson - Black Pearls, Blue Diamonds & Bullets: Tales of the Old West Book 44)
Sunday, Even more later… After swimming for a while, we finally made it to a huge underwater rock. “This is it,” Garth said. “The Lost Ocean Temple gate is right here.” “What gives?” Steve asked. “It just looks like a giant rock.” Then suddenly, the clouds parted, and the moon rays lit up the water. Suddenly the giant rock changed right before our eyes. Next thing we know a giant gate appeared made out of pearls and diamonds.
Zack Zombie (Diary of a Minecraft Zombie, Book 18: In Too Deep)
Literature is More Powerful Than WORDS for It Creates WORLDS.
Sharon Esther Lampert (Poetry Jewels: Diamonds, Emeralds, Sapphires, Rubies, and Pearls: One of the World's Greatest Poets, The Greatest Poems Ever Written on Extraordinary ... Included Published Fan Mail, 5 Star Reviews!)
GOD IS GO! DO!
Sharon Esther Lampert (Poetry Jewels: Diamonds, Emeralds, Sapphires, Rubies, and Pearls: One of the World's Greatest Poets, The Greatest Poems Ever Written on Extraordinary ... Included Published Fan Mail, 5 Star Reviews!)
A pair of bony grayish hands rose above a nearby rock, something glittering held between them, and set the object on the stone. Rowan went still. A crown of silver and pearl and diamond gleamed there, fashioned into upswept swan’s wings. “The Crown of Mab,” Gavriel breathed.
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
GOD CAN CHANGE CATERPILLARS INTO BUTTERFLIES, SAND INTO PEARLS, COAL INTO DIAMONDS AND YOUR EGO INTO SPIRIT BY USING TIME & PRESSURE
Mark L. Lockwood
Remember, a diamond begins as a lump of coal, and a pearl starts as a tiny grain of sand. Even dark matter knows how to receive love and metamorphose into something beautiful.
Yiğit Turhan (Their Monstrous Hearts)
Jasmine stared at the crown's towering frame of gold, silver, and red velvet, studded with thousands of diamonds and rows of identical white pearls. The largest diamond of all, a brilliant yellow stone, shone at the apex of the crown, surrounded by a sunburst of white diamonds. Even as a princess, she hadn't touched anything so exquisite before.
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))
I was honored and pleased that she was confiding in me in this fashion. I met her eyes, and for the first time I perceived that there was something broken behind them, like a tiny crack in a diamond that becomes visible only when viewed through a magnifying lens; normally it is hidden by the brilliance of the stone. I wanted to know what it was, what had caused her to create the pearl of which she had spoken. But I thought it would be presumptuous of me to ask; such things are revealed by a person when and to whom they choose. So I attempted to convey through my expression alone my desire to understand her and said nothing further.
Mohsin Hamid (The Reluctant Fundamentalist)
Unlike Alexander’s Greeks, Muslim invaders were well aware of India’s immensity, and mightily excited by its resources. As well as exotic produce like spices, peacocks, pearls, diamonds, ivory and ebony, the ‘Hindu country’ was renowned for its skilled manufactures and its bustling commerce. India’s economy was probably one of the most sophisticated in the world. Guilds regulated production and provided credit; the roads were safe, ports and markets carefully supervised, and tariffs low. Moreover capital was both plentiful and conspicuous. Since at least Roman times the subcontinent seems to have enjoyed a favourable balance of payments. Gold and silver had been accumulating long before the ‘golden Guptas’, and they continued to do so. Figures in the Mamallapuram sculptures and the Ajanta frescoes are as strung about with jewellery as those in the Sanchi and Amaravati reliefs. Divine images of solid gold are well attested and royal temples were rapidly becoming royal treasuries as successful dynasts endowed them with the fruits of their conquests. The devout Muslim, although ostensibly bent on converting the infidel, would find his zeal handsomely rewarded.
John Keay (India: A History)
Little-Faith is just as certain to get to heaven as Great-Faith. When Jesus Christ counts up his Jewels at the last day, he will have little pearls as well as great ones. A diamond is precious no matter how small it is, because it is a diamond. And faith, no matter how small it is, if it is true faith, has a place in Christ’s crown. Little-Faith is always certain of heaven, because the name of Little-Faith is written in the book of eternal life. Little Faith was chosen by God before the creation of the world. Little-Faith was bought with the blood of Christ and he cost just as much as Great-Faith.
Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
The Church and the World walked far apart on the changing shore of time; The World was singing a giddy song, the Church a hymn sublime. "Come give me your hand," said the merry World, "and walk with me this way," But the good Church hid her snowy hand, and solemnly answered, "Nay; I will not give you my hand at all, and I will not walk with you; Your way is the way of eternal death, and your words are all untrue." "Nay, walk with me a little space," said the World with a kindly air, The road I walk is a pleasant road, and the sun shines always there. Your way is narrow and thorny and rough, while mine is flowery and smooth; Your lot is sad with reproach and toil, but in rounds of joy I move. My way, you can see, is a broad, fair one, and my gate is high and wide; There is room enough for you and me, and we'll travel side by side." Half shyly the Church approached the World, and gave him her hand of snow; And the false World grasped it, and walked along, and whispered in accents low, "Your dress is too simple to please my taste; I have gold and pearls to wear; Rich velvets and silks for your graceful form, and diamonds to deck your hair." The Church looked down at her plain white robes, and then at the dazzling World, And blushed as she saw his handsome lip with a smile contemptuous curled; "I will change my dress for a costlier one," said the Church with a smile of grace; Then her pure white garments drifted away, and the World gave in their place Beautiful satins, and fashionable silks, and roses and gems and pearls; And over her forehead her bright hair fell, and waved in a thousand curls. So they of the Church and they of the World . journeyed closely, hand and heart, And none but the Master, who knows all, could discern the two apart. Then the Church sat down at her ease and said, "I am rich and in goods increased; I have need of nothing, and naught to do, But to laugh and dance and feast.
Shirley Starr (Dress - A Reflection of the Heart)
When he demanded gold, the Indians brought him copper, and when he demanded silver, they brought him silvery mica, which they mined in the North Carolina mountains, in sheets up to three feet wide and three feet long. De Soto found little precious metal, but an abundance of pearls, especially in the mortuary temples. In one town alone his expedition found 25,000 pounds of pearls. The mortuary temples of the people of Cutifachiqui astounded the Spaniards, who had already seen the cathedrals of Spain, the mosques and fountains of the Arabs, the palace of Montezuma in Mexico, and the gold ransom of Atahualpa in Peru. Outside the massive doors into the temple that housed the pearls, twelve wooden giants stood guard. The huge figures held over their heads massive clubs covered with strips of copper and studded with what appeared to the Spaniards to be diamonds, but may have been mica chips. The Indians had decorated the roof of one temple with pearls and feathers so that it looked to the Spaniards like a building from a fairy tale. Along the sides of the roof, pearls had been suspended from threads so thin that the pearls seemed to be floating in the air around the temple. Inside the temples the Spaniards saw rows of chests, each filled with pearls of uniform size. The Spaniards could not carry all the pearls, but they selected out the best ones for themselves. Ironically, even though De Soto’s expedition was the first into the area, his men also found in the temple some European trade goods—glass, cheap beads, and a rosary—indicating
Jack Weatherford (Native Roots: How the Indians Enriched America)
never complain as long as Christ is thy friend; he is an enriching pearl, a sparkling diamond; the infinite lustre of his merits makes us shine in God's eyes. (Ep. 1. 7)
Thomas Watson (The Art of Divine Contentment)
Don't know why folks need diamonds and pearls, fur coats, first-class tickets, island adventures when simple shit like this is the best thing you could ever do.
Kristen Ashley (Breathe (Colorado Mountain, #4))
is a Naked, and Open day light, that doth not shew the Masques, and Mummeries, and Triumphs of the world, halfe so Stately, and daintily, as candlelights. Truth may perhaps come to the price of a pearle, that sheweth best by day: But it will not rise to the price of a Diamond, or Carbuncle, that sheweth best in varied lights. A mixture of a Lie doth ever adde Pleasure.
Adam Nicolson (God's Secretaries: The Making of the King James Bible)
The Bible is a rock of diamonds, a chain of pearls, the sword of the Spirit; a chain by which the Christian sails to eternity; the map by which he daily walks; the sundial by which he sets his life; the balance in which he weighs his actions. —THOMAS WATSON
Hank Hanegraaff (Has God Spoken?: Proof of the Bible's Divine Inspiration)
She was wearing a simple silver sheath cut within an inch of indecency, curving round her slender shoulders and then falling away to expose the smooth white skin of her back and just a hint of the soft round curve of her breasts. She had on no jewellery, only a pale wash of lipstick, and again the black halo of hair was arranged so that it looked almost wind tossed. Yet her dark tresses shone, framing her face with a soft, unearthly light. Next to the other women at the table, with their diamonds, heavy strands of pearls, and meticulously groomed faces and hair, she seemed feral and bewitching. The impact of her beauty lay in her confidence and her utter lack of self-awareness. In contrast, others appeared to be trying too hard, careful and staid.
Kathleen Tessaro (The Perfume Collector)
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.
Sherwood Smith (Court Duel (Crown & Court, #2))
Today, in school, the teachers handed out an official textbook. It's a new book, apparently, called the 'Golden Rules Handbook'. The inside cover has this: This collection of masterful secret tips and hints was brought to you by Urf, the masterful talented swordsman and combat guru. Two diamond swords strapped across his back? A bit much. Yes, that's the guy who almost killed a zombie once. With a stick. His handbook contains, without a doubt, some of the noobest information imaginable. Still, it's required reading for all students. The elders figured it might have some stuff we missed. Here are a few of the handbook's more groan-inducing pearls of wisdom. (Each 'Golden Rule' comes with a mini fairy tale to teach us students a 'valuable lesson'.) Golden Rule #1: Always build a door for your house. Once upon a time, a noob named Lenny never liked doors. Doors got in Lenny's way. Doors slowed Lenny down. Lenny had to open them and close them. Without a door for his dirt house, Lenny was free to run inside and outside again without any delay. Then one night, Lenny couldn't understand why so many zombies were approaching his house with their arms outstretched.
Cube Kid (Diary of a Wimpy Villager #6 (An Unofficial Minecraft book))
A man can give you all the diamonds and pearls that the world has to offer, but nothing compares to the love that he gives you.
Mz. Lady P. (Love Was the Case That They Gave Me)
She dressed carefully in her favorite shade: pale green, more delicate than the earliest leaves, known as “waters of the Nile,” or in the far more sophisticated French “eau de Nil.” It was the softest silk, floating when she moved, and the sheen of it caught the light. Naturally it was the latest cut: soft at the shoulder and neck, smooth and slender at the hip. Pearls might have been more appropriate considering the name of the color, but she wore diamonds. She wanted the fire and the sparkle.
Anne Perry (Death on Blackheath (Charlotte & Thomas Pitt, #29))
Bajan Pride Barbadians should be proud of Rih, Thanks to Evan Rogers and Jay-Z, At only twenty eight, Rih's at the top of her game, And it's seems like Robyn Rihanna, Is still the same, Same friends, Same personality, Never adding flavor to her accent Some say Rih has never changed, Even with all her diamonds and pearls Rihanna is still a St. Michael Girl.
Charmaine J. Forde
The gravitas in a leader is like clarity in diamond.
Pearl Zhu (Thinkingaire: 100 Game Changing Digital Mindsets to Compete for the Future (Digital Master Book 8))
Since nature is a beautiful temple, a beautiful temple inside the nature is a temple within the temple, it is a pearl within the pearl, a diamond within the diamond!
Mehmet Murat ildan
His bedroom was the gilded, diamond-studded, pearl-encrusted rococo lair of a god-king.
Lev Grossman (The Magician King (The Magicians, #2))
Pearls from the soul are more precious than diamonds from the mine.
Matshona Dhliwayo
It was a memorable night of riotous jollity. Princess Margaret attached a balloon to her tiara, Prince Andrew tied another to the tails of his dinner jacket while royal bar staff dispensed a cocktail called “A Long Slow Comfortable Screw up against the Throne.” Rory Scott recalls dancing with Diana in front of the then Prime Minister, Margaret Thatcher, and embarrassing himself by continually standing on Diana’s toes. The comedian Spike Milligan held forth about God, Diana gave a priceless diamond and pearl necklace to a friend to look after while she danced; while the Queen was observed looking through the programme and saying in bemused tones: “It says here they have live music”, as though it had just been invented. Diana’s brother, Charles, just down from Eton, vividly remembers bowing to one of the waiters. “He was absolutely weighed down with medals,” he recalls, “and by that stage, with so many royal people there, I was in automatic bowing mode. I bowed and he looked surprised. Then he asked me if I wanted a drink.” For most of the guests the evening passed in a haze of euphoria. “It was an intoxicatingly happy atmosphere,” recalls Adam Russell. “Everyone horribly drunk and then catching taxis in the early hours, it was a blur, a glorious, happy blur.
Andrew Morton (Diana: Her True Story in Her Own Words)
Then, as they crossed over one of the largest bridges, Emperor Moctezuma appeared with his personal retinue. Cortés described the meeting in a letter to King Charles: We were received by Moctezuma with about two hundred chiefs, all barefooted and dressed in a kind of very rich livery. They approached in two processions along the walls of the street, which is very broad and straight and very beautiful. Montezuma came in the middle of the street with two lords, one on each side of him. . . . All were dressed in the same manner except that Montezuma was shod and the other lords were barefooted. As we approached each other I descended from my horse and was about to embrace him, but the two lords in attendance intervened so that I should not touch him, and then they, and he also, made the ceremony of kissing the ground. Having done this, he ordered his brother to take me by the arm, and the other attendant walked a little ahead of us. After he spoke to me, all the other lords who formed the two processions saluted me one after the other and then returned to the procession. As I approached to speak to Montezuma, I took off a collar of pearls and glass diamonds that I wore and put it on his neck. After we had gone through some of the streets, one of his servants came with two collars which were made of colored shells. From each of the collars hung eight golden shrimps executed with great perfection and a span long. He took the collars from the servant and put them on my neck, and we continued on through the streets until we came to a large and handsome house, which he had prepared for our reception.
Irwin R. Blacker (Cortés and the Aztec Conquest)
Not for all the whiskey in heaven Not for all the flies in Vermont Not for all the tears in the basement Not for a million trips to Mars Not if you paid me in diamonds Not if you paid me in pearls Not if you gave me your pinky ring Not if you gave me your curls Not for all the fire in hell Not for all the blue in the sky Not for an empire of my own Not even for peace of mind No, never, I'll never stop loving you Not till my heart beats its last And even then in my words and my songs I will love you all over again
Charles Bernstein
I forgot the pearls and settled for this beautiful diamond. It’s tear-shaped, Cathy—for all the tears I would have cried inside if you had never let me love you.
V.C. Andrews (The Flowers in the Attic Series: The Dollangangers)
She was a vision, there was no doubt of it, her face warm and pretty for all its years. It wasn’t gaunt so much as naturally angular, and her thinning lips were nearly brightened with rose lipstick, and her eyes, in spite of the fine wrinkles around them, were still vividly blue. The diamonds and pearls on her breast were stunning, and she wore several rich diamond rings on her long hands.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
In my silver shell the diamonds fall upon the Sea of Heaven.
Petra Hermans (Voor een betere wereld)
Flung down a preliminary mile of steep descent, choked in between soaring walls of rock four hundred yards apart, innumerable crystal tons rushed down ninety feet in one magnificent plunge. You saw the long bent crest—shimmering with the changing colors of a peacock's back—smooth as a lake when all winds sleep; and then the mighty river was snuffed out in gulfs of angry gray. Capricious river draughts, sucking up the damp defile, whipped upward into the blistering sunlight gray spiral towers that leaped into opal fires and dissolved in showers of diamond and pearl and amethyst.
John G. Neihardt (The River and I)
Capricious river draughts, sucking up the damp defile, whipped upward into the blistering sunlight gray spiral towers that leaped into opal fires and dissolved in showers of diamond and pearl and amethyst.
John G. Neihardt (The River and I)
Though the bindings on her pink-and-yellow gown crushed her ribs, and the pearls and diamonds around her neck strangled her, she kept her chin high, poised.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Hindu astrology recognizes nine gems, called the Navaratna, meaning nine jewels, one to influence every planet: ruby for the sun, pearl for the moon, red coral for Mars, emerald for Mercury, yellow sapphire for Jupiter, diamond for Venus, blue sapphire for Saturn, hessonite for the ascending lunar node and cat’s eye for the descending lunar node.
Akshat Gupta (The Hidden Hindu 2)
Even now, where most kings would be dressed simply for travel, Lemuel Torrien was dressed in robes of greenish-blue silk jacquard, braided golden cord and sewn pearls—hand-selected patterns and colours for his eyes, and the inky black hair flowing over his shoulders like water. Atop the robes, he wore a brocade cape with sleeves billowing all the way to his wrists, where the fabric was tightly bound under cuffs of pure gold. Rings adorned his fingers—diamond and emerald and black opal. The sight of the excess incensed Nara. How had they enjoyed luxury as their allies faced such strife? As their son’s family faltered?
A.H. Anderson (In the Eye of the Crow (Tales of Lahan #1))
My Precious Child If I had pearls or petalites Few emeralds Countless tanzanite Some diamonds Sizeable gold And granite If I had all of these On my hands All over my place Signed under my name Would that replace you? No way, not at all You are a special being in my life Positioned by God’s Divine design A gift that I treasure Oh, no! I cannot chase after fortune I am the most fortunate To be your Mother Yes, you make my days shine brighter I embrace the bliss you brought along Through you, I gained wisdom Among other things in this world You carry so much worth With you, I found wealth That is why I appreciate you For so many reasons Throughout the seasons We have been winning Hence, I need you so much My precious child
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
You’re not a diamond at all, princess.” Vienna stared in horror. There was no diamond inside. “You’re a pearl.” “Oh my god!” “Isn’t that right,” the warlock whispered, knowing that he had won, “my love?” –Vienna by E. L. Schoeman
E.L. Schoeman (Vienna)
and on her head she wore a gold crown studded with diamonds, pearls, rubies, sapphires and emeralds.
John Guy (Queen of Scots: The True Life of Mary Stuart)
Nero got a dreamy look on his face. “Ah, yes…the House of Gold. It was beautiful, Meg! I had my own lake, three hundred rooms, frescoes of gold, mosaics done in pearls and diamonds—I could finally live like a human being!
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Two hours later, Nesta found herself fully clothed in a bathtub in the middle of the private library, the entire thing filled with bubbles. No water, just bubbles. In matching tubs on either side of her, Emerie and Gwyn were giggling. 'This is ridiculous,' Nesta said, even as her mouth curved upward. Each one of their requests had gotten more and more absurd, and Nesta might have felt like they were exploiting the House had it not been so... exuberant in answering their commands. Adding creative flourishes. Like the fact that each bubble held a tiny bird fluttering about inside. Silent fireworks still exploded in the far corner of the room, and a miniature pegasus- Nesta's request, made only when her friends goaded her into submitting one- fed on a small patch of grass by the shelf, content to ignore them. A cake taller than Cassian stood in the centre of the room, lit with a thousand candles. Six frogs danced circles around a red-and-white-spotted toadstool, the waltzes provided by Nesta's Symphonia. Emerie wore a diamond crown and six strings of pearls. Gwyn sported a broad-brimmed hat fit for any fine lady, perched at a rakish angle on her head. A lace parasol leaned against her other shoulder, and she twirled it idly as she surveyed the windows...
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
Looking about her, she could tell that some of these dollies came from families much better off than hers. The pearls and diamonds on them! Galinda was glad she had chosen a simple silver collar with mettanite struts. There was something vulgar about traveling in jewels. As she realized this truth, she codified it into a saying. At the earliest perfect opportunity she would bring it out as proof of her having opinions - and of having traveled. "The overdressed traveler betrays more interest in being seen than in seeing," she murmured, trying it out, "while the true traveler knows that the novel world about her serves as the most appropriate accessory." Good, very good.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Shine bright like a diamond.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Look! I bear into this room a platter piled high with the rage my mother felt toward my father! Yes, it's diamonds now. It's pearls, public humiliation, an angry dime-store clerk, a man passed out at the train station, a girl at the bookstore determined to read every fucking magazine on this shelf for free.
Laura Kasischke (Space, in Chains)
The alchemy of diamonds from the rough is to mine every moment.
Gina Greenlee (Postcards and Pearls:Life Lessons from Solo Moments in New York)
They laughed at me for I was coal; And they were pearls and rubies... They questioned my shine, my lusture, "On a coal, what did it bring?" They simply had no clue... That I was DIAMOND in the making...
wricha
It was great. No one else had one but me." Gerald Blanchard on what it was like to possess the Koechert Diamond Pearl.
Jennifer Bowers Bahney (Stealing Sisi's Star: How a Master Thief Nearly Got Away with Austria's Most Famous Jewel)
It was great. No one else had one but me." Gerald Blanchard on what it was like to possess the Koechert Diamond Pearl
Jennifer Bowers Bahney (Stealing Sisi's Star: How a Master Thief Nearly Got Away with Austria's Most Famous Jewel)
The cover was bound in a beautiful, cream leather, embellished with swirling vines of silver and gold. A glittering jewel had been embedded in each corner of the front cover—sapphire, ruby, emerald, and diamond, to represent each of the elements. In the very center, a white pearl and a black pearl, side by side.
Bella Forrest (Harley Merlin and the Stolen Magicals (Harley Merlin, #3))
Is that all you’re taking?” I shrugged. “I should hope that as my fake boyfriend, you’ll be providing me with all the stuff I need for a comfortable stay.” He bit back a smile. “Ah, diamonds and pearls.” “Nope. Blood bags and burgers. I’m pretty low maintenance.” “Just the kind of woman I like.” “Lazy.” “Not when it counts,” he drawled. “And when would that be?” “In the bedroom.” “Just the bedroom? How uninventive.
Debbie Cassidy (Shadow Warrior (The Nightwatch Academy #3))
My Precious Child If I had pearls or petalite A few emeralds Countless tanzanite Some diamonds Perhaps gold and granite If I had all of that On my hands All over my place Would that replace you? No ways, not at all You are too special in my heart Being positioned in my life By God’s Divine design A gift that I treasure Hence, I cannot chase after fortune I am the most fortunate To walk this journey with you You make my days shine brighter I embrace the bliss you brought along Through you I gained wisdom Among other things in this world You carry so much worth With you I found wealth That is why I appreciate you For so many reasons Throughout the seasons I need so much of you My precious child!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
She is about to close the book and return it to the desk when she catches sight of a face passing on the flickering pages. She leafs her way back until she finds it again- not an entire face, but a section; an eye, the sweep of a cheekbone, the curved line of a neck observed from side-on; all illustrated as if seen in the reflection of a small, oval mirror. A car-wing mirror. She peers at the page more closely, breath held in her chest as the moment returns to her: sitting in Charles's new car, Jack scrunched in the back and Lillian in the front, a peacock barring their path. It is exactly how he would have seen her reflected back at him in the wing-mirror. As with the other drawings, the accuracy is remarkable. She is amazed at his ability to recall the smallest details. There is the pearl stud at her earlobe and the almost indiscernible beauty spot above her lip. Yet the more closely she studies the sketch, the more she is discomforted. It isn't just the precision of the pencil lines conjuring her on the paper- butt more the expression he has captured- a certain wistfulness she hadn't known she wore so plainly. The portrait feels so intimate; almost as if he had laid her bare on the page. She continues to leaf through the sketches and finds a second portrait. This time she is seated in the drawing room, her face turned to the window, the skirt of her dress falling in a fan to to the floor. A third reveals her standing on the terrace, leaning against the balustrade, a long evening dress sweeping about her legs. The night of the party. The next page shows just her arm, identifiable by a favorite diamond bracelet dangling at the wrist. The last is of her head and shoulders, viewed from behind, the curves of her neck rising up to a twisted knot of hair. Looking at the images she isn't sure how she feels; flattered to be seen, to be deemed worthy of his time and attention, though at the same time a little uncomfortable at the intimacy of his gaze and at the thought of having been so scrutinized when she hadn't even known he was watching her.
Hannah Richell (The Peacock Summer)
She was distracted from her thoughts as he pulled something from one of his coat pockets, a flat rectangular leather case. "A present," Harry said, giving it to her. Her eyes rounded with surprise. "You didn't need to give me anything. Thank you. I didn't expect.. oh." This last as she opened the case and beheld a diamond necklace arranged on the velvet lining like a pool of glittering fire. It was a heavy garland of sparkling flowers and quatrefoil links. "Do you like it?" Harry asked casually. "Yes, of course, it's... breathtaking." Poppy had never imagined owning such jewelry. The only necklace she possessed was a single pearl on a chain. "Shall I... shall I wear it tonight?" "I think it would be appropriate with that gown." Harry took the necklace from the case, stood behind Poppy, and fastened it gently around her neck. The cold weight of the diamonds and the warm brush of his fingers at her nape elicited a shiver. He remained behind her, his hands settling lightly on the curves of her neck, moving in a warm stroke to the tops of her shoulders. "Lovely," he murmured. "Although nothing is as beautiful as your bare skin.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
It’s a necklace with a long silver chain, a single pearl on the end, and three small diamonds clustered at the top.
Stacy Willingham (A Flicker in the Dark)
Friendship is a priceless gift That cannot be bought nor sold, But its value is far greater Than a mountain made of gold. For gold is cold & lifeless - It can neither see nor hear, In time of trouble its powerless to cheer - It has no ears to listen, no heart to understand, It cannot bring you comfort Or reach out a helping hand. So when you ask God for a gift, Be thankful if he sends Not diamonds, pearls or riches But the love of real true friends
Muhammad Ali
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diamonds, rubies, pearls, emeralds and sapphires.
David Walliams (Gangsta Granny)
I had left something on stage that night. And it wasn’t just the Miss Universe crown I had passed on to that year’s rightful owner. It was what I had attached to the crown, the one adorned with 500 diamonds and 120 pearls on a delicate frame that glistened and glowed and represented a future I thought I understood. It was my identity. My source of confidence. I didn’t know I had lost both at the time. And I didn’t realize it was a false identity that I had lost. A false sense of confidence birthed from the promises, dreams, and expectations of achieving something I’d always wanted.
Demi-Leigh Tebow (A Crown that Lasts: You Are Not Your Label)
I thought I had simple tastes. I don’t care about pearls or silver. I don’t need silk. I can live without cherries and bottles of Diamond Blend.’ Luca pressed up, incoherently wanting, and Matti obliged him with another bruising kiss. ‘But you,’ Matti breathed. ‘You are the most exquisite thing in this city, and I want you, and I’m going to have you.
Freya Marske (Swordcrossed)
There are shades of gold, strands of purple, hints of green and splashes of blue. It looks like jewels scattered on a black velvet backdrop, diamonds, topaz, emeralds, rubies and pearls. Andromeda is fit for a princess.” Anderson felt uncomfortable with Diana’s lavish, emotive description. As pleasant as her analogy was, it was the comment of someone from a bygone age. Aesthetics aside, Andromeda was just a galaxy, the natural result of immense volumes of hydrogen forming a vast gravity well, swirling in chaotic eddies, compressing into pressure-induced fusion and igniting as hundreds of billions of individual stars. The shape, the motion, the blaze of light, the compressed core, the spiral arms and the birth of new stars—these were all the result of known laws of physics. There was nothing mystical or magical about Andromeda.
Peter Cawdron (Galactic Exploration)
Highly finished product of modern civilisation, in white satin with no back and very little front, greets me, and I perceive her to be extremely beautiful, and possessed of superb diamonds and pearls.
E.M. Delafield (The Provincial Lady Goes Further (The Provincial Lady, #2))
Kent. Did your letters pierce the queen to any demonstration of grief? Gent. Ay, sir; she took them, read them in my presence; And now and then an ample tear trill'd down Her delicate cheek: it seem'd, she was a queen Over her passion; who, most rebel-like, Sought to be king o'er her. Kent. O, then it mov'd her. Gent. Not to a rage: patience and sorrow strove Who should express her goodliest. You have seen Sunshine and rain at once: her smiles and tears Were like a better day: those happy smiles, That play'd on her ripe lip, seem'd not to know What guests were in her eyes; which parted thence, As pearls from diamonds dropp'd.--In brief, Sorrow would be a rarity most beloved, If all could so become it.
William Shakespeare
ravens alighted on the earth and instantly assumed their own forms--they were the brothers of the queen. They tore down the pile and extinguished the fire, set their sister free, and embraced her tenderly. The queen, who was now able to speak, told the king why she had been dumb and had never laughed. The delight of the king was only equalled by his anger against the wicked witch, who was brought to justice and ordered to be thrown into a vat of oil full of poisonous snakes, where she died a dreadful death. CHAPTER XI THE FAIR ONE WITH THE GOLDEN LOCKS There was once a most beautiful and amiable princess who was called "The Fair One with Locks of Gold," for her hair shone brighter than gold, and flowed in curls down to her feet, her head was always encircled by a wreath of beautiful flowers, and pearls and diamonds. A handsome, rich, young prince, whose territories joined to hers, was deeply in love with the reports he heard of her, and sent to demand her in marriage. The ambassador sent with proposals was most sumptuously attired, and surrounded by lackeys on beautiful horses,
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
We have no trace of the wardrobe in which Cleopatra presided over these festivities, though we know that she wore plenty of pearls, the diamonds of the day. She coiled long ropes of pearls around her neck and braided more into her hair. She wore others sewn into the fabric of her tunics.
Stacy Schiff (Cleopatra: The dazzling life story of the Queen of Egypt, the New York Times bestseller from the Pulitzer Prize-winning author)
Her hair, which was powdered with violet sand, and combined into the form of a tower, after the fashion of the Chanaanite maidens, added to her height. Tresses of pearls were fastened to her temples, and fell to the corners of her mouth, which was as rosy as a half-open pomegranate. On her breast was a collection of luminous stones, their variegation imitating the scales of the murena. Her arms were adorned with diamonds, and issued naked from her sleeveless tunic, which was starred with red flowers on a perfectly black ground. Between her ankles she wore a golden chainlet to regulate her steps, and her large dark purple mantle, cut of an unknown material, trailed behind her, making, as it were, at each step, a broad wave which followed her.
Gustave Flaubert (Salammbo)
It was customary for hunters who visited Endlock to collect the teeth from their kills and wear them on chains around their necks or shaved into strings of pearls. I’d seen teeth worn as cuff links or as the centerpiece of extravagant, diamond-encrusted rings.
Brooke Fast (To Cage a Wild Bird)