Vans Off The Wall Quotes

Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly

...but you are too much for them: the weak in courage are strong in cunning; and one by one, you have absorbed and have captured and dishonored, and have distilled of your deliverers the most ruinous of all poisons; people hear Beethoven in concert halls, or over a bridge game, or to relax; Cézannes are hung on walls, reproduced, in natural wood frames; van Gogh is the man who cut off his ear and whose yellows became recently popular in window decoration.

Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.

GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not

suit. He was reading The Wall Street Journal. The lady across the table was probably Mrs. Dare, though all I could see of her were hot pink fingernails and the cover of Condé Nast Traveler. Why she’d be reading about vacations while she was on vacation, I wasn’t sure. Rachel stood at the porch railing and sighed. She wore Bermuda shorts and her Van Gogh T-shirt. (Yeah, Rachel was trying to teach me about art, but don’t get too impressed. I only remembered the dude’s name because he cut his ear off.)

Maybe you’re used to doing things by yourself, but don’t be an idiot.” He started off calmly, totally in control. “I didn’t know where you were. There’s crime here—don’t give me that face. I know there’s crime everywhere. We might not be doing this for the reasons most people do, but I made a vow, Van. And I promised you we would try to be friends. Friends don’t let friends wander around alone.” He pinned me with a glare. “You aren’t the only one who takes their promises seriously.” Uh. What was happening? Those dark eyes were the steadiest thing I’d ever seen as he said, “I can’t do this without you.

["What They Want"] Vallejo writing about loneliness while starving to death; Van Gogh's ear rejected by a whore; Rimbaud running off to Africa to look for gold and finding an incurable case of syphilis; Beethoven gone deaf; Pound dragged through the streets in a cage; Chatterton taking rat poison; Hemingway's brains dropping into the orange juice; Pascal cutting his wrists in the bathtub; Artaud locked up with the mad; Dostoevsky stood up against a wall; Crane jumping into a boat propeller; Lorca shot in the road by Spanish troops; Berryman jumping off a bridge; Burroughs shooting his wife; Mailer knifing his. -that's what they want: a God damned show a lit billboard in the middle of hell. that's what they want, that bunch of dull inarticulate safe dreary admirers of carnivals.

He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.

He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.

Wiser and more capable men than I shall ever be have put their findings before you, findings so rich and so full of anger, serenity, murder, healing, truth, and love that it seems incredible the world were not destroyed and fulfilled in the instant, but you are too much for them: the weak in courage are strong in cunning; and one by one, you have absorbed and have captured and dishonored, and have distilled of your deliverers the most ruinous of all your poisons; people hear Beethoven in concert halls, or over a bridge game, or to relax; Cézannes are hung on walls, reproduced, in natural wood frames; van Gogh is the man who cut off his ear and whose yellows became recently popular in window decoration; Swift loved individuals but hated the human race; Kafka is a fad; Blake is in the Modern Library; Freud is a Modern Library Giant; Dovschenko’s Frontier is disliked by those who demand that it fit the Eisenstein esthetic; nobody reads Joyce any more; Céline is a madman who has incurred the hearty dislike of Alfred Kazin, reviewer for the New York Herald Tribune book section, and is, moreover, a fascist; I hope I need not mention Jesus Christ of whom you have managed to make a dirty gentile. However

Manson robbed the LaBiancas first, taking Rosemary’s purse from her. Next, he collected Patricia Krenwinkel and Leslie Van Houten from the car and brought them into the house, giving Tex the horrifying instruction to “make sure everybody does something.” Then Manson got back in the car and drove away from the LaBianca home with Linda Kasabian, Susan Atkins, and Clem Grogan inside. Inside the house, Tex Watson killed Leno LaBianca by stabbing him in the throat multiple times with a bayonet. He then used his bayonet on Rosemary who was trying to fight off Patricia and Lesley. Patricia stabbed Rosemary again when Tex, heeding Manson’s instruction that everyone should take part in the murders, told Leslie to take over. Leslie stabbed Rosemary LaBianca 16 times. Tex carved the word “WAR” into Leno’s stomach before all three murderers wrote the words “Rise,” “Death to pigs,” and “Healter Skelter (sic)” on the walls in blood. As a parting gesture, Patricia stabbed Leno’s corpse with a carving fork, which she left jutting out of his stomach alongside the steak knife she left in his neck. While all of this had been going on, Manson was driving the other family members around Los Angeles. Manson bought them chocolate milkshakes with Rosemary LaBianca’s money then had Linda ditch Rosemary’s wallet in the hope that a black person would find it and incriminate themselves in the LaBianca murders. But the killing still wasn’t over. Manson pressed the others to find out if they knew anyone in the Venice Beach area they were driving through. Linda Kasabian admitted to knowing an actor who lived nearby. Manson handed Linda a knife and told her to knock on this actor’s door and stab him. Manson also gave his gun to Clem, instructing him to shoot the actor if Linda was unable to stab him to death. Faced with the task of murdering an innocent man, Linda balked and told the others that she couldn’t remember where the actor lived. Manson drove back to Spahn Ranch, and the rest of the gang hitchhiked back.

Beasts Bounding Through Time Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.

what they want, Vallejo writing about loneliness while starving to death; Van Gogh’s ear rejected by a whore; Rimbaud running off to Africa to look for gold and finding an incurable case of syphilis; Beethoven gone deaf; Pound dragged through the streets in a cage; Chatterton taking rat poison; Hemingway’s brains dropping into the orange juice; Pascal cutting his wrists in the bathtub; Artaud locked up with the mad; Dostoevsky stood up against a wall; Crane jumping into a boat propeller; Lorca shot in the road by Spanish troops; Berryman jumping off a bridge; Burroughs shooting his wife; Mailer knifing his. – that’s what they want: a God damned show a lit billboard in the middle of hell. that’s what they want, that bunch of dull inarticulate safe dreary admirers of carnivals.

Golden Gate Bridge themed clock on my wall, I saw the big and little hands were just about lining up on noon. I decided I’d let myself off the hook this time for coming in late as I’d done all right at the poker table last night, picking up a couple C-notes. I’d rolled into bed some six or seven hours ago as

High up on the hill there is construction noise, down in the village, people go about their business. Dogs chase dogs, delivery vans unload. Letters are posted. The cold sun simply can't compete though. Coopers Chase is wearing death like chain mail. It is Thursday at eleven a.m., but nobody is in the Jigsaw Room. The Art History class have stacked their chairs away, as always, and that is where the chairs will remain until Conversational French comes in at noon. Motes of dust float in the air and settle. The Thursday Murder Club is nowhere to be seen today. Their absence echoes. Ron is texting Pauline, hoping beyond hope that she finally replies. Joyce has done some shopping for Elizabeth and dropped it outside her door. She rang, but no reply. Ibrahim sits in his flat, staring at a picture of a boat on his wall. Elizabeth? Well, she is no longer present in a time and a space for now. She isn't anywhere or anything. Bogdan has his eye on her. Joyce switches off the television - it has nothing for her. Alan lies at her feet and watches her cry. Ibrahim thinks that perhaps he should take a walk, but, instead, he keeps looking at the picture on the wall. Ron receives a text, but it is from his electricity provider. There is a murder still to be solved, but it won't be solved today. The timelines and the photographs and the theories and the plans will have to wait. Perhaps it will never be solved? Perhaps death has defeated them all with this latest trick? Who now has the heart for the battle? They still have each other, but not today. There will be laughing and teasing and arguing and loving again, but not today. Not this Thursday. As the waves of the world crash around them, this Thursday is for Stephen.

This painting depicts a joyful young woman playing a guitar. The girl is positioned off-centre and her right elbow is cut out of the picture, demonstrating Vermeer’s boldness in the composition. The sitter turns to her right with a smile, as though looking into the eyes of a companion; whilst enjoying the sound of her music. The painting on the wall depicts a pastoral landscape in the style of Adriaen van de Velde, suggesting a mood of serenity. This is another painting by Vermeer which was later stolen; this time from Kenwood House on 23 February 1974 by supporters of the IRA. Fortunately ten weeks later, it was recovered in a churchyard in Smithfield, London.

The arts also fail me. Words I know too well to trust. The skeleton of grammar creates a wall that wards off sensation. Sex can only be described sequentially, one stroke after another. Vocabulary discerns distinctions, just as hormones sand down such matters. The visual arts frame things so that they are safe. Dance is the twitching of the body of one species. Music, I still retain hope for music, that bath of sound that words can barely describe and seldom add to. Music echoes with the bark, the grunt, the trilling, the scream, the explosion of the volcano, the purring of the stream. Art seems less an open door than a gilded cage. Van Gogh painted about three hundred canvases during his year in that nut house. The others, the splattering expressionists and impressionists and cubists and dada folk and surrealists, they’re safe. A dripping clock can never punch you in the face like crows rising off a wheat field. I think most of human art and all of human costume results from our notorious discomfort with our own skins.

Galatians 4:4 says that Jesus died in “the fullness of the time.”  Jesus was appointed to die at a specific time. In Daniel 9:25–26, the angel Gabriel told Daniel, “From the going forth of the command to restore and build Jerusalem, until Messiah the Prince, there shall be seven weeks and sixty-two weeks; the street shall be built again, and the wall, even in troublesome times. And after the sixty-two weeks Messiah shall be cut off.” This refers to His death.  As we noted when we looked at 1:2, Daniel was speaking of seven-year periods of time. If we add seven and sixty-two, we have sixty-nine seven-year periods of time, or 493 years. The command to rebuild Jerusalem was given by King Artaxerxes on March 14, 445 BC, and if we count 493 years from that date, we come to April 6, AD 32. This is exactly the day that Jesus Christ fulfilled Daniel’s prophecy with His triumphant entry (see Matt. 21:1–11; Luke 19:28–42). One week later, at the end of Passion Week, Jesus Christ died on the cross of Calvary. Jesus died in due time.

Mother’s Day was born. Combining the talents of the card makers, the candy manufacturers, and the florists, Mother’s Day became the perfect rip-off. Florists had always been in the van of advertising; they had also mounted a successful campaign to remove the unhappy phrase from newspaper death notices: “No flowers by request.” It had been replaced by the far more positive—and profitable—slogan: “Say Farewell with Flowers.” In a mother-orientated nation, no son, however cynical, could refuse to send flowers on that special day; the many florists in and around Wall Street—established originally to provide the carnation boutonnieres favored by fashion-conscious brokers—did a record business during the week before the bogus anniversary. As the day drew closer, the price of blooms soared—a practice perfectly understood in the countinghouses; it was known as pushing the price as high as the market would bear. In fact, candy manufacturers saw the price of their shares rise as a result of Mother’s Day.