Peacock Feather Quotes

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Maggie threw her head back and laughed. 'So you're going to try...what? Birds of a Feather?' she quested. 'Of course not,' Kat said. 'Everyone knows the French government banned the importation of peacocks in 1987.
Ally Carter (Uncommon Criminals (Heist Society, #2))
Peacocks have the bright feathers. Fish have the long tails. Women have the mall.
Janette Rallison (My Double Life)
Tell me again about the girl whose hands have no color. Whose hands are completely white. This time make them damned, or untouched, or have her open a red umbrella or point at some maple leaves and damned near cry. Those hands. As freakish goes, I wish I had a tail. Maybe then you’d know how much I like you. It shakes me through, damn through. It shakes me. When she carries a peacock feather. When she touches her neck or thighs. You’re a person. It’s not so bad. You have hands. You are a person with hands to hold things. Things you like. Tremendous things. Tell me what you will hold today. I know there is room for everything. There is no need to be ceremonious. Tell what gets let go.
Rebecca Wadlinger
There is a limit for everything. You can't just load tons and tons of peacock feathers in a cart considering it's light weight. If you do, it will damage the axle of the cart.
Thiruvalluvar
The world was so unbearably pretty, and it continued being so all the way down the mountain to school. I felt slightly high because of the beauty, and the inside of my head tickled. I wondered if this is how artists go through life, with all of its sensations tickling their craniums like a peacock feather..
Douglas Coupland (Hey Nostradamus!)
You never know what to expect on encountering royalty. I've seen 'em stark naked except for wings of peacock feathers (Empress of China), giggling drunk in the embrace of a wrestler (Maharani of the Punjab), voluptuously wrapped in wet silk (Queen of Madagascar), wafting to and fro on a swing (Rani of Jhansi), and tramping along looking like an out-of-work charwoman (our own gracious monarch).
George MacDonald Fraser (Flashman on the March (The Flashman Papers, #12))
I know exactly how strong he is... He is like a peacock, spreading his feathers and squawking loudly to distract you from the back that his body is but weak." -Jason to Mahiya
Nalini Singh (Archangel's Storm (Guild Hunter, #5))
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
It was strapless, the bodice peacock-blue and edged in gold, full skirted at the front and gathered into an elaborate, foaming bustle of satin and peacock feathers at the back. I insisted that every inch of bare skin was powdered with gold: my shoulders, décolletage, and the lower part of my face. The golden mask would cover my eye, and my lips were painted with more gold. I carried a golden fan that, when it was opened, revealed hundreds of eyes and looked exactly like a peacock's tail.
Rhiannon Hart (Blood Song (Lharmell, #1))
We begin to read each book not quite knowing if we will see a peacock’s feathers or a baboon’s arse.
Kevin Ansbro
This lion that I'd sauntered up to wearing my flashy peacock feathers hadn't snapped the head off my skinny, brilliantly colored neck, he'd only licked me and waited for me to grow claws. I had neither flashy feathers nor claws now. I'd become yet another thing. A steel fist inside a velvet glove. Strong enough that I was no longer afraid to be gentle. Powerful enough that I could be vulnerable. Scarred enough that I could understand and thread lightly around the deepest scars of others.
Karen Marie Moning (Feversong (Fever, #9))
It was Christmas night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars' heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid.
Oliver Markus (Why Men And Women Can't Be Friends)
If it were only feathers that could transform a sparrow into a peacock" -Liesl "A sparrow is beautiful in its own way. Don't force yourself to be a peacock, Liesl. Embrace your sparrow self. Look." -Kathe
S. Jae-Jones (Wintersong (Wintersong, #1))
Till the last moment they dress a man up in peacock's feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand; the thought alone makes them cringe; they wave the truth away with both hands, till the very moment when the man they've decked out so finely sticks their noses in it with his own two hands.
Fyodor Dostoevsky (Crime and Punishment)
I passed a little further on and heard a peacock say: Who made the grass and made the worms and made my feathers gay, He is a monstrous peacock, and He waveth all the night His languid tail above us, lit with myriad spots of light.
W.B. Yeats (Collected Poems (Macmillan Collector's Library Book 13))
Painting the feathers of a chicken does not make it a peacock. ~Jane Doe
Sarah Cass (Changing Tracks (Dominion Falls, #1))
Fancy feathers make peacocks, but you pluck them and see what's left.
Catherine Cookson (The Black Candle)
Beauty was a chameleon with peacock feathers.
Sean Aeon (LA on LSD)
Medieval banquets show people eating all kinds of foods that are no longer eaten. Birds especially featured. Eagles, herons, peacocks, sparrows, larks, finches, swans, and almost all other feathered creatures were widely consumed. This wasn’t so much because swans and other birds were fantastically delicious—they weren’t; that’s why we don’t eat them now—but rather because other, better meats weren’t available.
Bill Bryson (At Home: A Short History of Private Life)
Home. She closes her eyes and thinks of a swaying meadow, dappled sunlight falling through green branches, walking among tall, leafy trees. She thinks of long, tapered feathers with eyes the color of emeralds and sapphires.
Hannah Richell (The Peacock Summer)
The human intellect is like peacock feathers. Just an extravagant display intended to attract a mate. All of art, literature,a bit of Mozart, William Shakespeare, Michelangelo, and the Empire State Building -- just an elaborate mating ritual.
Westworld
Julia follows the beach, the sand that is so white it makes her doubt the beaches in Heaven could possibly be any whiter, the water like peacock feathers lapping at the shore, vivid green blue going hyacinth out where the sea starts getting deep.
Caitlín R. Kiernan (Alabaster)
Did ya know that female birds only got one ovary?" "What're ya talking about?" "See. These drawings and notes show that female birds only got one ovary." "Dang it, Joe. We're not here for a biology lesson. Get back to work." "Wait a second. Look here. This is a male peacock feather, and the note says that over eons of time, the males' feathers got larger and larger to attract females, till the point the males can barely lift off the ground. Can't hardly fly anymore." "Are you finished? We have a job to do." "Well, it's very interesting." Ed walked from the room. "Get to work, man.
Delia Owens (Where the Crawdads Sing)
But as an angel, I doubt that he bothered to take much stock of the humans. When he looks at me, it’s the look of someone noticing a person for the first time, proving yet again that an angel’s arrogance knows no bounds. Which, now that I think about it, increases the likelihood that this is Raffe. He does a full evaluation of me, taking in the cut and curled hair accented with peacock feathers, the blue and silver makeup ribbons chasing around my eyes and cheekbones, the silky dress that clings to every part of my body. But it’s not until his eyes meet mine that a jolt of recognition passes between us. I have no doubt that it’s Raffe. But he fights his recognition of me. For a second, his defenses fall and I can see the turmoil behind his eyes. He saw me die. This must be a mistake. This glittery girl doesn’t look anything like the street waif he traveled with. Yet… His step falters and he pauses, staring at me.
Susan Ee (World After (Penryn & the End of Days, #2))
Are you worried about him that much?” “O-…..of course, he’s my friend.” “You become angered at my female friends, and yet you’re saying that I should silently consent to your male friends?” Isn’t that a twisted comparison? “Now listen, Kelpie isn’t a male friend but a fairy friend. Even if you were to blindly love a canary, no one would be jealous.” “I don’t think so. If a peacock were to open up its feathers to court you, I would shoot it dead.” She wanted to think he was joking, but his ash mauve eyes were serious.
Mizue Tani (取り換えられたプリンセス (伯爵と妖精 #6))
We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid. Animals in the wild spend their entire lives trying to stay alive, and to mate. That's it. They eat, they sleep, they fuck, they raise their offspring. That's the meaning of their lives.
Oliver Markus Malloy (Why Men And Women Can't Be Friends: Honest Relationship Advice for Women (Educated Rants and Wild Guesses, #1))
If it were only feathers that could transform a sparrow into a peacock" -Liesl
S. Jae-Jones (Wintersong (Wintersong, #1))
Vultures and peacocks might both have feathers and beaks, but one did not confuse the two creatures.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
Cleverness in itself is useless. It’s like a peacock’s feathers – an extravagant display used by those who crave attention. The mind’s worth is revealed when clever solves real problems.
Sola Kosoko
As to acknowledging that he was about to obtain a triumph with the ideas of another man, he never thought of such a thing. It is generally in perfect good faith that the jackdaw struts about in the peacock's feathers.
Émile Gaboriau (File No. 113 (Monsieur Lecoq #3))
It seemed to Abby that the peacock was strutting, showing off his feathers to an invisible audience in the night. It didn't look like he was worried about the peahen. He looked selfish and self-absorbed, like he knew he was beautiful. Abby watched his feathers blow in the wind, and she watched as the peahens followed with all of their strength. They followed because it was all they had ever down; they followed because it was all they knew how to do.
Jennifer Close (Girls in White Dresses)
The risen Christ! Once more faith is upon us, a jubilant brief keening with respite: Obedience, bitter joy, the elements, clouds, winds, louvres where the bell makes its wild mouths: Holy Rus – into the rain’s horizons, peacock-dyed tail feathers of storm, so it goes on.
Geoffrey Hill (Canaan)
What's that sound?" Fran said. Then something as big as a vulture flapped heavily down from one of the trees and landed just in front of the car.It shook itself.It turned its long neck toward the car, raised its head, and regarded us. "Goddamn it," I said.I sat there with my hands on the wheel and stared at the thing. "Can you believe it?" Fran said."I never saw a real one before." We both knew it was a peacock, sure,but we didn't say the word out loud.We just watched it.The bird turned its head up in the air and made this harsh cry again.It had fluffed itself out and looked about twice the size it'd been when it landed. "Goddamn," I said again. We stayed where we were in the front seat. The bird moved forward a little.Then it turned its head to the side and braced itself.It kept its bright, wild eye right on us.Its tail was raised, and it was like a big fan folding in and out. There was every color in the rainbow shining from that tail. "My God," Fran said quietly.She moved her hand over to my knee. "Goddamn," I said. There was nothing else to say. The bird made this strange wailing sound once more. "May- awe, may-awe!" it went.If it'd been something I was hearing late at night and for the first time, I'd have thought it was somebody dying, or else something wild and dangerous.
Raymond Carver
Here are seven angels, one with peacock feathers for wings and a crown, but no devil. And here also is God, behind it all, who created both Himself and them, whereby everything else was created. Yet there are other things as well, you must remember—things which have always been, which fools without true religion sometimes choose to worship, or trick themselves into worshipping. Small gods for small minds, trapped in small places. And while these creatures' scope is narrow, as with all half-made things, their reach can be long, long . . . just so long as their names are still known in this world, so they may hear them whispered somewhere, recognize themselves, and come calling. . . .
Gemma Files (Experimental Film)
Dominant men have never looked so dull and dreary as they do today. During most of history, dominant men have been colorful and flamboyant, such as American Indian chiefs with their feathered headdresses and Hindu maharajas decked out in silks and diamonds. Throughout the animal kingdom males tend to be more colourful and accessorised than females-think of peacocks’ tails and lions’ manes.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
They had a nice,if not private, reunion before Rupert joined them. He didn't exactly ruin it, but if he insisted on enacting their pretense tonight, even for her mother,it surely would. Unfortunately, he entered the room wearing a horribly bright lime-green dinner jacket that had his mother immediately scowling at him. So even after that kiss upstairs, he'd decided on an evening of humorously baiting his mother again. Bad timing, with her own mother there, or maybe not.At least it kept Rebecca's own mood light for the moment, since she knew why he did it. Nor did Julie hold her tongue, remarking in disgust, "I see your taste is still beyond flamboyant. You're a bloody peacock, Rue." He actually looked behind him as he replied, "I thought I had my feathers tucked away nicely.
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
BALLOONS Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish--- Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist. --written 5 Feburary 1963
Sylvia Plath (The Collected Poems)
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
It was then that she saw the curl. A lovely, shiny curl of hair the color of coral tea roses that wrapped itself around twigs and weeds, and then disappeared beneath an overgrown forsythia. So very Pre-Raphaelite! Beatrice reached to touch the curl, brushing the weeds aside. Nothing could have prepared her for the image of the peacock. Suddenly, there it was: tail-feathers fully unfurled, luminous blues and greens shimmering between blades of grass.
Cynthia Robinson (Birds of Wonder)
The faeries in whom he believes have given him many subjects, notably Thomas of Ercildoune sitting motionless in the twilight while a young and beautiful creature leans softly out of the shadow and whispers in his ear. He had delighted above all in strong effects of colour: spirits who have upon their heads instead of hair the feathers of peacocks; a phantom reaching from a swirl of flame towards a star; a spirit passing with a globe of iridescent crystal-symbol of the soul- half shut within his hand. But
W.B. Yeats (The Celtic Twilight)
And that’s how it always is with these beautiful, Schilleresque souls:27 till the last moment they dress a man up in peacock’s feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand; the thought alone makes them cringe; they wave the truth away with both hands, till the very moment when the man they’ve decked out so finely sticks their noses in it with his own two hands.
Fyodor Dostoevsky (Crime And Punishment: A Novel in Six Parts with Epilogue)
Let’s go see.” “Wait,” said Jack. He turned more pages of the book. “I want to see what’s really going on, Jack. Not what’s in the book,” said Annie. “But look at this!” said Jack. He pointed to a picture of a big party. Men were standing by the door, playing drums and horns. He read: Fanfares were played to announce different dishes in a feast. Feasts were held in the Great Hall. “You can look at the book. I’m going to the real feast,” said Annie. “Wait,” said Jack, studying the picture. It showed boys his age carrying trays of food. Whole pigs. Pies. Peacocks with all their feathers. Peacocks?
Mary Pope Osborne
She guided me down a narrow cobblestone path winding toward the cottage. Blue-and-white flowers shaped like conch shells bordered the path, and their satiny petals brushed against my ankles. The heady fragrance of frangipane lingered in the air. A rainbow of butterflies circled above our heads. The cottage's thatched roof winked under the sun. The peacock was lying on the front step, docile and languid as a Persian cat. He lifted his head to meet Tulasi's outstretched hand. "This is Puck," she said, stroking his feathers. "Aren't you afraid he'll fly away?" "No, Puck would never do that. He's just as bound to this garden as I am.
Kamala Nair (The Girl in the Garden)
That evening after tea the four children all managed to get down to the beach again and get their shoes and stockings off and feel the sand between their toes. But the next day was more solemn. For then, in the Great Hall of Cair Paravel--that wonderful hall with the ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea, in the presence of all their friends and to the sound of trumpets, Aslan solemnly crowned them and led them onto the four thrones amid deafening shouts of, “Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
THE INDIAN UPON GOD I PASSED along the water’s edge below the humid trees, My spirit rocked in evening light, the rushes round my knees, My spirit rocked in sleep and sighs; and saw the moor-fowl pace All dripping on a grassy slope, and saw them cease to chase Each other round in circles, and heard the eldest speak: Who holds the world between His bill and made us strong or weak Is an undying moorfowl, and He lives beyond the sky. The rains are from His dripping wing, the moonbeams from His eye. I passed a little further on and heard a lotus talk: Who made the world and ruleth it, He hangeth on a stalk, For I am in His image made, and all this tinkling tide Is but a sliding drop of rain between His petals wide. A little way within the gloom a roebuck raised his eyes Brimful of starlight, and he said: The Stamper of the Skies, He is a gentle roebuck; for how else, I pray, could He Conceive a thing so sad and soft, a gentle thing like me? I passed a little further on and heard a peacock say: Who made the grass and made the worms and made my feathers gay, He is a monstrous peacock, and He waveth all the night His languid tail above us, lit with myriad spots of light.
Anonymous
Males of all species are made for wooing females, and females typically choose among their suitors. If you take a closer look, you can observe such behavior all around you. The beautiful bird chirping outside your window. It’s a mating call. That pretty little bird is trying to attract a potential mate, so that it can propagate its genes. Why does the peacock have such beautiful feathers? It is to attract a healthy female. He as well is trying to propagate his genes. Even we humans, are not much different from the rest of the animal kingdom when it comes to attracting potential mates. When women dress up for their night out at the club, they are doing so to look attractive. This is a subconscious evolutionary desire to attract as many potential mates as possible.... While women tend to grab attention with their looks, men on the other hand, tend to attract as many potential females as possible, by showing off their resources. When a man shows off with his fancy car, expensive gold watch and suit, or flexes his muscles and brags about how many credit cards he owns, he’s doing so to make himself desirable by healthy women, in order to propagate his genes. It is all in the pursuit of reproduction.
Abhijit Naskar (What is Mind?)
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
Hannah Richell (The Peacock Summer)
So now Nathan had a new partner, who, by all accounts, was a dour old drudge with nary a daughter to his name. She’d seen Nathan in town once since then. He had not looked happy. But she was insanely happy, especially after what the doctor had hold her yesterday. With only a few days left at home, she and Freddy had dragged Jane and Oliver on a romantic picnic. So far, it wasn’t going all that well. Poor Jane darted up at every sound. Freddy’s mischievous brothers had convinced her that wild Indians might descend upon them any minute, and no amount of Freddy’s posturing with the sword could relieve her fears. Oliver was no help, either. He kept pretending to see feather headdresses behind every bush, though Maria had told him repeatedly that the only tribes in their area had left long ago. He was every bit as devilish as her cousins, who’d embraced him instantly as a man after their own heats. Aunt Rose had pronounced Oliver a smooth-tongued rogue the first time he told her how fetching she looked in her peacock bonnet. Little did she know. “Are you sure there’s a fish pond back there, Freddy?” Jane asked skeptically as Freddy led her around a deserted cabin. “Quite sure.” He puffed out his chest. “I’ve caught many a fine trout in that pond.” “More like trout bait,” Maria told Oliver, who was stretched out on the blanket beside her, reading a letter from Jarret. “I’ve never seen a fish longer than my thumb in that pond.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
It’s hard to maintain dignity while wearing a coat made out of peacock feathers and pants made out of geriatric human flesh. Still, every other weekend, I have to try.
Jarod Kintz (This Book is Not for Sale)
So you do enjoy my lovemaking?" She lifted an eyebrow. "If you can't tell that, sir, you are blind and deaf and probably stupid." If he'd been a peacock, he would have been strutting about, displaying his feathers.
Sabrina Jeffries (How the Scoundrel Seduces (The Duke's Men, #3))
The Navy’s use for deck was no different than an aging socialite getting weekly Botox injections, plastering wrinkles with foundation, and ducking into the ladies room to powder her nose and retouch her lipstick every ten minutes. We incessantly slaved away to make our ship pretty. We fluffed the feathers of America’s peacock.
Maggie Georgiana Young (Just Another Number)
Asking a peacock to pull out his feathers was a hard thing to do.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Rose’s little lips began to quiver, her eyes filled with tears, and then she began to cry in earnest, but before anyone could offer her a smidgen of comfort, the air split with a hair-raising shriek. To Everett’s very great concern, the peacocks that had been gathered off to the side of the tree turned their heads in unison and set their beady eyes on Caroline. As if choreographed, they spread their tail feathers right before they charged—directly in Caroline’s direction.
Jen Turano (In Good Company (A Class of Their Own Book #2))
I see a man who has serious intentions, that’s Levin: and I see a peacock, like this feather-head, who’s only amusing himself.
Leo Tolstoy (Anna Karenina)
She loved rhubarb pie. She loved the morning sun. She loved drying the sheets on the clothesline, even in the dead of winter. She loved a good pot of jasmine tea. She loved orange rinds and gossip and peacock feathers. She loved plums." "Plums. Greengage plums?" "Yes, greengage plums.
Melanie Gideon (Valley of the Moon)
What do you mean?” she asked, though she knew. “What do you see?” In response, he buried a hand in her hair and pulled her down for a kiss that left their previous one in its shadow. His arm encircled her waist and she wrapped hers around his neck. Certainly, she thought, they would melt into a single being, like two wax figures left too close to the fire. Perhaps sensing that he need not urge her to kiss him, Marcel took his hand from her hair, dislodging its loose gathering as he did so. She felt a grazing across the fabric of her vest, briefly tracing the stitching of the peacock feathers, and finally a very surprising, but not unwelcome, grip to her bare calf. A protective instinct roared to life. “You mustn’t,” she said, breaking their kiss to look at the others in the room. If she and Marcel had attracted any of the patrons’ attention, they knew enough to glance away at that moment. “Do not mind them.” He continued his touch. “You are not the first woman to be seen in such a position. Our times are too desperate for modesty.” “I may not be the first woman. For you. But I’ve . . . I’ve never —” He kissed her again, irrevocably erasing the word never from her mind, drawing away only when distracted by a commotion at the door. “Mes amis! Mes amis!” He was a small, wiry man, and he jumped about with flailing arms, like a featherless bird. “You would not believe! A royal
Allison Pittman (The Seamstress)
Well done," BItterlich said. "You definitely showed those peacocks you're not chicken." Isabelle dragged herself out of her mental cyclone and bestowed him the glower he was looking for. "You've been waiting to say that all day, haven't you?" Bitterlich contrived to look innocent. "I just thought it was another feather in your cap." Isabelle resisted the urge to groan. As handsome and dashing and daring as BItterlich was, his sense of humour drifted toward vile puns. The only way to deal with him when he got like this was to play dumb. She took off her hat and examined it carefully. '"I don't understand. It doesn't have any more feathers than it did this morning." Bitterlich glanced aside at her. "Since when did you become fusty?" Isabelle replaced her hat and said primly, "I heard an atrocity being committed, and I stifled it." "I have no egrets," Bitterlich said.
Curtis Craddock (The Last Uncharted Sky (The Risen Kingdoms, #3))
Nobody sang steamy overwrought songs to Rama, Vishnu or Shiva. What was the source of the irresistible attraction of the peacock-feathered god? How was he able to get away with the very things that would land any other man in jail for life? Did the women, in their heart of hearts, want to walk the streets with see-through, wet blouses and wait for some dashing young man with a peacock feather in his phenta to tug at their odhanis? Whatever
Kiran Nagarkar (Cuckold)
I have found that a woman who wishes a man to hear what she says can best do so by first telling him his feathers are as fine as a peacock’s, his craftiness could outwit a fox, and his wisdom surpasses that of an owl.
Annelisa Christensen (The Popish Midwife: A novel based on the incredible true story of Elizabeth Cellier (Seventeenth Century Midwives))
Here on this grass-plot, in this very place, To come and sport: her peacocks fly amain … THE TEMPEST, 4.1 Peacock, long a symbol of nobility and immortality, was one of the most esteemed feast foods in Shakespeare’s time. Served roasted and placed back in its feathers, it was then dusted with real gold. Metal rods were inserted into the bird’s body so that it remained upright and seemingly alive. The peacock would be made to appear to breathe fire by the cook’s trick of placing a bit of camphor-soaked cotton in its mouth and lighting it just before serving. Despite these elaborate preparations, peacock was not considered tasty. Wrote one 1599 author, “Peacocke, is very hard meate, of bad temperature, and as evil juyce.
Francine Segan (Shakespeare's Kitchen: Renaissance Recipes for the Contemporary Cook)
Talent is like a pretty feather in the tail of a peacock, daughter. It brings joy to the powerful but only sorrow to the bird.
Ken Liu (The Wall of Storms (The Dandelion Dynasty, #2))
The second is the method called the path of transformation. Now, in this path, the image used is that of a peacock. In the path of renunciation, we don’t eat the poison; we avoid it. In the path of transformation, the symbolic peacock is said to eat the poison, and the poison transforms into his beautiful feathers, all those marvelous colors, that incredible translucency. The poisons are used and transformed on the path. Therefore, in the path of transformation we weaken the hold of the five poisons that have arisen from the basic split, and—working with our body, speech, and mind—we transform the encumbered patterns into wisdom. This is where we find the mandala; we embody the five buddha families, working with the notion of sacred embodiment. The path of transformation has to do with the body, with dance and hand gestures; with speech, in terms of sounds and mantras; and with the subtle energy of sound. The
Lama Tsultrim Allione (Wisdom Rising: Journey into the Mandala of the Empowered Feminine)
As late as the beginning of the present century, elderly folk at Penllin in Glamorgan used to tell of a colony of winged serpents that lived in the woods around Penllin Castle. As Marie Trevelyan tells us: “The woods around Penllin Castle, Glamorgan, had the reputation of being frequented by winged serpents, and these were the terror of old and young alike. An aged inhabitant of Penllyne, who died a few years ago, said that in his boyhood the winged serpents were described as very beautiful. They were coiled when in repose, and "looked as if they were covered with jewels of all sorts. Some of them had crests sparkling with all the colours of the rainbow". When disturbed they glided swiftly, "sparkling all over," to their hiding places. When angry, they "flew over people's heads, with outspread wings, bright, and sometimes with eyes too, like the feathers in a peacock's tail". He said it was "no old story invented to frighten children", but a real fact. His father and uncle had killed some of them, for they were as bad as foxes for poultry. The old man attributed the extinction of the winged serpents to the fact that they were "terrors in the farmyards and coverts".6
Bill Cooper (After the Flood)
But spending beyond a pretty low level of materialism is mostly a reflection of ego approaching income, a way to spend money to show people that you have (or had) money. Think of it like this, and one of the most powerful ways to increase your savings isn’t to raise your income. It’s to raise your humility. When you define savings as the gap between your ego and your income you realize why many people with decent incomes save so little. It’s a daily struggle against instincts to extend your peacock feathers to their outermost limits and keep up with others doing the same.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
A loud squawking sound split the air. Then another, filling the space with piercing shrieks. "What is that?" Sophie said. "A velociraptor? A rabid monkey?" Jasmine shook her head. "Remember the ten-feet warning? The peacocks like to impress the peahens." "What is a peahen?" Nina asked. What kind of a name was that for anything? "Peacocks are the male birds with those big plumes," Jasmine explained. "Peahens are the females." "Why do the men get the pretty feathers?" Sophie asked. "Like most things, I blame the patriarchy.
Erin La Rosa (For Butter or Worse)
We round the frangipani, coming face-to-face with two peacocks---one male, with magnificent iridescent plumage sparkling in royal blues, greens, and golden browns, not to mention the circular eyespots, his crown a crest of feathers resembling a helmet. The female, although beautiful, has drabber plumage and a short tail. Garrance beams as the large birds greet her like dogs. "Meet Yin and Yang," she says, and Juju rolls onto his back. "These two are the only ones who tolerate Juju and vice versa." "Maybe because they don't call him names," I say with a laugh, and Garrance joins me.
Samantha Verant (The Spice Master at Bistro Exotique)
Iuletta’s delicate pallor whitened. Her eyes became the shade of the purple core of a peacock’s feather. She was extraordinary, and for an instant, Cornelia fell back from her aghast at this unconscionsciable loveliness.
Tanith Lee (Sung in Shadow)
Paris 12 May 1941 Monsieur l’Inspecteur: Why aren’t you looking for undeclared Jews in hiding? Here is the address of Professor Cohen at 35 rue Blanche. She used to teach so-called literature at the Sorbonne. Now she invites students to her home for lectures so she can cavort with colleagues and students, mostly male—at her age! When she ventures out, you see her coming a kilometer away in that swishy purple cape, a peacock feather askew in her hair. Ask the Jewess for her baptism certificate and passport, you’ll see her religion noted there. While good Frenchmen and women work, Madame le Professeur sits around and reads books. My indications are exact, now it’s up to you. Signed, One
Janet Skeslien Charles (The Paris Library)
And that’s how it always is with these beautiful, Schilleresque souls:27 till the last moment they dress a man up in peacock’s feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand;
Fyodor Dostoevsky (Crime and Punishment)
You will have a child, but there are no peacock feathers on his mantle. His hands are covered in gold, and he wears white fur on his shoulders – dripping with blood.
Sirius . (Condemned (The Draonir Saga, #3))
This was an entire fully functioning space station in orbit around Earth solely for his private spaceships, and the whole thing done up like peacock feathers. It was a level of extravagance that had never even occurred to her. She also thought it made Mao himself very dangerous. Everything he did was an announcement of his freedom from constraint. He was a man without boundaries. Killing a senior politician of the UN government might be bad business. It might wind up being expensive. But it would never actually be risky to a man with this much wealth and power.
James S.A. Corey (Caliban's War (Expanse, #2))
Paris 12 May 1941 Monsieur l’Inspecteur: Why aren’t you looking for undeclared Jews in hiding? Here is the address of Professor Cohen at 35 rue Blanche. She used to teach so-called literature at the Sorbonne. Now she invites students to her home for lectures so she can cavort with colleagues and students, mostly male—at her age! When she ventures out, you see her coming a kilometer away in that swishy purple cape, a peacock feather askew in her hair. Ask the Jewess for her baptism certificate and passport, you’ll see her religion noted there. While good Frenchmen and women work, Madame le Professeur sits around and reads books. My indications are exact, now it’s up to you.
Janet Skeslien Charles (The Paris Library)
When you define savings as the gap between your ego and your income, you realize why many people with decent incomes save so little. It's a daily struggle against instincts to extend your peacock feathers to their outermost limits and keep up with others doing the same.
Morgan Housel (The Psychology of Money)
We took turns trying on a grand peacock feather masterpiece, which Kathe posed with rather dramatically, and a gold filigree sun mask that spread rays far enough that I feared I’d spear innocent bystanders every time I turned my head. A silk-lined mask of cunningly detailed papier-mâché caught my eye, with deep, rich shades of lagoon green and ocean blue around the eyes. It swept to one side in a shape like a wave, with delicately curled spray tipped in gold. The jewel-hued paint had depth and complexity to it, like the sea itself, and as I held it in my hands I picked out shapes of clouds and ships and faces, holding each briefly in my mind like a dream before it merged back into abstract washes of swirling color. From a distance, the mask would not impress as the others might, but up close, it was gorgeous. “Try it on,” Kathe suggested, and I held it up to my face. It fit comfortably enough, flexing to accommodate my features rather than forcing them into its own shape. “What do you think?” I asked. “It’s beautiful.” Kathe laid a gentle hand along my chin, tilting my face toward the light; the warmth of his touch spread through my whole body. “But does it pass the most important test?” “Only one way to tell,” I whispered, sliding my hand around the back of his neck and up into that down-soft hair as I pulled him toward me. Our lips met, slow and soft and teasing, the barest brush like falling snow. A sliver of air slipped between us, enough to take a sharp breath as lightning seemed to slide down my throat and into my belly. I’d closed my eyes, but I felt his mouth shape a smile. “Better try another angle to be sure,” I murmured. I tipped my head slightly and tried for another quick, light kiss. But somehow it turned warm and melting, and lingered longer than I’d intended. And then there was a rustle of feathers, and his arms went around me, and my own hands slid up beneath his cloak to feel the wiry muscles of his back through the soft leather of his tunic. “I think this one is good,” Kathe said when we came up for air, a husky catch in his voice.
Melissa Caruso (The Unbound Empire (Swords and Fire, #3))
As the psalms see it, all of creation would instruct us in the practice of joy, if we’d let it. This is certainly what John Calvin thought. God, he believed, wants to ravish us by his creation, and by it, to ravish us with himself. “If one feather of a peacock is able to ravish us,” Calvin preaches, “what will God’s infinite majesty do?” If a hawk can ravish and amaze us, “what ought all his works do when we come to the full numbering of them?”10 Creation both exhibits the joy of the Lord and summons us to join its praise.11
W. David O. Taylor (Open and Unafraid: The Psalms as a Guide to Life)
But spending beyond a pretty low level of materialism is mostly a reflection of ego approaching income, a way to spend money to show people that you have (or had) money. Think of it like this, and one of the most powerful ways to increase your savings isn’t to raise your income. It’s to raise your humility. When you define savings as the gap between your ego and your income you realize why many people with decent incomes save so little. It’s a daily struggle against instincts to extend your peacock feathers to their outermost limits and keep up with others doing the same. People with enduring personal finance success—not necessarily those with high incomes—tend to have a propensity to not give a damn what others think about them.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
Say hello to your nephew.” Declan preens like a peacock showing off its feathers. It’s the most un-Declan-like behavior I have seen, which only makes me laugh. “Could be a girl,” I tease. Declan taps his chest. “I have a good intuition, and my gut tells me it’s a boy.” Rowan’s eyes roll. “And if it is a girl?” “I already have a heart doctor on speed dial and every police captain in Chicago under my payroll to arrest anyone who steps within six feet of her.” “You can’t arrest every guy or girl they’re interested in,” I say. He swipes the photo out of Rowan’s hands while glaring at me. “Watch me.
Lauren Asher (Final Offer (Dreamland Billionaires, #3))
But if you think about it, all that is beautiful in life is inextricably bound to sex. What is a flower but a device to consummate the union of the male and female parts of a plant? What is a butterfly but a go-between that unites flowers in love? What is birdsong but a call to its mate? What is the display of feathers by the peacock but a mating rite? What is a nubile woman or a virile man but an outpouring of sexuality? All that is strong and bursting with youth and vitality, all colour and song and grace, all the loveliness of nature, the spring and its rhapsody, are expressions of nature's unrelenting reproductive impulse.
KRISHNA MURTHY ANNIGERI VASUDEVA RAO (FLOWERS OF STARDUST)
The man looked, I thought, like a cross between a Roman emperor and a Russian bear...Madame Bourdain was busy serving a woman in a peacock feather hat...
JoJoMoyes
strutting like a peacock with an ass full of new feathers,
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
One of the most powerful ways to increase your savings isn’t to raise your income. It’s to raise your humility. When you define savings as the gap between your ego and your income you realize why many people with decent incomes save so little. It’s a daily struggle against instincts to extend your peacock feathers to their outermost limits and keep up with others doing the same.
Morgan Housel (The Psychology of Money)
Don’t be afraid of it. It’s just a bird.” “Looks more like a monster.” Faisal watched it, still concerned, as it slowly stalked away. The peacock folded up its feathers and reopened them, shaking them so all those eyes on the end vibrated back and forth.
Sean McLachlan (The Case of the Karnak Killer (The Masked Man of Cairo Book 4))
...begin with the great lawns and the peacocks and the sounds the males' feathers make in their unfolding. Start with a kiss, the teacup, and its curl of painted ivy. Start with the afternoon the sky ripped open and a month's worth of rain poured through the gap - the whole city lifting trouser and hems.
Aislin Hunter
I simply do not understand the appeal of the turban. Lady Barrington looks as if a feather pillow has attached itself to her head.” Unable to miss the headwear in question, Alex adopted the same method of conversation and replied, “Indeed. Although considering the enormous peacock feather protruding from the thing, it appears as though there may be some kind of exotic bird trapped under there.” “Should we attempt a rescue?” Ella asked casually, sending all three girls into bright laughter. As
Sarah MacLean (The Season)
Noticing that Cam and Merripen were speaking to each other in Romany, she asked her husband, “What are you talking about?” “There are peacock feathers on her gown,” Cam remarked, in the same tone he might have said, There are poisonous flesh-eating spiders on her gown. “It’s a very dashing effect.” Amelia looked at him quizzically. “You don’t like peacock feathers?” “To the Rom,” Merripen said soberly, “a single peacock feather is an evil omen.” “And she was wearing dozens of them,” Cam added. They watched Leo walk away with Vanessa Darvin as if he were heading toward a pit filled with vipers.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
The lane was positively clogged with carriages and the ballroom packed with several hundred guests in their finest. I’ve never seen so many fans and feathered turbans. I do hope that particular trend fades quickly, it’s rather distressing. Think of all those bald ostriches and peacocks.
Alyxandra Harvey (Corsets and Crossbows (Drake Chronicles, #0.1))
IT WAS CHRISTMAS night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars’ heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself. In the spring, the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang. In the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed. In the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory. And in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
The Amber girl had made him late. Stumbling on her under the tree, nearly falling on her beauty. Eye-tipped blue feathers twining her wrist, Waldo had bowed, kissed the ground—the all-knowing peacock. Friend of the angels, his mother had said, their messenger; Amber was their seeing stone.
Cynthia Robinson (Birds of Wonder)
The meal itself was equally elaborate and expensive. It began with sea hedgehogs, fresh oysters, mussels, and asparagus with mustard sauce. There were fattened fowl: roasted duck and chicken, stuffed pheasant, flamingo steaks, boiled teals, ostrich meatballs, fried songbirds, and roasted peacock presented with its feathers rearranged in full display.
Crystal King (Feast of Sorrow)
The Happy Crow Once upon a time, there lived a crow in a forest. This crow was absolutely satisfied and happy with its life. One day it happened to go to a pond to drink water. It looked at its reflection in the water and turned its face this way and that. It preened its wings and thought about how shiny they were. The crow was convinced of its beauty. But then he saw a white swan swim by. Some ducks standing near the pond laughed at the crow for its black color and complimented and praised the swan. The crow was full of admiration for the swan. He told the swan that it was beautiful and also added, “you must be the happiest bird in the world.” The swan, however, did not appear so happy. When the crow asked her the reason the swan replied, “I also thought that I was the most beautiful and the happiest bird around, until I saw the parrot. You will not believe it. You and I have just one color, but the parrot has two, green and red. In my opinion, the parrot must be the happiest bird in the world.” The crow was intrigued and went to meet the parrot. When he saw the parrot, he too was convinced that it was indeed the most beautiful bird in the forest. When the crow asked the parrot, “you must be the happiest bird in the forest,” the parrot laughed and said, “I too lived under the same illusion, until I saw the peacock. You won’t believe how beautiful the peacock is. I have never seen a more colorful bird.” The inquisitive crow now went to meet the peacock and indeed it was the most colorful bird anyone could imagine. It danced happily with its wings spread and the crow watched mesmerized. However, a bird catcher hiding in the bush too had the same reaction and he captured the colorful peacock. The colorful parrot and the white swan too could not escape this fate. However, the crow with its shiny feathers and lustrous wings escaped this fate. The society’s bias against dark color saved the crow. The peacock, parrot, and swan looked at the crow flying about freely and thought “this must be the happiest bird in the world.
N.K. Sondhi (Know Your Worth : Stop Thinking, Start Doing)
The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.
Indu Sundaresan (The Feast of Roses (Taj Mahal Trilogy, #2))
Fancy...means seeing beyond what's really there...turning one thing into another...letting ideas grow and change. A person with the gift of fancy has a mind like a magician's hat. He reaches in, and out come rabbits and milkshakes and peacock feathers and anything else he wishes. Maybe—at first—he gets some things he doesn't want, like snakes and dots. But with patience—and practice—surprising and wonderful things come out every time.
Emily Rhoads Johnson (Spring and the Shadow Man)
She fluffed up her feathers, and even borrowed a few, to give being a pretend peacock a try. But pretending to be something you’re not, is not how you learn how to fly.
Marta Mrotek (Little Bird Learns to Fly)
Like the snake-eating peacock adorns himself with feathers of many hues, the king should display the various hues of his personality befitting a king in accordance with the requirement of the time and place. He must be strict if needed, or display crookedness if the situation demands it. He should exhibit fearlessness, truthfulness, sincerity and, at the same time,
Ami Ganatra (Mahabharata Unravelled - II: The Dharma Discourses)
From the top of the largest peak an iridescent blue waterfall streamed down like melted peacock feathers, disappearing into the ring of sunrise-tinted clouds that pirouetted around the surreal isle.
Stephanie Garber (Caraval (Caraval, #1))