Peacock Beauty Quotes

Remember that the most beautiful things in the world are the most useless; peacocks and lilies for instance.

She is a peacock in everything but beauty!

Remember that the most beautiful things in life are often the most useless; peacocks and lilies for instance.

People are crying up the rich and variegated plumage of the peacock, and he is himself blushing at the sight of his ugly feet.

Sounds like the start of a beautiful friendship, Leonard. It really does.” “Here’s looking at you, kid.

A sparrow is beautiful in its own way," Käthe said severely. "Don't force yourself to be a peacock, Liesl. Embrace your sparrow self.

No, I like it ... a lot ... but that's a helluva tattoo for a virgin." He popped the pen back in, freeing up his hand to move the mouse. I smirked. "If I'm going to lose it, I want to be broken in right." The pen fell from Trenton's mount to the floor.

Be like a peacock and dance with all of your beauty.

Only human males are able to find partners so easily. Well, most of them. In the animal kingdom, you have to be the best to get the girl. I once saw a peacock doing its mating dance. So beautiful and full of vitality he was. Yet it wasn’t enough for the peahen. There were better peacocks in the queue. The power of choice is always with the females.

A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.

Tell me again about the girl whose hands have no color. Whose hands are completely white. This time make them damned, or untouched, or have her open a red umbrella or point at some maple leaves and damned near cry. Those hands. As freakish goes, I wish I had a tail. Maybe then you’d know how much I like you. It shakes me through, damn through. It shakes me. When she carries a peacock feather. When she touches her neck or thighs. You’re a person. It’s not so bad. You have hands. You are a person with hands to hold things. Things you like. Tremendous things. Tell me what you will hold today. I know there is room for everything. There is no need to be ceremonious. Tell what gets let go.

We never see any boats. But you man the light anyway--just in case. And WE got to see it--all these years. The great light. The beautiful sweeping beam! We were here to see it, and that was enough....Weed your mind. And man the great light. Even when no one is looking.

Yes; she is a peacock in everything but beauty,

The interplay of the aesthetic with the erotic is complex. The peacock's tail is beautiful to us, sexy to the peahen. Beauty and sexual attractiveness overlap, coincide. They may be deeply related. I think they should not be confused.

We want to look desirable. We want others to want to mate with us. No different than a colorful peacock. When girls dress up for their night out at the club, they are doing what all animals do when they try to make themselves desirable for a potential mate. That's the whole point behind the fashion, perfume, cosmetics, diet, and plastic surgery industries.

The world was so unbearably pretty, and it continued being so all the way down the mountain to school. I felt slightly high because of the beauty, and the inside of my head tickled. I wondered if this is how artists go through life, with all of its sensations tickling their craniums like a peacock feather..

She is a peacock in everything but beauty.

A strange, beautiful new world awaits, Leonard. We've found an oasis in their ruins. We really have. You want to see it, so just hold on, okay?

India belongs not to Punjabis, Biharis, Gujaratis, Madrasis, Muslims, Sikhs, Hindus, Christians, but to those beautiful creatures—peacocks, elephants, tigers, bears…

The house was quiet. Silently, I walked down the stairs and passed the peacock room where I found Mr. Kadam sitting and waiting for me. He took my bag and walked with me out to the car, then he opened my door, and I slid in to the seat and buckled my seatbelt. Starting the car, he circled the stone driveway slowly. I turned to take one last look at the beautiful place that felt like home. As we started down the tree-lined road, I watched the house until the trees blocked my view. Just then, a deafening, heartrending roar shook the trees. I turned in my seat and faced the desolate road ahead.

I recognise your body in liana; your expression in the eyes of a frightened gazelle; the beauty of your face in that of the moon, your tresses in the plumage of peacocks... alas! Timid friend- no one object compares to you.

We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid.

If it were only feathers that could transform a sparrow into a peacock" -Liesl "A sparrow is beautiful in its own way. Don't force yourself to be a peacock, Liesl. Embrace your sparrow self. Look." -Kathe

I believe in magic. Writing is my magic wand, and through my magic I create my own secret world, away from all these worries and responsibilities. Love, honesty and humanity is essential to enter this beautiful world of magic. I dwell among White magical peacocks, glowing unicorns, fire breathing turquoise dragons, talking trees, flying horses, talking wise jackals and wolves, crystal water falls, secret pathways hidden in urban gardens and books with doorways to secret worlds. You need to believe in magic to experience it.

What started as a longing to be loved and seen for my physical beauty digressed into the warped belief that the illness itself was what drew the attention I so craved. I towed the line between longing for perfection and longing for pity. Using my body as a signaling flag, oscillating between peacocking in times where I felt beautiful, and waving distress calls in the depths of my sickness. I never used my words, and I didn’t know how to. I used my body.

Yes You Are! Like the Blossoming rose, Like the Rays of hope. Like a deer in the forest, Like an athlete full of zest. Like a lamp in temple, Like the life feeling ample. Like the feel of the dawn, Like the grace of the swan. Like the melody of sitar, Like the rage of guitar. Like a group of angels in the sky, Like the pot that makes you high. Like the peacock's dance, Like she is the romance. Like the silent talk, Like the wine from Medoc. Like the colors of life, Like the music from the fife. Like the calmness of the cold wind Like the beauty of the hind.

There is no one in the walled garden for company but the dog and a lone blackbird fluttering hopefully through the espaliered fruit trees and over the netted gooseberry bushes. The sun is still a low rose-gold blush on the horizon. Dew seeps through her silk slippers but she hardly notices.

The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid. Animals in the wild spend their entire lives trying to stay alive, and to mate. That's it. They eat, they sleep, they fuck, they raise their offspring. That's the meaning of their lives.

When peacock spread her tail, she feels proud that everyone is talking her beauty but ,in reality she is being nude from back! Try to see things differently.

Enjoy the beauty of a peacock to reveal your own beauty on the canvas of your mind.

Beauty was a chameleon with peacock feathers.

Fountains tinkled in the courts of the Sun Emperor. Peacocks made their call, which sounds like a sound made by something that shouldn’t look as beautiful as that.

She gave in to the pride of a society beauty, and she became determined to become the best among the worst, whose circle she was entering

Polly was the same age as Alma, but daintier and startlingly beautiful. She looked like a perfect figurine carved out of fine French soap, into which someone had inlaid a pair of glittering peacock-blue eyes. But it was the tiny pink pillow of her mouth that made this girl more than simply pretty; it made her an unsettling little voluptuary, a Bathsheba wrought in miniature.

Maple leaves in autumn do not suddenly transform into stained glass pendants...in order to satisfy a human longing for beauty. Their scarlet, ochre, and golden colors emerge as chlorophyll production shuts down, in preparation for sacrificing the leaves that are vulnerable to winter cold, and ensuring the survival of the tree. But the tree survives, WHILE our vision is ravished. The peacock's display attracts a hen, AND it nourishes the human eye. The flower's fragrance entices a pollinator, BUT IT ALSO intoxicates the gardener. In that "while," in that "and," in that "but it also," we find the giftedness of life.

It seemed to Abby that the peacock was strutting, showing off his feathers to an invisible audience in the night. It didn't look like he was worried about the peahen. He looked selfish and self-absorbed, like he knew he was beautiful. Abby watched his feathers blow in the wind, and she watched as the peahens followed with all of their strength. They followed because it was all they had ever down; they followed because it was all they knew how to do.

You're right to wait for a love that feels passionate and true- a love that you can't live without- but in the meantime, take the reins." She sounds urgent. "Don't let life just happen to you. Go out there and make it wonderful. Paint your pictures. Make them beautiful. Love. Laugh. Live.

I want you to forgive me, not because I need your forgiveness, but because I want you to be free from hatred and the traps of resentment and bitterness. I want to stop your ankles from bleeding, I want peacocks to sleep on the edge of your nose, I want beauty to be forever in front of you.

They weave between the trees and bracken, leaves and sticks cracking beneath their feet, grey flints and white chalk jutting like shards of bone glinting through the soil. Out of the direct sunlight, the air is soft and green, as if they walk through cool water. The further they go, the thicker the insidious ivy scaling the beech tree trunks and the denser the canopy.

They learned their vanity from the sea: is the sea not the peacock of peacocks? Even before the ugliest of all buffaloes does it spread its tail, never becoming tired of its lace-fan of silver and silk. Disdainfully the buffalo glances, its soul near to the sand, closer still to the thicket, nearest, however, to the swamp. What is beauty, sea and peacock-splendor to it! This parable I speak to poets.

Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality.

Prum believes that animals may come to adopt certain aesthetic characteristics not because those traits are adaptive but simply because they are beautiful. This may be because of a sensory bias in the brain—a neurological feature that just prefers shiny things over nonshiny things—or a preference for novelty. But these attributes don’t necessarily signal that there is something better about the peacock with the extravagant tail. The peahen doesn’t like his tail more than others because it suggests he’s a strong and fit potential mate, but just because she likes how it’s shiny, and blue, and large. Prum bases this theory on a lifetime of studying birds like those in the drawers at his lab, many of which have plumage, skeletons, or songs that make it difficult for them to fly or easy to be spotted by predators.

I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.

The faeries in whom he believes have given him many subjects, notably Thomas of Ercildoune sitting motionless in the twilight while a young and beautiful creature leans softly out of the shadow and whispers in his ear. He had delighted above all in strong effects of colour: spirits who have upon their heads instead of hair the feathers of peacocks; a phantom reaching from a swirl of flame towards a star; a spirit passing with a globe of iridescent crystal-symbol of the soul- half shut within his hand. But

And that’s how it always is with these beautiful, Schilleresque souls:27 till the last moment they dress a man up in peacock’s feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand; the thought alone makes them cringe; they wave the truth away with both hands, till the very moment when the man they’ve decked out so finely sticks their noses in it with his own two hands.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

The grass in the meadow is wet and the ground gives a little beneath her feet. The herd of alpacas that have taken up residence in the meadow graze in the far distance. Maggie cuts a path towards the distant stile, watching as a flock of starlings take flight, swooping up from the earth and across the bone-colored sky until they come to settle in the treetops. Stepping into the woods, Maggie senses the shift in atmosphere; here the air is a little cleaner, the light a little softer, glancing off the smooth, silver-grey trunks and dancing in the green canopy. She breathes the trees' exhalation, takes it in and makes it her own, inhales the moist-earth scent rising up beneath her boots and fills her lungs. The leaves rustle in the breeze, dripping the last of the raindrops in a steady beat.

They say that beauty is in the eye of the beholder. Certainly, in a house such as this, there is much beauty to behold. Gilt. Glass. Gold. Everywhere you look, precious treasures beckon. Only nothing seems to shine as brightly as she does. She is a flower- a natural treasure- unfolding in the light. Her transformation is so obvious: the candlelight catching in her hair; the color rising on her cheeks; the flames of desire burning in her eyes. She is lit up- her allure irresistible. A flame, enticing the moth ever closer. How does he not see her blossoming, right here under his nose? For this is the trouble with beauty: it can never be enough simply to revere or admire it. With beauty comes desire- a yearning to touch- a need to possess. The coveter's grasp moves ever closer, reaching out to seize and steal, to hold too tightly that which must not be taken.

contemporaries, that Wordsworth, etc., should have their due from us. But, for the sake of a few fine imaginative or domestic passages, are we to be bullied into a certain Philosophy engendered in the whims of an Egotist? Every man has his speculations, but every man does not brood and peacock over them till he makes a false coinage and deceives himself. Many a man can travel to the very bourne of Heaven, and yet want confidence to put down his half-seeing. Sancho will invent a Journey heavenward as well as anybody. We hate poetry that has a palpable design upon us, and, if we do not agree, seems to put its hand into its breeches pocket. Poetry should be great and unobtrusive, a thing which enters into one’s soul, and does not startle it or amaze it with itself — but with its subject. How beautiful are the retired flowers! — how would they lose their beauty were they to throng into the highway, crying out, “Admire me, I am a violet! Dote upon me, I am a primrose!” Modern poets differ from the Elizabethans

Fine. Then you’ll be able to tell me: in love does one always behave like a damned fool?” “How do you mean, like a damned fool?” “Well, as if one were half-tight. Skite and blather and swindle.” Lenz burst out laughing. “My dear baby! the whole thing is a swindle. A wonderful swindle by Mama Nature. Look at the plum tree, for instance. Making herself more beautiful than she will be afterwards. It would be just terrible if love had any truck with truth. Thank God the damned moralists can’t get everything under their thumbs.” I sat up. “You mean, without some swindle it just wouldn’t go at all.” “Absolutely not, my child.” “A man can make himself damned ridiculous though,” said I. Lenz grinned. “Mark this one thing, my boy: never, never, never can a man make himself ridiculous in the eyes of a woman by anything he may do on her account. Not even by the most childish performances. Do anything you like—stand on your head, talk the most utter twaddle, swank like a peacock, sing under her window—anything at all but one thing: don’t be matter-of-fact. Don’t be sensible.

Who was it who said, 'the most beautiful things in the world are the most useless: peacocks and lilies, for instance'?" "I think that was Ruskin," says Jack. "Ha!" laughs Charles. "There's truth in that. Could have included women, too." Charles laughs loudly at his own joke. "Only if you're to assume a woman's sole purpose in life is to look good," counters Lillian. "Well of course... there's looking good... and there's child-bearing," adds Charles, still looking ahead at the bird. Lillian grips the bag in her lap a little more tightly. If the artist seated behind them is aware of the tension, he deflects artfully. "I think Ruskin misses the point," he says. "Beauty is never useless. It has purpose. Look at us, sitting here. We've ceased all other activity just to pause for a moment and wonder at the sight of this bird. The extraordinary jolts us from the mundane and makes us feel something. It reminds us we're alive." "Rather like art," says Lillian, after a moment. Jack meets her gaze in the wing-mirror and nods. "Yes. Art. Music. Love." Lillian drops her gaze, unexpected heat flooding her cheeks.

... The influence of the Pre-Raphaelites was felt less through their paintings than through a book, The Poems of Tennyson, edited by Moxon and wonderfully illustrated by Rossetti and Millais. The influence on Maeterlinck stems less from the poems themselves than from the illustrations. The revival of illustrated books in the last two years of the century derives from this Tennyson, the books printed at William Morris' press, the albums of Walter Crane. These last two and the ravishing little books for children by Kate Greenaway were heralded by Huysmans as early as 1881. Generally speaking, it is the English Aesthetic Movement rather than the Pre-Raphaelites which influenced the Symbolists, a new life-style rather than a school of painting. The Continent, passing through the Industrial Revolution some fifty years after England, found valuable advice on how to escape from materialism on the other side of the Channel. Everything that one heard about the refinements practised in Chelsea enchanted Frenchmen of taste: furniture by Godwin, open-air theatricals by Lady Archibald Campbell, the Peacock Room by Whistler, Liberty prints. As the pressure of morality was much less pronounced in France than in England, the ideal of Aestheticism was not a revolt but a retreat towards an exquisite world which left hearty good living to the readers of the magazine La Vie Parisienne ('Paris Life') and success to the readers of Zola. If one could not write a beautiful poem or paint a beautiful picture, one could always choose materials or arrange bouquets of flowers. Aesthetic ardour smothered the anglophobia in the Symbolist circle. The ideal of a harmonious life suggested in Baudelaire's poem L' Invitation au Voyage seemed capable of realization in England, whose fashions were brought back by celebrated travellers: Mallarmé after 1862, Verlaine in 1872. Carrière spent a long time in London, as did Khnopff later on. People read books by Gabriel Mourey on Swinburne, and his Passé le Détroit ('Beyond the Channel') is particularly important for the artistic way of life ... Thus England is represented in this hall of visual influences by the works of Burne-Jones and Watts, by illustrated books, and by objets d'art ...

It is quiet in the clearing, though gradually Lillian's ears attune to the soft rustling of insects and birds moving through the undergrowth, the faraway tapping of a woodpecker high in a tree. Down on the ground, a bronze-colored beetle tries to scale the side of her shoe. It slips on the smooth leather and tumbles back into the dry leaves, waggling its legs in the air. She shifts slightly on the tree trunk then watches as Jack pulls a strand of grass from a clump growing nearby and sucks on one end, looking about at the canopy overhead. "Wonderful light," he murmurs. "I wish I hadn't left my sketchbook at the house." She knows she must say something. But the moment stretches and she can't find the words so instead she looks about, trying to see the clearing as he might, trying to view the world through an artist's eyes. What details would he pull from this scene, what elements would he commit to memory to reproduce on paper? A cathedral, he'd said; and she supposes there is something rather celestial and awe-inspiring about the tall, arched trees and the light streaming in golden shafts through the soft green branches, filtered as though through stained glass.

Males of all species are made for wooing females, and females typically choose among their suitors. If you take a closer look, you can observe such behavior all around you. The beautiful bird chirping outside your window. It’s a mating call. That pretty little bird is trying to attract a potential mate, so that it can propagate its genes. Why does the peacock have such beautiful feathers? It is to attract a healthy female. He as well is trying to propagate his genes. Even we humans, are not much different from the rest of the animal kingdom when it comes to attracting potential mates. When women dress up for their night out at the club, they are doing so to look attractive. This is a subconscious evolutionary desire to attract as many potential mates as possible.... While women tend to grab attention with their looks, men on the other hand, tend to attract as many potential females as possible, by showing off their resources. When a man shows off with his fancy car, expensive gold watch and suit, or flexes his muscles and brags about how many credit cards he owns, he’s doing so to make himself desirable by healthy women, in order to propagate his genes. It is all in the pursuit of reproduction.

It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

I remembered meeting the Dharma Raja’s gaze and wreathing his neck with a wedding garland of sweet marigold and blood red roses. Death clung to him subtly, robbing the warmth of his eyes and silvering his beauty with a wintry touch. And yet, I saw how he was beautiful. It was his presence that conjured the brilliant peacock shades of the late-season monsoon sky. It was his aura that withered sun-ripe mangos and ushered in the lush winter fruits of custard apple and singhora chestnuts. And it was his stride that adorned the Kalidas Mountains with coronets of snow clouds. His hands moved to my shoulders, warm and solid, and his arms were a universe for me alone. He had enthralled me, unwound the seams of my being until I was filled with the sight of him and still ached with want. “I hoped you would choose me,” he said. I blushed, suddenly aware of my unbraceleted arms and simple sari. “I have no dowry.” He laughed, a hesitant, half-nervous sound that did not match his stern features. “I don’t care.” “Then what do you want from me?” “I want to lie beside you and know the weight of your dreams,” he said, brushing his lips against my knuckles. “I want to share whole worlds with you and write your name in the stars.” He moved closer and a chorus of songbirds twittered silver melodies. “I want to measure eternity with your laughter.” Now, he stood inches from me; his rough hands encircled my waist. “Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals.

I had become something of a bird man – a passion that has remained with me – and could tell a Himalayan griffon from a bearded vulture and could identify the streaked laughing thrush, the orange bullfinch, Tytler’s leaf warbler and the Kashmir flycatcher, which was threatened then, and must surely by now be extinct. The trouble with being in Dachigam was that it had the effect of unsettling one’s resolve. It underlined the futility of it all. It made one feel that Kashmir really belonged to those creatures. That none of us who were fighting over it – Kashmiris, Indians, Pakistanis, Chinese (they have a piece of it too – Aksai Chin, which used to be part of the old Kingdom of Jammu and Kashmir), or for that matter Pahadis, Gujjars, Dogras, Pashtuns, Shins, Ladakhis, Baltis, Gilgitis, Purikis, Wakhis, Yashkuns, Tibetans, Mongols, Tatars, Mon, Khowars – none of us, neither saint nor soldier, had the right to claim the truly heavenly beauty of that place for ourselves. I was once moved to say so, quite casually, to Imran, a young Kashmiri police officer who had done some exemplary undercover work for us. His response was, ‘It’s a very great thought, Sir. I have the same love for animals as yourself. Even in my travels in India I feel the exact same feeling – that India belongs not to Punjabis, Biharis, Gujaratis, Madrasis, Muslims, Sikhs, Hindus, Christians, but to those beautiful creatures – peacocks, elephants, tigers, bears . . .’ He was polite to the point of being obsequious, but I knew what he was getting at. It was extraordinary; you couldn’t – and still cannot – trust even the ones you assumed were on your side. Not even the damn police.

Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?

Amy?" he breathed. Two dancers, caught up in the dance, didn't see him standing there and collided with him, nearly knocking him down. "Lord Charles!  I beg your pardon!" But he never heard them.  He never saw them.  He had eyes only for the stunning beauty who was being swept around the dance floor by Gareth's friend Perry.  She was a ravishing young woman in shimmering peacock and royal blue whose beauty commanded the eye, the attention, the heart — and made every other woman in the room pale to insignificance. Charles's mouth went dry.  His heartbeat cracked his chest and he forgot to breathe. Another set of dancers collided with him, knocking him to his senses.  Angrily, he stared into the amused eyes of Gareth's friend Neil Chilcot, another Den of Debauchery member who was partnering a grinning Nerissa.  "Gorgeous young woman, isn't she?" quipped Chilcot, sweeping Nerissa past.  "You should've stuck around to see her announced, Charles.  Not that you'll ever have a chance of claiming a dance with her now, what with all the young bucks before you already waiting . . ." Charles had heard enough.  But as he stalked across the dance floor, he heard even more. "Well, His Grace told me she's an heiress . . ." "Not just an heiress, but a princess from some vast Indian nation in America . . ." ". . . came here to offer her tribe's help in the war against the Americans . . ." Charles clenched his fists.  Lucien.  No one else could have, would have, started and circulated such a preposterously crazy rumor!  What the hell was his brother trying to do, get Amy married off to some handsome young swain and out of Charles's life forever?  This was no training for a lady's maid, that was for damned sure! His jaw tight, he stormed across the dance floor toward Amy.  He saw her hooped petticoats swirling about her legs and exposing a tantalizing bit of ankle with every step she took, the laughter in her face even though she kept glancing over Perry's shoulder in search of someone, the studied grace in her movements that, a week ago, he would've sworn she didn't have. She had not seen him yet, and as Perry, a handsome man who had something of a reputation with the ladies, led her through the steps, Charles felt a surge of jealousy so fierce, so violent, that it made him think of doing something totally irrational. Such as calling Perry out for dancing with his woman. Such as killing Lucien for whatever little game he was playing. Such

She's a peacock in everything but beauty

Never vain on your beauty and achievement, You see the peacock caged in the zoo, not the crow, who is the one to live the life of freedom here.

Peacocks made their call, which sounds like a sound made by something that shouldn’t look as beautiful as that.

The Amber girl had made him late. Stumbling on her under the tree, nearly falling on her beauty. Eye-tipped blue feathers twining her wrist, Waldo had bowed, kissed the ground—the all-knowing peacock. Friend of the angels, his mother had said, their messenger; Amber was their seeing stone.

The Happy Crow Once upon a time, there lived a crow in a forest. This crow was absolutely satisfied and happy with its life. One day it happened to go to a pond to drink water. It looked at its reflection in the water and turned its face this way and that. It preened its wings and thought about how shiny they were. The crow was convinced of its beauty. But then he saw a white swan swim by. Some ducks standing near the pond laughed at the crow for its black color and complimented and praised the swan. The crow was full of admiration for the swan. He told the swan that it was beautiful and also added, “you must be the happiest bird in the world.” The swan, however, did not appear so happy. When the crow asked her the reason the swan replied, “I also thought that I was the most beautiful and the happiest bird around, until I saw the parrot. You will not believe it. You and I have just one color, but the parrot has two, green and red. In my opinion, the parrot must be the happiest bird in the world.” The crow was intrigued and went to meet the parrot. When he saw the parrot, he too was convinced that it was indeed the most beautiful bird in the forest. When the crow asked the parrot, “you must be the happiest bird in the forest,” the parrot laughed and said, “I too lived under the same illusion, until I saw the peacock. You won’t believe how beautiful the peacock is. I have never seen a more colorful bird.” The inquisitive crow now went to meet the peacock and indeed it was the most colorful bird anyone could imagine. It danced happily with its wings spread and the crow watched mesmerized. However, a bird catcher hiding in the bush too had the same reaction and he captured the colorful peacock. The colorful parrot and the white swan too could not escape this fate. However, the crow with its shiny feathers and lustrous wings escaped this fate. The society’s bias against dark color saved the crow. The peacock, parrot, and swan looked at the crow flying about freely and thought “this must be the happiest bird in the world.

I’m beginning to realize I shouldn’t have stayed away from Eversby Priory for so long,” she heard him say grimly. “The entire household is running amok.” Unable to restrain herself any longer, Kathleen went to the open gap in the doorway and glared at him. “You were the one who hired the plumbers!” she hissed. “The plumbers are the least of it. Someone needs to take the situation in hand.” “If you’re foolish enough to imagine you could take me in hand--” “Oh, I’d begin with you,” he assured her feelingly. Kathleen would have delivered a scathing reply, but her teeth had begun to chatter. Although the Turkish towel had absorbed some of the moisture from her clothes, they were clammy. Seeing her discomfort, Devon turned and surveyed the room, obviously hunting for something to cover her. Although his back was turned, she knew the precise moment that he spotted the shawl on the fireplace chair. When he spoke, his tone had changed. “You didn’t dye it.” “Give that to me.” Kathleen thrust her arm through the doorway. Devon picked it up. A slow smile crossed his face. “Do you wear it often?” “Hand me my shawl, please.” Devon brought it to her, deliberately taking his time. He should have been mortified by his indecent state of undress, but he seemed entirely comfortable, the great shameless peacock. As soon as the shawl was within reach, Kathleen snatched it from him. Casting aside her damp towel, she pulled the shawl around herself. The garment was comforting and familiar, the soft wool warming her instantly. “I couldn’t bring myself to ruin it,” she said grudgingly. She was tempted to tell him that even though the gift had been inappropriate…the truth was, she loved it. There were days when she wasn’t certain whether the gloomy widow’s weeds were reflecting her melancholy mood or causing it, and when she pulled the brilliant shawl over her shoulders, she felt instantly better. No gift had ever pleased her as much. She couldn’t tell him that, but she wanted to. “You look beautiful in those colors, Kathleen.” His voice was low and soft. She felt her face prickle. “Don’t use my first name.” “By all means,” Devon mocked, glancing down at his towel-clad form, “let’s be formal.

We find the same beautiful variety in the works of nature, where the Sovereign Creator wisely apportions all gifts or qualities so that the lack of one perfection is compensated by the possession of another. The peacock, which has a most discordant note, possesses a beautiful plumage; the nightingale delights the ear, but has no charms for the eye; the horse bears us where we will and is valuable in camp and field, but is rarely used for food; the ox is useful for farm and table, but has scarcely any other qualities to recommend him; fruit trees give us food, but have little value for building; forest trees yield no fruit, but afford us the necessary material for erecting our dwellings. Thus we do not find all qualities or all perfections united in one creature, but that variety among them which constitutes the beauty of nature and binds them to one another by a mutual and necessary dependence.

Remember that the most beautiful things in the world are the most useless; peacocks and lilies for instance.” —John Ruskin

The second is the method called the path of transformation. Now, in this path, the image used is that of a peacock. In the path of renunciation, we don’t eat the poison; we avoid it. In the path of transformation, the symbolic peacock is said to eat the poison, and the poison transforms into his beautiful feathers, all those marvelous colors, that incredible translucency. The poisons are used and transformed on the path. Therefore, in the path of transformation we weaken the hold of the five poisons that have arisen from the basic split, and—working with our body, speech, and mind—we transform the encumbered patterns into wisdom. This is where we find the mandala; we embody the five buddha families, working with the notion of sacred embodiment. The path of transformation has to do with the body, with dance and hand gestures; with speech, in terms of sounds and mantras; and with the subtle energy of sound. The

As the Chinese translation of the name Sukhāvatī suggests, it is a land of supreme joy. The Sanskrit is of similar meaning: “that which possesses ease and comfort.” Sukhāvatī is not subject to the sufferings that plague this world and, furthermore, it is a land of surpassed beauty. It is described as having seven tiers of balustrades, seven rows of nets, and seven rows of trees, all adorned with four jewels (gold, silver, lapsis lazuli, and crystal). There is a lake of the seven jewels (gold, silver, lapis lazuli, crystal, a kind of big shell [tridacna gigas], coral, and agate), filled with water having the eight virtues. The bottom of the lake is gold sand. On the four sides of the lake are stairs (galleries) made of the four jewels. Above are towers and palaces also adorned with the seven jewels. Above are towers and palaces also adorned with the seven jewels. In the lake bloom lotus flowers as large as chariot wheels. The blue lotus flowers emit a blue light, and the yellow, red, and white lotus flowers emit light of corresponding colors. They all give forth a sweet fragrance. The delightful sound of heavenly music can be hard, and in the morning, at noon, and in the evening mandārava flowers fall from the sky and gently pile up on the golden ground. Every morning the inhabitants of the Pure Land gather these flowers with the hems of their robes and make offerings of them to myriads of buddhas in other lands. At mealtime they return to their own land, where they take their meal and stroll around. There are many kinds of birds—swans, peacocks, parrots, sharikas, kalaviṅkas, and jīvaṃjīvakas, which sing with beautiful voices, proclaiming the teachings of the Buddha. When living beings hear this song, they think about the Buddha, Dharma (“law,” or his teachings), and Saṅgha (“community of believers”). When the gentle breezes blow, the rows of four-jeweled trees and jeweled nets give forth a gentle music, like a beautiful symphony. In this land dwell Amitābha Buddha and his two attendants, the bodhisattvas Avalokitśvara and Mahāsthāmaprāpta. At their feet are those virtuous beings who have been reborn in that land because of their ardent faith. All, however, are male; women of deep faith are reborn here with male bodies. The female sex, considered inferior and unfortunate, has no place in Sukhāvatī. All people, says Śākyamuni, should ardently wish for rebirth in that land and become the companions of the most virtuous of all beings. People cannot hope for rebirth there just by performing a few good deeds, however. If living beings meditate eagerly upon the name of Amitābha for even one day with an undisturbed mind, Amitābha and his holy retinue will appear before them to receive them at the end of Life. They will enter the Pure Land with unperturbed hearts.

These long flat marshes have nothing beautiful in them. The sea is not here what it is on other coasts, foaming, colour-shifting like a peacock's neck; here it is of one tone and grey, and never tosses in waves, but creeps in like a thief over the shallow mud-flat, and babbles like a dotard over the mean shells and clots of weed on our strand. There is nothing worth seeing here.

Married men are neutered. You can see it in the way they walk. That ‘I’ve-surrendered-my-free-will’ slouchy, shuffling walk. They’ve lost the desire to live. Your Mr. Black walks like a peacock. Like a lion. Very unneutered. Very unmarried. His balls are very much intact.

As late as the beginning of the present century, elderly folk at Penllin in Glamorgan used to tell of a colony of winged serpents that lived in the woods around Penllin Castle. As Marie Trevelyan tells us: “The woods around Penllin Castle, Glamorgan, had the reputation of being frequented by winged serpents, and these were the terror of old and young alike. An aged inhabitant of Penllyne, who died a few years ago, said that in his boyhood the winged serpents were described as very beautiful. They were coiled when in repose, and "looked as if they were covered with jewels of all sorts. Some of them had crests sparkling with all the colours of the rainbow". When disturbed they glided swiftly, "sparkling all over," to their hiding places. When angry, they "flew over people's heads, with outspread wings, bright, and sometimes with eyes too, like the feathers in a peacock's tail". He said it was "no old story invented to frighten children", but a real fact. His father and uncle had killed some of them, for they were as bad as foxes for poultry. The old man attributed the extinction of the winged serpents to the fact that they were "terrors in the farmyards and coverts".6

What do you know of Lord Lionel Honiton?” She lobbed the question at him in retaliation for his peremptory tone, also because he’d give her an honest answer. “I know he’s vain as a peacock, but other than that, probably no more given to vice than most of his confreres.” This was said with such studied detachment, Louisa’s curiosity was piqued. “Many young men are vain. Lionel is an attractive man.” “Perhaps, but you are equally attractive, Louisa Windham, more attractive because you neither drape yourself in jewels nor flaunt your attributes with cosmetics, and I don’t see you lording it over the ladies less endowed than you are.” He was presuming to scold her, and yet Louisa couldn’t help feeling a backhanded sort of pleasure at the implied compliment. “Beauty fades,” Louisa said. “All beauty. If Lord Lionel is vain, time will see him disabused of his beauty soon enough.” Unbidden, the memory of Sir Joseph reciting Shakespeare came to Louisa’s mind: “That time of year thou mayst in me behold, when yellow leaves, or none, or few do hang on boughs which shake against the cold…” “So it will.” Sir Joseph held back a branch for Louisa to pass. “While yours will never desert you.” “Are you attempting flattery before breakfast, Sir Joseph?” His lips quirked up at her question, a fleeting, blink-and-she’d-miss-it suggestion of humor. “I am constitutionally incapable of flattery. You are honest, Louisa Windham, loyal to your family, and possessed of sufficient courage to endure many more social Seasons than I’ve weathered. To a man who understands what matters most, those attributes grow not less attractive over time, but more.

I wonder if he realized the peacocks would soon begin multiplying, because if I’m not much mistaken, I see a few babies poking their heads out of the shrubbery,” Abigail said. “Baby peacocks?” Rosetta took off toward the shrubbery before anyone could stop her. A shrill screech split the air right as an entire flock of peacocks came charging out of the shrubbery and directly toward Rosetta. Dropping Abigail’s arm, Millie broke into a run, dodging peacock after peacock as she tried to get to the child. By the time she finally reached her, Millie had been pecked numerous times. Scooping Rosetta up into her arms, she hugged the little girl tightly to herself before she looked over the child’s curls, discovering, much to her dismay, that they were now completely surrounded by the birds. “Shoo,” she shouted, but all that managed to do was set off additional screeching. A small hand on her cheek had her looking down. Rosetta, much to Millie’s surprise, wasn’t looking frightened in the least. In fact, she was smiling. “Aren’t they beautiful?” Rosetta asked before she tucked her small head into the crook of Millie’s neck. She then let out the smallest of sighs as her other hand reached up and closed around the fabric of Millie’s blouse. Right there and then, Millie lost her heart. Leaning closer to the little girl nestled against her, she breathed in the sweet scent of Rosetta’s hair, but then remembered she was right in the midst of a flock of mad peacocks. Lifting her head, she eyed the birds that were closing in on her. “They’re not going to hurt you,” Elizabeth called over the screeching. “Animals adore Rose. You’ll be fine walking through them.” Millie’s first thought, since the numerous pecks the peacocks had given her were beginning to sting, was that Elizabeth was up to no good, but then she remembered she was carrying Rosetta. It had been clear from the start that Elizabeth took her role as older sibling very seriously. Taking a steadying breath, Millie tightened her hold on Rosetta and began moving ever so slowly forward. To her relief, the peacocks stopped screeching and then filed, one after another, into a straight line behind her. Hoping she was not setting herself up for an attack, Millie headed for the house, wanting to put a solid wall between her and the birds. “I

Like a peacock, dance with an open mind and a loving heart to reveal your incredible beauty.

The name of the zoo was the Queensland Reptile and Fauna Park. As I crossed the parking area, I prepared myself for disappointment. I am going to see a collection of snakes, lizards, and miserable creatures in jars, feel terribly sorry for them, and leave. It was October 1991. I was Terri Raines, a twenty-seven-year-old Oregon girl in Australia on an unlikely quest to find homes for rescued American cougars. A reptile park wasn’t going to be interested in a big cat. I headed through the pleasant spring heat toward the park thinking pessimistic thoughts. This is going to be a big waste of time. But the prospect of seeing new species of wildlife drew me in. I walked through the modest entrance with some friends, only to be shocked at what I found on the other side: the most beautiful, immaculately kept gardens I had ever encountered. Peacocks strutted around, kangaroos and wallabies roamed freely, and palm trees lined all the walkways. It was like a little piece of Eden.

the most beautiful things in the world were the most useless. Peacocks and lilies, for instance.

Before they fade for ever from our sight, Sailing like ghostly ships into the night, Let there be one luxurious hour in which We pause awhile to contemplate the rich. Consider them once more before they pass Into a more fashionable class, Though it is true their loss shall be our gain, Weep, for we shall not see their like again. Let us be honest now, and testify That many of them pleased the outward eye, Their cars and yachts were lovely to behold, Beauty they bought, and colour, with their gold. And oh! Their houses, rising from the green Of peacocked lawns more smooth than velveteen. Palladian porticos, and warm pink towers Set in a scented sea of English flowers. Slandered so joyfully throughout the years, Unmourned they go, unwashed by any tears From eyes that once were strained to witness capers Cut for their benefit in weekly papers. Thus they depart into a strange new land, Speaking a tongue, they do not understand; So for a little moment, with regret, Let us remember them - and then forget. -Vale!

The stride of the peacock is in your walk. Words of wisdom are displayed in the way you talk. There is nothing more beautiful than your charm. You are definitely a woman that is above the norm.

Hadrah Hakim Hadrah Hakim's eyes sparkled when he saw his harem of beautiful women looking so gorgeous, as they paraded around the party. To him, they were prized trophies and this was an opportunity to show them off. The Hadrah was proud as a peacock with his colorful fanned tail wide open. I was sure he was one of the happiest men in the Arab Kingdom during those three days of festivities at the Kosk.

[Reading from her book:] “Before me manifested the Peacock God, a beautiful being with curly dark hair, blue skin and eyes aflame and all I could say was, ‘Lord, welcome, Lord.’ And I bowed not out of subservience, but out of honor and respect. And many different associations began running through my mind as I tried to associate this being, this fairy king, with a deity. At first I thought, is it Krishna? And he responded, ‘I’m like that, Krishna was based on me.’ And I thought, is this Dionysius? And again, he responded, ‘I’m like that, he’s based on me.’ And then I remembered the Peacock God, known as Lucifer from the Anderson Feri tradition. And he responded, ‘I’m like that, he’s based on me.

The atavistic master whose mistress one is, to wait on his pleasure. This sort always considers every pretty woman "shallow", a sort of peacock with arrested development.

The Peacock & The Eagle: Cleopatra's Entry Into Tarsus by Stewart Stafford Cleopatra arrives, regal and mighty, From ocean spray as Aphrodite, Wealthy and waif, yearning for her, Dared all to defy her possessive aura. Mark Antony, struck by her sultry gaze, Lepidus, prisoner in a bureaucrat's maze, Sees power slipping from a friend’s hand, Ensnared by a siren from a scorched land. Lepidus was Caesar's trusted right hand; A granule falling through hourglass sand, Antony, headstrong military provocateur; Funeral orator from bloody crown auteur. Bargain's scorpion pincers; no longer twain: Cleopatra was Ceres, promising Rome grain, Antony was Mars' armed emissary, Business and pleasure's flood tributary. Antony: "Barge of emerald, Elysium's onyx! Beyond counsel words of sage sardonic, Gliding the Cydnus's silken seam, This Nile Helen shall be my queen." Lepidus: "Pleasure vessel of a floating whore, Yours for a sesterce on the Tiber's shore, Honour your oath, noble Roman creed, Lest passion’s shipwreck sets out to sea.” "This Venus virago on her mirage barge; Serpent prow, silver oars, rhythmic charge! What hubris to think she can equal, The bloody talons of our Roman eagle!" Antony: "Feast your eyes past peacock's bower, She speaks Rome's tongue of naked power. Mark it, that obsidian Sphinx stings - Human head, lion's body, eagle wings! "That is the form she takes to the public: I smell a perfumed alliance for the Republic! With Plebeians as her tickled cats, they hum, I crave her beauty and company. Come!" © 2024, Stewart Stafford. All rights reserved.

All too soon I realized that I was an innately beautiful peacock and decided that I shouldn’t let myself go. However lazy, a peacock still ought to give its feathers a regular preening, and having been bestowed with such a magnificent set, I couldn’t help but seek the mainstream of society as a mirror. With that peacock swagger, I found it hard to resist indulging in a little strutting, but that’s how it went, and it was a fundamentally bad habit.

With a playful chuckle, Ai responded, "I see you more as a peacock. Divine, beautiful, powerful." Yeojin smiled. Did she just call him 'beautiful'?

Nicasia saunters over to where the smith is sitting. She wears a dress of purple that is peacock blue when it catches the light. Her hair is woven in to a braid that circles her head, and at her brow is a chain from which dangle dozens upon dozens of beads in sparkling purples and blues and amber.

I feel like a…peacock.” “Back to birds again, I see.” His expression softened. “Many believe peacocks are beautiful.” “How about a cockatoo?” Roth’s eyes lightened. “I’m sure there are some that find them beautiful, also.” “A pigeon?” He chuckled. “Layla, nothing about you reminds me of a pigeon.” “That’s good to know.

But if you think about it, all that is beautiful in life is inextricably bound to sex. What is a flower but a device to consummate the union of the male and female parts of a plant? What is a butterfly but a go-between that unites flowers in love? What is birdsong but a call to its mate? What is the display of feathers by the peacock but a mating rite? What is a nubile woman or a virile man but an outpouring of sexuality? All that is strong and bursting with youth and vitality, all colour and song and grace, all the loveliness of nature, the spring and its rhapsody, are expressions of nature's unrelenting reproductive impulse.

We round the frangipani, coming face-to-face with two peacocks---one male, with magnificent iridescent plumage sparkling in royal blues, greens, and golden browns, not to mention the circular eyespots, his crown a crest of feathers resembling a helmet. The female, although beautiful, has drabber plumage and a short tail. Garrance beams as the large birds greet her like dogs. "Meet Yin and Yang," she says, and Juju rolls onto his back. "These two are the only ones who tolerate Juju and vice versa." "Maybe because they don't call him names," I say with a laugh, and Garrance joins me.

woman is most beautiful when she is herself. The Japanese call it a beauty with ‘inner implications.’ It’s not a show-off kind of thing, some peacock display of clothes and makeup and demeanor. It’s quiet. Subtle. And here’s the most interesting thing: Shibui relies on the ones looking at a person or an object to make something for themselves out

Gliding through the garden was a peacock. It might have even been thee same one I'd seen before, with a tall crown and gorgeous deep-blue chest. Arrogantly, he turned his face away from us, as if we were below his notice, and called out to the forest. From the trees came an answer, and he strutted off, king of his domain. "They are so beautiful." Pavi sighed. "Samir told me there is a flock that lives in the forest." "Roses and peacocks. It's like the setting for a fairy tale." I looked around. "It's going to take more than a kiss to save this place." I thought of the single rose blooming into the parlor when Samir and I had first walked through. "But it does feel sometimes like it's under an enchantment." One tall rose drew my eye, a castle atop a small hill, with tangles of white damask roses around it, as if on guard. The rose was orange and yellow with touches of pink, and I recognized it immediately from a hundred of my mother's paintings. It seemed larger than others of the same type, as haughty as the peacock, and I rounded the overgrown white roses to see if I could find a way in. Pavi, however, was enchanted by the damasks. "These are prime," she cried, burying her nose in a mass of them. "The perfect flower for rosewater. It will be clear and very, very fragrant.

Minimalists tout the idea that nature builds with perfect thrift, when in fact the evidence of her extravagance is everywhere. In what economical world does a fruit fly perform dances or a moose carry a coat rack on its head? Spectacles that require a substantial investment of energy—colorful patterns or exuberant movements—demonstrate that an organism is vigorous enough to afford such a lavish expenditure. Evolutionary theorist Denis Dutton believed that a similar logic applies to all human art forms, from painting to music to the folk patterning so despised by Adolf Loos. Labor-intensive artwork, produced beautifully and abundantly, is like a handmade peacock’s tail. It says that you possess such copious energy and verve that you have plenty left over to devote to the joy of pure embellishment.

We took turns trying on a grand peacock feather masterpiece, which Kathe posed with rather dramatically, and a gold filigree sun mask that spread rays far enough that I feared I’d spear innocent bystanders every time I turned my head. A silk-lined mask of cunningly detailed papier-mâché caught my eye, with deep, rich shades of lagoon green and ocean blue around the eyes. It swept to one side in a shape like a wave, with delicately curled spray tipped in gold. The jewel-hued paint had depth and complexity to it, like the sea itself, and as I held it in my hands I picked out shapes of clouds and ships and faces, holding each briefly in my mind like a dream before it merged back into abstract washes of swirling color. From a distance, the mask would not impress as the others might, but up close, it was gorgeous. “Try it on,” Kathe suggested, and I held it up to my face. It fit comfortably enough, flexing to accommodate my features rather than forcing them into its own shape. “What do you think?” I asked. “It’s beautiful.” Kathe laid a gentle hand along my chin, tilting my face toward the light; the warmth of his touch spread through my whole body. “But does it pass the most important test?” “Only one way to tell,” I whispered, sliding my hand around the back of his neck and up into that down-soft hair as I pulled him toward me. Our lips met, slow and soft and teasing, the barest brush like falling snow. A sliver of air slipped between us, enough to take a sharp breath as lightning seemed to slide down my throat and into my belly. I’d closed my eyes, but I felt his mouth shape a smile. “Better try another angle to be sure,” I murmured. I tipped my head slightly and tried for another quick, light kiss. But somehow it turned warm and melting, and lingered longer than I’d intended. And then there was a rustle of feathers, and his arms went around me, and my own hands slid up beneath his cloak to feel the wiry muscles of his back through the soft leather of his tunic. “I think this one is good,” Kathe said when we came up for air, a husky catch in his voice.

You have a lovely figure. You should show it off more, not hide it beneath those tatty jeans and T-shirts you're always wearing." Maggie turns in front of the mirror, pushing back her shoulders, feeling the soft fabric move about her bare legs. She doesn't feel like herself. "It's not very me." "You look beautiful." "But probably a little much... you know, for what is essentially just standing around in a field with a lot of other people drinking tea and admiring vegetables?" Lillian laughs. "Why should you care what other people think? Worrying about them will only stifle your own life. Trust me, everyone is far too wrapped up in themselves to worry about you, Maggie Oberon. You'll see." There is a force to her grandmother's words that surprises Maggie. "You will never be as young or as beautiful as you are today. Be bold. Seize the life that was meant to be yours. Make it magnificent.

Jack pulls out the chair next to Lillian and as he sits, she feels his foot settle beside her own, a light but insistent pressure brushing against her heel. Joan teases him briefly on his newfound status as village heartthrob and engages him in a conversation about his art, but as soon as her attention is diverted by the arrival of others from the village, Jack slides his own hand beneath the table and strokes the soft part of Lillian's wrist where it rises out of her glove. "You look beautiful," he murmurs. She jumps at his touch, the words of the fortune-teller echoing in her mind. Someone is watching. "Don't," she says. "Not here." He has an intense way of looking at her, the undercurrent of a smile hidden in his dark grey eyes, the slightly predatory way his gaze sweeps over her that brings a flush to her skin as she remembers the intimate things he did to her the night before; her hands gripping the bedhead, the way she had bitten down on there back of her hand to prevent herself from crying out. It's agony not to be able to touch him. To hell with virtue and propriety; all she wants to do is seize his hand and drag him away from prying eyes and idle gossip and those pretty girls, back to Cloudesley, back to the privacy of her bedroom.

They have the place to themselves and for a while they simply sit and look out at the view, her body relaxing into his. The cloudless sky is a spectacular wash of graduated colors- navy highest above them, fading to lighter cyan closer to the earth, under-lit by the rosy blush of the sun hovering upon the horizon. There is a peace to the place, a certain stillness, nothing but the setting sun and the occasional silhouette of a soaring bird to distract from the awe-inspiring view.

IT WAS CHRISTMAS night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars’ heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself. In the spring, the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang. In the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed. In the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory. And in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.