Peach Girl Quotes

If leeches ate peaches instead of my blood, then I would be free to drink tea in the mud!

Why were girls in such a hurry to grow up? Agatha would never understand. Childhood was magical. Leaving it behind was a magnificent loss.

Girls get screwed. Not that kind of screwed, what I mean is, they're always on the short end of things. The way things work, how guys feel great, but make girls feel cheap for doing exactly what they beg for. The way they get to play you, all the while claiming they love you and making you believe it's true. The way it's okay to gift their heart one day, a backhand the next, to move on to the apricot when the peach blushes and bruises. These things make me believe God's a man after all.

Life is better than death, I believe, if only because it is less boring, and because it has fresh peaches in it.

Her little shoulders drove me mad; I hugged her and hugged her. And she loved it. 'I love love,' she said, closing her eyes. I promised her beautiful love. I gloated over her. Our stories were told; we subsided into silence and sweet anticipatory thoughts. It was as simple as that. You could have all your Peaches and Bettys and Marylous and Ritas and Camilles and Inezes in this world; this was my girl and my kind of girlsoul, and I told her that.

I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.

A check girl in peach-bloom Chinese pajamas came over to take my hat and disapprove of my clothes. She had eyes like strange sins.

This is how southern woman worked all peaches in cream laced with arsenic 

Jane: "Missy was not so subtly reminding me that she had done something nice for me and here i was being rude when all she was asking me to do was attend a nice party. This was the way southern women worked all peaches & cream laced with arsenic.

Ain’t nobody comin’ to save you, girl. You wanna survive? You better start thinking for yourself.

Unlike a bag of heroin, a girl can be sold again and again.

I only asked you to move down the couch because I could smell your peach shampoo, and I wanted to be closer.

When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.

Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.

When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death… And they should! ...For they are 'in' life.

An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?" For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ." "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be." The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend. "Why did you say that?" Arya hopped to her feet, "You're not my brother." "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high." Arya was taken aback by the fury in his voice. "That's not the way I mean it." "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her." "But . . ." "I said, go away. M'lady." Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.

What’ll it be? Beer? Whiskey?” “No, I want something tasty.” “I swear to God, Wellsy, if you order peach schnapps or something girly like that, I will officially unfriend you.” “But I am a girl,” she protests. “Why can’t I have a girly drink? Ooh, maybe a piña colada?” I heave out a sigh. “Fine. That’s better than schnapps, at least.

Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.

No I am not Prince Hamlet nor was meant to be Am an attendant lord one that will do To swell a progress start a scene or two Advise the prince no doubt an easy tool Deferential glad to be of use Politic cautious and meticulous Full of high sentence but a bit obtuse At times indeed almost ridiculous— Almost at times the Fool. I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers and walk upon the beach. I have heard the mermaids singing each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us and we drown.

When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy-girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death... And they should! ...For they are in life.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

From the east a spring breeze is touching us, passing by, And so in the goblet in the green wine tiny ripples are formed. The blossoms stolen by the whirl are falling to the earth. My fair girl will be drunken soon with her blushed cheeks. Beside the blue pavilion the peach tree - Do you know, how long it will bloom? It’s a trembling shine, a dream: it cheats us and steals away. Rise and dance! The sun is fading! Who never was full of demanding live and crazy in his young days will vainly - when the hair is white - sigh and wail.

I love it. I mean – it’s great. You – how beautiful you look. It threw me off. And you have no idea how much I love peach pie, a-la-mode. Sorry… sue me, dock my pay, but damn, girl. You’ve turned me into a stuttering fool.

A machine, now, to help boys change from peach fuzz to briar bramble, girls from toadstools to nectarine.

Funny how a new idea from the mind of man is innovation, but the observations of a woman are written off as fanciful wonderings of a girl made too idle.

it was unmatched life experience that bestowed in her eyes the sultry gleam that separates women from girls. although she viewed her “life experience” like bruises on a peach, men of all ages still found ways to see past the indications of damaged goods long enough to offer her a drink. hell, it was less than an hour ago that one such man called her “gothic perfection” and cried on her shoulder. her boyfriend agreed that a crazy life can “grow a girl up quick”; it was only last november that she turned seventeen.

She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.

I feel as though I should say something profound, or enact some rite, or trade something to make it official. I want to transfer some trinket which would allow me to say that she's my girl, some kind of currency that proves to people that she likes me back. Something that would permit me to think about her all the time without feeling guilty or helpless or hopelessly far away. I guess I'm just so excited, I want to cage this thing like a tiny red bird so if can't fly away, so it stays the same, so it's still there the next time. For keeps, like a coin in your pocket. Like a peach pit from Mad Jack Lionel's tree. Like scribbled words in a locked suitcase. A bright balloon to tie to your bedpost. And you want to hug it close, hold it, but not so tight it bursts.

Those silly girls had no idea what they were really celebrating. They had no idea what it took to bring Agatha and her friends together seventy-five years ago. The Women's Society Club had been about supporting one another, about banding together to protect one another because no one else would. But it had turned into an ugly beast, a means by which rich ladies would congratulate themselves by giving money to the poor. And Agatha had let it happen. All her life, it seemed, she was making up for things she let happen.

Southern Girl Secrets #107: If someone’s tryin’ to bring you down, it’s just ’cause they know you’re above them.

Do not worry […] Is not important. Is only a brand of canned peaches.

But - love , Mother. Will I love him? The girl wants love , ' Mrs Oortman cried theatrically to the peeling Assendelft walls. 'She wants the peaches and the cream.

Her face was round and rosy, with a healthful downy softness, suggestive of a ripe peach. Her hair, partially silvered by age, was parted smoothly back from a high placed forehead, on which time had written no inscription, except peace on earth, good will to men, and beneath shone a large pair of clear, honest, loving brown eyes; you only needed to look straight into them, to feel that you saw to the bottom of a heart as good and true as ever throbbed in woman's bosom. So much has been said and sung of beautiful young girls, why doesn't somebody wake up to the beauty of old women?

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature ... We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

There were the youngest children, small girls with leis, barefoot. There were watercress sandwiches, champagne, lemonade, peach-colored napkins to match the sorbet that came with the cake, peacocks on the lawn. She kicked off the expensive shoes and unpinned the veil. 'Wasn't that just about perfect,' she said when she called that evening.

Inside Jade Hall is a curtain of pearls behind it lives a graceful girl her beauty transcends the immortals her skin is like that of a peach spring mists rise in the east autumn winds stir in the west thirty years from now she’ll look like chewed sugarcane

What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?

I know.” He leaned in and brushed his knuckles across her cheek. “And you can try and pretend it’s okay. That you’re strong and tough and you don’t need anyone. That you didn’t need her. But that’s all bullshit. I know it, and you know it.” Savannah stared at Cole. “You’re so pushy. I told you my story. Why can’t you leave it alone?” “Have you ever dealt with it?” She’d spent so many years holding it all inside. “I’m here right now, aren’t I? I obviously dealt with my past.” “I’m not talking about surviving it. Yeah, you survived it. But you haven’t let go of it.” He rubbed her arm. “What she did to you mattered. It wasn’t fair.” He was wrong. She was fine. It didn’t matter. She had always shown everyone how strong she was. “Show me how you feel, Peaches.” Her bottom lip trembled. She got up, walked to the window to look outside, staring at the darkness, not really seeing anything but the years falling away, stripping away the cool, confident woman she was now, revealing the scared little girl she once was. She’d vowed to never go back to that place, to never revisit those feelings again, yet here she stood. Cole wrapped his arms around her. She stiffened. “It’s okay to be vulnerable, Savannah, to let someone see you scared.” “I’m not scared. Not anymore.

Listen, my sweet. When you were a little girl, were you ever forbidden to read certain books, and did your father put those books under lock and key?” “Yes,” I said. “Well, then. A husband is not so very different from a father after all. There is a certain type of knowledge I prefer you not to have. It’s better kept under lock and key. So that’s that. And now eat up your peaches, and don’t ask me any more questions, or I shall put you in the corner.

In Rome on the Campo dei Fiori Baskets of olives and lemons, Cobbles spattered with wine And the wreckage of flowers. Vendors cover the trestles With rose-pink fish; Armfuls of dark grapes Heaped on peach-down. On this same square They burned Giordano Bruno. Henchmen kindled the pyre Close-pressed by the mob. Before the flames had died The taverns were full again, Baskets of olives and lemons Again on the vendors' shoulders. I thought of the Campo dei Fiori In Warsaw by the sky-carousel One clear spring evening To the strains of a carnival tune. The bright melody drowned The salvos from the ghetto wall, And couples were flying High in the cloudless sky. At times wind from the burning Would drift dark kites along And riders on the carousel Caught petals in midair. That same hot wind Blew open the skirts of the girls And the crowds were laughing On that beautiful Warsaw Sunday. Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on. Already they were back at their wine Or peddled their white starfish, Baskets of olives and lemons They had shouldered to the fair, And he already distanced As if centuries had passed While they paused just a moment For his flying in the fire. Those dying here, the lonely Forgotten by the world, Our tongue becomes for them The language of an ancient planet. Until, when all is legend And many years have passed, On a great Campo dei Fiori Rage will kindle at a poet's word.

Well, I’m definitely wearing a flower crown on my head. I don’t care if you say it’s played out.” Flatly she says, “You can’t wear a flower crown.” “Why not?” She spits out toothpaste. “You’re too old. That’s for flower girls.” “No, you aren’t envisioning it correctly. I wasn’t thinking baby’s breath. I was thinking little pink and peach roses, with a lot of greenery. Pale green greenery, you know that kind?” She shakes her head, resolute. “We aren’t fairies in a forest. It’s too cutesy.

Su madre? Dónde, señor?” “Muerto.” “Hoy?” “Sí. This morning. Questo auroro. Aurora?” Italian again. Italy again, the Via Veneto, the peaches, the girls!

came up to us bearing a large basket full of huge peaches. They had the blush of an innocent girl; they had the rich tone of an Italian landscape.

Maybe you don't like tall girls with honey-colored hair and skin like the first strawberry peach the grocer sneaks out of the box for himself.If you don't, I'm sorry for you. (Pearls Are A Nuisance)

I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.

Peach was born at 9:03 p.m. on homecoming night, right when Max was being crowned homecoming king because, Grace thought bitterly, boys who get girls pregnant are heroes and girls who get pregnant are sluts.

When I was a little girl my mom would make us peanut butter and jelly sandwiches for lunch at least three times a week, crusts cut off, sliced twice on the bias for triangles for me, and into long fingers for Gilly. I eventually moved from smooth peanut butter and grape jelly to chunky peanut butter and strawberry preserves to fresh natural peanut butter with homemade damson plum jam or peach coriander confiture.

She had hit rock-bottom. She had given a blow job to a man who for all intents and purposes, was a bum. He had smelled so bad, she forced him to spray on some of the perfume she always carried in her purse. Her favorite perfume. After tonight, she was quitting. Yeah, she’d have to go back home with her two kids, grovel to her mama and work a dead-end job, but anything was better than getting down on your knees to give a guy as disgusting as Lenny a one-off.

The smell of peaches and cheese eddied about the car, filling his nose with pleasure. All rarities, for which he had squandered two weeks' salary-borrowed in advance from Mr. Sloat. And, in addition, under the car seat where it could not roll and break, a bottle of Chablis wine knocked back and forth: the greatest rarity of all. He had been keeping it in a safety deposit box at the Bank of America, hanging onto it and not selling it no matter how much they offered, in case at some long, late, last moment a girl appeared. That had not happened, not until now.

Then she laughed, kind of soft, and she gave me a kiss. That was the best kiss I ever had in my whole life. It was just on the cheek, and it was the chaste kiss of a married woman, but it was as ripe as a peach, or like those flowers that open in the dark, and when her lips touched my skin I felt like...I don't know exactly what I felt like, because a man can't easily hold on to those things that happened to him with a girl who was ripe when the world was young or how those things felt...Those things all get a red cast to them in your memory and you cannot see through it at all.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

It's good that I'm excellent at subterfuge. Under my bed, there is half a bottle of peach schnapps and a handful of romance novels (impoverished duke plus lower class heiress equals true love forever). Mom doesn't know any of this. Acting casual is key---just a girl going about her business, nothing to see here.

I never got to take you to the prom. You went with Henry Featherstone. And you wore a peach-colored dress.” “How could you possibly know that?” Callie asked. “Because I saw you walk in with him.” “You didn’t know I was alive in high school,” Callie scoffed. “You had algebra first period, across the hall from my trig class. You ate a sack lunch with the same three girls every day, Lou Ann, Becky and Robbie Sue. You spent your free period in the library reading Hemingway and Steinbeck. And you went straight home after school without doing any extracurricular activities, except on Thursdays. For some reason, on Thursdays you showed up at football practice. Why was that, Callie?” Callie was confused. How could Trace possibly know so much about her activities in high school? They hadn’t even met until she showed up at the University of Texas campus. “I don’t understand,” she said. “You haven’t answered my question. Why did you come to football practice on Thursdays?” “Because that was the day I did the grocery shopping, and I didn’t have to be home until later.” “Why were you there, Calllie?” Callie stared into his eyes, afraid to admit the truth. But what difference could it possibly make now? She swallowed hard and said, “I was there to see you.” He gave a sigh of satisfaction. “I hoped that was it. But I never knew for sure.” Callie’s brow furrowed. “You wanted me to notice you?” “I noticed you. Couldn’t you feel my eyes on you? Didn’t you ever sense the force of my boyish lust? I had it bad for you my senior year. I couldn’t walk past you in the hall without needing to hold my books in my lap when I saw down in the next class.” “You’re kidding, right?” Trace chuckled. “I wish I were.” “Then it wasn’t an accident, our meeting like that at UT?” “That’s the miracle of it,” Trace said. “It was entirely by accident. Fate. Kisma. Karma. Whatever you want to call it.

I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.

I should also mention, with the vestigial pang of a once flat-chested girl, Desdemona’s voluptuous figure. Her body was a constant embarrassment to her. It was always announcing itself in ways she didn’t sanction. In church when she knelt, in the yard when she beat rugs, beneath the peach tree when she picked fruit, Desdemona’s feminine elaborations escaped the constraints of her drab, confining clothes.

After the chicken is fried and wrapped in wax paper, tucked gently into cardboard shoe boxes and tied with string... After the corn bread is cut into wedges, the peaches washed and dried... After the sweet tea is poured into mason jars twisted tight and the deviled eggs are scooped back inside their egg-white beds slipped into porcelain bowls that are my mother's now, a gift her mother sends with her on the journey...

Oh, she was a great beauty," Maggie replied, and Hetty nodded in agreement. "The clearest blue-green eyes, and skin like peaches, with a splendid dusting of freckles," she said. "And her hair -- 'twas flaming red, and fell in marvellous profusion," Maggie added. "We used to call her Queen Elizabeth -- in jest, you understand, for the real Queen was quite fearsome I do believe. Mrs Bramstone almost hated Bessie I think, for how lovely she was".

As a child I had loved the legend of the cowherd and the spinning girl. They were so in love that they neglected their work and so the God of Heaven placed them in the sky as constellations, separated by the Silver River of Heaven—the Milky Way. Once a year, on the seventh evening of the seventh month, a flock of magpies, taking pity on the lovesick couple, fly to the sky and form a bridge so that they can meet. On this night all over China, women make offerings to these stars, hoping for love.

A LITTLE GIRL, my skin was pale, my hair blonde, and my face full of freckles. While I may have looked like Laura Ingalls Wilder, that’s not how I felt. I loved drawing pictures of myself when I was young, and whenever it came time to shade in the skin, I usually picked a brown crayon rather than a peach one. Peach simply didn’t resonate with me. I felt like brown suited me better and was prettier. I could see that my skin was light, but my perception of myself wasn’t limited to what my eyes could take in.

What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn’t it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.

Do you know why I remembered you?” he asked me suddenly. It was a question so out of nowhere that it took me a little while to figure out what he was talking about. “You mean from Latin Convention?” “Yeah.” “Was it my Coliseum model?” I was only half-joking. Steven had helped me build it; it had been pretty impressive. “No.” Cam ran his hand through his hair. He wouldn’t look at me. “It’s because I thought you were really pretty. Like, maybe the prettiest girl I’d ever seen.” I laughed. In the car, it sounded really loud. “Yeah, right. Nice try, Sextus.” “I mean it,” he insisted, his voice rising. “You’re making that up.” I didn’t believe it could be true. I didn’t want to let myself believe it. With the boys any compliment like this would always be the first part of a joke. He shook his head, lips tight. He was offended that I didn’t believe him. I hadn’t meant to hurt his feelings. I just didn’t see how it could be true. It was almost mean of him to lie about it. I knew what I looked like back then, and I wasn’t the prettiest girl anybody had ever seen, not with my thick glasses and chubby cheeks and little-girl body. Cam looked me in the eyes then. “The first day, you wore a blue dress. It was, like, corduroy or something. It made your eyes look really blue.” “My eyes are gray,” I said. “Yes, but that dress made them look blue.” He looked so sweet, the way he watched me, waiting for my reaction. His cheeks were flushed peach. I swallowed hard and said, “Why didn’t you come up to me?” He shrugged. “You were always with your friends. I watched you that whole week, trying to get up the nerve. I couldn’t believe it when I saw you at the bonfire that night. Pretty bizarre, huh?” Cam laughed, but he sounded embarrassed. “Pretty bizarre,” I echoed. I couldn’t believe he’d noticed me. With Taylor by my side, who would have even bothered to look at me? “I almost messed up my Catullus speech on purpose, so you’d win,” he said, remembering. He inched a little closer to me. “I’m glad you didn’t,” I said. I reached out and touched his arm. My hand shook. “I wish you had come up to me.” That’s when he dipped his head low and kissed me. I didn’t let go of the door handle. All I could think was, I wish this had been my first kiss.

A girl and a boy, sitting lazily cross-legged under a pale green willow, picking at the grass. She is lying with her head in his lap, long red hair fanned against his knee. Her skin is not my unnatural red but like honeyed cream. She grins up at him, his eyes the color of an evergreen forest, of dragonfly wings, his corn-gold, too-long hair falling over his forehead. And she laughs. When she does her back, her throat arches slightly, and he blushes. He smells of wheat fields and fallen autumn apples soft against the earth, and it is a smell she knows like her own. Under the filmy reed-curtain of the old willow tree, they hold hands and talk quietly, shoes discarded like peach pits. The sun is low in the sky, warm and orange-gold on their young faces, their strong white smiles and freshly washed hair. The light spills onto their shoulders like water from a well. There are sharp-smelling rosemary branches braided into her hair, with their little blue blossoms, and the oil is on their brown fingers. The boy whispers something in the girl’s ear, and she closes her eyes, lashes smoking cheekbones like bundles of sage.

I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. 125 I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown 130 Till human voices wake us, and we drown.

A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.

To the Dead My concerns belong to the living. I see hear touch weigh myself on a street scale I dodge a blue tram In July I wipe the sweat off a shiny forehead I drink raspberry soda I am tired I am bored I write poems I think about death I buy pretzels and fuzzy peaches that look like baby mice I read Marx I don’t understand Bergson I go out dancing with a redhead and we laugh about the A-bomb the red circle of lips a long golden straw my girl in a green blouse drinks the moon from the sky a waiter carries foamy beer around lights glisten on the eyelashes of evening the memory of you covered my anxiety with a hand. These are my concerns. I live and nothing is as alien to me as you my dead Friend.

She makes you look too little and you make her look too big. You’re from two different planets and you’re not meant to be standing together. She claps as if she’s meeting a five-year-old and I don’t like it when girls are taller than me. “Hello, Joseph,” she says, overenunciating. “I am Peach and this is my home.” “Nice to meet you,” I say and she looks me up and down. Cunt. “I love you already for not being pretentious,” she says. “And thank you for not bringing any wine or anything. This girl is family to me. No gifts allowed.” You are, of course, aghast. “Omigod, Peach, I completely flaked.” She looks down on you literally. “Sweetie, I just said I love it. And besides, the last thing we need is more cheap wine.” You are acting like you committed a felony and she looks at me like I’m the delivery guy waiting for a tip. “I’m stealing our girl for two minutes, Joseph.” You allow her to steal you and I really must look like the fucking delivery guy as I stand here, not knowing anyone, not being known. No girls are coming on to me and maybe I don’t look good in here. The only certainty is that I hate this Peach as much as I knew I would, and she hates me right back. She knows how to work you, Beck. You are apologizing for no wine, for not bringing Lynn and Chana, for not taking better care of your purse. And she is forgiving, stroking your back, telling you not to worry. I’m invisible to you in her presence, just like everyone else. Peach Is . . . in the way. I look around but nobody wants to say hi to me. It’s like they can smell the public school on me.

Because this tea kaiseki would be served so soon after breakfast, it would be considerably smaller than a traditional one. As a result, Stephen had decided to serve each mini tea kaiseki in a round stacking bento box, which looked like two miso soup bowls whose rims had been glued together. After lifting off the top dome-shaped cover the women would behold a little round tray sporting a tangle of raw squid strips and blanched scallions bound in a tahini-miso sauce pepped up with mustard. Underneath this seafood "salad" they would find a slightly deeper "tray" packed with pearly white rice garnished with a pink salted cherry blossom. Finally, under the rice would be their soup bowl containing the wanmori, the apex of the tea kaiseki. Inside the dashi base we had placed a large ball of fu (wheat gluten) shaped and colored to resemble a peach. Spongy and soft, it had a savory center of ground duck and sweet lily bulb. A cluster of fresh spinach leaves, to symbolize the budding of spring, accented the "peach," along with a shiitake mushroom cap simmered in mirin, sake, and soy. When the women had finished their meals, we served them tiny pink azuki bean paste sweets. David whipped them a bowl of thick green tea. For the dry sweets eaten before his thin tea, we served them flower-shaped refined sugar candies tinted pink. After all the women had left, Stephen, his helper, Mark, and I sat down to enjoy our own "Girl's Day" meal. And even though I was sitting in the corner of Stephen's dish-strewn kitchen in my T-shirt and rumpled khakis, that soft peach dumpling really did taste feminine and delicate.

Remember how you played in these orchards as young girls?" Willo asked Deana and Sam. Deana turned to look at Sam, and the two smiled. "We do," they said at the same time. These orchards had been their playground as girls. Sam slowed even more and studied the orchards carefully. I ran, played hide-and-seek, caught fireflies, scaled trees, picked apples and peaches straight off the tree, launched pits from slingshots, and danced in the sprinkles here. Sam thought. Moreover, I learned about plants and science: I understood the seasons, when to plant trees and seeds, how to nurture them and protect them from insects, what to feed the deer in winter and the hummingbirds in summer. Sam again thought of her grandpa. If we're good to Mother Nature, she will be good to us, he always used to tell her. Same goes for people.

Though I was now in ill health and did not go out alone, and though I might never aspire to making love with them, it still gladdened me to know this, as though I were a child who, having been born in prison or a hospital, and having come to believe that the human organism can digest nothing but dry bread and medicines, suddenly learns that peaches, apricots, and grapes are not just pretty things that grow in the countryside, but mouth-watering delicacies on which one may feed. Even though the jailer or the nurse may prevent him from picking such fine fruit, the world seems a better place, and life itself more worth living. Any desire we may feel seems to us a finer thing, and we have an impression of it as a more reliable thing, when we know that external reality is in conformity with it, even if its fulfillment remains out of our personal reach.

How Much Do I Love You? I love you more than pancakes, more than ice cream, more than pickles, more than my life. I love you more than dogs or cats or diamonds or gold, more than anyone else in the world. I loved brushing your hair every night and walking you to school. I told you every story you knew. I want you to remember our last day. I read you a story about two sisters who could find their way through the woods even if it was dark. I want you to remember the last evening we had. We drank tea made of roses. We baked a peach pie. We had spaghetti with butter for supper. We looked at the stars with your father, sitting high up on the roof, and then I took you inside. I kissed you both good night. I hope you remember everything. Someday you will find this and you’ll know that to the very end I thought about you. There is no ending to that. You still hold my heart in your hands. I loved you girls more than a fish loves a river, more than a bird loves the sky. Remember that. Remember me.

All of the fucking in “The Art of Joy” could put it in a class with “Story of O” or “The Sexual Life of Catherine M.” But Sapienza’s novel is about sex only insofar as an account of a woman’s artistic, intellectual, and political maturation must include her sexual career. Or, better, the discovery of pleasure initiates Modesta’s appetite more generally—for knowledge, for experience, for autonomy. It turns her outward, toward nonsexual things, by inwardly sustaining her. Her childish sadism is less sexual than it is basically libidinal: her erotic interest in her sister’s or St. Agatha’s pain, or the way in which her hatred of Leonora transmutes into arousal—these are signs of an exultant urge to live. “The real way of living is to answer to one’s wants,” D. H. Lawrence says in a letter (written, incidentally, from Italy). “I want that liberty, I want that woman, I want that pound of peaches, I want to go to sleep, I want to go to the pub and have a good time, I want to look abeastly swell today, I want to kiss that girl, I want to insult that man.

The Leaving" My father said I could not do it, but all night I picked the peaches. The orchard was still, the canals ran steadily. I was a girl then, my chest its own walled garden. How many ladders to gather an orchard? I had only one and a long patience with lit hands and the looking of the stars which moved right through me the way the water moved through the canals with a voice that seemed to speak of this moonless gathering and those who had gathered before me. I put the peaches in the pond’s cold water, all night up the ladder and down, all night my hands twisting fruit as if I were entering a thousand doors, all night my back a straight road to the sky. And then out of its own goodness, out of the far fields of the stars, the morning came, and inside me was the stillness a bell possesses just after it has been rung, before the metal begins to long again for the clapper’s stroke. The light came over the orchard. The canals were silver and then were not. and the pond was–I could see as I laid the last peach in the water–full of fish and eyes.

I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.

What is that?” “Oh, it's… well, something personal to Lady Holly, and… sir, she wouldn't like it if ye—” Maude spluttered with dismayed protests as Zachary reached over and plucked the frame case from the pile. “A miniature?” he asked, deftly shaking the object from its leather casing. “Yes, sir, but… you shouldn't, really… oh, dear.” Maude's pudgy cheeks reddened, and she sighed in patent discomfort as he stared at the little portrait. “George,” Zachary said quietly. He had never seen a likeness of the man, had never wanted to before. It was only to be expected that Holly should carry a portrait of her late husband, for Rose's benefit as well as her own. However, Zachary had never asked to view a likeness of George Taylor, and Holly had certainly never volunteered to show him. Perhaps Zachary had expected that he would feel a pang of animosity at the sight of Taylor's face, but as he stared at the miniature, he was conscious only of a surprising feeling of pity. He had always thought of George as a contemporary, but this face was impossibly young, adorned with sideburns that amounted to a bit of peach fuzz on either side of his cheeks. Zachary was startled by the realization that Taylor couldn't have been more than twenty-four when he died, almost a full ten years younger than Zachary was now. Holly had been wooed and loved by this handsome boy, with his golden blond hair and untroubled blue eyes, and a smile that hinted of mischief. George had died before he'd barely tasted of life, widowing a girl who had been even more innocent than he. Try as he might, Zachary couldn't blame George Taylor for trying to protect Holly, arrange things for her, ensure that his infant daughter was taken care of. No doubt George would have been anguished at the thought of his wife being seduced and made miserable by the Zachary Bronsons of the world.

He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.

She returned to the floor, and a tray appeared beside her with a sandwich, glass of milk, and some cubes of cantaloupe. She didn't know who brought it in, but she picked up a piece of the cantaloupe and examined it. The color matched some of the roses in the lady's garden, exactly what she needed for the flowers she'd drawn behind her butterfly. Yellow, white, and a dab of red- she combined them on the plate until a soft peach colored her palette. Walter thought she should grow up, like the lady wanted Oliver to do, but grown-ups didn't spend their nights dancing in gardens. Or painting. "I will stay a girl forever," she whispered, changing the lyrics from 'Peter Pan.' "And be banished if I don't." She began to paint her butterfly. "I'll never grow up," she chanted as she worked. It wasn't until the first rays of dawn spilled across her paper that she began to feel sleepy. Her floor was covered with pictures and papers, but where others might see a mess, she saw a new world. There were flowers and trees and butterflies she'd brought to life with her hands. And her heart. A lot of people thought she wasn't good at anything, but it wasn't true. She was good at making things.

She wrote the names of the day's cakes on the board: traditional Southern red velvet cake and peach pound cake, but also green tea and honey macaroons and cranberry doughnuts. She knew the more unusual things would sell out first. It had taken nearly a year, but she'd won over her regulars with her skill with what they already knew, so now they would try anything she made.

She wasn't a nature girl, though for some reason he wanted her to be. He wanted her to be a lot of things. He'd told her that she had inspired him to leave, to follow his own path, and she was slowly beginning to understand that her life here, the fact that she came back and stayed, challenged how he'd chosen to live his own life. He didn't think he belonged here, so she was making him face some uncomfortable facts. People adapt. People change. You can grow where you're planted.

Ooh, look." Birdie swerved out of line to a bushy plant full of purple flowers. She plucked a few delightedly. "Lilacs." She thrust them toward Leeda's face, and Leeda smiled, sniffing. Birdie could make something exciting out of anything on the orchard. She knew all the flowers, the species of birds, how much rainfall they could expect, where moss was likely to grow, which mushrooms were edible, and how long many of the trees had been in the ground. To walk across the property with Birdie was never just to walk through unnoticed space.

Barky was at her heels, and he let out a low, plaintive growl. She scooped him up and held him to her face the way Birdie had held the kitten---so naturally. They sniffed each other's noses. It felt kind of good.

Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billon-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.

The only thing Birdie was ever interested in was home. There was nothing Birdie loved more than to curl up in her window seat and watch the orchard. She knew what animals burrowed where, and what flowers bloomed when, and what trees produced the best fruit. She listened to the farm’s rhythms through the screen like the beat of the heart of someone she loved.

She gave Honey Babe and Majestic, each named after a breed of peach, a caramel-drenched Girl Scout Samoa, then polished off the rest of the box herself.

It had been a couple of days since the girls had snuck out to the lake, and since then she’d been working harder. Not for Walter or for Darlington Orchard, but because of Birdie. She could see her through the trees, talking to a pair of workers by the house, looking unsure of herself as usual, her big eyes thoughtful. Murphy ruminated that she might be the first really nice person Murphy had ever met and actually liked. It was something about the way she was so sweet but so rugged when it came to the farm stuff---knowing all about the farm and the animals, like with the sleeping bird the other night. Yesterday she’d driven by in a rusted-out red tractor, spraying the trees. She was sweet. But she wasn’t soft. Murphy could respect that. And she had the uneasy feeling that she didn’t want to let her down.

Leeda looked straight out of Martha’s Vineyard---all perfect cheekbones and alabaster skin with a smattering of sun-induced freckles and clothes that were totally season-appropriate. Even loose and sloppy like she was today, she looked like the kind of loose and sloppy you saw in People magazine when they caught a celebrity all tired and mussed up at the airport. Birdie, on the other hand, was curved and rosy and Renoir soft. She looked like the milk-fed farm girl that she was. The two were second cousins but nothing alike. Leeda was straight up and down, and Birdie was as gentle and easy as the rain. Leeda had grown up wearing mostly white and exceeding everyone as the glossiest, the smilingest, and the most southern of the southern belles in Bridgewater. Birdie had grown up with dirt under her fingernails, homeschooled on the orchard, her feet planted in the earth. Before Judge Miller Abbott sentenced Murphy to time on the orchard picking peaches that summer, Murphy had pegged Leeda for uptight and Birdie for weak. But their time together---picking peaches, sweating in the dorms at night, cooling off in the lake---had been like living the fable of her life. The lesson being that when you think you know more than you do, you end up looking like an idiot.

Girls get screwed. Not that kind of screwed, what I mean is, they're always on the short end of things. The way things work, how guys feel great, but make girls feel cheap for doing exactly what they beg for. The way they get to play you, all the while claiming they love you and making you believe it's true. The way it's okay to gift their heart one day, a backhand the next, to move on to the apricot when the peach blushes and bruises. These things make me believe God's a man, after all.

The bruises behind her eyes had been put there. Her skin was peach and perfect in every regard, but she’d been wounded by someone. She carried the kind of scars no one could see.

The way things work, how guys feel great, but make girls feel cheap for doing exactly what they beg for. The way it's okay to gift their heart one day, a backhand the next, to move on to the apricot when the peach blushes and bruises.

MY WIFE'S GREY HAIR The beautiful rainbow that follows the storm, The red glow at sunset, so rich and warm- There are beautiful flowers with perfume so rare, And the beauty of my girl, tho’ she now has grey hair. Note the beauty of the autumn leaves Their colours more tranquil than the blossoming trees- Tho’ summer’s gone the beauty will stay, Like a beautiful lady when her hair has turned grey Some may see you now as old, But I see silver next to gold. The young green peach upon the tree Holds no desire for boys like me- I’ll bide my time to maturity And pick ripe peaches off the tree! The changing times, as youth to man, The flowing stream from gravel to sand, So life flows by with seldom a care- 'Cos in the end, love, we’ll all have grey hair.

MY WIFE'S GREY HAIR The beautiful rainbow that follows the storm, The red glow at sunset, so rich and warm- There are beautiful flowers with perfume so rare, And the beauty of my girl, tho’ she now has grey hair. Note the beauty of the autumn leaves Their colours more tranquil than the blossoming trees- Tho’ summer’s gone the beauty will stay, Like a beautiful lady when her hair has turned grey Some may see you now as old, But I see silver next to gold. The young green peach upon the tree Holds no desire for boys like me- I’ll bide my time to maturity And pick ripe peaches off the tree! The changing times, as youth to man, The flowing stream from gravel to sand, So life flows by with seldom a care- “cos in the end, love, we’ll all have grey hair.

Australian girls nearly always begin to think of 'lovers and nonsense', as middlefolks call it, long before their English aged sisters do... And herein lies the chief defect of the very young Australian girl. She is like a peach; a beautiful, smooth, rich peach, that has come to ripeness, almost in a day, and that hastens to rub off the soft, delicate bloom that is its chief charm, just to show its bright, warm colouring more clearly.

March 6: Emmeline Snively, head of the Blue Book Modeling Agency, sends Norma Jeane to Joseph Jasgur for test shots. In The Birth of Marilyn, Jeannie Sakol reports Jasgur’s first impressions: “What he saw was not too encouraging. Her hips were too broad and would photograph even broader if he didn’t take special pains. Her loose pink wool sweater and check pedal pushers only exaggerated the imperfections of her figure and emphasized her need to lose some weight. As for her hair, it was thick and wild and reddish brown, its natural curliness obviously impossible to control—although she had equally obviously tried to do just that with a saucy beret. The colour, Jasgur realized, was totally wrong for her blue eyes and peach blossom skin tones. If ever a girl should be blonde it was this girl who was so patiently enduring his professional scrutiny. . . . She didn’t have a chance, he thought, until he looked into her eyes. . . . A lovely vivid blue, they gazed at him with a calm and quiet dignity, neither arrogant nor seductive. There was something there. Jasgur shakes his head with amazement that has never left him in forty-five years. ‘I never thought that something would take her so far.’” He finds her shy and anxious. Other photographers report similar experiences with her. But in front of the camera, Jasgur remembered, “[S]he was relaxed, no trace of self-consciousness. Even in those formative days, I think she trusted the camera more than she trusted people.

Declan was a good boy before he met you, and one day soon he’ll realize what a mistake he made in you. Don’t think you can trap him in a marriage because you ‘accidentally’ got pregnant.” She pointed at my stomach as she took a step closer. “And if I find out that is the reason you are getting a little too pudgy in your midsection, believe me, little girl, you will find out what a southern woman’s wrath looks like if you don’t get rid of that problem before it’s too late.” A sharp, incredulous laugh burst from my chest, and my nails dug into my palms until it became painful. “Wow.” Taylor drew out the word when the front door slammed shut. “She is a real peach, that one.” She waited until I looked at her to add, “And by ‘peach,’ I mean ‘psychotic.’” My

I’m guessing you’re a cream-and-sugar type of girl?” “Uh . . . yes, please—heavy on the cream, light on the sugar, thank you.” He followed Linda Marie to the door, shooting a grin over his shoulder. “Thought so—sugar to feed that sweet disposition and cream to enhance the peaches-and-cream glow.

Does your sex toy really need a name?” “What would you suggest?” I got to my feet and dried my eyes. “How about a title? Like… The Assassin. Because he gets in and does the job.” She swatted my butt playfully. “Damn, girl. They should hire you to do their marketing.” “I’m awesome at everything but my own life.

Sorry I'm being such a girl," she says sheepishly. "Peaches, if you weren't a girl, we wouldn't even be having this conversation right now," I tell her. "And I wish I were there to remind you exactly why I'm glad you're a girl.

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.

King had basically been a father who wanted the best for his little girl. Once

Ebony was King's girl, had been since she was sixteen. Angel was my black, preppy, white girl, but don't let that fool you. Tiny or not, baby girl had them hands. Missy was my Puerto Rican bitch.

Inside of every strong woman lies an insecure little girl beneath that armor we guard ourselves with. Blaze