“
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see.
“Five dollars says you can’t do it again,” I said, coming up behind him.
Patch looked back and grinned. “I don’t want your money, Angel.”
“Hey now, kids, let’s keep this discussion PG-rated,” Rixon said.
“All three remaining pins,” I challenged Patch.
“What kind of prize are we talking about?” he asked.
“Bloody hell,” Rixon said. “Can’t this wait until you’re alone?”
Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table.
“Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
“You got lucky,” I said.
“I’m about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
There is nobody in this country who got rich on their own. Nobody. You built a factory out there - good for you. But I want to be clear. You moved your goods to market on roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn't have to worry that marauding bands would come and seize everything at your factory... Now look. You built a factory and it turned into something terrific or a great idea - God bless! Keep a hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren
“
There is no wrong way to perform an act of kindness.
”
”
Catherine Ryan Hyde (Pay It Forward)
“
Our actions are like ships which we may watch set out to sea, and not know when or with what cargo they will return to port.
”
”
Iris Murdoch (The Bell)
“
Our job on earth isn't to criticize, reject, or judge. Our purpose is to offer a helping hand, compassion, and mercy. We are to do unto others as we hope they would do unto us.
”
”
Dana Arcuri (Harvest of Hope: Living Victoriously Through Adversity, A 50-Day Devotional)
Robert A. Heinlein (Between Planets)
“
If you want to see a man come to his senses, try something like, Do you happen to carry a rubber in your wallet? Did I mention I'm not on the pill?
”
”
Catherine Ryan Hyde (Pay It Forward)
“
In a world like this, you pay it forward, 'cause more than likely you didn't deserve it when you got it the first time.
”
”
Mindy McGinnis (In a Handful of Dust (Not a Drop to Drink, #2))
“
What is it with girls?” Elliot said, splitting a smile between us. “I swear, I’ve never known a girl who could go to the bathroom alone.” He leaned forward and grinned conspiratorially. “Let me in on the secret. Seriously. I’ll pay you five bucks each.” He reached for his back pocket. “Ten, if I can come along and see what the big deal is.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
I guess it's hard for people who are so used to things the way they are - even if they're bad - to change. 'Cause they kind of give up. And when they do, everybody kind of loses.
”
”
Catherine Ryan Hyde (Pay It Forward)
“
Because it proves that you don't need much to change the entire world for the better. You can start with the most ordinary ingredients. You can start with the world you've got.
”
”
Catherine Ryan Hyde (Pay It Forward)
“
Parenting is the greatest pay it forward system on earth. We don't owe our parents anything. We owe our children everything. The same was true for our parents. The same will be true for our children.
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
Great leaders pay it forward.
”
”
Mark Villareal (The Adventures of Park Ranger Brock Cliffhanger & His Jr. Park Rangers: The Missing Hikers of Allegany State Park)
“
Life is like waiting in line at the grocery store. You wait, you slowly move forward, you pay the price, then you exit unsatisfied and broke.
”
”
Erin McCarthy (Believe (True Believers, #3))
“
How many of us have gazed at a man and thought, ‘yes, him,’ only to have him pay his attentions to someone else? And how many of us have sighed and waited for some other gentleman to come forward? All I wish to ask is, why? Why not strike up a conversation? Why not determine for ourselves whether ‘he’ is the one? Why leave it to fate?”
A LADY’S GUIDE TO PROPER BEHAVIOR, 2ND EDITION
”
”
Suzanne Enoch (A Lady's Guide to Improper Behavior (Adventurers’ Club, #2))
“
A purposeful act or extension of kindness to another is never wasted, for it always resides in the hearts of all involved in a chain of love.
”
”
Molly Friedenfeld (The Book of Simple Human Truths)
“
Today, I challenge you to pay it forward. You don't need to save a village—only one lost soul. Be the reflection of Christ and shine His light. The cost is little, but the reward is rich.
”
”
Dana Arcuri (Harvest of Hope: Living Victoriously Through Adversity, A 50-Day Devotional)
“
Hatred is a bitter, damaging emotion. It winds itself through the blood, infecting its host and driving it forward without any reason. Its view is jaundiced and it skews even the clearest of eye sights. Sacrifice is noble and tender. It’s the action of a host who values others above himself. Sacrifice is bought through love and decency. It is truly heroic. Vengeance is an act of violence. It allows those who have been wronged to take back some of what was lost to them. Unlike sacrifice, it gives back to the one who practices it. Love is deceitful and sublime. In its truest form, it brings out the best in all beings. At its worst, it’s a tool used to manipulate and ruin anyone who is stupid enough to hold it. Don’t be stupid. Sacrifice is for the weak. Hatred corrupts. Love destroys. Vengeance is the gift of the strong. Move forward, not with hatred, not with love. Move forward with purpose. Take back what was stolen. Make those who laughed at your pain pay. Not with hatred, but with calm, cold rationale. Hatred is your enemy. Vengeance is your friend. Hold it close and let it loose. May the gods have mercy on those who have wronged me because I will have no mercy for them. (Xypher)
”
”
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
“
...I try to incorporate life's lessons from everyone around me and pay it forward anytime I can. I look at every person I meet as a new and thrilling experience with which I'm gifted. Every new city or country or continent that I visit is a beautiful exploration from which I can learn. Every new client or project represents the possibility of meeting new people and having new adventures.
”
”
Andrea Michaels
“
Every once in awhile try to do something nice for somebody you don't know, even if it's just leaving an opening in traffic for them to merge into, small things like that give people hope that we're not all assholes.
”
”
Joshua Neik
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
It's really hard to know what's a good idea when you're growing and these ideas don't hold still and neither do you.
”
”
Catherine Ryan Hyde (Pay It Forward)
“
Say what you mean, so that you can find out what you mean. Act out what you say, so you can find out what happens. Then pay attention. Note your errors. Articulate them. Strive to correct them. That is how you discover the meaning of your life. That will protect you from the tragedy of your life. How could it be otherwise? Confront the chaos of Being. Take aim against a sea of troubles. Specify your destination, and chart your course. Admit to what you want. Tell those around you who you are. Narrow, and gaze attentively, and move forward, forthrightly. Be precise in your speech.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
Have you ever played chess, Kitty?”
I eyed her. What did a board game have to do with this? “Not really.”
“You and I should play sometime. I think you would like it,” she said. “It’s a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces—the pawns—are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play, I protect my pawns.”
“Why?” I said, not entirely sure where this conversation was going. “If they’re weak, then what’s the point?”
“They may be weak when the game begins, but their potential is remarkable. Most of the time, they’ll be taken by the other side and held captive until the end of the game. But if you’re careful—if you keep your eyes open and pay attention to what your opponent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?”
I shook my head, and she smiled.
“Your pawn becomes a queen.” She touched my cheek, her fingers cold as ice. “Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game. Never forget that, all right? Never forget the potential one solitary pawn has to change the entire game.
”
”
Aimee Carter (Pawn (The Blackcoat Rebellion, #1))
“
A Spiritual Samaritan lives knowing that if we were to leave this world tomorrow, we were the best humans we could be and we touched the lives of as many souls as possible. We are not asked to be perfect. We are asked to make a difference.
”
”
Molly Friedenfeld
“
It's one thing to have a goal, but it's quite another thing to actually accept the challenge, develop a strategy to press for the goal, make the sacrifices, pay the price to move forward, and blessing of blessing, to realize some part of it.
”
”
Elizabeth George (A Woman After God's Own Heart)
“
When we're struck with cruelty, we can either inflict the same on others like it's a rite of passage, or decide that here is where it stops.
”
”
Joyce Rachelle
“
When you mess up-fix it, when you fail-fall forward and learn, when you suffer loss-heal and
always pay it forward
”
”
Val Uchendu
“
Early in our marriage, we knew that once the kids were gone, we would still be married and have to work on it. So, we decided to pay it forward. We worked in the first year like we wanted things to be in the fiftieth year. I'm so glad we did.
”
”
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
“
America's abundance was created not by public sacrifices to the common good, but by the productive genius of free men who pursued their own personal interests and the making of their own private fortunes. They did not starve the people to pay for America's industrialization. They gave the people better jobs, higher wages, and cheaper goods with every new machine they invented, with every scientific discovery or technological advance- and thus the whole country was moving forward and profiting, not suffering, every step of the way.
”
”
Ayn Rand
“
Edmund Burke argued that people who have never looked backward to their ancestors will not be able to look forward and plan for the future. People who look backward to see the heroism and the struggle that came before see themselves as debtors who owe something, who have some obligation to pay it forward.
”
”
David Brooks (The Second Mountain: The Quest for a Moral Life)
“
What's weird is when you mean a lot more to somebody else than they ever meant to you. I mean, a whole lot more. Like life on two whole different planets.
”
”
Catherine Ryan Hyde (Pay It Forward)
“
I urge you to find a way to immerse yourself fully in the life that you’ve been given. To stop running from whatever you’re trying to escape, and instead to stop, and turn, and face whatever it is. Then I dare you to walk toward it. In this way, the world may reveal itself to you as something magical and awe-inspiring that does not require escape. Instead, the world may become something worth paying attention to. The rewards of finding and maintaining balance are neither immediate nor permanent. They require patience and maintenance. We must be willing to move forward despite being uncertain of what lies ahead. We must have faith that actions today that seem to have no impact in the present moment are in fact accumulating in a positive direction, which will be revealed to us only at some unknown time in the future. Healthy practices happen day by day. My patient Maria said to me, “Recovery is like that scene in Harry Potter when Dumbledore walks down a darkened alley lighting lampposts along the way. Only when he gets to the end of the alley and stops to look back does he see the whole alley illuminated, the light of his progress.
”
”
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
“
We've also evolved the ability to simply 'pay it forward': I help you, somebody else will help me. I remember hearing a parable when I was younger, about a father who lifts his young son onto his back to carry him across a flooding river. 'When I am older,' said the boy to his father, 'I will carry you across this river as you now do for me.' 'No, you won't,' said the father stoically. 'When you are older you will have your own concerns. All I expect is that one day you will carry your own son across this river as I no do for you.' Cultivating this attitude is an important part of Humanism--to realize that life without God can be much more than a series of strict tit-for-tat transactions where you pay me and I pay you back. Learning to pay it forward can add a tremendous sense of meaning and dignity to our lives. Simply put, it feels good to give to others, whether we get back or not.
”
”
Greg M. Epstein (Good Without God: What a Billion Nonreligious People Do Believe)
“
But then I think about what I’ve learned here in the last year, and I don’t mean in my classes, but what I’ve learned from watching my friends face their futures and search for their purposes. I’ve learned that a storm isn’t always just bad weather, and a fire can be the start of something new. I’ve found out that there are a lot more shades of gray in this world than I ever knew about. I’ve learned that sometimes, when you’re afraid but you keep on moving forward, that’s the biggest kind of courage there is. And finally, I’ve learned that life isn’t really about failure and success. It’s about being present, in the moment when big things happen, when everything changes, including yourself. So I would tell us, no matter how bright we think our futures are, it doesn’t matter. Whether we go off to some fancy university or stay home and work. That doesn’t define us. Our purpose on this earth is not a single event, an accomplishment we can check off a list. There is no test. No passing or failing. There’s only us, each moment shaping who we are, into what we will become. So I say forget about the future. Pay attention to now. This moment right now. Let go of expectations. Just be. Then you are free to become something great.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve?
The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success.
Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business.
When achievers fail, they see it as a momentary event, not a lifelong epidemic.
Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward.
Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience.
Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside.
Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you?
Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem.
Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living.
Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward.
Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new.
The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success.
If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve.
The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get.
Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action.
The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying?
Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline.
Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence.
Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might.
If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail.
The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface.
Fail early, fail often, but always fail forward.
”
”
John C. Maxwell (Failing Forward)
“
Once [your romantic leads] have kissed, you don’t get any pay-off from a second kiss. In fact, you risk reducing the tension. Every step forward has to up the stakes. But if the stakes go too high too early, it becomes a tension arms race. Escalate too soon and you’ve got all-out nuclear war in chapter four and scorched romantic earth for the rest of the story
”
”
C.S. Pacat
“
We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy."
Unhappy? Why's that?"
With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward.
Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course."
I nodded.
I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.
”
”
Haruki Murakami (Norwegian Wood)
“
You are heading towards the top if you raise the bar of your standards inch by inch each hour! There is no quick way to success; it comes in installments. Every day's activity is a minor contribution to a heavy pay of success. Don't waste the day!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
You don’t pay back, you pay forward.
”
”
Robert A. Heinlein
“
Avoidance is paying forward that which I would be much wiser to pay off.
”
”
Craig D. Lounsbrough
“
It’s a sad world when people of a certain privilege have no interest in paying it forward and becoming productive members of society,
”
”
Liselle Sambury (Blood Like Magic)
“
Tegan leans forward, pressing his lips to mine too quickly for my taste. "Because." Another kiss. "You're." Oh, one more. "My girl." Two kisses this time. "And it doesn't feel right for you to pay me for us to work out together. Because I want to be able to kiss you when I want and I can't do that if you're my client."
At least I think that's what he said. I'm not sure I caught anything after him telling me I'm his girl.
"I am? Your girl, I mean?"
He gives my waist a squeeze and I suck in my stomach. "I thought so, unless you're only using me for my make-out abilities."
"You're so -"
"Conceited. I know. But you like it.
”
”
Nyrae Dawn (Measuring Up)
“
There is a difference between helping someone who is disabled, incapable, or otherwise infirm versus helping someone who is resisting growing up and taking care of what every adult (or child, for that matter) has to be responsible for: herself or himself. When you find yourself in any way paying for someone else’s responsibilities, not only are you stuck with a delayed ending, but you are probably harming that person.
”
”
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
“
There is nobody in this country who got rich on his own. Nobody. You built a factory out there? Good for you. But I want to be clear: You moved your goods to market on the roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn't have to worry that marauding bands would come and seize everything at your factory, and hire someone to protect against this, because of the work the rest of us did.
Now look, you built a factory and it turned into something terrific, or a great idea? God bless! Keep a big hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren (A Fighting Chance)
“
You shout at your children. Your boss had shouted at you earlier in the day. His boss probably shouted at him. The chain goes on and would probably end with someone not getting their breakfast on time. We pay our problems forward when the opportunity presents.
”
”
Bana (99 Days)
“
The greatest effects we have on the world are the ones we can never see.
”
”
Chris Matakas (The Tao of Jiu Jitsu)
“
You mustn’t throw them away. Let me have them.
”
”
Diane Samuels (Kindertransport: A Drama (Drama, Plume))
“
So a stray penny is a gift from the universe, but choosing to not pick it up is like … paying it forward?” “Who are we to question the powers that be?
”
”
Marissa Meyer (Instant Karma)
“
Maybe the reason I believe reality is crueler...
... is because I've never really loved?
There was a time when I believed that...
..."Hard work will pay off." or "Your feelings will always reach them."
I don't know if it's a blessing or a curse...
...that I found out that that's a myth.
What should I do...
If that's what it means to become an adult,
it's not necessarily unfortunate, but really mundane.
But it's not like I'm being negative,
I just turned my back and I am moving forward...
-Onodera Ritsu
”
”
Shungiku Nakamura (Sekaiichi Hatsukoi: Die Story von Ritsu Onodera 1)
“
The past may or may not be a foreign country. It may morph or lie still, but its capital is always Regret, and what flushes through it is the grand canal of unfledged desires that feed into an archipelago of tiny might-have-beens that never really happened but aren't unreal for not happening and might still happen though we fear they never will. And I thought of Ole Brit holding back so much, as we all do when we look back to see that the roads we've left behind or not taken have all but vanished. Regret is how we hope to back into our real lives once we find the will, the blind drive and courage, to trade in the life we're given for the life that bears our name and ours only. Regret is how we look forward to things we've long lost yet never really had. Regret is hope without conviction, I said. We're torn between regret, which is the price to pay for things not done, and remorse, which is the cost for having done them. Between one and the other, time plays all its cozy little tricks.
”
”
André Aciman (Enigma Variations)
“
So if we drop the baton, succumbing to an existential catastrophe, we would fail our ancestors in a multitude of ways. We would fail to achieve the dreams they hoped for; we would betray the trust they placed in us, their heirs; and we would fail in any duty we had to pay forward the work they did for us. To neglect existential risk might thus be to wrong not only the people of the future, but the people of the past.
”
”
Toby Ord (The Precipice: ‘A book that seems made for the present moment’ New Yorker)
“
So, you’ve failed many times at many things. That’s okay! Learn, grow, and move forward. With the right attitude and mindset, you can learn a lot from failure. Pay attention and keep on striving! You’ve got this!
”
”
Stephanie Lahart
“
There is nobody in this country who got rich on his own. Nobody. You built a factory out there—good for you.
"But I want to be clear. You moved your goods to market on the roads the rest of us paid for. You hired workers that the rest of us paid to educate...Part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren
“
It's a pivotal, it's a seminal, religious day when you get to both hear and feel your destiny at the same moment, Jim. I got to notice what I'm sure you've noticed long ago, I know, I know you've seen me brought home on occasions, dragged in the door, under what's called the Influence, son, helped in by cabbies at night, I've seen your long shadow grotesquely backlit at the top of the house's stairs I helped pay for, boy: how the drunk and the maimed both are dragged forward out of the arena like a boneless Christ, one man under each arm, feet dragging, eyes on the aether.
”
”
David Foster Wallace (Infinite Jest)
“
We should do that,” he whispered. “Wear flowers in our hair?” I was watching the ceremony and not really paying attention to Luka, despite the warmth of his arm. Tobin’s eldest brother, the head of the household since their father’s death some years ago, had come forward. Skarpin had surprised us by being as garrulous and emotional as Tobin and Ulfrid were silent and controlled. His red beard was a sharp contrast to his shaved head, and he had six earrings in each ear, a sign that he was a wealthy landowner. He took the loaf of bread from the priest and began the traditional praising of the bride’s skills. “No,” Luka said. “We should get married.” Now I gave him my full attention. “What?
”
”
Jessica Day George (Dragon Flight (Dragon Slippers))
“
Much of the oxygen we breathe comes from plants that died long ago. We can give thanks to these ancestors of our present-pay foliage, but we can't give back to them. We can, however, give forward. When we are unable to return the favor, we can pay it forward to someone or something else. Using this approach, we can see ourselves as part of a larger flow of giving and receiving throughout time. Receiving from the past, we can give to the future. When tackling issues such as climate change, the stance of gratitude is a refreshing alternative to guilt or fear as a source of motivation.
”
”
Joanna Macy
“
I made a sudden decision. "and my dog has followed me from town and cought up with us here. I left him with friends, but he must have chewed his rope. here, boy, come to heel."
I'll chew your heel off for you, Nighteyes offerd savagely, but he came, following me out into the cleared yard.
"Damn big dog," Nick observed. He leaned forward. "looks more than half a wolf to me."
"Some in Farrow have told me that. It's a buck breed. We use them for harding sheep."
You will pay for this. I promise you.
In answer I leaned down to pat his shoulder and then scratch his ears. Wag your tail, Nighteyes.
"He's a loyal old dog. I should have known he wouldn't be left behind."
The things i endure for you. He wagged his tail. Once.
”
”
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
“
Her guardian sighed and looked back down at his book. "I can't tell you how much I look forward to these mature and scintillating conversations. Still, when the old Ari pays a visit, let me know."
"Old Ari? I was sarcastic to you before."
"True." He nodded, turning the page on the paperback. "But there was this era bewteen scared, sarcastic Ari and this new-fangled five year old Ari where you were actually a decent person to be around."
Ouch. "Bite me."
Jai grinned slyly and looked up at her from under his lashes. "Just tell me how hard.
”
”
Samantha Young (Scorched Skies (Fire Spirits, #2))
“
I no longer think I lack judgment about men. I will never again say my instincts are poor, no sir, because how do I keep finding this same guy over and over? I am beginning to think I have a very keen sense of judgment, only it would seem that it is on somebody else’s side.
”
”
Catherine Ryan Hyde (Pay It Forward)
“
Still,' whispered Jack, 'you have to keep at it. Overcome the miseries of vomiting and the whirling pit. Pay your dues and work towards the real rewards of big-time adult drinking. Something to look forward to.
”
”
Robert Rankin (The Hollow Chocolate Bunnies of the Apocalypse)
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Let me but live my life from year to year,
With forward face and unreluctant soul,
Not hastening to, nor turning from the goal;
Nor mourning things that disappear
In the dim past, nor holding back in fear
From what the future veils; but with a whole
And happy heart, that pays its toll
To youth and age, and travels on with cheer.
So let the way wind up the hill or down,
Through rough or smooth, the journey will be joy,
Still seeking what I sought when but a boy --
New friendship, high adventure, and a crown,
I shall grow old, but never lose life's zest,
Because the road's last turn will be the best.
”
”
Henry Van Dyke (The Poems of Henry Van Dyke)
“
In fact, I shall drink several, and perchance the wine will send me straight to Paradise that I may meet her in person and …”
Friar Lorenzo sprung forward and hissed, for no apparent reason, “Before it throws you from grace, Messer Romeo, bridle your tongue!”
The young man grinned, “… pay my respects.
”
”
Anne Fortier (Juliet)
“
The boys broke off in private conversation, satisfied with their decision to move forward. Jennifer stared at them, through them, trepidation inching into her psyche. Is this the right decision? Are they mature enough to handle this? Do they seriously understand what they're sighing up for? Do I? She would be with them every step of the way. If there were any signs the litigation was harming her kids, she'd shut it down. Gerry Bartholomew! This bastard must pay—he must be stopped, We'll blow the lid off this whole affair . . . won't we?
”
”
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
“
To say it for those who know how to explain a thing: women have the intelligence, men the heart and passion. This is not contradicted by the fact that men actually get so much farther with their intelligence: they have the deeper, more powerful drives; these take their intelligence, which is in itself something passive, forward. Women are often privately amazed at the great honor men pay to their hearts. When men look especially for a profound, warm-hearted being, in choosing their spouse, and women for a clever, alert, and brilliant being, one sees very clearly how a man is looking for an idealized man, and a woman for an idealized woman--that is, not for a complement, but for the perfection of their own merits.
”
”
Friedrich Nietzsche (Human, All Too Human/Beyond Good and Evil)
“
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly.
“Don’t bother, Van,” he demanded, pokerfaced.
“I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it.
Those brown eyes blinked. “You just flipped him off, didn’t you?”
Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be.
“I know everything.” He said it like he really believed it.
I groaned and cast him a long look. “You really want to play this game?”
“I play games for a living, Van.”
I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?”
He stared at me.
“See?”
“March third, Muffin.”
What in the hell?
“See?” he mocked me.
Who was this man and where was the Aiden I knew?
“How old am I?” I kept going hesitantly.
“Twenty-six.”
“How do you know this?” I asked him slowly.
“I pay attention,” The Wall of Winnipeg stated.
I was starting to think he was right.
Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?”
Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.”
“I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.”
A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?”
The expression on his face was like he was torn between being okay with the idea and being completely against it.
Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.”
He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me…
And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?”
Aiden Graves, husband of mine, said it, “Me.”
Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.”
What the hell had I just said? What in the ever-loving hell had I just said?
“If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
You know, this always happens. Whenever I go away, I always think I'll come back to mountains of exciting posts, with parcels and telegrams and letters full of scintillating news - and I'm always disappointed. In fact, I really think someone should set up a company called holidaypost.com which you would pay to write you loads of exciting letters, just so you had something to look forward to when you got home.
”
”
Sophie Kinsella (Shopaholic Takes Manhattan (Shopaholic, #2))
“
The Dream by Mark Baker
A man lay on his bed at the end of his life waiting to die.
His dream came to pay his last respects
and bid farewell to the man who had never used it.
As it entered the room the man looked down in shame.
"Why did you not realize me?" the dream asked.
"Because I was afraid," the man said.
"Afraid of what," said the dream.
"I was afraid I would fail."
"But haven't you failed by not attempting to use me?".
"Yes I did, but I always thought there would be tomorrow."
"You Fool!" said the dream" Did it never occur to you
that there was only ever today? the moment that you are in right now?
Do you think that now that death is here
that you can put it off until tomorrow?".
"No", said the man, a tear gently rolling down his cheek.
The dream was softer now, because it knew that there were two types of pain,
the pain of discipline and the pain of regret,
and while discipline weighs ounces, regret weighs pounds.
Then the dream leant forward to gently wipe away the tear and said,
" You need only have taken the first step
and I would have taken one to meet you,
for the only thing that ever separated us
was the belief in your mind that you couldn't have me".
Then they said goodbye and they both died.
”
”
Mark Baker
“
I believe that it’s this optimism about the future that sets us apart as a people, this optimism that makes America an exceptional nation. We built this country by striking out on new adventures and propelling ourselves forward on a path we named progress. Along the way, we learned that when we invest in one another, when we build schools and roads and research labs, we build a better future—a better future for ourselves and our children and our grandchildren. Equality. Opportunity. The pursuit of happiness. An America that builds something better for the next kid and the kid after that and the kid after that. No one is asking for a handout. All we want is a country where everyone pays a fair share, a country where we build opportunities for all of us; a country where everyone plays by the same rules and everyone is held accountable. And we have begun to fight for it. I believe in us. I believe in what we can do together, in what we will do together. All we need is a fighting chance.
”
”
Elizabeth Warren (A Fighting Chance)
“
I am indeed thrown arbitrarily into history. I therefore choose to voluntarily shoulder the responsibility of my advantages and the burden of my disadvantages—like every other individual. I am morally bound to pay for my advantages with my responsibility. I am morally bound to accept my disadvantages as the price I pay for being. I will therefore strive not to descend into bitterness and then seek vengeance because I have less to my credit and a greater burden to stumble forward with than others.
”
”
Jordan B. Peterson (The Gulag Archipelago 1918–1956 (Abridged))
“
I haven’t quite thought of it that way, but as always, the man has a point. How we frame something affects not just our thinking but our emotional state. It may seem a small deal, but the words we select—the ones we filter out and the ones we eventually choose to put forward—are a mirror to our thinking. Clarity of language is clarity of thought—and the expression of a certain sentiment, no matter how innocuous it seems, can change your learning, your thinking, your mindset, your mood, your whole outlook
”
”
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
“
When you believe in someone you profoundly increase their ability to have faith in themselves and achieve. When you love someone you imprint on their heart something so powerful that it changes the trajectory of their life. When you do both, you set into motion, a gift to the world…because those who are believed in and loved understand the beauty of a legacy and the absolute duty of paying it forward. ~ Jason Versey
”
”
Jason Versey (A Walk with Prudence)
“
Continue to act thus, my dear Lucilius – set yourself free for your own sake; gather and save your time, which till lately has been forced from you, or filched away, or has merely slipped from your hands. Make yourself believe the truth of my words, – that certain moments are torn from us, that some are gently removed, and that others glide beyond our reach. The most disgraceful kind of loss, however, is that due to carelessness. Furthermore, if you will pay close heed to the problem, you will find that the largest portion of our life passes while we are doing ill, a goodly share while we are doing nothing, and the whole while we are doing that which is not to the purpose. What man can you show me who places any value on his time, who reckons the worth of each day, who understands that he is dying daily? For we are mistaken when we look forward to death; the major portion of death has already passed. Whatever years be behind us are in death's hands.
”
”
Seneca (Letters From A Stoic: Epistulae Morales AD Lucilium (Illustrated. Newly revised text. Includes Image Gallery + Audio): All Three Volumes)
“
I went in; I closed the door. I sat down on the bed. Blackest space extended before me. I was not in this blackness, but at the edge of it, and I confess that it is terrifying. It is terrifying because there is something in it which scorns man and which man cannot endure without losing himself. But he must lose himself; and whoever resists will founder, and whoever goes forward will become this very blackness, this cold and dead and scornful thing in the very heart of which lives the infinite. This blackness stayed next to me, probably because of my fear: this fear was not the fear people know about, it did not break me, it did not pay any attention to me, but wandered around the room the way human things do. A great deal of patience is required if thought, when it has been driven down into the depths of the horrible, is to rise little by little and recognize us and look at us. But I still dreaded that look. A look is very different from what one might think, it has neither light nor expression nor force nor movement, it is silent, but from the heart of the strangeness its silence crosses worlds and the person who hears that silence is changed.
”
”
Maurice Blanchot (Death Sentence)
“
You might be looking forward to working, falling in love, marrying, raising a family. You are told that you should expect to find a job paying so much, where your hours are so much, where your responsibilities are so much.
That is what is expected of you. And if you live up to it, it will be an awful waste.
If you expect that, you will be limiting yourself.
”
”
Adrian Tan
“
It is an age lurching along the lip of a dark precipice, peeking fearfully into chaos's empty eyes, enrapt, like a giddy rat trying to stare down a hungry cobra. The gods are restless, tossing and turning and wakening in snippets to conspire at mischief. Their bastard offspring, the hundred million spirits of rock and brook and tree, of place and time and emotion, find old constraints are rotting. The Postern of Fate stands ajar. The world faces an age of fear, of conflict, of grand sorcery, of great change, and of greater despair amongst mortal men. And the cliffs of ice creep forward.
Great kings walk the earth. They cannot help but collide. Great ideas sweep back and forth aross the face of a habitable world that is shrinking. Those cannot help but fire hatred and fear amongst adherents of dogmas and doctrines under increasing pressure.
As always, those who do the world's work most dearly pay the price of the world's pain.
”
”
Glen Cook (The Tyranny of the Night (Instrumentalities of the Night, #1))
“
Then in the long days on board ship, when the vessel, gliding on with security over the azure sea, required no care but the hand of the helmsman, thanks to the favorable winds that swelled her sails, Edmund, with chart in hand, became the instructor of Jacopo, as the poor Abbé Faria had been his tutor. He pointed out to him the bearings of the coast, explained to him the variations of the compass, and taught him to read in that vast book opened over our heads which they call heaven, and where God writes in azure with letters of diamonds.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
It is a measure of a nation their cunning! It is a measure of a nation their strength! And it is a measure of a nation," I leaned forward and screeched, "their mercy!" I leaned back and surveyed the crowd and for some bizarre reason kept right on shouting. The condemned you see before you have been tried justly and meet their sentence fairly. They have done wrong and they will pay for it. But I am not the Winter Princess of a nation who does not see that even the condemned deserve to be treated with respect as they face death. You may think they do not deserve it but it is your duty as Lunwynians to rise above their actions
not
fall to their depths. They will hang for their crimes and you will watch this sentence carried out.How could that not be enough for you?"
I tore my eyes away from the now whispering crowd as those close sent my words far,feeling Frey’s arm still tight around my middle but I ignored it and looked down at the scaffold.
Bring her to her feet,” I ordered the guardstanding around Viola and they shifted andstared up at me in stupefaction so I snapped,“
Bring her to her feet!
”They jumped toward Viola who I avoidedlooking at as they helped her up and movedher to her noose. Instead, I looked back tothe crowd and, yep, you guessed it, kept right on shouting.
"Today, you witness something infinitely sad. Three people who have gone wrong somewhere in their lives, done wrong be-cause of it and therefore are paying the ulti-mate price. Do not stand there shouting and jeering, demonstrating that they were right to move against this great nation, those for-tunate enough to inhabit her ice-bound earth and those privileged to wear her crowns.Stand there and, as the Lunwynians I know you to be, stand strong, stand proud and stand filled with mercy.
”
”
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
“
Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away.
This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.
”
”
Nuruddin Farah
“
I’m also really sorry that I’ve been so rude to you. I’m not normally. I don’t know where all the sarcasm comes from.”
Ren raised an eyebrow.
“Okay. I have a cynical, evil side that is normally hidden. But when I’m under great stress or extremely desperate, it comes out.”
He set down my foot, picked up the other one, and began massaging it with his thumbs. He didn’t say anything, so I continued, “Being cold-hearted and nasty was the only thing I could do to push you away. It was kind of a dense mechanism.”
“So you admit you were trying to push me away.”
“Yes. Of course.”
“And it’s because you’re a radish.”
Frustrated, I said, “Yes! Now that you’re a man again, you’ll find someone better for you, someone who complements you. It’s not your fault. I mean, you’ve been a tiger so long that you just don’t know how the world works.”
“Right. And how does the world work, Kelsey?”
I could hear the frustration in his voice but pressed on. “Well, not to put too fine a point on it, but you could be going out with some supermodel-turned-actress. Haven’t you been paying attention?”
Angrily, he shouted, “Oh, yes, indeed I am paying attention! What you are saying is that I should be a stuck-up, rich, shallow, libertine who cares only about wealth, power, and bettering my status. That I should date superficial, fickle, pretentious, brainless women who care more about my connections than they do about me. And that I am not wise enough, or up-to-date enough, to know who I want or what I want in life! Does that sum it up?”
I squeaked out a small, “Yes.”
“You truly feel this way?”
I flinched. “Yes.” Ren leaned forward. “Well, you’re wrong, Kelsey. Wrong about yourself and wrong about me!”
He was livid. I shifted uncomfortably while he went on.
“I know what I want. I’m not operating under any delusions. I’ve studied people from a cage for centuries, and that’s given me ample time to figure out my priorities. From the first moment I saw you, the first time I heard your voice, I knew you were different. You were special. The first time you reached your hand into my cage and touched me, you made me feel alive in a way I’ve never felt before.”
“Maybe it’s all just a part of the curse. Did you ever think of that? Maybe these aren’t your true feelings. Maybe you sensed that I was the one to help you, and you’ve somehow misinterpreted your emotions.”
“I highly doubt it. I’ve never felt this way about anyone, even before the curse.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The situation is established not only to provoke defensiveness but to sidetrack the reformer into answering the wrong questions.... In this, the pattern of discourse resembles that of dinnertime conversations about feminism in the early 1970s. Questions of definition often predominate. Whereas feminists were parlaying questions which trivialized feminism such as "Are you one of those bra burners?" vegetarians must define themselves against the trivializations of "Are you one of those health nuts?" or "Are you one of those animal lovers?" While feminists encountered the response that "men need liberation too," vegetarians are greeted by the postulate that "plants have life too." Or to make the issue appear more ridiculous, the position is forwarded this way: "But what of the lettuce and tomato you are eating; they have feelings too!"
The attempt to create defensiveness through trivialization is the first conversational gambit which greets threatening reforms. This pre-establishes the perimeters of discourse. One must explain that no bras were burned at the Miss America pageant, or the symbolic nature of the action of that time, or that this question fails to regard with seriousness questions such as equal pay for equal work. Similarly, a vegetarian, thinking that answering these questions will provide enlightenment, may patiently explain that if plants have life, then why not be responsible solely for the plants one eats at the table rather than for the larger quantities of plants consumed by the herbivorous animals before they become meat? In each case a more radical answer could be forwarded: "Men need first to acknowledge how they benefit from male dominance," "Can anyone really argue that the suffering of this lettuce equals that of a sentient cow who must be bled out before being butchered?" But if the feminist or vegetarian responds this way they will be put back on the defensive by the accusation that they are being aggressive. What to a vegetarian or a feminist is of political, personal, existential, and ethical importance, becomes for others only an entertainment during dinnertime.
”
”
Carol J. Adams (The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory)
“
Henry David Thoreau, Susan B. Anthony, W. E. B. DuBois, and Lyndon B. Johnson are just a few of the famous Americans who taught. They resisted the fantasy of educators as saints or saviors, and understood teaching as a job in which the potential for children’s intellectual transcendence and social mobility, though always present, is limited by real-world concerns such as poor training, low pay, inadequate supplies, inept administration, and impoverished students and families. These teachers’ stories, and those of less well-known teachers, propel this history forward and help us understand why American teaching has evolved into such a peculiar profession, one attacked and admired in equal proportion.
”
”
Dana Goldstein (The Teacher Wars: A History of America's Most Embattled Profession)
“
You are not going to pass off your many ineptitudes on the students of Hogwarts. I shall not permit it.”
“Excuse me?”
Amycus moved forward until he was offensively close to Professor McGonagall, his face within inches of hers. She refused to back away, but looked down at him as if he were something disgusting she had found stuck to a lavatory seat.
“It’s not a case of what you’ll permit, Minerva McGonagall. Your time’s over. It’s us what’s in charge here now, and you’ll back me up or you’ll pay the price.”
And he spat in her face.
Harry pulled the Cloak off himself, raised his wand, and said, “You shouldn’t have done that.”
As Amycus spun around, Harry shouted, “Crucio!”
The Death Eater was lifted off his feet. He writhed through the air like a drowning man, thrashing and howling in pain, and then, with a crunch and a shattering of glass, he smashed into the front of a bookcase and crumpled, insensible, to the floor.
“I see what Bellatrix meant,” said Harry, the blood thundering through his brain, “you need to really mean it.”
“Potter!” whispered Professor McGonagall, clutching her heart. “Potter--you’re here! What--? How--?” She struggled to pull herself together. “Potter, that was foolish!”
“He spat at you,” said Harry.
“Potter, I--that was very--very gallant of you--but don’t you realize--?”
“Yeah, I do,” Harry assured her. Somehow her panic steadied him. “Professor McGonagall, Voldemort’s on the way.”
“Oh, are we allowed to say the name now?” asked Luna with an air of interest, pulling off the Invisibility Cloak. This appearance of a second outlaw seemed to overwhelm Professor McGonagall, who staggered backward and fell into a nearby chair, clutching at the neck of her old tartan dressing gown.
“I don’t think it makes any difference what we call him,” Harry told Luna. “He already knows where I am.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
There is nobody in this country who got rich on his own. Nobody. You built a factory out there? Good for you. But I want to be clear: You moved your goods to market on the roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn’t have to worry that marauding bands would come and seize everything at your factory, and hire someone to protect against this, because of the work the rest of us did. Now look, you built a factory and it turned into something terrific, or a great idea? God bless! Keep a big hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren (A Fighting Chance)
“
You must determine where you have been in your life, so that you can know where you are now. If you don’t know where you are, precisely, then you could be anywhere. Anywhere is too many places to be, and some of those places are very bad. You must determine where you have been in your life, because otherwise you can’t get to where you’re going. You can’t get from point A to point B unless you are already at point A, and if you’re just “anywhere” the chances you are at point A are very small indeed. You must determine where you are going in your life, because you cannot get there unless you move in that direction. Random wandering will not move you forward. It will instead disappoint and frustrate you and make you anxious and unhappy and hard to get along with (and then resentful, and then vengeful, and then worse). Say what you mean, so that you can find out what you mean. Act out what you say, so you can find out what happens. Then pay attention. Note your errors. Articulate them. Strive to correct them. That is how you discover the meaning of your life. That will protect you from the tragedy of your life. How could it be otherwise? Confront the chaos of Being. Take aim against a sea of troubles. Specify your destination, and chart your course. Admit to what you want. Tell those around you who you are. Narrow, and gaze attentively, and move forward, forthrightly. Be precise in your speech.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
Massachusetts senator Elizabeth Warren put it eloquently: “There is nobody in this country who got rich on his own. Nobody. You built a factory out there, good for you. But, I want to be clear: you moved your goods to market on the roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn’t have to worry that marauding bands would come and seize everything at your factory and hire someone to protect against this because of the work the rest of us did. Now look, you built a factory and it turned into something terrific or a great idea. God bless. Keep a big hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Anu Partanen (The Nordic Theory of Everything: In Search of a Better Life)
“
But still, it was not the desire to ‘write’ that was his real motive. To get out of the money-world—that was what he wanted. Vaguely he looked forward to some kind of moneyless, anchorite existence. He had a feeling that if you genuinely despise money you can keep going somehow, like the birds of the air. He forgot that the birds of the air don’t pay room-rent. The poet starving in a garret—but starving, somehow, not uncomfortably—that was his vision of himself.
The next seven months were devastating. They scared him and almost broke his spirit. He learned what it means to live for weeks on end on bread and margarine, to try to ‘write’ when you are half starved, to pawn your clothes, to sneak trembling up the stairs when you owe three weeks’ rent and your landlady is listening for you. Moreover, in those seven months he wrote practically nothing. The first effect of poverty is that it kills thought. He grasped, as though it were a new discovery, that you do not escape from money merely by being moneyless. On the contrary, you are the hopeless slave of money until you have enough of it to live on—a ‘competence’, as the beastly middle-class phrase goes.
”
”
George Orwell (Keep the Aspidistra Flying)
“
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies.
I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony.
And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
You and I should play sometime. I think you would like it,' she said." It's a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces - the pawns - are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play I protect my pawns.'... 'They may be weak when the game begins, but their potential is remarkable. Most of the time, they'll be taken by the other side and held captive until the end of the game. But if you're careful - if you keep your eyes open and pay attention to what your oppenent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?' I shook my head, and she smiled.
"Your pawn becomes a queen."... 'Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game.
”
”
Aimee Carter (Pawn (The Blackcoat Rebellion, #1))
“
Telltale Signs That You Grew Up as a “Little Adult” It’s often so difficult for adult daughters to step back and see how they were put into the adult helper role. To help you recognize if this dynamic echoes your experience, I’ve created a pair of checklists to help you identify how mothering your mother shaped and influenced a significant part of your life. When you were a child did you: • Believe that your most important job in life was to solve your mother’s problems or ease her pain—no matter what the cost to you? • Ignore your own feelings and pay attention only to what she wanted and how she felt? • Protect her from the consequences of her behavior? • Lie or cover up for her? • Defend her when anyone said anything bad about her? • Think that your good feelings about yourself depended on her approval? • Have to keep her behavior secret from your friends? As an adult, do these statements ring true for you: • I will do anything to avoid upsetting my mother, and the other adults in my life. • I can’t stand it if I feel I’ve let anyone down. • I am a perfectionist, and I blame myself for everything that goes wrong. • I’m the only person I can really count on. I have to do things myself. • People like me not for myself but for what I can do for them. • I have to be strong all the time. If I need anything or ask for help, it means I’m weak. • I should be able to solve every problem. • When everyone else is taken care of, I can finally have what I want. • I feel angry, unappreciated, and used much of the time, but I push these feelings deep inside myself.
”
”
Susan Forward (Mothers Who Can't Love: A Healing Guide for Daughters)
“
Sarah smelled chocolate on Lucy's breath as she leaned forward to plant a soft kiss on the tip of her cute little nose. A vision came to her as her lips touched Lucy's skin, a sudden vivid awareness of the life they'd lead together from here on out, the hothouse intimacy of a single mother and her only child, the two of them sharing everything, breathing the same air, inflicting their moods on each other, best friends and bitter rivals, competing for attention, relying on each other for companionship and emotional support, forming the intense, convoluted, and probably unhealthy bond that for better and worse would become the center of both of their identities, fodder for years of therapy, if they could ever figure out a way to pay for it. It wasn't going to be an easy future, Sarah understood that, but it felt REAL to her -- so palpable and close at hand, so in keeping with what she knew of her own life -- that it almost seemed inevitable, the place they'd been heading all along. It was enough to make her wonder how she'd ever managed to believe in the alternate version, the one where the Prom King came and made everything better.
”
”
Tom Perrotta (Little Children)
“
Another view of the Constitution was put forward early in the twentieth century by the historian Charles Beard (arousing anger and indignation, including a denunciatory editorial in the New York Times). He wrote in his book An Economic Interpretation of the Constitution: Inasmuch as the primary object of a government, beyond the mere repression of physical violence, is the making of the rules which determine the property relations of members of society, the dominant classes whose rights are thus to be determined must perforce obtain from the government such rules as are consonant with the larger interests necessary to the continuance of their economic processes, or they must themselves control the organs of government. In short, Beard said, the rich must, in their own interest, either control the government directly or control the laws by which government operates. Beard applied this general idea to the Constitution, by studying the economic backgrounds and political ideas of the fifty-five men who gathered in Philadelphia in 1787 to draw up the Constitution. He found that a majority of them were lawyers by profession, that most of them were men of wealth, in land, slaves, manufacturing, or shipping, that half of them had money loaned out at interest, and that forty of the fifty-five held government bonds, according to the records of the Treasury Department. Thus, Beard found that most of the makers of the Constitution had some direct economic interest in establishing a strong federal government: the manufacturers needed protective tariffs; the moneylenders wanted to stop the use of paper money to pay off debts; the land speculators wanted protection as they invaded Indian lands; slaveowners needed federal security against slave revolts and runaways; bondholders wanted a government able to raise money by nationwide taxation, to pay off those bonds. Four groups, Beard noted, were not represented in the Constitutional Convention: slaves, indentured servants, women, men without property. And so the Constitution did not reflect the interests of those groups. He wanted to make it clear that he did not think the Constitution was written merely to benefit the Founding Fathers personally, although one could not ignore the $150,000 fortune of Benjamin Franklin, the connections of Alexander Hamilton to wealthy interests through his father-in-law and brother-in-law, the great slave plantations of James Madison, the enormous landholdings of George Washington. Rather, it was to benefit the groups the Founders represented, the “economic interests they understood and felt in concrete, definite form through their own personal experience.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help.
"You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay."
Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe."
He had an awful suspicion she agreed more to soothe him than because she believed what he said.
Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him.
Women.
Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place.
He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance.
Joe touched the tangled mop of blond hair. "Austin?"
Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful."
That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
”
”
Lori Foster (Say No To Joe? (Visitation, North Carolina, #1))
“
It is not that the historian can avoid emphasis of some facts and not of others. This is as natural to him as to the mapmaker, who, in order to produce a usable drawing for practical purposes, must first flatten and distort the shape of the earth, then choose out of the bewildering mass of geographic information those things needed for the purpose of this or that particular map.
My argument cannot be against selection, simplification, emphasis, which are inevitable for both cartographers and historians. But the map-maker's distortion is a technical necessity for a common purpose shared by all people who need maps. The historian's distortion is more than technical, it is ideological; it is released into a world of contending interests, where any chosen emphasis supports (whether the historian means to or not) some kind of interest, whether economic or political or racial or national or sexual.
Furthermore, this ideological interest is not openly expressed in the way a mapmaker's technical interest is obvious ("This is a Mercator projection for long-range navigation-for short-range, you'd better use a different projection"). No, it is presented as if all readers of history had a common interest which historians serve to the best of their ability. This is not intentional deception; the historian has been trained in a society in which education and knowledge are put forward as technical problems of excellence and not as tools for contending social classes, races, nations.
To emphasize the heroism of Columbus and his successors as navigators and discoverers, and to de-emphasize their genocide, is not a technical necessity but an ideological choice. It serves- unwittingly-to justify what was done. My point is not that we must, in telling history, accuse, judge, condemn Columbus in absentia. It is too late for that; it would be a useless scholarly exercise in morality. But the easy acceptance of atrocities as a deplorable but necessary price to pay for progress (Hiroshima and Vietnam, to save Western civilization; Kronstadt and Hungary, to save socialism; nuclear proliferation, to save us all)-that is still with us. One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts, as radioactive wastes are buried in containers in the earth. We have learned to give them exactly the same proportion of attention that teachers and writers often give them in the most respectable of classrooms and textbooks. This learned sense of moral proportion, coming from the apparent objectivity of the scholar, is accepted more easily than when it comes from politicians at press conferences. It is therefore more deadly.
The treatment of heroes (Columbus) and their victims (the Arawaks)-the quiet acceptance of conquest and murder in the name of progress-is only one aspect of a certain approach to history, in which the past is told from the point of view of governments, conquerors, diplomats, leaders. It is as if they, like Columbus, deserve universal acceptance, as if they-the Founding Fathers, Jackson, Lincoln, Wilson, Roosevelt, Kennedy, the leading members of Congress, the famous Justices of the Supreme Court-represent the nation as a whole. The pretense is that there really is such a thing as "the United States," subject to occasional conflicts and quarrels, but fundamentally a community of people with common interests. It is as if there really is a "national interest" represented in the Constitution, in territorial expansion, in the laws passed by Congress, the decisions of the courts, the development of capitalism, the culture of education and the mass media.
”
”
Howard Zinn (A People’s History of the United States: 1492 - Present)
“
Lilith is the Wild Woman within every woman who would rather become notorious than be refrained from bathing in the sea, howling at the moon, dancing in the forest, and making love to life itself. Lilith knows that it is only through setting your boundaries that you can set yourself free.
She knows the price both the Goddess and Her daughters pay to honor their ways, for She is not the only one to suffer condemnation by those who fear feminine power. Like Her, they defamed Her sisters too: magical Hecate became the baby-killing hag and wicked witch, and mystical Mary Magdalene was turned into the sinful whore.
Know this: there is nothing more threatening to those enslaved by their fears than someone who dares to live freely.
And live freely you must. As a bird-snake Goddess who dwells in the dark depths of your holy yoni and crown, Lilith compels you to harness your untapped life-force energy to do all that you wish to do without explanation or apology.
Far from being the deceptive serpent, Lilith is the wise liberator. And She is on Eve’s side. Of course She wants her (and everyone) to “be like God,” for She knows that we are the embodiment of the Divine.
She wants to free Eve and every woman (and man) from the illusion of the perfect life that comes at the price of blind obedience. She invites us to bite into the forbidden fruit of knowledge so that we may be free to think for ourselves and decide for ourselves what is right and what is wrong. She knows this comes with responsibility and consequence, and She emboldens you to take it on.
Yes, Lilith wants you to be God-like, to have Divine authority and will in your own life. She calls you to leap boldly forward as you take the inspired action you need to take to live your most physically- and spiritually-free life. Those who live freely will join you. Those who don’t will no longer have the power to hold you back.
”
”
Syma Kharal (Goddess Reclaimed: 13 Initiations to Unleash Your Sacred Feminine Power (Flourishing Goddess))
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Look ahead
It’s tempting to go through life looking in the rearview mirror. When you are always looking back, you become focused on what didn’t work out, on who hurt you, and on the mistakes you’ve made, such as:
“If only I would have finished college.”
“If only I’d spent more time with my children.”
“If only I’d been raised in a better environment.”
As long as you’re living in regret, focused on the negative things of the past, you won’t move ahead to the bright future God has in store. You need to let go of what didn’t work out. Let go of your hurts and pains. Let go of your mistakes and failures.
You can’t do anything about the past, but you can do something about right now. Whether it happened twenty minutes ago or twenty years ago, let go of the hurts and failures and move forward. If you keep bringing the negative baggage from yesterday into today, your future will be poisoned.
You can’t change what’s happened to you. You may have had an unfair past, but you don’t have to have an unfair future. You may have had a rough start, but it’s not how you start, it’s how you finish.
Don’t let a hurtful relationship sour your life. Don’t let a bad break, a betrayal, a divorce, or a bad childhood cause you to settle for less in life. Move forward and God will pay you back.
Move forward and God will vindicate you. Move forward and you’ll come into a new beginning. Nothing that’s happened to you is a surprise to God. The loss of a loved one didn’t catch God off guard. God’s plan for your life did not end just because your business didn’t make it, or a relationship failed, or you had a difficult child.
Here’s the question: Will you become stuck and bitter, fall into self-pity, blame others, and let the past poison your future? Or will you shake it off and move forward, knowing your best days are still ahead?
The next time you are in your car, notice that there’s a big windshield in the front and a very small rearview mirror. The reason the front windshield is so big and the rearview mirror is so small is that what’s happened in the past is not nearly as important as what is in your future. Where you’re going is a lot more important than where you’ve been.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
”
”
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
“
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?"
He stared at Chelsea with bewilderment and glanced back at Jules for help.
"Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much."
Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team.
"Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight.
"Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you."
"Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!"
"Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that."
Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether.
"Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?"
Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said.
"I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech.
"Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly.
Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed.
Violet laughed and glanced back at him. "I'll only be a few."
Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long."
Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!"
They all three stopped and turned around.
Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
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Kimberly Derting (The Body Finder (The Body Finder, #1))