Paul Calf Quotes

wisdom needs no violence...As it is we have played at war – that’s what’s vile! We play at magnanimity and all that stuff. Such magnanimity and sensibility are like the magnanimity and sensibility of a lady who faints when she sees a calf being killed: she is so kindhearted that she can’t look at blood, but enjoys eating the calf served up with sauce…If there was none of this magnanimity in war, we should go to war only when it was worth while going to certain death, as it is now. Then there would not be war because Paul Ivanovich had offended Michael Ivanovich.

One summer Paul took Steve to Wisconsin to visit the family’s dairy farm. Rural life did not appeal to Steve, but one image stuck with him. He saw a calf being born, and he was amazed when the tiny animal struggled up within minutes and began to walk. “It was not something she had learned, but it was instead hardwired into her,” he recalled. “A human baby couldn’t do that. I found it remarkable, even though no one else did.” He put it in hardware-software terms: “It was as if something in the animal’s body and in its brain had been engineered to work together instantly rather than being learned.

authority. What we face now is the “sinner’s prayer.” And I am here to tell you, if there is anything I have declared war on, it is the sinner’s prayer. Yes, in the same way that dependence upon infant baptism for salvation,[29] in my opinion, was the golden calf [30] of the Reformation, the sinner’s prayer is the golden calf of today for the Baptists, the Evangelicals, and everyone else who has followed them. The sinner’s prayer has sent more people to hell than anything on the face of the earth! You say, “How can you say such a thing?” I answer: Go with me to Scripture and show me, please! I would love for you to show me where anyone evangelized that way. The Scripture does not tell us that Jesus Christ came to the nation of Israel and said, “The time is fulfilled, and the kingdom of God is at hand, now who would like to ask me into their hearts? I see that hand.” That is not what it says. He said, “Repent and believe the gospel” (Mar 1:15)! Men today are trusting in the fact that at least one time in their life they prayed a prayer, and someone told them they were saved because they were sincere enough. And so if you ask them, “Are you saved?” they do not say, “Yes I am, because I am looking unto Jesus and there is mighty evidence giving me assurance of being born again.” No!—they say instead, “One time in my life I prayed a prayer.” Now they live like devils, but they prayed a prayer!

You might, for example, be excused for declining an invitation to dinner when the menu offered was dead calf with fungus in heated dough, scorched ground tubers, and cabbage stalks, all swilled down with rotten grape juice, and topped off with the dust of burnt berries in scalding water diluted with congealed oozings from the udders of a cow. You might well decline such a bill of fare but you would miss an excellent meal of veal and mushrooms, roast potatoes and spring greens, chased by a bottle of hock and finished with a steaming cup of coffee and cream. What's in a name? Just about everything.

All finished. Don’t look, though. You and your man must be surprised together.” “Siena,” Cass cautioned quickly. “He is not my man.” “If he looked at me the way he looks at you, I would not be so quick to denounce him,” Siena teased, her eyes brightening in a way that reminded Cass quite a bit of Feliciana. She stepped back from Cass and gave a satisfied nod. “And now--for me. Shall I change into something more revealing as well?” Cass realized that Siena intended to accompany her. “I--I think it’s better if Falco and I go off on our own.” Siena’s flawless skin paled. “Unchaperoned? But that’s unacceptable. If your aunt found out, she’d run me out of the villa, if she didn’t kill me first.” So true. Cass could just hear Agnese shrieking about what Matteo would think. “She won’t find out,” Cass promised. “She’ll be gone for days. And I won’t make a very realistic prostitute with a maidservant in tow.” Cass didn’t bother to point out that of all the rules she might break that evening, departing with Falco unchaperoned was the very least of them. Siena agreed reluctantly, but her good mood had vanished. She led Cass back to the portego, to where Falco waited. A slow smile spread over the boy’s face. “Almost perfect,” he murmured. He bent down and gave the seam of Cass’s dress a yank. Cass yelped. The shiny fabric slit up the side so that a hint of her shapely calf peeped out. “Now it’s perfect.” Cass glared at him. Siena gasped, then clapped a hand over her mouth. “Please be careful,” she begged. “Your aunt would never forgive me…” Falco flashed his dazzling smile at the lady’s maid. “Nothing bad will happen to her. You have my word.

found a registered two-thousand-pound prize Seminole bull with a note that said, “Here’s that calf I owe you.” Faron took the bull out to pasture, where he and his partner Jimmy C. Newman, a star of the Grand Ole Opry, used it for breeding for years. Tootsie’s was the launching pad for all kinds of grand connections. One night I spotted Charlie Dick. He was Patsy Cline’s husband and manager. I had with me a copy of “Night Life” that I’d cut with Paul Buskirk in

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At a more material level, one might better accuse communists of fashioning a golden calf than channeling an unclean spirit. What communists effectively bowed down to was just that: a material idol forged and focused on money, property, gold. It was not about the soul. The key to the communist-Marxist utopia would be economics. Solve the economic problem, the communists believed, and you would solve the human problem.

In The Archangel Raphael Leaving Tobias' Family, Rembrandt leaves dirt on the shadowed soles of Raphael's feet as he flies off, illuminated in glory. Passing by the painting, one sees the dramatic action, the melodramatic emotions, and the re-created narrative events of the Bible. Slowed down a bit, the viewer sees light across a large muscular calf, a strong and sharply shaped ankle, and then dirty feet. The angel who tells us he only pretended to eat - this to explain away all traces of his apparent earthliness as a fallen creaturely being - is here on the canvas with dirty feet, carrying soil, the created, to the creator. Van Gogh had rightly said there are mysteries in these paintings. They are mysteries of device and design, not of messianic significance. They require a docent and not a priest, a creative critic to guide the view of specific images, not a guardian of mysteries and master of their enigmatic authority. Dirty feet on the soles of an archangel famous for his annunciations give the viewer a point of view on the inescapably human nature of the narrated God. Raphael may no eat. He may believe he creates an illusion to satisfy the religious desire for mythological consistency, but even archangels deceive themselves as well as others. Humans sometimes do the same in inventing the transcendence they need or think they want - creating a regime from which the priestly classes rule, even theorizing the alienation of the divine. Deceit is an essential device of cultural adaptation. It constructs needed beliefs that at high and low levels of thought or action complement their existence with modes of self-defense, which protect them from not only needed analysis but also the importance of failure.