Sulfur Quotes

We've searched our database for all the quotes and captions related to Sulfur. Here they are! All 100 of them:

No one has imagined us. We want to live like trees, sycamores blazing through the sulfuric air, dappled with scars, still exuberantly budding, our animal passion rooted in the city.
Adrienne Rich (The Dream of a Common Language)
Morning, sunshine." Vlad blinked at her. "Morning, sulfuric acid." "Pardon me?" "Well, isn't it just kinda wrong to call a vampire 'sunshine'?
Heather Brewer (Eighth Grade Bites (The Chronicles of Vladimir Tod, #1))
Not entirely fair?" His voice became that of the inferno: a rushing, booming howl of icy evil that flew around the great cavern, as swift and cold as the Wendigo on skates. "I am Satan, also called Lucifer the Light Bearer..." Cabal winced. What was it about devils that they always had to give you their whole family history? "I was cast down from the presence of God himself into this dark, sulfurous pit and condemned to spend eternity here-" "Have you tried saying sorry?" interrupted Cabal. "No, I haven't! I was sent down for a sin of pride. It rather undermines my position if I say 'sorry'!
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
Looking more closely at Earth’s atmospheric fingerprints, human biomarkers will also include sulfuric, carbonic, and nitric acids, and other components of smog from the burning of fossil fuels. If the curious aliens happen to be socially, culturally, and technologically more advanced than we are, then they will surely interpret these biomarkers as convincing evidence for the absence of intelligent life on Earth.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
That would be like making a pact with Lucifer. (Zarek) Yes, but I don’t smell like sulfur. And I happen to dress better. Luc always looks like a pimp. (Dionysus)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
I had concocted the gunpowder myself from niter, sulfur, charcoal, and a happy heart. When working with explosives, I've found that attitude is everything.
Alan Bradley (I Am Half-Sick of Shadows (Flavia de Luce, #4))
What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernandez, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?
Jorge Luis Borges (The Aleph and Other Stories)
My mind is quiet now. There is no fire or ash, no sulfur or shattering glass. Only silence, empty and cold.
Christine Fonseca (Transcend)
Water: 35 Liters. Carbon: 20 Kg. Ammonia: 4 Liters. Lime: 1.5 Kg. Phosphorus: 800 g. Salt: 250 g. Saltpeter: 100g. Sulfur: 80g. Fluorine: 7.5 g. Iron: 5 g. Silicon: 3 g. And 15 other elements in small quantities... That's the total chemical makeup of the average adult body... For that matter, the elements found in a human being... is all junk that you can buy in any market with a child's allowance. Humans are pretty cheaply made. - Edward Elric
Hiromu Arakawa (Fullmetal Alchemist (3-in-1 Edition), Vol. 1)
Now the thought Both of lost happiness and lasting pain Torments him; round he throws his baleful eyes That witnessed huge affliction and dismay Mixed with obdurate pride and steadfast hate: At once as far as angels ken he views The dismal situation waste and wild, A dungeon horrible, on all sides round As one great furnace flamed, yet from those flames No light, but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all; but torture without end Still urges, and a fiery deluge, fed With ever-burning sulfur unconsumed.
John Milton (Paradise Lost)
He says when you're smoking a cigarette with someone, and you have a lighter, you should light their cigarette first. But if you have matches, you should light your cigarette first, so you breathe in the 'harmful sulfur' instead of them. He says it's the polite thing to do. He also says it's bad luck to have "three on a match." He heard that from his uncle who fought in Vietnam. Something about how three cigarettes was enough time for the enemy to know where you are. Bob says that when you're alone, and you light a cigarette, and the cigarette is only halfway lit that means someone is thinking about you.
Stephen Chbosky (The Perks of Being a Wallflower)
then things got even stranger. Mr. Brunner, who'd been out in front of the museum a minute before, wheeled his chair into the doorway of the gallery, holding a pen in his hand. "What ho, Percy!" he shouted, and tossed the pen through the air. Mrs. Dodds lunged at me. With a yelp, I dodged and felt talons slash the air next to my ear. I snatched the ballpoint pen out of the air, but when it hit my hand, it wasn't a pen anymore. It was a sword-Mr. Brunner's bronze sword, which he always used on tourement day. Mrs. Dodds spun toward me with a murderous look in her eyes. My knees were jelly. My hands were shaking so bad I almost dropped the sword. She snarled, "Die, honey!" And she flew straight at me. Absolute terror ran through my body. I did the only thing that came naturally:I swung the sword. The metal blade hit her shoulder and passed through her body as if she were made made of water. Hisss! Mrs. Dodds was a sand castle in a power fan. She exploded into yellow powder, vaporized on the spot, leaving nothing but the smell of sulfur and a dying screech and a chill of evil in the air, as if those two glowing red eyes were still watching me.
Rick Riordan
Demons are a very human creation. You look for ways to explain evil, and instead of seeing it in yourselves, you offload the responsibility onto monsters. The monstrous exists in the mirror, not in the sulfurous depths of some fantasy world.
Kelley Armstrong (Deceptions (Cainsville, #3))
There's the smell of the devil's mischievousness, a pitchfork in your ass and sulfur in your mouth. The Bastard's there, all right, don't doubt it.
Andrew Davidson (The Gargoyle)
Well, that was a beautiful wedding," Beezle said. "The bride has spider goo in her hair and the groom smells like sulfur. the parking-lot-in-front-of-the-burning warehouse location leaves something to be desired, and there was a distinct lack of refreshments, but otherwise, just lovely.
Christina Henry (Black Howl (Black Wings, #3))
I leaned against my door, struggling to catch my breath, and thought that maybe hell wasn't a place at all, but a thing. A contagious thing. A thing that could creep up the steps, seep through the crack under my door, grow horns and sprout fire - smelling faintly like sulfur. A thing that could sink its tendrils inside and take root, coloring everything gray and distorting a smile into a sneer. And while i got dressed for the play, swatted at my back and kept running my hands over my stomach because I could feel it, I swear, I could feel it reaching for me, trying to grab hold.
Megan Miranda (Fracture (Fracture, #1))
Back in medieval times, " I said, "we used oil of vitriol for its healing properties. No doubt that's why Commodus had some in his infirmary. Today we call it sulfuric acid." Meg flinched. "Isn't that dangerous?" "Very." "And you *healed* with it?" "It was the Middle Ages. We were crazy back then.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Think of negative speech as verbal pollution. And that's what I've been doing: visualizing insults and gossip as a dark cloud, maybe one with some sulfur dioxide. Once you've belched it out, you can't take it back. As grandma said, if you don't have anything nice to say, don't say anything at all. The interesting this is, the less often I vocalize my negative thoughts, the fewer negative thoughts I cook up in the first place.
A.J. Jacobs
Rage. Sing, O Muse, of the rage of Achilles, of Peleus’ son, murderous, man-killer, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. And while you’re at it, Muse, sing of the rage of the gods themselves, so petulant and so powerful here on their new Olympos, and of the rage of the post-humans, dead and gone though they might be, and of the rage of those few true humans left, self-absorbed and useless though they have become. While you are singing, O Muse, sing also of the rage of those thoughtful, sentient, serious but not-so-close-to-human beings out there dreaming under the ice of Europa, dying in the sulfur ash of Io, and being born in the cold folds of Ganymede. Oh, and sing of me, O Muse, poor born-against-his-will Hockenberry, dead Thomas Hockenberry, Ph.D., Hockenbush to his friends, to friends long since turned to dust on a world long since left behind. Sing of my rage, yes, of my rage, O Muse, small and insignificant though that rage might be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer Achilles. On second though, O Muse, sing nothing of me. I know you. I have been bound and servant to you, O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit.
Dan Simmons (Ilium (Ilium, #1))
Nobody knew I was done. Nobody cared. But I knew. I felt like a dragon I'd been fighting all my life had just dropped dead at my feet and gasped out its last sulfuric breath. Rest in peace, motherfucker.
Steven Pressfield (The War of Art)
Wherever in this city, screens flicker with pornography, with science-fiction vampires, victimized hirelings bending to the lash, we also have to walk . . . if simply as we walk through the rainsoaked garbage, the tabloid cruelties of our own neighborhoods. We need to grasp our lives inseperable from those rancid dreams, that blurt of metal, those disgraces, and the red begonia perilously flashing from a tenement sill six stories high, or the long-legged young girls playing ball in the junior highschool playground. No one has imagined us. We want to live like trees, sycamores blazing through the sulfuric air, dappled with scars, still exuberantly budding, our animal passion rooted in the city.
Adrienne Rich (Twenty-One Love Poems.)
Maybe that's what Hell is, in the end. All of your wrongful shit played out there in front of you while you're being pumped from behind by someone you've hurt. That you've screwed over in life. Or worse, worse still...some person who doesn't really love you anymore. No one to ever look at again, make contact with. Just you being fucked as your life splashes out across this big headboard in the Devil's bedroom. Maybe. Even if that's not it, even if Hell is all fire and sulfur and that sort of thing, it couldn't be much worse than that.
Neil LaBute (The Mercy Seat: A Play)
Time, sitting on your breastbone like a black-scaled dragon, minutes clicking like claws across the floor, hours gliding past on sulfurous wings.
Alix E. Harrow (The Ten Thousand Doors of January)
I thought I smelled an early hint of the mysterious bittersweet gas that fills Pittsburgh in the summertime, a smell at once industrial and aboriginal, river water and sulfur dioxide, burning tires and the coat of a fox.
Michael Chabon (Wonder Boys)
I stand until there is no sun. I stand until I smell pine through the salt and sulfur. I stand until the moon rises and their mouths close and they are a murder of silver crows. I stand until the forest is a black-knuckled multitude.
Jesmyn Ward (Sing, Unburied, Sing)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
Some people are like gravity; they draw you into a room with a hop in your step and a smile on your face. Others are like the stench of sulfur; they make you scowl and want to swivel on the balls of your feet towards a quick exit. Have you stopped to think if you are gravity or sulfur?
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
It had been branded with a single hoofprint. Though considering the presence of the sulfur smell, I figured we weren’t dealing with a homicidal cow.
Lisa Shearin (The Brimstone Deception (SPI Files, #3))
God forbid we should both go to heaven. Its endlessness would make us hate each other. Better for you to be in heaven and me in hell. We would long for each other, dream of each other, idealize each other. You would rail against God, since he was keeping you from consummating your love. I would send smoke signals from my pit of brimstone - love letters that smelled like sulfur and made you choke. Maybe we would even try to sneak off to purgatory for illicit rendezvous.
Supervert (Necrophilia Variations)
After ripping through The Hobbit, I read The Lord of the Rings, and the darkness of that story enveloped me in a way that is impossible to explain. I was THERE, in a very real sense. The fear was palpable in the presence of the black-cloaked Ringwraiths, and I could taste the sulfurous fumes of Mt. Doom. I could smell the sweat of horses and hot leather and hear the clash of battle as I rode with the Rohan on the fields of the Pelennor. I bled and died with the sun-king, Theoden. I rose again with Eowyn’s defiance of the Witch King. I soared with the Eagles as they swept the broken and bloody body of Frodo and his companion Samwise the Brave from the smoking crags of the fiery mountain. There has never been such a story, and I don’t think there ever shall be again.
Steve Bivans (Be a Hobbit, Save the Earth: the Guide to Sustainable Shire Living)
In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of moldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlors stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulfur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease. The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces.The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter
Patrick Süskind
I have flown twice over Mt St. Helens out on our west coast. I'm not a scientist and I don't know the figures, but I have a suspicion that that one little mountain has probably released more sulfur dioxide into the atmosphere of the world than has been released in the last ten years of automobile driving or things of that kind that people are so concerned about.
Ronald Reagan
Seattle rain smells different from New Orleans rain... New Orleans rain smells of sulfur and hibiscus, trumpet metal, thunder and sweat. Seattle rain, the widespread rain of the Great Northwest, smells of green ice and sumi ink, of geology and silence and minnow breath.
Tom Robbins
Wow-Wow Sauce, a mixture of mature scumble, pickled cucumbers, capers, mustard, mangoes, figs, grated wahooni, anchovy essence, asafetida and, significantly, sulfur and saltpetre for added potency. Ridcully inherited the formula from his uncle who, after half a pint of sauce on a big meal one evening, had a charcoal biscuit to settle his stomach, lit his pipe and disappeared in mysterious circumstances, although his shoes were found on the roof the following summer.
Terry Pratchett (Reaper Man (Discworld, #11))
Tchitcherine: “You mean thiophosphate, don’t you?” Thinks indicating the presence of sulfur…Wimpe: “I mean theophosphate, Vaslav,” indicating the Presence of God.
Thomas Pynchon (Gravity’s Rainbow)
Think how nature makes things compared to how we humans make things." We talked about how animals don't just preserve the next generation; they typically preserve the environment for the ten-thousandth generation. While human industrial processes can produce Kevlar, it takes a temperature of thousands of degrees to do it, and the fiber is pulled through sulfuric acid. In contrast, a spider makes its silk - which per gram is several times stronger than steel - at room temperature in water.
William Powers (Twelve by Twelve: A One-Room Cabin Off the Grid and Beyond the American Dream)
You and the babies have my protection from the Vampyres, Khalil said, his mental voice as smooth as a rope of silk slipping over her neck. At a time of my choosing, you will do anything I ask you to do, for the sum of one favor. Agreed? She gave him a jerky nod. Agreed. Khalil gave Grace a sulfurous smile.
Thea Harrison (Oracle's Moon (Elder Races, #4))
This book was written by a traitor to his class. It is dedicated to bigots everywhere. Ladies and gentlemen of the black shirts, I call upon you to unite, to strike with claws and kitchen pokers, to burn the grub-worms of equality’s brood with sulfur and oil, to huddle together whispering about the silverfish in your basements, to make decrees in your great solemn rotten assemblies concerning what is proper, for you have nothing to lose but your last feeble principles.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High. My companions were Dopey, Toothless, and Joe, the brain surgeons in charge of building maintenance. At least they were getting paid. I was working forty feet above the ground, breathing in sulfur fumes from Satan's vomitorium, for free. Character building, my father said. Mandatory community service, the judge said. Court-ordered restitution for the Foul Deed. He nailed me with the bill for the damage I had done, which meant I had to sell my car and bust my hump at a landscaping company all summer. Oh, and he gave me six months of meetings with a probation officer who thought I was a waste of human flesh. Still, it was better than jail. I pushed the mop back and forth, trying to coat the seams evenly. We didn't want any rain getting into the building and destroying the classrooms. Didn't want to hurt the school. No, sir, we sure didn't.
Laurie Halse Anderson (Twisted)
Things, events, that occupy space yet come to an end when someone dies make us stop in wonder - and yet one thing, or an infinite number of things, dies with every man's or woman's death, unless the universe itself has a memory, as theosophists have suggested. In the course of time there was one day that closed the last eyes that had looked on Christ; the battle of Junín and the love of Helen died with the death of one man. What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernández, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?
Jorge Luis Borges (Collected Fictions)
Whatever else it may be, at the level of chemistry life is curiously mundane: carbon, hydrogen, oxygen, and nitrogen, a little calcium, a dash of sulfur, a light dusting of other very ordinary elements—nothing you wouldn’t find in any ordinary drugstore—and that’s all you need. The only thing special about the atoms that make you is that they make you. That is of course the miracle of life.
Bill Bryson (A Short History of Nearly Everything)
WE HURTLE LIKE A black thunderbolt over a pale waste of silicate dust and sulfur dioxide frost in a starship adorned with electric dragons.
Pierce Brown (Iron Gold)
The nouvelle cuisine of anarchy. Barium nitrate in a sauce of sulfur and garnished with charcoal. That's your basic gunpowder. Bon appetit.
Chuck Palahniuk (Fight Club)
Sun, seeping through the blinds, filled my bedroom with a sulfurous light. I didn't know how long I had slept, but I felt one big twitch of exhaustion.
Sylvia Plath (The Bell Jar)
The smell of burning diesel can be overpowering by itself, a scrambled sulfur-and-egg mixture sometimes described as the scent of Satan cooking breakfast.
Mitchell Zuckoff (13 Hours: The Inside Account of What Really Happened In Benghazi)
THE WATER MRS. ORSON BROUGHT was a shade off clear. It tasted like sulfur and rust, a little like sucking a cut finger.
Charles Frazier (The Trackers)
To say she was bitter fell a wee bit short, like calling sulfuric acid tangy.
David Sosnowski (Happy Doomsday)
Some curses fade and leave nothing but the faintest mark, a tea stain on watered silk. There are those that are so malevolent that, upon defeat, explode in a fiery burst of sulfurous flames, burning everything they touch as they die. Others dissolve like morning mist in the brightness of the midday sun. Some cannot be defeated at all, but feed upon the energy spent trying to vanquish it, growing more and more potent with each failed attempt. And then there are those ancient curses with deceptively simple antidotes that shatter like jagged shards of a vast mirror. These curses may be broken, but never completely destroyed, sharp slivers of light distorted.
Ava Zavora (Belle Noir: Tales of Love and Magic)
Dredge up a hostile, sulfurous silicate lava sink slaloming between two phlegmy suns well into their shuffleboard years, a miserable wad of hell-spit, free-range acid clouds, and the gravitational equivalent of untreated diabetes, a stellar expletive that should never be forced to cope with something as toxic and flammable as a civilization, and before you can say no, stop, don’t, why? the place will be crawling with postcapitalist glass balloons filled with sentient gases all called Ursula.
Catherynne M. Valente (Space Opera (Space Opera, #1))
I am certain, without any doubt, she was meant to be in my life. We belong to each other. I spent too much of my time consumed with what everyone else thinks of my feelings for Darcie, but the truth is, it was always supposed to be this way." ~Reggie Evans
M.S. Brannon (Scarred Love (Sulfur Heights, #1))
As soon as the cold became uncomfortable, Eli had opened his shirt and had a nice long chat with the burn on his chest. Karon was happy to help them stick it to the ice and wind spirits, and he cheerfully kept the air around Eli as warm and dry as a smokehouse. “I only wish it didn’t reek of sulfur,” Josef said, pressing up the mountainside. “I’d almost rather deal with the cold.” “Well, don’t let me stop you,” Eli huffed, though even he looked a little green. “Who am I to stand between a man and his frostbite?
Rachel Aaron (The Spirit Eater (The Legend of Eli Monpress, #3))
From the moment I locked eyes with hers, we've had this undeniable connection that was and will always be wicked. A love that would literally kill me if it didn't survive, but lately, could kill me if it did.
M.S. Brannon (Tragic Love (Sulfur Heights, #2))
You take a 98-percent concentration of fuming nitric acid and add the acid to three times that amount of sulfuric acid. Do this in an ice bath. Then add glycerin drop-by-drop with an eye dropper. You have nitroglycerin.
Chuck Palahniuk (Fight Club)
Do not acid vapors have the very properties of melancholia, whereas alcoholic vapors, always ready to burst into flame, suggest frenzy; and sulfurous vapors, agitated by a violent and continuous movement, indicate mania?
Michel Foucault (Madness and Civilization: A History of Insanity in the Age of Reason)
She folded her arms and said, "No. We're done with the truth game. Ask me what you want to ask me, and I'll answer or not if I like. I'll ask you anything I want, and you'll answer or not if you like. No forfeit, no control, no balance. No more favors or deals or measuring shit. We'll either have a real, messy conversation, or you can get the hell out." He grew angry. She could feel it shifting through his energy, slow and sulfurous like slow-moving lava. She liked it. His anger felt satisfying. It meant he wasn't indifferent to her. So she pushed him harder. "Go on, go.
Thea Harrison (Oracle's Moon (Elder Races, #4))
Jack Miller aimed his shotgun at the monster’s grey-skinned head and pulled the trigger. Green sludge and bits of bone and flesh splattered through the air to land on the street, the gory aftermath releasing a noxious, sulfurous odor.
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
Mycelium is ecological connective tissue, the living seam by which much of the world is stitched into relation. In school classrooms children are shown anatomical charts, each depicting different aspects of the human body. One chart reveals the body as a skeleton, another the body as a network of blood vessels, another the nerves, another the muscles. If we made equivalent sets of diagrams to portray ecosystems, one of the layers would show the fungal mycelium that runs through them. We would see sprawling, interlaced webs strung through the soil, through sulfurous sediments hundreds of meters below the surface of the ocean, along coral reefs, through plant and animal bodies both alive and dead, in
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
A thousand curses on you and those who spawned you! You've plagued me long enough, you stygian fiend! I don't know what sulfurous pit you've crawled out of, but I mean to return you to it! I'll send you on a voyage down the river Styx if it's the last thing I do!" Twain directed his attention back to the phone. "No, I wasn't talking to you, but most of what I said still applies.
Arthur Daigle (William Bradshaw and Fool's Gold)
My point is, however, that churches do promote beliefs that would more appropriately find a place in a context of intellectual debate. They wind up cheerleading for highly dubious opinions on historical, scientific, and metaphysical matters, simply on the bases of emotional preference and the inertia of tradition. They demand conformity to these beliefs, and if you cannot swim with the current, then, well partner, maybe you'd be happier in another pool, another lake in fact, the one ablaze with burning sulfur.
Robert M. Price
To manufacture trinitrotoluene, you must first produce mononitrotoluene by nitrating toluene with a mixture of sulfuric and nitric acids. This must be renitrated to dinitrotoluene and then nitrated to trinitrotoluene by using an anhydrous mixture of nitric acid and oleum.
James Ponti (Golden Gate (City Spies, #2))
What was it you called me? Hell’s overlord who wields his lucky pen like it’s… what was that last part?” Enough! Elise’s tolerance disappeared in a sulfurous cloud of smoke. “Hell’s overlord who wields his lucky pen like it’s his staff of masculinity,” she ground out, then lowered her head and furiously pounded on the laptop’s keyboard. Luc laughed and the hairs at the nape of her neck prickled. “Staff of masculinity. How could I have forgotten that? You could have just said—” Her cheeks burned red hot. “I made that up before I knew you liked to beat your lucky pen against the desk.” He turned in his seat and smiled the smile that never failed to raise her body temperature a hundred degrees. “And it was that particular phrase which made your habit of sucking on pen caps all the more bearable.” She glared at him and his smile widened. “Don’t make me get up and come near your desk, Lucien Masters.” “Getting up and coming near my desk are the least of my worries,” he replied in a husky, Southern rumble.
Elijana Kindel (Lucien (Manipulating The Masters #1))
And at that moment the Lord’s own hand out of the heavens struck the Horror where it stood; the old, dead, desecrated corpse of the witch-biddy, so long kept from the grave and herded around by demons, flared up like sulfur fire and fell in ashes to the ground; the thunder followed, peal on throbbing peal, the roaring rain upon the back of that; and Mr Soulis leapt through the garden hedge and ran, with scream upon scream, for the village.
Robert Louis Stevenson (Thrawn Janet)
Here’s the thing about menopause, though, that I don’t entirely understand. We’ll exchange a few words like this? A seemingly slight disagreement? Only then rage fizzes up inside my rib cage. It burns and unspools, as berserk and sulfuric as those black-snake fireworks from childhood: one tiny pellet, with seemingly infinite potential to create dark matter—dark matter that’s kind of like a magic serpent and kind of like a giant ash turd. “Why do I have to be in charge of every single thing?” I hiss.
Catherine Newman (Sandwich)
She saw Narcissus roaming through the country, / Saw him, and burned, and followed him in secret / Burning the more she followed, as when sulfur / Smeared on the rim of torches, catches fire / When other fire comes near it. Oh, how often / She wanted to come near with coaxing speeches, / Make soft entreaties to him! / But her nature / Sternly forbids...
Ovid (Ovid's Metamorphoses: Books 1-5)
Rich women, including the queen, made themselves additionally beauteous by bleaching their skin with compounds of borax, sulfur, and lead—all at least mildly toxic,
Bill Bryson (Shakespeare: The World as Stage)
About eight days ago I discovered that sulfur in burning, far from losing weight, on the contrary, gains it; it is the same with phosphorus; this increase of weight arises from a prodigious quantity of air that is fixed during combustion and combines with the vapors. This discovery, which I have established by experiments, that I regard as decisive, has led me to think that what is observed in the combustion of sulfur and phosphorus may well take place in the case of all substances that gain in weight by combustion and calcination; and I am persuaded that the increase in weight of metallic calyxes is due to the same cause... This discovery seems to me one of the most interesting that has been made since Stahl and since it is difficult not to disclose something inadvertently in conversation with friends that could lead to the truth I have thought it necessary to make the present deposit to the Secretary of the Academy to await the time I make my experiments public.
Antoine Lavoisier
A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid. Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea. "It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.” To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close. And then, last week.
Megan Abbott (The Fever)
To be honest, I keep wishing we could all talk. Chew the fat. And, yes, I know that wishing is another symptom of hope, but I can't help it. As we amble along, trudging over steaming brimstone beds of sulfur and coal, I want to ask if anyone else feels an intense sense of shame. By dying, do they feel as if they've disappointed everyone who ever bothered to love them? After all the effort that so many people made to raise them, to feed and teach them, do Archer or Leonard or Babette feel a crushing sense of having failed their loved ones? Do they worry that dying constitutes the biggest sin they could possibly commit?
Chuck Palahniuk (Damned (Damned, #1))
The countdown is finally over and in a few short days I will have the love of my life standing in front of me. I’m terrified to look into his eyes. The last time I saw them they were bloodshot and broken. Broken because of me. Will he ever be able to mend all of his broken pieces? Will he need to be without me in order for his broken pieces to heal? I’m scared to find out, but I desperately need to know." ~Presley Quinn
M.S. Brannon (Tragic Love (Sulfur Heights, #2))
Across the dark night, we are not afraid. Our love is the star that guides us. Through the empty desert, we do not thirst. Our love is the water that refreshes. On the long journey, we do not weary. Our love is the truth that offers strength. As the mountains rise before us, we are not discouraged. Our love is the hope that waits on the other side. When we are together, let us hold hands. Our love is the promise that is never broken.
William Kent Krueger (Sulfur Springs (Cork O'Connor, #16))
Dr. Ashley King, planetary scientist and stardust expert (an enviable job description), states: “It is totally 100 percent true: nearly all the elements in the human body were made in a star and many have come through several supernovas.” Oxygen + carbon + hydrogen + nitrogen + calcium + phosphorous + potassium + sulfur + sodium + chlorine + magnesium = star-human. The stuff of the cosmos is woven into our bone branches and wanders in our blood rivers.
Lyanda Lynn Haupt (Rooted: Life at the Crossroads of Science, Nature, and Spirit)
Gilbert and George said: “But don’t you see? That’s how Bacon is. He is absolutely right to behave as he wants.” Not as he wants. As he has to behave. An artist must be open to the muse. The greater the artist, the more he is open to “cosmic currents.” He has to behave as he does. If he has “the courage to be an artist,” he is committed to behave as the mood possesses him. “That’s the man who booed Princess Margaret!” —the peasantry shrink back from his sulfurous glow.
William S. Burroughs (Last Words: The Final Journals)
The morning drive in Karachi was nothing like coasting on Storrow, but it hadn't taken Asad long to get used to it and it rarely bothered him now. Dreadful road manners were part of the traffic landscape in Karachi. Vehicles changed lanes without warning, motorcyclists zigzagged in and out, camel and donkey carts fought for road space, rickshaws spewed carbon and sulfur fumes, jaywalkers kept popping up from nowhere, and beggars, beggars and more beggars congregated at every traffic light.
Saad Shafqat (Breath of Death)
Bones aren’t made of calcium Here’s what bones are made of: •              Calcium              •              Zinc •              Potassium              •              Selenium •              Magnesium              •              Boron •              Manganese              •              Phosphorus •              Silica              •              Sulfur •              Iron              •              Chromium •              And traces of 64 other minerals.                 That’s what bones are made of, a total of 76 ionizing minerals.
Robert Thompson (The Calcium Lie II: What Your Doctor Still Doesn't Know)
Being scared was a bit like anise, like absinthe. A strange and arousing flavor. Being admired was golden, maple sweet. Being despised was a woodsy, sulfuric aroma, smoke in the nostrils; something to choke on when done properly. Being envied was tart, with a citrusy tang, like green apple.
Olivie Blake (The Atlas Six (The Atlas, #1))
Why, oh why, do you hide in shadows? As a venomous viper you lurk in dark corners. Waiting, waiting, waiting to spew your hate. cantankerous you are though you haven't a clue. Spread, spread, spreading over beauty like a poisonous cloak. At your touch the day is dark. At your touch the dark is death. Dying, dying, dying, all light is gone, made ash of simmering sulfur no more to see the day, the dawn. Do we partake of your deceit or do we despise? Your lies, your lies, I will outlive your lies, and once again color this world in truth. Pure, so sweet, the taste of revenge. Be cursed evil shroud for the dark never wins.
Anonymous Diva
Whatever else it may be, at the level of chemistry life is curiously mundane: carbon, hydrogen, oxygen, and nitrogen, a little calcium, a dash of sulfur, a light dusting of other very ordinary elements—nothing you wouldn’t find in any ordinary drugstore—and that’s all you need. The only thing special about the atoms that make you is that they make you
Bill Bryson (A Short History of Nearly Everything)
Harriet Lee’s gingerbread is not comfort food. There’s no nostalgia into it, no hearkening back to innocent indulgences and jolly times at nursery. It is not humble, nor is it dusty in the crumb. [...] A gingerbread addict once told Harriet that eating her gingerbread is like eating revenge. ‘It’s noshing on the actual and anatomical heart of somebody who scarred your beloved and thought they’d get away with it,’ the gingerbread addict said. ‘That heart, ground to ash and shot through with dars of heat, salt, spice, and sulfurous syrup, as if honey was measured out, set ablaze, and trickled through the dough along with the liquefied spoon. You are phenomenal. You’ve ruined my life forever. Thank you
Helen Oyeyemi (Gingerbread)
; 17
William Kent Krueger (Sulfur Springs (Cork O'Connor, #16))
They’re birds whose songs never fade.
William Kent Krueger (Sulfur Springs (Cork O'Connor, #16))
And the entire world was just as bad; it was perishing of pollution, drowning and suffocating in chemical and atomic poisons, detergents and insecticides, industrial effluvia, smog, the stench of sulfuric acid, the quantities of steel, cement, aluminum ever bright, eternal plastics, omnipresent paper, gas and electron floods - electro-mephitic city-stuff indeed!
Fritz Leiber (Our Lady of Darkness)
I found a small velvet-and-nailhead Victorian sofa at a rummage sale on my way to a demonstration in the Castro District; the gay men selling it for $10 kindly hauled it over and up the stairs after the protest was over. It left droppings of ancient horsehair stuffing on the floor like an incontinent old pet. I accumulated small souvenirs, treasures, and artifacts that made the place gradually come to resemble an eccentric natural history museum, with curious lichen-covered twigs and branches, birds’ nests and shards of eggs, antlers, stones, bones, dead roses, a small jar of yellow sulfur butterflies from a mass migration in eastern Nevada, and, from my younger brother, a stag’s antlered skull that still presides over my home.
Rebecca Solnit (Recollections of My Nonexistence)
Silence. Then, “What does. This. Sound like?” “What does what sound like?” “Io is a sulfur-rich, iron-cored moon in a circular orbit around Jupiter. What does this. Sound like? Tidal forces from Jupiter and Ganymede pull and squeeze Io sufficiently to melt Tartarus, its sub-surface sulfur ocean. Tartarus vents its excess energy with sulfur and sulfur dioxide volcanoes. What does. This sound like? Io’s metallic core generates a magnetic field that punches a hole in Jupiter’s magnetosphere, and also creates a high-energy ion flux tube connecting its own poles with the north and south poles of Jupiter. What. Does this sound like? Io sweeps up and absorbs all the electrons in the million-volt range. Its volcanoes pump out sulfur dioxide; its magnetic field breaks down a percentage of that into sulfur and oxygen ions; and these ions are pumped into the hole punched in the magnetosphere, creating a rotating field commonly called the Io torus. What does this sound like? Torus. Flux tube. Magnetosphere. Volcanoes. Sulfur ions. Molten ocean. Tidal heating. Circular orbit. What does this sound like?” Against her will, Martha had found herself first listening, then intrigued, and finally involved. It was like a riddle or a word-puzzle. There was a right answer to the question. Burton or Hols would have gotten it immediately. Martha had to think it through. There was the faint hum of the radio’s carrier beam. A patient, waiting noise. At last, she cautiously said, “It sounds like a machine.
Michael Swanwick (Tales of Old Earth)
I had not yet been to Gettysburg. I had not read Thavolia Glymph. All I had was the feeling, the weight. I did not yet know, and I do not fully know now. But part of what I know ist hat there is the burden of living among Dreamers, and there is the extra burden of your country telling you the Dream is just, noble, and real, and you are crazy for seeing the corruption and smelling the sulfur. For their innocence, they nullify your anger, your fear, until you are coming and going, and you find yourself inveighing against yourself - "black people are the only people who..." - really inveighing against your own humanity and raging against the crime in your ghetto, because you are powerless before the great crime of history that brought the ghettos to be.
Ta-Nehisi Coates (Between the World and Me)
Mount Pinatubo was the most powerful volcanic eruption in nearly one hundred years. Within two hours of the main blast, sulfuric ash had reached twenty-two miles into the sky. By the time it was done, Pinatubo had discharged more than 20 million tons of sulfur dioxide into the stratosphere. What effect did that have on the environment? As it turned out, the stratospheric haze of sulfur dioxide acted like a layer of sunscreen, reducing the amount of solar radiation reaching the earth. For the next two years, as the haze was settling out, the earth cooled off by an average of nearly 1 degree Fahrenheit, or .5 degrees Celsius. A single volcanic eruption practically reversed, albeit temporarily, the cumulative global warming of the previous hundred years.
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
Do you remember our conversation? Do you remember the places we went and the things we saw? The bindery was our access, the point in space that contains all other points, and that night you were a boy unbound, a tiny astronaut, taking your first leap into an infinite and unknowable universe. For the first time you could see the voices of the things you'd been hearing for so long, all that clamorous matter vying for your attention. With your supernatural ears, you were able to perceive, with absolute clarity, the sinuous shapes and contours of the sounds that matter makes as it moves through space and time and mind. Some of these sounds were so beautiful they made you laugh out loud and clap your hands with delight, and others were so sad they made tears run down your face. And, oh, the visions we had! Container ships glittering on a moonlit night off the coast of Alaska. Pyramids of sulfur, rising yellow in the mist. The plundered moon and all its craters; globes and stars and asteroids; a jet black crow with a diamond tiara; a flock of rubber duckies, spinning through the Pacific gyres. At the sound of a footstep, a young girl freezes, and Andromeda sparkles in the firmament. Fires rage as the redwoods burn; and in the deep ocean, a pilot whale carries her dead baby on her nose, while sea turtles weep briny tears onto nets of plastic.
Ruth Ozeki (The Book of Form and Emptiness)
And it would be startlingly cheap. IV estimates the “Save the Arctic” plan could be set up in just two years at a cost of roughly $20 million, with an annual operating cost of about $10 million. If cooling the poles alone proved insufficient, IV has drawn up a “Save the Planet” version, with five worldwide base stations instead of two, and three hoses at each site. This would put about three to five times the amount of sulfur dioxide into the stratosphere. Even so, that would still represent less than 1 percent of current worldwide sulfur emissions. IV estimates this plan could be up and running in about three years, with a startup cost of $150 million and annual operating costs of $100 million. So Budyko’s Blanket could effectively reverse global warming at a total cost of $250 million. Compared with the $1.2 trillion that Nicholas Stern proposes spending each year to attack the problem, IV’s idea is, well, practically free. It would cost $50 million less to stop global warming than what Al Gore’s foundation is paying just to increase public awareness about global warming. And there lies the key to the question we asked at the beginning of this chapter: What do Al Gore and Mount Pinatubo have in common? The answer is that Gore and Pinatubo both suggest a way to cool the planet, albeit with methods whose cost-effectiveness are a universe apart.
Steven D. Levitt (SuperFreakonomics, Illustrated edition: Global Cooling, Patriotic Prostitutes, and Why Suicide Bombers Should Buy Life Insurance)
Passing him with frightening speed, I see him sailing downward with his open parachute. “It won’t open!” “Pull harder!” Looking down, I estimate that at this speed it will only be a matter of seconds before I collide with the black lava rocks below. They rigged it! is all I can think. President Volkov won. I lost. I failed Gemma. I failed Nicholas. I failed myself. All of a sudden, someone rams into me from behind and hooks his arms and legs around my body. I look back and see Cory. “You’re crazy!” I scream as we spin out of control. “I know!” He smiles like he really is, but he feeds off of this kind of insanity. “Hold on!” The ground is so close and I can see the green grass and smell the scent of it mixed with the sulfur. He helps me turn around and I lock my arms around his thick shoulders, my legs around his firm hips. We’ll die together, and he doesn’t seem to care one bit. He really is insane!
E.J. Squires (Savage Run: Book I)
While I'm waiting, I reach into the cupboard for dried pineapple. I added them to the grocery order because I find them reassuring, but they have to be the right kind. Ma started buying the fancy natural low-sulfur version from Trader Joe's in the past few years. Those are fibrous and taste good for you. These are the ones from my childhood, which just taste good. They are as yellow as lemons, crusted all around with sugar. The inside is as thick and wet as a gumdrop.
Jael McHenry (The Kitchen Daughter)
Gideon rose up to his full height, watching their progress as they faded into the night. He then turned his diamondlike eyes until they narrowed on the female Demon who had remained so still and quiet that she had gone unremembered. An interesting feat, considering the remarkable presence of the beauty. “You have grown strong, Legna,” he remarked quietly. “In only a decade? I am sure it has not made much of a difference.” “To teleport me from such a great distance took respectful skill and strength. You well know it.” “Thank you. I shall have to remember to feel weak and fluttery inside now that you complimented me.” Gideon narrowed his eyes coldly on her. “You sound like that acerbic little human. It does not become you.” “I sound like myself,” Legna countered, her irritation crackling through his thoughts as the emotion overflowed her control. “Or have you forgotten that I am far too immature for your tastes?” “I never said such a thing.” “You did. You said I was too young to even begin to understand you.” She lifted her chin, so lost in her wounded pride that she spoke before she thought. “At least I was never so immature that Jacob had to punish me for stalking a human.” Gideon’s spine went extremely straight, his eyes glittering with warning as she hit home on the still-raw wound. “Maturity had nothing to do with that, and you well know it. It is below you to be so petty, Magdelegna.” “I see, so I am groveling around in the gutter now? How childish of me. However can you bear it? I shall leave immediately.” Before Gideon could speak, Legna burst into smoke and sulfur, disappearing but for her laughter that rang through his mind. Gideon sighed, easily acknowledging her that her laughter was a taunt meant to remind him that with her departure, so too went his easy transportation home. Nevertheless, he was more perturbed to realize that he’d once against managed to say all the wrong things to her. Perhaps someday he would manage to speak with her without irritating her. However, he didn’t think that was likely to happen this millennium.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
You don’t concern yourself much with being liked, do you?” Tristan asked, half amused. No, I don’t.” He was doubtful that Tristan would be capable of understanding that, but the sensation of being liked was extraordinarily dull. It was the closest thing to vanilla that Callum could think of, though nothing was truly comparable. Being feared was a bit like anise, like absinthe. A strange and arousing flavor. Being admired was golden, maple-sweet. Being despised was woodsy, sulfuric aroma, smoke in his nostrils, something to choke on, when done properly. Being envied was tart, a citrusy tang, like green apple. Being desired was Callum’s favorite. That was smoky, too, in a sense, but more sultry, cloaked and perfumed in precisely what it was. It smelled like tangled bedsheets. It tasted like a flicker of a candle flame. It felt like a sigh, a quiet one; concessionary and pleading. He could always feel it on his skin, sharp as a blade. Piercing, like the groan of a lover in his ear. “Being liked is fairly ordinary, I’m afraid,” Callum said. “Intensely commonplace.
Olivie Blake (The Atlas Six (The Atlas, #1))
Very well, but - who are you?' again asked Gil Gil, in whom curiosity was beginning to get the better of every other feeling. 'I told you that when I first spoke to you - I am your friend. And bear in mind that you are the only being on the face of the earth to whom I accord the title of friend. I am bound to you by remorse! I am the cause of all your misfortunes.' 'I do not know you,' replied the shoemaker. 'And yet I have entered your house many times! Through me you were left motherless at your birth; I was the cause of the apoplectic stroke that killed Juan Gil; it was I who turned you out of the palace of Rionuevo; I assassinated your old house-mate, and, finally, it was I who placed in your pocket the vial of sulfuric acid.' Gil Gil trembled like a leaf; he felt his hair stand on end, and it seemed to him as if his contracted muscles must burst asunder. 'You are the devil!' he exclaimed, with indescribable terror. 'Child!' responded the black-robed figure in accents of amiable censure, 'what has put that idea into your head? I am something greater and better than the wretched being you have named.' 'Who are you, then?' 'Let us go into the inn and you shall learn.' Gil hastily entered, drew the Unknown before the modest lantern that lighted the apartment, and looked at him with intense curiosity. He was a person about thirty-three years old; tall, handsome, pale, dressed in a long black tunic and a black mantle, and his long locks were covered by a Phrygian cap, also black. He had not the slightest sign of a beard, yet he did not look like a woman. Neither did he look like a man... ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
It is now almost possible to assign color combinations, based on the colors of clouds and sky, to every planet in the Solar System—from the sulfur-stained skies of Venus and the rusty skies of Mars to the aquamarine of Uranus and the hypnotic and unearthly blue of Neptune. Sacre-jaunt, sacre-rouge, sacre-vert. Perhaps they will one day adorn the flags of distant human outposts in the Solar System, in that time when the new frontiers are sweeping out from the Sun to the stars, and the explorers are surrounded by the endless black of space. Sacre-noir.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Stupendous carnage was painted on the canvas, A depiction of repulsion was executed around the structure. It revealed its dark emblem by painting its sinister Red. Three intertwined bloated eyes are encrusted together, awfully deformed - the horrendous stench of decay can be smelt from it, for it exudes a sulfurous aroma of rotting animals. A torn torso of a butchered rabbit laid on the eye sockets, with all its arms, legs, and head severed off. A sludge-like, bubbling, dripping fluid oozed from the abnormally large eyes, leaving the ground deserted to rust and becoming the midst of a terrible famine. Blood Gushes from the slashes of each hideous eye, gouging out gore from the torn skin, spluttering and erupting gasping cries as it struggles in its own twisted misery of giving birth, as it was preparing to give shape-shifting life to a black-glass body, horn-like entity, unlike any childbirth you have ever witnessed. Satanic was this creature, whose muscle mass was disintegrated. All of his blood was squeezed out, forlorn and cold to the touch. The thorns on his head were intertwined into horns. A serpent's nose and wolf-like fangs were all this child had, as he had no gift of sight or hearing, he had only the smell of terror as his power.
D.L. Lewis
Let’s say it was May in the first decade of the hardly promising twenty-first century, and a white stucco wall, corsaged in bougainvillea and lit up by the moon, enticed them downhill a long way past gated properties to a wider road, then down that road and across it on the other side to the lookout onto the sparkle that was the city and what lay before them at the liftoff of another beginning, which feeling they would experience again, until decades shrank to pieces of colored stone, mosaics unexpected and unfitted yet shellacked together and made to glow alike in recollection so that all she had known of love and the end of love could be summoned and summed up in a ceiling pinked in sulfurous light.
Christine Schutt (Pure Hollywood: And Other Stories)
About 4.6 billion years ago, a great swirl of gas and dust some 15 billion miles across accumulated in space where we are now and began to aggregate. Virtually all of it—99.9 percent of the mass of the solar system—went to make the Sun. Out of the floating material that was left over, two microscopic grains floated close enough together to be joined by electrostatic forces. This was the moment of conception for our planet. All over the inchoate solar system, the same was happening. Colliding dust grains formed larger and larger clumps. Eventually the clumps grew large enough to be called planetesimals. As these endlessly bumped and collided, they fractured or split or recombined in endless random permutations, but in every encounter there was a winner, and some of the winners grew big enough to dominate the orbit around which they traveled. It all happened remarkably quickly. To grow from a tiny cluster of grains to a baby planet some hundreds of miles across is thought to have taken only a few tens of thousands of years. In just 200 million years, possibly less, the Earth was essentially formed, though still molten and subject to constant bombardment from all the debris that remained floating about. At this point, about 4.5 billion years ago, an object the size of Mars crashed into Earth, blowing out enough material to form a companion sphere, the Moon. Within weeks, it is thought, the flung material had reassembled itself into a single clump, and within a year it had formed into the spherical rock that companions us yet. Most of the lunar material, it is thought, came from the Earth’s crust, not its core, which is why the Moon has so little iron while we have a lot. The theory, incidentally, is almost always presented as a recent one, but in fact it was first proposed in the 1940s by Reginald Daly of Harvard. The only recent thing about it is people paying any attention to it. When Earth was only about a third of its eventual size, it was probably already beginning to form an atmosphere, mostly of carbon dioxide, nitrogen, methane, and sulfur. Hardly the sort of stuff that we would associate with life, and yet from this noxious stew life formed. Carbon dioxide is a powerful greenhouse gas. This was a good thing because the Sun was significantly dimmer back then. Had we not had the benefit of a greenhouse effect, the Earth might well have frozen over permanently, and life might never have gotten a toehold. But somehow life did. For the next 500 million years the young Earth continued to be pelted relentlessly by comets, meteorites, and other galactic debris, which brought water to fill the oceans and the components necessary for the successful formation of life. It was a singularly hostile environment and yet somehow life got going. Some tiny bag of chemicals twitched and became animate. We were on our way. Four billion years later people began to wonder how it had all happened. And it is there that our story next takes us.
Bill Bryson (A Short History of Nearly Everything)
The principal energy sources of our present industrial civilization are the so-called fossil fuels. We burn wood and oil, coal and natural gas, and, in the process, release waste gases, principally CO2, into the air. Consequently, the carbon dioxide content of the Earth’s atmosphere is increasing dramatically. The possibility of a runaway greenhouse effect suggests that we have to be careful: Even a one- or two-degree rise in the global temperature can have catastrophic consequences. In the burning of coal and oil and gasoline, we are also putting sulfuric acid into the atmosphere. Like Venus, our stratosphere even now has a substantial mist of tiny sulfuric acid droplets. Our major cities are polluted with noxious molecules. We do not understand the long-term effects of our course of action. But we have also been perturbing the climate in the opposite sense. For hundreds of thousands of years human beings have been burning and cutting down forests and encouraging domestic animals to graze on and destroy grasslands. Slash-and-burn agriculture, industrial tropical deforestation and overgrazing are rampant today. But forests are darker than grasslands, and grasslands are darker than deserts. As a consequence, the amount of sunlight that is absorbed by the ground has been declining, and by changes in the land use we are lowering the surface temperature of our planet. Might this cooling increase the size of the polar ice cap, which, because it is bright, will reflect still more sunlight from the Earth, further cooling the planet, driving a runaway albedo* effect? Our lovely blue planet, the Earth, is the only home we know. Venus is too hot. Mars is too cold. But the Earth is just right, a heaven for humans. After all, we evolved here. But our congenial climate may be unstable. We are perturbing our poor planet in serious and contradictory ways. Is there any danger of driving the environment of the Earth toward the planetary Hell of Venus or the global ice age of Mars? The simple answer is that nobody knows. The study of the global climate, the comparison of the Earth with other worlds, are subjects in their earliest stages of development. They are fields that are poorly and grudgingly funded. In our ignorance, we continue to push and pull, to pollute the atmosphere and brighten the land, oblivious of the fact that the long-term consequences are largely unknown.
Carl Sagan (Cosmos)
The next day we booked a three-hundred pound sow for a most unusual photoshoot. She was chauffeured to Hollywood from a farm in Central Valley, and arrived in style at the soundstage bright and early, ready for her close-up. She was a perfect pig, straight from the animal equivalent of Central casting: pink, with gray spots and a sweet disposition. Like Wilbur from Charlotte's Web, but all grown up. I called her "Rhonda." In a pristine studio with white walls and a white floor, I watched as Rhonda was coaxed up a ramp that led to the top of a white pedestal, four feet off the ground. Once she was situated, the ramp was removed, and I took my place beside her. It was a simple setup. Standing next to Rhonda, I would look into the camera and riff about the unsung heroes of Dirty Jobs. I'd conclude with a pointed question: "So, what's on your pedestal?" It was a play on that credit card campaign: "What's in your wallet?" I nailed it on the first take, in front of a roomful of nervous executives. Unfortunately, Rhonda nailed it, too. Just as I asked, "What's on your pedestal?" she crapped all over hers. It was an enormous dump, delivered with impeccable timing. During the second take, Rhonda did it again, right on cue. This time, with a frightful spray of diarrhea that filled the studio with a sulfurous funk, blackening the white walls of the pristine set, and transforming my blue jeans into something browner. I could only marvel at the stench, while the horrified executives backed into a corner - a huddled mass, if you will, yearning to breath free. But Rhonda wasn't done. She crapped on every subsequent take. And when she could crap no more, she began to pee. She peed on my cameraman, She peed on her handler. She peed on me. Finally, when her bladder was empty, we got the take the network could use, along with a commercial that won several awards for "Excellence in Promos." (Yes, they have trophies for such things.) Interestingly, the footage that went viral was not the footage that aired, but the footage Mary encouraged me to release on YouTube after the fact. The outtakes of Rhonda at her incontinent finest. Those were hysterical, and viewed more times than the actual commercial. Go figure. Looking back, putting a pig on a pedestal was maybe the smartest thing I ever did. Not only did it make Rhonda famous, it established me as the nontraditional host of a nontraditional show. One whose primary job was to appear more like a guest, and less like a host. And, whenever possible, not at all like an asshole.
Mike Rowe (The Way I Heard It)
These truffles were a different thing altogether from the summer truffle he and Benedetta had found earlier in the year. Pale in color and as large as potatoes, they were both awesomely pungent and deeply intoxicating. Gusta and Benedetta threw them into every dish as casually as if they were throwing in parsley, and after a while Bruno did the same. He would never forget the first time they cooked a wild boar with celery and truffles: the dark, almost rank meat and the sulfuric reek of the tuber combined to form a taste that made him shiver. He was aware that Benedetta was deliberately cooking dishes designed to bind him to her. As well as the truffles, there was robiola del bec, a cheese made from the milk of a pregnant ewe, rich in pheromones. There were fiery little diavolilli, strong chile peppers that had been left to dry in the sun. Plates of fried funghi included morsels of Amanita, the ambrosia of the gods, said to be a natural narcotic. He didn't mind. He was doing the same to her: offering her unusual gelati flavored with saffron, the delicate pollen of the crocus flower; elaborate tarts of myrtle and chocolate; salads made with lichens and even acorns from her beloved woods. It was a game they played, based on their intimate appreciation of the taste of each other's bodies, so that the food and the sex became one harmonious whole, and it became impossible to say where eating ended and lovemaking began.
Anthony Capella (The Food of Love)
There is no fault that can’t be corrected [in natural wine] with one powder or another; no feature that can’t be engineered from a bottle, box, or bag. Wine too tannic? Fine it with Ovo-Pure (powdered egg whites), isinglass (granulate from fish bladders), gelatin (often derived from cow bones and pigskins), or if it’s a white, strip out pesky proteins that cause haziness with Puri-Bent (bentonite clay, the ingredient in kitty litter). Not tannic enough? Replace $1,000 barrels with a bag of oak chips (small wood nuggets toasted for flavor), “tank planks” (long oak staves), oak dust (what it sounds like), or a few drops of liquid oak tannin (pick between “mocha” and “vanilla”). Or simulate the texture of barrel-aged wines with powdered tannin, then double what you charge. (““Typically, the $8 to $12 bottle can be brought up to $15 to $20 per bottle because it gives you more of a barrel quality. . . . You’re dressing it up,” a sales rep explained.) Wine too thin? Build fullness in the mouth with gum arabic (an ingredient also found in frosting and watercolor paint). Too frothy? Add a few drops of antifoaming agent (food-grade silicone oil). Cut acidity with potassium carbonate (a white salt) or calcium carbonate (chalk). Crank it up again with a bag of tartaric acid (aka cream of tartar). Increase alcohol by mixing the pressed grape must with sugary grape concentrate, or just add sugar. Decrease alcohol with ConeTech’s spinning cone, or Vinovation’s reverse-osmosis machine, or water. Fake an aged Bordeaux with Lesaffre’s yeast and yeast derivative. Boost “fresh butter” and “honey” aromas by ordering the CY3079 designer yeast from a catalog, or go for “cherry-cola” with the Rhône 2226. Or just ask the “Yeast Whisperer,” a man with thick sideburns at the Lallemand stand, for the best yeast to meet your “stylistic goals.” (For a Sauvignon Blanc with citrus aromas, use the Uvaferm SVG. For pear and melon, do Lalvin Ba11. For passion fruit, add Vitilevure Elixir.) Kill off microbes with Velcorin (just be careful, because it’s toxic). And preserve the whole thing with sulfur dioxide. When it’s all over, if you still don’t like the wine, just add a few drops of Mega Purple—thick grape-juice concentrate that’s been called a “magical potion.” It can plump up a wine, make it sweeter on the finish, add richer color, cover up greenness, mask the horsey stink of Brett, and make fruit flavors pop. No one will admit to using it, but it ends up in an estimated 25 million bottles of red each year. “Virtually everyone is using it,” the president of a Monterey County winery confided to Wines and Vines magazine. “In just about every wine up to $20 a bottle anyway, but maybe not as much over that.
Bianca Bosker (Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste)