Patron Saint Quotes

We've searched our database for all the quotes and captions related to Patron Saint. Here they are! All 100 of them:

We sainted St. Tammany (King Tamanend III) because he embodied moral perfection and every divine qualification that a deity could possess. I hold him in higher esteem than the saints of the Roman Catholic Church. He'll forever be the patron saint of America.
George Washington
Jude is my favorite of all the saints,” he says. “Patron saint of lost causes. The saint to call on when all hope is gone. The one in charge of miracles.
Jandy Nelson (I'll Give You the Sun)
The library smells like old books — a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
As she walked, she breathed a quick benediction to the patron saint of sleuthing. "Nancy Drew," she whispered, "be with me now.
Colin Meloy (Wildwood (Wildwood Chronicles, #1))
I wanted to eat her pain, take it into me and make it my own.
Ann Patchett (The Patron Saint of Liars)
The patron saint of the ocean is known for containing many parts of herself: she is a nurturer, but she is also a ferocious defender. & so I remember that to walk this world you must be kind but also fierce.
Elizabeth Acevedo (Clap When You Land)
Saint Claire, the patron saint of the kick-me sign.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Well...you're a martyr and I'm a patron saint-I can't think of anyone better!
Neal Shusterman (UnWholly (Unwind, #2))
I will try not to judge because I have no idea what you were struggling with in your heart, what complicated your soul. None of us are just one thing, I guess.
Randy Ribay (Patron Saints of Nothing)
The truth may not be told. Here is an acceptable lie.
Rachel Hartman (Seraphina (Seraphina, #1))
An overhead light blinked and extinguished. Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall. A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.
Simon W. Clark (The Russian Ink (Jake Armitage Thriller Book #1))
Sebastian it is. You can tell me what a patron saint is later, since I have no knowledge of such things. Sebastian Kane. "Sebastian Kane Cannon. You're going to marry me and use my last name, right?" "Is that supposed to be a proposal?
Christine Feehan (Ruthless Game (GhostWalkers, #9))
Sometimes I feel like growing up is slowly peeling back these layers of lies.
Randy Ribay (Patron Saints of Nothing)
Back in Georgie's attic, he yanks the phone out of the socket and begins scrolling down the names under dialed calls, praying to anyone who will listen. God. Baby Jesus. Saint Thomas the doubter. Saint Whoever, patron saint of losers. Praying, Please, please, don't let it be true. The first name shatters him. The second makes his head spin.
Melina Marchetta (The Piper's Son)
(eve)"what?" (claire)"monica got him to ask me. Told them to do this." (eve)"bitch! okay,i take it all back. She needs a good blowtorching." "no",Claire said faintly."Nobody deservs that. Nobody." (eve) "Great.Saint Claire,the patron saint of the kick-me sign.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
It's a sad thing when you map the borders of a friendship and find it's a narrower country than expected.
Randy Ribay (Patron Saints of Nothing)
That was the way things worked. When you were looking for the big fight, the moment that you thought would knock everything over, nothing much happened at all.
Ann Patchett (The Patron Saint of Liars)
But there are others who worship him still, the Starless One, patron saint of those who seek salvation in the dark.
Leigh Bardugo (The Lives of Saints (Grishaverse))
It strikes me that I cannot claim this country’s serene coves and sun-soaked beaches without also claiming its poverty, its problems, its history. To say that any aspect of it is part of me is to say that all of it is part of me.
Randy Ribay (Patron Saints of Nothing)
You saw my pain for what it was, recognized it as if it were your own, and gave me the love I needed to heal. I will never forget that.
Randy Ribay (Patron Saints of Nothing)
That's not how stories work, is it? They are shifting things that re-form with each new telling, transform with each new teller. Less solid, and more liquid taking the shape of its container.
Randy Ribay (Patron Saints of Nothing)
We all have the terrible and amazing power to hurt and help, to harm and heal. We all do both throughout our lives. That’s the way it is. I suppose we just go on and do the best we can and try to do more good than bad using our time in Earth.
Randy Ribay (Patron Saints of Nothing)
I expected the truth to illuminate, to resurrect. Not to ruin.
Randy Ribay (Patron Saints of Nothing)
People die, terrible things happen. I know this now. You can't pick up and leave everything behind because there is too much sadness in the world and not enough places to go.
Ann Patchett (The Patron Saint of Liars)
I grew up with David Bowie, the patron saint of the boy in his bedroom who felt alienated by the male culture of his peers.
Grayson Perry (The Descent of Man)
Never mind that Britain has a German royal family, a Norman ruling elite, a Greek patron saint, a Roman/Middle Eastern religion, Indian food as its national cuisine, an Arabic/Indian numeral system, a Latin alphabet and an identity predicated on a multi-ethnic, globe-spanning empire
Akala (Natives: Race and Class in the Ruins of Empire)
Thoreau the “Patron Saint of Swamps” because he enjoyed being in them and writing about them said, “my temple is the swamp… When I would recreate myself, I seek the darkest wood, the thickest and most impenetrable and to the citizen, most dismal, swamp. I enter a swamp as a sacred place, a sanctum sanctorum… I seemed to have reached a new world, so wild a place…far away from human society. What’s the need of visiting far-off mountains and bogs, if a half-hour’s walk will carry me into such wildness and novelty.
Henry David Thoreau (Walden and Other Writings)
My family, myself, this world — all of us are flawed. But flawed doesn’t mean hopeless. It doesn’t mean forsaken. It doesn’t mean lost.
Randy Ribay (Patron Saints of Nothing)
A man conscious of enthusiasm for worthy aims is sustained under petty hostilities by the memory of great workers who had to fight their way not without wounds, and who hover in his mind as patron saints, invisibly helping.
George Eliot (Middlemarch)
How do you mourn someone you already let slip away? Are you even allowed to?
Randy Ribay (Patron Saints of Nothing)
To so many people, the Lord is in danger of being no more than a patron saint of our systematic theology instead of the Christ Who is our life.
W. Ian Thomas
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
I swear on St. Francis, the patron saint of all animals.” Seeing Poppy’s hesitation, Beatrix added enthusiastically, “If a band of pirates kidnapped me and took me to their ship and threatened to make me walk the plank over a shiver of starving sharks unless I told them your secret, I still wouldn’t tell it. If I were tied by a villain and thrown before a herd of stampeding horses all shod in iron, and the only way to keep from being trampled was to tell the villain your secret, I—
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra—they’ll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when I’m too sentimental, to bring verbal ease when I’m syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style.
Zadie Smith (Changing My Mind: Occasional Essays)
Perhaps one day I’d be made a saint—the patron saint of fools and lovers, if those terms were not exactly the same.
Rachel Caine (Prince of Shadows)
Since childhood, I've been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing.
Guillermo del Toro
When you grow up in a country like the United States, you’re constantly told it’s the greatest place in the world. But then you go somewhere else one day and find out that bathroom doors like this exist, and you start to question everything.
Randy Ribay (Patron Saints of Nothing)
We would never call inexplicable little insights 'hunches,' for fear of drawing the universe's attention. But they happened, and you knew you had been in the proximity of one that had come through if you saw a detective kiss his or her fingers and touch his or her chest where a pendant to Warsha, patron saint of inexplicable inspirations, would, theoretically, hang.
China Miéville (The City & the City)
It's tucked away in a quiet corner, shadowed and obscured, no part of the Nightside's usual bright gaudy neon noir. It doesn't advertise and it doesn't care if you habitually pass by on the other side. It's just there for when you need it. Dedicated to the patron saint of lost causes, St. Jude's is an old old place... St. Jude's isn't a place for comfort for frills and fancies and the trappings of religion. just a place where you can talk to your god and sometimes get an answer.
Simon R. Green (Agents of Light and Darkness (Nightside, #2))
Nowadays, if a man living in a civilized country (ha!) hears cannon blasts in his sleep, he will, of course, mistake them for thunderclaps, gun salutes on the feast day of the local patron saint, or furniture being moved by the slime-buckets living upstairs, and go right on sleeping soundly. But the ringing of the telephone, the triumphal march of the cell phone, or the doorbell, no: Those are all sounds of summons in response to which the civilzed man (ha-ha!) has no choice but to surface from the depths of slumber and answer.
Andrea Camilleri (August Heat)
It was like he used all his compassion on strangers and ran out by the time he came home.
Randy Ribay (Patron Saints of Nothing)
He was the patron saint of devoted error, living the consequences of his mistakes.
Andrea Pitzer (Icebound: Shipwrecked at the Edge of the World)
If there was ever a candidate to be patron saint of computers then it would be Alan Turing. Mathematician, war hero and tragic victim of homophobia.
Ben Aaronovitch (False Value (Rivers of London, #8))
Mostly a’s: You are an Avoidant Misanthrope. You are the patron saint of the locked door and turned-off phone. Like a big tit in a strapless bra, if there’s a way out, you’ll find it.
Meghan Rowland (The Misanthrope's Guide to Life: (Go Away!))
What's that you're doing, Sassenach?" "Making out little Gizmo's birth certificate--so far as I can," I added. "Gizmo?" he said doubtfully. "That will be a saint's name?" "I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus." "Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee. "One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him. "Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him." Jamie looked blank. "What has that got to do wi' chickens?" "I haven't the faintest idea. Take it up with the Vatican," I advised him. "Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist. "And what's he the patron of?" "He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--" "A what?" "Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring." "Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?" He laughed. "Any man who's had his prayer answered could tell yet that, Sassenach." (PP. 841-842)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
If we are to be more than what we have been, there's so much that we need to say. Salvation through honesty, I guess.
Randy Ribay (Patron Saints of Nothing)
Fuck those people who say being born somewhere doesn’t count if you didn’t grow up there or because half your ancestors are from somewhere else. Fuck anyone who tries to tell you who you are and where you belong.
Randy Ribay (Patron Saints of Nothing)
I wrote the last sentence of The Patron Saint of Liars in early April and stumbled out of my apartment and into the beautiful spring feeling panicked and amazed. There is no single experience in my life as a writer to match that moment, the blue of the sky and the breeze drifting in from the bay. I had done the thing I had always wanted to do: I had written a book, all the way to the end. Even if it proved to be terrible, it was mine.
Ann Patchett (Truth & Beauty)
There is nothing greater than love; it is stronger than any evil, any darkness. Show me the way, Jesus! Love is the answer. If we love one another, then we need not fear anything else. Love is everything.
Cecilia Galante (The Patron Saint of Butterflies)
Balaam’s ass is the patron saint of apologists. Madness, as we shall see, is an appropriate term for the unreality of unbelief.
Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
St. Jude is the patron saint of lost causes. But no cause is lost if there is still one person devoted to it. So Jude might as well be the patron saint of us all.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
America, like England and Scotland, had never really been a gay nation. Rather it had been heavily and noisily jocular, with a substratum of worry and insecurity, in the image of its patron saint, Lincoln of the rollicking stories and the tragic heart.
Sinclair Lewis (It Can't Happen Here)
People are sick sand starving to death in our country, in our streets, and nobody cares. They worry instead about grades and popularity and money and trying to go to America. I don't want to be another one of those people who just pretends like they don't know about the suffering, like they don't see it every single day, like they don't walk past it on their way to school or work.
Randy Ribay (Patron Saints of Nothing)
Rosette disappeared onto the dance floor. Wells sat in silence for a minute, watching the dancers. The worldwide cult of fast money spent stupidly. The worldwide cult of trying too hard. Moscow, Rio, Los Angeles, Tokyo, New York, London, Shanghai--the story was the same everywhere. The same overloud music, the same overpromoted brand names, the same fake tits, about as erotic as helium balloons. Everywhere an orgy of empty consumption and bad sex. Las Vegas was the cult's world headquarters, Donald Trump its patron saint. Wells had spent ten years in the barren mountains of Afghanistan and Pakistan. He never wanted to live there again. But if he had to choose between an eternity there or in the supposed luxury of this club, he'd go back without a second thought.
Alex Berenson (The Silent Man (John Wells, #3))
Your total ignorance of that which you profess to teach merits the death penalty. I doubt whether you would know that St. Cassian of Imola was stabbed to death by his students with their styli. His death, a martyr’s honorable one, made him a patron saint of teachers. Pray to him, you deluded fool, you “anyone for tennis?” golf-playing, cocktail-quaffing pseudo-pedant, for you do indeed need a heavenly patron. Although your days are numbered, you will not die as a martyr—for you further no holy cause—but as the total ass which you really are. ZORRO A sword was drawn on the last line of the page.
John Kennedy Toole (A Confederacy of Dunces)
What if I don’t have a clue what I want to do?” I ask. “It takes time, I think. Follow your interests. Develop your strengths. Stay open to trying new things.” She hesitates, then adds, “Maybe you haven’t developed a passion yet because you’ve spent your entire life doing what others wanted you to do.
Randy Ribay (Patron Saints of Nothing)
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
She's growing up," Sister Evangeline said. And I wanted to tell her no, I'm not. Everything is exactly the same.
Ann Patchett (The Patron Saint of Liars)
..., his death tallied as an improvement to society.
Randy Ribay (Patron Saints of Nothing)
What is the point, you know? People are sick and starving to death in our country, in our streets, and nobody cares.
Randy Ribay (Patron Saints of Nothing)
None of us are just one thing, I guess. None of us. We all have the terrible and amazing power to hurt and help, to harm and heal. We all do both throughout our lives. That's the way it is.
Randy Ribay (Patron Saints of Nothing)
My former bishop Allan Bjorberg once said that the greatest spiritual practice isn't yoga or praying the hours or living in intentional poverty, although these are all beautiful in their own way. The greatest spiritual practice is just showing up. And Mary Magdalene is the patron saint of just showing up. Showing up, to me, means being present to what is real, what is actually happening. Mary Magdalene didn't necessarily know what to say or what to do or even what to think when she encountered the risen Jesus. But none of that was nearly as important as the fact that she was present and attentive to him.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
As long as it's a regular day, not too rough to begin with, the ocean is pretty smooth once you make it out past the first set of waves. That's why people are afriad to swim in the ocean. They try to jump over those waves and get slammed down to the bottom and pulled across the sand like a piece of shell. You've got to go throught them, dive under just when they're rising up for you, set your direction, close your eyes, and just swim like hell. Once you get throught that, you'll find there isn't a better place for swimming because it's the ocean and it goes on forever. You don't have to see anyone if you don't want to. If you look out, away from the beach, it's easy to imagine that there's no one else but you in the whole world, you and maybe a couple of sea gulls.
Ann Patchett (The Patron Saint of Liars)
To be truly brave, I believe a person has to be more than a little stupid. If you knew how hard or how dangerous something was going to be at the onset, chances are you'd never do it, so if I went back I would never be able to leave again. Now that I knew what leaving meant.
Ann Patchett (The Patron Saint of Liars)
Never mind that Britain has a German royal family, a Norman ruling elite, a Greek patron saint, a Roman/Middle Eastern religion, Indian food as its national cuisine, an Arabic/Indian numeral system, a Latin alphabet and an identity predicated on a multi-ethnic, globe-spanning empire – ‘fuck the bloody foreigners’.
Akala (Natives: Race and Class in the Ruins of Empire)
But there are good things I can hold on to and there are other things I have the power to change. My family, myself, this world—all of us are flawed. But flawed doesn’t mean hopeless. It doesn’t mean forsaken. It doesn’t mean lost. We are not doomed to suffer things as they are, silent and alone. We do not have to leave questions and letters and lives unanswered. We have more power and potential than we know if we would only speak, if we would only listen.
Randy Ribay (Patron Saints of Nothing)
Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce . . . Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.
Sarah Waters
The only thing I wanted was a life that God did not intend for me to have. I suffered the loss of things that were never mine.
Ann Patchett (The Patron Saint of Liars)
The world is full of things we’re better off not knowing.
Ann Patchett (The Patron Saint of Liars)
Like a tree in the wind, he will bend before the strength of my conviction.
Randy Ribay (Patron Saints of Nothing)
It’s easy to romanticize a place when it’s far away,” he goes on, making this officially the most I’ve heard him speak at once in a long time. “Filipino Americans have a tendency to do that. Even me. Sometimes I miss it so much. The beaches. The water. The rice paddies. The carabao. The food. Most of all, my family.” He closes his eyes, and I wonder if he’s imagining himself there right now. After a few moments, he opens them again, but he stares at his hands. “But as many good things as there are, there are many bad things, things not so easy to see from far away. When you are close, though, they are sometimes all you see.
Randy Ribay (Patron Saints of Nothing)
It’s easy to romanticize a place when it’s far away. Filipino Americans have a tendency to do that. Even me. Sometimes I miss it so much. The beaches. The water. The rice paddies. The carabao. The food. Most of all, my family.
Randy Ribay (Patron Saints of Nothing)
But, it seems to me that there are so many older than us who are able to take care of those in need. If everyone did a little bit, then everybody would be okay, I think. Instead, most people do nothing. And that is the problem.
Randy Ribay (Patron Saints of Nothing)
a leading humanist scholar and occupied many public offices, including that of Lord Chancellor from 1529 to 1532. More coined the word "utopia", a name he gave to an ideal, imaginary island nation whose political system he described in a book published in 1516. He is chiefly remembered for his principled refusal to accept King Henry VIII's claim to be supreme head of the Church of England, a decision which ended his political career and led to his execution as a traitor. In 1935, four hundred years after his death, More was canonized in the Catholic Church by Pope Pius XI, and was later declared the patron saint of lawyers and statesmen
Thomas More (Utopia (Norton Critical Editions))
When St Genesius, the patron saint of actors, refused to act in a Roman play that ridiculed Christianity, the legend goes, the producers executed him. It reminds some people of Broadway today.
Samuel G. Freedman
Sir Thomas More (7 February 1478 – 6 July 1535), also known as Saint Thomas More, was an English lawyer, author, and statesman. During his lifetime he earned a reputation as a leading humanist scholar and occupied many public offices, including that of Lord Chancellor from 1529 to 1532. More coined the word "utopia", a name he gave to an ideal, imaginary island nation whose political system he described in a book published in 1516. He is chiefly remembered for his principled refusal to accept King Henry VIII's claim to be supreme head of the Church of England, a decision which ended his political career and led to his execution as a traitor. In 1935, four hundred years after his death, More was canonized in the Catholic Church by Pope Pius XI, and was later declared the patron saint of lawyers and statesmen. He shares his feast day, June 22 on the Catholic calendar of saints, with Saint John Fisher, the only Bishop during the English Reformation to maintain his allegiance to the Pope. More was added to the Anglican Churches' calendar of saints in 1980. Source: Wikipedia
Thomas More (Utopia (Norton Critical Editions))
I crossed over to Broadway and walked north to Twenty-fifth Street to the Serbian Orthadox Cathedral dedicated to Saint Seva, the patron saint of the Serbs, I stopped, as I had many times before, to visit the bust of Nikola Tesla, the patron saint of alternating current, placed outside the church like a lone sentinel. I stood as a Con Edison truck parked within eyeshot. No respect, I thought. -And you think you have problems, he said to me. -Oh, I'm just having trouble writing. I move back and forth between lethargy and agitation, -A pity. Perhaps you should step inside and light a candle to Saint Seva. He calms the sea for ships, -yeah, maybe. I'm off balance, not sure what's wrong. -You have misplaced joy, he said without hesitation. Without joy we are as dead, -How do I find it again? -Find those who have it and bathe in their perfection. -Thank you, Mr. Tesla. Is there something I can do for you? -Yes, he said, could you move a bit to the left? You're standing in my light.
Patti Smith (M Train)
In a direct response to African Americans patrolling Oakland, California, and “copwatching,” Republicans in California passed the Mulford Act, which banned open carry of loaded firearms in California. Who signed that law? Republican patron saint and then governor of California Ronald Reagan. The absolutist interpretation of the Second Amendment is new, but using gun rights or gun control, as necessary, to maintain racial dominance is old.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
She curses under her breath. It must be Tagalog because I catch, “mga lalaki,” the phrase for “men,” somewhere in there. “Hey,” I start to protest. “We’re not all—“ “Stop,” Mia cuts me off. “Don’t make it about you. Just listen.
Randy Ribay (Patron Saints of Nothing)
my mother knew that no woman thought she was beautiful, or beautiful enough, or beautiful in the right way.
Ann Patchett (The Patron Saint of Liars)
tell the truth.” “Even if the truth does nothing but cause the family anguish?” “They deserve to know.” “Or do they deserve peace?
Randy Ribay (Patron Saints of Nothing)
She was not one to set her teeth so far into something that she couldn’t let go when presented with the truth.
Ann Patchett (The Patron Saint of Liars)
America, like England and Scotland, had never really been a gay nation. Rather, it had been heavily and noisily jocular, with a substratum of worry and insecurity, in the image of its patron saint, Lincoln of the rollicking stories and tragic heart.
Sinclair Lewis
The patron saint of lost causes,' adds Julia, taking the statue from Harold, and the words come to him at once; Pray for us, Saint Jude, helper and keeper of the hopeless, pray for us – when he was a child, it was his final prayer of the night, and it wasn't until he was older that he would be ashamed of his name, of how it seemed to announce him to the world, and would wonder if the brothers had intended it as he was certain others saw it. as a mockery; as a diagnosis; as a prediction. And yet it also felt, at times, like it was all that was truly his, and although there had been moments he could have, even should have changed it, he never did.
Hanya Yanagihara (A Little Life)
Warmth stole into Murdoch's voice at the memory, and Farah's heart clenched at the picture of her Dougan not yet a man, and yet not a boy, regaling a room full of hardened prisoners about the graveyard capers and bog adventures of a ten-year-old girl in the Scottish Highlands. "He described ye so many times, I feel as though any of us would have recognized ye had we seen ye on the streets. He told us of yer kindness, yer innocence, yer gentle ways and boundless curiosity. Ye became something of a patron saint to us all. Our daughter. Our sister. Our... Fairy. Without even knowing it, ye gave us- him- a little bit of sunshine and hope in a world of shadow and pain.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
People die, terrible things happen. I know this now. You can't pick up and leave everything behind because there is too much sadness in the world and not enough places to go. But at seventeen, I didn't understand, and so I left.
Ann Patchett (The Patron Saint of Liars)
No matter the source, most follow the same flow: They describe the drug and corruption problems, Duterte’s solution, and the mounting body count. Few include the victims’ full names. Most suggest that these killings are crimes against humanity, including a note about the international community’s condemnation—but inaction.
Randy Ribay (Patron Saints of Nothing)
After all, Christmastide is the time of year for warming brandies, for assertive burgundies and meaty Medoc wines, and for gladsome whiskies. And an Islay malt: well, this is the octave of St Andrew, and you will doubtless recall that he is not only the patron saint of Alba, of Scotland, but was also a fisherman. How better to toast my favorite apostle (he being all the things I personally am not, starting with humble and self-effacing) than with the sea-salty dram of an Islay whisky?
Markham Shaw Pyle
I thought of the sermon we had just heard at Mass that morning. It was about the Good Samaritan. You know the one? I think everyone does. Or, at least, everyone has heard it. Every time I do, I think, surely, if I were in that situation I would be like the Samaritan and help the man in need. But how many times have I instead walked past?
Randy Ribay (Patron Saints of Nothing)
Yes, you’re a saint. St. Søren the Bastard, Patron of Manipulation.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Being alone is something you have to be good at to enjoy
Ann Patchett (The Patron Saint of Liars)
Maybe he was reaching out to me through those words, and I let him slip away. I stayed silent. If I had written to him more often, been more honest, would it have helped him work through some of his problems so he wouldn’t have run away from home? Maybe if I tried to find him, I would have. Maybe he wouldn’t have become an addict if someone were there for him. Maybe he wouldn’t have been killed in the street by the police, his death tallied as an improvement to society.
Randy Ribay (Patron Saints of Nothing)
When you’re a kid, they lie and say you did a great job in a game even if you sucked. Then you grow up a bit and your mom and dad lie to you about how strong their relationship is and how much they love each other after they have a big fight. Then you grow up a bit more and they tell you the lie that life is as simple as studying hard, getting into a good college, and finding a decent job. Sometimes I feel like growing up is slowly peeling back these layers of lies.
Randy Ribay (Patron Saints of Nothing)
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
Peter Watts (Blindsight (Firefall, #1))
Just as the god Jupiter defended Rome and Huitzilopochtli protected the Aztec Empire, so every Christian kingdom had its own patron saint who helped it overcome difficulties and win wars. England was protected by St George, Scotland by St Andrew, Hungary by St Stephen, and France had St Martin. Cities and towns, professions, and even diseases – each had their own saint. The city of Milan had St Ambrose, while St Mark watched over Venice. St Florian protected chimney cleaners, whereas St Mathew lent a hand to tax collectors in distress. If you suffered from headaches you had to pray to St Agathius, but if from toothaches, then St Apollonia was a much better audience.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Whose truth do you want to know, Dr. Amin Jaafari? The truth of a Bedouin who thinks he’s free and clear because he’s got an Israeli passport? The truth of a serviceable Arab per excellence who’s honored wherever he goes, who gets invited to fancy parties by people who want to show how tolerant and considerate they are? The truth of someone who thinks he can change sides like changing a shirt, with no trace left behind? Is that the truth you’re looking for, or is it the one you’re running away from? What planet do you live on, sir? … Our cities are being buried by machines on caterpillar tracks, our patron saints don’t know which way to turn, and you, simply because you’re nice and warm in your golden cage, refuse to see the inferno consuming us.
Yasmina Khadra (The Attack)
Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!
Octave Mirbeau (Le Jardin des supplices)
It’s the photos that hit me the hardest, though. A woman cradling her husband’s limp body. A crowd looking on, emotionless, as police shine a flashlight on a woman’s bloodied corpse. A couple, half on the ground and half tangled in their moped, their blank faces turned toward the camera and sprays of blood on the pavement behind their heads. Sisters gathered around their baby brother’s body lying in its small casket. A body with its head covered in a dirty cloth left in a pile of garbage on the side of the street. Grayish-green corpses stacked like firewood in an improvised morgue. There’s even a short video of grainy security cam footage in which a masked motorcyclist pulls up next to a man in an alleyway, shoots him point-blank in the side of the head, then drives away. In high definition, I see the victims’ wounds, their oddly twisted limbs, their blood and brain matter sprayed across familiar-looking streets. In every dead body, I see Jun. I want to look away. But I don’t. I need to know. I need to see it. These photographers didn’t want to water it down. They wanted the audience to confront the reality, to feel the pain that’s been numbed by a headline culture.
Randy Ribay (Patron Saints of Nothing)
The emphasis usually falls on the past splendour rather than on the subsequent decline. Medieval and nineteenth-century man agreed that their present was no very admirable age; not to be compared (said one) with the glory that was, not to be compared (said the other) with the glory that is still to come. The odd thing is that the first view seems to have bred on the whole a more cheerful temper. Historically as well as cosmically, medieval man stood at the foot of a stairway; looking up, he felt delight. The backward, like the upward, glance exhilarated him with a majestic spectacle, and humility was rewarded with the pleasures of admiration. And, thanks to his deficiency in the sense of period, that packed and gorgeous past was far more immediate to him than the dark and bestial past could ever be to a Lecky or a Wells. It differed from the present only by being better. Hector was like any other knight, only braver. The saints looked down on one’s spiritual life, the kings, sages, and warriors on one’s secular life, the great lovers of old on one’s own amours, to foster, encourage, and instruct. There were friends, ancestors, patrons in every age. One had one’s place, however modest, in a great succession; one need be neither proud nor lonely. I
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.
Marion Woodman (The Pregnant Virgin: A Process of Psychological Transformation)