Pathetic Fallacy Quotes

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The God excuse, the last refuge of a man with no answers and no argument.
George Carlin
We are all wired into a survival trip now. No more of the speed that fueled that 60's. That was the fatal flaw in Tim Leary's trip. He crashed around America selling "consciousness expansion" without ever giving a thought to the grim meat-hook realities that were lying in wait for all the people who took him seriously... All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours too. What Leary took down with him was the central illusion of a whole life-style that he helped create... a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody... or at least some force - is tending the light at the end of the tunnel.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
No doubt they all Got What Was Coming To Them. All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours too. What Leary took down with him was the central illusion of a whole life-style that he helped create...a generation of permanent cripples failed seekers who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebodyor at least some force is tending that Light at the end of the tunnel. This is the same cruel and paradoxically benevolent bullshit that has kept the Catholic Church going for so many centuries.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
The twentieth century has built up a powerful set of intellectual shortcuts and devices that help us defend ourselves against moments when clouds suddenly appear to think.
Charles Baxter (Burning Down the House: Essays on Fiction)
In ridiculing a pathetic human fallacy, which seeks explanation where none need be sought and which multiplies unnecessary assumptions, one should not mimic primitive ontology in order to challenge it. Better to dispose of the needless assumption altogether. This holds true for everything from Noah's flood to the Holocaust.
Christopher Hitchens
For some days, now, the termperature had wavered between freezing and thawing and it was difficult to tell whether the sediment thickening the atmostphere was rain or sleet or smog. Through the murk the dull red eye of a sun that had scarcely been able to drag itself above roof level all day was sinking blearily beneath the horizon, spreading a rusty stain across the snow-covered surfaces. Read pathetic fallacy weather.
David Lodge (Changing Places (The Campus Trilogy, #1))
Trying to think inside Finn's head was like committing what our English master called Pathetic Fallacy, the attribution of human emotions to boulders or trees.
Meg Rosoff (What I Was)
Pay attention and you will see - absolute pathetic fallacy is a gift, too.
Azra Gregor
All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours, too. What Leary took down with him was the central illusion of a whole life-style that he helped to create... a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody - or at least some force - is tending that Light at the end of the tunnel.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Too often critics have taken as the sole and crucial matter of fantasy the preoccupation of Tolkien, the quest for a remedy to the world's pain that will not destroy innocence with the temptations of power. Impressive and popular as The Lord of the Rings is, it manages its landscapes, vast green-leaved or slag-heaped vistas of pathetic fallacy and implied morality, far better than its people; it leaves the impression that important issues have been turned by sleight of hand and Georgian prettiness into questions of good and bad practice in urban planning and rural conservation. After all, the Grail is only worth seeking if you can believe in a god who put it there to help those who help themselves, in an Avalon to which burned-out heroes can retire with dignity. There is another great Matter for fantasy, one of more obvious resonance for the creative artist - the reconciliation of faerie and humanity; of the passion, power and wit of a world of sensuality, magic, and danger with the requirements of kind and ordinary life.
Roz Kaveney
A wise man can do no better than to turn from the churches and look up through the airy majesty of the wayside trees with exultation, with resignation, at the unconquerable, unimplicated sun.
Llewelyn Powys (The pathetic fallacy: A study of Christianity)
Her lips trembled, and so did his. It was never known which lips were the first to move towards the other lips; but they kissed tremblingly, and then they moved apart. The rain was dashing against the window-panes as if an angry spirit were within it, and behind it was the great swoop of the wind; it was one of those moments in which both the busy and the idle pause with a certain awe.
George Eliot
She was so kind, was Rita, such a good sport, that I daresay she would have given herself to any pathetic creature or fallacy, an old broken tree or a bereaved porcupine, out of sheer chumminess and compassion.
Vladimir Nabokov
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Then the creatures of the high air answered to the battle, foretelling the destruction that would be done that day; and the sea chattered of the losses, and the waves gave heavy shouts keening them, and the water-beasts roared to one another, and the rough hills creaked with the danger of the battle, and the woods trembled mourning the heroes, and the grey stones cried out at their deeds, and the wind sobbed telling them, and the earth shook, foretelling the slaughter; and the cries of the grey armies put a cloak over the sun, and the clouds were dark; and the hounds and the whelps and the crows, and the witches of the valley, and the powers of the air, and the wolves of the forests, howled from every quarter and on every side of the armies, urging them against one another.
Lady Gregory (Gods and Fighting Men: The Story of the Tuatha De Danaan and the Fianna of Ireland)
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful: Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire. There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
Christopher Hitchens (Mortality)
All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their failure is ours, too. What Leary took down with him was the central illusion of a whole life-style that he helped to create... a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody-or at least some force-is tending that Light at the end of the tunnel.This is the same cruel and paradoxically benevolent bullshit has kept the Catholic Church going for so many centuries. It is also the military ethic...a blind faith in some higher and wiser “authority.” The Pope, The General, The Prime Minister... all the way up to “God.
Hunter S. Thompson
Indeed. But what is sane? Especially here in ‘our own country’––in this doomstruck era of Nixon. We are all wired into a survival trip now. No more of the speed that fueled the Sixties. Uppers are going out of style. This was the fatal flaw in Tim Leary’s trip. He crashed around America selling ‘consciousness expansion’ without ever giving a thought to the grim meat-hook realities that were lying in wait for all the people who took him seriously. After West Point and the Priesthood, LSD must have seemed entirely logical to him…but there is not much satisfaction in knowing that he blew it very badly for himself, because he took too many others down with him. Not that they didn’t deserve it: No doubt they all Got What Was Coming To Them. All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours, too. What Leary took down with him was the central illusion of a whole life-style that he helped to create…a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody––or at least some force––is tending that Light at the end of the tunnel. This is the same cruel and paradoxically benevolent bullshit that has kept the Catholic Church going for so many centuries. It is also the military ethic…a blind faith in some higher and wiser ‘authority.’ The Pope, The General, The Prime Minister…all the way up to “God”.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
The Escalation Game is not an exotic brainteaser. Real life presents us with quandaries in which we are, as the saying goes, in for a penny, in for a pound. They include long-running labor strikes, dueling lawsuits, and literal wars of attrition, in which each nation feeds men and matériel into the maw of the war machine hoping the other side will exhaust itself first. The common rationale is “We fight so that our boys will not have died in vain,” a textbook example of the sunk-cost fallacy but also a tactic in the pathetic quest for a Pyrrhic victory. Many of the bloodiest wars in history were wars of attrition, showing once again how the infuriating logic of game theory may explain some of the tragedies of the human condition. Though persisting with a certain probability may be the least bad option once one is trapped in an Escalation Game, the truly rational strategy is not to play in the first place.
Steven Pinker (Rationality)
this must be part of some pathetic fallacy, whereby if you fall in love with one man, all men instantly become desirable, whether they actually are or not.
Elaine Dundy (The Dud Avocado (New York Review Books Classics))
And the moon is only the moon. But they’re not empty things you know. The past is still in them. The force of events long gone, it lingers. These heavenly bodies and earthly forms, what are they but expressions of matters unfinished? …Mebbe lunatics are men who’ve remembered they’re just men, not angels.
Tim Winton (The Shepherd's Hut)
Even as we face crippling impacts from climate on human life, we still look to those animals, in part because what John Ruskin memorably called the “pathetic fallacy” still holds: it can be curiously easier to empathize with them, perhaps because we would rather not reckon with our own responsibility, but instead simply feel their pain, at least briefly. In the face of a storm kicked up by humans, and which we continue to kick up each day, we seem most comfortable adopting a learned posture of powerlessness.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
What kind of diabolical God can create cats with dreams of satanic mice and simultaneously by some royal exequatur and placet give mice dreams of like cats? No, He Who smites without sword and scourges without rod I shall always remember, my friend, with an ingenuity worthy of a better cause—and forever revile! God, I tell you, is the center of the pathetic fallacy.
Alexander Theroux (Darconville's Cat)
When I get up early in the morning, I find them [the moths] clinging to the wall, motionless. I believe, said Austerlitz, they know they have lost their way, since if you do not put them out again carefully they will stay where they are, never moving, until the last breath is out of their bodies, and indeed they will remain in the place where they came to grief even after death, held fast by the tiny claws that stiffened in their last agony, until a draft of air detaches them and blows them into a dusty corner.
W.G. Sebald
And then, suddenly, when the sun is beginning to warm my face, I'm there. In the zone where everything is perfect, and I'm drawing. Fingers, hand and charcoal pencil, even thought, are one and what I am, what I see, or part of it, is skimming across the page, darker here, lighter on the left, a smudging—deliberate—and feathering with spit. While inside, the crimson glow is burning, that bubble I carry within me where I store everything that happens, good or bad, where I can think about it when I'm alone, at night or on the street, waiting for the chance for cash and an easy screw. As the glow burns, it travels through my limbs, blood and bone, and into my head where something explodes like an electric shock, so I’m shivering, retching even as my hand still moves over paper, tasting vomit in my mouth but refusing to let it go, swallowing down the bitterness. And still I draw, sweat sticky on my forehead and under my arms, but the only part of me touching what I’m doing is my hand with its instrument for line and block and shadow. Nothing can harm me now.
Anne Brooke (A Dangerous Man)
Another sort of landscape poetry is to be found in Wordsworth, for whom the title of poet of nature might perhaps be claimed. To him the landscape is an influence. What he renders, beyond such pictorial touches as language is capable of, is the moral inspiration which the scene brings to him. This moral inspiration is not drawn at all from the real processes of nature which every landscape manifests in some aspect and for one moment. Such would have been the method of Lucretius; he would have passed imaginatively from the landscape to the sources of the landscape; he would have disclosed the poetry of matter, not of spirit. Wordsworth, on the contrary, dwells on adventitious human matters. He is no poet of genesis, evolution, and natural force in its myriad manifestations. Only a part of the cosmic process engages his interest, or touches his soul—the strengthening or chastening of human purposes by the influences of landscape. These influences are very real; for as food or wine keeps the animal heart beating, or quickens it, so large spaces of calm sky, or mountains, or dells, or solitary stretches of water, expand the breast, disperse the obsessions that cramp a man’s daily existence, and even if he be less contemplative and less virtuous than Wordsworth, make him, for the moment, a friend to all things, and a friend to himself. Yet these influences are vague and for the most part fleeting. Wordsworth would hardly have felt them so distinctly and so constantly had he not found a further link to bind landscape to moral sentiment. Such a link exists. The landscape is the scene of human life. Every spot, every season, is associated with the sort of existence which falls to men in that environment. Landscape for Wordsworth’s age and in his country was seldom without figures. At least, some visible trace of man guided the poet and set the key for his moral meditation. Country life was no less dear to Wordsworth than landscape was; it fitted into every picture; and while the march of things, as Lucretius conceived it, was not present to Wordsworth’s imagination, the revolutions of society—the French Revolution, for instance—were constantly in his thoughts. In so far as he was a poet of human life, Wordsworth was truly a poet of nature. In so far, however, as he was a poet of landscape, he was still fundamentally a poet of human life, or merely of his personal experience. When he talked of nature he was generally moralizing, and altogether subject to the pathetic fallacy; but when he talked of man, or of himself, he was unfolding a part of nature, the upright human heart, and studying it in its truth.
George Santayana (Three Philosophical Poets: Lucretius, Dante And Goethe)
We were up on the cliff edge on a stormy night, even though the weather would have been fine at the time of year she died, nice bit of pathetic fallacy from my subconscious there.
Evie King (Ashes to Admin: The Caseload of a Council Funeral Officer)
When it comes to climate parables, we tend to like best the ones starring animals, who are mute when we do not project our voices onto them, and who are dying, at our own hands—half of them extinct, E. O. Wilson estimates, by 2100. Even as we face crippling impacts from climate on human life, we still look to those animals, in part because what John Ruskin memorably called the “pathetic fallacy” still holds: it can be curiously easier to empathize with them, perhaps because we would rather not reckon with our own responsibility, but instead simply feel their pain, at least briefly. In the face of a storm kicked up by humans, and which we continue to kick up each day, we seem most comfortable adopting a learned posture of powerlessness.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
Is the Bible a “source”? Is a commonly accepted scientific fallacy and misinterpretation a “source”? The “sources” once said that the earth was flat, that the earth was at the center of the universe, and that God created the earth as his special project. Why would we take “sources” seriously? All we take seriously are reason, logic, and mathematics. Sources that are in contradiction of these – and nearly all sources are – are worse than useless. What kind of pathetic human being, what kind of intellectual cripple, has to appeal to sources and authorities? Use your reason and logic … then you will end your dependency on “sources”, i.e. authorities.
Thomas Stark (Extra Scientiam Nulla Salus: How Science Undermines Reason (The Truth Series Book 8))
When it happens, there is nothing grand about it, nothing sublime. ... There's no pathetic fallacy here.
Jo Baker (A Country Road, A Tree)
The sweet indifference of man’s environment to his problems. Pathetic fallacy or no, I really felt it, an indifference to us that amounted to contempt.
Paul Scott (The Day of the Scorpion (The Raj Quartet, #2))
The tides had a certain personality in the dusk that they did not have during the day. The waters passed that stage where one would call them frolicsome and instead became malicious, and active in wanting harm.
Claire McKenna (Monstrous Heart (The Monstrous Heart Trilogy #1))
The tides had a certain personality in the dusk that they did not have during the day. The waters past that stage where one would call them frolicsome and instead became malicious, and active in wanting harm.
Claire McKenna (Monstrous Heart (The Monstrous Heart Trilogy #1))