Patent Your Quotes

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Conceal your dispositions, and your condition will remain secret, which leads to victory;  show your dispositions, and your condition will become patent, which leads to defeat.
Sun Tzu (The Art of War)
Any one who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’ like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s just a natural feeling. You’re not the person who discovered that feeling, so don’t try to patent it, okay?
Haruki Murakami (Kafka on the Shore)
What do you do to your hair?" "Dust, hair gel, and a little gun oil." "Ever thought of patenting the recipe?" "No.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Sig Sauer. Nine millimetres. Thirteen in the magazine. Big bullets. One of these hits you and it could blow your head off; something even the magic can't fix. Other than that you should be all right, presuming you remembered to wear the regulation above-ground micro-fibre jumpsuit recently patented by me. Then again, being a Recon jock, you probably didn't.
Eoin Colfer (The Arctic Incident (Artemis Fowl, #2))
Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. ¨It was terrifying,¨ he says, ¨watching you fall. I mean, you´re generally terrifying, but I am unused to fearing for you. And then I was furious. I am not sure I have ever been that angry before.¨ ¨Mortals are fragile,¨ I say. ¨Not you,¨ he says in a way that sounds a little like a lament. ¨You never break.¨ Page 159
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
But Hale didn't follow. For a second he just stood and stared out over his empire. It was like he was lost in a dream when he said, "So, your dad broke into the patent office." "Yep," Kat told him. "How many goats am I going to owe him for that?" "More than you've got, big guy. Way more than you've got.
Ally Carter (Perfect Scoundrels (Heist Society, #3))
Beside me, Richie chimed in. "What the... Max. there's a girl on your face." Sara pulled back and her eyes widened in realization. "Oh, crap." "Calm down," I told her quietly. "No one here gives a fuck who we are. They hardly remember my name every week." "Patently untrue," Richie said. "Your name is Twat." I tilted my head to him, smiling at Sara. "Like I said.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
If you can’t communicate it, you can’t file a proper application. If you can’t file properly, you can’t secure a patent.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
IP is not just an idea; it’s an intangible asset that does a specific job for you. Each one is different—patents, trademarks, copyrights. The specific way you get that job done is what you’re protecting, and the way you do it affects the asset value.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
IP filing is a race. The first person to file and get accepted wins and can shut you down, even if the idea was yours in the first place. Waiting too long means you don’t get a patent. Too many companies do just that.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
It’s essential for patent applications. Showing the roads you traveled and the work you put into testing, experimentation, and trials to realize your final product is part of your narrative—your patent story.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
When you find a diamond that belongs to nobody, it is yours. When you discover an island that belongs to nobody, it is yours. When you get an idea before any one else, you take out a patent on it : it is yours. So with me : I own the stars, because nobody else before me ever thought of owning them.
Antoine de Saint-Exupéry (The Little Prince)
I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities. At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.
David Nicholls (Starter for Ten)
It’s better to have one huge filing with lots of detail, data, and use cases than a dozen failed filings of five to ten pages each. Minimum filing requirements are not minimum requirements to secure a patent. Who does your patent keep out, and how? Your goal in creating IP is for it to be valuable, to be connected to the company, to be linked to your products or service, and to keep out competitors.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Boundary construction is most evident in three-year-olds. Boundary construction is most evident in three-year-olds. By this time, they should have mastered the following tasks: 1. The ability to be emotionally attached to others, yet without giving up a sense of self and one‘s freedom to be apart, 2. The ability to say appropriate no's to others without fear of loss of love, 3. The ability to take appropriate no's from others without withdrawing emotionally. Noting these tasks, a friend said half-joking, "They need to learn this by age three? How about by fourty-three?" Yes, these are tall orders but boundary development is essential in the early years of life.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
I can explain nothing to you unless I first draw your attention to patent inadequacies in your knowledge; discontinuities in the relations between objects, or the presence of anomalies you cannot account for by any of the laws known to you. You will remain deaf to my explanations until you suspect yourself of falsehood.
James P. Carse (Finite and Infinite Games: A Vision of Life as Play and Possibility)
IP is an intangible asset—an idea converted into transferable personal property rights through patents, trademarks, copyrights, service marks, and trade secrets. IP covers every famous animated character you’ve ever heard of, the logos on your clothing. IP covers products and services you use every day—from flashlights to mobile phones, packaging to cars, food and beverage products, to smart thermostats. IP is not only for big businesses. Most start-ups and event microbusinesses have IP of some kind. 
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Hiring is hard. Letting go is harder. It’s far easier to hire the right person from the start than to hire the wrong person, realize they’re a bad fit for your company, and then figure out how to let them go. When you know what you want in a new hire, the hard part gets easier. And when you know how to protect your IP, you don’t have to learn the hard lesson.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Your body isn't an ornament designed for other people's pleasure. It belongs to you alone. You're magnificent just as you are. Whether you lose weight or gain more, you'll still be magnificent. Have a cake if you want one." Cassandra looked patently disbelieving. "You're saying if I gained another stone, or even two stones, on top of this, you'd still find me desirable?" "God, yes," he said without hesitation. "Whatever size you are, I'll have a place for every curve." She gave him an arrested stare, as if he'd spoken in a foreign language and she was trying to translate.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Imp. It’s short for ImPrudence—much more appropriate. Whoever named you Prudence was ill-advised. There is not a shred of prudence or caution in you!” He observed her indignant reaction with patent approval, then commented affably, “You know, huffing and puffing like that shows off your bosom very prettily.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
If you’re not filing patents, but your competitors are, all you have is risk. You’re taking a huge chance that no one else will enter your space and kick you out. That’s the benefit of patents; you don’t have to let everybody in. You can let just a few major players in because you want what they have, or you don’t want to worry about them. Remember, you’re not at the big boys’ lunch table. But if you partner with their competitor, they’ll be worried. Then they’ll want to see if your patent protection is strong or if they can exploit a weakness.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
In a small company, the CTO, R&D, the COO, and even the CEO or cofounders or owners can be responsible for reviewing documentation. Don’t rely on your memory; write it down. Ideas become reality when we speak them and write them. So document them in an idea journal (digital or traditional) without judgment at the time. Inventors (and especially software developers) tend to edit or judge ideas and conclude they are not patentable because they were simple—even though they solve important problems and do not exist elsewhere.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Vimes, listening with his mouth open, wondered why the hell it was that dwarfs believed that they had no religion and no priests. Being a dwarf was a religion. People went into the dark for the good of the clan, and heard things, and were changed, and came back to tell… And then, fifty years ago, a dwarf tinkering in Ankh-Morpork had found that if you put a simple fine mesh over your lantern flame it'd burn blue in the presence of the gas but wouldn't explode. It was a discovery of immense value to the good of dwarfkind and, as so often happens with such discoveries, almost immediately led to a war. "And afterwards there were two kinds of dwarf," said Cheery sadly. "There's the Copperheads, who all use the lamp and the patent gas exploder, and the Schmaltzbergers, who stick to the old ways. Of course we're all dwarfs," she said, "but relations are strained.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
If someone contacts you and asserts that you’re infringing on their patent, you’ll need a lawyer to shield you from the accusation that you are willfully infringing. Never, ever respond yourself. At the same time, you’re not left with whatever your lawyer tells you to do. If you have patents of your own (which you should), disputes don’t have to come to litigation, damages, and bankruptcy. In my experience, the best way to settle IP infringement suits out of the courtroom is through cross-licensing—an agreement between all parties to give each other a license to use their patents.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Me and the folks who buy my food are like the Indians -- we just want to opt out. That's all the Indians ever wanted -- to keep their tepees, to give their kids herbs instead of patent medicines and leeches. They didn't care if there was a Washington, D.C., or a Custer or a USDA; just leave us alone. But the Western mind can't bear an opt-out option. We're going to have to refight the Battle of the Little Big Horn to preserve the right to opt out, or your grandchildren and mine will have no choice but to eat amalgamated, irradiated, genetically prostituted, barcoded, adulterated fecal spam from the centralized processing conglomerate.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Call the priest. You’re in a better mood when he’s around. He doesn’t brood like you do.” “He invented brooding. He holds the patent on brooding. He gets royalties whenever anyone broods. You just haven’t seen him do it yet.
Tiffany Reisz (The King (The Original Sinners, #6))
You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now you’re selling it, you wanna sell it. Well…your scientists were so preoccupied with whether or not they could that they didn’t stop to think if they should
Michael Crichton
No one has a patent on the truth. Find yours.
Debbie Miller (Reading with Meaning: Teaching Comprehension in the Primary Grades)
This all has got to be, patently, the most unbelievable, the most ridiculous story I have ever heard. Somehow coming from your mouth, it has the ring of truth, but I doubt anyone would believe me if I told them what happened today.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Ten-to-one odds Callum has either Sore or Lance on Bryn-duty tonight,” I said, changing the subject with an unspoken apology for bringing up the previous one at all. “You Macalisters seem to be Team Bryn favorites at the moment.” Devon’s lips settled into an easy, practiced smirk, and the nearly imperceptible tension in his neck and shoulder muscles receded. “If there’s any justice in this world, watching you should convince them how lucky they’ve been to be blessed with a son such as myself.” “He says with patented Smirk Number Three.” Devon shook his head and made a sound somewhere in the neighborhood of tsk-tsk. “You’re getting rusty, Bronwyn. That was clearly Smirk Number Two: sardonic with a side of wit.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a ...more "...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.
Blaise Cendrars (Moravagine)
You may set your mind at rest, Miss Anstruther-Wetherby." He glanced down, the planes of his face granite-hard. "I'm not marrying you because of any social stricture. That, if you consider it, is a nonsensical idea. Cynsters, as you well know, do not give a damn about social strictures. Society, as far as we're concerned, can think what it pleases—it does not rule us." "But… if that's the case—and given your reputation I can readily believe it is—why insist on marrying me?" "Because I want to." The words were delivered as the most patently obvious answer to a simple question. Honoria held on to her temper. "Because you want to?" He nodded. "That's it? Just because you want to?" The look he sent her was calculated to quell. "For a Cynster, that's a perfectly adequate reason. In fact, for a Cynster, there is no better reason." He looked ahead again; Honoria glanced at his profile. "This is ridiculous. You only set eyes on me yesterday, and now you want to marry me?" Again he nodded. "Why?" The glance he shot her was too brief for her to read. "It so happens I need a wife, and you're the perfect candidate." With that, he altered their direction and lengthened his stride even more. "I am not a racehorse." His lips thinned, but he slowed--just enough so she didn't have to run. They'd gained the graveled walk that circled the house. It took her a moment to replay his words, another to see their weakness. "That's still ridiculous. You must have half the female population of the ton waiting to catch your handkerchief every time you blow your nose." He didn't even glance her way. "At least half." "So why me?" Devil considered telling her--in graphic detail. Instead, he gritted his teeth and growled: "Because you're unique." "Unique?" Unique in that she was arguing.
Stephanie Laurens (Devil's Bride (Cynster, #1))
Invent things that people actually want. Keep your thoughts to yourself until you are ready to patent your invention,
Eoin Colfer (The Artemis Fowl Files)
Certainly. When you find a diamond that belongs to nobody, it is yours. When you discover an island that belongs to nobody, it is yours. When you get an idea before any one else, you take out a patent on it: it is yours. So with me: I own the stars, because nobody else before me ever thought of owning them.
Antoine de Saint-Exupéry (The Little Prince)
Deal resistance a death blow and make sweet love to your art all night long. Put on your fishnet thigh highs and your patent leather stilettos and your special occasion lingerie. Seduce the hell out of your own creative soul. It’s time for an epic lap dance. Dance for your paint and canvas, for fingers tripping across keyboard, for the open arms of motherhood, for the layers of flavor in the meals you create. Wind your hips down for the click of the shutter, for the 3 a.m. bathroom poem, for the late night lesson planning
Jeanette LeBlanc
Oh, this was getting better and better. Beau was making a valiant effort to remain stoic, but his face betrayed the long-suffering look of someone who had to listen to something patently idiotic. "What happened next?" an older female voice asked. "We got up to leave, and the girl wanted to come with us, and the first black guy, he, like, got up and he was all, 'You're not leaving!' and we were all like, 'Yes we are,' and then I threw some chicken at them so they'd know we meant business, and the white kid who was with them, he picked up Chad and threw him through the window." Drunk knights in shining armor, protecting the hapless female from the clutches of scary black guys. Give me a break. "Then what happened?" the older female asked. "Then they left and went up the street. And Chad was like, 'We can't let them get away with this shit,' so we followed them. And I said, 'Hey! What do you think you're doing with that throwing people through windows and shit.' And the white guy said, 'You must like going through windows.' And I told him 'Fuck you' in a polite voice and he threw me through the window." Beau clicked the recorder off. "It's good that he used his polite voice," I said. "Otherwise no telling what would've happened.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5;World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
If you have managed to overcome your difficulties, then make a note of that process because that’s your consciously patented formula for invincibility.
Mohith Agadi
The first thing you want in a new country, is a patent office; then work up your school system; and after that, out with your paper.
Mark Twain (A Connecticut Yankee in King Arthur's Court (First Avenue Classics ™))
Hammond shook his head sadly. “Yet, you’ll remember,” he said, “the original genetic engineering companies, like Genentech and Cetus, were all started to make pharmaceuticals. New drugs for mankind. Noble, noble purpose. Unfortunately, drugs face all kinds of barriers. FDA testing alone takes five to eight years—if you’re lucky. Even worse, there are forces at work in the marketplace. Suppose you make a miracle drug for cancer or heart disease—as Genentech did. Suppose you now want to charge a thousand dollars or two thousand dollars a dose. You might imagine that is your privilege. After all, you invented the drug, you paid to develop and test it; you should be able to charge whatever you wish. But do you really think that the government will let you do that? No, Henry, they will not. Sick people aren’t going to pay a thousand dollars a dose for needed medication—they won’t be grateful, they’ll be outraged. Blue Cross isn’t going to pay it. They’ll scream highway robbery. So something will happen. Your patent application will be denied. Your permits will be delayed. Something will force you to see reason—and to sell your drug at a lower cost. From a business standpoint, that makes helping mankind a very risky business. Personally, I would never help mankind.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. 'It was terrifying,' he says, 'watching you fall. I mean, you're generally terrifying, but I am unused to fearing for you. And then, I was furious. I am not sure I have ever been that angry before.' 'Mortals are fragile,' I say. 'Not you,' he says in a way that sounds a little like a lament. 'You never break.' Which is ridiculous, as hurt as I am. I feel like a constellation of wounds, held together with string and stubbornness. Still, I like hearing it. I like everything he's saying all too well. That boy is your weakness.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
He says with patented Smirk Number Three.” Devon shook his head and made a sound somwhere in the neighborhood of tsk-tsk. “You’re getting rusty, Bronwyn. That was clearly Smirk Number Two: sardonic with a side of wit.
Jennifer Lynn Barnes (Raised by Wolves)
The evil still went on, but now it went on in the hard, soulless glare of parking-lot fluorescents, of neon tubing, of hundred-watt bulbs by the billions. Generals planned strategic air strikes beneath the no-nonsense glow of alternating current, and it was all out of control, like a kid’s soapbox racer going downhill with no brakes: I was following my orders. Yes, that was true, patently true. We were all soldiers, simply following what was written on our walking papers. But where were the orders coming from, ultimately? Take me to your leader. But where is his office? I was just following orders. The people elected me. But who elected the people?
Stephen King ('Salem's Lot)
Your dress is perfectly clean,” he said. “Or are you brushing off the contamination? If so, you’re working on the wrong place. I never touched your skirts.” “They touched your legs,” she said. “You put your hand on my trouser front,” he said. “You don’t see me brushing it in that deranged manner.” “It is not deranged!” “What is it, then?” “I am keeping my hands busy because I want to slap you.” “That is patently unfair,” he said. “You started it.
Loretta Chase (Not Quite a Lady (Carsington Brothers, #4))
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
If you try to convert someone, it will never be to effect his salvation but to make him suffer like yourself, to be sure he is exposed to the same ordeals and endures them with the same impatience. You keep watch, you pray, you agonize-provided he does too, sighing, groaning, beset by the same tortures that are racking you. Intolerance is the work of ravaged souls whose faith comes down to a more or less deliberate torment they would like to see generalized, instituted. The happiness of others never having been a motive or principle of action, it is invoked only to appease conscience or to parade noble excuses: whenever we determine upon an action, the impulse leading to it and forcing us to complete it is almost always inadmissible. No one saves anyone; for we save only ourselves, and do so all the better if we disguise as convictions the misery we want to share, to lavish on others. However glamorous its appearances, proselytism nonetheless derives from a suspect generosity, worse in its effects than a patent aggression. No one is willing to endure alone the discipline he may even have assented to, nor the yoke he has shouldered. Vindication reverberates beneath the missionary's bonhomie, the apostle's joy. We convert not to liberate but to enchain. Once someone is shackled by a certainty, he envies your vague opinions, your resistance to dogmas or slogans, your blissful incapacity to commit yourself.
Emil M. Cioran (The Fall into Time)
Why is my mother texting me about how hot you are?" "Weird. Think it has anything to do with the fact I just went to the bookstore in nothing but a patent leather trench coat?" Charlie replies with a screenshot of some texts between him and his mom. "Cottage guest is very pretty", Sally writes, then separately, "No ring." Charlie replied: "Oh? Thinking of leaving Dad?" She ignored his comment and instead said, "Tall. You always liked tall girls." "What are you talking about" Charlie wrote back, no question mark. "Remember your homecoming date? Lilac Walter-Hixton? She was practically a giant" "That was the eighth-grade formal" he said "it was before my growth spurt." "Well this girl's very pretty and tall but not too tall." "Tall but not TOO tall," I tell Charlie, "can also be added to my headstone. He says "I'll make a note." I say, "She told me you would bring wood over to the cottage for me." He says "Please swear to me you didn't make a 'too late for that' joke.
Emily Henry (Book Lovers)
It is not easy to find the right way. You must learn to govern yourself, you must learn autonomy, you must manage your freedom or drown in it. You may strain the will after Experience because you need it for your books. Or you may perish under the heavy weight of Culture. You may make a fool of yourself anywhere. You may find illumination anywhere—in the gutter, in the college, in the corporation, in a submarine, in the library. No one man holds a patent on it. No man knows what it is likely to tell him to do.
Saul Bellow
My favorite is called aniracetam, because it is fat soluble and documented to improve your memory. My second favorite is called phenylpiracetam, which gives you quite a lot of energy. Both of these drugs are available online and are virtually ignored in Western medicine because they’re off patent. I take 800 mg of aniracetam and 100 mg of phenylpiracetam most mornings, and I can feel the difference in my brain as a result. This entire book was written on higher doses of those two substances (as well as every other supplement in the book!).
Dave Asprey (Head Strong: The Bulletproof Plan to Activate Untapped Brain Energy to Work Smarter and Think Faster-in Just Two Weeks)
You know what's wrong with scientific power? [...] It's a form of inherited wealth [...] Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can't be given away: it resides in you. It is literally the result of your discipline. Now, what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of getting the power changes you so that you won't abuse it. But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step [...] There is no discipline lasting many decades. There is no mastery: old scientists are ignored. There is no humility before nature. There is only a get-rich-quick, make-a-name-for-yourself-fast philosophy. Cheat, lie, falsify - it doesn't matter. [...] They are all trying to do the same thing: to do something big, and do it fast. And because you can stand on the shoulders of giants, you canaccomplish something quickly. You don't even know exactly what you have done, but already you have reported it, patented it, and sold it. And the buyer will have even less discipline than you. The buyer simply purchases the power
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Ty Inc.'s 1989 catalog had this on the back cover: "Warning: If anyone dare copy our creative designs and patents without written permission, ownership of your eternal soul passes to us and we have the right to negotiate the sale of said soul. Furthermore, our attorneys will see to it that life on Earth, as you know it, is not worth living.
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
The Liver needs movement!! Nothing will move your stagnation like exercise. Regulate sleep, with a goal of being asleep before the Wood (Liver-Gall Baldder) hours begin at 11 p.m., and no late night eating or overeating as this burdens the Liver’s patent flow of Qi and contributes to stagnation of energy. We know that the emotions associated
Cathy McNease (In Harmony with the Seasons: Herbs, Nutrition and Well-Being)
This is a plot: I hope he will keep quiet while he looks at them. I dive under the table and push the chest against his patent leather shoes, I put an armload of post cards and photos on his lap: Spain and Spanish Morocco. But I see by his laughing, open look that I have been singularly mistaken in hoping to reduce him to silence. He glances over a view of San Sebastian from Monte Igueldo, sets it cautiously on the table and remains silent for an instant. Then he sighs: 'Ah, Monsieur, you're lucky ... if what they say is true-travel is the best school. Is that your opinion, Monsieur?' I make a vague gesture. Luckily he has not finished. 'It must be such an upheaval. If I were ever to go on a trip, I think I should make written notes of the slightest traits of my character before leaving, so that when I returned I would be able to compare what I was and what I had become. I've read that there are travellers who have changed physically and morally to such an extent that even their closest relatives did not recognize them when they came back.
Jean-Paul Sartre (Nausea)
Anyone who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’s like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s only a natural feeling. You’re not the person who discovered that feeling, so don’t go trying to patent it, OK?
Haruki Murakami (Kafka on the Shore)
Anyone who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’s like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s just a natural feeling. You’re not the person who discovered that feeling, so don’t go trying to patent it, okay?
Haruki Murakami (Kafka on the Shore)
Anyway, Smith told me to sign some papers for the three ideas I was giving to the government to patent. Now, it’s some dopey legal thing, but when you give the patent to the government, the document you sign is not a legal document unless there’s some exchange, so the paper I signed said, “For the sum of one dollar, I, Richard P. Feynman, give this idea to the government…” I sign the paper. “Where’s my dollar?” “That’s just a formality,” he says. “We haven’t got any funds set up to give a dollar.” “You’ve got it all set up that I’m signing for the dollar,” I say. “I want my dollar!” “This is silly,” Smith protests. “No, it’s not,” I say. “It’s a legal document. You made me sign it, and I’m an honest man. If I sign something that says I got a dollar, I’ve gotta get a dollar. There’s no fooling around about it.” “All right, all right!” he says, exasperated. “I’ll give you a dollar, from my pocket!” “OK.” I take the dollar, and I realize what I’m going to do. I go down to the grocery store, and I buy a dollar’s worth—which was pretty good, then—of cookies and goodies, those chocolate goodies with marshmallow inside, a whole lot of stuff. I come back to the theoretical laboratory, and I give them out: “I got a prize, everybody! Have a cookie! I got a prize! A dollar for my patent! I got a dollar for my patent!” Everybody who had one of those patents—a lot of people had been sending them in—everybody comes down to Captain Smith: they want their dollar!
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Danny Boy, you are not going to patent the gadget. What would it get you? Seventeen years at the most…and no years at all in three-fourths of the world. If you did patent, or try to, Edison, and P.G. and E…and Standard would tie you up with injunctions and law suits and claimed infringements and I don’t know what all. But you said yourself that you could put one of your gadgets in a room with the best research team G.A. has to offer and the best they could do would be to melt it down and the worse would be that they would blow themselves up. You said that. Did you mean it?” “Certainly. If they don’t know how I insert the—” “Hush! I don’t want to know. And walls have ears. We don’t make any fancy announcements; we simply start manufacturing. Wherever power is cheapest today. Where is that?
Robert A. Heinlein (Friday)
The first two sentences are hard to understand, but make some kind of sense. The last sentence is merely rearranged but makes no natural sense at all. (This is all assuming it makes some sort of sense for an old lady to be swallowing cats in the first place, which is patently absurd, but it turns out she swallowed a goat too, not to mention a horse, so we’ll let the cat pass without additional comment.)
Tom Stafford (Mind Hacks: Tips & Tricks for Using Your Brain)
Perhaps the most visionary of emerging recommender systems is Google’s patented environment-based recommender system. The tech behemoth has patented "advertising based on environmental conditions," which draws on environmental factors such as temperature and humidity collected through device sensors. In addition to climatic factors, the technology is said to gather light, sound, and air composition and translates this information into criteria for what ads to serve users.
Oliver Theobald (Machine Learning: Make Your Own Recommender System (Machine Learning with Python for Beginners Book Series 3))
Dink, my boy, I'll be a millionaire in ten years. You know what I'm figuring out all this time? I'm going at this scientifically. I'm figuring out the number of fools there are on the top of this globe, classifying 'em, looking out what they want to be fooled on. I'm making an exact science of it." "Go on," said Dink, amused and perplexed, for he was trying to distinguish the serious and the humorous. "What's the principle of a patent medicine?—advertise first, then concoct your medicine. All the science of Foolology is: first, find something all the fools love and enjoy, tell them it's wrong, hammer it into them, give them a substitute and sit back, chuckle, and shovel away the ducats. Bread's wrong, coffee's wrong, beer's wrong. Why, Dink, in the next twenty years all the fools will be feeding on substitutes for everything they want; no salt—denatured sugar—anti-tea—oiloline—peanut butter—whale's milk—et cetera, et ceteray, and blessing the name of the fool-master who fooled them.
Owen Johnson (Stover at Yale)
Anyone who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’s like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s just a natural feeling. You’re not the person who discovered that feeling, so don’t go trying to patent it, okay?” I lay my fork down and look up. “A fond, old, faraway room?” “Exactly,” Oshima says. He holds his fork straight up for emphasis. “Just a metaphor, of course.
Haruki Murakami (Kafka on the Shore)
The literary critic Harry Levin put this nicely: “The habit of equating one’s age with the apogee of civilization, one’s town with the hub of the universe, one’s horizons with the limits of human awareness, is paradoxically widespread.” At best, we nurture the fantasy that knowledge is always cumulative and therefore concede that future eras will know more than we do. But we ignore or resist the fact that knowledge collapses as often as it accretes, that our own most cherished beliefs might appear patently false to posterity.
John Brockman (This Will Make You Smarter: New Scientific Concepts to Improve Your Thinking)
The peril of a potent resource position is that success then arrives without careful ongoing strategy work. Own the original patent on the plain-paper photocopier, or own the Hershey’s brand name, or the Windows operating system franchise, or the patent on Lipitor, and there will be many years during which profits will roll in almost regardless of how you arrange your business logic. Yes, there was inventive genius in the creation of these strategic resources, but profits from those resources can be sustained, for a time, without genius.
Richard P. Rumelt (Good Strategy Bad Strategy: The Difference and Why It Matters)
...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.
Blaise Cendrars
Jesus says, “When someone hits you on one cheek, give him the other. And if someone takes your coat, snatches it, give him your shirt also. And if someone forces you to carry his load for one mile, tell him that you are ready to carry it for two miles.” This is patent foolishness, but very meaningful. If you can do this, these techniques will be for you. Jesus is preparing his disciples for sudden enlightenment. Just think about it. If you can be so innocent, so trusting, that if the other is hitting you, he must be hitting you for your good – so give him the other cheek also, and let him hit it. The other’s goodness is believed in, trusted in; no one is your enemy. When Jesus says, “Love your enemies,” this is the meaning. No one is your enemy; don’t see the enemy anywhere. That doesn’t mean that there will not be enemies and there will not be people who will exploit you. There will be. They will exploit you. But be exploited – and don’t be cunning. Just look at that dimension: be exploited but don’t be cunning. Be exploited but don’t be mistrusting, don’t disbelieve, don’t lose faith. That is more valuable than anything others can cheat you of. Nothing else is so valuable. But
Osho (The Book of Secrets: 112 Meditations to Discover the Mystery Within)
Here’s my patented approach to event cooking: shoot for 70 percent. My philosophy is based on an apocryphal story I’ve heard about how a large financial services firm used to choose their new analysts. They didn’t hire people who scored 100 on their Series 7 exam. They wanted people who purposely aimed for 70, because it meant you knew the material so well that you could confidently shoot for a C-minus and get it. That’s where you want to be when you’re cooking for events. Not the worst and not the best. Whether it’s a cooking demo or a collaborative dinner, trying to impress people is a fool’s errand.
David Chang (Eat a Peach)
Connections? I will tell you about connections . . . An amateur German physicist works in a patent office in Bern in Switzerland. He comes up with a theory that, half a century later, will lead to whole Japanese cities being destroyed, along with much of their population. Husbands, wives, sons, daughters. He does not want that connection to form, but that does not stop it forming.’ ‘You’re talking about something very different.’ ‘No. No, I am not. This is a planet where a daydream can end in death, and where mathematicians can cause an apocalypse. That is my view of the humans. Is it any different from yours?
Matt Haig (The Humans)
I sat up, woozy and blurry-eyed. I was lying in my old cot in the Me cabin. Sunlight streamed through the windows—morning light? Had I really slept that long? Snuggled up next to me, something warm and furry was growling and snuffling in my pillow. At first glance, I thought it might be a pit bull, though I was fairly sure I did not own a pit bull. Then it looked up, and I realized it was the disembodied head of a leopard. One nanosecond later, I was standing at the opposite end of the cabin, screaming. It was the closest I’d come to teleporting since I’d lost my godly powers. “Oh, you’re awake!” My son Will emerged from the bathroom in a billow of steam, his blond hair dripping wet and a towel around his waist. On his left pectoral was a stylized sun tattoo, which seemed unnecessary to me—as if he could be mistaken for anything but a child of the sun god. He froze when he registered the panic in my eyes. “What’s wrong?” GRR! said the leopard. “Seymour?” Will marched over to my cot and picked up the leopard head—which at some point in the distant past had been taxidermied and stuck on a plaque, then liberated from a garage sale by Dionysus and granted new life. Normally, as I recalled, Seymour resided over the fireplace mantel in the Big House, which did not explain why he had been chewing on my pillow. “What are you doing here?” Will demanded of the leopard. Then, to me: “I swear I did not put him in your bed.” “I did.” Dionysus materialized right next to me. My tortured lungs could not manage another scream, but I leaped back an additional few inches. Dionysus gave me his patented smirk. “I thought you might like some company. I always sleep better with a teddy leopard.” “Very kind.” I tried my best to kill him with eye daggers. “But I prefer to sleep alone.” “As you wish. Seymour, back to the Big House.” Dionysus snapped his fingers and the leopard head vanished from Will’s hands. “Well, then…
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Forgetting herself entirely, Pandora let her head loll back against Gabriel's shoulder. "What kind of glue does Ivo use?" she asked languidly. "Glue?" he echoed after a moment, his mouth close to her temple, grazing softly. "For his kites." "Ah." He paused while a wave retreated. "Joiner's glue, I believe." "That's not strong enough," Pandora said, relaxed and pensive. "He should use chrome glue." "Where would he find that?" One of his hands caressed her side gently. "A druggist can make it. One part acid chromate of lime to five parts gelatin." Amusement filtered through his voice. "Does your mind ever slow down, sweetheart?" "Not even for sleeping," she said. Gabriel steadied her against another wave. "How do you know so much about glue?" The agreeable trance began to fade as Pandora considered how to answer him. After her long hesitation, Gabriel tilted his head and gave her a questioning sideways glance. "The subject of glue is complicated, I gather." I'm going to have to tell him at some point, Pandora thought. It might as well be now. After taking a deep breath, she blurted out, "I design and construct board games. I've researched every possible kind of glue required for manufacturing them. Not just for the construction of the boxes, but the best kind to adhere lithographs to the boards and lids. I've registered a patent for the first game, and soon I intend to apply for two more." Gabriel absorbed the information in remarkably short order. "Have you considered selling the patents to a publisher?" "No, I want to make the games at my own factory. I have a production schedule. The first one will be out by Christmas. My brother-in-law, Mr. Winterborne, helped me to write a business plan. The market in board games is quite new, and he thinks my company will be successful." "I'm sure it will be. But a young woman in your position has no need of a livelihood." "I do if I want to be self-supporting." "Surely the safety of marriage is preferable to the burdens of being a business proprietor." Pandora turned to face him fully. "Not if 'safety' means being owned. As things stand now, I have the freedom to work and keep my earnings. But if I marry you, everything I have, including my company, would immediately become yours. You would have complete authority over me. Every shilling I made would go directly to you- it wouldn't even pass through my hands. I'd never be able to sign a contract, or hire employees, or buy property. In the eyes of the law, a husband and wife are one person, and that person is the husband. I can't bear the thought of it. It's why I never want to marry.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Then he spilled his signature phrase, to which he had earned exclusive patent: "I've seen it all." He launched into a monologue to which I listened impatiently then, but which I would revisit many years later as the greatest wisdom ever imparted to me by another human being. "We're all born with the greatest treasures we'll ever have in life. One of those treasures is your mind, another is your heart. And the indispensable tools of those treasures are time and health. How you use the gifts of Allah to help yourself and humanity is ultimately how you honour him. I have tried to use my mind and my heart to keep our people linked to history, so we do not become amnesiac creatures living arbitrarily at the whim of injustice.
Susan Abulhawa (Mornings in Jenin)
They don’t, in some people; those unlucky enough never to change in themselves, but there are few like that.” She gave my folded hand a squeeze and patted it. “I doubt that you’re one of those. Your hand shows quite a lot of change already, for one so young. That would likely be the War, of course,” she said, as though to herself. I was curious again, and opened my palm voluntarily. “What am I, then, according to my hand?” Mrs. Graham frowned, but did not pick up my hand again. “I canna just say. It’s odd, for most hands have a likeness to them. Mind, I’d no just say that it’s ‘see one, you’ve seen them all,’ but it’s often like that—there are patterns, you know.” She smiled suddenly, an oddly engaging grin, displaying very white and patently false teeth.
Diana Gabaldon (Outlander (Outlander, #1))
Oh, Cam.” Her shoulders drooped. “You would never let anything come between us, would you? You would never let us be parted?” The question was so patently ridiculous that Cam hardly knew what to say. He turned Amelia to face him, and saw with a jolt of surprise that his practical, sensible wife was close to tears. The pregnancy was making her emotional, he thought. The glitter of moisture in her eyes sent a rush of fierce tenderness through him. He curved a protective arm around her and used his free hand to grip the back of her hair, not caring that it mussed her coiffure. “You are the reason I live,” he said in a low voice, holding her close. “You’re everything to me. Nothing could ever make me leave you. And if anyone ever tried to separate us, I would kill him.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
The waitress came over slowly, as if the effort of crossing the floor was synonymous with wading through deep snow and she should be rewarded for it. Myron warmed her up with one of his patented smiles. The Christian Slater model—friendly yet devilish. Not to be mistaken for the Jack Nicholson model which was also friendly yet devilish. “Hi,” he said. She put down a Rolling Rock cardboard coaster. “What can I get you?” she asked, trying to toss up a friendly tone and falling way short. You rarely find a friendly barmaid in Manhattan, except for those born-again waitresses at chains like TGI Friday’s or Bennigan’s where they tell you their name and that they’ll be your “server” like you might mistake them for something else, like your “legal consultant” or “medical advisor.
Harlan Coben (Fade Away (Myron Bolitar, #3))
And what do you do with these stars?" "What do I do with them?" "Yes." "Nothing. I own them." "You own the stars?" "Yes" "But I have already seen a king who--" "Kings do not own, they reign over. It is a very different matter." "And what good does it do you to own the stars?" "It does me the good of making me rich." "And what good does it do you to be rich?" "It makes it possible for me to buy more stars, if any are ever discovered." "This man," said the little prince to himself, "reasons a little like my poor tippler..." Nevertheless, he still had some more questions. "How is it possible for one to own the stars?" "To whom do they belong?" the businessman retorted, peevishly. "I don't know. To nobody." "Then they belong to me, because I was the first person to think of it." "Is that all that is necessary?" "Certainly. When you find a diamond that belongs to nobody, it is yours. When you discover an island that belongs to nobody, it is yours. When you get an idea before any one else , you take out a patent on it: it is yours. So with me: I own the stars, because nobody else before me ever though about owning them." "Yes, that is true," said the little prince. "And what do you do with them?" "I administer them, " replied the businessman. "I count them and recount them. It is difficult. But I am a man who is naturally interested in matters of consequence. The little prince was still not satisfied. "If I owned a silk scarf," he said, "I could put it around my neck and take it away with me. If I owned a flower, I could pluck that flower and take it away with me. But you cannot pluck the stars from heaven..." "No. But I can put them in the bank." "Whatever does that mean?" "That means I write down the number of my stars on a little paper. And then I put this paper in a drawer and lock it with a key." "And that is all?" "That is enough," said the businessman. "It is entertaining," thought the little prince. "It is rather poetic. But it is of no great consequence." On matters of consequence the little prince had ideas which were very different from those of the grown-ups. "I myself own a flower," he continued his conversation with the businessman, "which I water every day. I own three volcanoes, which I clean out every week (for I also clean out the one that is extinct; one never knows). It is of some use to my volcanoes, and it is of some use to my flower, that I own them. But you are of no use to the stars..." The businessman opened his mouth, but he found nothing to say in answer. And the little prince went away.
Antoine de Saint-Exupéry (The Little Prince)
In the case of patentable ideas such as the wheelbarrow, the idea of unpriced spillovers is more plausible. Yet there is no reason to believe that it is of practical importance. Indeed, there is a modern example of the wheelbarrow – that of Travelpro – the inventor of the modern wheeled roll-on suitcase with a retractable handle. Obviously such an idea can not both be useful and be secret – and once you see a wheeled roll-on suitcase it is not difficult to figure out how to make one of your own. Needless to say, Travelpro was quickly imitated – and so quickly you probably have never even heard of Travelpro. Never-the-less – despite their inability to garner an intellectual monopoly over their invention – they found it worthwhile to innovate – and they still do a lucrative business today, claiming “425,000 Flight Crew Members Worldwide Choose Travelpro Luggage.
Michele Boldrin (Against Intellectual Monopoly)
Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can’t be given away: it resides in you. It is literally the result of your discipline. “Now, what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won’t use it unwisely. So that kind of power has a built-in control. The discipline of getting the power changes you so that you won’t abuse it. “But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step. You can do it very young. You can make progress very fast. There is no discipline lasting many decades. There is no mastery: old scientists are ignored. There is no humility before nature. There is only a get-rich-quick, make-a-name-for-yourself-fast philosophy. Cheat, lie, falsify—it doesn’t matter. Not to you, or to your colleagues. No one will criticize you. No one has any standards. They are all trying to do the same thing: to do something big, and do it fast. “And because you can stand on the shoulders of giants, you can accomplish something quickly. You don’t even know exactly what you have done, but already you have reported it, patented it, and sold it. And the buyer will have even less discipline than you. The buyer simply purchases the power, like any commodity. The buyer doesn’t even conceive that any discipline might be necessary.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Richard Lewontin is amazingly candid about this fact. In the New York Review of Books he makes this stunning admission: Our willingness to accept scientific claims that are against common sense is the key to an understanding of the real struggle between science and the supernatural. We take the side of science in spite of the patent absurdity of some of its constructs . . . in spite of the tolerance of the scientific community for unsubstantiated just-so stories, because we have a prior commitment, a commitment to materialism. It is not that the methods and institutions of science somehow compel us to accept a material explanation of the phenomenal world, but, on the contrary, that we are forced by our a priori adherence to material causes to create an apparatus of investigation and a set of concepts that produce material explanations, no matter how counterintuitive, no matter how mystifying to the uninitiated. Moreover, that materialism is absolute, for we cannot allow a Divine Foot in the door.4
Gregory Koukl (Tactics: A Game Plan for Discussing Your Christian Convictions)
Were those pictures really for an art project?” Con asked when they were well away from the office. She turned to take the pieces of her broken camera back from him. “Yeah,” she replied, shoving the bits into her bag. “Are they gone forever?” “No, the memory card should be fine.” “Got any other cameras like that one?” “Nope, that was it.” There was an awkward silence. Well, Dulcie felt awkward. Con looked completely at ease. She was beginning to wonder if anything made him uncomfortable. “Thanks for the help,” he finally said. She shrugged. “You're welcome. Can I ask a question?” “Go for it.” “Why did you set someone's car on fire?” She thought maybe it would rattle him – her thinking he'd actually done it. But of course it didn't. He chuckled, and she was treated to a patented Masters grin. It started at one corner of his mouth and eventually moved to the opposite corner, slowly revealing perfect white teeth and a razor sharp smile. He leaned close to her, and as his lips pressed against her ear, she could've sworn the temperature dropped. “Because I thought it would be fun.
Stylo Fantome (The Bad Ones)
If she could push him out of her mind and enter his, what else could she do? What might she be able to do with regard to someone else? Someone less skilled, untrained in the ways of the Force? The single guard posted just inside the front of her cell, for example? “You!” He turned toward her, patently unconcerned and not a little bored. She studied him closely. As he was about to speak, she addressed him clearly and firmly—and not only with her voice. “You will remove these restraints. And you will leave this cell, with the door open, and retire to your living quarters.” The guard eyed her silently. He did not look in the least intimidated. Her confidence wavering as she shifted slightly in her bonds, she repeated what she had said with as much authority as she could muster. “You will remove these restraints. And you will leave this cell, with the door open, and retire to your living quarters. You will speak of this encounter to no one.” Raising the heavy, black-and-white rifle he held, he came toward her. Heart pounding, she watched him approach. Was she going to be killed, freed, or maybe laughed at? Halting before her, he looked down into her eyes. When he spoke again, there was a notable alteration in his voice. It was significantly less confrontational and—distant. “I will remove these restraints. And leave this cell, with the door open, and retire to my living quarters. I will speak of this encounter to no one.” Working methodically, he unlatched her shackles. He stood and stared at her for a moment, then turned and wordlessly started for the doorway. Lying in shock on the reclined platform, Rey hardly knew what to do next. She was free. No, she corrected herself: She was free of this cell. That hardly constituted freedom. But it was a beginning. As the guard reached the doorway, she spoke hastily. “And you will drop your weapon.” “I will drop my weapon,” he responded in the same uninflected voice. This he proceeded to do, setting the rifle down on the floor, then turning left into the outside corridor to depart in silence. For a long moment she stared at the open portal. Deciding that it was not a joke and that the guard was not waiting for her just outside the cell, she moved to pick up the weapon and leave. —
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
I came from a place where everyone was friendly, where even funeral directors told you to have a nice day as you left to bury your grandmother – but I soon learned that everyone in Paris was [rude]. You would go into a bakery and be greeted by some vast slug-like creature with a look that told you you would never be friends. In halting French you would ask for a small loaf of bread. The woman would give you a long, cold stare and then put a dead beaver on the counter. ‘No, no,’ you would say, hands aflutter, ‘not a dead beaver. A loaf of bread.’ The slug-like creature would stare at you in patent disbelief, then turn to the other customers and address them in French at much too high a speed for you to follow, but the drift of which clearly was that this person here, this American tourist, had come in and asked for a dead beaver and she had given him a dead beaver and now he was saying that he didn’t want a dead beaver at all, he wanted a loaf of bread. The other customers would look at you as if you had just tried to fart in their handbags, and you would have no choice but to slink away and console yourself with the thought that in another four days you would be in Brussels and probably able to eat again.
Bill Bryson (Neither Here nor There: Travels in Europe)
If you were going to start a bioengineering company, Henry, what would you do? Would you make products to help mankind, to fight illness and disease? Dear me, no. That’s a terrible idea. A very poor use of new technology.” Hammond shook his head sadly. “Yet, you’ll remember,” he said, “the original genetic engineering companies, like Genentech and Cetus, were all started to make pharmaceuticals. New drugs for mankind. Noble, noble purpose. Unfortunately, drugs face all kinds of barriers. FDA testing alone takes five to eight years—if you’re lucky. Even worse, there are forces at work in the marketplace. Suppose you make a miracle drug for cancer or heart disease—as Genentech did. Suppose you now want to charge a thousand dollars or two thousand dollars a dose. You might imagine that is your privilege. After all, you invented the drug, you paid to develop and test it; you should be able to charge whatever you wish. But do you really think that the government will let you do that? No, Henry, they will not. Sick people aren’t going to pay a thousand dollars a dose for needed medication—they won’t be grateful, they’ll be outraged. Blue Cross isn’t going to pay it. They’ll scream highway robbery. So something will happen. Your patent application will be denied. Your permits will be delayed. Something will force you to see reason—and to sell your drug at a lower cost. From a business standpoint, that makes helping mankind a very risky business. Personally, I would never help mankind
Michael Crichton (Jurassic Park (Jurassic Park, #1))
Winslow wants you to learn this"- he waved a few sheets of stapled pages- "and that." He pointed to the book in my lap. Fifty French Conversations. It was one of our textbooks. I'd stopped at the seventeenth: Mon hamster a mange trop de fromage. Il a mal au ventre maintenant. "The rest is the Bainbridge Method." "You have a method?" "Patented and proven." I waved the book. "Does it include greedy, cheese-guzzling hamsters with stomachaches?" He nodded. "Absolutely.French conversations is nothing without rodents and cheese.Is there something shameful in your past involving either?" "Not that I can think of off the top of my head." "Tant pis." "And that means...?" "Fuhgeddaboudit," he translated, grinning. I sighed. "Do people make Russian jokes in your presence?" "How do you get five Russians to agree on anything?" "How?" I asked. "Shoot four of them." I thought for a sec. "I'm not sure that's funny." "No," Alex said. "People don't tell many Russian jokes in my presence." "I should start my three things, huh?" "Yeah.That would be good." I did some speedy translating in my head. "Je n'ai jamais lu Huckleberry Finn, Beloved, ou Moby-Dick." "Ella,no one has read Moby-Dick. The French was passable, but as far as revelations go,that sucked." "Ah, but there's a part deux. All three of those books were required reading last year in my American lit class. I used SparkNotes." "You're kidding, right?" "See?" I daintily brushed Dorito crumbs from my fingertips. "Changes your perception of me, doesn't it?" "No,I mean, 'That's a revelation?' You can do better than that." "Maybe," I agreed, "but it's still early in the game.
Melissa Jensen (The Fine Art of Truth or Dare)
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
Cat Marnell (How to Murder Your Life)
Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it’s your power. It can't be given away: it resides in you. It is literally the result of your discipline. Now what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of getting the you so that you won't abuse it. But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step. You can do it very young. You can make progress very fast. There is no discipline lasting many decades. There is no mastery: old scientists are ignored. There is no humility before nature. There is only a get-rich-quick, make-a-name-for-yourself-fast philosophy. Cheat, lie, falsify--it doesn't matter. Not to you, or to your colleagues. No one will criticize you. No one has any standards. They all trying to do the same thing: to do something big, and do it fast. "And because you can stand on the shoulders of giants, you can accomplish something quickly. Yon don't even-know exactly what you have done, but already you have reported it; patented it, and sold it. And the buyer will have even less discipline than you. The buyer simply purchases the power, like any commodity. The buyer doesn’t even conceive that any discipline might be necessary.
Michael Crichton
Last Night My Soul Cried O Exalted Sphere Of Heaven Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly. “Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning; “Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham. “In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.” Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell? “In his hand earth is as wax, he makes it Zangi and Rumi , he makes it falcon and owl, he makes it sugar and poison. “He is hidden, friend, and has set us forth thus patent so that he may become concealed. “How should the ocean of the world be concealed under straws? The straws have been set adancing, the waves tumbling up and down’ “Your body is like the land floating on the waters of the soul; your soul is veiled in the body alike in wedding feast or sorrow. “In the veil you are a new bride, hot-tempered and obstinate; he is railing sweetly at the good and the bad of the world. “Through him the earth is a green meadow, the heavens are unresting; on every side through him a fortunate one pardoned and preserved. “Reason a seeker of certainty through him, patience a seeker of help through him, love seeing the unseen through him, earth taking the form of Adam through him. “Air seeking and searching, water hand-washing, we Messiah-like speaking, earth Mary-like silent. “Behold the sea with its billows circling round the earthy ship; behold Kaabas and Meccas at the bottom of this well of Zamzam!” The king says, “Be silent, do not cast yourself into the well, for you do not know how to make a bucket and a rope out of my withered stumps.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
James Tour is a leading origin-of-life researcher with over 630 research publications and over 120 patents. He was inducted into the National Academy of Inventors in 2015, listed in “The World’s Most Influential Scientific Minds” by Thomson Reuters in 2014, and named “Scientist of the Year” by R&D Magazine. Here is how he recently described the state of the field: We have no idea how the molecules that compose living systems could have been devised such that they would work in concert to fulfill biology’s functions. We have no idea how the basic set of molecules, carbohydrates, nucleic acids, lipids and proteins were made and how they could have coupled in proper sequences, and then transformed into the ordered assemblies until there was the construction of a complex biological system, and eventually to that first cell. Nobody has any idea on how this was done when using our commonly understood mechanisms of chemical science. Those that say that they understand are generally wholly uninformed regarding chemical synthesis. Those that say, “Oh this is well worked out,” they know nothing—nothing—about chemical synthesis—nothing. … From a synthetic chemical perspective, neither I nor any of my colleagues can fathom a prebiotic molecular route to construction of a complex system. We cannot even figure out the prebiotic routes to the basic building blocks of life: carbohydrates, nucleic acids, lipids, and proteins. Chemists are collectively bewildered. Hence I say that no chemist understands prebiotic synthesis of the requisite building blocks, let alone assembly into a complex system. That’s how clueless we are. I have asked all of my colleagues—National Academy members, Nobel Prize winners—I sit with them in offices. Nobody understands this. So if your professors say it’s all worked out, if your teachers say it’s all worked out, they don’t know what they’re talking about.23
Matti Leisola (Heretic: One Scientist's Journey from Darwin to Design)
And what’s the solution of preventing this debacle? Plenty of ‘em! The Communists have a patent Solution they know will work. So have the Fascists, and the rigid American Constitutionalists—who call themselves advocates of Democracy, without any notion what the word ought to mean; and the Monarchists—who are certain that if we could just resurrect the Kaiser and the Czar and King Alfonso, everybody would be loyal and happy again, and the banks would simply force credit on small business men at 2 per cent. And all the preachers—they tell you that they alone have the inspired Solution. “Well, gentlemen, I have listened to all your Solutions, and I now inform you that I, and I alone, except perhaps for Walt Trowbridge and the ghost of Pareto, have the perfect, the inevitable, the only Solution, and that is: There is no Solution! There will never be a state of society anything like perfect! “There never will be a time when there won’t be a large proportion of people who feel poor no matter how much they have, and envy their neighbors who know how to wear cheap clothes showily, and envy neighbors who can dance or make love or digest better.” Doremus suspected that, with the most scientific state, it would be impossible for iron deposits always to find themselves at exactly the rate decided upon two years before by the National Technocratic Minerals Commission, no matter how elevated and fraternal and Utopian the principles of the commissioners. His Solution, Doremus pointed out, was the only one that did not flee before the thought that a thousand years from now human beings would probably continue to die of cancer and earthquake and such clownish mishaps as slipping in bathtubs. It presumed that mankind would continue to be burdened with eyes that grow weak, feet that grow tired, noses that itch, intestines vulnerable to bacilli, and generative organs that are nervous until the age of virtue and senility. It seemed to him unidealistically probable, for all the “contemporary furniture” of the 1930’s, that most people would continue, at least for a few hundred years, to sit in chairs, eat from dishes upon tables, read books—no matter how many cunning phonographic substitutes might be invented, wear shoes or sandals, sleep in beds, write with some sort of pens, and in general spend twenty or twenty-two hours a day much as they had spent them in 1930, in 1630.
Sinclair Lewis (It Can't Happen Here)
Cochise Jones always liked to play against your expectations of a song, to light the gloomy heart of a ballad with a Latin tempo and a sheen of vibrato, root out the hidden mournfulness, the ache of longing, in an up-tempo pop tune. Cochise’s six-minute outing on the opening track of Redbonin’ was a classic exercise in B-3 revisionism, turning a song inside out. It opened with big Gary King playing a fat, choogling bass line, sounding like the funky intro to some ghetto-themed sitcom of the seventies, and then Cochise Jones came in, the first four drawbars pulled all the way out, giving the Lloyd Webber melody a treatment that was not cheery so much as jittery, playing up the anxiety inherent in the song’s title, there being so many thousand possible ways to Love Him, so little time to choose among them. Cochise’s fingers skipped and darted as if the keys of the organ were the wicks of candles and he was trying to light all of them with a single match. Then, as Idris Muhammad settled into a rolling burlesque-hall bump and grind, and King fell into step beside him, Cochise began his vandalism in earnest, snapping off bright bunches of the melody and scattering it in handfuls, packing it with extra notes in giddy runs. He was ruining the song, rifling it, mocking it with an antic edge of joy. You might have thought, some critics felt, that the meaning or spirit of the original song meant no more to Cochise Jones than a poem means to a shark that is eating the poet. But somewhere around the three-minute mark, Cochise began to build, in ragged layers, out of a few repeated notes on top of a left-hand walking blues, a solo at once dense and rudimentary, hammering at it, the organ taking on a raw, vox humana hoarseness, the tune getting bluer and harder and nastier. Inside the perfectly miked Leslie amplifier, the treble horn whirled, and the drivers fired, and you heard the song as the admission of failure it truly was, a confession of ignorance and helplessness. And then in the last measures of the song, without warning, the patented Creed Taylor strings came in, mannered and restrained but not quite tasteful. A hint of syrup, a throb of the pathetic, in the face of which the drums and bass fell silent, so that in the end it was Cochise Jones and some rented violins, half a dozen mournful studio Jews, and then the strings fell silent, too, and it was just Mr. Jones, fading away, ending the track with the startling revelation that the song was an apology, an expression, such as only the blues could ever tender, of limitless regret.
Michael Chabon (Telegraph Avenue)
After filing a patent, your job is only quarter done.
Kalyan C. Kankanala
14. Procrastinator’s Clock. For those who are chronically late to meetings, there’s the Procrastinator’s Clock, a downloadable program for your computer, that displays a digital clock that is guaranteed to be up to fifteen minutes fast. How fast? Well, that’s the nudge. You are never exactly sure because the clock unpredictably speeds up and slows down. That assures that users can’t game the system. We think that this device might help the lawyer of this team (who shall remain nameless) get to Noodles on time for lunch. A physical version of this clock has already been patented by a company called Emergent Technologies.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
Patent law is a very interesting form of property,” she says. “With all other forms of property, you have ownership rights; but along with them, you have responsibilities.” If you build a building that falls down or a car engine that blows up, you can be sued by both the buyers and government agencies. This is not true in the case of patent owners. “Patent law is a kind of ownership law in which there is no liability,” says Shiva. “There’s no responsibility. There are only rights to exclude others from the use of whatever is your patent.
David Suzuki (From Naked Ape to Superspecies: Humanity and the Global Eco-Crisis)
You brood.” “Brooding is my version of aftergrlow.” “Call the priest. You’re in a better mood when he’s around. He doesn’t brood like you do.” “He invented brooding. He holds the patent on brooding. He gets royalties whenever anyone broods. You just haven’t seen him do it yet.
Tiffany Reisz (The King (The Original Sinners, #6))
So a patent is a pact between an inventor and society,” continued Altschuler. “In exchange for twenty years of exclusive use of an invention, the inventor is required to disclose the invention publicly, in writing. In enough detail so that others can duplicate it. And build upon it. You can still choose to keep an invention a trade secret, of course, but if you do, you don’t get protection. You basically take your chances that competitors won’t learn your secret.
Douglas E. Richards (BrainWeb)
We will provide you the guidelines about how to submit a patent request. We also provide you the details about from where to buy or sell your patent
unifiedpatent
Whether you're a writer of stories or a writer of patents, you're an inventor.
Linda A. Tancs
Why did you choose that name for me?" "Why, it is who you are." Angharath's tone indicated that the answer was patently obvious. "There is no other name for you. I see you before me, and your Essence shines with that one. You could not be anything else.
D.R. Ranshaw (Gryphon's Heir (The Annals of Arrinor Book 1))
The flower display continued through the town. Window boxes adorned the shop fronts, hanging baskets hung from patent black lampposts, trees grew tall in the main street. Each building was painted a different refreshing color and the main street, the only street, was a rainbow of mint greens, salmon pinks, lilacs, lemons, and blues. The pavements were litter free and gleaming as soon as you averted your gaze above the gray slate roofs you found yourself surrounded by majestic green mountains.
Cecelia Ahern (If You Could See Me Now)
Patents lend credibility to your products.
Kalyan C. Kankanala (Road Humps and Sidewalks)
Well,” I said pleasantly, “if you know a way to make a database hurry up, I’m sure we’d all love to hear it.” “Goddamn it, you’re not even trying!” she said. I will freely admit that nine times out of ten, I would have had a little more patience with Deborah’s patently impossible request and rotten attitude. But with things as they were lately, I really didn’t want to knuckle my forehead and leap into worshipful compliance. I took a deep breath instead and spoke with audible patience and steely control. “Deborah. I am doing my job the best I can. If you think you can do it better, then please feel free to try.” She ground her teeth even harder, and for a moment I thought the canines might splinter and burst through her cheeks. But happily for her dental bill, they did not. She just glared at me instead, and then nodded her head twice, very hard. “All right,” she said. And then she turned around and walked rapidly away without even looking back at me to snarl one last time. I sighed. Perhaps I should have stayed home in bed, or at least checked my horoscope. Nothing seemed to be going right. The whole world was slightly off-kilter, leaning just a bit out of its normal axis. It had a strange and mean tint to it, too, as if it had sniffed out my fragile mood and was probing for further weakness. Ah,
Jeff Lindsay (Double Dexter (Dexter #6))
Morgan retaliated with a strategy that would become one of his hallmarks. He spread rumors to Wall Street that Westinghouse’s company was financially unstable, which dissuaded investors from giving Westinghouse the capital that he needed to expand the production and installation of his alternating current generators. Morgan then began an attack through stock manipulation, and moved to gain control of The Westinghouse Corporation, and thus Tesla’s patents. By the end of 1897, Westinghouse was nearly bankrupt, and it looked as though Morgan would usurp everything that Tesla and Westinghouse had built together. Westinghouse owed Tesla over $1 million in royalties, an amount that grew daily. When Westinghouse described to Tesla the desperate situation, Tesla replied with the following: “Mr. Westinghouse, you have been my friend, you believed in me when others had no faith; you were brave enough to go ahead when others lacked courage; you supported me when even your own engineers lacked vision. ... Here is your contract, and here is my contract. I will tear them both to pieces, and you will no longer have any troubles from my royalties.” In time, these royalties would’ve made Tesla the world’s first billionaire. Instead, they enabled Westinghouse to save his company. Tesla’s selflessness was a testament not only to his generosity and goodwill, but his belief in his ability to continue to create his future.
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)