Pool Fence Quotes

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There Will Come Soft Rains There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pool singing at night, And wild plum-trees in tremulous white; Robins will wear their feathery fire Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree If mankind perished utterly; And Spring herself, when she woke at dawn, Would scarcely know that we were gone.
Sara Teasdale (Flame and Shadow)
Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.
John Steinbeck (East of Eden)
But I saw Blake earlier and he said he and Nate were taking off for an overnight business thing. So..." "... you're just going to jump their fence and their pool," I finished for her. Silence. Then Jamie said, "It's twenty-five degrees! In December! Do you know what this means?" "The apocalypse?
Sarah Dessen (Lock and Key)
Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad. But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important. And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.” Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool. We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.
John Piper
And who in his mind has not probed the black water? Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.
John Steinbeck (East of Eden)
One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds. Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day. Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
Diane Ackerman (I Praise My Destroyer: Poems)
The U.S. has so many rules and regulations, because of fear of being sued, that kids give up on the opportunity for personal exploration. A pool has to be fenced so that it’s not an ‘attractive nuisance.’ Most New Guineans don’t have pools, but even the rivers that we frequented didn’t have signs saying ‘Jump at your own risk,’ because it’s obvious. Why would I jump unless I’m prepared for the consequences? Responsibility in the U.S. has been taken from the person acting and has been placed on the owner of the land or the builder of the house. Most Americans want to blame someone other than themselves as much as possible. In New Guinea I was able to grow up, play creatively, and explore the outdoors and nature freely, with the obligatory element of risk, however well managed, that is absent from the average risk-averse American childhood. I had the richest upbringing possible, an upbringing inconceivable for Americans.
Jared Diamond (The World Until Yesterday: What Can We Learn from Traditional Societies?)
As Isabella turned to reach for it, Richard shrugged off his fencing jacket and plastron. Under it, he was wearing only a sleeveless vest that hugged his muscles tightly. Vain devil, thought Cassie, amused. He knew very well he looked darn good in defeat.
Gabriella Poole (Secret Lives (Darke Academy, #1))
It doesn’t matter that Cathy was what I would have called a monster. Perhaps we can’t understand Cathy, but on the other hand we are capable of many things in all directions, of great virtues and great sins. And who in his mind has not probed the black water? Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our own hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.
John Steinbeck (East of Eden)
The quill swirled and lunged over the page, in a slow but relentless three steps forward, two steps back sort of process and finally came to a full stop in a tiny pool of its own ink. Then, Louis Phelypeaux, First Compte de Pontchartrain, raised the nib, let it hover for an instant, as if gathering his forces, and hurled it backwards along the sentence, tiptoeing over “i’s” and slashing through “t’s” and “x’s” nearly tripping over an umlaut, building speed and confidence while veering through a slalom course of acute and grave accents, pirouetting through cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing master dispatch twenty opponents with a single continuous series of maneuvers.
Neal Stephenson
You sleep with a dream of summer weather, wake to the thrum of rain—roped down by rain. Nothing out there but drop-heavy feathers of grass and rainy air. The plastic table on the terrace has shed three legs on its way to the garden fence. The mountains have had the sense to disappear. It's the Celtic temperament—wind, then torrents, then remorse. Glory rising like a curtain over distant water. Old stonehouse, having steered us through the dark, docks in a pool of shadow all its own. That widening crack in the gloom is like good luck. Luck, which neither you nor tomorrow can depend on.
Anne Stevenson
The invigorating energy in fresh-cut grass and cool, crisp chlorine filled Wendell’s nostrils as they lounged by the pool in Evan’s back yard. Looking past the back fence the wild grass bowed to the playful persuasion of the warm summer breeze and the corn lilies and columbines bounced their jeweled heads, laughing and teasing butterflies. Even the Cooper’s hawk atop a nearby fence post, content with feasting on a woodpecker knew, it was a perfect day.
Jaime Buckley (Prelude to a Hero (Chronicles of a Hero, #0.5))
The biggest adjustment I had to make on moving from New Guinea to the U.S. was my lack of freedom. Children have much more freedom in New Guinea. In the U.S. I was not allowed to climb trees. I was always climbing trees in New Guinea; I still like to climb trees. When my brother and I came back to California and moved into our house there, one of the first things we did was to climb a tree and build a tree house; other families thought that was weird. The U.S. has so many rules and regulations, because of fear of being sued, that kids give up on the opportunity for personal exploration. A pool has to be fenced so that it’s not an ‘attractive nuisance.’ Most New Guineans don’t have pools, but even the rivers that we frequented didn’t have signs saying ‘Jump at your own risk,’ because it’s obvious. Why would I jump unless I’m prepared for the consequences? Responsibility in the U.S. has been taken from the person acting and has been placed on the owner of the land or the builder of the house. Most Americans want to blame someone other than themselves as much as possible. In New Guinea I was able to grow up, play creatively, and explore the outdoors and nature freely, with the obligatory element of risk, however well managed, that is absent from the average risk-averse American childhood. I had the richest upbringing possible, an upbringing inconceivable for Americans.” “A frustration
Jared Diamond (The World Until Yesterday: What Can We Learn from Traditional Societies?)
Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels
John Steinbeck (East of Eden)
There were no such stipulations made when we discussed the agreement." "Nor were they expressly not made. I am making them now. You received what you requested. Or, have you forgotten?" The words sent a shiver down her spine. He was standing behind her, and she could feel the warm kiss of his breath on her bare neck, sending a river of heat through her. "I have not forgotten." The words came unbidden, and she closed her eyes. He laid a hand on her arm and, with virtually no pressure, turned her face to him. When he met her eyes, the anger that had been there was gone, replaced by something much more complex. "Neither have I. And not for lack of trying." Before she could begin to consider the meaning behind his words, he settled his mouth upon hers, robbing her of thought. "I've tried to forget that kiss... and the carriage ride... and the fencing club... but you seem to have taken up residence... in my memory." As he spoke between long, drugging kisses that consumed her senses, he guided Callie across the study and into a large chair near the fireplace. Kneeling in front of her, he cupped one cheek in a strong, warm hand, and met her gaze with a searing look. Shaking his head as though he couldn't quite understand what had come over him, he kissed her again, growling low in the back of his throat. Her hands found their way into his thick, dark hair as he caught her bottom lip in his teeth, nibbling and licking at it until she thought she might perish from the intensity of the feeling. She whimpered at the sensation, and he rewarded the sound by deepening the kiss, giving her everything she desired. He broke off the kiss as one of his hands found its way under her skirts, caressing up the inside of her leg. He shifted her against him, running his lips across her cheek to the curl of her ear, sucking and nibbling and licking as he spoke to her, the scandalous words more sensation than sound. "Such soft skin..." he said, as his fingers played along the inside of her thighs, driving her mad with desire as heat pooled at their juncture. "I've been wondering what you felt like here..." He shifted to gain better access to the skin high on the inside of her thighs, so close to the spot where she most wanted him. "Now that I know... I'm going to be consumed with thoughts of how this soft, lovely skin will feel against me..." He placed a soft, lush kiss on the column of her neck as his hand moved higher, closer to the center of her.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
GRIEF FEELS LIKE THIS: an okay day and a good day and an okay day ten a bad. Bad that follow and empties you. Bad like a sinkhole. It feels like an unrelenting urge to lay your head down on the table, wherever you are, whomever you are with. It feels like a night of vivid dreams, and when you wake, all day you hold one dream close because in it everything was back to how it once was. It feels like you've fallen overboard. You are swimming to get back, but the boat moves steadily away. You can see the lights; you can hear the laughter and music on the decks. You try to follow. The boat moves away. It feels like missing. You miss her. You miss him. You miss belonging. You miss the bench by the fence. You miss the walk from the lockers. You miss the talks by the pool, in the hammock, at night, on the phone, the screen winking blue light. You miss the stories on the bed, by the window, beside the desk, on the dunes. You miss his voice. You miss her smile. You miss and miss and miss and miss. And all you want to do is walk into a forest and cover yourself with leaves.
Helena Fox
GRIEF FEELS LIKE THIS: an okay day and a good day and an okay day then a bad. Bad that follow and empties you. Bad like a sinkhole. It feels like an unrelenting urge to lay your head down on the table, wherever you are, whomever you are with. It feels like a night of vivid dreams, and when you wake, all day you hold one dream close because in it everything was back to how it once was. It feels like you've fallen overboard. You are swimming to get back, but the boat moves steadily away. You can see the lights; you can hear the laughter and music on the decks. You try to follow. The boat moves away. It feels like missing. You miss her. You miss him. You miss belonging. You miss the bench by the fence. You miss the walk from the lockers. You miss the talks by the pool, in the hammock, at night, on the phone, the screen winking blue light. You miss the stories on the bed, by the window, beside the desk, on the dunes. You miss his voice. You miss her smile. You miss and miss and miss and miss. And all you want to do is walk into a forest and cover yourself with leaves.
Helena Fox
Beyond a fence, they came to the swimming pool, which spilled over into a series of waterfalls and smaller rocky pools. The area was planted with huge ferns. “Isn’t this extraordinary?” Ed Regis said. “Especially on a misty day, these plants really contribute to the prehistoric atmosphere. These are authentic Jurassic ferns, of course.” Ellie paused to look more closely at the ferns. Yes, it was just as he said: Serenna veriformans, a plant found abundantly in fossils more than two hundred million years old, now common only in the wetlands of Brazil and Colombia. But whoever had decided to place this particular fern at poolside obviously didn’t know that the spores of veriformans contained a deadly beta-carboline alkaloid. Even touching the attractive green fronds could make you sick, and if a child were to take a mouthful, he would almost certainly die—the toxin was fifty times more poisonous than oleander. People were so naïve about plants, Ellie thought. They just chose plants for appearance, as they would choose a picture for the wall. It never occurred to them that plants were actually living things, busily performing all the living functions of respiration, ingestion, excretion, reproduction—and defense. But Ellie knew that, in the earth’s history, plants had evolved as competitively as animals, and in some ways more fiercely. The poison in Serenna veriformans was a minor example of the elaborate chemical arsenal of weapons that plants had evolved. There were terpenes, which plants spread to poison the soil around them and inhibit competitors; alkaloids, which made them unpalatable to insects and predators (and children); and pheromones, used for communication. When a Douglas fir tree was attacked by beetles, it produced an anti-feedant chemical—and so did other Douglas firs in distant parts of the forest. It happened in response to a warning alleochemical secreted by the trees that were under attack. People who imagined that life on earth consisted of animals moving against a green background seriously misunderstood what they were seeing. That green background was busily alive. Plants grew, moved, twisted, and turned, fighting for the sun; and they interacted continuously with animals—discouraging some with bark and thorns; poisoning others; and feeding still others to advance their own reproduction, to spread their pollen and seeds. It was a complex, dynamic process which she never ceased to find fascinating. And which she knew most people simply didn’t understand. But if planting deadly ferns at poolside was any indication, then it was clear that the designers of Jurassic Park had not been as careful as they should have been.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
It is a hot summer day in Tennessee in the midst of the sixth decade of this century. The girl has climbed the fence to get to the swimming hole she has visited so many summers of her life in the time before this part of the land was enclosed. She stands now at the edge of it. Her body is sticky with heat. The surface of the water moves slightly. Sunlight shimmers and dances in a green reflection that seems as she stares at it to pull her in even before her skin is wet with it. Drops of water on the infant’s head. All the body immersed for baptism. Do these images come to her as she sinks into the coolness? The washing of hands before Sunday’s midday meal. All our sins washed away. Water was once the element for purification. But at the bottom of this pool, There is no telling what is there now. This is what the girl’s father will say to her finally: corroded cans of chemical waste, some radioactive substances. That was why they put the fence there. She is not thinking of that now. The words have not yet been said, and so for her no trouble exists here. The water holds up her body. She is weightless in this fulsome element, the waves her body makes embracing her with their own benediction. Beneath her in the shadowy green, she feels the depth of the pond. In this coolness as the heat mercifully abates, her mind is set free, to dream as the water dreams.
Susan Griffin (A Chorus of Stones: The Private Life of War)
You’re holding a challenge in a fencing club?” “Yes. Is there something wrong with that?” He pulled on his black pants and the heavy silk green shirt I loved for him to wear because the material seemed to caress hisskin. No, it’s just kind of an incongruous place to hold something so serious as a challenge, isn’t it?” He finished with his shoes, grabbed another towel, and shook it out for me. I made sure Pal still had his back to me, hurrying out of the pool to clasp the towel around me. “It is no less incongruous than holding a challenge in a bar.” I smiled. “Yes, but my challenge to you wasn’t serious. I hope you’ll notice that I’m not freaking out about this at all. I haven’t even asked you how good you are with asword.” “I noticed.” His mouth burned on mine for a moment, his fire being shared between us as his tongue twined around mine in a fiery—albeit brief—dance. “You are learning to have faith in me as is proper between a mateand her wyvern.” “No, I am learning to ask around. Pal told me earlier today that Dmitri had picked swords and that you were pleased because you were some sort of master swordsman a few centuries ago. You’d better not have forgotten anything.” Pal peeked at me out of the corner of his eye, his grin not too obvious. Drake pinched my bare behind as punishment for my saucy tone. “I never forget. Istvan will drive you when you are ready. The challenge is not for an hour. Do not be late.” “Happy chevauchee-ing,” I called, feeling remarkably happy.
Katie MacAlister (Light My Fire (Aisling Grey, #3))
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
Jeff Rice (The Night Stalker)
Having your best friend move away is like finding a week-old tuna sandwich in the bottom of your back pack. It really stinks. When Luke moved away last summer, I knew things wouldn’t be the same.  Luke was more than just my best friend. He was the coolest person I’ve ever known. He could beat every level on Space Pod Invasion. He could burp the entire alphabet, forwards… and backwards. He could blast a baseball clear over the fence at Parker Field. In gym class, he was always chosen team captain. And for some reason, he always picked me first, even though I was the shortest kid in class. I still remember that day last August when he broke the news. That afternoon was so hot, I thought the rubber might melt right off my high tops. Dad was grilling burgers, while we were splashing around in the pool with my kid brother Dylan, trying to knock him off his
Maureen Straka (The New Kid: Surviving Middle School Is Tough!)
Complementing the imposing stone edifice of the Palace of Colonies were three “traditional” African villages, with houses built of bamboo and thatch in the Bangala style. Two of them were located along a large pool, with dugout canoes at the waterfront. The third village was away from the water in the trees. Palm trees and other tropical vegetation were planted in and around the villages to give them an air of authenticity. The European visitors were not allowed to enter the villages, but they could watch from behind iron fences, much as they would watch animals in a zoo. A sign proclaimed, “Do not feed the blacks. They are already being fed.
Robert W. Harms (Land of Tears: The Exploration and Exploitation of Equatorial Africa)
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we are capable of many things in all directions, of great virtues and great sins. And who in his mind has not probed the black water? Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.
John Steinbeck (East of Eden)
Maybe we all have in us a secret pond where evil and ugly things germinate and grow. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.
John Steinbeck (East of Eden)
In Montgomery, parks remained closed for more than six years. When Oak Park finally reopened in 1965, a chain-link fence remained around most of its perimeter. The only opening was on the east side, the side that fronted a predominantly white neighborhood. Black Montgomery residents would have to go out of their way and pass through white neighborhoods to gain access. Even then, the swimming pools remained closed, for fear of interracial contact.
Jonathan Eig (King: A Life)
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
Various (151+ Yo Momma Jokes)
Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them. Whatever
John Steinbeck (East of Eden)
Some children (three solemn-faced kids who, with their mother, were staying with us until their mother’s ex-husband quit threatening them) had made too much noise in Kyle’s pool after seven P.M., which was when Mr. Francis went to bed. We should make sure that all children were in their beds and silent so as not to disturb Mr. Francis if we didn’t want the police called. We’d thought it was a joke, had laughed at the way he’d referred to himself as “Mr. Francis” in his own notes. The grapes along the solid eight-foot-tall stone fence between the backyards were growing down over Mr. Francis’s side. We should trim them so he didn’t have to look at them. He saw a dog in the yard (me) and hoped that it was licensed, fixed, and vaccinated. A photo of the dog had been sent to the city to ensure that this was so. And so on. When the police and the city had afforded him no satisfaction, he’d taken action on his own. I’d found poisoned meat thrown inconspicuously into the bushes in Kyle’s backyard. Someone dumped a batch of red dye into the swimming pool that had stained the concrete. Fixing that had cost a mint, and we now had security cameras in the backyard. But we didn’t get them in fast enough to save the grapes. He’d been some kind of high-level CEO forcibly retired when the stress gave him ulcers and other medical problems.
Patricia Briggs (Shifting Shadows: Stories from the World of Mercy Thompson)
Brief dark shadow of a downtown tree, light sound of water falling into the sad pool, green of the trimmed lawn – public garden shortly before twilight: you are in this moment the whole universe for me, for you are the entire contents of my conscious sensation. All I want from life is to feel it being lost in these unexpected evenings, to the sound of strange children playing in gardens like this one, fenced in by the melancholy of the surrounding streets and topped, beyond the trees’ tallest branches, by the old sky where the stars are again coming out.
Fernando Pessoa (The Book of Disquiet)
I lived in a picture perfect subdivision with color coordinated houses and mailboxes, yellow labs prancing within the borders of invisible electric fences, and balding dads on riding lawn mowers. It was the type of community where housewives spent their summers tanning by the pool, half-heartedly watching their Ritalin pumped brat beat another brat with a foam noodle while rehashing Sunday’s Bible study between whispers of Susie’s weight gain and Dan’s canoodling with the babysitter.
Maggie Georgiana Young (Just Another Number)
It’s not that koalas can’t live with these changes. Often they can: if there are enough trees, of the right kind, for them to live in, in linear parks that follow old creeklines; if enough trees are left in the paddocks for them; if there are places for them to cross roads safely; if new urban developments retain old eucalypts and maintain habitat corridors; if dogs are managed and confined; if rural and urban fences are constructed for wildlife safety instead of as traps to entangle, ensnare and obstruct; if swimming pools have slopes and steps for animals to exit; if we take the time and make an effort.
Danielle Clode (Koala: A Life in Trees)
They now lived in quasi-mansions in wealthier suburbs like Brookline or Newton with shrubs and fences and fancy marble bathrooms and swimming pools and where the very idea of living with non-nuclear family was nightmarish and incomprehensible
Harlan Coben (I Will Find You)
The first thing Lisa noticed as she walked across the pasture toward Evergreen Manor was that almost every light was turned on. Brightness spilled from the house, splashing from the unshuttered windows and spreading across the lawn at the front of the house in wide pools. As she crept closer to the fence bordering the lawns, Lisa crouched lower. She didn’t want anyone to see her, especially Mr. Pickering’s nephew, Jimmy. The last time Lisa had seen Jimmy, he had told her that Mr. Pickering wanted her to stop coming over to take care of the horses. Lisa didn’t know whether to believe Jimmy or not. It didn’t seem like the kind of thing Mr. Pickering would say. He had always been so kind to her. Lisa slipped through the fence and approached the house, avoiding the bright patches of lawn. I wish I could talk to Mr. Pickering, she thought, and stopped for a moment to glance up at his bedroom window. His window was one of the few that were dark. Maybe he’s in one of the rooms downstairs. I need to ask him if what Jimmy said was right, she decided. Mr. Pickering asked me to take care of the horses when he first fell sick, and I don’t know why he would change his mind.
Angela Dorsey (Dark Fire (Horse Guardian #1))
THE QUILL SWIRLED and lunged over the page in a slow but relentless three-steps-forward, two-steps-back sort of process, and finally came to a full stop in a tiny pool of its own ink. Then Louis Phélypéaux, first comte de Pontchartrain, raised the nib; let it hover for an instant, as if gathering his forces; and hurled it backwards along the sentence, tiptoeing over i’s, slashing through t’s and x’s, nearly tripping over an umlaut, building speed and confidence while veering through a slalom-course of acute and grave accents, pirouetting though cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing-master dispatch twenty opponents with a single continuous series of maneuvers. He drew his hand up with great care, lest his lace cuff drag in the ink; it inflated for a moment as it snatched a handful of air, then flopped down over his hand, covering all but the fingertips that pinched the pen, and giving them an opportunity to warm up. Twin jets of steam unfurled from Pontchartrain’s cavernous elliptical nostrils as he re-read the document.
Neal Stephenson (The Confusion (The Baroque Cycle, #2))
Cloud, be my messenger. Soak up the pool outside my window and carry it over fences and forests to the sorrowful house where my loved one waits. You will recognize it by the candle burning in the window. Do not delay! Those other puddles will muddy the message, keep you from getting there fast. Carry, cloud, my love exclusively, over the millions of lifeless clouds, under a guiding invisible hand. from section VI of “Parables of Flight
Rachel Wetzsteon (The Other Stars)
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On the third day the rain ceased and I went out to look for things which I would need in building the house. I likewise needed poles for a fence. I would soon kill the wild dogs, but there were many small red foxes on the island. They were so numerous that I could never hope to get rid of them either by traps or with arrows. They were clever thieves and nothing I stored would be safe until I had built a fence. The morning was fresh from the rain. The smell of the tide pools was strong. Sweet odors came from the wild grasses in the ravines and from the sand plants on the dunes. I sang as I went down the trail to the beach and along the beach to the sandspit. I felt that the day was an omen of good fortune. It
Scott O'Dell (Island of the Blue Dolphins)
THE QUILL SWIRLED and lunged over the page in a slow but relentless three-steps-forward, two-steps-back sort of process, and finally came to a full stop in a tiny pool of its own ink. Then Louis Phélypéaux, first comte de Pontchartrain, raised the nib; let it hover for an instant, as if gathering his forces; and hurled it backwards along the sentence, tiptoeing over i’s, slashing through t’s and x’s, nearly tripping over an umlaut, building speed and confidence while veering through a slalom-course of acute and grave accents, pirouetting though cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing-master dispatch twenty opponents with a single continuous series of maneuvers.
Neal Stephenson (The Confusion (The Baroque Cycle, #2))
We walk around to the lower vantage point, where two man-made streams empty into a small pool. “Let’s see if Graham recognizes you,” Sue giggles. Graham is the nickname of a male wolf from the Graham facility that Sue tells me is most atypical. “Why would Graham recognize Will?” I ask. “When Will walks by, often Graham will run up to the fence and jump around,” Sue says. “He’s boisterous. Crowds like him. He’ll get up on that rock and strike poses for them.” She points at a rocky outcrop jutting up about twenty feet from the water pool. As we approach, a lanky wolf walks slowly along the outcrop’s rim. A breeze picks up and carries our scent right to his nose. Though he’s not even looking in our direction, Graham tenses. He turns his head, faces the three of us, and sniffs the air. Without breaking his gaze, he leaps down the rock face and runs a well-worn trail through the grass. He catapults across the stream and bucks his hind legs with a flourish in midair. He stops below the translucent barrier, glares up at us, and whines. The whine devolves into a throaty growl. He stamps the grass, leaps and jumps, tears at the earth and lands ankle deep in the water. He glares directly at Will. “Oh yeah, he sees you all right,” Sue laughs. “That wolf wants a bite out of your rump.” Passerby have stopped to watch Graham’s antics. A small crowd forms. He runs across the rocky outcrop again, back over the stream, and down to the pool, then tears at the grass again with broad paws. He runs this loop repetitively and stops each time to stand off against Will. One of the visitors jokes that he must smell the barbecue at a nearby lunch truck, but they misunderstand his body language. He isn’t hungry. He is agitated. “I think it’s just misplaced aggression,” Will says when I ask if Graham is exhibiting excitement or anger. “Usually when he sees me, I’m restraining him or helping to examine him. The wolves can’t do much when they are restrained, so he acts out later.” Safe in the exhibit, Graham stares at Will. Without breaking eye contact, he walks to a bush and gnaws on its thick branches. It’s as if he’s saying, “Check out my canines. See how big they are?” There was nothing overtly threatening about his behavior, but it was a change from the docile nature I’d seen in other penned red wolves. Sue is right: he is definitely atypical, charismatic even.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
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