Patagonia Quotes

At Patagonia, making a profit is not the goal because the Zen master would say profits happen 'when you do everything else right'.

I've always thought of myself as an 80 percenter. I like to throw myself passionately into a sport or activity until I reach about an 80 percent proficiency level. To go beyond that requires an obsession that doesn't appeal to me. Once I reach 80 percent level I like to go off and do something totally different; that probably explains the diversity of the Patagonia product like - and why our versatile, multifaceted clothes are the most successful.

A bad review is even less important than whether it is raining in Patagonia.

I pictured a low timber house with a shingled roof, caulked against storms, with blazing log fires inside and the walls lined with all the best books, somewhere to live when the rest of the world blew up.

if discontent is your disease, travel is medicine. It resensitizes. It opens you up to see outside the patterns you follow. Because new places require new learning.

In Patagonia, the isolation makes it easy to exaggerate the person you are: the drinker drinks; the devout prays; the lonely grows lonelier, sometimes fatally.

There are so many different ways to be human.

What if my friends went on without me? What if my absence revealed that I was never really necessary? What if no one notices I'm gone?

There are few things more abrasive to the human spirit, even in Patagonia, than someone standing behind you chomping and sucking ice cubes.

There’s no difference between a pessimist who says, “Oh, it’s hopeless, so don’t bother doing anything,” and an optimist who says, “Don’t bother doing anything, it’s going to turn out fine anyway.” Either way, nothing happens. —YVON CHOUINARD,7 founder of Patagonia

Exposure to human stories reminds us that we're all human. I mean real exposure. Listening, hearing. Not point from across the room. Engaging. And most of us are just trying to make it day by day without hurting anyone else.

When the honeymoon phase is over, what's left is the continuous choosing of the other person.

She seemed to love him without needing him.

I didn't know what I was holding on to. I had wrapped my life in the fear of messing up. Of disappointing God, which really meant disappointing my mom and friends. I was finding that so much of my life had been about avoiding the feeling of being in trouble.

The soul of alpinism is to travel light and fast through a dangerous landscape in pursuit of a personal star. That is ascent.

Traveling alone, you get to be whoever you want. I don't mean lie. I mean you get to be a blank slate. You can't leave behind your skin color, or your height, or the handsomeness or homeliness of your face. But you can leave your story behind. If you've broken hearts, the new place doesn't know. If you've lost trust in people and yourself, the new place doesn't know. If everyone thinks you love Jesus, but you never really have figured out what you believe, the new place doesn't care. It may assume you have it all tied nicely in a bow. All your thoughts and histories. Just feeling like your past isn't a vice to hold you in place can be very freeing. Feeling like your family and the expectations and the traditions and the judgments are absent... it can fill your veins with possibility and fire.

I climbed a path and from the top looked up-stream towards Chile. I could see the river, glinting and sliding through the bone-white cliffs with strips of emerald cultivation either side. Away from the cliffs was the desert. There was no sound but the wind, whirring through thorns and whistling through dead grass, and no other sign of life but a hawk, and a black beetle easing over white stones.

For the first time in my life, I felt that my only allegiance was to the truth. Not to tradition. Not to safety. Not to what I had been taught. But to whatever was true. And that made me feel strong.

When you don’t know what to do, you travel. You go out and see. You have to rattle the bed, shake yourself out.

Of one thing, though, she was sure: "I want to travel," she confessed. Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful.

A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which. He simply pursues his vision of excellence through whatever he is doing, and leaves others to determine whether he is working or playing. To himself, he always appears to be doing both. —L. P. Jacks Patagonia’s

Of all the intoxicants you can find on the road (including a "national beer" for nearly every country in the world), marijuana deserves a particular mention here, primarily because it's so popular with travelers. Much of this popularity is due to the fact that marijuana is a relatively harmless diversion (again, provided you don't get caught with it) that can intensify certain impressions and sensations of travel. The problem with marijuana, however, is that it's the travel equivalent of watching television: It replaces real sensations with artificially enhanced ones. Because it doesn't force you to work for a feeling, it creates passive experiences that are only vaguely connected to the rest of your life. "The drug vision remains a sort of dream that cannot be brought over into daily life," wrote Peter Matthiessen in The Snow Leopard. "Old mists may be banished, that is true, but the alien chemical agent forms another mist, maintaining the separation of the 'I' from the true experience of the 'One.'" Moreover, chemical highs have a way of distracting you from the utterly stoning natural high of travel itself. After all, roasting a bowl might spice up a random afternoon in Dayton, Ohio, but is it really all that necessary along the Sumatran shores of Lake Toba, the mountain basins of Nepal, or the desert plateaus of Patagonia? As Salvador Dali quipped, "I never took drugs because I am drugs." With this in mind, strive to be drugs as you travel, to patiently embrace the raw, personal sensation of unmediated reality--an experience for more affecting than any intoxicant can promise.

The life before had happened to me as childhood happens to everyone. The mark of adulthood is when we happen to life.

This was life? Quitting the fight and accepting yourself, flaws and all? I don't want to accept my flaws.

It is astonishing how ideas can change an experience. How we can be in a beautiful forest, on a hike through verdant beauty, but if someone told us that the forest was the site of a brutal massacre, the entire hike would be transformed. It would turn ominous and sad. Or if I was told the forest was where Walk Whitman had walked every morning before working on "Leaves of Grass," the place would take on a holy majesty. Same forest. Same trail and trees. But the idea layered on top of it mutates it, glorifies or damns it.

In the world outside this glass room, songbirds are feeding and resting in the trees. Some will take off tonight and not land until they reach Venezuela. Sandpipers, plovers, and broad-winged hawks have already left for Patagonia and Panama. Bats are headed for caves in Kentucky and Tennessee. Out in the Atlantic, humpback whales pass by on their way to the Caribbean. Even now, Canada geese are honking toward us from Quebec. It is a good day for the beginnings of journeys. Every time I look at you, I think, Now I cannot die.

She has been crying here and going on—she has quite upset me.

I looked around and admired, meandered and felt pangs of love.

more charming than that over there, you know!”  She made me very welcome, but her son had told her about the Patagonia, for which she was sorry, as this would mean a longer voyage.  She was a poor creature in any boat and mainly confined to her

We are the last generation that can experience true wilderness. Already the world has shrunk dramatically. To a Frenchman, the Pyrenees are “wild.” To a kid living in a New York City ghetto, Central Park is “wilderness,” the way Griffith Park in Burbank was to me when I was a kid. Even travelers in Patagonia forget that its giant, wild-looking estancias are really just overgrazed sheep farms. New Zealand and Scotland were once forested and populated with long-forgotten animals. The place in the lower forty-eight states that is farthest away from a road or habitation is at the headwaters of the Snake River in Wyoming, and it’s still only twenty-five miles. So if you define wilderness as a place that is more than a day’s walk from civilization, there is no true wilderness left in North America, except in parts of Alaska and Canada. In a true Earth-radical group, concern for wilderness preservation must be the keystone. The idea of wilderness, after all, is the most radical in human thought—more radical than Paine, than Marx, than Mao. Wilderness says: Human beings are not paramount, Earth is not for Homo sapiens alone, human life is but one life form on the planet and has no right to take exclusive possession. Yes, wilderness for its own sake, without any need to justify it for human benefit. Wilderness for wilderness. For bears and whales and titmice and rattlesnakes and stink bugs. And…wilderness for human beings…. Because it is home. —Dave Foreman, Confessions of an Eco-Warrior We need to protect these areas of unaltered wildness and diversity to have a baseline, so we never forget what the real world is like—in perfect balance, the way nature intended the earth to be. This is the model we need to keep in mind on our way toward sustainability.

If our shittiest actions can lead to beauty, what does it mean to do right and wrong? Is it about avoiding hurting others? What about the scripture, "All things work for the good of those who love God." That sounds about right. But some things never get good. They're just terrible and then you die.

Were the “pampas,” perhaps, flatter than the land they were crossing? He doubted it; what could be flatter than a horizontal plane?

I want my reality to be reality, and then test things against it.

Saying everything you think or do in public isn’t appropriate at a dinner party or online.

speakers responsible.  And then repetition at sea is somehow not repetition; monotony is in the air, the mind is flat and everything recurs—the bells, the meals, the

The houses were dark in the August night and the perspective of Beacon Street, with its double chain of lamps,

town perhaps the servants, in the extravagance of their leisure, were profaning the tables. 

every one” was out of town perhaps the servants, in the extravagance of their leisure, were profaning the tables.  The heat was insufferable

fast ones, if you’re impatient.” She was silent a little after which she brought out: “Oh I guess it’ll be fast enough!

was all very interesting.” She continued to look at me.  “You don’t think that,” she then simply stated. “What have I to gain

Jasper to her.  I was obliged

Absence was a sign that when it might be a question of gratifying him she had grown used to spare no pains, and I fancied her rummaging in some.

used to spare no pains, and I fancied her rummaging in some

Absence was a sign that when it might be a question of gratifying him.

Mrs. Gotch a wide berth—I couldn’t talk to them.  I could,

must excuse him—he should have to go back to the club.  He would return in half an hour—or in less.  He walked

I thought with joy of the morrow,

impression of having seen me before.  It was not till afterwards that I thought this rather characteristically dull of him.  I drew him far away—I was

You're saying that man "makes" his territory by naming the "things" in it?

on so short an acquaintance remains shut up in his breast.  His mother, I know, went to his door

there till we reached Liverpool—I never saw him.  His mother, after a little, at his request, left him alone. 

The secret of what passed between him and the strange girl who

in the August night and the perspective of Beacon

vivere è un magnifico esercizio.

Knowledge alone is like an unearned memory, mostly forgotten.

sea.  I was even glad of what I had learned in the afternoon at the office of the company—that at the eleventh

secret of what passed between him and the strange girl who would have sacrificed her marriage to him on so short an acquaintance remains

upon, having—as I at least supposed—a life of his own and tastes and habits which had long since diverted him from the maternal side.  If he did

Agreeable in the sense of floating there in infinite isolation and leisure that it was.

stranded off the Chilean coast of Patagonia, at around 47 degrees south and 81:40 degrees west.

Indifference to growth is heresy among Western capitalists. Yet no-growth business makes up a large part of the economy already. No one expects their local family-run restaurant to endlessly enlarge. That same model is common among the longest-lived businesses, said Tetsuya O'Hara, a product innovation consultant who has worked with Gap Inc. and Patagonia....Japan is a hotbed for them (long lived-businesses) with nearly thirty-five thousand companies that are more than a century old, and dozens that have endured for more than five hundred years.

ten o’clock!” “What does it matter when my things are put up?” the young man said.  “There’s no crowd at this moment; there will be cabins to spare.  I’m waiting for a telegram—that will settle

Ihave learned this for certain: if discontent is your disease, travel is medicine. It resensitizes. It opens you up to see outside the patterns you follow. Because new places require new learning. It forces your childlike self back into action. When you are a kid, everything is new. You don’t know what’s under each rock, or up the creek. So, you look. You notice because you need to. The world is new.

Oh he’ll come back!” I said, glancing at his place.  The repast continued and when it was finished I screwed my chair round to leave the table.  Mrs. Peck performed the same movement and we quitted the saloon

I couldn't give up on my global optimism. I've always believed that the world is far friendlier than it is not, far more loving than hateful. Fear is like a thorn in your foot. It may be proportionally small in relation to the body, but it hurts and demands attention and everything halts until the thorn gets pulled.

some degree to her loss.  There was an odd pang for me in seeing her move about alone; I felt somehow responsible for it and asked myself why I couldn’t have kept my hands off.  I had seen Jasper in the smoking-room more

muddle of farewells before we put off; we talked a little about the boat, our fellow-passengers and our prospects, and then I said: “I think you mentioned last night a name I know—that of Mr. Porterfield.” “Oh no I didn’t!

strolled down the hill without meeting a creature, though I could see through the palings of the Common that that recreative expanse was peopled with dim forms.  I remembered Mrs. Nettlepoint’s house—she lived in those days (they

little and then gone back.  Miss Mavis hadn’t turned up—and she didn’t turn up.  The stewardess began to look for her—she hadn’t been seen on deck or in the saloon.  Besides, she wasn’t dressed—not to show herself; all her clothes were in her

He gave me a look, but in the dusk I couldn’t make out very well what it conveyed.  Then he bent over his mother, kissing her.  “My news isn’t particularly satisfactory.  I’m going for you.” “Oh you humbug!” she replied.  But she was of course delighted.

...goals help us get a lot done. But they often remove our attention from the experience to the achievement. When we arrive at our goal, we think, then we will be happy. When we finally get there, we can celebrate and have fun. When I get that job, I'll be fulfilled then. When I get married, I will be happy. The Eden we pine for is not under our own feet or bike tires, but over the next mountain.

America’s patriotic song “America the Beautiful” invokes our spacious skies, our amber waves of grain, from sea to shining sea. Actually, that song reverses geographic realities. As in Africa, in the Americas the spread of native crops and domestic animals was slowed by constricted skies and environmental barriers. No waves of native grain ever stretched from the Atlantic to the Pacific coast of North America, from Canada to Patagonia, or from Egypt to South Africa, while amber waves of wheat and barley came to stretch from the Atlantic to the Pacific across the spacious skies of Eurasia. That faster spread of Eurasian agriculture, compared with that of Native American and sub-Saharan African agriculture, played a role (as the next part of this book will show) in the more rapid diffusion of Eurasian writing, metallurgy, technology, and empires.

getting out to sea.  I was even glad of what I had learned in the afternoon at the office of the company—that at the eleventh hour an old ship with a lower standard of speed had been put on in place of the vessel in which I had taken my passage.  America was roasting, England might very well be stuffy, and

Fabien, the pilot bringing the Patagonia air mail from the far south to Buenos Aires, could mark night coming on by certain signs that called to mind the waters of a harbor—a calm expanse beneath, faintly rippled by the lazy clouds—and he seemed to be entering a vast anchorage, an immensity of blessedness.

I love old drawings and the sketches of cities and animals from ancient field guides. I like timeless things, old things. They've made it to the modern age and taken on a meaning larger than their intention. I wanted my journal to be like that. There is a weird paradox in trying to live a meaningful life, one you will talk about and tell about. There is the present experience of the living, but also the separate eye, watching from above, already seeing the living from the outside.

The Patagonia was slow, but spacious and comfortable, and there was a motherly decency in her long nursing rock and her rustling old-fashioned gait, the multitudinous swish, in her wake, as of a thousand proper petticoats.  It was as if she wished not to present herself in port with the splashed eagerness of a young creature.  We weren’t numerous enough quite to elbow each other and yet weren’t too few to support—with that familiarity and relief which figures and objects acquire on the great bare field of the ocean and under the great bright glass of the sky.  I had never liked the sea so much before, indeed I had never liked it at all; but

Mrs. Nettlepoint stared.  “I couldn’t do that.” On which I was the more amused that I had to explain I was only amused.  “What does it signify now?” “I thought you thought everything signified.  You were so full,” she cried, “of signification!” “Yes, but we’re further out now, and somehow in mid-ocean everything becomes absolute.” “What else can

Albatrosses and penguins are the last birds I'd want to murder.

I haven’t got any special religion this morning. My God is the God of Walkers. If you walk hard enough, you probably don’t need any other god.

how much energy I put into planning, trying to guarantee my independence, but how so many of my best memories have come from the times where I needed help and received it.

Youth was the most valuable possession a human would ever own.

Why it would be a pleasure,” I replied rather foolishly. “Do you mean for you?” “Well, yes—call

-Ama biz ne yaptık ki kardeş? -Belki de tek çocuklara kardeş dedik.

the company—that at the eleventh hour an old ship with a lower standard of speed had been put on in place of the vessel in which I had taken my passage.  America was roasting, England might very well be stuffy, and a slow passage (which at that season of the year would probably also be a fine one) was a guarantee of ten or twelve days of fresh air. I strolled down

The country remained the same, and was extremely uninteresting. The complete similarity of the productions throughout Patagonia is one of its most striking characters. The level plains of arid shingle support the same stunted and dwarf plants; and in the valleys the same thorn-bearing bushes grow. Everywhere we see the same birds and insects. Even the very banks of the river and of the clear streamlets which entered it, were scarcely enlivened by a brighter tint of green. The curse of sterility is on the land, and the water flowing over a bed of pebbles partakes of the same curse. Hence the number of waterfowl is very scanty; for there is nothing to support life in the stream of this barren river. (In regards to the steppes of Patagonia)

We are a species which is naturally moved by curiosity, the only one left of a group of species (the genus Homo) made up of a dozen equally curious species. The other species in the group have already become extinct; some, like the Neanderthals, quite recently, roughly thirty thousand years ago. It is group of species which evolved in Africa, akin to the hierarchical and quarrelsome chimpanzees -- and even more closely akin to the bonobos, the small, peaceful, cheerfully egalitarian and promiscuous type of chimps. A group of species which repeatedly went out of Africa in order to explore new worlds, and went far: as far, eventually, as Patagonia -- and as far, eventually, as the moon. It is not against our nature to be curious: it is in our nature to be so.

servants, in the extravagance of their leisure, were profaning the tables.  The heat was insufferable and I thought with joy of the morrow, of the deck of the steamer, the freshening breeze, the sense of getting out to sea.  I was even glad of what I had learned in the afternoon at the office of the company—that at the eleventh hour an old ship with a lower standard of speed had been put

Estoy seguro que Chile es una serpiente enterrada como una semilla también, que si cavamos lo suficiente daremos con su piel seca, respirando. A veces sueño con ella. A veces está enterrada en mi propio cuerpo y tiene la forma de mi columna vertebral. Entonces la veo saltar desde la Patagonia, abrir la boca junto al lago Chungará, cerca de Arica, y morderme el cráneo con tanto placer que mancho la cama.

I know what i's like to want to be good, to want to be a good boy and a good son and think that God loves me because my teachers loves me, and my friends' parents trust me. You don't love God, man. You love feeling like you belong to something. That warm feeling of order in the universe. Of having the universe on your side, but really, having people on your side. I just want you to be free from all that shit.

perspective of Beacon Street, with its double chain of lamps, was a foreshortened desert.  The club on the hill alone, from its semi-cylindrical front, projected a glow upon the dusky vagueness of the Common, and as I passed it I heard in the hot stillness the click of a pair of billiard-balls.  As “every one” was out of town perhaps the servants, in the extravagance of their leisure, were profaning the tables.  The heat was insufferable and I thought with

On that bus, I had a lot of miles to stare out the window and think about my journey. About expectations. About destinations. I had wanted my spirit quest to answer questions for me. More than that, I needed it to reveal my questions to me, then answer them. What a burden to put on travel, which in itself is ignorant and indifferent. It becomes so hard to just enjoy the thing as it happens. We make the journey about arrival, not travel. We are so goal focused. We are the dog that won't stop paddling as long as he sees the shore. But, man, my shore had been hidden by the fog for so long.

Then I wandered the main street and thought how alone I was in my accomplishment. All these people were on vacation, doing their own thing. They saw me and assumed I’d flown here. Or didn’t think about me at all. I was just an extra in the movie of their life. But I knew what I’d done. And so did God.

Rush? not in the least.  I take it uncommon easy.” “Ah I’m bound to say you do!” Mrs. Nettlepoint returned with inconsequence.  I guessed at a certain tension between the pair and a want of consideration on the young man’s part, arising perhaps from selfishness.  His mother was nervous, in suspense, wanting to be at rest as to whether she should have his company on the voyage or be obliged to struggle alone.  But as he stood there smiling and slowly moving his fan he struck me somehow as a person on whom this fact wouldn’t sit too heavily.  He was of the type of those whom other people worry about, not of those who worry about other people.  Tall and strong,

He would return in half an hour—or in less.  He walked away and I sat there alone, conscious, on the dark dismantled simplified scene, in the deep silence that rests on American towns during the hot season—there was now and then a far cry or a plash in the water, and at intervals the tinkle of the bells of the horse-cars on the long bridge, slow in the suffocating night—of the strange influence, half-sweet, half-sad, that abides in houses uninhabited or about to become so, in places muffled and bereaved, where the unheeded sofas and patient belittered tables seem (like the disconcerted dogs, to whom everything is alike sinister) to recognise the eve of a journey.

when she asked where Miss Mavis might be answered that he hadn’t the least idea.  I sat with my friend at her particular request: she told me she knew that if I didn’t Mrs. Peck and Mrs. Gotch would make their approach, so that I must act as a watch-dog.  She was flurried and fatigued with her migration, and I think that Grace Mavis’s choosing this occasion for retirement suggested to her a little that she had been made a fool of.  She remarked that the girl’s not being there showed her for the barbarian she only could be, and that she herself was really very good so to have put herself out; her charge was a mere bore: that was the end of it.  I could see that my companion’s advent

İnsanlar korku içinde ve korku için yaşıyorlardı. Bu korkuyla çıkışı olmayan bir dolambaç oluşturuyorlardı, konuşmalarına ve yemeklerine korku eşlik ediyordu. En önemsiz olayları bile uygunsuz bir önlemle donatıyorlardı; geceleri, daha iyi günleri ya da geçmişi düşlemek için değil de, karanlık ve yoğun bir korku bataklığına atılmak için yatağa giriyorlardı; gün doğarken onları yataklarından gözlerinin altında mor halkalarla ve daha da ürkmüş olarak kaldıran ölü saatler korkusu.

The playing was remarkable. I could not imagine a finer Pathétique further South. When he finished he said: ‘Now I play Chopin. Yes?’ and he replaced the bust of Beethoven with one of Chopin. ‘Do you wish waltzes or mazurkas?’ ‘Mazurkas.’ ‘I shall play my best favourite. It is the last music Chopin is writing.’ And he played the mazurka that Chopin dictated on his deathbed. The wind whistled in the street and the music ghosted from the piano as leaves over a headstone and you could imagine you were in the presence of genius.

Okay. He's not coming back. Is he? No. I thought back to biking that first day in Oregon. Weston and I weaving back and forth, taking up the whole street, loving the August air and ocean breeze. I remember him calling me his "neighbor" every night as we'd lie in our hammocks. "Oh, how's the family, neighbor?" he'd ask. "Oh, great." We'd started with such fire and magic. With a shared destiny and destination. The beginning of a grand adventure is pregnant with a thousand futures. Every possible best thing. But the end is often a fizzle. For us, Weston left for a wedding. And didn't come back. And just like that, a chapter was done.

timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,

I have learned this for certain: if discontent is your disease, travel is medicine. It resensitizes. It open you up to see outside the patterns you follow. Because new places require new learning. It forces your childlike self back into action. When you are a kid, everything is new. You don't know what's under each rock, or up the creek. So, you look. You notice because you need to. The world is new. This, I believe, is why time moves so slowly as a child - why school days creep by and summer breaks stretch on. Your brain is paying attention to every second. It must as it learns that patters of living. Ever second has value. But as you get older, and the patterns become more obvious, time speeds up. Especially once you find your groove in the working world. The layout of your days becomes predictable, a routine, and once your brain reliably knows what's next, it reclines and closes its eyes. Time pours through your hands like sand. But travel has a way of shaking the brain awake. When I'm in a new place, I don't know what's next, even if I've read all the guidebooks and followed the instructions of my friends. I can't know a smell until I've smelled it. I can't know the feeling of a New York street until I've walked it. I can't feel the hot exhaust of the bus by reading about it. I can't smell the food stands and the cologne and the spilled coffee. Not until I go and know it in its wholeness. But once I do, that awakened brain I had as a kid, with wide eyes and hands touching everything, comes right back. This brain absorbs the new world with gusto. And on top of that, it observes itself. It watches the self and parses out old reasons and motives. The observation is wide. Healing is mixed in.