β
Yesterday is history, tomorrow is a mystery, today is a gift of God, which is why we call it the present.
β
β
Bil Keane
β
So we beat on, boats against the current, borne back ceaselessly into the past.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Who controls the past controls the future. Who controls the present controls the past.
β
β
George Orwell (1984)
β
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
β
β
Frank Herbert (Dune (Dune, #1))
β
Every saint has a past, and every sinner has a future.
β
β
Oscar Wilde
β
Life can only be understood backwards; but it must be lived forwards.
β
β
SΓΈren Kierkegaard
β
The past is a place of reference, not a place of residence; the past is a place of learning, not a place of living.
β
β
Roy T. Bennett (The Light in the Heart)
β
If you want to be happy, do not dwell in the past, do not worry about the future, focus on living fully in the present.
β
β
Roy T. Bennett (The Light in the Heart)
β
No amount of regretting can change the past, and no amount of worrying can change the future.
β
β
Roy T. Bennett (The Light in the Heart)
β
When we are tired, we are attacked by ideas we conquered long ago.
β
β
Friedrich Nietzsche
β
The secret of health for both mind and body is not to mourn for the past, nor to worry about the future, but to live the present moment wisely and earnestly.
β
β
Bukkyo Dendo Kyokai (The Teaching of Buddha)
β
The past has no power over the present moment.
β
β
Eckhart Tolle
β
Live in the present, remember the past, and fear not the future, for it doesn't exist and never shall. There is only now.
β
β
Christopher Paolini (Eldest (Inheritance, #2))
β
Yesterday is gone. Tomorrow has not yet come. We have only today. Let us begin.
β
β
Mother Teresa
β
You realize that our mistrust of the future makes it hard to give up the past.
β
β
Chuck Palahniuk (Survivor)
β
Keep in mind that people change, but the past doesn't.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
Time doesnβt heal emotional pain, you need to learn how to let go.
β
β
Roy T. Bennett (The Light in the Heart)
β
You can't stop the future
You can't rewind the past
The only way to learn the secret
...is to press play.
β
β
Jay Asher (Thirteen Reasons Why)
β
Did you ever think that in a past life Alec was an old woman with ninety cats who was always yelling at the neighborhood kids to get off her lawn? Because I do,
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Every time you are tempted to react in the same old way, ask if you want to be a prisoner of the past or a pioneer of the future.
β
β
Deepak Chopra
β
Sometimes, I feel the past and the future pressing so hard on either side that there's no room for the present at all.
β
β
Evelyn Waugh (Brideshead Revisited)
β
Do not let the memories of your past limit the potential of your future. There are no limits to what you can achieve on your journey through life, except in your mind.
β
β
Roy T. Bennett (The Light in the Heart)
β
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
β
β
Virginia Woolf
β
The past is always tense, the future perfect.
β
β
Zadie Smith
β
They say I'm old-fashioned, and live in the past, but sometimes I think progress progresses too fast!
β
β
Dr. Seuss
β
Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.
β
β
David Mitchell (Cloud Atlas)
β
Scars have the strange power to remind us that our past is real.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
The past is never where you think you left it.
β
β
Katherine Anne Porter
β
Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.
β
β
Haruki Murakami (Dance Dance Dance)
β
The past beats inside me like a second heart.
β
β
John Banville (The Sea)
β
The present changes the past. Looking back you do not find what you left behind.
β
β
Kiran Desai (The Inheritance of Loss)
β
The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
β
β
Arthur C. Clarke
β
Because this is what happens when you try to run from the past. It just doesnβt catch up, it overtakes β¦ blotting out the future.
β
β
Sarah Dessen (Just Listen)
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
I like men who have a future and women who have a past.
β
β
Oscar Wilde
β
If you are depressed you are living in the past.
If you are anxious you are living in the future.
If you are at peace you are living in the present.
β
β
Lao Tzu
β
No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.
β
β
Gautama Buddha (Sayings of Buddha)
β
Canβt repeat the past?β¦Why of course you can!
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Once you realize you deserve a bright future, letting go of your dark past is the best choice you will ever make.
β
β
Roy T. Bennett (The Light in the Heart)
β
We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.
β
β
AnaΓ―s Nin
β
The past is never dead. It's not even past.
β
β
William Faulkner (Requiem for a Nun)
β
When I pronounce the word Future,
the first syllable already belongs to the past.
When I pronounce the word Silence,
I destroy it.
β
β
WisΕawa Szymborska (Poems New And Collected)
β
Promise Yourself
To be so strong that nothing
can disturb your peace of mind.
To talk health, happiness, and prosperity
to every person you meet.
To make all your friends feel
that there is something in them
To look at the sunny side of everything
and make your optimism come true.
To think only the best, to work only for the best,
and to expect only the best.
To be just as enthusiastic about the success of others
as you are about your own.
To forget the mistakes of the past
and press on to the greater achievements of the future.
To wear a cheerful countenance at all times
and give every living creature you meet a smile.
To give so much time to the improvement of yourself
that you have no time to criticize others.
To be too large for worry, too noble for anger, too strong for fear,
and too happy to permit the presence of trouble.
To think well of yourself and to proclaim this fact to the world,
not in loud words but great deeds.
To live in faith that the whole world is on your side
so long as you are true to the best that is in you.
β
β
Christian D. Larson (Your Forces and How to Use Them)
β
There is no past or future. Using tenses to divide time is like making chalk marks on water.
β
β
Janet Frame
β
People come, people go β theyβll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.
β
β
Nicholas Sparks (The Rescue)
β
You must learn some of my philosophy. Think only of the past as its remembrance gives you pleasure.
β
β
Jane Austen (Pride and Prejudice)
β
That's what literature is. It's the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! Listen to them!
β
β
Connie Willis (Passage)
β
He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.
β
β
Gabriel GarcΓa MΓ‘rquez (Love in the Time of Cholera)
β
We are products of our past, but we don't have to be prisoners of it.
β
β
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
β
The past is a candle at great distance: too close to let you quit, too far to comfort you.
β
β
Amy Bloom (Away)
β
Shoulda, coulda, woulda. It's so easy in the past tense.
β
β
Sarah Dessen (The Truth About Forever)
β
Study the past if you would define the future.
β
β
Confucius
β
My past is everything I failed to be.
β
β
Fernando Pessoa (The Book of Disquiet)
β
The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this goodbye is both a goodbye for the past ten thousand years and a prelude to what will come.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
No matter how much time has passed, these things still affect us and the world we live in. If you don't pay attention to the past, you'll never understand the future. It's all linked together.
β
β
Sarah Dessen (Just Listen)
β
Some people feel like they don't deserve love. They walk away quietly into empty spaces, trying to close the gaps of the past.
β
β
Jon Krakauer (Into the Wild)
β
The belly is an ungrateful wretch, it never remembers past favors, it always wants more tomorrow.
β
β
Aleksandr Solzhenitsyn (One Day in the Life of Ivan Denisovich)
β
We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.
β
β
Pascal Mercier (Night Train to Lisbon)
β
It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.
β
β
Edgar Allan Poe
β
It is strange how we hold on to the pieces of the past while we wait for our futures.
β
β
Ally Condie (Matched (Matched, #1))
β
Remembrance of things past is not necessarily the remembrance of things as they were.
β
β
Marcel Proust
β
It's being here now that's important. There's no past and there's no future. Time is a very misleading thing. All there is ever, is the now. We can gain experience from the past, but we can't relive it; and we can hope for the future, but we don't know if there is one.
β
β
George Harrison
β
I donβt live in either my past or my future. Iβm interested only in the present. If you can concentrate always on the present, youβll be a happy man. Life will be a party for you, a grand festival, because life is the moment weβre living now.
β
β
Paulo Coelho (The Alchemist)
β
We all make mistakes, have struggles, and even regret things in our past. But you are not your mistakes, you are not your struggles, and you are here NOW with the power to shape your day and your future.
β
β
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
β
True friends share everything, except the past before they met.
β
β
Mary Renault (Fire from Heaven (Alexander the Great, #1))
β
They're already taking my future! They can't have the things that mattered to me in the past!
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
The past can't hurt you anymore, not unless you let it.
β
β
Alan Moore (V for Vendetta)
β
This is what the past is for! Every experience God gives us, every person He puts in our lives is the perfect preparation for the future that only He can see.
β
β
Corrie ten Boom (The Hiding Place)
β
We can spend our lives letting the world tell us who we are. Sane or insane. Saints or sex addicts. Heroes or victims. Letting history tell us how good or bad we are. Letting our past decide our future. Or we can decide for ourselves. And maybe it's our job to invent something better.
β
β
Chuck Palahniuk (Choke)
β
You spend your whole life stuck in the labyrinth, thinking about how you'll escape one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.
β
β
John Green (Looking for Alaska)
β
Some things you can never leave behind. They don't belong to the past. They belong to you.
β
β
Rick Yancey (The 5th Wave (The 5th Wave, #1))
β
When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.
β
β
Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
β
His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.
β
β
James Joyce (A Portrait of the Artist as a Young Man)
β
My yesterdays walk with me. They keep step, they are gray faces that peer over my shoulder.
β
β
William Golding
β
I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Be not the slave of your own past - plunge into the sublime seas, dive deep, and swim far, so you shall come back with new self-respect, with new power, and with an advanced experience that shall explain and overlook the old.
β
β
Ralph Waldo Emerson
β
Forgive the past. It is over. Learn from it and let go. People are constantly changing and growing. Do not cling to a limited, disconnected, negative image of a person in the past. See that person now. Your relationship is always alive and changing.
β
β
Brian L. Weiss (Messages from the Masters: Tapping Into the Power of Love)
β
I nibbled my lower lip. "If you could see into my past just by touching my back, you'd have a hard time resisting the temptation too."
"I have a hard time keeping my hands off you without that added bonus.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
Even though you may want to move forward in your life, you may have one foot on the brakes. In order to be free, we must learn how to let go. Release the hurt. Release the fear. Refuse to entertain your old pain. The energy it takes to hang onto the past is holding you back from a new life. What is it you would let go of today?
β
β
Mary Manin Morrissey
β
Pick the day. Enjoy it - to the hilt. The day as it comes. People as they come... The past, I think, has helped me appreciate the present, and I don't want to spoil any of it by fretting about the future.
β
β
Audrey Hepburn
β
Make a pact with yourself today to not be defined by your past. Sometimes the greatest thing to come out of all your hard work isn't what you get for it, but what you become for it. Shake things up today! Be You...Be Free...Share.
β
β
Steve Maraboli (Life, the Truth, and Being Free)
β
I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.
β
β
Beryl Markham (West with the Night)
β
For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable β what then?
β
β
George Orwell (1984)
β
It's easy to look at people and make quick judgments about them, their present and their past, but you'd be amazed at the pain and tears a single smile hides. What a person shows to the world is only one tiny facet of the iceberg hidden from sight. And more often then not, it's lined with cracks and scars that go all the way to the foundation of their soul.
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
β
β
Maya Angelou
β
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
β
β
Pamela Redmond Satran
β
Okay, God, I thought. Get me out of this and Iβll stop my half-assed church-going ways. You got me past a pack of Strigoi tonight. I mean, trapping that one between the doors really shouldn't have worked, so clearly you're on board. Let me get out of here, and Iβll...I donβt know. Donate Adrianβs money to the poor. Get baptized. Join a convent. Well, no. Not that last one.
β
β
Richelle Mead (Blood Promise (Vampire Academy, #4))
β
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, itβs just not that good. Itβs trying to be good, it has potential, but itβs not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesnβt have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone Iβve ever met. Itβs gonna take awhile. Itβs normal to take awhile. Youβve just gotta fight your way through.
β
β
Ira Glass
β
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
β
β
Mark Z. Danielewski (House of Leaves)
β
Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.
β
β
Erin Morgenstern (The Night Circus)
β
Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.
β
β
bell hooks
β
You never called me back," he said. "I called you so many times and you never called me back."
Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have been broken, and the streets are full of demons. And you want to know why I haven't called you?"
Alec set his jaw in a stubborn line. "I want to know why you haven't called me back."
Magnus threw his hands up in the air in a gesture of utter exasperation. Alec noted with interest that when he did it, a few sparks escaped from his fingertips, like fireflies escaping from a jar. "You're an idiot."
"Is that why you haven't called me? Because I'm an idiot?"
"No." Magnus strode toward him. "I didn't call you because I'm tired of you only wanting me around when you need something. I'm tired of watching you be in love with someone else - someone, incidentally, who will never love you back. Not the way I do."
"You love me?"
"You stupid Nephilim," Magnus said patiently. "Why else am I here? Why else would I have spent the past few weeks patching up all your moronic friends every time they got hurt? And getting you out of every ridiculous situation you found yourself in? Not to mention helping you win a battle against Valentine. And all completely free of charge!
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
And as I sat there brooding on the old, unknown world, I thought of Gatsbyβs wonder when he first picked out the green light at the end of Daisyβs dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matterβto-morrow we will run faster, stretch out our arms farther. . . . And one fine morningββ
So we beat on, boats against the current, borne back ceaselessly into the past.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Now I will tell you the answer to my question. It is this. The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power, pure power. What pure power means you will understand presently. We are different from the oligarchies of the past in that we know what we are doing. All the others, even those who resembled ourselves, were cowards and hypocrites. The German Nazis and the Russian Communists came very close to us in their methods, but they never had the courage to recognize their own motives. They pretended, perhaps they even believed, that they had seized power unwillingly and for a limited time, and that just around the corner there lay a paradise where human beings would be free and equal. We are not like that. We know that no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me.
β
β
George Orwell (1984)
β
One thing I do know about intimacy is that there are certain natural laws which govern the sexual experience of two people, and that these laws cannot be budged any more than gravity can be negotiated with. To feel physically comfortable with someone else's body is not a decision you can make. It has very little to do with how two people think or act or talk or even look. The mysterious magnet is either there, buried somewhere deep behind the sternum, or it is not. When it isn't there (as I have learned in the past, with heartbreaking clarity) you can no more force it to exist than a surgeon can force a patient's body to accept a kidney from the wrong donor. My friend Annie says it all comes down to one simple question: "Do you want your belly pressed against this person's belly forever --or not?
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Admit it. You arenβt like them. Youβre not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the βnormal peopleβ as they go about their automatic existences. For every time you say club passwords like βHave a nice dayβ and βWeatherβs awful today, eh?β, you yearn inside to say forbidden things like βTell me something that makes you cryβ or βWhat do you think deja vu is for?β. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the othersβ¦
β
β
Timothy Leary
β
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple βI must,β then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...
...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, donβt blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the worldβs sounds β wouldnβt you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
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Rainer Maria Rilke
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I walked past Malison, up Lower Main to Main and across the road. I didnβt need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.Β
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. βDo you like living in the High Lordβs kitchens?β
He, of course, replied, βNo.β
βWell, weβre going to a better place.β
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calecβs cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. βItβs a graveyard.β
βAre you afraid of ghosts?β I asked.
βMy fatherβs a ghost,β he whispered.
I asked if he wanted to learn how to throw a knife. He said, βYes,β as I knew he would.Β He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. Iβd spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.Β
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
βArenβt you going to show me?β Malison prompted, as if to echo my prayer.
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K. Ritz (Sheever's Journal, Diary of a Poison Master)
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First of all, love is a joint experience between two persons β but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world β a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring β this lover can be man, woman, child, or indeed any human creature on this earth.
Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else β but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself.
It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
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Carson McCullers (The Ballad of the Sad CafΓ© and Other Stories)
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Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
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Mary Schmich (Wear Sunscreen: A Primer for Real Life)