Bridge Of San Luis Rey Quotes

The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs.

There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.

Now he discovered that secret from which one never quite recovers, that even in the most perfect love one person loves less profoundly than the other. There may be two equally good, equally gifted, equally beautiful, but there may never be two that love one another equally well.

We ourselves shall be loved for awhile and forgotten. But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.

Either we live by accident and die by accident, or we live by plan and die by plan.

Some say that we shall never know, and that to the gods we are like the flies that the boys kill on a summer's day, and some say, to the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.

[Dona Maria] saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires.

Throughout the hours of the night, though there had been few to hear it, the whole sky had been loud with the singing of these constellations.

the whole purport of literature...is the notation of the heart. Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.

The public for which masterpieces are intended is not on this earth.

He regarded love as a sort of cruel malady through which the elect are required to pass in their late youth and from which they emerge, pale and wrung, but ready for the business of living.

But such occasions of excellence became less and less frequent. As her technique became sounder, [her] sincerity became less necessary.

[Camila] was quite incapable of establishing any harmony between the claims of her art, of her appetites, or her dreams, and of her crowded daily routine. Each of these was a world in itself.

Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song.

It was full of wounding remarks rather brilliantly said, perhaps said for the sheer virtuosity of giving pain neatly. Each of its phrases found its way through the eyes of the Marquesa, then, carefully wrapped in understanding and forgiveness, it sank into her heart.

Henceforth letter-writing had to take the place of all the affection that could not be lived.

The art of biography is more difficult than is generally supposed.

This assumption that she need look for no more devotion now that her beauty had passed proceeded from the fact that she had never realized any love save love as passion. Such love, though it expends itself in generosity and thoughtfulness, though it give birth to visions and to great poetry, remains among the sharpest expressions of self-interest. Not until it has passed through a long servitude, through its own self-hatred, through mockery, through great doubts, can it take its place among the loyalties. Many who have spent a lifetime in it can tell us less of love than the child that lost a dog yesterday.

On Friday noon, July twentieth, 1714, the finest bridge in all Peru broke and precipitated five travellers into the gulf below.

There is a land of the living and a land of the dead and the bridge is love, the survival, the only meaning. The Bridge of San Luis Rey, Thornton Wilder.

Esteban fell face downward upon the floor. "I am alone, alone, alone," he cried. The Captain stood above him, his great plain face ridged and gray with pain; it was his own old hours he was reliving. He was the awkwardest speaker in the world apart from the lore of the sea, but there are times when it requires a high courage to speak the banal. He could not be sure the figure on the floor was listening, but he said, "We do what we can. We push on, Esteban, as best we can. It isn't for long, you know. Time keeps going by. You'll be surprised at the way time passes.

All of us have failed. One wishes to be punished. One is willing to assume all kinds of penance, but do you know, my daughter, that in love -- I scarcely dare say it -- but in love our very mistakes don't seem to be able to last long?

If there were any plan in the universe at all, if there were any pattern in human life, surely it could be discovered mysteriously latent in those lives so suddenly cut off. Either we live by accident and die by accident, or we live by plan and die by plan.

Like all solitary persons he had invested friendship with a divine glamour: he imagined that the people he passed on the street, laughing together and embracing when they parted, the people who dined together with so many smiles, you will scarcely believe me, but he imagined that they were extracting from all that congeniality great store of satisfaction.

Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.

But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.

The Marquesa would even have been astonished to learn that her letters were very good, for such authors live always in the noble weather of their own minds and those productions which seem remarkable to us are little better than a day's routine to them.

We do what we can. We push on, Esteban, as best we can. It isn’t for long, you know. Time keeps going by. You’ll be surprised at the way time passes.

Even speech was for them was a debased form of silence; how much more futile is poetry which is a debased form of speech.

She did not suspect that the Abbess was even there hovering about the house, herself estimating the stresses and watching for the moment when a burden harms and not strengthens.

Perhaps she would learn in time to permit both her daughter and her gods to govern their own affairs.

He respected the slight nervous shadow that crossed her face when he came too near her. But there arose out of this denial itself the perfume of a tenderness, that ghost of passion which, in the most unexpected relationship, can make even a whole lifetime devoted to irksome duty pass like a gracious dream.

For what human ill does not dawn seem to be an alleviation?

But one shelf was a little neater than the rest and here I noted the following sequence which for a moment seemed to form a vague musical phrase, oddly familiar: Hamlet, La morte d’Arthur, The Bridge of San Luis Rey, Doctor Jekyll and Mr. Hyde, South Wind, The Lady with the Dog, Madame Bovary, The Invisible Man, Le Temps Retrouvé, Anglo-Persian Dictionary, The Author of Trixie, Alice in Wonderland, Ulysses, About Buying a Horse, King Lear … The melody gave a small gasp and faded.

It required all his delicate Epicurean education to prevent his doing something about it; he had to repeat over to himself his favorite notions: that the injustice and unhappiness in the world is a constant; that the theory of progress is a delusion; that the poor, never having known happiness, are insensible to misfortune. Like all the rich he could not bring himself to believe that the poor (look at their houses, look at their clothes) could really suffer. Like all the cultivated he believed that only the widely read could be said to know that they were unhappy.

The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs. Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song. Next she lost her belief in the sincerity of those about her. She secretly refused to believe that anyone (herself excepted) loved anyone. All families lived in a wasteful atmosphere of custom and kissed one another with secret indifference. She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These were the sons and daughters of Adam from Cathay to Peru. And when on the balcony her thoughts reached this turn, her mouth would contract with shame for she knew that she too sinned and that though her love for her daughter was vast enough to include all the colors of love, it was not without a shade of tyranny: she loved her daughter not for her daughter's sake, but for her own. She longed to free herself from this ignoble bond; but the passion was too fierce to cope with.

He had lost that privilege of simple nature, the dissociation of love and pleasure. Pleasure was no longer as simple as eating; it was being complicated by love. Now was beginning that crazy loss of one's self, that neglect of everything but one's dramatic thoughts about the beloved, that feverish inner life all turning upon the [loved one].

Camila had intended to be perfunctory and if possible impudent, but now she was struck for the first time with the dignity of the old woman. The mercer's daughter could carry herself at times with all the distinction of the Montemayors and when she was drunk she wore the grandeur of Hecuba.

He divided the inhabitants of this world into two groups, into those who had loved and those who had not. It was a horrible aristocracy, apparently, for those who had no capacity for love (or rather for suffering in love) could not be said to be alive and certainly would not live again after their death. They were a kind of straw population, filling the world with their meaningless laughter and tears and chatter and disappearing still lovable and vain into thin air. For this distinction he cultivated his own definition of love that was like no other and that had gathered all its bitterness and pride from his odd life. He regarded love as a sort of cruel malady through which the elect are required to pass in their late youth and from which they emerge, pale and wrung, but ready for the business of living. There was (he believed) a great repertory of errors mercifully impossible to human beings who had recovered from this illness. Unfortunately there remained to them a host of failings, but at least (from among many illustrations) they never mistook a protracted amiability for the whole conduct of life, they never again regarded any human being, from a prince to a servant, as a mechanical object.

But while they continued staring into one another’s face waiting for the miracle of science the pain grew worse.

Facciamo quello che possiamo. Tiriamo avanti, Esteban, come meglio possiamo. Non dura molto, sai,... Il tempo passa. Ti sorprenderà vedere come passa in fretta".

The silence of the three of them had made a little kernel of sense in a world of boasting, self-excuse and rhetoric.

and most profoundly personal philosophical inquiry that we can undertake. It is the question that defines us as human beings. The novel begins precisely at noon on July 20,

Next she lost her belief in the sincerity of those about her. She secretly refused to believe that anyone (herself excepted) loved anyone. All families lived in a wasteful atmosphere of custom and kissed one another with secret indifference. She saw that the people of this world moved about in an armour of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires.

Tutti, tutti noi abbiamo fallito. Desideriamo tutti un castigo. Desideriamo tutti di farci carico di ogni tipo di penitenza, ma sai, figlia mia, che in amore -riesco a malapena a dirlo- ma in amore i nostri errori non sembrano durare molto a lungo".

She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These were the sons and daughters of Adam from Cathay to Peru.

Most rájött arra a titokra, melyből sohase gyógyulunk meg, hogy még a legtökéletesebb szerelemben is egyikünk kevésbé mélyen szeret, mint másikunk. Mindketten egyformán jók lehetünk, egyformán tehetségesek és szépek is; de sohase lehet két ember, aki egyformán szereti egymást.

Some say that we shall never know, and that to the gods we are like the flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God. Thornton Wilder, The Bridge of San Luis Rey

The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs. Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song.

She resembled the swallow in the fable who once every thousand years transferred a grain of wheat, in the hope of rearing a mountain to reach the moon. Such persons are raised up in every age; they obstinately insist on transporting their grains of wheat and they derive a certain exhilaration from the sneers of the bystanders.

Whom were these two seeking to please? Not the audiences of Lima. They had long since been satisfied. We come from a world where we have known incredible standards of [82] excellence, and we dimly remember beauties which we have not seized again; and we go back to that world. Uncle Pio and Camila Perichole were tormenting themselves in an effort to establish in Peru the standards of the theatres in some Heaven whither Calderon had preceded them. The public for which masterpieces are intended is not on this earth.

And I, who claim to know so much more, isn't it possible that even I have missed the very spring within the spring? Some say that we will never know, and that to the gods we are like the flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.

all the sacristies in town: they trimmed all the cloister hedges; they polished every possible crucifix; they

For what human ill does dawn not seem to be an alleviation?

many people would never have fallen in love if they had not heard about it.

There are times when it requires a high courage to speak the banal.

(...) most végre tanuld meg, hogy bárhol e világon számíthatsz kegyelemre.

that many people would never have fallen in love if they had not heard about it.

Now he discovered that secret from which one never quite recovers, that even in the most perfect love one person loves less profoundly than the other. There

novelists only Nathaniel Hawthorne and Jorge Luis Borges have

Doña Clara was in the hands of malignant Nature who reserves the right to inflict upon her children the most terrifying jests.

He divided the inhabitants of the world into two groups, into those who had loved and those who had not.

for falling into conversation with strangers; and that freedom from conscience that springs from a contempt for the dozing rich he preyed upon.

She resembled the swallow in the fable who once every thousand years transferred a grain of wheat, in the hope of rearing a mountain to reach the moon. Such persons are raised up in every age; they obstinately insist on transporting their grains of wheat and they derive a certain exhilaration from the sneers of the bystanders. “How queerly they dress!” we cry. “How queerly they dress!

...ma presto moriremo e ogni ricordo di quei cinque lascerà la terra, e noi stessi saremo amati per qualche tempo ancora e poi dimenticati. Ma l'amore sarà bastato; e tutti gli impulsi dell'amore ritornano all'amore da cui sono venuti. Nemmeno i ricordi sono necessari all'amore. C'è una terra dei vivi e una terra dei morti, e il ponte è l'amore, la sola sopravvivenza, il solo significato".

- Mi mindannyian, mindannyian vétkeztünk. Vezekelni akarunk. Szívesen magunkra vállalunk minden penitenciát, tudja meg azonban, leányom, hogy az, aki szeret - alig merem ezt kimondani -, az, aki igazán szeret, már alig-alig bűnös.

And those who lay in their beds there felt that they were within a wall that the Abbess has built for them. Within all was light and warmth, and without was the darkness they would not exchange even for a relief from pain and from dying.

Some say that we shall never know and that to the gods we are like the flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.

Whom were these two seeking to please? Not the audiences of Lima. They had long since been satisfied. We come from a world where we have known incredible standards of excellence, and we dimly remember beauties which we have not seized again; and we go back to that world. Uncle Pio and Camila Perichole were tormenting themselves in an effort to establish in Peru the standards of the theatres in some Heaven whither Calderon had preceded them. The public for which masterpieces are intended is not on this earth.

Minhas primeiras experiências com amor, basicamente, foram com meus pais. Então o conceito de amor em si veio através da doutrinação da igreja no começo dos anos 50. Passei por uma porção de mudanças desde então. Mas olhando para quem nós somos como espécie, o amor parece realmente ser a única resposta. Então como alimentar isso? Como isso se desenvolve nos seres humanos? Em nossas ações, particularmente. Muitas vezes, eu penso em 'A ponte de San Luis Rey [The Bridge of San Luis Rey - cinco pessoas numa ponte, todas são mortas por um terremoto. O romance de Thornton Wilder e o filme de Mary McGuckian, de 2004, perguntam se suas mortes foram parte de algum plano cósmico ou meros acidentes]. Parece não haver nenhuma razão particular para elas estarem lá. A enfermeira, no final - creio eu que era uma freira -, esta cuidando de todas as outras vítimas e de repente pensa: E se não existir Deus? Então ela olha em torno e diz para si mesma: Eles precisam de sua ajuda de um jeito ou de outro, e volta diretamente para o trabalho. Essa é a beleza da coisa.

She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These

soon we shall die and all memory of those five will have left the earth, and we ourselves shall be loved for a while and forgotten. But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.

De nemsokára mi is meghalunk, minket is csak egy kis ideig szeretnek még., aztán elfelejtenek. De a szeretetnek ez teljesen elegendő. A szeretet minden megnyilvánulása visszahull a szeretetre, amelyből fakadt. Annak, aki szeret, nincsen szüksége arra, hogy emlékezzenek rá. Van az elevenek országa meg a holtak országa, s a híd a szeretet, csak az marad meg, az az élet egyetlen értelme.

For instance, a complete record of the Prayers for Rain and their results. Often he had stood on the steps of one of his little churches, his flock kneeling before him on the baked street. Often he had stretched his arms to the sky and declaimed the splendid ritual. Not often, but several times, he had felt the virtue enter him and seen the little cloud forming on the horizon. But there were many times when weeks went by . . . but why think of them? It was not himself he was trying to convince that rain and drought were wisely apportioned.

She had never brought courage to either life or love. Her eyes ransacked her heart. She thought of the amulets and of her beads, her drunkenness... she thought of her daughter. She remembered the long relationship, crowded with the wreckage of exhumed conversations, of fancied slights, of inopportune confidences, of charges of neglect and exclusion (but she must have been mad that day; she remembered beating on the table). "But it's not my fault," she cried. "It's not my fault that I was so. It was circumstance. It was the way I was brought up. Tomorrow I begin a new life. Wait and see, oh my child.

There was something in Lima that was wrappd up in yards of violet satin from which protruded a great dropsical head and two fat pearly hands; and that was its archbishop. Between the rolls of flesh that surrounded them looked out two black eyes speaking discomfort, kindliness, and wit. A curious and eager soul was imprisoned in all this lard, but by dint of never refusing himself a pheasant or a goose or his daily procession of Roman wines, he was his own bitter jailer. He loved his cathedral; he loved his duties; he was very devout. Some days he regarded his bulk ruefully; but the distress of remorse was less poignant than the distress of fasting, and he was presently found deliberating over the secret messages that a certain roast sends to the certain salad that will follow it. And to punish himself he led an exemplary life in every other respect. He had read all the literature of antiquity and forgotten all about it except a general aroma of charm and disillusion. He had been learned in the Fathers and the Councils and forgotten all about them save a floating impression of dissensions that had no application to Peru. He had read all the libertine masterpieces of Italy and France and reread them annually;

On the highest mountains on the planet, where every additional ounce might determine the difference between victory and defeat, they brought along dog-eared copies of Wuthering Heights, Pride and Prejudice, and The Oxford Book of Greek Verse in their rucksacks. Two thousand feet below the summit of Mount Everest, inside a tiny tent pitched along a murderous ridge, a British climber named Eric Shipton tried to read, by flickering candlelight, Thorton Wilder’s The Bridge of San Luis Rey , a novel which questioned the meaning of life in the face of the sudden and deadly collapse of an ancient rope bridge in eighteenth century Peru.

Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.” —Thornton Wilder, The Bridge of San Luis Rey