Past Is A Waste Paper Quotes

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I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.
Shannon L. Alder
What?” I cut him off. “That’s not true—I do take this seriously—” “Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now. You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Book-writing is the province of specialists, living is the business of us all. Moral life, sentimental life, religious life, whatever is above the terre à terre of mere existing, also consists of illuminations which once departed return no more. A diary, a few old letters, a few sheets containing thoughts or meditations, may keep up the connection between us today and our better selves of the past. I was deeply impressed as a youth by the advice of a spiritual writer to read one's own spiritual notes preferably to even famous works. All saints seem to have done so. The moment we realize that any thought, ours or borrowed, is pregnant enough not to be wasted, or original enough not to be likely to come back again, we must fix it on paper. Our manuscripts should mirror our reading, our meditations, our ideals, and our approach to it in our lives. Anybody who has early taken the habit to record himself in that way knows that the loss of his papers would also mean a loss to his thinking possibilities.
Ernest Dimnet (The Art of Thinking)
My parents died one after the other my junior year of college—first my dad from cancer, then my mother from pills and alcohol six weeks later. All of this, the tragedy of my past, came reeling back with great force that night I woke up in the supply closet at Ducat for the last time. It was ten at night and everyone had gone home. I trudged up the dark stairway to clean out my desk. There was no sadness or nostalgia, only disgust that I’d wasted so much time on unnecessary labor when I could have been sleeping and feeling nothing. I’d been stupid to believe that employment would add value to my life. I found a shopping bag in the break room and packed up my coffee mug, the spare change of clothes I kept in my desk drawer along with a few pairs of high heels, panty hose, a push-up bra, some makeup, a stash of cocaine I hadn’t used in a year. I thought about stealing something from the gallery—the Larry Clark photo hanging in Natasha’s office, or the paper cutter. I settled on a bottle of champagne—a lukewarm, and therefore appropriate, consolation.
Ottessa Moshfegh (My Year of Rest and Relaxation)
I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?' 'Well, I'll have to let you know". And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.' Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained. 'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping..." using words I had never used before. Ripping: what did it mean? - God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.
Daphne du Maurier (Rebecca)
Far below the waterline in the very lowest compartment of a ship you will find a deck covering the bottom of the vessel from the centerline, most frequently the keel, to the sides creating a space called the inner bottom. The purpose of this space is to protect the ship from flooding if the hull were to become compromised or breached by a grounding. This deck, known as the bilge is also the collecting place for water and oil that flows from spills, rough seas, rain, leaks in the hull, engine oil and lubricant. The bilge being a vast expanse would be difficult to pump dry if it wasn’t for collection wells that are designed to pump the contents into holding tanks. These wells were and are still known as a stuffing box or a rose box. In years past these wells were pumped directly into the sea without considering the adverse consequences to the ecology. The discharge of bilge sludge is now normally restricted and for commercial vessels discharging this toxic waste is totally outlawed and regulated under Marpol Annex I. On larger ships waste water can be passively treated by methods such as bioremediation, which uses bacteria or archaea to break down the hydrocarbons in the waste and bilge water. Once treated the water could be safely returned to the sea. Pumping the bilges was a constant undertaking by the ship’s engineers and was necessary to keep the ship afloat. There were times however when the drain in the rose box would become clogged, and that was when the lowest ranking member of the engine department was called upon to clear the blockage. On most ships this task would fall to the “Wiper” or on a training ship a “Mug or Plebe.” Never knowing what had clogged the drain in the rose box we were ready for anything. When, as a midshipman, my turn came to reach into the rose box I came up with rags, paper and thick gunk. Disgusting as it was it could have been worse! I have heard tales of dead rats and once the ship’s pet cat clogging the drain, but it was all in a day’s work. Coming back up on deck the sun shone brighter and the flying fish were a welcome sight!
Hank Bracker
To have wasted so much of our lives by not really living them, makes me feel so sad. We weren’t always the people we are now, but our memories of the past can make liars of us all.
Alice Feeney (Rock Paper Scissors)
In the past, Darcy would have agreed that novels of the Gothic bent were frivolous, silly, and quite possibly a waste of ink and paper. But the more he read, the more he understood the promise of hope they offered. The escape into a world where love could be found. Where such joy must be fought for and held onto with all your strength, for happiness was fleeting in this life.
Summer Hanford (Mr. Darcy's Bookshop (Pride & Prejudice Variations))
To have wasted so much of our lives by not really living them, makes me feel so sad. We weren’t always the people we are now, but our memories of the past can make liars of us all. That’s why I’m focusing on the future. Mine. Some days I still picture him in it, but there are moments when I imagine what it
Alice Feeney (Rock Paper Scissors)
It becomes baggage that they carry everywhere with them. Look at all the stuff you had before. It’s gone now. Do you miss it? People have garages and sheds full of boxes. If you asked them what’s in the boxes, they often wouldn’t know. “If everything was destroyed in a fire or something, you’d probably be hard put to say what was missing. Then, every ten years or so, you decide to go through the boxes intending to get rid of most of the contents. You open it up and say, ‘Oh there’s that theatre ticket I had when I took Martha to the movies for the first time. I can’t throw that out!’ So you put it back in the box and put it away and forget about it until ten years later, when you go through the whole process again. “It’s like we have to hang on to everything in our past because somehow all that stuff, all those souvenirs, all those memories, add up to who we are. When we forget who we really are and identify with our stories, we become attached. But what happens when we die? The relatives go through the boxes, they find the old movie ticket and it means nothing to them. They say, ‘Hmmm … what do you want to do with this old ticket? You want it? I don’t want it, do you want it? Nah, chuck it out.’ A lifetime of hoarding and protecting and hanging on means nothing. Wasted energy. Sure, the memory is nice, but you don’t need an old piece of paper to remind you of that. If the memory of the first time you took Martha to the movies is important, you will keep it in your heart. But it’s not more important than the present moment. And if you constantly compare the good old days to what is happening today, then you will find that you are never satisfied, never happy with the way things are now.
S. Sean Tretheway (Beyond The Road)
The room was large and airy. Shelves lined the walls on three sides, shelves that stretched way above his head, bending under the weight of the hundreds of books stored there. The fourth wall was covered in old newspaper, yellowed and faded but still readable. The room had become a shrine of sorts, he supposed. The books he had saved before the last days. He ran his finger along the spines: Shakespeare, Dickens, Keats, the ancients, all there alongside books from the last century. Nothing wasted, nothing lost. His private collection. He would find it difficult to let them go when the time came, but he would let them go. He couldn’t risk them being found at a later date. There were few incidents where people managed to decode words after Nicene, very few. Nonetheless, he wouldn’t take that chance. They would be destroyed along with everything the wordsmith had managed to salvage. For a second, images of the wordsmith filled his head, but he pushed them away. He turned his back on the books and walked across to the wall of newsprint. Here was a potted history of the past hundred years. The warnings. The signs. Global warming. Water levels rising. It was incomprehensible even now that man had just ignored it all. Young people talked about the Melting as if it were a single event, but it hadn’t been like that. The earth had been heating up for years. His finger touched one of the news sheets. Scientists were warning of an alarming acceleration in the melting of the polar ice caps. They predicted a dramatic rise in sea levels. That was back in the twenty-first century! He shook his head. He chose another article from around the same time. The writer was warning about the disappearing ice caps. “Until recently, the Arctic ice cap covered two percent of the earth’s surface. Enormous amounts of solar energy are bounced back into space from those luminous white ice fields. Replacing that mass of ice with dark open ocean will induce a catastrophic tipping point in the balance of planetary energy.” Torrents of words had followed. Words from politicians assuring people there was no such thing as global warming. Words from industrialists who justified their emissions of CO2 into the atmosphere. Words to hide behind. Words to deceive. Useless, dangerous, destructive words… He drew back his hand and punched the wall, hurting his knuckles and leaving a trail of blood on the yellowing paper.
Patricia Forde (The List)