Partially Deaf Quotes

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I do think my story is very unique because having a partial disability, you are deemed by society as someone who is born to fail. This alone had made me more determined to succeed not just for myself but for the Deaf community as well. Hence my motto in life is to live a purpose driven life, be an example to the lost in the world and to leave a legacy.
Jenelle Joanne Ramsami
Murdoch was now in great academic and public demand. Despite having been diagnosed as partially deaf with Ménière’s disease, an incurable affliction of the inner ear, she gave many lectures and interviews, as well as visiting Yale University in October 1959.
Iris Murdoch (Living on Paper: Letters from Iris Murdoch 1934-1995)
But man is so partial to systems and abstract conclusions that he is ready intentionally to distort the truth, to turn a blind eye and a deaf ear, only so as to justify his logic.
Fyodor Dostoevsky (Notes from Underground)
Athletes train 15 years for 15 seconds of performance. Ask them if they got lucky. Ask an athlete how he feels after a good workout. He will tell you that he feels spent. If he doesn't feel that way, it means he hasn't worked out to his maximum ability. Losers think life is unfair. They think only of their bad breaks. They don't consider that the person who is prepared and playing well still got the same bad breaks but overcame them. That is the difference. His threshold for tolerating pain becomes higher because in the end he is not training so much for the game but for his character. Alexander Graham Bell was desperately trying to invent a hearing aid for his partially deaf wife. He failed at inventing a hearing aid but in the process discovered the principles of the telephone. You wouldn't call someone like that lucky, would you?Good luck is when opportunity meets preparation. Without effort and preparation, lucky coincidences don't happen.
Shiv Khera (You Can Win : A Step by Step Tool for Top Achievers)
It seems to me indisputably true that a good many people, the wide world over, of varying ages, cultures, natural endowments, respond with a special impetus, a zing, even, in some cases, to artists and poets who as well as having a reputation for producing great or fine art have something garishly Wrong with them as persons: a spectacular flaw in character or citizenship, a construably romantic affliction or addiction - extreme self-centeredness, marital infidelity, stone-deafness, stone-blindness, a terrible thirst, a mortally bad cough, a soft spot for prostitues, a partiality for grand-scale adultery or incest, a certified or uncertified weakness for opium or sodomy, and so on, God have mercy on the lonely bastards.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
It seems to me indisputably true that a good many people, the wide world over, of varying ages, cultures, natural endowments, respond with a special impetus, a zing, even, in some cases, to artists and poets who as well as having a reputation for producing great or fine art have something garishly Wrong with them as persons: a spectacular flaw in character or citizenship, a construably romantic affliction or addiction-extreme self-centredness, marital infidelity, stone-deafness, stone-blindness, a terrible thirst, a mortally bad cough, a soft spot for prostitutes, a partiality for grand-scale adultery or incest, a certified or uncertified weakness for opium or sodomy, and so on, God have mercy on the lonely bastards. If suicide isn't at the top of the list of compelling infirmities for creative men, the suicide poet or artist, one can't help noticing, has always been given a very considerable amount of avid attention, not seldom on sentimental grounds almost exclusively, as if he were (to put it much more horribly than I really want to) the floppy-eared runt of the litter. It's a thought, anyway, finally said, that I've lost sleep over many times, and possibly will again. Според мен много и много хора по широкия свят, хора на различна възраст, с различна култура и различни заложби гледат с особен възторг и дори понякога величаят онези художници и поети, които освен дето са си спечелили име с голямото си или добро изкуство имат нещо шантаво в себе си: нетърпими недостатъци в характера или в гражданското поведение, любовна страст или скръб, изключителен егоцентризъм, извънбрачна връзка, глухота, слепота, неутолима жажда, смъртоносна кашлица, слабост към проститутки, склонност към чудовищни прелюбодеяния или кръвосмешение, документирана или недокументирана страст към опиума или содомията и прочее — пази боже, самотните копелета. Макар самоубийството да не стои на първо място в списъка на задължителните за твореца недостатъци, не можем да не забележим, че самоубилият се поет или художник винаги се радва на много голямо, завидно внимание, нерядко само по чисто сантиментални причини, сякаш е (ще се изразя по-ужасно, отколкото ми се ще) клепоухото недорасло кутре от кучилото. Тази мисъл — това е последно — много пъти не ми е давала мира по цели нощи и сигурно пак ще върши същото.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
happening. He went into a restaurant and sat down. A radio was blaring out the latest composition in dissarythm, the new quarter-tone dance music in which chorded woodwinds provided background patterns for the mad melodies pounded on tuned tomtoms. Between each number and the next a frenetic announcer extolled the virtues of a product. Munching a sandwich, Roger listened appreciatively to the dissarhythm and managed not to hear the commercials. Most intelligent people of the nineties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loudspeaker, although they could hear and enjoy the then-infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully-cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses. For that reason a good part of the newscast which followed the dissarhythm program went, as it were, into one
Fredric Brown (The Fredric Brown MEGAPACK ®: 33 Classic Science Fiction Stories)
Such creatures were what they saw, because they now rigidly coded the neurons responsible for the sight. For humans too, the brain loses some of its unbounded intelligence whenever it perceives the universe across boundaries. That partial blindness remains inescapable without the ability to transcend. Impressions on our neurons are constantly being set for each of the senses, not just sight. Though we usually call the heavier impressions "stress," all impressions actually create some limitation. For illustrate: In the early 1980s, M.I.T. experts began studying how human hearing function. Hearing seems passive, but in fact every person listens quite selectively to the world and puts his own interpretation on the raw data that comes into his ears. (For example, a skilled singer hears pitch and harmony where a tone-deaf person hears noise.) One experiment involves people listening to fast, basic rhythms (1-2-3 and 1-2-3 and 1-2-3), and teaching them to hear the rhythm differently (1, 2, 3-and-l, 2, 3-and-l, 2). After the noises started to be interpreted distinctly, the participants indicated that the sounds became more vibrant and fresher. The experiment evidently had taught people to change their unseen limits somewhat. The really interesting result, however, was that when they went home these people found the colours seemed lighter, music sounded better, the taste of food immediately became more pleasant, and everyone around them seemed lovable. Just the slightest consciousness opening induced a change in reality. Meditation causes a bigger shift because it opens more channels of awareness and opens them to a deeper level. The shift does not separate us from the normal way we use our consciousness. Building borders will continue to be a fact of life. The twist provided by the rishis was to infuse this behavior with liberation, increasing it to a level which transcends the alienated ego's petty thoughts and desires. The ego typically has no choice but to actively waste life erecting one wall after another.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
In his sixties and partially deaf, Jimmy came from some vague Middle East country. Periodically, during the Iraq war, he had gone door to door in the building explaining that he was not a Muslim, which convinced everyone in the building he was.
Marshall Thornton (My Favorite Uncle)
Nor did he regard his partial deafness as an impediment. He claimed that the deafness was actually an advantage, freeing him from time-wasting small talk and giving him undisturbed time to “think out my problems.” Late in life he would say that he was fortunate to have been spared “all the foolish conversation and other meaningless sounds that normal people hear.
Randall E. Stross (The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World)
have noticed that grief for my mother has me one step removed from even the most routine of rituals. It’s like being partially deaf. Life’s noise is going on out there, but there is a buffer between it and my ability to be properly attuned to it.
Carol Mason (Little White Secrets)
Around this time, I was again tested for partial deafness, for although I could speak I often didn't use language in the same way as others and often got no meaning out of what was said to me. Although words are symbols, it would be misleading to say that I did not understand symbols. I had a whole system of relating that I considered "my language." It was other people who did not understand the symbolism I used, and there was no way I could or was going to tell them what I meant. I developed a language of my own. Everything I did, from holding two fingers together to scrunching up my toes, had a meaning, usually to do with reassuring myself that I was in control and no one could reach me, wherever the hell I was. Sometimes it had to do with telling people how I felt, but it was so subtle it was often unnoticed or simply taken to be some new quirk that "mad Donna" had thought up.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Around this time, I was again tested for partial deafness, for although I could speak I often didn't use language in the same way as others and often got no meaning out of what was said to me. Although words are symbols, it would be misleading to say that I did not understand symbols. I had a whole system of relating that I considered "my language." It was other people who did not understand the symbolism I used, and there was no way I could or was going to tell them what I meant. I developed a language of my own. Everything I did, from holding two fingers together to scrunching up my toes, had a meaning, usually to do with reassuring myself that I was in control and no one could reach me, wherever the hell I was. Sometimes it had to do with telling people how I felt, but it was so subtle it was often unnoticed or simply taken to be some new quirk that "mad Donna" had thought up.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Around this time, I was again tested for partial deafness, for although I could speak I often didn't use language in the same way as others and often got no meaning out of what was said to me. Although words are symbols, it would be misleading to say that I did not understand symbols. I had a whole system of relating that I considered "my language." It was other people who did not understand the symbolism I used, and there was no way I could or was going to tell them what I meant. I developed a language of my own. Everything I did, from holding two fingers together to scrunching up my toes, had a meaning, usually to do with reassuring myself that I was in control and no one could reach me, wherever the hell I was. Sometimes it had to do with telling people how I felt, but it was so subtle it was often unnoticed or simply taken to be some new quirk that "mad Donna" had thought up.
Donna Williams (Nobody Nowhere: The Extraordinary Autobiography of an Autistic Girl)
Tall, partially deaf and bisexual, Johnnie Ray was an unlikely teen idol, but during his spring tour of the UK, young female fans besieged his hotel and screamed their hearts out at a set list that included hits like his cover of the Drifters’ ‘Such a Night’ and standards like ‘Alexander’s Ragtime Band’.
Jon Savage (The Secret Public: How Music Moved Queer Culture From the Margins to the Mainstream)
One day a partially deaf four years old child came home with a note in his pocket from his teacher, “Your Tommy is too stupid to learn, get him out of school.” His mother read the note and answered, “My Tommy is not too stupid to learn, I will teach him myself.” And that Tommy grew up to be the great Thomas Edison. Thomas Edison had only three months of formal schooling.
Shiv Khera (You Can Win: A Step-by-Step Tool for Top Achievers)
Be not heavy, nor yet light, Do not tarry, nor yet hurry. Be not partial, nor listen to desire. Do not avert your face from one you know, Be not blind to one you have seen, Do not rebuff one who beseeches you. Abandon this slackness. Let your speech be heard. Act for him who would act for you. Do not listen to everyone, Summon a man to his rightful cause! A sluggard has no yesterday; (no) one deaf to justice has no friend; the greedy has no holiday. When the accuser is a wretch, and the wretch becomes a pleader, his opponent is a killer. Here I have been pleading with you, and you have not listened to it. I shall go and plead about you to Anubis!
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
If people could be compared to clothing, Jack would be a Hawaiian Shirt of a man. When he enters a room things get a little out of hand. He's the loudest person I've ever met in my entire life. He says he's partially deaf in one ear like that's supposed to make up for me going deaf in both. Crazy Jack visits me every single Monday to make sure I'm still working on my book, "Come on, Michelle, just DO IT! How many pages do you have written? How many?” I try to explain to him that I'm kind of busy and that the mood has to strike for greatness to appear on the page, but this is just "bullshit" according to him.
Michelle Dwyer (Junk Drunk)
If people could be compared to clothing, Jack would be a Hawaiian Shirt of a man. When he enters a room things get a little out of hand. He's the loudest person I've ever met in my entire life. He says he's partially deaf in one ear like that's supposed to make up for me going deaf in both. Crazy Jack visits me every single Monday to make sure I'm still working on my book, "Come on, Michelle, just DO IT! How many pages do you have written? How many?
Michelle Dwyer (Junk Drunk)
In his letter to Abbé Esperti on the nature and publication of his First New Science (1726), Vico associates the Stoic idea of fate or ‘‘deaf Necessity’’ (‘‘sorda Necessità’’) with Descartes, as opposed to the chance or ‘‘blind Fortune’’ (‘‘cieca Fortuna’’) of Epicurus.≤≤ Vico also partially identifies chance with Locke.≤≥ He says that today thought fluctuates between these two alter- natives, not attempting to regulate Fortune by reason or attempting to moder- ate Necessity where possible. This is Vico’s fork, and the movements of mod- ern thought are always caught on one tine or the other. Vico says his own doctrine is based on the idea of divine providence. Vico’s metaphysics of providence combines the general necessity of the divine order of things with the contingency of specific acts of free will. Providence is a metaphysical principle of the true and the certain. It is authority as an agency of rational choice that operates within the rational order of the nature of things. The ultimate metaphysical principle that guides the constancy of the jurisprudent is providence. Its analogue in universal law is Vico’s ius gentium naturale, which in the New Science becomes part of Vico’s ‘‘ideal eternal history.
Donald Phillip Verene (Knowledge of Things Human and Divine: Vico's New Science and Finnegan's Wake)
Due to sin, the knowledge of God provided by the sensus divinitatis, prior to faith and regeneration, is both narrowed in scope and partially suppressed. The faculty itself may be diseased and thus partly or wholly disabled. There is such a thing as cognitive disease; there is blindness, deafness, inability to tell right from wrong, insanity; and there are analogues of these conditions with respect to the operation of the sensus divinitatis.
Alvin Plantinga (Knowledge and Christian Belief)
composition in dissarythm, the new quarter-tone dance music in which chorded woodwinds provided background patterns for the mad melodies pounded on tuned tomtoms. Between each number and the next a frenetic announcer extolled the virtues of a product. Munching a sandwich, Roger listened appreciatively to the dissarhythm and managed not to hear the commercials. Most intelligent people of the nineties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loudspeaker, although they could hear and enjoy the then-infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully-cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses. For that reason a good part of the newscast which followed the dissarhythm program went, as it were, into one of Roger’s ears and out the other before it occurred to him that he was not listening to a panegyric on patent breakfast foods. He thought he recognized the voice, and after a sentence or two he was sure that it was that of Milton Hale, the eminent physicist whose new theory on the principle of indeterminacy had recently occasioned so much scientific controversy. Apparently, Dr.
Fredric Brown (The Fredric Brown MEGAPACK ®: 33 Classic Science Fiction Stories)