I Miss Concerts Quotes

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I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,
Max Porter (Grief Is the Thing with Feathers)
The little Durands were there, I conclude," said she, "with their mouths open to catch the music; like unfledged sparrows ready to be fed. They never miss a concert.
Jane Austen (Persuasion)
I wish I hadn't met you in the rain: it comes every winter. I wish you hadn't told me your favorite wine: I've become a drinker. I wish I never showed you my hidden birthmark: It looks back at me at night asking where you are. I wish I hadn't read you my journal, all the pages praising you, It's corrupted now that I can't tell if I write for me or you. I wish I hadn't told you my daily routine: it's not mine anymore. I can't enjoy 11:11, my favorite song, a birthday cake, or a concert tour. I'm not afraid of the future, it's the past that takes a while.
Kristian Ventura (Can I Tell You Something?)
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her.
Max Porter (Grief Is the Thing with Feathers)
The little Durands were there, I conclude," said she, "with their mouths open to catch the music, like unfledged sparrows ready to be fed. They never miss a concert.
Jane Austen (Persuasion)
Mudbone: See I’ve lived through hard times before. People talk about these as hard times. Hard times was way back. They didn’t even have a year for it. Just called it “Hard Times.” It was dark all the time. I think the sun came out on Wednesday. And it you didn’t have your ass up early. You missed it. So I happened to be out there one Wednesday… and the sun hit me right in the face. I grabbed a bunch of it and rubbed it all over myself.
Richard Pryor (Richard Pryor, Live in Concert)
OPEN YOURSELF TO SERENDIPITY Chance encounters can also provide enormous benefits for your projects—and your life. Being friendly while standing in line for coffee at a conference might lead to a conversation, a business card exchange, and the first investment in your company a few months later. The person sitting next to you at a concert who chats you up during intermission might end up becoming your largest customer. Or, two strangers sitting in a nail salon exchanging stories about their families might lead to a blind date, which might lead to a marriage. (This is how I met my wife. Lucky for me, neither stranger had a smartphone, so they resorted to matchmaking.) I am consistently humbled and amazed by just how much creation and realization is the product of serendipity. Of course, these chance opportunities must be noticed and pursued for them to have any value. It makes you wonder how much we regularly miss. As we tune in to our devices during every moment of transition, we are letting the incredible potential of serendipity pass us by. The greatest value of any experience is often found in its seams. The primary benefits of a conference often have nothing to do with what happens onstage. The true reward of a trip to the nail salon may be more than the manicure. When you value the power of serendipity, you start noticing it at work right away. Try leaving the smartphone in your pocket the next time you’re in line or in a crowd. Notice one source of unexpected value on every such occasion. Develop the discipline to allow for serendipity.
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
Also became good friends with Big Mama, a woman who wore manly clothes and stood big as a house. During one of those concerts when I was playing “Hound Dog” behind her, her teeth fell out. I didn’t know what she’d do. Well, sir, she just bent down, picked up her teeth, and put ’em back in her mouth without missing a lick. She kept on singing, and holy shit, that woman could sing! After that performance I thought maybe I should get me some false teeth, let them fall out while I was playing, and pick’em up like Big Mama picked up hers. The
Buddy Guy (When I Left Home: My Story)
Oh, thank you!” said Clara, taking a large bite. The rich, thick patty of chocolate filled her mouth and throat. “You don’t eat it like that!” said Alexei, horrified. “You fold it up in the petals and smell it first, then take one tiny, tiny bite—” “Don’t you dare tell me how to eat a chocolate!” said Clara, turning on him with a newfound energy and a mouthful of chocolate. “I’ve had the longest day of my life! I’ve been attacked by rats, I’ve missed my concert, my whole body is burning, you yelled at me, and I will eat this chocolate however I want to eat it!” Nutcracker, Zizi, and Alexei had all taken a step back. Alexei cleared his throat...and managed to say the exact right thing: “Allow me to get you another chocolate.
Heather Dixon Wallwork (The Enchanted Sonata)
Once, Dad and I went to a choir concert where my mother was the piano accompanist. Everyone was watching the conductor, the singers, the soloists—but we kept our faces angled toward the far left of the stage. There, my mother leaned over the huge piano, her hands heavy as anvils when the voices stormed, fluttering light as a dove when the voices sailed low and quiet. Her chords kept time like a clock. She turned her own pages, her hand flying so quickly it was like a magic trick; if you blinked you would miss it. Nobody but us watched her, but she was playing for all the world. She was a sea creature and the music was her ocean. It had always belonged to her. It was in her every breath, her every movement. She was the color of home.
Emily X.R. Pan (The Astonishing Color of After)
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
I missed my workout this morning, so I vault up the stairs to my flat. Breakfast has taken longer than intended, and I'm expecting Oliver at any minute. Part of me also hopes that Alessia will still be there. As I approach my front door, I hear music coming from the flat. Music? What's going on? I slide my key into the lock and cautiously open the door. It's Bach, one of his preludes in G Major. Perhaps Alessia is playing music through my computer. But how can she? She doesn't know the password. Does she? Maybe she's playing her phone through the sound system, though from the look of her tatty anorak she doesn't strike me as someone who has a smartphone. I've never seen her with one. The music rings through my flat, lighting up its darkest corners. Who knew that my daily likes classical? This is a tiny piece of the Alessia Demachi puzzle. Quickly I close the door, but as I stand in the hallway, it becomes apparent that the music is not coming from the sound system. It's from my piano. Bach. Fluid and light, played with a deftness and understanding I've only heard from concert-standard performers. Alessia? I've never managed to make my piano sing like this. Taking off my shoes, I creep down the hallway and peer around the door into the drawing room. She is seated at the piano in her housecoat and scarf, swaying a little, completely lost in the music, her eyes closed in concentration as her hands move with graceful dexterity across the keys. The music flows through her, echoing off the walls and ceiling in a flawless performance worthy of any concert pianist. I watch her in awe as she plays, her head bowed. She is brilliant. In every way. And I'm completely spellbound. She finishes the prelude, and I step back into the hall, flattening myself against the wall in case she looks up, not daring to breath. However, without missing a beat she goes straight into the fugue. I lean against the wall and close my eyes, marveling at her artistry and the feeling that she puts into each phrase. I'm carried away by the music, and as I listen, I realize that she wasn't reading the music. She's playing from memory. Good God. She's a fucking virtuoso. And I remember her intense focus when she examined my score while she was dusting the piano. Clearly she was reading the music. Shit. She plays at this standard and she was reading my composition? The fugue ends, and seamlessly she launches into another piece. Again Bach, Prelude in C-sharp Major, I think.
E.L. James
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
Not for the first time, my thoughts slid to Lienna. I wanted her here helping us, and not just because she was insanely good at this kind of academic paper-pushing. And not just because I missed her, either. There was something magical about our two minds working in concert to solve puzzles that I just couldn’t replicate with anyone else.
Annette Marie (Mage Assassins & Other Misfits (The Guild Codex: Warped #5))
Delighted to meet you, Miss Sullivan,” he boomed. “I hope you’ll forgive me for remarking on how fresh and pretty you look this evening.” Addie blushed. “Thank you, Lord Carrington.” She withdrew her hand from John’s arm. “I’d better make sure Edward gets his hands clean. If you’ll excuse me.” She stepped through the front door. Both men watched the graceful sway of her skirt. “Pretty girl. Yours?” Carrington asked. “Of course not,” John said. Carrington bared his teeth in a smile. “Excellent. I have a mind to call on her.” “She’s thirty years your junior, Carrington!” “And pretty and fresh as a flower.” John barely managed to hold his temper. “If you’re here to see Henry, he’s gone to a concert.” “A fine reason to call again tomorrow.” Carrington tipped his hat and strode to the buggy. John stood slack jawed, emotions reeling. That man couldn’t be allowed to get his hands on her.
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
When Aeden told us his band was one of the opening acts for Palaye Royale, an up-and-coming fashion-art rock band out of Las Vegas, and asked if we wanted to “come oot and get ratarsed” I thought Poppy would beg off. Poppy might be cool, but I taxed my vivid imagination trying to envision Miss President of the Swifties getting ratarsed—drunk—at an indie rock concert.
Leah Marie Brown (Finding It (It Girls, #2))
Do people really like the way they’re fucked? he thought. Do wives like their husband’s faces? Does my weak vocabulary annoy these intelligent CEOs? How long can I speak until I bother someone? They will all smile and shake your hand, but I am afraid I am just another omelet missing the ingredient they want. I am the wrong piano key fiercely played by a pianist’s regretful pinky finger in a concert hall blaring false to the audience’s disturbed ears that certainly caught the note but whose controlled heads do not dare betray their feigned enjoyment.
Kristian Ventura (A Happy Ghost)
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If only Cousin West were with us,” Pandora said wistfully West had returned to Eversby Priory after having spent less than a week in London. He had admitted to Kathleen that there was no more novelty left for him in any corner of London. “In the past,” he’d told her, “I did everything worth doing multiple times. Now I can’t stop thinking about all that needs to be done at the estate. It’s the only place where I can actually be of use to someone.” There had been no concealing his eagerness to head back to Hampshire. “I miss him too,” Cassandra said. “Oh, I don’t miss him,” Pandora told her impishly, “I was just thinking that we could buy more things if he were here to help carry the packages.” “We’ll set aside the items you choose,” Devon said, “and have them sent to Ravenel House tomorrow.” “I want you both to remember,” Kathleen told the twins, “the pleasure of shopping lasts only until it’s time to settle the bill.” “But we won’t have to do that,” Pandora pointed out. “All the bills go to Lord Trenear.” Devon grinned. “I’ll remind you of this conversation when there’s no money left to buy food.” “Just think, Helen,” Cassandra said brightly, “if you marry Mr. Winterborne, you’ll have the same name as a department store!” Kathleen knew that the thought held no appeal for Helen, who didn’t desire attention or notoriety in any form. “He hasn’t proposed to Helen yet,” she said evenly. “He will,” Pandora said confidently. “He’s come to dinner at least three times, and accompanied us to a concert, and let us all sit in his private box. Obviously the courtship is going very well.” Pausing, she added with a touch of sheepishness, “For the rest of the family, at least.” “He likes Helen,” Cassandra remarked. “I can tell by the way he looks at her. Like a fox ogling a chicken.” “Cassandra,” Kathleen warned. She glanced at Helen, who was staring down at her gloves.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Ernie was really feeling drained over the fight with the city and the fact he lost his regular day job with Hershend Entertainment supposedly over the Nelly Concert. Ernie says he missed Monday, July 19th the first day we sold tickets to make sure the website ticket solution went well. Hershend entertainment, which owns Silver Dollar City, fired him over this for insubordination. Ernie had not missed work in over a year and had a co-worker come in on his day off to cover for him. Hershend responded if you hadn’t messed with that concert you would still have a job here. I insist Ernie needed to go after those racist pigs with a lawsuit. But Ernie did not want to bump heads with them. Just take it and move on. Ernie tells me laughing that I was supposed to back down when the City of Branson came after me. ‘Paul you don’t challenge these people on there own court.’ I can tell you me and my kids will never go to Hershends Silver Dollar City again. They advertise this park as a blast from the past. I’d say they are stuck in that past.
Paul M. Dunn (The Grand Palace Battleground Branson Missouri)
Richard looked in horror at the piano. “Oh, no,” Iris quickly assured him. “There will be no music. At least not that I know of. It’s not a concert.” Still, Richard’s eyes widened with panic. Where was Winston and his little balls of cotton when he needed him? “You’re frightening me, Miss Smythe-Smith.
Julia Quinn (The Secrets of Sir Richard Kenworthy (Smythe-Smith Quartet, #4))
No doubt I disappointed my mother by returning home again from Saint Andrews without having managed to become engaged to a man with a Scottish castle. But a few years later, working at a bookstore in Boston, I met a fellow bookseller, an expatriate, Scott, who'd been at Saint Andrews the same time as I was. No, we'd never met each other. We had, in fact, been in the same spaces many times, at concerts, at student dances, and so on. But neither of us had ever noticed the other. And now we are married… The music is the same but never in the same place in that same moment. The familiar song accompanying me as I kept on moving. How he and I missed each other the first time around, on every possible. Occasion and then managed to find each other after all. Kelly Link, Turning the Tables, contributor.
Alison Fensterstock (How Women Made Music: A Revolutionary History from NPR Music)
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