Parrot Love Quotes

He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.

Loving humanity means as much, and as little, as loving raindrops, or loving the Milky Way. You say that you love humanity? Are you sure you aren’t treating yourself to easy self-congratulation, seeking approval, making certain you’re on the right side?

'Better to have loved and lost,' my ass. Anyone parroting that little platitude had obviously never lost anyone of consequence.

The immature conscience is not its own master. It simply parrots the decisions of others. It does not make judgments of its own; it merely conforms to the judgments of others. That is not real freedom, and it makes true love impossible, for if we are to love truly and freely, we must be able to give something that is truly our own to another. If our heart does not belong to us, asks Merton, how can we give it to another?

Parrots, tortoises and redwoods live a longer life than men do; Men a longer life than dogs do; Dogs a longer life than love does.

Next to not living with those one loves, the worst torture is living with those one doesn't love.

No doubt there are some who, when confronted with a line of mathematical symbols, however simply presented, can only see the face of a stern parent or teacher who tried to force into them a non-comprehending parrot-like apparent competence--a duty and a duty alone--and no hint of magic or beauty of the subject might be allowed to come through.

A moment of happiness, you and I sitting on the verandah, apparently two, but one in soul, you and I. We feel the flowing water of life here, you and I, with the garden's beauty and the birds singing. The stars will be watching us, and we will show them what it is to be a thin crescent moon. You and I unselfed, will be together, indifferent to idle speculation, you and I. The parrots of heaven will be cracking sugar as we laugh together, you and I. In one form upon this earth, and in another form in a timeless sweet land.

I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her.

All this is flashy rhetoric about loving you. I never had a selfless thought since I was born. I am mercenary and self-seeking through and through: I want God, you, all friends, merely to serve my turn. Peace, re-assurance, pleasure, are the goals I seek, I cannot crawl one inch outside my proper skin: I talk of love --a scholar's parrot may talk Greek-- But, self-imprisoned, always end where I begin. Only that now you have taught me (but how late) my lack. I see the chasm. And everything you are was making My heart into a bridge by which I might get back From exile, and grow man. And now the bridge is breaking. For this I bless you as the ruin falls. The pains You give me are more precious than all other gains.

We must distinguish between ‘sentimental’ and ‘sensitive’. A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother’s Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata.

With a lover, a wife, when you find the worst - be it infidelity or lack of love, madness or the suicidal spark - you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment?

Sometimes you find the panel, but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love I maintain.

Buttering a roll, my dad says, “I like Peter.” “You do?” I say. Daddy nods. “He’s a good kid. He’s really taken with you, Lara Jean.” “Taken with me?” I repeat. To me Kitty says, “You sound like a parrot.” To Daddy she says, “What does that mean? Taken by her?” “It means he’s charmed by her,” Daddy explains. “He’s smitten.” “Well, what’s smitten?” He chuckles and stuffs the roll in Kitty’s open, perplexed mouth. “It means he likes her.” “He definitely likes her,” Kitty agrees, her mouth full. “He . . . he looks at you a lot, Lara Jean. When you’re not paying attention. He looks at you, to see if you’re having a good time.” “He does?” My chest feels warm and glowy, and I can feel myself start to smile.

Old love is a row of beach huts in November.

But… all I said was that I was scared." After what you got to experience? That's smart, kid," I said. "I'm scared, too. Every time something like this happens, it scares me. But being strong doesn't get you through. Being smart does. I've beaten people and things who were stronger than I was, because they didn't use their heads, or because I used what I had better than they did. It isn't about muscle, kiddo, magical or otherwise. It's about your attitude. About your mind." She nodded slowly and said, "About doing things for the right reasons." You don't throw down like this just because you're strong enough to do it," I said. "You do it because you don't have much choice. You do it because it's unacceptable to walk away, and still live with yourself later." She stared at me for a second, and then her eyes widened. "Otherwise, you're using power for the sake of using power." I nodded. "And power tends to corrupt. It isn't hard to love using it, Molly. You've got to go in with the right attitude or…" Or the power starts using you," she said. She'd heard the argument before, but this was the first time she said the words slowly, thoughtfully, as if she'd actually understood them, instead of just parroting them back to me. Then she looked up. "That's why you do it. Why you help people. You're using the power for someone other than yourself.

You don’t have to say I love you to say I love you,” you said with a shrug. “All you have to do is say my name and I know.” “How?” When I looked down at you, I was struck by how much of myself I could see in the shape of your eyes, in the light of your smile. “Sa Cassidy,” you instructed. “Cassidy.” “Say…Ursula.” “Ursula,” I parroted. “Now….,” and you pointed to your own chest. “Willow.” “Can’t you hear it?” you said. ” When you love someone, you say their name different. Like it’s safe inside your mouth.

you parrot negative things and squawk about the things you don’t love, you are literally jailing yourself, like a parrot in a cage. Every time you talk about what you don’t love, you are adding another bar to the cage and you are locking yourself away from all the good.

Love can’t kill me,” I say, parroting Carla’s words. “That’s not true,” she says. “Whoever told you that?

All she saw, down in the cellar well beneath the stoop, was a light yellow feather with a tip of green. And she had never named him. Had called him "my parrot" all these years. "My parrot." "Love you. "Love you." Did the dogs get him? Or did he get the message - that she said, "My parrot" and he said, "Love you," and she had never said it back or even taken the trouble to name him - and manage somehow to fly away on wings that had not soared for six years.

Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday. Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath: "Only God knows how much I loved you.

What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love’s favourite perversion? … I loved Ellen, and i wanted to know the worst. I never provoked her; I was cautious and defensive, as is my habit; I didn’t even ask questions; but I wanted to know the worst. Ellen never returned this caress. She was fond of me - she would automatically agree, as if the matter weren’t worth of discussing, that she loved me - but she unquestioningly believed the best about me. That’s the difference. She didn’t ever search for that sliding panel which opens the secret chamber of the heart, the chamber where the memory and corpses are kept. Sometimes you find the panel but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love, I maintain.

It sounds strange to hear people talk about the delights and miracles of technology, when they do not even begin to compare with what you can find in a riverbed.

What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love’s favourite perversion?

...perhaps the sweetest moment in writing is the arrival of that idea for a book which never has to be written, which is never sullied with a definite shape, which never needs to be exposed to a less loving gaze than that of its author.

Nothing resembles a person as much as the way he dies, and no death could resemble the man he was thinking about less than this one. But it was he, although it seemed absurd: the oldest and best qualified doctor in the city, and one of its illustrious men for many other meritorious reasons, had died of a broken spine, at the age of eighty-one, when he fell from the branch of a mango tree as he tried to catch a parrot.

Have you anything to declare? Yes, I'd like to declare a small case of French flu, a dangerous fondness for Flaubert, a childish delight in French road-signs, and a love of the light as you look north. Is there any duty to pay on any of these? There ought to be.

Talk nonsense to me, by all means, but do it with your own brain, and I shall love you for it. To talk nonsense in one's own way is almost better than to talk a truth that is someone else's; in the first instance you behave like a human being, while in the second you are merely being a parrot!

He loved his mother: doesn't that warm your silly, sentimental, twentieth-century heart? He loved his father. He loved his sister. He loved his niece. He loved his friends. He admired certain individuals. But his affections were always specific; they were not given away to all comers. This seems enough to me.

He loved his mother: doesn't that warm your silly, sentimental, twentieth-century heart? He loved his father. He loved his sister. He loved his niece. He loved his friends. He admired certain individuals. But his affections were always specific; they were not given away to all comers. This seems enough to me. You want him to do more? You want him to 'love humanity', to goose the human race? But that means nothing. Loving humanity means as much and as little as loving raindrops, or loving the Milky Way. You say that you love humanity? Are you sure you aren't treating yourself to easy self-congratulation, seeking approval, making certain you're on the right side?

There was, however, a real “Honey the cat.” Honey was one of two cats and a parrot living in the building on the day it was demolished, whose owners were not allowed to retrieve them. Neither the cats nor the parrot were ever seen again.

Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.

Tiko has taught me, a sometimes headstrong and often ferociously independent woman, the importance of interdependence, the importance of taking care, and the importance of being cared for. It's a necessary part of being human and being connected to the world around us that we realize and acknowledge our vulnerability and the vulnerability of all creatures, and that we act in accord with that knowledge. It is critical that we allow the empathetic and altruistic part of ourselves to be the guiding force behind the way that we conduct our lives, whether we give to those less fortunate than ourselves, take care of the magnificent creatures that share our world, work tirelessly to preserve native habitat or separate each strand of an unruly mass of hair so gently that we do not wake our loved one as she sleeps.

That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.

Lupe began to recite a list of reasons. “One: love of dogs,” she started. “Two: to be stars—in a circus, we might be famous. Three: because the parrot man will come visit us, and our future—” She stopped for a second. “His future, anyway,” Lupe said, pointing to her brother. “His future is in the parrot man’s hands—I just know it is, circus or no circus.

Who asked you to the funeral anyway? Were you acquainted with the late parrot?

Love can't kill me." I say, parroting Carla's words. "That's not true," she says "Whoever told you that?

Love can't kill,' I say, parroting Carla's words. 'That's not true,' she says. 'Whoever told you that?

It’s better to live and die, love and quarrel with your own.

Give up your curses, abuses and spitting, and be free. Learn to love all. In that lies your freedom.

I talk of love, a scholar's parrot may talk greek, but, self-imprisoned, always end where I begin.

you. If you parrot negative things and squawk about the things you don’t love, you are literally jailing yourself, like a parrot in a cage.

To my mind, there is nothing better than hanging out with a petite, feathery sidekick all day long. - Love and Feathers

Imagine if you will the most creative, energetic, and affectionate kitten or puppy you've ever experienced. Then add wings. - Love and Feathers

When I have guests over I don't have to worry about making conversation. Pearl takes care of that. - Love and Feathers

Parrots typically operate on one volume, "LOUD." Sometimes they will vary this with "extra LOUD" and "unbearably LOUD." - Love and Feathers

Dear Mr. Duke, As requested, here is an inventory of the animals in my care: *Bixby, a two-legged terrier. *Marigold, a nanny goat of unimpeachable character, who is definitely not breeding. *Angus, a three-year-old Highland steer. *Regan, Goneril, and Cordelia- laying hens. *Delilah, a parrot. *Hubert, an otter. *Freya, a hedgehog. *Thirteen kittens of varying colors and dispositions. Gabe leafed through the report in disbelief. It went on for pages. She'd given not only the names, breeds, and ages of every misbegotten creature, but she'd appended a chart of temperaments, sleeping schedules, preferred bedding, and a list of dietary requirements that would beggar a moderately successful tradesman. Along with the expected hay, alfalfa, corn, and seed, the animals required several pounds of mince weekly, daily pints of fresh cream, and an ungodly number of sardines. The steer and thee goat, she insisted, must go to the same loving home. Apparently they were tightly bonded, whatever that meant, and refused to eat of parted. The laying hens did not actually lay with any regularity. Their previous owners had grown frustrated with this paltry production, and thus they had come into Her Ladyship's care. And the lucky bastard who accepted a ten-year-old hedgehog? Well, he must not only provide a steady supply of mealworms, but remain ever mindful of certain "traumatic experiences in her youth.

She used to be a tremendously affectionate and cooperative cat, perfectly happy for you to pick her up and carry her around on your shoulder like a parrot. Time was, you could even pop her on your head like a living fur hat and she’d stay there, content to grow fat on your loving brainwaves. Now, in her advanced years, she’s developed a certain coolness. Though there are, of course, limits to one’s cool when one looks like a not-particularly-sophisticated glove puppet.

Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committed’. Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the ‘smelly little orthodoxies’—tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote Dr Faustus. My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read: This old, folkish layer survives in us all, and to speak as I really think, I do. not consider religion the most adequate means of keeping it under lock and key. For that, literature alone avails, humanistic science, the ideal of the free and beautiful human being. [italics mine] The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann’s point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideolo’. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.

A lady is like a lovely stick of chewing gum,” Miriam parrots. “Sweet and unblemished, but if you’re not careful, every lad around will take a taste.” “But no decent man,” I continue, mimicking a crotchety old sod, “will want to put a used stick of gum in his mouth.

I think New Mexico was the greatest experience from the outside world that I have ever had. It certainly changed me for ever. Curious as it may sound, it was New Mexico that liberated me from the present era of civilization, the great era of material and mechanical development. Months spent in holy Kandy, in Ceylon, the holy of holies of southern Buddhism, had not touched the great psyche of materialism and idealism which dominated me. And years, even in the exquisite beauty of Sicily, right among the old Greek paganism that still lives there, had not shattered the essential Christianity on which my character was established. Australia was a sort of dream or trance, like being under a spell, the self remaining unchanged, so long as the trance did not last too long. Tahiti, in a mere glimpse, repelled me: and so did California, after a stay of a few weeks. There seemed a strange brutality in the spirit of the western coast, and I felt: O, let me get away! But the moment I saw the brilliant, proud morning shine up over the deserts of Santa Fe, something stood still in my soul, and I started to attend. There was a certain magnificence in the high-up day, a certain eagle-like royalty, so different from the equally pure, equally pristine and lovely morning of Australia, which is so soft, so utterly pure in its softness, and betrayed by green parrot flying. But in the lovely morning of Australia one went into a dream. In the magnificent fierce morning of New Mexico one sprang awake, a new part of the soul woke up suddenly, and the old world gave way to a new.

There is a bird in my chest with wings too broad with beak that rips me wanting to get out. I have called it an idiot parrot. I have called it a ravening eagle. But it sings. Bird of no name your cries are red and wet on the iron air. I open my mouth to let you out and your shining blinds me.

As a leader, you have to have an almost infinite love for your organization or your cause to be able to find advisers who won’t simply parrot your views. The parroting isn’t necessarily a consequence of their selfishness or their desire for self-preservation. It’s because of the “loyalty bind,” which gives them an exaggerated view of your effectiveness.

When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.

If you now ask me if there is any difference between the human sense of fairness and that of chimpanzees, I really don’t know anymore. There are probably a few differences left, but by and large both species actively seek to equalize outcomes. The great step up compared with the first-order fairness of monkeys, dogs, crows, parrots, and a few other species is that we hominids are better at predicting the future. Humans and apes realize that keeping everything for themselves will create bad feelings. So second-order fairness can be explained from a purely utilitarian perspective. We are fair not because we love each other or are so nice but because we need to keep cooperation flowing. It’s our way of retaining everyone on the team.

To a chorus of resonant barking, the instruments proceeded to adjust themselves into tune. A billy-goat, alarmed, aroused his harem, and distantly a muffled lowing broke out. Philippa said, ‘Oh dear. It must have cost a fortune. Did Gideon ever do this to you?’ Kate thought. ‘No, but I did it to him. He hadn’t called to see me for a week, so I sent eight bell ringers to serenade him at cock-crow and his mother’s parrot dropped dead, quoting Luther.’ ‘What did it say?’ Philippa said. Sitting on the sill, with her long brown hair falling over her night robe, she looked, in the darkness, like the daughter who had come back from Turkey: calm and smiling and soignée. ‘Music is a fair and lovely gift of God, and deserves to be extolled as the mistress and governess of the feelings of the human heart,’ said Kate, surprised.

When Radha and I were children, we used to play a game. She would ask, “What is the true color of the world, Didi?” And I would say, “Green.” “Why green?” “Because the trees are green. Grass is green. The new buds on the plants are green. Even the parrots are green. Green is the color of the world.” “But, Didi,” Radha would argue, “the wheat stalks are brown. My body is brown. The field mice are brown. No, the world is brown.” “What about blue?” I would say. “The sky is blue. And it covers the whole world, like a mother who loves and embraces all her children. Radha would fall silent, and I would remember that she had known our mother’s love for even fewer years than I did. So I would take her in my arms and hold her, to make her know what it feels like to be loved. Today I know the truth: The true color of the world is black. Anger is black. Shame and scandal are black. Betrayal is black. Hatred is black. And a roasted, smoking body is Black, Black, Black. The world, after witnessing such cruelty, goes black. The waking up to a changed world is black.

Hey, ya'll should come home with us. Verdie has a pot roast in the oven that will melt in your mouth," Finn said. He was as tall as Sawyer and had the bluest eyes Jill had ever seen on a man. Callie nodded at his side as she corralled four kids, and Verdie poked her head out around Finn's shoulder to say, "Yes, we'd love to have you. Got plenty of food and plenty of these wild urchins to entertain you. If that don't keep you laughing, then there's a parrot that never shuts up and a bunch of dogs." "And a cat," a little girl said shyly.

In the beginning, when Twaslitri (the Divine Artificer) came to the creation of woman he found that he had exhausted his materials in the making of man and that no solid elements were left. In this dilemma, after pro-found meditation, he did as follows: he took the rotundity of the moon, and the curves of the creepers, and the clinging of tendrils, and the trembling of grass, and the slenderness of the reed, and the bloom of flowers, and the lightness of leaves, and the tapering of the elephant's trunk, and the glances of deer, and the clustering of rows of bees, and the joyous gaiety of sun-beams, and the weeping of clouds, and the fickleness of the winds, and the timidity of the hare, and the vanity of the peacock, and the softness of the parrot's bosom, and the hardness of adamant, and the sweetness of honey, and the cruelty of the tiger, and the warm glow of fire, and the coldnesss of snow, and the chattering of jays, and the cooing of the kokila, and the hypocrisy of the crane, and the fidelity of the chakravaka; and compounding all these together, he made woman and gave her to man. (Written by scholars of the Vedic Age)

That isn't love, it's a fever... At your age it's chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's being so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the names of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

She does say the most amusing things, doesn’t she? ‘Pretty girl,’ and ‘yes,’ and—Do you hear that one? ‘Fancy a . . .’ what? I never can catch what she’s saying at the end. It’s certainly not biscuit. ‘Fancy a cuppa,’ perhaps? But who gives a parrot tea? It sounds a great deal like ‘fancy a foxglove,’ but that makes even less sense. I don’t mind saying the mystery is driving me a bit mad.” “Fuck.” She froze. “I’m not that upset about it.” He returned to the bedchamber, now clothed in a pair of trousers and an unbuttoned shirt. “It’s what the parrot’s saying. ‘Fancy a fuck, love.’ That bird came from a whorehouse.

September 15th Begin here. It is raining. I look out on the maple, where few leaves have turned yellow, and listen to Punch, the parrot, talking to himself, and to the rain ticking gently against the windows. I am here alone for the first time in weeks, to take up my 'real' life again at last. That's what is strange -- that friends, even passionate love, are not my real life, unless there is time alone in which to explore and to discover what is happening or has happened. Without the interruptions, nourishing and maddening, this life would become arid. Yet I taste it fully only when I am alone here and 'the house and I resume old conversations.

I like Peter.” “You do?” I say. Daddy nods. “He’s a good kid. He’s really taken with you, Lara Jean.” “Taken with me?” I repeat. To me Kitty says, “You sound like a parrot.” To Daddy she says, “What does that mean? Taken by her?” “It means he’s charmed by her,” Daddy explains. “He’s smitten.” “Well, what’s smitten?” He chuckles and stuffs the roll in Kitty’s open, perplexed mouth. “It means he likes her.” “He definitely likes her,” Kitty agrees, her mouth full. “He…he looks at you a lot, Lara Jean. When you’re not paying attention. He looks at you, to see if you’re having a good time.” “He does?” My chest feels warm and glowy, and I can feel myself start to smile.

Holy Trinity (The Sonnet) Civilization is founded on 3 pillars, Conscience, courage and compassion. Without these three there is no society, Only a prehistoric mockery of civilization. When all three come together, lo and behold, Here rises the holy trinity - the holy trident! You can use it to plough the land of creation, Or use it to devour the divisions most obstinate. Wasting precious lifeforce chanting like a parrot, Do not go chasing fiction out in the wilderness. Wipe the rust off your heart that causes all the drag, And you my friend, shall be the incorruptible trident. However, in reality, there are no three, but only one. The spirit of love and oneness is beyond time and form.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

We must distinguish between "sentimental" and "sensitive." A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother's Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata. A whole century of authors praised the simple life of the poor, and so on. Remember that when we speak of sentimentalists, among them Richardson, Rousseau, Dostoevski, we mean the non-artistic exaggeration of familiar emotions meant to provoke automatically traditional compassion in the reader.

Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.

Mandana Misra was a great scholar and authority on the Vedas and Mimasa. He led a householder’s life (grihastha), with his scholar-philosopher wife, Ubhaya Bharati, in the town of Mahishi, in what is present-day northern Bihar. Husband and wife would have great debates on the veracity of the Vedas, the Upanishads, the Gita and other philosophical works. Scholars from all over Bharatavarsha came to debate and understand the Shastras with them. It is said that even the parrots in Mandana’s home debated the divinity, or its lack, in the Vedas and Upanishads. Mandana was a staunch believer in rituals. One day, while he was performing Pitru Karma (rituals for deceased ancestors), Adi Shankaracharya arrived at his home and demanded a debate on Advaita. Mandana was angry at the rude intrusion and asked the Acharya whether he was not aware, as a Brahmin, that it was inauspicious to come to another Brahmin’s home uninvited when Pitru Karma was being done? In reply, Adi Shankara asked Mandana whether he was sure of the value of such rituals. This enraged Mandana and the other Brahmins present. Thus began one of the most celebrated debates in Hindu thought. It raged for weeks between the two great scholars. As the only other person of equal intellect to Shankara and Mandana was Mandana’s wife, Ubhaya Bharati, she was appointed the adjudicator. Among other things, Shankara convinced Mandana that the rituals for the dead had little value to the dead. Mandana became Adi Shankara’s disciple (and later the first Shankaracharya of the Sringeri Math in Karnataka). When the priest related this story to me, I was shocked. He was not giving me the answer I had expected. Annoyed, I asked him what he meant by the story if Adi Shankara himself said such rituals were of no use to the dead. The priest replied, “Son, the story has not ended.” And he continued... A few years later, Adi Shankara was compiling the rituals for the dead, to standardize them for people across Bharatavarsha. Mandana, upset with his Guru’s action, asked Adi Shankara why he was involved with such a useless thing. After all, the Guru had convinced him of the uselessness of such rituals (Lord Krishna also mentions the inferiority of Vedic sacrifice to other paths, in the Gita. Pitru karma has no vedic base either). Why then was the Jagad Guru taking such a retrograde step? Adi Shankaracharya smiled at his disciple and answered, “The rituals are not for the dead but for the loved ones left behind.

He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.

In those days, when my mother visited Seattle to see her grandchildren, she brought books. On the inside cover she always inscribed the same message. It was what she told the girls on the phone from California . . . Grandma loves you all the time. As the girls grew, they learned to parrot my mother, they said it together at the end of phone conversations or when she was leaving after a visit. Their high, chirpy voices blended with her own low tones to make a chant, a chorus, a call to arms. She would start and they would join in: "Grandma loves you all the time." They thought it was a game, a joke. Only I knew the sad, scared place it came from. Only I knew what it really meant: a little girl with a single memory of her own mother. A little girl who did not remember ever being loved. Even if she is not here, even when you cannot see her, even if she dies, even if you don't remember her: Grandma loves you all the time.

This sentence, “I love you,” parroted back and forth by child and parent may have a subtext that means many things, but it definitely does not mean love, for when you love someone you are filled with fantasies, ideas, and anxieties.

He wants to make sure we understand each other, especially when we’re upset. So he gives me feedback. During arguments, he repeats or paraphrases what I say. He sounds like a parrot. I’ll say, ‘I’m furious.’ ‘You’re furious?’ ‘You’re making me crazy.’ ‘I’m making you crazy?’ ‘Stop it!’ ‘Stop it?’” —Marissa, Chicago, IL

My mother was a wonderful woman. She had a loyalty which was unsurpassed, and a complete lack of nervousness. During all her married life, there was literally never an unkind word spoken, simply because she never allowed herself to develop any of those emotional reflexes, which so frequently make people want to bicker with those whom they love, or with whom they come in constant association.

Inside, the animals greeted her. A parrot that had arrived that week, cage and all, squawked at her. The dogs---four of them now---launched into happy yips. One of the cats that had shown up on the porch rubbed itself against her legs. "Oh God, I'm Dr. Dolittle," Leeda said out loud.

First there were the indoor animals. Leeda took all five dogs out on their leashes, letting herself be dragged along as they sniffed at this rock, trotted to that tree, and wrestled with one another exuberantly. She smiled, watching them. They were like clowns. Constantly ridiculous. Once she managed to drag them back inside and foist each dog into its pen, she filled all the food and water bowls. She cleaned the parrot cage and managed not to feel like gagging. She rubbed the parrot on the back of his head, which she'd discovered was his favorite spot. She thought about Birdie catching impetigo from her chicken. She could see now how one might not be totally disgusted to kiss a bird. The parrot looked at her with such human curiosity. Birdie had named him Chiquito and had nuzzled her nose to his. Now Leeda tried it, half afraid she'd lose her nose. But Chiquito nestled into her and made a low sound of contentment in the back of his throat.

The Holocaust, a symbol of love, was yesterday and we all do make mistakes.

There is considerable physical evidence compared to other emotions (pleasure, sadness, anger), and hormonal activity becomes very strong when you feel love. When you fall in love, the brain secretes various chemicals, including pheromones, dopamine, norepinephrine, serotonin, oxytocin, and vasopressin. Just hugging a loved one or simply looking at a picture of a lover releases a hormone called oxytocin in the body, acting as a painkiller for headaches. Biochemically, phenylethylamine [18] secreted by the brain limbic system works, which is a kind of natural amphetamine, a stimulant. It's because phenylethylamine is the first step, but other hormones work, which are hormones such as adrenaline, dopamine, endorphin, oxytocin, and serotonin that are used in stimulants. The expression "love is a drug" is actually the opposite because drugs imitate love. However, the secretion of phenylethylamine has a shelf life, so it generally does not exceed two years. There are individual differences in this, so many of them are over in three months, and in some cases, it lasts up to three years. If two sparks fly at the same time and one person finishes at three months, and the other goes for two years and three years, tragedy will occur from then on. In other words, after that period, the brain, which had been exhausted by drugs, will regain its grip. Link to bean pods off. From this point on, love ends the chemistry phase and moves on to the sociology phase. Some say that the two-and-a-half years are meant to build and strengthen ties and intimacy with the other, and that the couple who don't become a parrot couple will sink in a moment of excitement and fall into ennui. At this time, the secretion of phenylethylamine decreases, but [19] oxytocin is actively secreted, resulting in comfort with each other. Link

My grandpa’s favorite parrot, Feather Locklear,

the parrots were annoyingly arrogant. You could buy the most beautiful one in town, she observed, but that wouldn’t make it love you. You could feed it, care for it and exclaim over its loveliness, but there was nothing to guarantee that it would stay home with you. There had to be a lesson there somewhere.

Of course I want you to go! Are you kidding? I’ve been so fucking worried that I would never get to see you again or if we didn’t see one another for a few weeks, that we would lose what we have.” “What do we have, Pete?” she asks, but she’s smiling. “You don’t know?” I ask. She shakes her head. “I’m not always good at reading people, Pete,” she admits, blushing. I tweak her nose and steel myself. “I think I’m falling in love with you, Reagan,” I say. I swallow hard because there’s suddenly a lump on my throat. I don’t know where it came from, and no matter how hard I swallow, it won’t go away. I wait. She has to say something, right? “Good,” she finally says. Good? That’s it? “Thanks for telling me.” She grins and spins to walk in the other direction. I grab her arm and pull her back to me, and my heart swells because she doesn’t punch me and drop-kick me or knee me in the chin when I jerk her to me and back her up against a tree. “That’s all I get?” I ask. My heart is thudding like crazy. Maybe I misread her. Maybe I’m way off base. Maybe I’m an idiot. “What do you want?” she whispers. I palm the side of her face and stare at her. She’s so fucking beautiful that I can barely think when I’m this close to her. “I want you to love me back,” I admit. “Done,” she says. A blush creeps up her cheeks, and I thought she couldn’t look any prettier than she did a minute ago. But I was wrong. “Done?” I parrot. God, now I sound like Link. She heaves a sigh. “Done. Gone. Don’t want to be away from you. Can’t breathe when I think about you leaving. Want to be with you all the time, gone. Done.” She blinks, and then she says, “You’re inside me, Pete. And I want to keep you there.” Fuck. That’s the best fucking thing I’ve ever heard in my life. And I can’t even put two thoughts together to tell her.

Juliet! My daemon has made contact!” “Yes!” Juliet pumped her fist, speaking aloud. She cringed, embarrassed by the outburst, but the pedestrians on the busy sidewalk ignored her. “I have an encrypted back door into the Port Security network. My daemon shared its activity log with me, and it did a wonderful job disguising its actions. I’m calling him home.” “Him?” “Yes. I’ve named him Fido.” Juliet choked out a short laugh but caught herself, afraid she’d hurt Angel’s feelings. “You named him Fido?” “Yes, Juliet! He’s a very good boy.” “Oh my …” Juliet shook her head, trying to wrap her mind around the idea that her PAI had given birth to a partially conscious daemon and given it the name of a dog. “Is something wrong?” Angel pressed as Juliet made the last turn toward her destination. “No, Angel. Nothing at all. You surprised me, that’s all. You always surprise me, and I love it. Tell Fido I said thanks.

No matter how hard you try to bend and appease and please and hide yourself away to make those whom you “intimidate” happy, their feelings about you may never abate. The best you can do is recognize that “I feel intimidated” is really code for “You threaten me/I need attention and love.” Recognizing this doesn’t mean you have to transform into a lovable, validation-parroting Furby. If it feels right, you can choose to be more open and emotionally generous at work; if it doesn’t, you can simply say “fuck ’em,” keep your head down, and focus on your work.

swallowed,

Talk nonsense to me, by all means, but do it with your own brain, and I shall love you for it. To talk nonsense in one's own way is almost better than to talk a truth that's someone else's; in the first instance you behave like a human being, while in the second you are merely a parrot!

Animals love to follow one another. Their collective is often named for the verb they enact. A group of bees is a swarm. Crocodiles, a bask. A group of elephants, a parade. Flamingos, a stand. A family of hippopotami is a bloat. Lemurs make up a conspiracy. A leap of leopards. A crash of rhinoceroses. A knot of toads. Parrots are a pandemonium. Skunks are a stench. A group of thin girls, in recovery, we are surviving.

What's orange and sounds like a parrot?

LINKLETTER: Another big difference between alcohol and marijuana is that when people smoke marijuana, they smoke it to get high. When most people drink, they drink to be sociable. NIXON: A person does not drink to get drunk. LINKLETTER: That’s right. NIXON: A person drinks to have fun. This being Nixon, the conversation soon turned racist, with Linkletter in parrot mode: NIXON: Asia, the Middle East, portions of Latin America . . . I’ve seen what drugs have done to those countries. Everybody knows what it’s done to the Chinese. The Indians are hopeless anyway. The Burmese— LINKLETTER: That’s right. NIXON: Why are the Communists so hard on drugs? It’s because they love to booze. I mean, the Russians, they drink pretty good. LINKLETTER: That’s right. NIXON: The Swedes drink too much, the Finns drink too, the British have always been heavy boozers, and the Irish, of course, the most, but on the other hand, they survive as strong races. LINKLETTER: That’s right. NIXON: At least with liquor, I don’t lose motivation.

I had two great passions at the time: one magical and ethereal, which was reading, and the other mundane and predictable, which was pursuing silly love affairs. Concerning my literary ambitions, my successes went from slender to nonexistent. During those years I started a hundred woefully bad novels that died along the way, hundreds of short stories, plays, radio serials, and even poems that I wouldn't let anyone read, for their own good. I only needed to read them myself to see how much I still had to learn and what little progress I was making, despite the desire and enthusiasm I put into it. I was forever rereading Carax's novels and those of countless authors I borrowed from my parent's bookshop. I tried to pull them apart as if they were transistor radios, or the engine of a Rolls-Royce, hoping I would be able to figure out how they were built and how and why they worked. I'd read something in a newspaper about some Japanese engineers who practiced something called reverse engineering. Apparently these industrious gentlemen disassembled an engine to its last piece, analyzing the function of each bit, the dynamics of the whole, and the interior design of the device to work out the mathematics that supported its operation. My mother had a brother who worked as an engineer in Germany, so I told myself that there must be something in my genes that would allow me to do the same thing with a book or with a story. Every day I became more convinced that good literature has little or nothing to do with trivial fancies such as 'inspiration' or 'having something to tell' and more with the engineering of language, with the architecture of the narrative, with the painting of textures, with the timbres and colors of the staging, with the cinematography of words, and the music that can be produced by an orchestra of ideas. My second great occupation, or I should say my first, was far more suited to comedy, and at times touched on farce. There was a time in which I fell in love on a weekly basis, something that, in hindsight, I don't recommend. I fell in love with a look, a voice, and above all with what was tightly concealed under those fine-wool dresses worn by the young girls of my time. 'That isn't love, it's a fever,' Fermín would specify. 'At your age it is chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's veins so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the name of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

It is raining. I look out on the maple, where a few leaves have turned yellow, and listen to Punch, the parrot, talking to himself and to the rain ticking gently against the windows. I am here alone for the first time in weeks, to take up my "real" life again at last. That is what is strange-- that friends, even passionate love, are not my real life unless there is time alone in which to explore and to discover what is happening or has happened. Without the interruptions, nourishing, and maddening, this life would become arid. Yet I taste it fully only when I am alone here and "the house and I resume old conversation.

Does your pet love you? Of course your pet loves you. (Qualifier: your pet can love you if it’s a mammal or one of a few clades of birds, like a parrot. If your pet is a gecko or a python or a goldfish, your pet is probably incapable of love.) Love develops for every evolutionary pairing that requires devotion. We love our pets, and our pets love us. Dogs, in particular, are love generators who hang out with you and help you know that you’re not alone. Dog is love, unmoored.

That’s me being in fucking love with you, you utter moron.” I stagger back against the sink. “What?” “You heard me.” “You love me?” I sound like a stupefied parrot. “Yes, Henry,” he yells. “I’m in love with you, and I’m pretty sure that you’re in love with me too.” “I am,” I shout back. “Of course I am. I’ve always loved you.

I realized that the "true love" stories, though they taught how to talk of love, did not teach how to make love. After having loved a parrot, I had to go to bed with a serpent. So I looked elsewhere for the love promised by the books, which I had never encountered in life.

Each such commitment is unique and special in our goddess’s gaze. The specific agreements and covenants are subject only to the participants and, when carried out faithfully, attest to the mutual love between those involved. As such, we do not parrot strictures as some do; we do not pontificate and carry on with long speeches. We, as Odona’s faithful, and as companions to such, know the most important part of the marriage arrangement.

Love's Great Adventure by Stewart Stafford Look out for the wandering eye, And the fervour that follows it, A jewel clasped is the first part, Guarding against theft is trickier. Surreptitious teases acted out then, The Rubicon crossed and drained, Love, blind to impediment boundaries, Prized contagion spread as lightning. Rival houses intrude to spoil it, To still the fluttering of butterflies, And the bosom of Eros heaving, Unstoppable to every homo sapien. Here, I'll act as Cupid's emissary, Whisper lovers' spells in my ear, I'll parrot them to her to the letter, So lured, she'll have me over you. Groggy from humid moon nectar, On summertime clouded visions, A second an hour, as a day a year, Arousal of fire in swelled chests. Stallions of the Venus chariot, Borne freely to the new Arcadia, Feet skimming over terra firma, The youthful mask smothers all. © Stewart Stafford, 2023. All rights reserved.

They all parrot Professor Jefferson's remarks, spouting his theories about how a machine that can't write a sonnet or compose a concerto because of emotions actually felt can't be said to have true human intellect. But again, what a dangerous game! Picking and choosing who feels emotions. How can we ever tell that the loss of a loved one affect someone else as intensely as it affects us? We must assume it, as you assumed my hurt after Chris passed, when you brought me along to Gibraltar although I'd never composed a sonnet, and although tests had never been done on my brain to ensure how deeply I felt. We should all extend such a courtesy.

This had no longer been true during the first eighty years of steam navigation, and then it became true again forever when the alligators ate the last butterfly and the maternal manatees were gone, the parrots, the monkeys, the villages were gone: everything was gone. "There's no problem," the Captain laughed. "In a few years, we'll ride the dry riverbed in luxury automobiles.

Gabrielle, my dear, my sweet, my flower, I, the King of Romance, have come for you!” The person who had appeared was wearing a white tuxedo that was different from everyone else’s plaid pants and blazer combination. He had bright blond hair that was slicked back. His eyes were blue. Gabrielle had seen him numerous times already, but she couldn’t for the life of her remember his name. The blond man walked up the stairs toward her, his hand extended in a grand gesture. “My love, you are the only one whose beauty can captivate me so. Please, allow me, the King of Love, the sweep you off your feet!” The blond knelt before Gabrielle and took her hand in his. He stared into her eyes. Why was he staring into her eyes so hard? It looked like he was trying to drill holes through her with his gaze. Creepy. Gabrielle responded to this man the same way she had done every time he appeared. “Who are you again?” The reaction around the room was instant. The whole class burst out laughing. Ryoko and Serah were the worst perpetrators, bent over the table and howling with laughter as they were, but even Kazekiri was snickering into her hand while trying to look stern. Gabrielle just smiled. She didn’t really know what was so funny. “W-why is it that you can never remember my name?” The blond cried out. “I’m Jameson de Truante, the most handsome man in this entire school. I am so handsome that people often call me the King of Good Looks.” “Hmm…” Gabrielle crossed her arms. That’s right. This boy was Jasmine’s older brother, wasn’t he? She remembered now. However… “I’m sorry, but you’re nowhere near as handsome as Alex.” “Hurk!” Jameson jerked backwards as though he’d been shot through the heart with something, though all this did was cause him to lose his balance. With a loud squawk that reminded her of an Angelisian parocetian (a lizard found on Angelisia that sounded like a parrot), he rolled down the stairs, bounced along the floor, and hit the stage with a harsh thud. And there he lay, insensate to the world around him. “Oh! That was rich!” Ryoko continued to laugh. “He keeps… keeps making passes at you… and you… you can’t even remember his name!! Bwa-ha-ha-ha!” “Serves the jerk right,” Serah added. Kazekiri sighed. “I normally would not approve of such behavior, but Jameson has always been a problem child, so I will let this slide once.” “Um, thank you?” Gabrielle said, not quite sure if she should be grateful or not. “Don’t worry,” Selene said upon seeing her confused look. “You might not understand right now, but you did a very good thing.” “Oh.” Gabrielle paused, and then beamed brightly at her friend. “Okay!” Class eventually settled down, though Jameson remained lying on the floor. Students chatted about this and that. Gabrielle engaged in her own conversation with her friends, discussing the possibility of going to sing karaoke this weekend. Of course, she invited Kazekiri to come as well, to which the young woman replied that she would think about it. Gabrielle hoped that meant she would come. It wasn’t long before the students were forced to settle down as their teacher came in and barked at them. Their homeroom teacher, a stern-looking man with neatly combed gray hair named Mr. Sanchez, took one look at Jameson, sighed, and then said, “Does anyone want to explain why Mr. Truante is lying unconscious on the floor?

before dying Nushino tells the old man, I CANT GO IN PEACE MY BROTHER.UNTIL HIS HEAD HANGS FROM A STAKE, i will wander like a sad blind parrot bumping into the trees.help me my brother.Antonio jose armed himself with a blowpipe and he swam across the river.he missed his target and got hold of the white man gun shooting him in the stomach.he dragged him by his feet to the other side.when the shuar saw the white man they began to cry.how coud they shrink that head when in life it had been frozen in expression of fear and pain.Antonio had disgraced himself and was thereby responsible for his friend enternal misery .still weeping,they gave him their best canoe,embraced him gave him supplies and told him that from that moment he was no longer welcome.he could pass through the shuar encampments,but would no longer have the right to linger

You be good. I love you,’ Alex said to me.

You don't learn the old parrot how to speak.