Parker Friends Quotes

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Inventory: "Four be the things I am wiser to know: Idleness, sorrow, a friend, and a foe. Four be the things I'd been better without: Love, curiosity, freckles, and doubt. Three be the things I shall never attain: Envy, content, and sufficient champagne. Three be the things I shall have till I die: Laughter and hope and a sock in the eye.
Dorothy Parker (The Complete Poems of Dorothy Parker)
If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.
Dorothy Parker
All I need is room enough to lay a hat and a few friends.
Dorothy Parker
Harry Marsham, who was known as Marsh to his friends, should have died that night.
Michael Parker (The Devil's Trinity)
remember that you can find friends: remember that there are people similar to you. All you have to do is look up.
Ruby Granger (Erimentha Parker's To Do List: A Bullying Story)
Friends come and go but I wouldn't have thought you'd be one of them
Dorothy Parker
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
Yann Martel (Life of Pi)
Daily dawns another day; I must up, to make my way. Though I dress and drink and eat, Move my fingers and my feet, Learn a little, here and there, Weep and laugh and sweat and swear, Hear a song, or watch a stage, Leave some words upon a page, Claim a foe, or hail a friend- Bed awaits me at the end.
Dorothy Parker (The Portable Dorothy Parker)
My love runs by like a day in June, And he makes no friends of sorrows. He'll tread his galloping rigadoon In the pathway of the morrows. He'll live his days where the sunbeams start, Nor could storm or wind uproot him. My own dear love, he is all my heart, -- And I wish somebody'd shoot him.
Dorothy Parker (The Portable Dorothy Parker)
They say of me, and so they should, It's doubtful if I come to good. I see acquaintances and friends Accumulating dividends And making enviable names In science, art and parlor games. But I, despite expert advice, Keep doing things I think are nice, And though to good I never come Inseparable my nose and thumb.
Dorothy Parker
The captain of this sailing vessel has requested a private audience with you in his quarters. It seems you’ve a treasure map hidden on your person, and I mean to explore every inch of you until it is discovered.
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.
Sarah Vowell (The Partly Cloudy Patriot)
He did not blame them. Because in truth, that's what he did, what he was. Seduce and dominate. Charm and manipulate. A user of women. How they would scoff, Rothbury mused bitterly, if they knew that he was secretly in love with the silly little chit, spectacles and all.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
You are beautiful and humble and sensitive and the keeper of my heart. I know it will take some time, growing up with a beast of a guardian as you did, but there will come a day when you no longer criticize yourself, no longer believe less of yourself, and you will come to love yourself just as much as I love you. Well, almost as much, I imagine. -Gabriel Devine, Duke of Wolverest-
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
I mean, I'm happy to see you, but why aren't you home?" "Wherever my wife sleeps is my home.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Memory is man's greatest friend and worst enemy.
Gilbert Parker (Romany of the Snows)
Those aren't from my mother's garden, are they? She'll throttle you." "No," he said, making a grand show of looking insulted. "I would never." "Sorry," she said with a cringe. "They're from your neighbor's garden, actually.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
You seem to look upon depression as the hand of an enemy trying to crush you…Do you think you could see it instead as the hand of a friend, pressing you down to the ground on which it is safe to stand?
Parker J. Palmer
I never smiled much." His voice was a low purr in the shadows. "Don't be silly," she replied, taking a step closer to the next portrait--and farther away from him. "You smile all the time." "At you," he conceded, "with you, because of you.
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
People said that a single day without a dear friend could feel like three autumns.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
We need to get you to stop thinking of me as a friend, and start thinking of me as that incredibly hot mechanic you’re sleeping with.” “You are a friend, why do we need to do that?” “Because you’re stiff as a board and not in the way I want you to be.
Elle Parker (Like Coffee and Doughnuts (Dino Martini Mysteries, #1))
See. I told you I would get that boy to the alter eventually. All I had to do was pretend I was a loon.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
By some miracle, Charlotte's polite smile never wavered. It was a proud moment for her. After all, it wasn't every day that a little old lady told you right to your face that your bosom was as flat as a flounder.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I am so enthused by the learning that I temporarily forget that we are not friends.
Ruby Granger (Erimentha Parker's To Do List: A Bullying Story)
What you're experiencing isn't a dry spell. It's a dust bowl. Tell me, do you find cob webs in there every time you get yourself off?
Parker S. Huntington (Asher Black (The Five Syndicates, #1))
Thank you sir," she said. "I hope that your friend feels better soon." I shrugged. "The ways of the Lord" I said, "are often dark, but never pleasant.
Robert B. Parker (The Widening Gyre (Spenser, #10))
Nodding, Parker ate. “He’s an exceptional kisser.” “He really is. He . . . How do you know?” When Parker just smiled, Emma’s jaw dropped. “You? You and Jack? When? How?” “I think it’s disgusting,” Mac muttered. “Yet another best pal moving on my imaginary ex.” “Two kisses, my first year at Yale, after we ran into each other at a party and he walked me back to the dorm. It was nice. Very nice. But as exceptional a kisser as he is, it was too much like kissing my brother. And as exceptional a kisser as I am, I believe he felt it was too much like kissing his sister. And that’s how we left it. I gather that wasn’t an issue for you and Jack.
Nora Roberts (Bed of Roses (Bride Quartet, #2))
Indeed, Gabriel knew it wasn't all just empty green fields of moorland grass for miles around. Tucked within the wide landscapes of these uplands was an unpredictability that a less observant person might never be aware of. There were waterfalls concealed in swaths of wilderness, rocky stream beds ramblings in deep valleys, and...knotted sheets?
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
You will always fail to lose me.
Natalie C. Parker (Steel Tide (Seafire, #2))
All my friends are changing religions and getting laid. I have been too patient.
Morgan Parker (There Are More Beautiful Things Than Beyonce)
If we lived close to nature in an agricultural society, the seasons as metaphor and fact would continually frame our lives. But the master metaphor of our era does not come from agriculture - it comes from manufacturing. We do not believe that we 'grow' our lives - we believe that we 'make' them. Just listen to how we use the word in everyday speech: we make time, make friends, make meaning, make money, make a living, make love.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
Love Song My own dear love, he is strong and bold And he cares not what comes after. His words ring sweet as a chime of gold, And his eyes are lit with laughter. He is jubilant as a flag unfurled— Oh, a girl, she’d not forget him. My own dear love, he is all my world,— And I wish I’d never met him. My love, he’s mad, and my love, he’s fleet, And a wild young wood-thing bore him! The ways are fair to his roaming feet, And the skies are sunlit for him. As sharply sweet to my heart he seems As the fragrance of acacia. My own dear love, he is all my dreams,— And I wish he were in Asia. My love runs by like a day in June, And he makes no friends of sorrows. He’ll tread his galloping rigadoon In the pathway of the morrows. He’ll live his days where the sunbeams start, Nor could storm or wind uproot him. My own dear love, he is all my heart,— And I wish somebody’d shoot him.
Dorothy Parker
Where's the fun in suffering by yourself?" Xu Da said in his good-natured way. Surprised, Zhu realized he was probably her friend. She'd never had a friend before. But she wasn't sure suffering could be shared, even with one's friends. Watching her father and brother die, digging their graves, kneeling for four days in front of the monastery: all of them had been acts of exquisite aloneness. She knew that when she came down to it, you survived and died alone.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
In all the tales of adventure Clara had ever heard, it was never young girls, who were daring. It was always boys running off to rescue a friend or fetch much-needed medicine or stumble into good fortune. Clara knew girls would be daring if given half the chance. And she intended to take that chance, right from under the pale nose of Mr. Earwood.
Natalie C. Parker (All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages)
The enemy of my enemy is my friend, right? “That’s like saying the cat’s cat is a dog.
K.J. Parker (Prosper's Demon)
because a man who is everybody’s friend really has no friends at all.
John Connolly (The Burning Soul (Charlie Parker, #10))
Eventually, I developed my own image of teh "befriending" impulse behind my depression. Imagine that from early in my life, a friendly figure, standing a block away, was trying to get my attention by shouting my name, wanting to teach me some hard but healing truths about myself. But I-- fearful of what I might hear or arrogantly trying to live wihtout help or simply too busy with my ideas and ego and ethics to bother-- ignored teh shouts and walked away. So this figure, still with friendly intent, came closer and shouted more loudly, but AI kept walking. Ever closer it came, close enough to tap me on the shoulder, but I walked on. Frustrated by my unresponsiveness, the figure threw stones at my back, then struck me with a stick, still wanting simply to get my attention. But despite teh pain, I kept walking away. Over teh years, teh befriending intent of this figure never disapppeared but became obscured by the frustration cuased by my refusal to turn around. Since shouts and taps, stones and sticks had failed to do the trick, there was only one thing left: drop the nuclear bomb called depression on me, not with the intent to kill but as a last-ditch effort to get me to turn and ask the simple question, "What do you want?" When I was finally able to make the turn-- and start to absorb and act on the self-knowledge that then became available to me-- I began to get well. The figure calling to me all those years was, I believe, what Thomas Merton calls "true self." This is not the ego self that wants to inflate us (or deflate us, another from of self-distortion), not the intellectual self that wants to hover above the mess of life in clear but ungrounded ideas, not the ethical self that wants to live by some abstract moral code. It is the self-planted in us by the God who made us in God's own image-- the self that wants nothing more, or less, than for us to be who we were created to be. True self is true friend. One ignores or rejects such friendship only at one's peril.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
I cannot imagine a spiritual pain deeper than dying with the thought that during my sojourn on earth, I had rarely, if ever, shown up as my true self. And I cannot imagine a spiritual comfort deeper than dying with the knowledge that I had spent my brief time on this planet doing the best I could to be present as myself to my family, my friends, my community, and my world.
Parker J. Palmer (Healing the Heart of Democracy: The Courage to Create a Politics Worthy of the Human Spirit)
If you ever have access to a friend’s phone, go into the settings and change their calendar to the Buddhist one. Suddenly, they’re living in the 2560s. Maybe try to convince them they have just woken up from a coma.
Matt Parker (Humble Pi: A Comedy of Maths Errors)
Before Charlotte could utter a syllable, Tristan picked up her gloved hand and kissed her lightly on the knuckles. “Good day, Charlotte,” he said. “Good day,” she answered. She turned to bid farewell to Lady Rosalind, but she seemed to have disappeared. Numbly, she descended the front steps toward a waiting Rothbury, who only had eyes for the Devines’ front door, looking quite like he wanted to murder someone. “Perfection, dear brother,” Rosalind proclaimed, while peeking out the little window next to the door. “Utter perfection.” Slipping a finger inside his cravat to loosen it a bit, Tristan craned his neck from side to side, easing the building tension. “If he kills me, I’ll see to it that you get hanged for murder as well.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
It's a simple choice! We can all be good boys and wear our letter sweaters around and get our little degrees and find some nice girl to settle, you know, down with... Take up what a friend of ours calls the hearty challenges of lawn care... Or we can blaze! Become legends in our own time, strike fear in the hearts of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race satan himslef till he wheezes fiery cinders down the back straight away... They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a guy, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by god, let out demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
And with every massive success you notch up, you ask for and get more money, not because you want it to buy things with but because it’s the only reliable way in this business of keeping score. If you’re getting x every night but your best friend and deadliest rival is getting x+1, it’s enough to break your heart. So you try harder, and harder still.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
My guess is, they couldn't sleep, and they had the kind of generous nature that reckons insomnia isn't something you hoard all for yourself, you share it with your friends and loved ones.
K.J. Parker (Sixteen Ways to Defend a Walled City (The Siege, #1))
It took nearly a year to finish the ever-changing [marriage candidates] list, with the assistance of his sister and his aging spinster aunt, who lorded over their affairs as the self-appointed voice of cultivated reason. During this time, Gabriel struggled to convince straight-from-Oxford Tristan that he must marry, produce heirs, and maintain the family dukedom for Gabriel himself wouldn't marry. He knew he simply did not have the compulsion to inflict that sort of aggravation on a woman.
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
Seasons is a wise metaphor for the movement of life, I think. It suggests that life is neither a battlefield nor a game of chance but something infinitely richer, more promising, more real. The notion that our lives are like the eternal cycle of the seasons does not deny the struggle or the joy, the loss or the gain, the darkness or the light, but encourages us to embrace it all-and to find in all of it opportunities for growth. If we lived close to nature in an agricultural society, the seasons as metaphor and fact would continually frame our lives. But the master metaphor of our era does not come from agriculture-it comes from manufacturing. We do not believe that we "grow" our lives-we believe that we "make" them. Just listen to how we use the word in everyday speech: we make time, make friends, snake meaning, make money, make a living, make love. I once heard Alan Watts observe that a Chinese child will ask, "How does a baby grow?" But an American child will ask, "How do you make a baby?" From an early age, we absorb our culture's arrogant conviction that we manufacture everything, reducing the world to mere "raw material" that lacks all value until we impose our designs and labor on it.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
I look out the backseat window of the car filled with all of my best friends and rest my eyes on the moon, and I wonder: how can it be that the moon is surrounded by all of the stars in the nighttime sky, and yet it still looks so isolated from the rest of the universe around it? - lonely ≠ alone
Parker Lee (DROPKICKromance)
Four be the things I am wiser to know: Idleness, sorrow, a friend, or a foe. Four be the things I'd been better without: Love, curiosity, freckles, and doubt. Three be the things I shall never attain: Envy, content, and sufficient Champagne. Three be the things I shall have till I die: Laughter and hope, and a sock in the eye.
Dorothy Parker
Cynthia Parker had starved herself to death when she was returned to her white relatives. So had Temple Friend. Other returned captives had become alcoholics, solitaries, strange people. They were all odd, the returned captives. All peculiar with minds oddly formed, never quite one thing or another. As Doris had said back in Spanish Fort, all those captured as children and returned were restless and hungry for some spiritual solace, abandoned by two cultures, dark shooting stars lost in the outer heavens.
Paulette Jiles (News of the World)
sexy.” “I’m not interested in funny and sexy with Malcolm Kavanaugh.” “Parker, if you weren’t interested, on some level, you’d have flicked him off like lint on a lapel. He . . .” Laurel searched for the right word. “He intrigues you.” “No, he . . . Maybe.” “As your friend, let me say it’s nice to see you intrigued by a man, especially since I like the
Nora Roberts (Happy Ever After (Bride Quartet, #4))
Parker and I are good...friends." "Seriously?" Martha quirked an eyebrow. "What're ya'll for real? A couple? I swear you look as smitten as a bull in a herd of...other bulls.
Kerry Adrienne (Cruise Control)
Madelyn knew her aunt, drunk or sober, simply did not have the continuity of thought to see beyond her opinions to the implied insult.
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
Even the devil needs a friend.
Parker S. Huntington (Darling Venom)
E.M. Forster, who said that if he had to choose between betraying his country and betraying his friend, he hoped he’d have the courage to betray his country.
Robert B. Parker (Cold Service (Spenser, #32))
My friend’s mum said he’s very handsome. He’s quite old.” A regretful addendum. “But I think he is handsome. It’s a pity you’re Uncle Nick’s cake, or maybe you could be my dad’s girlfriend.
Lucy Parker (Headliners (London Celebrities, #5))
He was a stranger here. The people who might remember him would certainly not welcome him. His old gang had cast him out, along with all of the former friends and parents. The suburban landscape of hypocrisy, so hated in his youth, beheld again and with it, old feelings that motivated him through life more than he would ever admit. Every turning point in life, already decided by all the events here
Jaime Allison Parker (The Delta Highway)
That's what love is, Marissa. It's not magic or voodoo. It's real. You can explain it. I an tell you exactly why I love Sarah." I hold my hand out and, thank God, Sarah gently interlaces her fingers with mine. 'I had lots of friends when I was little but by the time I turned eight they were mostly gone. It turns out blind Parker with a dead mom wasn't nearly as much fun as she was before the accident. I couldn't run around and play and I cried all the time and knocked over everything and turned into a royal bitch and one by one my friends disappeared until there were only two left. I'm not saying they were the only one who understood me or were nice, just that they were the ones who didn't go off and find easier people to be friends with. I love Sarah because she's been my best fiend and stayed that way when it got really really hard to be my friend at all.
Eric Lindstrom
By the time a woman arrives at an abortion clinic and places herself in my care, she has faced a world of judgment and found that everyone—her boyfriend, her own mother, her pastor, her best friend—has something to say.
Willie Parker (Life's Work: A Moral Argument for Choice)
My lord? Are you all right?" Rothbury inhaled the fresh, almost lemon-tinged air wafting before him, the scent seeping deep into his lungs coaxing forth an unexpected pang of responsiveness. Eyes of sapphire blurred and spun before his gaze. "'Tempt not a desperate man.'" "I believe that's enough Shakespeare for one evening, my lord." For a moment the air seemed to sparkle about her head, causing him added confusion. "Are you an angel?" he heard himself mutter.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Depression was, indeed, the hand of a friend trying to press me down to ground on which it was safe to stand—the ground of my own truth, my own nature, with its complex mix of limits and gifts, liabilities and assets, darkness and light.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
It’s destiny; the stars have aligned perfectly to bring us together as friends. You cannot argue with what’s meant to be, once the stars have spoken, it is absolute,” he uttered, all smug and knowing. Shocked that he used the word destiny, I cocked my head and shot him a look—for the first time actually seeing Parker. He was pretty…too pretty to be a guy; streaky blond hair—as if each streak had been strategically placed—dark eyes, pale skin, and a charming smile that dimpled in one cheek. “Destiny has already found me, with a clearly marked path for my future,” I retorted. “Then you are doubly fortunate, to have it find you twice.” Parker smiled again, his eyes eerily piercing into mine. Parker and Danielle
Deborah Ann
According to voluminous Twitter postings the day of the shooting by Caitie Parker, one of Loughner’s friends since high school, he was “left wing,” “a political radical,” “quite liberal,” and “a pot head.”2 If any public figure influenced this guy, my money’s on Bill Maher.
Ann Coulter (Demonic: How the Liberal Mob is Endangering America)
Confession: I miss you." "Ian ..." "Confession: you're my best friend." "Please stop." "Confession: if you gave me the chance, I'd love you until forever." I swallowed hard as I watched him walk toward me. I was standing right in the middle of pig manure, doing the most disgusting job, looking as if I hadn't slept in days, and Ian Parker was telling me how he wanted to love me forever. He continued on. "Confession: you are my sun, my moon, and my stars. Confession: whatever's hurting you, we can fix together. Confession: I'm never going to give up on this." I didn't know how it happened. I didn't know how my hands found his or how our bodies became pressed together. I didn't know how his forehead fell to mine of how my heartbeats increased erratically. I didn't know how his lips fell so close to mine or how his exhalations became my inhalations. But there we were, seconds away from our lips locking together, and me falling into a drunkenness that I'd never be able to recover from. If I started kissing Ian, I knew I'd never be able to stop. He was it for me. He was the hook, the bridge, and the melody.
Brittainy C. Cherry (The Wreckage of Us)
Go on, Charlotte," came a dark whisper from her left. "Take a bite." She turned to see Rothbury smiling devilishly. Heat billowed up from her belly as she stared at his mouth. Images of their kiss swam into her vision. She blinked them away. She licked her lips. He watched, licking his own.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Listen, we’re going to have to learn to get along if we’re going to be spending the next three months together. So how about a truce? I won’t judge you if you agree not to judge me.” “I don’t make promises that I know I won’t be able to keep. We’ll take it a minute at a time.” “Deal. So let’s start over. I’m Jake Parker, and I’m not the womanizing asshole that the media portrays me as.” “I’m Aubrey Thompson. I am opinionated and downright uncensored. Fair warning.” I shrugged. “Nice to meet you uncensored, opinionated Aubrey. How old are you?” “Twenty-three, almost twenty-four.” “I’m twenty-five, almost twenty-six.” “Well, almost twenty-six year old Jake I’d really like to get back to this.” I held my e-reader up. “I like you Aubrey. I can tell by your sarcastic undertones, rude comments and sheer lack of common decency that we’re going to friends in no time. I can just tell.” “Whatever you say, Boss.” I grumbled.
Sophie Monroe (Battlescars (Battlescars, #1))
Heard you had to give a tour today,” Will says as if he’s reading my mind. “Smart of Pioneer to send you to do it—not that I’m glad he did, but I’m sure it made it hard for that guy to see anything around here besides you.” “You’re crazy.” My cheeks flush. “No, just honest,” he says, and kisses my blush-heated cheeks. “By the way, nice bed-head.” “Shut up.” I pinch him in the stomach and he grunts. “No, really, I like it. It kind of goes with the little bit of toothpaste you’ve got right there.” He wipes a finger against the corner of my mouth. “Thanks for the heads-up, Marie,” I whisper, and pretend to glare at her. She giggles. “What’re friends for?
Amy Christine Parker (Gated (Gated, #1))
Pat Parker’s poem “For the White Person Who Wants to Know How to Be My Friend” begins with two pieces of advice: “The first thing you do is to forget that i’m Black. / Second, you must never forget that i’m Black.” After building a story of sameness and years of feeling in sync about almost everything, Ann had grasped the first rule but neglected the second.
Aminatou Sow (Big Friendship: How We Keep Each Other Close)
Shortly, she passed what she assumed was the center: a wide expanse of lawn, a white garden bench at each end, and a circular pond enlivened with water lilies and irises. Just like the rest of Aubry Park, at least what she had seen of it, the center of the labyrinth was a charming surprise. A place where she might be inclined to sit and read under other circumstances.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Do it again," she whispered, tilting her head, offering her mouth to him. Staring down at her swollen bottom lip, he gave it a little lick. A small, soft moan sounded from the back of her throat. "Ask nicely," he whispered. "Please." She gave a lock of hair at his neck an impatient tug. He came undone. Delving his tongue inside her sweet mouth, he walked her backward until her back met one of the pillars. With one hand cradling the back of her head for protection, his other hand held her hip immobilized, under his control. Rhythmically, he sank his tongue into her honeyed depths, mimicking the motion of making love. She whimpered, the sound a desperate plea. Her fingers threaded through the damp hair at the base of his neck; her other hand clutched at his forearm. He squeezed her hip, his long fingers digging into her soft bottom as he rocked her into his arousal. For several moments, she ground her hips against him as he plundered her mouth. The kiss was no longer enough. He wanted to take her. Right here, right now. His fingertips trailed down the back of her neck to caress her shoulder, her arm, her breast. His breath hitched when she pushed herself more firmly into his hand. She wanted his touch. He complied of course: he would never deny her. Gently he kneaded her through the fabric of her dress, purposely passing his thumb over the hardened tip. She made a small sound of pleasure that nearly pushed him over the edge. The manor, the rain, the mud disappeared. Reason and practicality were momentarily suspended. Nothing mattered in those moments. Nothing but the ever-escalating power of their passion.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
I click on the list of attendees, furiously scanning for his name. Yes, there it is. There he is, eyes crinkling away at me from his profile photo, his right arm around someone out of shot. Sam Parker is attending this event. Why hasn’t he said anything to me? Obviously we hardly spend hours chatting, but he could have mentioned it when I was dropping Henry off. Maybe he’s hoping I don’t find out about it
Laura Marshall (Friend Request)
For the white person who wants to know how to be my friend The first thing you do is to forget that i’m Black. Second, you must never forget that i’m Black. You should be able to dig Aretha, but don’t play her every time i come over. And if you decide to play Beethoven – don’t tell me his life story. They made us take music appreciation too. Eat soul food if you like it, but don’t expect me to locate your restaurants or cook it for you. And if some Black person insults you, mugs you, rapes your sister, rapes you, rips your house, or is just being an ass – please, do not apologize to me for wanting to do them bodily harm. It makes me wonder if you’re foolish. And even if you really believe Blacks are better lovers than whites – don’t tell me. I start thinking of charging stud fees. In other words – if you really want to be my friend – don’t make a labor of it. I’m lazy. Remember.
Pat Parker
Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center. She cried out his name and he knew she was shocked at his behavior, but he didn't care. He devoured her, holding her tightly against his mouth as he drank her. Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements. He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds. She screamed. And he continued his sweet torture until her knees buckled. He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment. In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs. Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss. His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Do you know what I think?"she asked, rearranging the blanket to wear around her shoulders like a shawl. "Not this again." "I think there's more to you than you let people believe. I think you actually do care what people think. Oh sure, it's fun having everyone think you're dangerous and cold, but inside, where it matters, you're just warm pudding." "Warm pudding?" "Quite," she uttered confidently, with a firm nod. The things that came out of that woman's mouth never failed to astound him. "Well, I'm going to... to leave now," he said slowly, as if he thought her the strangest creature on earth- just to tease her. When she laughed at herself, he smiled and muttered, "Good night, my sweet Charlotte." Fists on the edge of the couch, he made to push himself up. "Wait," she said. And he froze. Slowly, she sat up more fully, swinging her legs down. Which put her knees between his planted fists. He couldn't help but give a low chuckle. "Charlotte, if I didn't know you better, I would venture to say that you are deliberately tempting me." "Tempting you to what?" she asked, her tone utterly oblivious. He had had enough. "Remember that little problem I forewarned you about? The one about a man and a woman never being able to become friends because lust gets in the way? That eventually, one or both of us would end up wanting something very intimate from the other?" She nodded jerkily. "Well, I'm there. I've been there. For years.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Charlotte groaned feverishly, a tension building within her core that begged for release. Grunting, he lifted his hips slightly, expertly angling his body so that part of him pressed against the nubbin of flesh. She called out his name, clasping his shoulders. Her hips pumped furiously now, a building, pulsing ache growing and growing, winding tighter and tighter still. Until it exploded. And then they both cried out, surging upward and down, their bodies shaking with pleasure.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Diana took some small satisfaction when a Sunday newspaper accurately detailed Camilla’s comings and goings, even reporting on the unmarked Ford estate car the Prince uses to drive the twelve miles to Middlewich House. This was further authenticated by a former policeman at Highgrove, Andrew Jacques, who sold his story to a national newspaper. “Mrs Parker-Bowles certainly figures larger in the Prince’s life at Highgrove than Princess Di,” he claimed, a view endorsed by many of Diana’s friends.
Andrew Morton (Diana: Her True Story in Her Own Words)
Her eyes tried to adjust to the darkness, but she could barely see her hand in front of her face. Just when she was about to rush back up the steps, a large, warm hand settled at her waist. She turned, giving a jolted whimper as Rothbury's lips settled atop hers. His mouth was hot, ravenous, intoxicating. She had no idea where his gloves had gone, but his hands were bare, sliding up and down her back, cupping her backside and holding her tightly to him. Charlotte groaned at his glorious siege of her senses. She wanted to touch him as well, only it took extreme concentration to do something as raise her arms. Gliding her hands up his strong arms and then his neck, she sunk her fingers into his thick hair at his nape, pressing herself closer to him, needing him to touch her more. He spun her around, pushing her back against the stone wall of the terrace. With a finger at her bottom lip, he easily coaxed her open, sinking his tongue inside to mate with hers. Surely, her bones were melting.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
This kiss, this first kiss, was not subtle, soft or gentle. It was as if they were ravenous for each other. She opened so easily for him. He didn't expect this reaction from her. Truly, he hadn't expected to kiss her today. But as their mouths joined, their lips caressing, moving hungrily, steadily becoming more demanding, he wondered why he hadn't done this sooner. "I could kiss you for hours," he drawled hotly against her mouth. "Possibly for days." It felt as if he was savoring heaven. Something Rothbury never thought he would ever even glimpse let alone taste. She responded to his words by grasping at the sodden material of his linen shirt, her arms trapped in between their chests. The feel of her lush mouth under him was intoxicating. She tasted sweet, wet, the rivulets of rain upon their faces making the kiss wilder, hotter somehow. His lips moved hotly over hers. He had thought about this moment for so long, and now that it was actually happening... it was better than he ever imagined it could be.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Most of her friends owned laptops and seemed to spend more time with their phones than anything else. Steffy kept her latest playlists and apps updated frequently. She was a member of what Peter called, The Gadget Generation. She could not imagine what it must have been like before such a time. The unbearable isolation that must have been present. How did people deal with it? When she asked a few older people in the town, they simply said she had too much spare time on her hands. It appeared thinking was a crime in the world she lived
Jaime Allison Parker (Justice of the Fox)
But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.
Yann Martel (Life of Pi)
Finally (and here is a sentence I never imagined writing), I thank my conversation partners on Facebook. A couple of years ago, my friend Finn Ryan set up a Facebook author page for me. Grateful as I was, my skepticism about the medium kept me from posting anything there until six months before I finished this book. I am very glad that I took the leap. The folks who share that space with me have helped me refine a number of key ideas, allowing me to write a better book than I could have written alone. Many thanks to all my Facebook “friends” as well as my face-to-face friends.
Parker J. Palmer (Healing the Heart of Democracy: The Courage to Create a Politics Worthy of the Human Spirit)
I believe the perception of what people think about DID is I might be crazy, unstable, and low functioning. After my diagnosis, I took a risk by sharing my story with a few friends. It was quite upsetting to lose a long term relationship with a friend because she could not accept my diagnosis. But it spurred me to take action. I wanted people to be informed that anyone can have DID and achieve highly functioning lives. I was successful in a career, I was married with children, and very active in numerous activities. I was highly functioning because I could dissociate the trauma from my life through my alters. Essentially, I survived because of DID. That's not to say I didn't fall down along the way. There were long term therapy visits, and plenty of hospitalizations for depression, medication adjustments, and suicide attempts. After a year, it became evident I was truly a patient with the diagnosis of DID from my therapist and psychiatrist. I had two choices. First, I could accept it and make choices about how I was going to deal with it. My therapist told me when faced with DID, a patient can learn to live with the live with the alters and make them part of one's life. Or, perhaps, the patient would like to have the alters integrate into one person, the host, so there are no more alters. Everyone is different. The patient and the therapist need to decide which is best for the patient. Secondly, the other choice was to resist having alters all together and be miserable, stuck in an existence that would continue to be crippling. Most people with DID are cognizant something is not right with themselves even if they are not properly diagnosed. My therapist was trustworthy, honest, and compassionate. Never for a moment did I believe she would steer me in the wrong direction. With her help and guidance, I chose to learn and understand my disorder. It was a turning point.
Esmay T. Parker (A Shimmer of Hope)
Rothbury," she whispered. "I need to feel you inside of me again." His eyes fluttered open, then met her gaze. Staring into her eyes, he positioned himself at her opening, then with one hand at her hip, he entered her slowly at first, thinking she must be tender from the day before. She arched against him, silently giving him leave to enter more fully. And he did, then, nearly losing himself in that second. Together they began to move, their rhythm steady and firm. Soon her moans grew desperate and her heels pressed into his buttocks. He increased the pace, pumping into her wildly now, determined to bring them both to utter bliss.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
So how, you might ask, do I exclude generously? This issue comes up a lot when I’m organizing large, complicated meetings for clients. These are some of the questions I ask them: Who not only fits but also helps fulfill the gathering’s purpose? Who threatens the purpose? Who, despite being irrelevant to the purpose, do you feel obliged to invite? When my clients answer the first two questions, they begin to grasp their gathering’s true purpose. Obviously people who fit and fulfill your gathering’s purpose need to be there. And, though this one is harder, people who manifestly threaten the purpose are easy to justify excluding. (That doesn’t mean they always end up being excluded. Politeness and habit often defeat the facilitator. But the hosts still know deep down who shouldn’t be there.) It is the third question where purpose begins to be tested. Someone threatens a gathering’s purpose? You can see why to keep him out. But what’s wrong with someone who’s irrelevant to the purpose? What’s wrong with inviting Bob? Every gathering has its Bobs. Bob in marketing. Bob your friend’s girlfriend’s brother. Bob your visiting aunt. Bob is perfectly pleasant and doesn’t actively sabotage your gathering. Most Bobs are grateful to be included. They sometimes bring extra effort or an extra bottle of wine. You’ve probably been a Bob. I certainly have. The crux of excluding thoughtfully and intentionally is mustering the courage to keep away your Bobs. It is to shift your perception so that you understand that people who aren’t fulfilling the purpose of your gathering are detracting from it, even if they do nothing to detract from it. This is because once they are actually in your presence, you (and other considerate guests) will want to welcome and include them, which takes time and attention away from what (and who) you’re actually there for. Particularly in smaller gatherings, every single person affects the dynamics of a group. Excluding well and purposefully is reframing who and what you are being generous to—your guests and your purpose.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
Tangled up in sheets and pillows, Charlotte scrambled rearward on her back using her elbows and heels. But the earl was too quick- even with the blindfold still in place. "Oh, no, you don't," he said with dark amusement. He crawled stealthily toward her, like a stalking panther, his tousled dark blond locks completely loose and hanging in his face. "You're not going anywhere until I find out who you are." The muscles of his chest rippled with his movements. For a second Charlotte felt paralyzed by her fascination. He was mesmerizing. Hesitating, she had to remind herself to keep moving backward, for some wicked part of her wanted to do nothing more than wait for him to catch her.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
It’s destiny; the stars have aligned perfectly to bring us together as friends. You cannot argue with what’s meant to be, once the stars have spoken, it is absolute,” he uttered, all smug and knowing. Shocked that he used the word destiny, I cocked my head and shot him a look—for the first time actually seeing Parker. He was pretty…too pretty to be a guy; streaky blond hair—as if each streak had been strategically placed—dark eyes, pale skin, and a charming smile that dimpled in one cheek. “Destiny has already found me, with a clearly marked path for my future,” I retorted. “Then you are doubly fortunate, to have it find you twice.” Parker smiled again, his eyes eerily piercing into mine.
Deborah Ann
It’s destiny; the stars have aligned perfectly to bring us together as friends. You cannot argue with what’s meant to be, once the stars have spoken, it is absolute,” he uttered, all smug and knowing. Shocked that he used the word destiny, I cocked my head and shot him a look—for the first time actually seeing Parker. He was pretty…too pretty to be a guy; streaky blond hair—as if each streak had been strategically placed—dark eyes, pale skin, and a charming smile that dimpled in one cheek. “Destiny has already found me, with a clearly marked path for my future,” I retorted. “Then you are doubly fortunate, to have it find you twice.” Parker smiled again, his eyes eerily piercing into mine.
Deborah Ann
You did say you would help me find a husband." "Didn't I?" he joked, meaning himself. She grinned. "A real one." "Good-bye my wife," he said, one side of his mouth lifting, a roguish gleam in his eye. "You are coming?" she persisted. "You promised to help me." She felt suddenly desperate. Not for finding a suitor before she found herself shackled to Witherby, but for Rothbury. Desperate to know what he was thinking. "I don't know," he said. "I was thinking of coming to Town for a slightly different reason." "And that is..." "To seduce my wife." And with that he knocked on the side of the carriage, signaling the driver to go, leaving Charlotte with a curious feeling deep in her belly, a flicker of heat. It wasn't fear, however. It was anticipation.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
These qualities—independence, contrariness, ambition, toughness, receptiveness to experience—are the blood supply to a creative mind and temperament; they are wellspring to imagination. The ferocity and peculiarity that shadowed him when he was a boy later made their own contributions to the man and to his poetry. Lowell recognized that he could be remarkable. When he was eighteen he wrote in a school essay that “the accomplishments of man are unlimited…when he places all the strength of his mind and body to the task, a new almost divine power takes possession of him.” The enlightened mind is “always questioning itself, always seeking means of self-improvement, and always striving for something higher.” While still in school, his friend Frank Parker
Kay Redfield Jamison (Robert Lowell, Setting the River on Fire: A Study of Genius, Mania, and Character)
Upon awakening from the cosmic sleep you will feel alive as ever. You will be met by your friends, family, and colleagues who made the transition before you. Naturally this will be a joyful experience. They will be dressed as you once knew them and at the age you remember them best. Your granddad, for example, may come as an old man, while a loved child will remain a child. Later you will discover that, in the afterlife world, we can live at any age we choose. Most probably prefer to exist in their prime; others may feel an affinity to a different age. Your bodily form easily shifts according to your will, as you are in reality a being of light. Recognizable forms, however, help in identifying each other, and making family and friends feel more comfortable.
Craig Hamilton-Parker (What to Do When You Are Dead: Life After Death, Heaven and the Afterlife)
Who’s that hot piece of cowboy standing with Nathan?” She pointed toward one end of the barn by a stack of hay bales. A scowl tightened all the muscles in his face as he followed the length of her arm to the direction of her fingertip. Before he could answer, she was already pulling him again. This time toward his cousin. “Nate, who’s your friend?” she asked, not bothering with hellos. Letting go of Caleb’s hand and leaving him feeling empty, she shifted her weight to her toes when she stopped in front of Preston. “Your eyes remind me of those old Sprite bottles. I found one at a flea market once. I think it’s still lying around somewhere in my room.” Nathan’s chuckle caught her attention. “Diana Alexander, let me introduce you to Preston Grant. He’s a childhood friend of mine and Caleb’s. Pres, this is Didi.” “Can I paint you naked?” she asked, unabashed, looking up at him. Nathan’s chuckles became full-blown laughter. She hiked her thumb at Caleb. His scowl deepened. “This one’s too shy.” “It’s nice to meet you, Didi,” Preston said. He seemed unperturbed by her request. The bastard. She danced to Nathan’s side and leaned in conspiratorially, not taking her eyes away from Preston. “Between you and me,” she whispered loud enough for Caleb and the object of her fascination to hear, “just how far does his tan go?” That had done it. The words came out of his mouth without thinking. “If you’re going to paint someone naked, it will be me.” With impatience running through his veins, he laced their fingers together and tugged. “Come on.
Kate Evangelista (No Love Allowed (Dodge Cove, #1))
I am indebted to the following colleagues for their advice, assistance, or support: Dr. Alfred Lerner, Dori Vakis, Robin Heck, Dr. Todd Dray, Dr. Robert Tull, and Dr. Sandy Chun. Thanks also to Lynette Parker of East San Jose Community Law Center for her advice about adoption procedures, and to Mr. Daoud Wahab for sharing his experiences in Afghanistan with me. I am grateful to my dear friend Tamim Ansary for his guidance and support and to the gang at the San Francisco Writers Workshop for their feedback and encouragement. I want to thank my father, my oldest friend and the inspiration for all that is noble in Baba; my mother who prayed for me and did nazr at every stage of this book’s writing; my aunt for buying me books when I was young. Thanks go out to Ali, Sandy, Daoud
Khaled Hosseini (The Kite Runner)
Hope told me tonight she wants to make a special pie for Beckett. Her cheeks turned pink. Like…she was embarrassed or some shit. She was also talking about finding her Prince Charming one day. What the fuck is up with that?” Grace shrugs. “She’s six.” “Exactly! She shouldn’t know what Prince Charming is.” She laughs, like it’s funny. “Sawyer, she’s the perfect age to learn about him. It’s a fairy tale.” “Fairy tale, my ass. She shouldn’t be thinking about meeting her Prince Charming or baking pies for any boys but her dad or her brother.” “Don’t be ridiculous. Beckett is just as much her friend as he is Parker’s, even though he picks on her most of the time. Although, Kayla thinks he has a crush on her.” I tense. “What crush? I thought we just established they’re fucking six.
K.C. Lynn (Sweet Love (The Sweet, #1))
A throbbing ache started to grow in her womb. She wanted more, wanted something... "Rothbury, please," she begged. "Please." And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her. "Open my trousers," he breathed. She complied. Soon he was freed, his hardness jutting upward, seeking her heat. "Look at me," he bit out through his teeth. As if through a haze, she met his heated, intense gaze. "This is the only time in my life I will ever hurt you." Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center. "Hold on," he said, his voice strained. Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment. "Do you want it?" She nodded and made some sort of noise, half whimper and half the word "yes." He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them. When she started to wriggle, he impaled her in one smooth, swift motion. She cried out, nearly surging off of him. "Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts." He kept very still, waiting for some sort of response from her, she imagined. Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more... And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful. Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him. "There you are, Charlotte," he murmured against her throat. "Better?" She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe. His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Oh, thank you! Thank you," she chirped, surprising him by bounding across the room and clasping him tight for a quick hug. His arms hung heavy and loose at his sides during her gentle siege. Rothbury had enchanted exotic opera singers into returning to his bed time and again. He had warmed coldhearted courtesans into confessing their undying love and he had seduced a number of beautiful, feisty women who were just as fickle in picking their lovers as he was. But Charlotte's hug unsettled him, knocked him off balance, one might say. He didn't want her to let go. But he wouldn't dare bring up his arms to hold her either. Without a doubt he knew if he indulged himself, all he felt, all he thought, would be exposed in the warmth of his embrace. And then there would be no turning back. He would be bared, revealed, humiliated.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
Rothbury inhaled the familiar lemon-tinged air wafting before him. He remained silent, ignoring the zing of awareness thrumming through him, and listened for the sound of footfalls instead. Whoever had entered the room, it was definitely a young woman. He'd bet one of his prized Arabians on it, but it wasn't Cordelia. She smelled perpetually of pungent roses, which he had been partial to in the beginning of their short love affair, but which now merely reminded him that the woman connected to it was just as clingy and thorny as the flower itself. But this scent- he inhaled deeply as it now surrounded him- inspired contentment, which was a miracle in itself, considering all he wanted to do presently was break free, find Lady Gilton, and throttle her elegant neck. "Who's there?" Rothbury demanded, his tone firm but quiet. He pulled at the twisted silk binds holding his wrists together behind him, noting they were finally starting to tear. "Come now," he said in a tone he used on skittish horses. "Tell me who's there.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.
Andrew Morton (Diana: Her True Story in Her Own Words)
It was about time he opened his eyes to see just to whom he was speaking. After several quick blinks, he managed to do just that, gazing up into a small, heart-shaped face. A pretty face. Not one of a curvy seductress or a cool-hearted courtesan, but a feminine, delicately featured face. He knew this face. He adored this face. "Miss Charlotte Greene," he stated finally, taking a risk and raising his head to get a better look. Sitting at his side, the white skirt of her thick night rail tucked around her legs, she smiled down at him with concerned eyes of deep blue. Gorgeous sapphire eyes often hidden behind the rims of small, round spectacles. Truthfully, she happened to be the complete opposite of what he was usually attracted to. She was a bit too thin, too short, and too quiet for his tastes, which had always leaned toward the voluptuous, the tall, and the spirited. Normally, she wasn't one to stand out. And he rather suspected she preferred it that way. However, while most young bucks readily discounted her merits and furtively joked about her quirky behavior behind her back, Rothbury had always sensed a subtle undercurrent of passion in her dark blue gaze. Unlike the "diamonds" of the ton and demimonde, who slinked across assembly rooms completely aware of their beauty and the power that accompanied it, Miss Greene moved like a woman who hadn't yet realized how utterly fetching she truly was. She clung to the walls, sometimes barely raising her eyes from the floor, rarely spoke but to her closest friends, and shied away from situations that demanded she converse with the opposite sex. Strange it was for him to notice those facets in such an unassuming woman. Strange it was he should have noticed her at all. But he always did. The second she walked into a room.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
And then in a swift, calculating move, Rothbury sprang forward, covering her body with his own. For a second her breath felt trapped in her chest and she was instantly immobile underneath his weight. His warm, hard thigh sat heavy between hers. Panting from exertion, a shameful lick of heat ignited deep in her belly. Effortlessly, he joined her wrists together, holding them above her head with only one hand while the long, blunt-tipped fingers of the other trailed a silky path down her cheek. "Who are you?" he whispered. Her breath hitched at the explosion of feeling and thought thrumming through her. He looked so dominant above her, so beautiful, like he was created specifically for seduction. None of her wicked imaginings had prepared her for the plethora of sensations he sparked with only his fingertips upon her face. Belatedly, she realized her body refused to listen to her mind. She had quit squirming. In fact, she had begun to relish the intoxicating feel of his long, lean-muscled body atop hers. His warm, bare chest pressed onto her bodice, his solid thigh planted firmly against her sex. Her eyes dipped to his mouth, which was partially open, baring his straight white teeth. All she would have to do was arch her neck and her mouth would fasten to his. She shivered, surprised and ashamed at the way her body reacted to him. She needed to escape before he discovered her identity. But her mind warred between what was right and what felt wonderful. In the end, years of dire warnings from her pious father about the sins of the flesh returned at least some of her good sense. "Get off of me," she demanded, albeit weakly. "Absolutely not," he growled, his breath feathering hotly against her mouth, her cheek, her neck. "I'll not let you get away now. Not before I find out who you are. Wanted a taste, did you?
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Splatters of mud stained Rothbury's fine lawn shirt, which clung slickly to the broad expanse of his back like a second skin. Having rolled up his sleeves at the onset of his task, his muscled arms were now streaked with mud and rain as were the tall boots and tight black breeches that hugged the sinewy muscles of his long, undoubtedly strong legs. Her admiring gaze alighted upon his golden-brown hair, which now looked more brown than golden as it was wet with perspiration and mist. A few locks lay plastered to his neck in wispy whorls. Charlotte suddenly felt overly warm. Seeing him... wet... somehow embarrassed her. It felt dark, intimate. Truly, if it weren't for the mud- and clothes- she rather thought this would be what he looked like after a bath. A shiver ran down her arms as her eyes drifted to the dewy trails of rain droplets that ran over his slightly bristled jaw and neck, disappearing in the nest of his loosely tied cravat. And then her hungry gaze raised... and connected with Rothbury's. All thoughts flew straight out of her head. Looking at her from over his shoulder, he straightened, his smile twisting with arrogance. Despite the chill in the air, her cheeks felt as if they were on fire. How long had he been watching her in-depth perusal? Long enough, she supposed, if the heated gleam in his eyes was any indication at all. She blinked, shaking her head hurriedly, hoping by that action she was silently telling him, "No, I definitely was not looking at you." He answered her gesture by nodding slowly, telling her he knew exactly what she had been doing and that he had caught her in the act. She gave her head another insistent shake. Still looking at her from over his shoulder, he sauntered back to the carriage, his smile broadening. He lifted his shoulder as if to say, "I don't care. Look all you want." She shook her head again, tightly. He winked. She gulped. And then he set back to work with the other men to free the carriage.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
Adam M. Grant (Originals: How Non-Conformists Move the World)