“
You don't have to laugh out loud to mock someone.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
Even mocking people helped their face stats. In the reputation economy, the only real way to hurt anyone was to ignore them completely. And it was pretty hard to ignore someone who made your blood boil.
”
”
Scott Westerfeld (Extras (Uglies, #4))
“
Once born into childlike faith, brimming with belief, typical people begin to lose their faith. Society mocks them. Their friends smirk. They come to change the world, but over time the world changes them. Soon they forget who they were; they forget the faith they once had. Then one day someone tells them the truth, but they don’t want to go back, because they’re comfortable in their new skin. Being a stranger in this world is never easy.
”
”
Ted Dekker (Saint (Paradise, #2))
“
Mocking someone else to make us seem deep or intelligent only proves the exact opposite.
”
”
Kasie West (The Fill-In Boyfriend)
“
And still the brain continues to yearn, continues to burn, foolishly, with desire. My old man's brain is mocked by a body that still longs to stretch in the sun and form a beautiful shape in someone else's gaze, to lie under a blue sky and dream of helpless, selfless love, to behold itself, illuminated, in the golden light of another's eyes.
”
”
Meg Rosoff (What I Was)
“
That drew a mocking laugh from Lillian. “Really, someone should tell St. Vincent that he’s a living cliché. He has become the embodiment of everything they say about reformed rakes.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of 'parties' with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter — they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship — but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
One for sorrow, two for joy, three for a girl . . . Three for a girl. I’m stuck on three, I just can’t get any further. My head is thick with sounds, my mouth thick with blood. Three for a girl. I can hear the magpies—they’re laughing, mocking me, a raucous cackling. A tiding. Bad tidings. I can see them now, black against the sun. Not the birds, something else. Someone’s coming. Someone is speaking to me. Now look. Now look what you made me do.
”
”
Paula Hawkins (The Girl on the Train)
“
I felt mocked. "That's what I get for trusting you."
He took a step back. "Excuse me! Trust doesn't mean you get the response you want from someone, but that you'll get an honest response, and that the other person will stick by you even when you can't agree."
Stick by you for how long, through how much? I wondered. What is the expiration date on trust?
”
”
Elizabeth Chandler (The Deep End of Fear (Dark Secrets, #4))
“
A lot of people mock fandom and fan fiction, like it's lazy to base your own creativity and passion on someone else's work. But some of us need a stepping-stone to start. What's wrong with finding joy in making something, regardless of the inspiration?
”
”
Felicia Day (You're Never Weird on the Internet (Almost))
“
How strange, Royce thought, that, after emerging victorious from more than a hundred real battles, the greatest moment of triumph he had ever known had come to him on a mock battlefield where he'd stood alone, unhorsed, and defeated. This morning, his life had seemed as bleak as death. Tonight, he held joy in his arms. Someone or something—fate or fortune or Jenny's God—had looked down upon him this morning and seen his anguish. And, for some reason, Jenny had been given back to him.
Closing his eyes, Royce brushed a kiss against her smooth forehead. Thank you, he thought.
And in his heart, he could have sworn he heard a voice answer, You're welcome.
”
”
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
“
Make sure your fun is not mocking someone’s pain and your enjoyment is not another’s suffering. The melody of your ears must not be the cries of a powerless.
”
”
Shahla Khan (Friends With Benefits: Rethinking Friendship, Dating & Violence)
“
When we entered the first chamber of the dungeon, the stench made me recoil. It smelled like someone had mixed together kerosene, rotten fruit, stale blood, urine, and dog shit, then blown it up. How had I not noticed this before? I wasn't even breathing, but the rancid odor found its way into my nose anyway.
"This place stink."
"Did the guards forget to spray Febreze?" Vlad asked in mock indignation. Then he gave me a jaded look. "It s a dungeon, Leila. They re supposed to smell."
Mission accomplished. The stench might have actually killed my new appetite. If Hell could fart, it would smell like this.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.
”
”
Pauline Kael (For Keeps: 30 Years at the Movies)
“
It's our first Elysium together, Ash. They'll be expecting us. Both of us."
He moaned and grabbed another pillow, covering his eyes.
"No playing hooky and insulting the Winter Queen. I'm not doing this by myself." I took the second pillow, tossing it on the floor, and mock-glared at him. "Up."
He regarded me with a wry smile. "You're awfully perky for someone who kept me up all night."
"Hey, you started it remember?
”
”
Julie Kagawa (The Iron Legends (The Iron Fey, #1.5, 3.5, 4.5))
“
Don’t deceive yourself; laughing at someone’s weakness is not the way to reveal your strength. Your strength is in the help you offer, not the mockeries you deliver!
”
”
Israelmore Ayivor (Daily Drive 365)
“
No one can heal you. You must learn to be your own company, your own cure. You cannot retreat into someone else for fulfillment.
”
”
Janet Mock (Surpassing Certainty: What My Twenties Taught Me)
“
I'm not going to roll the window down," I told him. "This car doesn't have automatic windows. I'd have to pull over and go around and lower it manually. Besides, it's cold outside, and unlike you, I don't have a fur coat."
He lifted his lip in a mock snarl and put his nose on the dashboard with a thump.
"You're smearing the windshield," I told him.
He looked at me and deliberately ran his nose across his side of the glass.
I rolled my eyes. "Oh, that was mature. The last time I saw someone do something that grown-up was when my little sister was twelve.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
Who do you want to turn into?" I mean the question to be mocking, but that's not how it comes out. I sound interested. I reach down and scratch my leg, trying to hid my embarrassment.
Bishop looks at me. "Someone honest. Someone who tries to do the right thing. Someone who follows his own heart, even if it disappoints people." He pauses. "Someone brave enough to be all those things."
A boy who doesn't want to lie, married to a girl who can't tell the truth. If there is a God, he has a sick sense of humor.
”
”
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
“
When you’re a weird kid, you learn to put guardrails around the things you love. You keep them hidden heart-deep, lest someone try to take them, mock them, or co-opt them out of cruelty or just plain clumsiness.
”
”
Pam Grossman (Waking the Witch: Reflections on Women, Magic, and Power)
“
One last chance. That’s all I’m asking.” He had lost count of the number of last chances he had wasted. “Just one more. God!” He had never believed in God for an instant. “Fates!” He had never believed in Fates either. “Anyone!” He had never believed in anything much beyond the next drink. “Just one… more… chance.”
“Alright. One more.”
Cosca blinked. “God? Is that… you?”
Someone chuckled. A woman’s voice, and a sharp, mocking, most ungodlike sort of a chuckle. “You can kneel if you like, Cosca.
”
”
Joe Abercrombie (Best Served Cold)
“
When someone calls another individual ugly, all I see is that the one doing the insulting becomes instantly less beautiful. Consider it a compliment to be mocked for being different.
”
”
Dita Von Teese (Your Beauty Mark: The Ultimate Guide to Eccentric Glamour)
“
What is patriotism? Let us begin with what patriotism is not. It is not patriotic to dodge the draft and to mock war heroes and their families. It is not patriotic to discriminate against active-duty members of the armed forces in one’s companies, or to campaign to keep disabled veterans away from one’s property. It is not patriotic to compare one’s search for sexual partners in New York with the military service in Vietnam that one has dodged. It is not patriotic to avoid paying taxes, especially when American working families do pay. It is not patriotic to ask those working, taxpaying American families to finance one’s own presidential campaign, and then to spend their contributions in one’s own companies. It is not patriotic to admire foreign dictators. It is not patriotic to cultivate a relationship with Muammar Gaddafi; or to say that Bashar al-Assad and Vladimir Putin are superior leaders. It is not patriotic to call upon Russia to intervene in an American presidential election. It is not patriotic to cite Russian propaganda at rallies. It is not patriotic to share an adviser with Russian oligarchs. It is not patriotic to solicit foreign policy advice from someone who owns shares in a Russian energy company. It is not patriotic to read a foreign policy speech written by someone on the payroll of a Russian energy company. It is not patriotic to appoint a national security adviser who has taken money from a Russian propaganda organ. It is not patriotic to appoint as secretary of state an oilman with Russian financial interests who is the director of a Russian-American energy company and has received the “Order of Friendship” from Putin. The point is not that Russia and America must be enemies. The point is that patriotism involves serving your own country. The
”
”
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
“
Humans are often more stupid than they realize. Because of our weaknesses are so easily exploited. Just like a child's clumsy fingers messing up the buttons on a shirt. It's easy to mock someone who buttoned his shirt wrongly. It's easy to mock someone who had buttoned wrongly yet remains oblivious to it. But there are also people who completely fail to realize that they buttoned them all wrongly. Just a moment's error, a wrong choice, traps us on the road of no return. But who can reprimand them for that? Why can't humans be lonely? Why can't we yearn for those right by our side? On such a cold lonely night, who can stand to bear it alone? Imagine the fright when we realize the severity of our mistakes. Whoever said love was a happy affair?
”
”
Yuuri Eda (恋とは呼べない 3)
“
In an age of fear, moderation is hard to find and harder to sustain. Who wants to listen to a nuanced argument, when what we want is someone to relieve us from the burden of thought and convince us that we were right all along? So people mock. They blame. They caricature. They demonise. In an age of anxiety, few can hear the still small voice that the Bible tells us is the voice of God.
”
”
Jonathan Sacks (The Great Partnership: Science, Religion, and the Search for Meaning)
“
The search for fusion regularly gives rise to various symptoms. Our own psyche knows what is right for us, knows what is developmentally demanded. When we use the Other to avoid our own task, we may be able to fool ourselves for awhile, but the soul will not be mocked. It will express its protest in physical ailments, activated complexes and disturbing dreams. The soul wishes its fullest expression; it is here, as Rumi expressed it, 'for its own joy.'
Let's continue the fantasy of finding an Other willing to carry our individuation task for us. Well, in time, that Other would grow to resent us, even though he or she was a willing signatory to the silent contract. That resentment would leak into the relationship and corrode it. No one is angrier that someone doing 'the right thing' and secretly wishing for something else.
”
”
James Hollis (Eden Project: In Search of the Magical Other (Studies in Jungian Psychology By Jungian Analysts, 79))
“
Hearts don't start out frozen," Cassandra said wisely. "Something happened to you."
Mr. Severin gave her a slightly mocking glance. "How do you know so much about the heart?"
"I've read novels-" Cassandra began earnestly, and was disgruntled to hear his quiet laugh. "Many of them. You don't think a person can learn things from reading novels?"
"Nothing that actually applies to life." But the blue-green eyes contained a friendly sparkle, as if he found her charming.
"But life is what novels are about. A novel can contain more truth than a thousand newspaper articles or scientific papers. It can make you imagine, just for a little while, that you're someone else- and then you understand more about people who are different from you."
The way he listened to her was so very flattering, so careful and interested, as if he were collecting her words like flowers to be pressed in a book. "I stand corrected," he said. "I see I'll have to read one.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Finders keepers!" Ian shouted, scooping up the overlay and hopping onto a rock outcropping.
"You cheater!" Amy was furious. No way was he going to get away with that. She climbed the rock, matching him step for step until she reached the top. There he turned to her, panting for breath. "Not bad for a Cahill," he said, grinning.
"You --y-y-you--" The words caught in her throat, the way they always did. He was staring at her, his eyes dancing with laughter, making her so knotted up with anger and hatred that she thought she would explode. "C-c-can't--"
But in that moment, something totally weird happened. Maybe it was a flip of his head, a movement in his eyebrow, she couldn't tell. But it was as if someone had suddenly held a painting at a different angle, and what appeared to be a stormy sea transformed into a bright bouquet -- a trick of the eye that proved everything was just a matter of perspective. His eyes were not mocking at all. They were inviting her, asking her to laugh along. Suddenly, her rage billowed up and blew off in wisps, like a cloud. "You're ... a Cahill, too," she replied.
"Touche."
His eyes didn't move a millimeter from hers.
This time she met his gaze. Solidly. This time she didn't feel like apologizing or attacking or running away. She wouldn't have minded if he just stared like that all day.
”
”
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
“
You entered,
Abrupt like “Take it!”,
Mauling suede gloves, you tarried,
And said:
“You know,-
I’m soon getting married.”
Get married then.
It’s all right,
I can handle it.
You see - I’m calm, of course!
Like the pulse
Of a corpse.
Remember?
You used to say:
“Jack London,
Money,
Love and ardour,”--
I saw one thing only:
You were La Gioconda,
Which had to be stolen!
And someone stole you.
Again in love, I shall start gambling,
With fire illuminating the arch of my eyebrows.
And why not?
Sometimes, the homeless ramblers
Will seek to find shelter in a burnt down house!
You’re mocking me?
“You’ve fewer emeralds of madness
than a beggar kopecks, there’s no disproving this!”
But remember
Pompeii came to end thus
When somebody teased Vesuvius!
Hey!
Gentlemen!
You care for
Sacrilege,
Crime
And war.
But have you seen
The frightening terror
Of my face
When
It’s
Perfectly calm?
And I feel-
“I”
Is too small to fit me.
Someone inside me is getting smothered.
”
”
Vladimir Mayakovsky
“
When your life isn’t interesting, you tend to focus on other people. You seek excitement and attention from hating others and provoking reactions. This is why memes are so popular on the Internet. People want others to laugh at their attempts at mocking someone else. They’ll do it for likes, comments and shares – for instant gratification.
”
”
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness: OVER 2 MILLION COPIES SOLD)
“
He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree-hidden cliff across the lake.
Some morning from the boulder-broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter-love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff's talus on the other side,
And then in the far-distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush--and that was all.
”
”
Robert Frost
“
If you sense that someone feels disconnected, reach out to them," the speaker urges. "buy them a soda. Compliment their new hairdo. It'll make them feel better, and you'll feel better knowing you've been a channel of grace."
Jolene leans over and whispers, "My pen is feeling disconnected. Will you be a channel of grave and get it for me?"
**********
Chelsea, quit picking at your scab," a girl in front of me says to her friend as we file out. "It's gross." Then she gasps in mock horror. "Or maybe it's a cry for help! Be strong, Chelsea! Stay with the living!
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
The worst part about losing someone you love—besides the agony of never getting to see them again—are the things you never said. The unsaid stalks you, mocks you for thinking you had all the time in the world. None of us do.
”
”
Karen Marie Moning (Shadowfever (Fever #5))
“
Who said I was going to give it to you?” He smiled and took a step toward me. “Maybe I have secret love for Fitzwilliam Darcy. We do share a name. I also need to get a gift for someone who would love it.”
“If I can’t have it, no one can.” I narrowed my eyes in mock threat.
“Is that so?”
“You’ll have to pry it from my cold, dead fingers.” I backed into the bookshelf behind me.
“Maybe I just need to distract you long enough to steal it.” He put a hand on the shelf by my head.
“And how do you plan on doing that?” I licked my lips.
“I have a few ideas.” He moved his other hand, caging me in, and leaned down.
”
”
Nichole Chase (Suddenly Royal (The Royals, #1))
“
What is the difference between racism and casteism? Because caste and race are interwoven in America, it can be hard to separate the two. Any action or institution that mocks, harms, assumes, or attaches inferiority or stereotype on the basis of the social construct of race can be considered racism. Any action or structure that seeks to limit, hold back, or put someone in a defined ranking, seeks to keep someone in their place by elevating or denigrating that person on the basis of their perceived category, can be seen as casteism.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
I have one final hope, If I get double sixes, maybe he will change his mind, come back to me. As if to cast a magic spell, I blow on the dice just as Dex did...Just as it happened with our first roll, one die lands before its mate. On a six! I hold my breath. For a brief second, I see a mess of dots, and think I have boxcars again. I kneel, staring at the second die.
It is onle a five.
I have rolled an eleven, It is as if someone is mocking me, saying, Close, but no dice.
”
”
Emily Giffin
“
Question," says Christina, leaning forward. "The leaders who were watching your fear landscape...they were laughing at something."
"Oh?" I bite my lip hard. "I'm glad my terror amuses them."
"Any idea which obstacle it was?" she asks.
"No."
"You're lying," she says. "You always bite the inside of your cheek when you lie. It's your tell."
I stop biting the inside of my cheek.
"Will's is pinching his lips together, if it makes you feel better," she adds.
Will covers his mouth immediately.
"Okay,fine.I was afraid of...intimacy," I say.
"Intimacy," repeats Chrstina. "Like...sex?"
I tense up.And force myself to nod.Even if it was just Christina, and no one else was around,I would still want to strangle her right now. I go over a few ways to inflict maximum injury with minimum force in my head. I try to throw flames from my eyes.
Will laughs.
"What was that like?" she says. "I mean,did someone just...try to do it with you? Who was it?"
"Oh,you know. Faceless...unidentifiable male," I say. "How were your moths?"
"You promised you would never tell!" cries Christina,smacking my arm.
"Moths," repeats Will. "You're afraid of moths?"
"Not just a cloud of moths," she says, "like...a swarm of them. Everywhere. All those wings and legs and..." She shudders and shakes her head.
"Terrifying," Will says with mock seriousness. "That's my girl. Tough as cotton balls."
"Oh,shut up.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
But then, I daresay that tearing down other women is usually based on something no less frivolous than the insecurities of our fourteen-year-old selves. Why do we do it, ladies? Why do we gossip? Why do we rag on each other? Why do we say hello on Sunday mornings with the same tongues we use to lash others behind their backs a few days later? Does it make us feel better about ourselves? Does it make us feel safer to mock someone who has stepped outside of the parameters we deem acceptable? If we can point out their flaws, does doing so diminish our own? Of course it doesn’t. In fact, the stones we most often try and fling at others are the ones that have been thrown at us.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Never say you understand someone's pain if you haven't felt the same, because not only would you sound mocking but also ignorant.
”
”
Lolah Runda (Hikari Okami: Kitsune Series)
“
Every idea, both good and bad will definitely have an opposition. The fact that someone mocks your ideas and dreams does not mean they are bad. Take note!
”
”
Israelmore Ayivor (Daily Drive 365)
“
For someone’s ugliness or the congenital abnormality of their body or body part, if we cannot help but laugh, we ought to laugh, not at them, but at Mother Nature.
”
”
Mokokoma Mokhonoana
“
Don't mock someone's business just because yours have higher profits. The battle is against poverty not against each other
”
”
Daniel Friday Danzor
“
I asked Amren, "Are there spells to patch it up?"
"I'm looking," she said through her teeth. "It'd help if someone dragged their ass to a library to do more research."
"We are at your disposal," Cassian offered with a mock bow.
"I wasn't aware you could read," Amren said sweetly.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.
”
”
Édouard Levé (Suicide)
“
Hey," Marshall said, leaning beside me. "You okay? You look supremely pissed."
I smiled. "I'm absolutely fine."
"Is your boyfriend here on a date with someone else? Did you guys break up or something?" He seemed to be mocking me.
"Yep. We broke up," I said sarcastically. "I caught him sleeping with my sister and then she found out she was pregnant. It didn't work out between them, though, and he left her for that girl." I gestured at Sarah. "My sister's gonna take him on Jerry Springer."
Marshall raised an eyebrow. "You don't have a sister."
"And you don't have any brain cells.
”
”
C. Gray (My Heart Be Damned)
“
You're talking like the choices others made were the only choices someone could make given the choices you made." Mireya paused. "I think."
"That's quite a mouthful."
“But it's what you're thinking. Yes, you made specific choices, bad ones too. But the choices others make, they make them. You don't. Just because you made the wrong choices, doesn't mean you deserved everything bad that happens to you. Don't you see?"
"Not all the consequences are bad, Mireya," Faela said her voice soft.
”
”
Elizabeth C. Mock (Shatter (The Children of Man, #1))
“
To be fair, something strange had happened. Donald Trump won the election. There was a Maya Angelou quote that ricocheted across social media during the 2016 election: “When someone shows you who they are, believe them.” Trump showed us who he was gleefully, constantly. He mocked John McCain for being captured in Vietnam and suggested Ted Cruz’s father had helped assassinate JFK; he bragged about the size of his penis and mused that his whole life had been motivated by greed; he made no mystery of his bigotry or sexism; he called himself a genius while retweeting conspiracy theories in caps lock.
”
”
Ezra Klein (Why We're Polarized)
“
Are you fucking someone else?”
“We haven’t spoken in weeks.” I grit my teeth. “I haven’t seen you in weeks, and this is the first thing you ask me? How about, ‘Hello, Gillian. It’s been a long time since we last spoke. How are you?’”
“Hello, Gillian.” He mocks me, locking his eyes on mine. “It’s been a long time since we last spoke. How are you?” He doesn’t give me a chance to answer. “Are you fucking someone else?
”
”
Whitney G. (Turbulence (Turbulence, #1))
“
When, in the immediate postwar era, someone at Chrysler had designed a smaller, low-slung car, K. T. Keller, the company’s top executive, had mocked it. “Chrysler builds cars to sit in,” he said, “not to piss over.
”
”
David Halberstam (The Reckoning)
“
Rationalizing him and the glass pipe, Dad smoked crack, but he was not a crackhead; it was just something he did. To do something didn't define you, I thought.
I saw Dad through a dusty lens that distorted our relationship, as tarnished as his pipe. He was no longer just our father; he was his own person, with an identity and label and body separate from his relationship with us. He was someone who was judged outside of the lens of fatherhood, outside of our connection. When he was in the streets, he was not Dad. He was Charlie the crackhead.
”
”
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love So Much More)
“
Dr. Blockhead's mocking face was solemn for once. 'Modern science is wiping out deviant strains of the human form,' he said. 'In the twenty-first century, genetic engineering will do more than merely eliminate Siamese twins and alligator-skinned people. It will make it hard to find a person with even a slight overbite or a large nose. I can see that future and it makes me shudder. The future looks like- him'
Dr. Blockhead pointed at Mulder.
'Imagine going through your whole life looking like that,' said Dr. Blockhead.
Mulder shrugged. 'It's a tough job- but someone has to do it.
”
”
Les Martin (Humbug (The X-Files: Middle Grade, #5))
“
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but who is obviously calm, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to reenter and be riven. An acrobat after spinning through the air in a mockery of flight stands erect on his perch and mockingly takes his bow as if what he is being applauded for was easy for him and cost him nothing, although meanwhile he is covered with sweat and his smile is edged with a relief chilling to think about; he is indulging in a show-business style; he is pretending to be superhuman. I am bored with that and with here it has brought us. I admire the authority of being on one's knees in front of the event.
- Innocence, from My Mistress's Sparrow is Dead
”
”
Harold Brodkey
“
Once born into child like faith, brimming with belief, typical people began to lose their faith. Society mocks them. Their friends smirk. They come to change the world, but over time the world changes them. Soon they forget the faith they once had. Then one day someone tells them the truth, but they don't want to go back, because they're comfortable in their new skin. Being a stranger in this world is never easy.
”
”
Ted Dekker (Saint (Paradise, #2))
“
Good-girl-gone-queer Lindsay Lohan, divorced single mother Britney Spears, Caitlyn Jenner with her sultry poses, Kim Kardashian having the gall to show up on the cover of Vogue with her black husband: All of them are tied to the tracks and gleefully run over, less for what they've done than for the threat they pose to the idea that female sexuality fits within a familiar and safe pattern. If control over women's bodies were the sole point of the trainwreck, that would be terrifying enough. But it's only the beginning: Shame and fear are used to police pretty much every aspect of being female. After you've told someone what to do with her body, you need to tell her what to do with her mind.
”
”
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
“
What do you want?" Jake asked.
"Nothing. Can't I sit down for a chat with someone I once shared an egg with?"
"Trevor, you never chat with me. You mock me, you torment me, and sometimes you even say something profound. But you never chat. So spit it out and put me out of my misery.
”
”
Kat Attalla (Homeward Bound)
“
She mock shudders the way you do when you talk about someone’s misfortunes that have nothing to do with you, that don’t touch you, and never will. I’ve never hit a woman in my life, but for one minute I want to punch her in the face, give her a taste of the pain she’s so casually describing.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
”
”
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
“
Failure to put the relationship on a slower timetable may result in an act that was never intended in the first place. Another important principle is to avoid the circumstances where compromise is likely. A girl who wants to preserve her virginity should not find herself in a house or dorm room alone with someone to whom she is attracted. Nor should she single-date with someone she has reason not to trust. A guy who wants to be moral should stay away from the girl he knows would go to bed with him. Remember the words of Solomon to his son, “Keep to a path far from her, do not go near the door of her house” (Proverbs 5:8). I know this advice sounds very narrow in a day when virginity is mocked and chastity is considered old-fashioned. But I don’t apologize for it. The Scriptures are eternal, and God’s standards of right and wrong do not change with the whims of culture. He will honor and help those who are trying to follow His commandments. In fact, the apostle Paul said, “He will not let you be tempted beyond what you can bear” (1Corinthians 10:13). Hold that promise and continue to use your head. You’ll be glad you did.
”
”
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
“
There is something very interesting about bullies that make them special. You see, a bully is a coward; the bully is terribly afraid of the world around him, and he can’t stop himself from being in fear all the time. It is something organic that he can’t control. That is why the bully seems to have no discipline and never listen to authority or authoritarian commands. Now, another very interesting thing about the bully is that, as he is a coward, he needs to erase this feeling of panic of the world, by regaining control over reality. And the only way to do this is by picking the weakest link he can find, that is, the one that will not fight back, the safer victim around. This, however, does not mean that the victim is hopeless, weak or guilty of anything. The bully simply selects a target for his suppressed fear. If the victim reacts, the bully will have to start picking someone else to channel his endless frustrated sense of unworthiness. And although it is true that many people have the potential to be bullies, what makes the bully special is his lack of capacity to control himself, to stop himself or to feel ashamed of his own actions. Actually, the bully enjoys public performances of his cowardice the most, because that is how he feeds his very little ego and very weak personality. That is the only thing that makes his life worthy, for the bully has no sense of self-worth and often considers himself unworthy. As a matter of fact, the bullies that think they don’t deserve to be alive, are the ones telling others to kill themselves. Basically speaking, the weaker a soul, the more suppressive that soul will be towards others.
”
”
Robin Sacredfire
“
Lady Sarah gazes at Henry’s shiny shoes, her face heartbroken. “Do you ever think . . . that perhaps you should be with—”
“Do not even think of finishing that fucking sentence,” Henry warns.
“Why not?” She lifts her chin. “It’s the truth.”
“The truth?” Henry mocks. “The truth is I wouldn’t even be here if it weren’t for you. I don’t know where I’d be or what I’d be doing, but I know it wouldn’t be pretty."
“He’s right, you know, Sarah.” Prince Nicholas steps over to them. “Before you, Henry was an unmitigated disaster. Reckless, spoiled, self-destructive—”
“Thank you, Nicholas,” Henry says. “I think she gets the picture.”
Nicholas smacks his brother on the back and grins cheekily. “Happy to help.”
Henry slips his hands into his pockets, rocking on his heels, telling Sarah, “I could say the same thing, you know. You don’t think I know you’d be better off with someone whose everyday life doesn’t send you reeling into a panic attack?”
Sarah shakes her head. “No, that’s not true. I could never be better off with anyone else. I would never want to be. You’re mine, Henry, and I’m keeping you.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
When we encounter someone who holds a viewpoint we don’t agree with, we can begin to view their whole existence through the lens of our disagreement with them. Instead of getting to know them and engaging their ideas, we assume that we already know them because we know where they stand on a certain political or religious question. And the degree to which we disagree with them on this question becomes the degree to which we will disrespect and disregard their humanity. They become our cultural enemy with whom we can’t imagine having anything in common. We can’t imagine that they, like us, are people who love their families, walk their dogs, work hard at their jobs, enjoy a good book, and might just be working toward the common good (even if we disagree about what “good” looks like). By separating ourselves into categories of “us” and “them,” we can justify mocking them, misrepresenting their views, and (in extreme cases) condoning violence against them. But “when we engage in dehumanizing rhetoric or promote dehumanizing images,” writes sociologist Brené Brown, “we diminish our own humanity in the process.”6
”
”
Hannah Anderson (All That's Good: Recovering the Lost Art of Discernment)
“
In my survey course of America, I’d seen portraits of the Irish drawn in the same ravenous, lustful, and simian way. Perhaps there had been other bodies, mocked, terrorized, and insecure. Perhaps the Irish too had once lost their bodies. Perhaps being named “black” had nothing to do with any of this; perhaps being named “black” was just someone’s name for being at the bottom,
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes.
From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant.
The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time.
My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen.
In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
”
”
K.D. Enos
“
At the end of the presentation someone asked whether he thought they should do some market research to see what customers wanted. “No,” he replied, “because customers don’t know what they want until we’ve shown them.” Then he pulled out a device that was about the size of a desk diary. “Do you want to see something neat?” When he flipped it open, it turned out to be a mock-up of a computer that could fit on your lap, with a keyboard and screen hinged together like a notebook. “This is my dream of what we will be making in the mid-to late eighties,” he said. They were building a company that would invent the future.
”
”
Walter Isaacson (Steve Jobs)
“
It seemed to Lady Althea, as she stood there above the steps, that all the people pressing forward were staring, not at the Dome of Rock, but at her alone, and were nudging on another, whispering, smiling; for she knew, from her own experience of mocking others, that there is nothing more likely to unite a crowd of strangers in a wave of laughter than the sight of someone who, with dignity shattered, becomes suddenly grotesque.
”
”
Daphne du Maurier (Don't Look Now and Other Stories)
“
A poem by Rudyard Kipling says derisively of people who despise soldiers and police that they make ‘mock o’ uniforms that guard you while you sleep.’ You are likely to have a strong reaction pro or con to this sentiment and how Kipling expressed it, but you will not be able to defend your view with arguments that would convince someone who has the opposite reaction. If you are intellectually sophisticated you mare recognize that your conviction, however strong, cannot be shown to be ‘right,’ but at most reasonable. Yet that recognition will not weaken the strength of your conviction or its influence on your behavior.” 105-06 (quoting Rudyard Kipling, Tommy.)
”
”
Richard A. Posner (How Judges Think)
“
Don’t eat my fish.”
“I’ll be patient and just snack on you when you come home.”
“Don’t eat the cat.”
His smirk falls to a mock glare. “Come on, have some faith in me!”
“Don’t eat the neighbor.”
“The neighbor is like ninety and shriveled up and probably has old blood.”
I raise an eyebrow. “And you know what the neighbor looks like because?”
River stares at me with wide eyes. “I… like… watching blood bags—people… walk around outside as my mouth waters.”
I’m quite terrified of this fact. “Oh my god, you’re going to eat someone!
”
”
Alice Winters (How to Save a Human (VRC: Vampire Related Crimes, #4))
“
Wrong again. I'll tell you, shall I?" The djinni fixed him with its black-eyed stare. "You knocked yourself out, like the idiot you are. The golem was approaching, doubtless planning to take the Staff and crush your head like a melon. It was foiled—"
"By your prompt action?" Nathaniel said. "If so, I'm grateful, Bartimaeus."
"Me? Save you? Please—someone I know might be listening. No. My magic is canceled out by the golem's, remember? I sat back to watch the show. In fact... it was the girl and her friend. They saved you. Wait—don't mock! I do not lie. The boy distracted it while the girl climbed on the golem's back, tore the manuscript from its mouth, and threw it to the ground. Even as she did so, the golem seized her and the boy—incinerated them in seconds. Then its life force ebbed and it finally froze, inches from your sorry neck.
”
”
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
“
If we are to seek whatever is honorable, it must include seeking the honor that is inherent in God's image bearers. We must recognize their intrinsic dignity and hold it in high esteem. There is no wiggle room on this. No matter how different a person may be from us, no matter what political, social, or moral views they may hold, no matter how strongly and vehemently we disagree with them, no matter their crimes, we must not dishonor the image of God in them. To joke about their death or destruction, to celebrate their pain and loss, to openly mock and belittle their struggles is to blaspheme the God in whose image they are created.
This is no easy thing---especially when someone is not living honorably themselves, when they are not living in a way that is consistent with their identity as an image bearer. Somehow their hatred, pride, and deceit are able to draw hatred, pride, and deceit from us. That's why in his first epistle, Peter makes a point to call slaves to honor unkind masters, wives to honor unbelieving husbands, and all to honor the emperor---an emperor who at that very moment was seeking their lives. In calling us to honor those who have, in all human logic, forfeited the right to honor, we testify to a greater reality: whether or not a person is living within the dignity of their identity as an image bearer does not change the fact that God has bestowed dignity on them.
In honoring them, we honor God.
”
”
Hannah Anderson (All That's Good: Recovering the Lost Art of Discernment)
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
Do you want to know what finally changed things for me?” “What?” My voice is barely above a whisper. Dappled sunlight falls across his face, highlighting his flushed cheeks. “I met someone. She’s about five-six, golden brown hair, devastating smile. The kind that warms you from the inside out. And she made me so mad. Not two weeks after I started the job, she called to grill me about a story I posted on Facebook. She insisted I edit it because I didn’t get the wording right.” He adopts a mock falsetto voice. “ ‘It isn’t the “Panama Canal” cruise. It’s “Panama Canal and the Wonders of Azuero.” Fix it, please.’ ” My muscles go limp and my knees nearly buckle. Because he’s talking about me. “Finally, someone who wasn’t walking on eggshells. She actually snapped at me, and it was like she snapped me out of my fog. I may have been unnecessarily combative after that, just to get a rise out of her, but I started to feel again. Irritation, at first, but then more. After a while, I began getting out of the house. Seeing a therapist. Playing hockey. I adopted Winnie—best decision ever. I actually started looking forward to waking up in the morning.” Graeme steps closer, but I’m glued to the spot. Heat sizzles through my veins when he reaches up to run his knuckles along my cheek. “And staff meeting Thursdays? They became my favorite day of the week. Because I got to see her face.” My heart is hammering and my lungs seize. The sound of guests approaching rumbles closer, but I don’t look away. I swallow past the lump that’s lodged in my throat. “After this cruise, they’re my favorite day of the week too.” Reaching up, I run my fingers lightly along the hand that’s cupping my cheek. Graeme’s eyes widen and his lips part. Gathering every ounce of resolve I can muster, I step away just as Nikolai and Dwight crest a nearby hill. We continue through the highlands, fastening our platonic coworker facades into place. But an unspoken understanding hangs in the space between us, heavy and undeniable… This just went way past any bet.
”
”
Angie Hockman (Shipped)
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
The Rothschilds are people we certainly would not attempt to defend given the rumors swirling around them of financial corruption and market manipulation in this era and in earlier eras. However, the way they are held up, by conspiracy extremists and other paranoid thinkers, to represent the Jewish community is an absolute joke. There are good and bad people in all races. The fact that there are many Jews in the banking sector is being used by neo-Nazis and anti-Semites to try to sway the uneducated to believe the Jews are the problem instead of banking shysters and banksters in general.
Another important point relating to the current Jewish prominence in the banking world is there is a very obvious historical reason for it...Historically Jews did not have much freedom of choice when it came to their occupations. In fact, they were once forbidden by Christian authorities, and by some Muslim authorities, to pursue most regular occupations. They were, however, permitted and even encouraged to enter the banking industry because, in the medieval era at least, Christians/Muslims were not allowed to charge fellow-Christians/Muslims interest, but someone had to make loans – so the Jews were charged with the task. Jews were also permitted to slaughter animals – another equally unsavory job – and they were then despised and mocked by entire communities for being animal slaughterers and bankers.
”
”
James Morcan (Debunking Holocaust Denial Theories)
“
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved.
What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now.
Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this.
He tastes like sour wine.
I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin.
That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me.
The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh.
Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much.
'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh.
'No,' he said tonelessly.
'Tell me,' I say.
He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.'
I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
I suspect she, or someone she reports to, read the note I left in my pack.”
“You left a note for the thieves’ guild? What did it say?”
“Just that they were my animals and that they might want to reconsider taking them.”
Albert and Hadrian exchanged looks of bewilderment.
“They know me, and we have an arrangement. They leave me alone…and I leave them alone.”
“You leave them alone?” Albert said in a mocking tone.
Royce smiled at him. It was not a friendly smile. Royce searched his pack and pulled out a small bit of parchment.
“What’s it say?” Albert asked.
“Please accept our apologies for this inconvenience,” Royce recited, then chuckled before finishing. “The bitch didn’t know.”
Royce held up the parchment and in a loud voice said, “Accepted.
”
”
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
“
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life,
every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.”
Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just.
“If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.”
“You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?”
Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke.
“I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.”
“What do you know about love and souls?” Lindsay growled as he stalked to the study door.
“I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.”
“You do indeed.”
Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
”
”
Charlotte Featherstone (Addicted (Addicted, #1))
“
[23] Our situation is like that at a festival.* Sheep and cattle are driven to it to be sold, and most people come either to buy or to sell, while only a few come to look at the spectacle of the festival, to see how it is proceeding and why, and who is organizing it, and for what purpose. [24] So also in this festival of the world. Some people are like sheep and cattle and are interested in nothing but their fodder; for in the case of those of you who are interested in nothing but your property, and land, and slaves, and public posts, all of that is nothing more than fodder. [25] Few indeed are those who attend the fair for love of the spectacle, asking, ‘What is the universe, then, and who governs it? No one at all? [26] And yet when a city or household cannot survive for even a very short time without someone to govern it and watch over it, how could it be that such a vast and beautiful structure could be kept so well ordered by mere chance and good luck? [27] So there must be someone governing it. What sort of being is he, and how does he govern it? And we who have been created by him, who are we, and what were we created for? Are we bound together with him in some kind of union and interrelationship, or is that not the case?’ [28] Such are the thoughts that are aroused in this small collection of people; and from then on, they devote their leisure to this one thing alone, to finding out about the festival before they have to take their leave. [29] What comes about, then? They become an object of mockery for the crowd, just as the spectators at an ordinary festival are mocked by the traders; and even the sheep and cattle, if they had sufficient intelligence, would laugh at those who attach value to anything other than fodder!
”
”
Epictetus (Discourses, Fragments, Handbook)
“
I thought of myself, in those days, as someone in disguise—beneath the obedient son, beneath the straight-A student, the agreeable well-brought-up boy with his friends and his ping-pong and his semiofficial girlfriend, there was another being, restless, elusive, mocking, disruptive, imperious, and this shadowy underself had nothing to do with that other one who laughed with his friends and went to school dances and spent summer afternoons at the beach.
”
”
Steven Millhauser (Dangerous Laughter)
“
Thanks for getting me out of there,” I murmur, lacing my fingers around my knees, and looking up at him on his step.
“Yeah. You looked a little green. “
“I don’t handle crowds too well. I’ve always been that way, I guess.”
“You might get in trouble,” he warns, staring at me in that strange, hungry way that unravels me. He strokes his bottom lip with a finger. For a flash of a second, his eyes look strange. Different. All glowing irises and thin dark pupils. Almost drake-like. I blink to clear my vision. His eyes are normal again. Just my imagination in overdrive. I’m probably projecting missing home and Az—everything--onto him. “Pep rallies are mandatory,” he continues. “A lot of people saw you leave. Teachers included.”
“They saw you leave, too,” I point out.
He leans to the side, propping an elbow on one of the steps behind him. “I’m not worried about that. I’ve been in trouble before.” He smiles a crooked grin and holds up crossed fingers. “The principal and I are like this. The guy loves me. Really.”
Laughter spills from me, rusty and hoarse.
His grin makes me feel good. Free. Like I’m not running from anything. Like I could stay here in this world, if only I have him.
The thought unsettles me. Sinks heavily in my chest. Because I can’t have him. Not really. All he can ever be for me is a temporary fix.
“But you’re worried I’ll get in trouble?” I try not to show how much this pleases me. I’ve managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. “Why do you care? I’ve ignored you for days.”
His smile fades. He looks serious, mockingly so. “Yeah. You got to stop that.”
I swallow back a laugh. “I can’t.”
“Why?” There’s no humor in his eyes now, no mockery. “You like me. You want to be with me.”
“I never said—”
“You didn’t have to.”
I inhale sharply. “Don’t do this.”
He looks at me so fiercely, so intently. Angry again. “I don’t have friends. Do you see me hang with anyone besides my jerk cousins? That’s for a reason. I keep people away on purpose,” he growls. “But then you came along . . .”
I frown and shake my head.
His expression softens then , pulls at some part of me. His gaze travels my face, warming the core of me. “Whoever you are, Jacinda, you’re someone I have to let in.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones...
This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try.
So there I was. Standing before my painted blue boat, making a choice of which voice to listen to.
I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation.
But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right.
It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth.
I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress.
We are imperfect because we are unfinished.
So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be?
How many times have I let imperfections cause me to be too hard on myself and too harsh with others?
I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion.
I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display..
Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love..
And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.
”
”
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
“
Speak to me about power. What is it?”
I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?”
Her shapely head tilts. “No time except the present.”
“Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.”
Immaculée Constantin is unreadable. “How?”
“By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?”
Security Goblin’s sneeze booms through the chapel.
“You scratch the surface,” says Immaculée Constantin.
I feel lust and annoyance. “Scratch deeper, then.”
She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
”
”
David Mitchell (The Bone Clocks)
“
I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living- a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter- they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship- but the loneliness of the would in its appalling self-consciousness, is horrible and overpowering-
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days."
His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that."
I swallow back a laugh. "I can't."
"Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me."
"I never said-"
"You didn't have to."
I inhale sharply. "Don't do this."
He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..."
I frown and shake my head.
His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in."
He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you."
The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family.
I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good.
The pulse at his neck skips against his flesh. "Jacinda."
My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us.
I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before.
"Don't stay away from me anymore."
I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie.
He opens his eyes. Stares starkly, bleakly. "I need you."
He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know."
Then he kisses me.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
He glanced down at her, keeping his expression carefully impassive. “I hate to leave you.” There was a gently mocking edge to his tone. “You need someone to follow you around and keep you safe from mishaps. On the other hand, you also need someone to find a beekeeper.”
Realizing he was not going to talk about Leo, Amelia followed his lead. “Will you do that for us? I would consider it a great favor.”
“Of course. Although…” His eyes held a wicked glitter. “As I mentioned before, I can’t keep doing favors for you with no reward. A man needs incentive.”
“If … if you want money, I’ll be glad to—”
“God, no.” Rohan was laughing now. “I don’t want money.” Reaching out, he smoothed back her hair, letting the heel of his hand graze the edge of her cheekbone. The brush of his skin was light and erotic, causing her to swallow hard. “Goodbye, Miss Hathaway. I’ll see myself out.” He flashed a smile at her and advised, “Stay away from the windows.”
On the way down the stairs, Rohan passed Merripen, who was ascending at a measured pace.
Merripen’s face darkened at the sight of the visitor. “What are you doing here?”
“It seems I’m helping with pest eradication.”
“Then you can begin by leaving,” Merripen growled.
Rohan only grinned nonchalantly, and continued on his way.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus.
Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical.
He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him.
Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion.
He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair.
Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair.
“Have you breakfasted yet, my lord?” she asked.
Sebastian shook his head, a smile glinting in his eyes. “Not yet.”
“I’ll go to the kitchen and see what is to be had.”
“Stay a moment,” he urged. “We’re almost finished.”
As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further.
Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.”
“White elephant?” Evie asked.
A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.”
“No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
We’ve been through so much together I’ve seen you grow into someone you thought you’d never be I’ve seen you endure challenges most will never see Mocked by your peers for being from a different culture Feeling deserted, you searched for ways to adapt and become accepted You resorted to fitting in instead of making a stand for your true self You’ve made countless mistakes in pursuit of acceptance To me, it was undeniable you were meant to be a misfit You dove into finding your talents and utilizing them Unapologetically, you began making your mark during your middle school years Discovering your skills as a runner made a way for you to flee from the norm Racing hard and your pace in this life Hurdle after hurdle, you never stopped jumping and running towards the finish line You lost focus numerous times running someone else’s race, matching their suicidal pace, but over time you opened your eyes and ran your race in your lane You used failures as your stepping stone to climb up to where you are now and where you’re going I love you, I love you even when you hate you Thank you for staying true to you, never justifying your flaws and running away from your consequences You’ve taught me so much. I’m proud of you I love you so much. Thank you for being a friend, an example, a brother Thank you for being the man you are now. I love you, man in the mirror
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?"
He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage."
"I think you will fall in love someday."
"Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness.
"Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons.
Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her."
"Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw."
"Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run.
Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him.
Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.”
Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.”
Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate.
Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.”
Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.”
Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her.
“Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door.
“Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?”
With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Language... is a highly ambiguous business. So often, below the word spoken, is the thing known and unspoken... You and I, the characters which grow on a page, most of the time we're inexpressive, giving little away, unreliable, elusive, obstructive, unwilling. But it's out of these attributes that a language arises. A language, I repeat, where under what is said, another thing is being said...
There are two silences. One when no word is spoken. The other when perhaps a torrent of language is being employed. The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, anguished or mocking smokescreen. When true silence falls, we are still left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.
We have heard many times that tired, grimy phrase, "failure of communication", and this phrase has been fixed to my work quite consistently. I believe the contrary. I think that we communicate only too well, in our silence, in what is unsaid, and that what takes place is a continual evasion, desperate rearguard attempts to keep ourselves to ourselves. Communication is too alarming. To enter into someone else's life is too frightening. To disclose to others the poverty within us is too fearsome a possibility.
I am not suggesting that no character in a play can ever say what he in fact means. Not at all. I have found that there invariably does come a moment when this happens, when he says something, perhaps, which he has never said before. And where this happens, what he says is irrevocable, and can never be taken back.
”
”
Harold Pinter (Various Voices: Prose, Poetry, Politics)
“
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path."
"How much choice did you have?"
To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother."
"He what?"
"Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women."
Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?"
"Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed."
"You...punched him?" The ethereal beauty beside her had struck the fierce Wolf?
"Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough."
"She and Lord Hawk seem devoted to each other."
"As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet."
"What a horrible notion! However did you think of it?"
"Oh,didn't you know? That's the kind of wife Dragon always said he wanted."
Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad."
"Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves."
"Dragon has a sword for his brother."
"The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.”
“In what way?”
“More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?”
“Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice.
“In what?” Elizabeth automatically stood up, too.
“My home.”
Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly.
Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly.
His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The people we find truly anathema are the ones who reduce the past to caricature and distort
it to fit their own bigoted stereotypes. We’ve gone to events that claimed to be historic fashion
shows but turned out to be gaudy polyester parades with no shadow of reality behind them. As
we heard our ancestors mocked and bigoted stereotypes presented as facts, we felt like we had
gone to an event advertised as an NAACP convention only to discover it was actually a minstrel
show featuring actors in blackface. Some so-called “living history” events really are that bigoted.
When we object to history being degraded this way, the guilty parties shout that they are “just
having fun.” What they are really doing is attacking a past that cannot defend itself. Perhaps
they are having fun, but it is the sort of fun a schoolyard brute has at the expense of a child who
goes home bruised and weeping. It’s time someone stood up for the past.
I have always hated bullies. The instinct to attack difference can be seen in every social
species, but if humans truly desire to rise above barbarism, then we must cease acting like beasts.
The human race may have been born in mud and ignorance, but we are blessed with minds
sufficiently powerful to shape our behavior. Personal choices form the lives of individuals; the
sum of all interactions determine the nature of societies.
At present, it is politically fashionable in America to tolerate limited diversity based around
race, religion, and sexual orientation, yet following a trend does not equate with being truly
open-minded. There are people who proudly proclaim they support women’s rights, yet have an
appallingly limited definition of what those rights entail. (Currently, fashionable privileges are
voting, working outside the home, and easy divorce; some people would be dumbfounded at the
idea that creating beautiful things, working inside the home, and marriage are equally desirable
rights for many women.) In the eighteenth century, Voltaire declared, “I disagree with what you
say but I will fight to the death for your right to say it.”3 Many modern Americans seem to have
perverted this to, “I will fight to the death for your right to agree with what I say.”
When we stand up for history, we are in our way standing up for all true diversity. When we
question stereotypes and fight ignorance about the past, we force people to question ignorance in
general.
”
”
Sarah A. Chrisman (This Victorian Life: Modern Adventures in Nineteenth-Century Culture, Cooking, Fashion, and Technology)
“
You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
Majesty,
A frozen swamp. Icicles on branches and uprooted trees. That was our crystal palace, once upon a time. I was your king and you were my queen. I promised you I’d always try to give you your desires. I meant that. And since you wanted Derek, I tried to get him for you. I tried to get Derek to see how beautiful, sweet and amazing you are, in spite of myself, in spite of my rending heart. He never saw you the way I did, and you never saw me at all. I thought maybe if I found love with someone else, I’d be rid of my feelings for you, but that empty relationship only made me long for you more. I’ve offered you the most support and devotion a person can give an unwanting heart, but all I get in return are your mocking advances, which blatantly scream and reiterate the fact that you’ll never love me. It’s been so excruciating to be around you lately. You’re always teasing me, and it kills me. That’s why I’ve been so irritable and angry. It’s inconceivable to me how you could think I’d EVER hurt you, when all I’ve been living for is to try and make you happy. Well, I’m done. Your doubt has caused me more pain than anything I’ve ever known. I always thought we’d be life-long friends, but this fairytale has no happy ending. The crystal has shattered. I can’t be your king anymore. Then again, I never really was. I’ve always been the lowly jester. And everyone knows a fool can never be with a queen.
Goodbye, Alec
”
”
Courtney Vail (Kings & Queens (Kings & Queens, #1))
“
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.”
Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt.
“It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.”
“So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?”
He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions.
She never had been very good at resisting his dares.
“Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee.
Vaughn raised an eyebrow. “You have a list?”
“Yep.”
“Of course you do.”
Isabelle looked over, surprised. “You never told me about this.”
“What kind of list?” Kathleen asked interestedly.
“It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.”
Vaughn rolled his eyes. “And now I’ve heard it all.”
“Where did you find this list?” Simon asked. “Is this something all women know about?”
“Why? Worried you won’t pass muster?” Isabelle winked at him.
“I did some research,” Sidney said. “Pulled it together after reading several articles online.”
“Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?”
Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?”
She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.”
“But all it takes is one,” Isabelle said, with a loving smile at her fiancé.
Simon slid his hand across the table, covering hers affectionately. “The right one.”
Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow.
Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.”
Kathleen shushed him. “Don’t tease your brother.”
“What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.”
Sidney laughed out loud. Quickly, she bit her lip to cover.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))