Parentheses Quotes

We've searched our database for all the quotes and captions related to Parentheses. Here they are! All 100 of them:

What is hardest to accept about the passage of time is that the people who once mattered the most to us wind up in parentheses.
John Irving (The Cider House Rules)
I privately say to you, old friend... please accept from me this unpretentious bouquet of early-blooming parentheses: (((()))).
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
They looked at each other like a pair of parentheses.
Daniel Handler (Adverbs)
He rolls onto his side and listens, trails the back of his hand across the pillow next to him and imagines Henry lying opposite in his own bed, two parentheses enclosing 3,700 miles.
Casey McQuiston (Red, White & Royal Blue)
His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
If you can’t hear me, it’s because I’m in parentheses.
Steven Wright
I hereby certify that the bearer of this note, Nikolai Ivanovich, spent the night in question at Satan's ball, having been lured there in a transportational capacity... Hella, put in parentheses! And write 'hog.' Signed- Behemoth.
Mikhail Bulgakov (The Master and Margarita)
Why, Mrs. Piper has a good deal to say, chiefly in parentheses and without punctuation, but not much to tell.
Charles Dickens (Bleak House)
Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses.
George Eliot (Middlemarch)
I wanted him to know that I saw him, a guy who, even with a tear-streaked face, seemed to have two tiny smiles framing his eyes like parentheses, a guy on the ground pantomiming his death to remind the world he was alive.
Jason Reynolds (All American Boys)
I have a similar affection for the parenthesis (but I always take most of my parentheses out, so as not to call undue attention to the glaring fact that I cannot think in complete sentences, that I think only in short fragments or long, run-on thought relays that the literati call stream of consciousness but I still like to think of as disdain for the finality of the period).
Sarah Vowell (Take the Cannoli)
The night is falling down around us. Meteors rain like fireworks, quick rips in the seam of the dark... Every second, another streak of silver glows: parentheses, exclamation points, commas - a whole grammar made of light, for words too hard to speak.
Jodi Picoult (My Sister’s Keeper)
Life is such an effort, Child. It's a war that is renewed each day, and its moments of joy are brief parentheses for which you pay a cruel price.
Oriana Fallaci (Letter to a Child Never Born)
He has got no good red blood in his body," said Sir James. "No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.
George Eliot (Middlemarch)
He is broken in three ways, sometimes four. I count them. -He believes himself to be human, but is not actually. At least not anymore. This is similar to the way he believes himself to be alive. -He has a grim affinity for drugs. This comes with no caveat and no parentheses. This is just a fact of life. -He is doggedly unhappy and once decided to kill himself. Sadly, he has not really stopped. -On certain occasions when these first three things have ceased to be bad enough, he loves me. The other sins are commonplace, forgivable under a big enough umbrella. This fourth is irrevocable. Unconscionable. In a word, it is utterly damning.
Brenna Yovanoff
Brackets come in various shapes, types and names: 1 round brackets (which we call brackets, and the Americans call parentheses) 2 square brackets [which we call square brackets, and the Americans call brackets]
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
He would wrap his arms all the way around her shoulders, press his face into her hair while his body curved over hers. His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
Every second, another streak of silver glows: parentheses, exclamation points, commas--a whole grammar made of light, for words to hard to speak.
Jodi Picoult (My Sister’s Keeper)
Why hyphenate, why parenthesize, unless absolutely necessary?
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Her hair is longer now, and fine lines bracket her mouth, parentheses around a lifetime of words I was not around to hear.
Jodi Picoult (My Sister’s Keeper)
There's time to spare. This is one of the things I wasn't prepared for - the amount of unfilled time, the long parentheses of nothing. Time as white sound.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Eventually, everything gets stuck between a pair of parentheses or buried in the bottom of a trunk.
Carol Shields (The Orange Fish)
Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
His mustache made two curved lines around the sides of his mouth like parentheses, as if everything he might say would be very quiet, and incidental.
Barbara Kingsolver (Flight Behavior)
Princess Nell had to reconstruct them, learning the language, which was extremely pithy and made heavy use of parentheses.
Neal Stephenson (The Diamond Age)
I feel I'm living in parentheses
Steven John Wilson
What is hardest to accept about the passage of time is that the people who once mattered the most to us are wrapped up in parentheses.
John Irving (The Cider House Rules)
I am a blank, here, between parentheses. Between other people.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
(Parentheses speak More than we dare say out loud Why, oh, why is that?)
Megan McCafferty (Perfect Fifths (Jessica Darling, #5))
If you are the intuitive, you need to observe the following rules: First, say explicitly, at the start, what you are talking about. (Otherwise, you are requiring your sensing listeners to hold what you say in mind until they can figure out what you are referring to, which they seldom think is worth doing.) Second, finish your sentences; you know what the rest of the sentence is, but your listeners do not. Third, give notice when changing the subject. And last, don’t switch back and forth between subjects. Your listeners cannot see the parentheses. Finish one point and move explicitly to the next.
Isabel Briggs Myers (Gifts Differing: Understanding Personality Type)
Only great challenges make it worthwhile to pack up and move all one's books.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
I wanted intimacy in caps lock but I got it in parentheses. We curled into each other, upside down, my empty spaces filled by another. "Give me the three minute version of your life story," he said. I nailed it it one then refused to throw the question back as etiquette governs. He wanted to know where I'd been. I wanted to know who he was.
Eleni Zoe (Hope Dies Last: Lessons in Love)
In the middle of a novel, a kind of magical thinking takes over. To clarify, the middle of the novel may not happen in the actual geographical centre of the novel. By middle of the novel I mean whatever page you are on when you stop being part of your household and your family and your partner and children and food shopping and dog feeding and reading the post—I mean when there is nothing in the world except your book, and even as your wife tells you she’s sleeping with your brother her face is a gigantic semi-colon, her arms are parentheses and you are wondering whether rummage is a better verb than rifle. The middle of a novel is a state of mind. Strange things happen in it. Time collapses.
Zadie Smith
This boy. Eyes on my face again, little smile lurking, just barely parenthesizing the corners of his lips. He lifts his eyebrows, waiting. And willing to. However long.
Huntley Fitzpatrick (The Boy Most Likely To)
. Waiting is also a place: it is wherever you wait. For me it’s this room. I am a blank, here, between parentheses. Between other people
Margaret Atwood (The Handmaid's Tale)
...the borders he respected were the borders of dreams, the misty borders of love and indifference, the borders of courage and fear, the golden borders of ethics.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
One is prepared for friendship, not for friends.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
a big band sound that makes you feel like everything's okay, a feeling that lasts for one song maybe, the parentheses all clicking shut behind you.
Richard Siken (Crush)
Ruth smiles, which rearranges the lines on her face. She inverts her parentheses and transforms commas into apostrophes. The pattern is that of a woman who has no regrets.
Julie Buxbaum (The Opposite of Love)
I see the whole thing popping and parenthesizing in every direction, the story of that house and that kitchen.
Jack Kerouac (Tristessa)
Certain tight parentheses have been opened and allowed to spill their still active contents.
Vladimir Nabokov (Speak, Memory: An Autobiography Revisited)
As with other paired bracketing devices (such as parentheses, dashes and quotation marks), there is actual mental cruelty involved , incidentally, in opening up a pair of commas and then neglecting to deliver the closing one. The reader hears the first shoe drop and then strains in agony to hear the second. In dramatic terms, it's like putting a gun on the mantelpiece in Act I and then having the heroine drown herself quietly offstage in the bath during the interval. It's just not cricket.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
(A WOMBAT is a Waste Of Money, Brains, And Time: the non-IT equivalent of a PEBCAK. (A PEBCAK is a Problem that Exists Between Chair And Keyboard. (You get the picture: it’s parenthesized despair all the way down.)))
Charles Stross (The Rhesus Chart (Laundry Files, #5))
The truth was that upsilamba was one of Nabokovs fascinating creations, possibly a word he invented. I said I associate Upsilamba with the impossible joy of a suspended leap. Yassi, who seemed excited for no particular reason, cried out that she always thought it could be a name of a dance- you know, "C'mon, baby, do the Upsilamba with me". Manna suggested that the word upsilamba evoked the image of small silver fish leaping in and out of a moonlit lake. Nima added in parentheses, Just so you won't forget me, although you have barred me from your class: an upsilamba to you too! For Azin it was a sound, a melody. Mahashid described an image of three girls jumping rope and shouting" Upsilamba" with each leap. For Sanaz, the word was a small African boy's secret magical name. Mitra wasn't sure why the word reminded her of the paradox of a blissful sigh. And for Nassrin it was a magic code that opened the door to a secret cave filled with treasures.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
You don't have to say anything if you don't want to." Anna lies down, her head pillowed against my shoulder. Every second, another streak of silver glows: parentheses, exclamation points, commas—a whole grammar made of light, for words too hard to speak.
Jodi Picoult (My Sister’s Keeper)
Listen: I don't have anything against autobiographies, so long as the writer has a penis that's twelve inches long when erect. So long as the writer is a woman who was once a whore and is moderately wealthy in her old age.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
What has that to do with Miss Brooke’s marrying him? She does not do it for my amusement.’ ‘He has got no good red blood in his body,’ said Sir James. ‘No. Somebody put a drop under a magnifying-glass, and it was all semicolons and parentheses,’ said Mrs Cadwallader.
George Eliot (Middlemarch: A Study of Provincial Life)
He has got no good red blood in his body," said Sir James. "No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.
George Eliot (Middlemarch)
He has got no good red blood in his body," said Sir James. "No. Somebody put a drop under a magnifying glass, and it was all semicolons and parentheses," said Mrs. Cadwallader.
George Eliot (Middlemarch)
Waiting is also a place: it is wherever you wait. For me, it's this room. I am a blank, here, between parentheses. Between other people.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
This is one of the things I wasn't prepared for—the amount of unfilled time, the long parentheses of nothing.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
He has got no good red blood in his body,” said Sir James. “No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses,” said Mrs. Cadwallader.
George Eliot (Middlemarch)
She smelled like vanilla, and her eyelashes were like thick black parentheses. That was it. My brain only had room for those two facts.
Becky Albertalli
Waiting is also a place: it is wherever you wait. For me it’s this room. I am a blank, here, between parentheses. Between other people The knock comes at my door. Cora, with the tray.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Many contemporaries of Proust’s insisted that he wrote the way he spoke, although when Du côté de chez Swann appeared in print, they were startled by what they saw as the severity of the page. Where were the pauses, the inflections? There were not enough empty spaces, not enough punctuation marks. To them, the sentences seemed longer when read on the page than they did when they were spoken, in his extraordinary hoarse voice: his voice punctuated them. One friend, though surely exaggerating, reported that Proust would arrive late in the evening, wake him up, begin talking, and deliver one long sentence that did not come to an end until the middle of the night. The sentence would be full of asides, parentheses, illuminations, reconsiderations, revisions, addenda, corrections, augmentations, digressions, qualifications, erasures, deletions, and marginal notes.
Christopher Prendergast (Du côté de chez Swann (À la recherche du temps perdu, #1))
One must die lovable (if one can). You are moved by this sentence, especially by the words in parentheses, which demonstrate a rare sensitivity of spirit, you feel, a hard-won understanding of how difficult it is to be lovable, especially for someone who is old, who is sinking into decrepitude and must be cared for by others. If one can. There is probably no greater human achievement than to be lovable at the end,
Paul Auster (Winter Journal)
The bath is one of the places I prefer, certainly not a place I leave readily, a place where one can close the door and remove oneself, put oneself in parentheses, as it were, from the rest of humanity. It is a place for reading and thinking, where one's mind wanders easily, where time seems temporarily suspended.
Sheila Kohler (The Perfect Place)
Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
Frédéric Gros (A Philosophy of Walking)
Nature or Nature’s God” is not a statement, but a name, internally divided by tolerated uncertainty. It has the singularity of a proper name, whilst parenthesizing a suspended decision (Pyrrhonian epoche, of which much more in a future post). It designates rigidly, but obscurely, because it points into epistemological darkness — naming a Reality that not only ‘has’, but epitomizes identity, whilst nevertheless, for ‘the sake of argument’, eluding categorical identification. Patient in the face (or facelessness) of who or what it is, ‘we’ emerge from a pact, with one basic term: a preliminary decision is not to be demanded. It thus synthesizes a select language community, fused by the unknown.
Nick Land
We curve around her like parentheses; Iris is some precious phrase between us that needs the shelter of our crooked knees and tucked hands under chins, breath skating in the space between that makes up all three of us now, along with our secrets, exposed and not.
Tess Sharpe (The Girls I've Been)
In this entre-nous spirit, then, old confidant before we join the others, the grounded everywhere, including, I’m sure, the middle-aged hot-rodders who insist on zooming us to the moon, the Dharma Bums, the makers of cigarette filters for thinking men, the Beat and the Sloppy and the Petulant, the chosen cultists, all the lofty experts who know so well what we should or shouldn’t do with our poor little sex organs, all the bearded, proud, unlettered young men and unskilled guitarists and Zen-killers and incorporated aesthetic Teddy boys who look down their thoroughly unenlightened noses at this splendid planet where (please don’t shut me up) Kilroy, Christ, and Shakespeare all stopped – before we join these others, I privately say to you, old friend (unto you, really, I’m afraid), please accept from me this unpretentious bouquet of very early-blooming parentheses: (((()))).
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Every second, another streak of silver glows, parentheses, exclamation points, commas, a whole grammar made of light, for words too hard to speak.
Jodi Picoult (My Sister’s Keeper)
Her hair is longer now, and fine lines bracket her mouth, parentheses around a lifetime of words I wasn't around to hear.
Jodi Picoult (My Sister’s Keeper)
His arms became a set of parentheses bracketing the sweetest secret phase.
Christina Lauren (Love and Other Words)
He has got no good red blood in his body,” said Sir James. “No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses,” said Mrs. Cadwallader.
George Eliot (Middlemarch)
This is one of the things I wasn't prepared for—the amount of unfilled time, the long parentheses of nothing. Time as white sound.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Waiting is also a place: it is wherever you wait. For me it's this room. I am blank, here, between parentheses. Between other people.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
He has got no good red blood in his body,” said Sir James. “No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses,” said Mrs. Cadwallader. “Why
George Eliot (Middlemarch)
the long parentheses of nothing. Time as white sound.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
...you agree with the parentheses of your smile.
Tyler Knott Gregson (Wildly into the Dark: Typewriter Poems and the Rattlings of a Curious Mind)
Bowie talks in great, voluble torrents, darting from one topic to the next, parenthesizing and then parenthesizing the parentheses, as if he has too many ideas for one conversation.
Sean Egan (Bowie on Bowie: Interviews and Encounters with David Bowie (8) (Musicians in Their Own Words))
No common country or culture linked us other than British, which could only be claimed hyphenated or else parenthesized by the origins of those whose deaths our mothers detailed over the phone.
Natasha Brown
I try to find the books that I lost or forgot more than 30 years ago on another continent, with the hope and dedication and bitterness of those who search for their first lost books, books that if found I wouldn't read anyway, because I've already read them over and over, but that I would look at and touch just as the miser strokes the coins under which he's buried...Books are like ghosts
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
sloppy script and felt a pang of guilt. She started to close the notebook but paused in thought. It didn’t feel right. It didn’t seem…truthful. With a heavy hand and a heavy heart, she added in parentheses
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
A few words which he wanted to emphasize were put into brackets or set off by quotation marks. My first impulse was to point out to him that it was ridiculous to put slang words and expressions between quotation marks, for that prevents them from entering the language. But I decided not to. When I received his letters, his parentheses made me shudder. At first, it was a shudder of slight shame, disagreeable. Later (and now, when I reread them) the shudder was the same, but I know, by some indefinable, imperceptible change, that it is a shudder of love- it is both poignant and delightful, perhaps because of the memory of the word shame that accompanied it in the beginning. Those parentheses and quotation marks are the flaw on the hip, the beauty mark on the thigh whereby my friend showed that he was himself, irreplaceable, and that he was wounded.
Jean Genet (Miracle of the Rose)
I am told that César Aira writes two books a year, at least, some of which are published by a little Argentinean company named Beatriz Viterbo, after the character in Borges's story "The Aleph." The books of his that I have been able to find were published by Mondadori and and Tusquets Argentina. It's frustrating, because once you've started reading Aira, you don't want to stop. His novels seem to put the theories of Gombrowicz into practice, except, and the difference is fundamental, that Gombrowicz was the abbot of a luxurious imaginary monastery, while Aira is a nun or novice among the Discalced Carmelites of the Word. Sometimes he is reminiscent of Roussel (Roussel on his knees in a bath red with blood), but the only living writer to whom he can be compared is Barcelona's Enrique Vila-Matas. Aira is an eccentric, but he is also one of the three or four best writers working in Spanish today.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
I’d even had business cards made up reading, ABIGAIL COOPER, P.I. with teeny-weeny little letters underneath in parentheses spelling out PSYCHIC INTUITIVE. Most people think I’m trying to be clever. The truth is, I’m a chickenshit.
Victoria Laurie (Abby Cooper, Psychic Eye (Psychic Eye Mystery, #1))
I zoomed back out and tried to look at my own face as if I were a stranger on the internet seeing it for the first time. It looked round and white, the eyebrows like overturned parentheses, my eyes averted from the lens, almost shut.
Sally Rooney
over-endowed with WOMBATs.” (A WOMBAT is a Waste Of Money, Brains, And Time: the non-IT equivalent of a PEBCAK. (A PEBCAK is a Problem that Exists Between Chair And Keyboard. (You get the picture: it’s parenthesized despair all the way down.)))
Charles Stross (The Rhesus Chart (Laundry Files, #5))
But when launches were delayed, everything moved into a strange sort of limbo...a launch that was supposed to have gone up one morning but wouldn't attempt again until the next made us all feel we were living in a day that didn't count, a day between parentheses.
Margaret Lazarus Dean (The Time It Takes to Fall)
Introns are not the exception in human genes; they are the rule. Human introns are often enormous-spanning several hundreds of thousands of bases of DNA. And genes themselves are separated from each other by long stretches of intervening DNA, called intergenic DNA. Intergenic DNA and introns-spaces between genes and stuffers within genes-are though to have sequences that allow genes to be regulated in context. To return to our analogy; these regions might be described as long ellipses scattered with occasional punctuation marks. The human genome can thus be visualized as: This......is............the......(...)...s...truc...ture......of......your......gen...om...e; The words represent genes. The long ellipses between the words represent the stretches of intergenic DNA. The shorter ellipses within the words (gen...ome...e) are introns. The parentheses and semicolons-punctuation marks-are regions of DNA that regulate genes.
Siddhartha Mukherjee (The Gene: An Intimate History)
Nell had to reconstruct them, learning the language, which was extremely pithy and made heavy use of parentheses. Along the way, she proved what was a foregone conclusion, namely, that the system for processing this language was essentially a more complex version of the mechanical organ, hence a Turing machine in essence.
Neal Stephenson (The Diamond Age)
he leans over me, cupping my face in his hands, his thumbs two parentheses around my mouth and he pulls me close and he kisses me, kisses me until time topples over and my head spins into oblivion. It’s a heavy, unbelievable kiss. It’s the kind of kiss that inspires stars to climb into the sky and light up the world. The kind that takes forever and no time at all. His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, “I think,” he says, “my heart is going to explode,” and I wish, more than ever, that I knew how to capture moments like these and revisit them forever. Because this. This is everything.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Reading then is writing, in an endless movement of giving and receiving: each reading reinscribes something of a text; each reading reconstitutes the web it tries to decipher, but by adding another web. One must read in a text not only that which is visible and present but also the nontext of the text, the parentheses, the silences.
Verena Andermatt Conley (Hélène Cixous: Writing the Feminine)
Modernism was based on a kind of arrogance ... and led designers to believe that if they thought of something cool, it must be considered universally cool. That is, if something's worth doing, it's worth driving into the ground to the exclusion of all other approaches. Look at the use of parentheses in Lisp or the use of white space as syntax in Python. Or the mandatory use of objects in many languages, including Java. All of these are ways of taking freedom away from the end user "for their own good". They're just versions of Orwell's Newspeak, in which it's impossible to think bad thoughts. We escaped from the fashion police in the 1970s, but many programmers are still slaves of the cyber police.
Larry Wall
You want to stay here and sleep your life away? That's it?" "If you knew what would make you happy, wouldn't you do it?" I asked her. "See, you do want to be happy. Then why did you tell me that being happy is dumb?" she asked. "You said that to me more than once." "Let me be dumb," I said, glugging the NyQuil. "You go be smart and tell me how great it is. I'll be here, hibernating." Reva rolled her eyes. "It's natural," I told her. "People used to hibernate all the time." "People never hibernated. Where are you getting this?" She could look really pathetic when she was outraged. She got up and stood there holding her stupid knockoff Kate Spade bag or whatever it was, her hair pulled back into a ponytail and crowned with a useless, plastic, tortoiseshell headband. She was always getting her hair blown out, her eyebrows waxed into thin, arched, parentheses, her fingernails painted various shades of pink and purple, as though all of this made her a wonderful person. "It's not up for discussion, Reva. This is what I'm doing. If you can't accept it, then you don't have to.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Other attempts appear as scars, weals, parentheses in conversation, absent days in his diary. But, at the same time, according to Stuart's weird sense of etiquette on such subjects, only one son in a family is allowed to kill himself, else it puts too much strain on the parents, and his brother, Gavvy, like Jacob in the Old Testament, has stolen Stuart's birthright.
Alexander Masters (Stuart: A Life Backwards)
...then it wouldn't be a bad thing, or at least not the worst thing, to enter the third millenium asking for forgiveness right and left, and in the meantime, while we're at it, we should raise a statue of Nicanor Parra in Plaza Italia, a statue of Nicanor and another of Neruada, but with their backs turned to each other. At this point, I foresee that more than one alleged reader will say to himself (and then run to tell his friends and relatives): Bolaño says Parra is the poet of the right and Neruda is the poet of the left. Some people don't know how to read.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
They talk for so long Alex has to plug his phone in to keep the battery from dying. he rolls onto his side and listens, trails the back of his hand across the pillow next to him and imagines Henry lying opposite in his own bed, two parentheses enclosing 3,700 miles. He looks at his chewed-up cuticles and imagines Henry there under his fingers, speaking into only inches of distance. He imagines the way Henry's face would look in the bluish-gray dark. Maybe he would have a faint shadow of stubble on his jaw, waiting for a morning shave, or maybe the circles under his eyes would wash out in the low light. Somehow, this is the same person who had Alex so convinced he didn't care about anything, who still had the rest of the world convinced he's a mild, unfettered Prince Charming. It's taken months to get here" the full realization of just how wrong he was. "I miss you," Alex says before he can stop himself. He instantly regrets it, but Henry says, "I miss you too.
Casey McQuiston (Red, White & Royal Blue)
Still all "realities" and "fantasies" can take on form only by means of writing, in which outwardness and innerness, the world and I, experience and fantasy appear composed of the same verbal material. The polymorphic visions of the eyes and the spirit are contained in uniform lines of small or capital letters, periods, commas, parentheses - pages of signs, packed as closely together as grains of sand, representing the many-colored spectacle of the world on a surface that is always the same and always different, like dunes shifted by the desert wind.
Italo Calvino (Six Memos for the Next Millennium)
Today I saved Brody Carmichael’s life! Mina penned the jubilant words into her blue spiral notebook with her favorite ballpoint pen. She faithfully used the same pen when writing all of her entries in the hope that it would change her luck and she could write something good in her notebook—like today. Mina stared at the words written before her in her sloppy script and felt a pang of guilt. She started to close the notebook but paused in thought. It didn’t feel right. It didn’t seem…truthful. With a heavy hand and a heavy heart, she added in parentheses next to her
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
Regular expressions are widely used for string matching. Although regular-expression systems are derived from a perfectly good mathematical formalism, the particular choices made by implementers to expand the formalism into useful software systems are often disastrous: the quotation conventions adopted are highly irregular; the egregious misuse of parentheses, both for grouping and for backward reference, is a miracle to behold. In addition, attempts to increase the expressive power and address shortcomings of earlier designs have led to a proliferation of incompatible derivative languages.
Chris Hanson (Software Design for Flexibility: How to Avoid Programming Yourself into a Corner)
Por momentos puede ser maravilloso eso de que todo el mundo escriba porque uno encuentra colegas en todas partes , y por momentos puede resultar pesado, porque cualquier gilipollas iletrado se siente imbuido de todos los defectos y de ninguna de las virtudes de un escritor verdadero. Nicanor Parra lo dijo: tal vez sería conveniente leer un poco más.
Roberto Bolaño (Between Parentheses: Essays, Articles, and Speeches, 1998-2003)
At forty-two, I was still holding up pretty well, but my once effortlessly lean body now look as though it belonged in a Dove firming cream ad -- the one where they give women permission to have thighs. When I unbuttoned my jeans at night, I swore I heard the same sound that Pillsbury dough made when I twisted the cylindrical container. My hair was beginning to gray, and when I smiled, the parentheses around my mouth remained. My least favorite position in yoga class was the downward dog because, as I hung my head downward, I always felt the skin from my face was about to splatter against my mat like a pancake batter hitting the griddle. So being called the top model by a young Italian was a wonderful souvenir, though cheaper than the toys sold outside the Pantheon in Rome.
Jennifer Coburn (We'll Always Have Paris: A Mother/Daughter Memoir)
When I first started dual enrollment at Lake City Community College you could print in the library for free. I printed whole books. Like James Legge's 1891 "Tao Te Ching" translation. He was to parentheses what Emily Dickinson was to the Em Dash. "To know and yet (think) we do not know is the highest (at­tain­ment); not to know (and yet think) we do know is a dis­ease." I'd sit around listening to records as their dot matrix printer whirred. Slowly printing a book from the 6th century BCE. They had those hard blue plastic headphones. Your ears would ache. But Rimsky-Korsakov was pretty metal. Herbert Benson's "The Relaxation Response" had me picking "ZOOM" as my meditation mantra. Reading Vonnegut with his nonlinear narrative. Books will often have Acknowledgments. A page or two. Things that helped you. What matters. Everything I write is an Acknowledgment. What matters. And I've printed whole books.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
A Poetry Reading at West Point I read to the entire plebe class, in two batches. Twice the hall filled with bodies dressed alike, each toting a copy of my book. What would my shrink say, if I had one, about such a dream, if it were a dream? Question and answer time. “Sir,” a cadet yelled from the balcony, and gave his name and rank, and then, closing his parentheses, yelled “Sir” again. “Why do your poems give me a headache when I try to understand them?” he asked. “Do you want that?” I have a gift for gentle jokes to defuse tension, but this was not the time to use it. “I try to write as well as I can what it feels like to be human,” I started, picking my way care- fully, for he and I were, after all, pained by the same dumb longings. “I try to say what I don’t know how to say, but of course I can’t get much of it down at all.” By now I was sweating bullets. “I don’t want my poems to be hard, unless the truth is, if there is a truth.” Silence hung in the hall like a heavy fabric. My own head ached. “Sir,” he yelled. “Thank you. Sir.
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)
The properties that define a group are: 1. Closure. The offspring of any two members combined by the operation must itself be a member. In the group of integers, the sum of any two integers is also an integer (e.g., 3 + 5 = 8). 2. Associativity. The operation must be associative-when combining (by the operation) three ordered members, you may combine any two of them first, and the result is the same, unaffected by the way they are bracketed. Addition, for instance, is associative: (5 + 7) + 13 = 25 and 5 + (7 + 13) = 25, where the parentheses, the "punctuation marks" of mathematics, indicate which pair you add first. 3. Identity element. The group has to contain an identity element such that when combined with any member, it leaves the member unchanged. In the group of integers, the identity element is the number zero. For example, 0 + 3 = 3 + 0 = 3. 4. Inverse. For every member in the group there must exist an inverse. When a member is combined with its inverse, it gives the identity element. For the integers, the inverse of any number is the number of the same absolute value, but with the opposite sign: e.g., the inverse of 4 is -4 and the inverse of -4 is 4; 4 + (-4) = 0 and (-4) + 4 = 0. The fact that this simple definition can lead to a theory that embraces and unifies all the symmetries of our world continues to amaze even mathematicians.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
If I had to hold up the most heavily guarded bank in Europe and I could choose my partners in crime, I’d take a gang of five poets, no question about it. Five real poets, Apollonian or Dionysian, but always real, ready to live and die like poets. No one in the world is as brave as a poet. No one in the world faces disaster with more dignity and understanding. They may seem weak, these readers of Guido Cavalcanti and Arnaut Daniel, these readers of the deserter Archilochus who picked his way across a field of bones. And they work in the void of the word, like astronauts marooned on dead-end planets, in deserts where there are no readers or publishers, just grammatical constructions or stupid songs sung not by men but by ghosts. In the guild of writers they’re the greatest and least sought-after jewel. When some deluded kid decides at sixteen or seventeen to be a poet, it’s a guaranteed family tragedy. Gay Jew, half black, half Bolshevik: the Siberia of the poet’s exile tends to bring shame on his family too. Readers of Baudelaire don’t have it easy in high school, or with their schoolmates, much less with their teachers. But their fragility is deceptive. So is their humor and the fickleness of their declarations of love. Behind these shadowy fronts are probably the toughest people in the world, and definitely the bravest. Not for nothing are they descended from Orpheus, who set the stroke for the Argonauts and who descended into hell and came up again, less alive than before his feat, but still alive. If I had to hold up the most heavily fortified bank in America, I’d take a gang of poets. The attempt would probably end in disaster, but it would be beautiful.
Roberto Bolaño (Between Parentheses: Essays, Articles and Speeches, 1998-2003)
Who will have their strength renewed? “Those who wait upon the Lord”. Waiting could signify passivity: being still. Waiting could also indicate action: serving. Waiting — either kind — can be nearly impossible while we are being run by our emotions. In learning to balance your emotions with wisdom, learning to wait upon the Lord in both senses of the word, you will find that your strength is renewed every day in every situation. On the other hand, operating out of emotions can be exhausting. In your Christian walk, the ability to discern seasons is vital. There are times in your life where immediate action is not only unnecessary, it can be damaging. There are situations in which your best course of action is to “be still and know that He is God” (Psalm 46:10). Allowing Him to speak to you in the midst of your storm, finding your peace in Christ when your life seems upside down may be exactly what is needed. There are times when patience is the order of the day, and waiting on the Lord to move or instruct you in the way you are to move is exactly what is needed. Sometimes the most difficult course to take is to wait and allow the Lord to direct your heart “into the love of God and the patience of Christ” (2 Thessalonians3:5). However difficult it may be, practicing waiting will serve you well. “Waiting” can also signify an action. A waitress will wait on you in your favorite restaurant. You may wait on, or serve, your family. In being able to discern the seasons of waiting passively, we must also be able to discern the seasons of waiting actively. Even in times when you might feel unsure of the next step, there are continually ways for you to serve the Lord: prayer, study, service to others being a few examples. In times when everything is going along smoothly, waiting actively on the Lord is always in order. Paul encourages young Timothy to “be diligent to show yourself approved” (2 Timothy 2:15). In learning to wait actively on the Lord, it is good advice for us as well. Applying ourselves to faithful service to the Lord (active waiting) will sustain us through times when the waiting requires patience and stillness. In our Christian walk, both kinds of “waiting” are needed: an active waiting on or serving the Lord, and likewise a passive waiting for the Lord to move on your behalf. As everything in our relationship with the Lord is a partnership or covenant, this waiting is a “two way street”. As we serve the Lord, He is moved to action on our behalf. Psalm 37:3-7 speaks to both kinds of waiting (parentheses mine): “Trust in the LORD (passive), and do good (active); Dwell in the land (passive), and feed on His faithfulness (active). Delight yourself also in the LORD, And He shall give you the desires of your heart. Commit your way to the LORD (active), Trust also in Him (passive), And He shall bring it to pass (the Lord’s action). He shall bring forth your righteousness as the light, And your justice as the noonday (the Lord’s action). Rest in the LORD (passive), and wait patiently for Him (passive)”. Tremendous and amazing results can come from this kind of waiting. Of course, the Lord in His generous and kind manner will send you opportunities to practice if you want to learn to wait! In His providence, those opportunities are already provided — it is for you to take advantage of them. Will you? Unfortunately, patience is not one of Ahasuerus’ virtues. He is motivated by his emotions, and seems to rush right into whatever comes into his mind without much forethought. Let’s return to Persia, and find out what Ahasuerus is rushing into today. After these things, when the wrath of King Ahasuerus subsided, he remembered... Esther 2:1 “After these things”…. By the beginning of chapter two, four years have passed since King Ahasuerus dethroned Queen Vashti. God was working through this Persian chronicler as he wrote this history
Jennifer Spivey (Esther: Reflections From An Unexpected Life)