Parcel Dreams Quotes

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You can hardly imagine that I and Lord Bracknell would dream of allowing our only daughter - a girl brought up with the utmost care - to marry into a cloak-room, and form an alliance with a parcel?
Oscar Wilde (The Importance of Being Earnest)
Could you look again, please?” the woman asked in a clipped, slightly British accent. “It was sent parcel post two weeks ago from Miss Felicity Worthington and addressed to Mrs. Rao, Mrs. Gemma Doyle Rao.
Libba Bray (Lair of Dreams (The Diviners, #2))
You can't dream up confidence. Confidence is born of demonstrated ability.
Bill Parcells
The trouble with space is, there's so much of it. An ocean of blackness without any shore. A neverending nothing. And here, all alone in the million billion miles of midnight, is one solitary moving speck. A fragile parcel filled with sleeping people and their dreams.
Philip Reeve (Cakes in Space)
I want people to see and hear the things I see and hear. And I want them to remember how it was when they were children. I don't want them to grow up entirely. Every adult is the creation of a child. My own signature, that identifying scrawl required by parcel postmen and valued by a handful of comic-book fans, that signature was devised by a thirteen-year-old boy who thought I'd want to seem important one day. I am stuck with it. My life is the result of that boy's dreams and limitations, and of the company that boy kept a long time ago, back when things could still happen for the first time.
Chris Fuhrman (The Dangerous Lives of Altar Boys)
It was sent parcel post two weeks ago from Miss Felicity Worthington and addressed to Mrs. Rao, Mrs. Gemma Doyle Rao.
Libba Bray (Lair of Dreams (The Diviners, #2))
Me, sir! What has it to do with me? You can hardly imagine that I and Lord Bracknell would dream of allowing our only daughter - a girl brought up with the utmost care - to marry into a cloak-room, and form an alliance with a parcel? Good morning, Mr. Worthing!
Oscar Wilde
When you know chances are good that you will not be working on a project again, you simply gather together all the parts, wrap them up in a parcel of brown paper, and tie it with a string. Then attach a large label explaining what the project is, what the goal was, at what stage the project has been put away, and, should it ever be continued, what the next steps should be.
Barbara Sher (Refuse to Choose!: Use All of Your Interests, Passions, and Hobbies to Create the Life and Career of Your Dreams)
She was a spiky teenager rebelling against the soul-suck mirror reflected back at her in her mother’s blank stare, her question mark of a spine. Determined to beat the odds, she completed high school with distinction. But there was a caveat. Beydan was allowed to roam and educate herself – up to a point. On her eighteenth birthday her Father sat her down and held out his Rolexed wrist. Studded with crystals and flecks of diamond, the watch dazzled in the light. All Beydan could hear, however, was tick-tock-tick-tick-tick-tick - time to neatly fold all her hard work, to parcel up her progress, send it to the attic in her subconscious and let dust gather on her dreams. There was a lump in her throat and a stopwatch in her womb.
Diriye Osman
The moon can't help it. It's only a fat dumb object, the pumpkin of the sky. The moon's a mess, to tell the truth. A burnt-out cinder the color of dishwater; a stale gray cookie covered with scars. Every loose rock in our solar system has taken a punch at it. It's been scorched, golf-clubbed, and inflicted with boils. If lovers have chosen this brutalized derelict, this tortured dustball, this pitted and pimpled parcel of wasteland as the repository of their dreams, the moon can't help it.
Tom Robbins (Still Life with Woodpecker)
152 Last Words I do not want a plain box, I want a sarcophagus With tigery stripes, and a face on it Round as the moon, to stare up. I want to be looking at them when they come Picking among the dumb minerals, the roots. I see them already—the pale, star-distance faces. Now they are nothing, they are not even babies. I imagine them without fathers or mothers, like the first gods. They will wonder if I was important. I should sugar and preserve my days like fruit! My mirror is clouding over — A few more breaths, and it will reflect nothing at all. The flowers and the faces whiten to a sheet. I do not trust the spirit. It escapes like steam In dreams, through mouth-hole or eye-hole. I can’t stop it. One day it won’t come back. Things aren’t like that. They stay, their little particular lusters Warmed by much handling. They almost purr. When the soles of my feet grow cold, The blue eye of my turquoise will comfort me. Let me have my copper cooking pots, let my rouge pots Bloom about me like night flowers, with a good smell. They will roll me up in bandages, they will store my heart Under my feet in a neat parcel. I shall hardly know myself It will be dark, And the shine of these small things sweeter than the face of Ishtar. 21 October 1961i
Sylvia Plath (The Collected Poems)
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))
I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!
C.S. Lewis (The Space Trilogy)
The ownership of land is not natural. The American savage, ranging through forests who game and timber are the common benefits of all his kind, fails to comprehend it. The nomad traversing the desert does not ask to whom belong the shifting sands that extend around him as far as the horizon. The Caledonian shepherd leads his flock to graze wherever a patch of nutritious greenness shows amidst the heather. All of these recognise authority. They are not anarchists. They have chieftains and overlords to whom they are as romantically devoted as any European subject might be to a monarch. Nor do they hold as the first Christians did, that all land should be held in common. Rather, they do not consider it as a thing that can be parceled out. “We are not so innocent. When humanity first understood that a man’s strength could create good to be marketed, that a woman’s beauty was itself a commodity for trade, then slavery was born. So since Adam learnt to force the earth to feed him, fertile ground has become too profitable to be left in peace. “This vital stuff that lives beneath our feet is a treasury of all times. The past: it is packed with metals and sparkling stones, riches made by the work of aeons. The future: it contains seeds and eggs: tight-packed promises which will unfurl into wonders more fantastical than ever jeweller dreamed of -- the scuttling centipede, the many-branched tree whose roots, fumbling down into darkness, are as large and cunningly shaped as the boughs that toss in light. The present: it teems. At barely a spade’s depth the mouldy-warp travels beneath my feet: who can imagine what may live a fathom down? We cannot know for certain that the fables of serpents curving around roots of mighty trees, or of dragons guarding treasure in perpetual darkness, are without factual reality. “How can any man own a thing so volatile and so rich? Yet we followers of Cain have made of our world a great carpet, whose pieces can be lopped off and traded as though it were inert as tufted wool.
Lucy Hughes-Hallett (Peculiar Ground)
I am in no rush. Let Life happen to me just as Life has planned. Because at the end of the day, when the sun sets there is always a horizon somewhere waiting to call forth another sun, in a paradox of Time. Because at the end of each chapter, the story walks towards its culmination. But just like it is not in the setting or rising of the sun but in the sunshine that one basks, just like it is not the finishing line but the voyage through the storyline where one finds the true understanding of the book, Life is about exploring the voyage all the while knowing full well that each chapter shall find its beginning middle and end just how it's meant to be. It is about the truth that Life is but a dream in Time's illusion and the only sharp truth is to love and be loved, and through that assemble moments in Time that smile beyond Time, to make a garden of experiences through lessons and understandings that Life puts at our journey only to walk us closer to our destination. It is not about the destination rather about the journey, and perhaps about who we share the journey with at each crossroad. And no matter how Time walks by, until and unless we cross all the alleys along the way, until and unless we climb up the peak bit by bit, we cannot reach that destination where we belong. But if we tread along the mountain peak or a winding alley soaking in all the freshness of the air enjoying the crispness of our walk, the journey becomes even more enriching not just to our soul but to all of our senses and our very heart. While if we try to run along the way, we might actually topple down a bad turn, taking in a scar that might demand another cup of our soul's portion to heal. Such is Life. A journey that takes smiles and tears, a voyage that bathes in hope and hopelessness, but in all of it, it never stays stagnant, always tiptoeing to exactly where we are meant to be, at any point of our journey. So when something seems to go stagnant or few things make no sense, I tell myself to pause and pat my soul acknowledging each and every decision or detour of mine as part and parcel of Life's plan. I close my eyes and breathe in the freshness of air that flows in every part of my soul to know, to feel alive to all that this journey has shared with me, while believing in the grace and magnanimity of Time who takes Time but eventually shows and leads us to where we belong. And I hear my heart smiling, Let Life happen to me just as Life has planned. I am in no rush.
Debatrayee Banerjee
When we say we want green anarchy, a stateless society, free and in harmony with Nature, people tell us that it’s a nice dream but it’ll never happen as ‘it’s against human nature’. The point is that it has happened – green anarchy was how all people lived for a good 90% of history… how some still live better than we do today. When we point this out, people start pissing and whining about ‘going back to the caves’ and getting protective about their TV’s, cars and other fruits of ‘Progress’, particularly Lefties and ‘anarchists’ who don’t know the difference and who think ‘Progress’ is some inevitable law of Nature and not part and parcel of State society and the self-serving elites ruling it. We’ll demolish those myths.
Mick Smith
The dysfunctional family is just part and parcel of the American dream. You know, like baseball, apple pie and polarizing politics
Aimee Carson (First Time for Everything)
Well, I, ah, could not help but be impressed with her ladyship’s medical knowledge and I can hardly quell my outrage at the injustice of such a brilliant mind being barred from serving the community.” “Yes, it is an injustice indeed. A fact I am certain she is well aware of. Have you a point in reminding her?” Rafe drummed the fingers of his good hand on the side table. Ignoring his warning tone, Wakley nodded. “Though it is not in my power to make her a real doctor, I can give her the same examination that is received at Oxford and perhaps offer her some training, so that she may at least gain some sense of vindication.” Rafe opened his mouth to refuse, yet the words caught in his throat at the man’s logic and consideration. However, he couldn’t risk further involvement with mortals, for him or Cassandra. Not until her fate was decided. And he still had no notion how he would resolve his predicament. Hell, he hadn’t even told her about the letter from the Elders yet. He coughed. “I—” “Oh, Mr. Wakley!” Cassandra gasped in unabashed delight as she rushed down the stairs. “Would you?” The surgeon nodded. “As long as you understand that it is only a ceremonial gesture.” “I understand.” Cassandra’s voice quavered with hope and gratitude. Rafe hid the wrapped parcel by holding the microscope behind his back before she met his gaze. Slowly, she approached him, her eyes deep pools of abject longing. “Rafael…?” The question hung in the air, tangible as an embrace. He closed his eyes as his mind warred with his heart. She stood so close that her hair brushed his sleeve and he could smell her intoxicating scent. Taking a deep breath, he uttered an impractical reply. “I am certain you shall pass with alacrity.” She could be dead within the month. The least he could do was allow her to touch her dream. Cassandra rose on her toes and kissed him on the cheek. Her lips felt like a healing balm on his scars. “Thank you.
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
How quickly they pass, the pioneering days! There is 'virgin' (unenriched, undamaged) country where never a white man has set his feet. Then come a scattering of nomads: the explorers, the gold-rushers, the bushrangers, the prospectors. Then the landgrabbers, followed soon by civilized machinery that makes their grab their own; and within two generations, a vast area of fertile wilderness has lost its secret and is parcelled out like the main street of a city. As this happens, the aboriginals, possessed of ticking clocks and a taste for liquor, withdraw, fascinated and horrified, into the deeper bush. And on their heels there follow restless whites: those who can never settle down, those who believe it's not yet time to wake up from a dream. Surely in a gigantic continent there's always space to find! So they ride on into the interior, away from the creeping railways and the courthouses, till at last they are washed up beyond the mountains on to the shores of the central desert, hemmed in by the tracts of salty sand before them, and the law behind their backs.
Colin MacInnes (JUNE IN HER SPRING)
A big gloomy space was piled with bags, boxes, suitcases, parcels, umbrellas. There were a few shelves but no apparent order. Some of the bags seemed to have been left where they had been dropped. It was the sort of place horror-film directors dream of, or playwrights of the absurd, a place of the soul, in limbo.
Tim Parks (Italian Ways: On and Off the Rails from Milan to Palermo)
swept gently in till the air was full of the dreamy and voluptuous fragrance which lulls the senses and woos the heart to those softer moments which, could they but last, would make men never need to dream of heaven. Such hours are rare; what wonder if, to win them, we risk all, if in them we cry with the Lotus Eaters, “Let us alone. What is it that will last? All things sûre taken from us and become Portions and parcels of the dreadful Past. Let us alone. What pleasure can we have To war with evil? Is there any peace In ever climbing up the climbing wave? All things have rest and ripen toward the grave In silence; ripen, fall, and cease. Give us long rest or death; dark death or dreamful ease.
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
And we're cheerful, too. You can count on that.' Obligingly she smiled in a neighbourly way at him. 'It will be a relief to leave Earth with its repressive legislation. We were listening OH the FM to the news about the McPhearson Act.' 'We consider it dreadful,' the adult male said. 'I have to agree with you,' Chic said. 'But what can one do?' He looked around for the mail; as always it was lost somewhere in the mass of clutter. 'One can emigrate,' the adult male simulacrum pointed out. 'Um,' Chic said absently. He had found an unexpected heap of recent-looking bills from parts suppliers; with a feeling of gloom and even terror he began to bills from parts suppliers; with a feeling of gloom and even terror he began to sort through them. Had Maury seen these? Probably. Seen them and then pushed them away immediately, out of sight. Frauenzimmer Associates functioned better if it was not reminded of such facts of life. Like a regressed neurotic, it had to hide several aspects of reality from its percept system in order to function at all. This was hardly ideal, but what really was the alternative? To be realistic would be to give up, to die. Illusion, of an infantile nature was essential for the tiny firm's survival, or at least so it seemed to him and Maury. In any case both of them had adopted this attitude. Their simulacra -- the adult ones -- disapproved of this; their cold, logical appraisal of reality stood in sharp contrast, and Chic always felt a little naked, a little embarrassed, before the simulacra; he knew he should set a better example for them. 'If you bought a jalopy and emigrated to Mars,' the adult male said, 'We could be the famnexdo for you.' 'I wouldn't need any family next-door,' Chic said, 'if I emigrated to Mars. I'd go to get away from people. 'We'd make a very good family next-door to you,' the female said. 'Look,' Chic said, 'you don't have to lecture me about your virtues. I know more than you do yourselves.' And for good reason. Their presumption, their earnest sincerity, amused but also irked him. As next-door neighbours this group of sims would be something of a nuisance, he reflected. Still, that was what emigrants wanted, in fact needed, out in the sparsely-populated colonial regions. He could appreciate that; after all, it was Frauenzimmer Associates' business to understand. A man, when he emigrated, could buy neighbours, buy the simulated presence of life, the sound and motion of human activity -- or at least its ​mechanical nearsubstitute to bolster his morale in the new environment of unfamiliar stimuli and perhaps, god forbid, no stimuli at all. And in addition to this primary psychological gain there was a practical secondary advantage as well. The famnexdo group of simulacra developed the parcel of land, tilled it and planted it, irrigated it, made it fertile, highly productive. And the yield went to the it, irrigated it, made it fertile, highly productive. And the yield went to the human settler because the famnexdo group, legally speaking, occupied the peripheral portions of his land. The famnexdo were actually not next-door at all; they were part of their owner's entourage. Communication with them was in essence a circular dialogue with oneself; the famnexdo, it they were functioning properly, picked up the covert hopes and dreams of the settler and detailed them back in an articulated fashion. Therapeutically, this was helpful, although from a cultural standpoint it was a trifle sterile.
Philip K. Dick (The Simulacra)
What are you dreaming of Varvara?” asked Avelii. He saw in her eyes that look, at once absent and intimate, that we have when, perhaps unawares, we reach out so intensely toward another person—toward the deep, multiple self within his parcel of eternity—that we stop noticing him in the present.
Victor Serge (Midnight in the Century (NYRB Classics))
You likely have had your own version of house fires and tick bites—perhaps much more dire than this account—and if you have, I am truly sorry. We each construct a home of beliefs and values, relationships and work that makes up our reality. When the one you’ve made burns, how do you respond? How do you navigate these times when you’re just starting a new dream or in the middle of one? Is the highest aim merely to get through the day as unscathed as possible? If you view life as a quest, as I do, then you acknowledge that challenges are part and parcel of what to expect on this path you’ve chosen. But, whoa!—and woe!—when those challenges are relentless, accumulative, and seemingly personal.
Jeffrey Davis (Tracking Wonder: Reclaiming a Life of Meaning and Possibility in a World Obsessed with Productivity)
Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.
Alan Moorehead (Gallipoli)