Parcel 2 Go Quotes

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An inclination to play God was part and parcel of wanting to go out and terraform other worlds, but good practice was to at least play nicely with the rest of the pantheon.
Adrian Tchaikovsky (Children of Ruin (Children of Time, #2))
You know, this always happens. Whenever I go away, I always think I'll come back to mountains of exciting posts, with parcels and telegrams and letters full of scintillating news - and I'm always disappointed. In fact, I really think someone should set up a company called holidaypost.com which you would pay to write you loads of exciting letters, just so you had something to look forward to when you got home.
Sophie Kinsella (Shopaholic Takes Manhattan (Shopaholic, #2))
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
Charles?  What is wrong?" That rueful little smile still in place, he bent his head, looking down as though he could see the beautiful animal whose broad forehead was pressed to his chest, and whose ears were only a few inches from his nose.  "I cannot ride him," he said softly, with one of his long, slow, blinks that lent him an air of studied sadness.  "As much as he means to me, as much as I've missed him, he is nothing more to me than a pet, now —" He never finished the sentence.  As though he'd taken violent offense at his master's words, the stallion flung up his head, the blow catching Charles squarely beneath the jaw, snapping his head back and sending him reeling backwards into Amy's arms. She staggered under his weight. "Will, help me!" Her brother rushed forward, and together they eased the captain down onto his back in the straw.  He lay unmoving, his lashes still against his cheeks.  Blood gushed from his nose. "Charles!" Amy slid a hand beneath his nape and lifted his head just as his eyes fluttered open. "Oh-h-h-h," he moaned, covering his nose with one hand and trying to stop the bleeding.  "Damn." "Will, get some cold water, quick!" Amy urged.  As her brother ran out of the barn toward the well, Amy helped Charles to sit up.  Cradling him against her body and tipping his head back over her arm, she tore off her neckerchief and pressed it to his nose. "You silly man," she said, in gentle admonishment.  "I would've thought you knew your horse well enough to realize he doesn't take kindly to insults, either to himself or to his master." "I didn't insult him. "  His voice sounded nasally and thick. "You insulted yourself." "I did not." "You did.  You said you couldn't ride him." "I damn well can't." "You damn well will.  My brother didn't go to all the trouble of bringing him back just so you could do nothing more than groom and feed him." "My dear Amy, please be realistic.  I cannot ride him." "Why not?" "Because I can't see." "So you can't.  But there's nothing wrong with your legs —" she blushed hotly, remembering the feel of them hard and strong against her own — "or your balance, or anything else about you.  You simply can't see where you're going.  But Contender can." "I shall not be able to guide him where I wish to go, pull him up when he needs pulling up, anticipate possible dangers to both himself and I." "Then you can go out riding with Mira and me, and we'll anticipate those things for you." "But I shall look the fool, up there on his back." "You shall look splendid." "Amy," he said in a patient, controlled voice, "you do not understand.  If something cannot be done the proper way, it should not be done at all.  Since I cannot ride him the proper way, I should not —" "No, Charles, you don't understand.  Sometimes there is no right way to do something, but a whole parcel of varying ways.  So you can't ride him the way you used to.  You find a different way." "But —" "You're doing it again," she scolded. "Doing what?" "Trying to be perfect.  And taking yourself far too seriously.  Stop it." He began to protest, then grinned and gave her a half-hearted salute.  "Yes, ma'm." At
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
For days wagons had been arriving from all directions, loaded with sacks, crocks and crates, tubs of pickled fish; racks dangling with sausages, hams and bacon; barrels of oil, wine, cider and ale; baskets laden with onions, turnips, cabbages, leeks; also parcels of ramp, parsley, sweet herbs and cress. Day and night the kitchens were active, with the stoves never allowed to go cold. In the service yard four ovens, constructed for the occasion, produced crusty loaves, saffron buns, fruit tarts; also sweet-cakes flavoured with currants, anise, honey and nuts, or even cinnamon, nutmeg and cloves. One of the ovens produced only pies and pasties, stuffed with beef and leeks, or spiced hare seethed in wine, or pork and onions, or pike with fennel, or carp in a swelter of dill, butter and mushrooms, or mutton with barley and thyme.
Jack Vance (The Complete Lyonesse (Lyonesse, #1, #2 and #3))
Men,’ said Jack, ‘I know damned well what’s going on. I know damned well what’s going on; and I won’t have it. What simple fellows you are, to listen to a parcel of makee-clever sea-lawyers and politicians, glib, quick-talking coves. Some of you have put your necks into the noose. I say your necks into the noose. You see the Ville de Paris over there?’ Every head turned to the line-of-battle ship on the horizon. ‘I have only to signal her, or half a dozen other cruisers, and run you up to the yardarm with the Rogue’s March playing. Damned fools, to listen to such talk. But I am not going to signal to the Ville de Paris nor to any other king’s ship. Why not? Because the Polychrest is going into action this very night, that’s why. I am not going to have it said in the fleet that any Polychrest is afraid of hard knocks.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))