Paragraphs Within Quotes

Life is not a paragraph, and death is no parenthesis. (This is a reference to an E.E. Cummings poem within the author's work)

Remind me to show you the latest e-mail from Courtney," he said now, kicking at a rock on the sidewalk. "You won't believe how many different incorrect ways she spelled hors d'oeuvres within the span of a single paragraph.

That distinctive singular stamp of himself is one of the main reasons readers come to love an author. The way you can just tell, often within a couple paragraphs, that something is by Dickens, or Chekhov, or Woolf, or Salinger, or Coetzee, or Ozick. The quality’s almost impossible to describe or account for straight out — it mostly presents as a vibe, a kind of perfume of sensibility — and critics’ attempts to reduce it to questions of “style” are almost universally lame.

Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.

May 5, the Chicago American, within the space of a few paragraphs, branded her as both “the most fiendish murderer of the age” and “the most fiendish murderess in history.

A paragraph's existence owes itself to the words contained in the sentences within.

There were no milestones in the Copper Country. Often a traveler could only measure the progress of a journey by the time it took to get from each spoiled or broken thing to the next: a half-day’s walk from a dry well to the muzzle of a cannon poking out of a sand-slope, two hours to reach the skeletons of a man and a mule. The land was losing its battle with time. Ancient and exhausted, it visited decrepitude on everything within its bounds, as though out of spleen.

That’s all books are. Escapism borne of wonderfully crafted words that describe far off lands. Sentences that ask and answer within seconds. Paragraphs that slay dragons and ride horses into the midnight sky. Chapters that describe the sensation of pounding hearts and consuming desire, each feeling chronicling the incredible sensation of falling in love.

she described in a separate paragraph the Haredi community, and how within it religious practice was a total way of life. The distinction between what was rendered to Caesar and what to God was meaningless, much as it was for observant Muslims.

In framing that great document which Gladstone declared ‘the most wonderful work ever struck off at a given time by the brain and purpose of man,’ our early leaders our early leaders called upon a kind Providence. Later the product of the constitutional convention was referred to as our God-inspired Constitution. They had incorporated within its sacred paragraphs eternal principles supported by the holy scriptures with which they were familiar. It was established ‘for the rights and protection of all flesh according to just and holy principles.

You know the feeling when you're falling? When you take a step onto what used to be sold ground and suddenly it just falls out from under you? You start to spiral slowly, gathering speed until you know that you are within seconds from hitting the ground, and you're praying that you'll hit, that everything will just disappear, that everything you've been fighting to escape will just consume you and everything will be over. But then the ground doesn't come and you just keep falling and falling and falling, trapped in a nightmare that will never end.

Like my father, someday we'll all be gone. We'll have lived and died within an era, within a chapter - a paragraph? - of a history book. We might not know what the pages will say. Or who will write them. For now, though, we will not worry about what will become of us. We will ask instead: what will the world become because of us?

Witchcraft is part of a living web of species and relationships, a world which we have forgotten to observe, understand or inhabit. Many people reading this paragraph will not know even the current phase of the moon, and if asked for it will not instinctively look up to the current quarter of the sky, but down to their computers. Neither will they be able to name the plants, birds or animals within a metre or mile radius of their door. Witchcraft asks that we do these first things, this is presence. Animism is not embedded in the natural world, it is the natural world. Our witchcraft is that spirit of place, which is made from a convergence of elements and inhabitants. Here I include animals, both living and dead, human and inhuman. Our helpers are mammals, reptiles, fish, birds and insects. Some can be counted allies, others are more ambivalent. Predator and prey are interdependent. These all have the same origin and ancestry, they from from plants, from copper green life. Bones become soil. The plants have been nourished on the minerals drawn up from the bowels of the earth. These are the living tools of the witch's craft. The cycle of the elements and seasons is read in this way. Flux, life and death are part of this, as are extinctions, catastrophe, fire and flood. We avail ourselves of these, and ultimately a balance is sought. Our ritual space is written in starlight, watched over by sun and moon. So this leaves us with a simple question. How can there be any Witchcraft if this is all destroyed? It is not a rhetorical question. Our land, our trees, animals and elements hold spirit. Will we let our familiars, literally our family be destroyed? If we hold any real belief and experience of spirit, then it does not ask, it demands us to fight for it.

Every writing session after this realization, I dedicated five minutes (sometimes more, never less) and wrote out a quick description of what I was going to write that day. Sometimes it wasn't even a paragraph, just a list of this happens, then that, then that. This one simple change—those five stupid minutes—boosted my word count more than any other single thing I’ve ever done. I went from writing 2k a day to 5k a day within a week without increasing my 6-hour writing block. Some days, I even finished early.

It was getting very clear then (and during this week Riseholme naturally thought of nothing else) that Lucia designed a longer residence in the garish metropolis than she had admitted. Since she chose to give no information on the subject, mere pride and scorn of vulgar curiosity forebade anyone to ask her, though of course it was quite proper (indeed a matter of duty) to probe the matter to the bottom by every other means in your power, and as these bits of evidence pieced themselves together, Riseholme began to take a very gloomy view of Lucia's real nature. On the whole it was felt that Mrs. Boucher, when she paused in her bath-chair as it was being wheeled round the green, nodding her head very emphatically, and bawling into Mrs. Antrobus's ear-trumpet, reflected public opinion. "She's deserting Riseholme and all her friends," said Mrs. Boucher, "that's what she's doing. She means to cut a dash in London, and lead London by the nose. There'll be fashionable parties, you'll see, there'll be paragraphs, and then when the season's over she'll come back and swagger about them. For my part I shall take no interest in them. Perhaps she'll bring down some of her smart friends for a Saturday till Monday. There'll be Dukes and Duchesses at The Hurst. That's what she's meaning to do, I tell you, and I don't care who hears it." That was lucky, as anyone within the radius of a quarter of a mile could have heard it.

Where do you get your ideas?' people are always asking authors they admire, which I’ve always thought was another way of asking, 'How did you get my ideas, which I didn’t know I had until you put words to them?' We are known, appreciated, even cherished by our favorite writers; every word of our favorite books seems to have been written for us. Within their sentences and paragraphs, those writers are forever available, forever patient, including us in their compassionate recognition of the impossible, exhausting complexity of being human (those “many thousand” selves), never ignoring us or abandoning us or finding us dull. It’s you, they whisper, as we turn their pages, you are the one I’ve been waiting to tell everything to.

When an editor reads, he is not just reading but breaking sentences into fragments, worrying if the first half should be replaced with the second, if the middle fragment should be switched with the first. The better editors worry if entire sentences should be switched within paragraphs; great editors keep entire paragraphs—even pages—in their head and worry if these might be switched. Truly great editors can keep an entire book in their head and easily ponder the switching of any word to any place. They’ll remember an echo across three hundred pages. If they’re professional, they’ll be able to keep ten such manuscripts in their head at once. And if you’re the writer, and you call them a year later and ask about a detail, even though they’ve read five thousand manuscripts since then, they’ll remember yours without a pause.

He always perceives this world as outside himself, for this is crucial to his adjustment. He does not realize that he makes this world, for there is no world outside of him. Everything you perceive as the outside world is merely your attempt to maintain your ego identification. from: A Course In Miracles 12.III. 6.6 and 7.4 "Forgiveness is an earthly form of love" (W-pI.186.14:1). A Course In Miracles "Remember always that you cannot be anywhere except in the Mind of God." ACIM Chap 9.VIII.5.3 ACIM Chapter 2, Section V "The Function of the Miracle Worker" Paragraphs 8-18 Commentary by Robert Perry "The only solution lies in being willing to look within, upon our own defiled altar. There is a place in our mind that was created to be totally devoted to God, but we have defiled this place with other devotions. We need to be willing to walk into the church of our mind and witness the desecrations on this altar. Only then will we really see "the unequivocal fact that healing is necessary" (8:1). Are we willing to look on the unequivocal fact that we need healing? Only then will we open up "the real vision" (8:4), which will allow us to see past what our physical eyes see and gaze on the light of purity beyond.

the ten thousand things To study the self is to forget the self. To forget the self is to be enlightened by the ten thousand things. – Eihei Dogen If one is very fortunate indeed, one comes upon – or is found by – the teachings that match one’s disposition and the teachers or mentors whose expression strikes to the heart while teasing the knots from the mind. The Miriam Louisa character came with a tendency towards contrariness and scepticism, which is probably why she gravitated to teachers who displayed like qualities. It was always evident to me that the ‘blink’ required in order to meet life in its naked suchness was not something to be gained in time. Rather, it was clear that it was something to do with understanding what sabotages this direct engagement. So my teachers were those who deconstructed the spiritual search – and with it the seeker – inviting one to “see for oneself.” I realised early on that I wouldn’t find any help within traditional spiritual institutions since their version of awakening is usually a project in time. Anyway, I’m not a joiner by nature. I set out on my via negativa at an early age, trying on all kinds of philosophies and practices with enthusiasm and casting them aside –neti neti – equally enthusiastically. Chögyam Trungpa wised me up to “spiritual materialism” in the 70s; Alan Watts followed on, pointing out that whatever is being experienced is none other than ‘IT’ – the unarguable aliveness that one IS. By then I was perfectly primed for the questions put by Jiddu Krishnamurti – “Is there a thinker separate from thought?” “Is there an observer separate from the observed?” “Can consciousness be separated from its content?” It was while teaching at Brockwood Park that I also had the good fortune to engage with David Bohm in formal dialogues as well as private conversations. (About which I have written elsewhere.) Krishnamurti and Bohm were seminal teachers for me; I also loved the unique style of deconstruction offered by Nisargadatta Maharaj. As it happened though, it took just one tiny paragraph from Wei Wu Wei to land in my brain at exactly the right time for the irreversible ‘blink’ to occur. I mention this rather august lineage because it explains why the writing of Robert Saltzman strikes not just a chord but an entire symphonic movement for me. We are peers; we were probably reading the same books by Watts and Krishnamurti at the same time during the 70s and 80s. Reading his book, The Ten Thousand Things, is, for me, like feeling my way across a tapestry exquisitely woven from the threads of my own life. I’m not sure that I can adequately express my wonderment and appreciation… The candor, lucidity and lack of jargon in Robert’s writing are deeply refreshing. I also relish his way with words. He knows how to write. He also knows how to take astonishingly fine photographs, and these are featured throughout the book. It’s been said that this book will become a classic, which is a pretty good achievement for someone who isn’t claiming to be a teacher and has nothing to gain by its sale. (The book sells for the production price.) He is not peddling enlightenment. He is simply sharing how it feels to be free from all the spiritual fantasies that obscure our seamless engagement with this miraculous thing called life, right now.

Lack of groundedness due to spiritual “highs.” When you work through and into the depths of your rebirth, you may occasionally find yourself "strong" emotionally, and you will be much less rooted in your earthen body whenever this occurs. This "danger," as mentioned in the introduction paragraph to this section, is more like a symptom. Most people will experience that groundlessness through the kundalini awakening excitement. Your higher chakras will be wide open, and you'll have the ability to be overwhelmed by what you can now experience. Whenever you feel like this–dreamy, disturbed, floaty, almost cloud-like–start a deep breath. Make one hand into your navel's fist and imagine you could drop a cord straight down into the earth from this spot in your body. Felt grounded and affirmed with your human body as this cord drops and connects with nature. This simulation will relieve these "high" symptoms as they occur. • Jerkiness & muscle spasms As with the argument just above, jerkiness and muscle spasms are signs of kundalini awakening that will undergo much (if not all) of their systems. It is only coded as a "risk" or "danger" because the individual may not think that these actions are linked to his or her awakening and are scared of his or her own well-being. If you ever have occasional spasms or unwanted jerks, take a deep breath and try to feel at ease. These are normal and will pass, "growing pains" synonymous with awakening. Ultimately, you will no longer have them at all, but for now, breathe deeply, and accept them. They're, believe it or not, a good sign. • Finding yourself alone in the “dark night of the soul.” Another symptom of awakening is the "dark night of the soul" experience. This period of time will come to pass for anyone involved in kundalini awakening, and it's not necessarily a fun time, which is why it's coded as a "danger" or "risk." Essentially, the "dark night of the soul" is when you feel like you've hit the lowest low. It's the time you confront all the defects within yourself and know that you can only step upwards, which is an overwhelming task. You may lose someone near you, like a mentor, a friend, or someone you love. You may feel directionless or doubt everything you thought you knew was true, real and nice. If you feel these things, you have not failed to wake up; know that to your core's depths. You didn't fail; you are on the right track. Keep close tabs on that person for those who know someone very emotionally sensitive that is trying to awaken kundalini. The emotionally vulnerable among us are at great risk because, alone, they go through these times. If they're too dejected and directionless, it can mean their lives, but we can always guard against it. Together we are stronger as a community, and each of us with that backing force will make it through this dark night.

Clayton was the book she wanted to read again and again. Beneath its handsome cover were paragraphs of thoughtfulness , sweetness, kindness, laughter, patience, trust, and all the best words to lose herself within their pages.

A lonely time ago, a space was hovering in the mist formed by the winds of thought. The space had no other purpose. One day, it realized it could do more than only hover, so decided to fly swiftly through the mist to find a purpose. After an immeasurable amount of time, the space landed between some vowels. Although they didn’t mind associating with the space, the new partners remained lost in a misty void and felt incoherent and incomplete. For many years they aimlessly floated through the darkness. Then one day, they lightly touched several confused consonants that were hovering upon a lazy breeze passing nearby. Without warning, commas and periods began dripping from the sky. The space, the vowels, the consonants, the commas, and the periods delightfully joined together and soon gave birth to a healthy, well-formed sentence. It grew up to became a handsome, properly indented paragraph. Then the mist evaporated and gracefully waved goodbye to its former guests. Fully developed chapters eagerly sprouted from the sentences and gently caressed all the characters that had joined together. As the chapters aged, a book lovingly wrapped around them, providing shelter from dangerous erasers, wet and fiery storms, and anything else that might disrupt their cohesion. A quickly-passing thought transformed into a title and rested upon the face of the book. The title found comfort upon its new bed and happily decided to remain. Suddenly a strong wind grabbed the book and carried it from the void and into the hands of a smiling child. There was much time spent within the book, and the book was spent within time. It endured many storms and many thoughts. Sadly, after hundreds of years, the book dissolved into a mist. Its characters were thoughtlessly scattered into a void. In the void, a lonely time later, there was a space. The Beginning

It will be noted that the specific duties assigned to the new agency (CIA) specifically itemized most of the standard tasks of Intelligence, with the exception of “collection.” It would seem that a Congress that had debated the subject so long and so thoroughly would not have overlooked the function of collection. It is more likely that Congress fully intended what it stated—that the task of the CIA was that of “coordinating” intelligence. The duties of the CIA were set forth in the law as follows: to advise the National Security Council in matters concerning such intelligence activities of the government departments and agencies as relate to national security; to make recommendations to the NSC for the coordination of such intelligence activities. . . .; to correlate and evaluate intelligence relating to the national security, and provide for the appropriate dissemination of such intelligence within the government . . . provided that the Agency shall have no police, subpoena, law-enforcement powers, or internal security functions. . . .; to perform, for the benefit of the existing intelligence agencies, such additional services of common concern as the NSC determines can be more efficiently accomplished centrally; to perform such other functions and duties related to intelligence affecting the national security as the NSC may from time to time direct. For those familiar with that language used in legislative writing, it should be very clear that Congress knew exactly what it was doing when it set up a central authority to coordinate intelligence and when it further delineated the responsibilities into those five brief and explicit paragraphs shown above. Yet few such uncomplicated and simple lines defining the law of the land have ever been subject to so much misinterpretation, intentional and accidental, as have these.

I hadn’t been much help packing for the trip. I was accustomed to America, where I was always within striking distance of a grocery store, gas station, or equipment supply. The Australian bush wasn’t like that. Parts of the Burdekin were dangerously remote, and these, of course, were the parts where we were headed. Steve had to pack his own fuel, water, food, spare tires, boat, engine, and extra parts. He loaded up the Ute. Swags went in, but no tent. We would be sleeping under the stars. As we headed out, it came to light that this would be a sixteen-hour trip--and the driving would be shared. “Remember one thing,” Steve said as he climbed over the seat. “If you see a road train coming, you’ve got to get clear off the road.” “Okay,” I agreed. “But I need you to explain what a road train is.” I learned that long-distance truckers in the outback drive huge rigs--double-deckers that are three trailers long. “Okay, great,” I said. “Drive on the left, and watch out for road trains. Got it.” Steve climbed into the back under the canvas canopy and stretched out on top of one of the swags. I wasn’t worried about falling asleep while I was driving. I was too nervous to be sleepy. The farther north I drove, the smaller the roads became. Cars were few and far between. I saw the headlights of an oncoming Ute. Maybe I’ll practice pulling off the road, I thought. I miscalculated the speed of the oncoming vehicle, slowed down more abruptly than I intended, and pulled completely onto the soft gravel shoulder. The draft of the passing truck hit our Ute like a sonic boom--it was a giant beast with a huge welded bull bar on its front and triple trailers behind. The road train flew past us doing every bit of seventy-five miles per hour, never slowing down. I realized that if I hadn’t pulled over, I would have probably been knocked off the face of the earth. I imagined a small paragraph buried deep inside the Eugene Register-Guard, my hometown newspaper: “Oregon Woman Bites the Dust.” Road trains owned the road, but I had passed my first test. I could do this! I should not have spoken so soon.

In the last dark age, one can search the inquiries of this era's preserved of thinkers from Augustine to Ockham, and fail to discover a single page of criticism of the established social framework, however rationally insupportable feudal bondage, absolute paternalism, divine right of kings and the rest may be. In the current final order, is it so different? Can we see in any media or even university press a paragraph of clear unmasking of a global regime that condemns a third of all children to malnutrition with more food than enough available? In such a social order, thought becomes indistinguishable from propaganda. Only one doctrine is speakable, and a priest caste of its experts prescribes the necessities and obligations to all. Social consciousness is incarcerated within the role of a kind of ceremonial logic, operating entirely within the received framework of an exhaustively prescribed regulatory apparatus protecting the privileges of the privileged. Methodical censorship triumphs in the guise of scholarly rigor, and the only room left for searching thought becomes the game of competing rationalizations.

speak” (p.1). We create as we speak because words make worlds within us. If you doubt this, try saying the word “waterfall.” What do you see, hear, smell, taste, experience? How do you feel? Now try on the word “supermarket,” or worse, “traffic.” What do you see, hear, and feel now? A single word is powerful enough to create an entire sensory experience in someone who hears, reads, or thinks it. If you were in a laboratory with electrodes attached to your head, a neuroscientist could track your brain’s response. If a single word can do that much, think of the possibilities of a line, a sentence, a paragraph, a page—or a sequence of pages!

The cruelty of unrequited love isn’t really that we haven’t been loved back, rather that our hopes have been aroused by someone who can never disappoint us, someone whom we will have to keep believing in because we lack the knowledge that would set us free. In a position of longing for a new person when we are constrained within an existing relationship, we must beware too of the ‘incumbent problem’: the vast but often overlooked and unfair advantage that all new people, and also cities and jobs, have over existing – or, as we put it, incumbent – ones. The beautiful person glimpsed briefly in the street, the city visited for a few days, the job we read about in a couple of tantalizing paragraphs in a magazine all tend to seem immediately and definitively superior to our current partner, our long-established home and our committed workplace and can inspire us to sudden and (in retrospect sometimes) regrettable divorces, relocations and resignations. When we spot apparent perfection, we tend to blame our spectacular bad luck for the mediocrity of our lives, without realizing that we are mistaking an asymmetry of knowledge for an asymmetry of quality: we are failing to see that our partner, home and job are not especially awful, but rather that we know them especially well. The corrective to insufficient knowledge is experience. We need to mine the secret reality of other people and places and so learn that, beneath their charms, they will almost invariably be essentially ‘normal’ in nature: that is, no worse yet no better than the incumbents we already understand.

Halfway through the second paragraph, we find that the resisting element within the narrative voice belongs to one Marya Vasilyevna, who, failing to be moved by springtime, appears in the cart at the sound of her name.

Lewis obviously knew the intricacies of the fur trade, and about business practices, costs, profits, requirements. He also knew his countrymen. Thus he opened the third paragraph of his report to Jefferson with a sentence that became the most frequently quoted one he ever wrote: “The Missouri and all it’s branches from the Cheyenne upwards abound more in beaver and Common Otter, than any other streams on earth, particularly that proportion of them lying within the Rocky Mountains.”2 It was certain to set off a rush for the mountains.

Article 5 of the Nauruan Constitution provides: (1)No person shall be deprived of his personal liberty, except as authorised by law in any of the following cases: (a) in execution of the sentence or order of a court in respect of an offence of which he has been convicted; (b) for the purpose of bringing him before a court in execution of the order of a court; (c) upon reasonable suspicion of his having committed, or being about to commit, an offence; (d) under the order of a court, for his education during any period ending not later than the thirty-first day of December after he attains the age of eighteen years; (e) under the order of a court, for his welfare during any period ending not later than the date on which he attains the age of twenty years; (f) for the purpose of preventing the spread of disease; (g) in the case of a person who is, or is reasonably suspected to be, of unsound mind or addicted to drugs or alcohol, for the purpose of his care or treatment or the protection of the community; and (h) for the purpose of preventing his unlawful entry into Nauru, or for the purpose of effecting his expulsion, extradition or other lawful removal from Nauru. (2)A person who is arrested or detained shall be informed promptly of the reasons for the arrest or detention and shall be permitted to consult in the place in which he is detained a legal representative of his own choice. (3)A person who has been arrested or detained in the circumstances referred to in paragraph (c) of clause (1) of this Article and has not been released shall be brought before a Judge or some other person holding judicial office within a period of twenty-four hours after the arrest or detention and shall not be further held in custody in connection with that offence except by order of a Judge or some other person holding judicial office. (4)Where a complaint is made to the Supreme Court that a person is unlawfully detained, the Supreme Court shall enquire into the complaint and, unless satisfied that the detention is lawful, shall order that person to be brought before it and shall release him. Detention of asylum seekers in Nauru is contrary to the Nauruan Constitution. By offering financial and personal incentives to Nauruan politicians, the Australian government has engaged in unlawful people trading. The

If we think of DNA as an alphabet, then the complete sequence of those letters in an organism can be thought of as its book. This complete sequence is generally known as the genome. The genes – the DNA sequences that code for Mendel’s invisible units of heredity – can be thought of as paragraphs within that book.

Numbered lists: compactenum: Compact version of the enumerate environment without any vertical space before or after the list or its items inparaenum: An enumerated list typeset within a paragraph asparaenum: Every list item is formatted like a separate common LaTeX paragraph, but numbered Bulleted lists: compactitem: Compact version of the itemize environment like compactenum inparaitem: An itemized list typeset within a paragraph, rarely seen in print asparaitem: Like asparaenum, but with symbols instead of numbers

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