Paragraph Break Quotes

It's Nathaniel Hawthorne Month in English. Poor Nathaniel. Does he know what they've done to him? We're reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones. It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break -- these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward?

Don’t be upset that you can’t attain constant happiness. It’s the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it’s brief—showing up when it’s needed and filling tired paragraphs with breaks.

We fell into the book of love stumbling through the pages filling up the paragraphs creating new chapters right till the very last page where we fell out of the book breaking into pieces as we fell apart.

Although listening is often more fun, reading improves comprehension and recall. Whereas listening promotes intuitive thinking, reading activates more analytical processing. It’s true in English and Chinese—people display better logical reasoning when the same trivia questions, riddles, and puzzles are written rather than spoken. With print, you naturally slow down at the start of a paragraph to process the core idea and use paragraph breaks and headers to chunk information.

Don’t be upset that you can’t attain constant happiness. It’s the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it’s brief—showing up when it’s needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft.

Writing is, like gender or dominatricing, a kind of performance. But the craft of writing is primarily an art of making decisions. I often like to terrorize my students by insisting that every single notation—every piece of punctuation, every word, every paragraph break—in a piece of writing is a decision. You know when something is done, I tell them (they always want to know how to know when something is done), when you know the argument for every single choice, when not a single apostrophe has slipped by uninterrogated, when every word has been swapped for its synonym and then recovered. I don’t mean to take the fun out of creation, or even to impose my own laborious process on them, but I actually believe this. Not in the first draft, or even the fifth, but by the end, I want to have stripped as many tics and defaults, as many blind choices as is in my power. I want to be awake to all my choices.

You don’t have time. You make time. Carve out seconds between schedules. Whittle pockets of routine. Learn while you drive. Sing while you shower. Write while you shit. A paragraph each bathroom break makes a page a day makes a book a year. So what the fuck are you waiting for? GO OUT THERE, AND DO IT.

It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break - these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward?

The trouble with today's snarky pipsqueaks who break off a sentence or two, or who write a couple of mean paragraphs, is that they don't go far enough; they don't have a coherent view of life. Spinning around in the media from moment to moment, they don't stand for anything, push for anything; they're mere opportunists without dedication, and they don't win any victories.

I continued working without a break, but in the middle of the third story...I felt myself tiring more than if I had been working on a novel. The same thing happened with the fourth. In fact, I did not have the energy to finish them. Now I know why: The effort involved in writing a short story is as intense as beginning a novel, where everything must be defined in the first paragraph: structure, tone, style, rhythm, length, and sometimes even the personality of a character. All the rest is the pleasure of writing, the most intimate, solitary pleasure one can imagine, and if the rest of one's life is not spent correcting the novel, it is because the same iron rigor needed to begin the book is required to end it. But a story has no beginning, no end: Either it works or it doesn't. And if it doesn't, my own experience, and the experience of others, shows that most of the time it is better for one's health to start again in another direction, or toss the story in the wastebasket. Someone, I don't remember who, made the point with this comforting phrase: "Good writers are appreciated more for what they tear up than for what they publish.

Applying this idea in our daily life means breaking tasks into bite-size chunks and setting goals accordingly. A writer, for example, is better off trying to pen three great paragraphs at a time—the equivalent of moving through Mandy-Rae’s kick cycles—rather than attempting one great chapter. Think challenging, yet manageable—just enough stimulation to shortcut attention into the now, not enough stress to pull you back out again.

Addicts can clearly know they need to stop and cannot. Despite the consequences they continue high-risk behavior. They become so obsessed with the behavior that all their life priorities—children, work, values, family, hobbies, friends—are sacrificed for the behavior and the preoccupation that goes with it. The addiction becomes a way to escape or obliterate pain. The addict needs the behavior in order to feel normal. Now reread the previous paragraph and substitute the word relationship for the word behavior.

At the time, I was in the middle of writing my novel and could barely find a spare moment to write a paragraph. I used that time to lock myself away and wrote three chapters that weekend. But what stood out the most was listening to Mvula's Father, Father while crafting the scene in which Pam Allen reaches her breaking point and doesn't know if she can handle the possibility of raising another child alone. The song's arrangement was so beautiful and haunting and evoked the right amount of sadness to help me write the emotional scene.

Don’t be upset that you can’t attain constant happiness. It’s the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it’s brief—showing up when it’s needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft. Kit and I have that. Sometimes, so much joy our hearts ache from it. Sometimes, we have sadness when we’re away from Annie or Port Townsend. We feel torn between all the things we love. We fight; we make love. I don’t see Muslim again. And after one phone call, I never speak to him again. I hear plenty about him, and I remember our time. And I wonder if you have space in your heart for more than one person. I think you do.

It was during this period of work that Varda began to conceive a more theoretical approach to her art. She says, “[My work] deals with this question, ‘What is cinema?’ through how I found specific cinematic ways of telling what I was telling. I could have told you the same things that are in the film by just talking to you for six hours. But instead I found shapes” (Warwick). To give a name to her very particular and personal search for a cinematic language, Varda coined the term cinécriture. As she explains to Jean Decock: “When you write a musical score, someone else can play it, it’s a sign. When an architect draws up a detailed floor plan, anyone can build his house. But for me, there’s no way I could write a scenario that someone else could shoot, since the scenario doesn’t represent the writing of the film.” Later she would clarify, “The cutting, the movement, the points-of-view, the rhythm of filming and editing have been felt and considered in the way a writer chooses the depth of meaning of sentences, the type of words, number of adverbs, paragraphs, asides, chapters which advance the story or break its flow, etc. In writing its called style. In the cinema, style is cinécriture.” (Varda par Agnès [1994], 14).

Scientists have found that there are two important genes, the CREB activator (which stimulates the formation of new connections between neurons) and the CREB repressor (which suppresses the formation of new memories). Dr. Jerry Yin and Timothy Tully of Cold Spring Harbor have been doing interesting experiments with fruit flies. Normally it takes ten trials for them to learn a certain task (e.g., detecting an odor, avoiding a shock). Fruit flies with an extra CREB repressor gene could not form lasting memories at all, but the real surprise came when they tested fruit flies with an extra CREB activator gene. They learned the task in just one session. “This implies these flies have a photographic memory,” says Dr. Tully. He said they are just like students “who could read a chapter of a book once, see it in their mind, and tell you that the answer is in paragraph three of page two seventy-four.” This effect is not just restricted to fruit flies. Dr. Alcino Silva, also at Cold Spring Harbor, has been experimenting with mice. He found that mice with a defect in their CREB activator gene were virtually incapable of forming long-term memories. They were amnesiac mice. But even these forgetful mice could learn a bit if they had short lessons with rest in between. Scientists theorize that we have a fixed amount of CREB activator in the brain that can limit the amount we can learn in any specific time. If we try to cram before a test, it means that we quickly exhaust the amount of CREB activators, and hence we cannot learn any more—at least until we take a break to replenish the CREB activators. “We can now give you a biological reason why cramming doesn’t work,” says Dr. Tully. The best way to prepare for a final exam is to mentally review the material periodically during the day, until the material becomes part of your long-term memory. This may also explain why emotionally charged memories are so vivid and can last for decades. The CREB repressor gene is like a filter, cleaning out useless information. But if a memory is associated with a strong emotion, it can either remove the CREB repressor gene or increase levels of the CREB activator gene. In the future, we can expect more breakthroughs in understanding the genetic basis of memory. Not just one but a sophisticated combination of genes is probably required to shape the enormous capabilities of the brain. These genes, in turn, have counterparts in the human genome, so it is a distinct possibility that we can also enhance our memory and mental skills genetically. However, don’t think that you will be able to get a brain boost anytime soon. Many hurdles still remain. First, it is not clear if these results apply to humans.

people, and pets. Always include a caption. Screen Tints — Use screen tints to draw attention to specific areas of copy. This gives the appearance of more than one color when doing one-color printing. Use light backgrounds for maximum readability. Short Words, Sentences, and Paragraphs — Short. Delivers. Punch. Short grabs attention, helps keep the reader reading, and effectively breaks up long copy. Sidebars — Sidebars help hold together — and differentiate — blocks of copy. They are excellent for case studies, testimonials, and product highlights. Simulated Hand-Drawn Doodles — A.k.a. CopyDoodles®. Simulated hand-drawn doodles help draw the reader's eyes to important areas of your copy, add variety and interest to the eye and brain, and create a more personal reading experience. Simulated Handwritten Margin Notes — These

While writing Bless me, Father, I became more like the reader than the writer. Every time I thought Okay, I will write one more paragraph and then take a break. But every time, I would end up in a place where I would intrigue even myself and have to keep writing. I wrote 11,000 words in one day because I needed to know what was going to happen next. It was a process that got me to thinking that, perhaps outlining might not be such a bad thing after all. This way, it isn't such a surprise even to me, and I can take a break here and there.

Needing a second opinion This one. I think this is the one women in the workplace are scared of. I know I am. Broad City is a very collaborative environment, and I trust everyone we’ve hired to work with us, so I naturally ask people’s opinions. But when you get a new job, a new assignment, or a promotion, the fear of not being good enough, of not knowing everything can seep in. In the last season of Broad City (4), I directed two episodes. This was a new experience for me, and one I took very seriously. But I found, during the process, that a big insecurity for me is the fear that if I need a second opinion, that means I don’t know what I’m doing. This is false, I do know what I’m doing, but it’s that vulnerability, that want for another set of eyes on my decision that can make me shaky. I ultimately made all the decisions I needed to—after using my resources aka asking questions—but in order to do that, I had to continually let go of this unease that someone from a dark, back corner would pop out, pointing directly at me, yelling about how I’m a fraud for asking for help while in charge. That I’d be plucked up by a huge claw and dropped outside on the sidewalk, banished from taking on this new role. This fear is mindless. Understandable, but stupid. Crews are a team. Any business is a team, and the whole point of having people do different jobs and be experts in their specific department is for them to help in any way they know how. The director isn’t there to bark out orders. They are the conductor bringing everyone’s talents together to execute their own artistic vision. Asking and bouncing ideas off people, and even changing your mind, is allowed. It’s so hard to ever show any sort of weakness, especially when you’re a woman at the top of the project, in a business you never thought you’d actually be able to break into. But going through all the possibilities and asking for help is not weak, it’s smart. I’m going to go ahead and dog-ear this paragraph so even I can come back and remind myself.

There used to be a time when neighbors took care of one another, he remembered. [Put “he remembered”first to establish reflective tone.] It no longer seemed to happen that way, however. [The contrast supplied by “however”must come first. Start with “But.”Also establish America locale.] He wondered if it was because everyone in the modern world was so busy. [All these sentences are the same length and have the same soporific rhythm; turn this one into a question?] It occurred to him that people today have so many things to do that they don’t have time for old-fashioned friendship. [Sentence essentially repeats previous sentence; kill it or warm it up with specific detail.] Things didn’t work that way in America in previous eras. [Reader is still in the present; reverse the sentence to tell him he’s now in the past. “America”no longer needed if inserted earlier.] And he knew that the situation was very different in other countries, as he recalled from the years when he lived in villages in Spain and Italy. [Reader is still in America. Use a negative transition word to get him to Europe. Sentence is also too flabby. Break it into two sentences?] It almost seemed to him that as people got richer and built their houses farther apart they isolated themselves from the essentials of life. [Irony deferred too long. Plant irony early. Sharpen the paradox about richness.] And there was another thought that troubled him. [This is the real point of the paragraph; signal the reader that it’s important. Avoid weak “there was”construction.] His friends had deserted him when he needed them most during his recent illness. [Reshape to end with “most”; the last word is the one that stays in the reader’s ear and gives the sentence its punch. Hold sickness for next sentence; it’s a separate thought.] It was almost as if they found him guilty of doing something shameful. [Introduce sickness here as the reason for the shame. Omit “guilty”; it’s implicit.] He recalled reading somewhere about societies in primitive parts of the world in which sick people were shunned, though he had never heard of any such ritual in America. [Sentence starts slowly and stays sluggish and dull. Break it into shorter units. Snap off the ironic point.]

As Denise Pope outlined in “Doing School,” kids today have tremendous pressure to simply get the work done—to “do school”—rather than to learn. They learn to do tasks, to produce every element the teacher wants to see in a five-paragraph essay, or to memorize every term in bio and every formula in math. They think their next task is to get into certain schools in order to be a success in life, and this mind-set often then extends to career and professional pursuits. I

When an editor reads, he is not just reading but breaking sentences into fragments, worrying if the first half should be replaced with the second, if the middle fragment should be switched with the first. The better editors worry if entire sentences should be switched within paragraphs; great editors keep entire paragraphs—even pages—in their head and worry if these might be switched. Truly great editors can keep an entire book in their head and easily ponder the switching of any word to any place. They’ll remember an echo across three hundred pages. If they’re professional, they’ll be able to keep ten such manuscripts in their head at once. And if you’re the writer, and you call them a year later and ask about a detail, even though they’ve read five thousand manuscripts since then, they’ll remember yours without a pause.

We analyzed the ten tech companies worth over a billion dollars that went public in 2014 and 2015, and the average company spent a jaw-dropping $0.72 on sales and marketing for every $1.00 of sales during the three-year hypergrowth period before going public. As a matter of fact, one of the companies, Box, spent $1.59 for every $1.00 in sales! You’re probably wondering, how does a company like Box justify spending more money on sales and marketing than they generate in sales? The answer is “customer lifetime value.” Once Box mathematically proved that they could acquire a customer for less than the lifetime value (LTV) of that customer, they raised a war chest of investment capital and didn’t care if they spent more on sales and marketing than they generated in annual sales, because they knew that they would generate a big return in the long run. You probably don’t have access to a massive war chest of investment capital, but that doesn’t mean you are unable to invest more resources on growth. Instead of benchmarking your growth investment against customer lifetime value, benchmark against your bottom-line profits. Here is a list of financial scenarios and corresponding actions: If you desire growth and have a profitable business, operate at a break-even point and reinvest the profit, or a portion of the profit, back into growth. If you are running a break-even or unprofitable business, spend some time going through your expenditures looking for redundancies or unnecessary expenses. If you cannot find any opportunities to save money, prepare yourself to take a temporary pay cut (you can time this around your tax refund or right after your busy period if your business has seasonality). If you are unable to take a temporary pay cut, prepare yourself to work some extra hours (start by batching activities so you can spend a day per week working from home, and use the time you save when not having a work commute to invest in growth). If you are unable to take a temporary pay cut AND unable to work any extra hours, then read the paragraph below.

The nature of being at the correct distance from the opponent and of understanding the principle of reaction time does not give the attacker the luxury of completing more than one strike before being counterattacked by a skilled defender. Once you have created the distraction with your first strike, you need to continue and attack appropriately. Therefore, when you train, students need to gain a complete understanding of what they are drilling and the training drill should be designed accordingly. Be aware that the human mind is constantly trying to create imaginary connections between motion possibilities without always seeing the whole picture. Shortening the range from a kick to a hand strike cuts down on time between the first and subsequent attacks. Such an attempt does not recognize that a good defense against a kick eliminates the option for a continuous hand attack since that was already taken into account. Executing multiple attacks on the defense however would break the opponent’s train of thought and give the initiator another second to hit again. If you have reached the target through the first strike, with no obstacles, you are buying time for a more devastating attack. You must recognize that with less devastating strikes, you buy less time, and in a real fight it is measured in splits of a second. It should only take a few seconds to finish the opponent. Krav Maga principles dictate a perfect relationship in which a counterattack requires the same speed as the block, but sometimes the distance can be too close to accelerate the hand to a maximum speed—and then you are just buying another second and must follow up with a more devastating attack. If you deliver attacks of medium strength, your opponent might get the message and stop attacking you. However, while it is a good practice to change an attacker’s mind and habits, you may not want to risk your own life protecting your attacker from extensive harm. Finally, when executing a counterattack, please be as precise as possible, so you do not need to rework. I personally would not spend more than two seconds on one opponent, since it would occupy and distract me from other dangerous changes that might occur in the environment. If you break glass in a store, you would want to get out of there as quickly as possible instead of waiting around in the same spot. I’d like to remind the reader that the above paragraphs elaborate the dangers and safety in both training and in reality. By understanding safe training, you need to understand the dangers of reality. To master the process, you need to train in simulated scenarios that are as close as possible to a realistic fight for survival. Keep in mind that when you identify a threat, you should set your boundaries, and decide that if the opponent gets too close to you, you should attack him by kicking or punching according to the distance between you two. If however the attacker attacks you by surprise, not giving you enough time to think, your body instinctively defends itself. This means that if you are at the point where you notice an attack coming at you, your primary instinct is to defend as opposed to attack.

Editor’s introduction: Welcome our guide on guest blogging in seo. That’s right, send it a spot on profcontent from our friend alex. Alex breaks down everything beginners need to know to start blogging on the web. Take that, Alex. What is good blogging? Guest blogging- also referred to as blogging – is the need to contribute to another person’s blog to build relevant exposure, leads and links. Link are a primary ranking factor in goggle, and seo offer a strong chance of getting a link back from another website, among other marketing considerations in guest blogging. Guest blogging build a relationship with the blogger hosting your post, connects with the blogger hosting your post, connects with their audience for additional exposure, and helps you build authority among that audience. The premise is simple: you write a blog article tailored to the needs of a particular blogger and get a backlink in return, What Is Guest Blogging in SEO? A Guide for usually below the article in what’s called an author box. Blogger are inserted in publishing high- quality content on their blogs that they can use to attract new readers as well as share with their exiting audience. This makes guest blogging a win-win solution for both website owners who want to rank higher in search engines (and need link to do so) and bloggers who want to drive more readers to their blog. Interested in attracting more readers their blog. Is guest blogging good for bloggers? The short answer is yes again. As extensive as the blogger is shrewdness and eager to spend time sifting through and excision posts from outside bases, guest blogging can be a great source of valuable content for the blogger’s audience. An important portion of removal any external role is reviewing the links inside the content Take a look at this (or another) post a bout guest blogging and inbound marketing written by Neil Patel. Almost every paragraph has an external link. You get, Neil knows that links add price to a post by if more material and additional incomes. Be like Neil. To be on the benign side, examine guest posts for superiority and make sure you only link to superiority websites that add price to the mesh. To type sure the websites you’re involving to are immobile available, aren’t recurring 404s, or readdressing to dissimilar content. 1.find list of top blogs. The first step of prospects is pretty obvious: type a phrase like “ top [ industry specific] blogs list” into goggle and review the results. Opinion all the blogs registered one by one on each sheet in the search fallouts. Most likely you find great blogs this way, but only a few of them can accept guest articles from contributors. 2. Advanced search with search strings: Google has many hunt strings to help you find exact happy on the web, which you can syndicate into search If you are novel to this, you can learn extra here or here. If you search for [“keyword” and “write for us”], your results will look like the image under. 3. Shadow people or businesses who actively visitor blog. One of the best ways to find great guest blogging opportunities is to find other people who consistently contribute quality guest posts to industry- related websites. Most people and companies share their posts through social media profiles. Once I ran across a twitter profile that was basically sharing their guest posts, so I pretty much grew my list in no time. Stab this search thread to find sites anywhere a precise person or business published a guest post: “individual name “or” corporation name” “guest column”.

Each novel you read (never mind the novels you write) will give you some theory of which attitude is best to strike at which moment, and—if you experience enough of them—will provide you, at the very least, with a wide repertoire of possible attitudes. But out in the field, experience has no chapter headings or paragraph breaks or ellipses in which to catch you breath…it just keeps coming at you. 7

If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it’s brief—showing up when it’s needed and filling tired paragraphs with breaks.

with my friends instead of just a couple of minutes between classes and at dinner. My family has not made any plans to travel during the break, so I’m sure that I’m going to have a bunch of time to hang out with all of my friends. I noticed that I haven’t written anything about what I did with my friends in the last month and a half. They’re a pretty cool group of people, so I should probably bust out a paragraph about each of them.   I

In the opening paragraph Goldi commits felony breaking and entering. Why does she do it? Why does she risk five to ten in the slammer or death by bear claw?

Don't be upset that you can't attain constant happiness. It's the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it's brief-showing up when it's needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft. Kit and I have that. Sometimes, so much joy our hearts ache from it. Sometimes, we have sadness when we're away from Annie or Port Townsend. We feel torn between all the things we love. We fight; we make love. I don't see Muslim again. And after one phone call, I never speak to him again. I hear plenty about him, and I remember our time. And I wonder if you have space in your heart for more than one person. I think you do.

The 1/1/1+ structure is a mechanism you should use for very specific sections within your writing: beginnings and endings. Single sentences are great for calling out individual ideas, statements, or descriptions, and doing so several times in a row can elicit a powerful response in a reader. Here’s how it works: This first sentence is a strong statement. This second sentence builds on, reinforces, or repeats that strong statement. This third sentence builds on, reinforces, or repeats that strong statement. For example, I use this structure to emphasize a length of time in my article, “The 1 Thing I Did That Changed My Entire Life For The Better.” Step 2: Like I said, I did this for 2 years. Two. Years. Not 3 days. Not a few weeks. Two entire years. I started to see how the people I was surrounding myself with weren’t very conducive to who and what I wanted to become. I started to realize I was terrific at coming up with ideas but horrible at seeing them through to completion. I started to understand why I struggled to make friends, and how closed off I was from the world. If you notice, immediately following the 1/1/1/1 structure, I went into a lengthier paragraph. This was deliberate. When you use the 1/1/1+ structure, you are building momentum. You are moving a reader quickly from Point A to Point B. But after a few big steps, the reader is not going to want to run anymore. They’re going to want to take a quick break and settle into the thing you’re talking about. So, crescendo with the 1/1/1+ rhythm, and then decrescendo with a three, four, or even five-sentence paragraph. Then repeat.

Due to the tag we can create a new line, push more our paragraph from each other, and even break our line of text in the middle of the sentence!

In social crisis and political revolution, when a government breaks down, power falls into the hands of the working masses; and for the propertied class, for capitalism arises the problem how to wrest it out of their hands. So it was in the past, so it may happen in the future. Democracy is the means, the appropriate instrument of persuasion. The arguments of formal and legal equality have to induce the workers to give up their power and to let their organization be inserted as a subordinate part into the State structure. Against this the workers have to carry in them a strong conviction that council organization is a higher and more perfect form of equality. It realizes social equality; it is the form of equality adapted to a society consciously dominating production and life. It might be asked whether the term democracy fits here, because the ending—"-cracy"—indicates domination by force, which here is lacking. Though the individuals have to conform to the whole there is no government above the people; people itself is government. Council organization is the very means by which working mankind, without need of a ruling government, organizes its vital activities. Adhering, then, to the emotional value attached of old to the word democracy we may say that council organization represents the higher form of democracy, the true democracy of labor. Political democracy, middle-class democracy, at its best can be no more than a formal democracy; it gives the same legal rights to everybody, but does not care whether this implies security of life; because economic life, because production is not concerned. The worker has his equal right to sell his labor power; but he is not certain that he will be able to sell it. Council democracy, on the contrary, is actual democracy since it secures life to all collaborating producers, free and equal masters of the sources of their life. The equal right in deciding needs not to be secured by any formal regulating paragraph; it is realized in that the work, in every part, is regulated by those who do the work. That parasites taking no part in production automatically exclude themselves from taking part in the decisions, cannot be considered as a lack in democracy; not their person but their function excludes them. It is often said that in the modern world the point of dispute is between democracy and dictatorship; and that the working class has to throw in its full weight for democracy. The real meaning of this statement of contrast is that capitalist opinion is divided whether capitalism better maintains its sway with soft deceitful democracy, or with hard dictatorial constraint. It is the old problem of whether rebellious slaves are kept down better by kindness or by terror. The slaves, if asked, of course prefer kind treatment to terror; but if they let themselves be fooled so as to mistake soft slavery for freedom, it is pernicious to the cause of their freedom. For the working class in the present time the real issue is between council organization, the true democracy of labor, and the apparent, deceitful middle-class democracy of formal rights. In proclaiming council democracy the workers transfer the fight from political form to economic contents. Or rather—since politics is only form and means for economy—for the sounding political slogan they substitute the revolutionizing political deed, the seizure of the means of production. The slogan of political democracy serves to detract the attention of the workers from their true goal. It must be the concern of the workers, by putting up the principle of council organization, of actual democracy of labor, to give true expression to the great issue now moving society.

Avoid long paragraphs, always. Stick to two or three sentences, tops. Then try to avoid long blocks of consecutive paragraphs. Use bolding, bullets, charts and Axioms to break up the flow. Big blobs of bloviation bite (say that five times fast

scared. Like the doorman where she lived still not admitting to anyone else he was gay. Like the aunt who was conducting a secret pen friend affair with a lifer in prison. Mum used to say Alex had been born with the face of someone who’d signed a confidentiality agreement. Secrets were often seen as dark and deceptive, but sometimes they were simply sad truths that people tried to hide. Perhaps that had been the problem with her third book – readers had worked out that, secretly, her heart wasn’t in it. Her husband’s cheating was one factor that had pushed her to become an author, to forge an independent, successful existence. During the first year or two that followed, the series of her young lovers, a binge of light-hearted romance, had translated into two huge best-sellers, leaving readers clamouring for more of her heart-breaking heroes and arousing paragraphs. Trouble was, that binge eventually left Alex so sated that by the time she came to write the third novel, simply the word ‘romance’ turned her stomach. ‘Mum had been Dad’s life for so long, the two of them were each other’s school sweetheart, so the coffee shop became his life instead,’ Tom continued. ‘My mates loved this place. We’d pile in after school for Coke floats and they’d pester their parents to visit at the weekend. Slowly, by word of mouth, its fried breakfasts gained a reputation. Benedict Cumberbatch came in once when he studied drama at the university. We even served the

Separating words with blank space, and using punctuation marks and colored inks and upper- and lowercase letters to make easier sense of the words on the page—all these date from the time of Charlemagne (c. 747–814). Not until then was writing organized into sentences and paragraphs, with a capital at the beginning of each sentence and a full stop at the end. Books without spaces and punctuation look utterly forbidding. An example is the Vergilius Sangallensis, the Virgil manuscript in the abbey library of St. Gall. Produced in Rome late in the fourth or early in the fifth century, the manuscript was written from start to finish in capital letters without breaks or punctuation: one very long capitalized word that is exhausting for our modern eyes to read.

THE SAVE THE CAT! SHORT SYNOPSIS TEMPLATE PARAGRAPH 1: Setup, flawed hero, and Catalyst (2–4 sentences) PARAGRAPH 2: Break Into 2 and/or Fun and Games (2–4 sentences) PARAGRAPH 3: Theme Stated, Midpoint hint and/or All Is Lost hint, ending in a cliffhanger (1 to 3 sentences)

For me, any small action—breaking a sweat, writing a paragraph, sitting for five minutes—makes a huge difference. I hope it will for you, as well.

That is the ultimate alternative: is the opposition between Loveand Law to be reduced to its “truth,” the opposition, internal to theLaw itself, between the determinate positive Law and the excessivesuperego injunction, the Law beyond every measure—that is to say,is the excess of Love with regard to the Law the form of appearanceof a superego Law, of a Law beyond any determinate law; or is theexcessive superego Law the way the dimension beyond the Law ap-pears withinthe domain of the Law, so that the crucial step to be ac-complished is the step (comparable to Nietzsche’s “High Noon”)from the excessive Law to Love, from the way Love appears withinthe domain of the Law to Love beyond the Law? Lacan himselfstruggled continuously with this same deeply Pauline problem: isthere love beyond Law? Paradoxically (in view of the fact that thenotion as unsurpassable Law is usually perceived as Jewish), in thevery last page of Four Fundamental Concepts,he identifies this stance oflove beyond Law as that of Spinoza, opposing it to the Kantian no-tion of moral Law as the ultimate horizon of our experience. InEthics of Psychoanalysis,Lacan deals extensively with the Pauline di-alectic of the Law and its transgression13—perhaps what we shoulddo, therefore, is read this Pauline dialectic together with its corol-lary, Saint Paul’s other paradigmatic passage, the one on love from 1Corinthians 13. Crucial here is the clearly paradoxical place of Love with regard to All(to the completed series of knowledge or prophecies): first, SaintPaul claims that love is here even if we possess all of knowledge—then, in the second quoted paragraph, he claims that love is hereonly for incomplete beings, that is, beings who possess incompleteknowledge.When I “know fully . . . as I have been fully known,” willthere still be love? Although, in contrast to knowledge, “love neverends,” it is clearly only “now” (while I am still incomplete) that“faith, hope, and love abide.” The only way out of this deadlock isto read the two inconsistent claims according to Lacan’s feminineformulas of sexuation:14even when it is “all” (complete, with no ex-ception), the field of knowledge remains, in a way, non-all, incom-plete—love is not an exception to the All of knowledge, but preciselythat “nothing” which makes incomplete even the complete series/field of knowledge. In other words, the point of the claim that, evenif I were to possess all knowledge, without love, I would be nothing,is not simply that withlove, I am “something”—in love, I am also noth-ing,but, as it were, a Nothing humbly aware of itself, a Nothing par-adoxically made rich through the very awareness of its lack.Only a lacking, vulnerable being is capable of love: the ultimatemystery of love, therefore, is that incompleteness is, in a way, higherthan completion. On the one hand, only an imperfect, lacking beingloves: we love because we do notknow all. On the other hand, evenif we were to know everything, love would, inexplicably, still behigher than completed knowledge. Perhaps the true achievement ofChristian is to elevate a loving (imperfect) Being to the place ofGod, that is, of ultimate perfection. That is the kernel of the Chris-tian experience. In the previous pagan attitude, imperfect earthlyphenomena can serve as signs of the unattainable divine perfection.In Christianity, on the contrary, it is physical (or mental) perfectionitself that is the sign of the imperfection (finitude, vulnerability, un-certainty) of you as the absolute person. becomes a sign of this spiritual dimension—not the sign of your“higher” spiritual perfection, but the sign of youas a finite, vulner-able person. Only in this way do we really break out of idolatry. Forthis reason, the properly Christian relationship between sex and loveis not the one between body and soul, but almost the opposite...

Humility: Coming to God on His Terms.” Soooo, what does this have to do with me? I thought loudly to myself. Irked and unable to gather the boldness to tell Santoria that doing this exercise would just be a game of “Stupid things to do in the morning.” I sat down on the couch behind me and started to read. What I read had knives in it. Sharp, stainless steel ones, stopping only when a period or paragraph break made them sit still. Some words were shards of a mirror. Each cut showed me what my heart had tried to keep from God. Each sentence told me that pride was not exclusive to the outwardly arrogant people I’d come across, but it also sat inside of all of us. Manifesting in several ways only to be discovered when the Sword of the Spirit pierced through the bone and marrow that housed it.