Paradise Toni Morrison Quotes

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All paradises, all utopias are defined by who is not there, by the people who are not allowed in. [Conversation with Elizabeth Farnsworth, PBS NewsHour, March 9, 1998]
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Toni Morrison
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How exquisitely human was the wish for permanent happiness, and how thin human imagination became trying to achieve it.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Love is divine only and difficult always.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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I've traveled. All over. I've never seen anything like you. How could anything be put together like you? Do you know how beautiful you are? Have you looked at yourself?' 'I'm looking now.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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They shoot the white girl first, but the rest they can take their time. No need to hurry out here. They are 17 miles from a town which has 90 miles between it and any other. Hiding places will be plentiful in the convent, but there is time, and the day has just begun. They are nine. Over twice the number of the women, they are obliged to stampede or kill, and they have the paraphernalia for either requirement--rope, a palm leaf cross, handcuffs, mace, and sunglasses, along with clean, handsome guns.
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Toni Morrison (Paradise)
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There is honey in this land sweeter than any I know of, and I have cut cane in places where the dirt itself tasted like sugar, so that's saying a heap.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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A voluntary act to fill empty hours had become intensive labor streaked with the bad feelings that ride the skin like pollen when too much about one's neighbors is known.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Which was what love was: unmotivated respect.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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They shoot the white girl first.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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The visionary language of the doomed reaches heights of linguistic ardor with which language of the blessed and saved cannot compete.
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Toni Morrison (Paradise)
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Now they will rest before shouldering the endless work they were created to do down here in paradise.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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The only way to change the order, she thought, was not to do something differently, but to do a different thing.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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God’s generosity is nowhere better seen than in the gift of patience.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Fondling their weapons, feeling suddenly so young and good they are reminded that guns are more than decoration, intimidation or comfort. They are meant.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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But can't you even imagine what it must feel like to have a true home? I don't mean heaven. I mean a real earthly home. Not some fortress you bought and built up and have to keep everybody locked in or out. A real home. Not some place you went to and invaded and slaughtered people to get. Not some place you claimed, snatched because you got the guns. Not some place you stole from the people living there, but your own home, where if you go back past your great-great-grandparents, past theirs, and theirs, past the whole of Western history, past the beginning of organized knowledge, past pyramids and poison bows, on back to when rain was new, before plants forgot they could sing and birds thought they were fish, back when God said Good! Good!-- there, right there where you know your own people were born and lived and died. Imagine that, Pat. That place. Who was God talking to if not to my people living in my home?" "You preaching, Reverend." "No, I'm talking to you, Pat. I'm talking to you.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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That whites not only had no patent on Christianity; they were often its obstacle. That Jesus had been freed from white religion, and he wanted these kids to know that they did not have to beg for respect; it was already in them, and they needed only to display it.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Say it, please, she urged. Please. And hurry. Hurry. I've got things to do.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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The Morgans always seemed to be having a second conversationβ€”an unheard dialogue right next to the one they spoke aloud.
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Toni Morrison (Paradise)
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If ever there came a morning when mercy and simple good fortune took to their heels and fled, grace alone might have to do.
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Toni Morrison (Paradise)
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are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself
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Toni Morrison (Paradise)
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He talking Louisiana, you speaking Tennessee. The music so different, the sound coming from a different part of the body. It must of been like hearing lyrics set to scores by two different composers. But when you made love he must of have said I love you and you understood that and it was true, too, because I have seen the desperation in his eyes ever sinceβ€”no matter what business venture he thinks up.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Here freedom was not entertainment, like a carnival or a hoedown that you can count on once a year. Nor was it the table droppings from the entitled. Here freedom was a test administered by the natural world that a man had to take for himself every day. And if he passed enough tests long enough, he was king.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Misner walked away from the pulpit, to the rear wall of the church. There he stretched, reaching up until he was able to unhook the cross that hung there. He carried it then, past the empty choir stall, past the organ where Kate sat, the chair where Pulliam was, on to the podium and held it before him for all to see - if only they would. . . . Without this sign, the believer's life was confined to praising God and taking the hits. The praise was credit; the hits were interest due on a debt that could never be paid. . . . But with it, in the religion in which this sign was paramount and foundational, well, life was a whole other matter.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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There’s plenty, isn’t there? Not those frycake things they like but good hot food the winters are so bad we need coal a sin to burn trees on the prairie yesterday the snow sifted in under the door quaesumus, da propitius pacem in diebus nostris Sister Roberta is peeling the onions et a peccato simus semper liberi can’t you ab omni perturbatione securi…
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Toni Morrison (Paradise)
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It was an opportunity to intervene at the heart of the problem: to bring God and language to natives who were assumed to have neither; to alter their diets, their clothes, their minds; to help them despise everything that had once made their lives worthwhile and to offer them instead the privilege of knowing the one and only God and a chance, thereby, for redemption. (227)
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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But that might be unfair. It is hard not to notice how much more attention is given to hell rather than heaven. Dante’s Inferno beats out Paradisio every time. Milton’s brilliantly rendered pre-paradise world, known as Chaos, is far more fully realized than his Paradise. The visionary language of the doomed reaches heights of linguistic ardor with which language of the blessed and saved cannot compete.
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Toni Morrison (Paradise)
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Deacon began to speak of a woman who he had used; how he had turned up his nose at her because her loose and easy ways gave him the license to drop and despise her. That while the adultery preyed on him for a short while (very short), his long remorse was at having become what the Old Fathers cursed: the kind of man who set himself up to judge, rout and even destroy the needy, the defenseless, the different.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Don't mistake the fathers' thanks," Fairy had warned her. "Men scared of us, always will be. To them we're death's handmaiden standing as between them and the children their wives carry." During those times, Fairy said, the midwife is the interference, the one giving orders, on whose secret skill so much depended, and the dependency irritated them. Especially here in this place where they had come to multiply in peace.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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Remove it, as Pulliam had done, and Christianity was like any and every religion in the world: a population of supplicants begging respite from begrudging authority; harried believers ducking fate or dodging every-day evil; the weak negotiating a doomed trek through the wilderness; the sighted ripped of light and thrown into the perpetual dark of choicelessness. Without this sign, the believer’s life was confined to praising God and taking the hits. The praise was credit; the hits were interest due on a debt that could never be paid. Or, as Pulliam put it, no one knew when he had β€œgraduated.” But with it, in the religion in which this sign was paramount and foundational, well, life was a whole other matter.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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They think they have out-foxed the whiteman when in fact they imitate him. They think they are protecting their wives and children, when in fact they are maiming them. And when the maimed children ask for help, they look elsewhere for the cause. Born out of an old hatred, one that began when one kind of black man scorned another kind and that kind took the hatred to another level, their selfishness had trashed two hundred years of suffering and triumph in a moment of such pomposity and error and callousness it froze the mind. Unbridled by Scripture, deafened by the roar of its own history, Ruby, it seemed to him, was an unnecessary failure. How exquisitely human was the wish for permanent happiness, and how thin human imagination became trying to achieve it.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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... [t]he air was thinning out, as if from too much wear, not when Scout was killed but two weeks later--even before Scout's body had been shipped--when they were informed that Easter was dead too. Babies. One nineteen, the other twenty-one. How proud she was when they enlisted. She had actively encouraged them to do so. Their father had served in the forties. Uncles too. Jeff Fleetwood was back from Vietnam and none the worse. And although he did seem a little shook up, Menus Jury got back alive. Like a fool, she believed her sons would be safe. Safer than anywhere in Oklahoma outside Ruby. Safer in the army than in Chicago, where Easter wanted to go. Safer than Birmingham, than Montgomery, Selma, than Watts. Safer than Money, Mississippi, in 1955 and Jackson, Mississippi, in 1963. Safer than Newark. She had thought war was safer than any city in the United States. Now she had four unopened letters mailed in 1968 and delivered to the Demby post office four days after she buried the last of her sons. She had never been able to open them. Both had been home on furlough that Thanksgiving, 1968. Seven months after King's murder, and Soane had sobbed like the redeemed to see her boys alive. Her sweet colored boys unshot, unlynched, unmolested, unimprisoned.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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The neighbors seemed pleased when the babies smothered.
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Toni Morrison (Paradise)
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It could be sweat, but it hurt enough to be blood.
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Toni Morrison (Paradise)
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I thought about chops. I thought about chops.
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Toni Morrison (Paradise)
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Afterwards he spoke to her in the dark. β€œI don’t know, Mave. I just don’t know.” Should she say, What? What you mean? What don’t you know? Or keep quiet? Mavis chose silence because suddenly she understood that he was talking not to her but to the other children, snickering behind the door. β€œMaybe,” he said. β€œMaybe we can fix it. Maybe not. I just don’t know.” He let out a deep yawn, then, β€œDon’t see how, though.” It was, she knew, the signalβ€”to Sal, to Frankie, to Billy James.
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Toni Morrison (Paradise)
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she was the dumbest bitch on the planet.
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Toni Morrison (Paradise)
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They would discuss the slapping but not the pregnancy and certainly not the girl with sapphires hidden in her shoes.
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Toni Morrison (Paradise)
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between the schoolhouse and Holy Redeemer,
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Toni Morrison (Paradise)
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songs of unreasonable joy.
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Toni Morrison (Paradise)
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Scary things not always outside. Most scary things is inside.
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Toni Morrison (Paradise)
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The disc jockey announced the tunes as though they were made by his family or best friends: King Solomon, Brother Otis, Dinah baby, Ike and Tina girl, Sister Dakota, the Temps.
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Toni Morrison (Paradise)
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She parked, and the Cadillac, dark as bruised blood, stayed there for two years.
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Toni Morrison (Paradise)
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Some girls were there too, arguing, it seemed, with one of them.
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Toni Morrison (Paradise)
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Plenty in a world of excess and attending greed, which tilts resources to the rich and forces others to envy, is an almost obscene feature of a contemporary paradise. In this world of outrageous, shameless wealth squatting, hulking, preening before the dispossessed, the very idea of β€œplenty” as Utopian ought to make us tremble. Plenty should not be understood as a paradise-only state, but as normal, everyday, humane life.
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Toni Morrison (Paradise)
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Exclusivity, however is still an attractive, even compelling feature of paradise because so many peopleβ€”the unworthyβ€”are not there. Boundaries are secure, watchdogs, security systems, and gates are there to verify the legitimacy of the inhabitants. Such enclaves separate from crowded urban areas proliferate. Thus it does not seem possible or desirable for a city to be envisioned let alone built in which poor people can be accommodated. Exclusivity is not just a realized dream for the wealthy; it is a popular yearning of the middle class.
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Toni Morrison (Paradise)
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Medical and scientific resources are directed toward more life and fitter life and remind us that the desire is for earthbound eternity, rather than eternal afterlife. The implication being that this is all there is.
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Toni Morrison (Paradise)
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Other than outwitting evil, waging war against the unworthy, there seems to be nothing for the inhabitants of paradise to do.
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Toni Morrison (Paradise)
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One of the most malevolent characteristics of racist thought is that it never produces new knowledge.
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Toni Morrison (Paradise)
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One of the most malevolent characteristics of racist thought is that it never produces new knowledge. It seems able to merely reformulate and refigure itself in multiple but static assertions
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Toni Morrison (Paradise)
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I am aware of how whiteness matures and ascends the throne of universalism by maintaining its powers to describe and enforce its descriptions.
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Toni Morrison (Paradise)
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If he wanted the chair you were in, he stood there, silent, looking at the sitter until you got the message and got up.
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Toni Morrison (Paradise)
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Wherever he wasβ€”on the porch, at the kitchen table, in the garden, in the living room readingβ€”that’s where the power and deference were. He didn’t exert power; he assumed it. And it was in part from knowing him that I felt I could understand and create the men in Rubyβ€”their easy assumption of uncontested authority.
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Toni Morrison (Paradise)
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He left me his violin.
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Toni Morrison (Paradise)
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A 1968 calendar, large X’s marking various dates (April 4, July 19); a letter written in blood so smeary its satanic message cannot be deciphered; an astrology chart; a fedora tilted on the plastic neck of a female torso, and, in a place that once housed Christiansβ€”well, Catholics anywayβ€”not a cross of Jesus anywhere.
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Toni Morrison (Paradise)
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Yet here, not twenty miles away from a quiet, orderly community, there were women like none he knew or ever heard tell of.
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Toni Morrison (Paradise)
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There is no toilet paper.
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Toni Morrison (Paradise)
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Only one mirror has not been covered with chalky paint and that one the man ignores. He does not want to see himself stalking females or their liquid.
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Toni Morrison (Paradise)
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There were irreconcilable differences among the congregations in town, but members from all of them merged solidly on the necessity of this action: Do what you have to. Neither the Convent nor the women in it can continue.
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Toni Morrison (Paradise)
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The brothers approaching the cellar were once identical.
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Toni Morrison (Paradise)
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Come Prepared or Not at All,
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Toni Morrison (Paradise)
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Bodacious black Eves unredeemed by Mary, they are like panicked does leaping toward a sun that has finished burning off the mist and now pours its holy oil over the hides of game. God at their side, the men take aim. For Ruby.
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Toni Morrison (Paradise)
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Virginia law, in 1831, is instructive and representative.
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Toni Morrison (Paradise)
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Of particular interest were those printed in the nineteenth century when my grandfather spent his few minutes at school.
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Toni Morrison (Paradise)
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In order to describe and explore these questions I needed 1) to examine the definition of paradise, 2) to delve into the power of colorism, 3) to dramatize the conflict between patriarchy and matriarchy, and 4) disrupt racial discourse altogether by signaling then erasing it.
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Toni Morrison (Paradise)
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Milton’s Paradise is quite available these days, if not in fact certainly as ordinary, unexceptionable desire.
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Toni Morrison (Paradise)
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Plenty in a world of excess and attending greed, which tilts resources to the rich and forces others to envy, is an almost obscene feature of a contemporary paradise.
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Toni Morrison (Paradise)
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Sometimes. Sometimes it’s a ambulance. Today it’s a hearse.
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Toni Morrison (Paradise)
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She sat there, chewing her thumbnail, wondering just how bad could it be riding with a dead person? There was some herb in her pack. Not much but enough, she thought, to keep her from freaking. She reached out and pinched off a bit of crust from a pie sitting before her and noticed for the first time the place was loaded with food, mostly untouched.
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Toni Morrison (Paradise)
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The light, therefore, was always misleading.
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Toni Morrison (Paradise)
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They bowed their heads and listened obediently to Misner’s beautifully put words and the tippy-tap steps of women who were nowhere in sight.
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Toni Morrison (Paradise)
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They did everything but slap each other, and finally they did that. What postponed the inevitable were loves forlorn and a very young girl in too tight clothes tapping on the screen door.
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Toni Morrison (Paradise)
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Something was scratching on the pane. Again.
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Toni Morrison (Paradise)
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At sunrise, he said, they turned copper and you knew they’d been at it all night. At noon they were silvery gray. Then afternoon blue, then evening black. Moving, moving, all the time moving.
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Toni Morrison (Paradise)
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Either the pavement was burning or she had sapphires hidden in her shoes. K.D., who had never seen a woman mince or switch like that, believed it was the walk that caused all the trouble.
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Toni Morrison (Paradise)
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Good stretched her pleasure.
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Toni Morrison (Paradise)
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Anna clung to him while he explained that the scorpion's tail was up because it was just as scared of her as she was of it. In Detroit, watching baby-faced police handling guns, she remembered the scorpion's rigid tail.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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When he arrived he thought their flaws were normal; their disagreements ordinary. They were pleased by the accomplishments of their neighbors and their mockery of the lazy and the loose was full of laughter. Or used to be. Now, it seemed, the glacial wariness they once confined to strangers more and more was directed toward each other.
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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How can they hold it together, he wondered, this hard-won heaven defined only by the absence of the unsaved, the unworthy and the strange? Who will protect them from their leaders?
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Toni Morrison (Paradise (Beloved Trilogy, #3))
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In candlelight on a bitter January evening, Consolata cleans, washes and washes again two freshly killed hens. They are young, poor layers with pinfeathers difficult to extract. Their hearts, necks, giblets and livers turn slowly in boiling water. She lifts the skin to reach under it, fingering as far as she can. Under the breast, she searches for a pocket close to the wing. Then, holding the breast in her left palm, the fingers of her right tunnel the back skin, gently pushing for the spine. Into all these placesβ€”where the skin has been loosened and the membrane separated from the flesh it once protectedβ€”she slides butter. Thick. Pale. Slippery.
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Toni Morrison (Paradise)