Parade Drill Quotes

We've searched our database for all the quotes and captions related to Parade Drill. Here they are! All 17 of them:

Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
Granny Trill and Granny Wallon were traditional ancients of a kind we won’t see today, the last of that dignity of grandmothers to whom age was its own embellishment. The grandmothers of those days dressed for the part in that curious but endearing uniform which is now known to us only through music-hall. And our two old neighbours, when setting forth on errands, always prepared themselves scrupulously so. They wore high laced boots and long muslin dresses, beaded chokers and candlewick shawls, crowned by tall poke bonnets tied with trailing ribbons and smothered with inky sequins. They looked like starlings, flecked with jet, and they walked in a tinkle of darkness. Those severe and similar old bodies enthralled me when they dressed that way. When I finally became King (I used to think) I would command a parade of grandmas, and drill them, and march them up and down - rank upon rank of hobbling boots, nodding bonnets, flying shawls, and furious chewing faces. They would be gathered from all the towns and villages and brought to my palace in wagon-loads. No more than a monarch’s whim, of course, like eating cocoa or drinking jellies; but far more spectacular any day than those usual trudging guardsmen.
Laurie Lee (Cider with Rosie)
I did not parade with either party, but occasionally met with the “wide awakes"—Republicans—in their rooms, and superintended their drill.
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
Henry yearned to instill in the students a delight in knowledge as much as he wanted to drill them in a particular subject. Vividly he explained one of his favorite themes, the seasons—their source in the tilt and rotation of the Earth and its revolution around the sun, their relationship to the changing lives of animals and people throughout the year, their parade of strikingly different forms of beauty. Such talks made learning seem central to the enjoyment of life rather than some kind of adornment—and, Henry hoped, it set a tone for the school day. Henry
Michael Sims (The Adventures of Henry Thoreau: A Young Man's Unlikely Path to Walden Pond)
Scene I. A little dark Parlour in Boston: Guards standing at the door. Hazlerod, Crusty Crowbar, Simple Sapling, Hateall, and Hector Mushroom. Simple. I know not what to think of these sad times, The people arm'd,—and all resolv'd to die Ere they'll submit.—— Crusty Crowbar. I too am almost sick of the parade Of honours purchas'd at the price of peace. Simple. Fond as I am of greatness and her charms, Elate with prospects of my rising name, Push'd into place,—a place I ne'er expected, My bounding heart leapt in my feeble breast. And ecstasies entranc'd my slender brain.— But yet, ere this I hop'd more solid gains, As my low purse demands a quick supply.— Poor Sylvia weeps,—and urges my return To rural peace and humble happiness, As my ambition beggars all her babes. Crusty. When first I listed in the desp'rate cause, And blindly swore obedience to his will, So wise, so just, so good I thought Rapatio, That if salvation rested on his word I'd pin my faith, and risk my hopes thereon. Hazlerod. Any why not now?—What staggers thy belief? Crusty. Himself—his perfidy appears— It is too plain he has betray'd his country; And we're the wretched tools by him mark'd out To seal its ruins—tear up the ancient forms, And every vestige treacherously destroy, Nor leave a trait of freedom in the land. Nor did I think hard fate wou'd call me up From drudging o'er my acres, Treading the glade, and sweating at the plough, To dangle at the tables of the great; At bowls and cards to spend my frozen years; To sell my friends, my country, and my conscience; Profane the sacred sabbaths of my God; Scorn'd by the very men who want my aid To spread distress o'er this devoted people. Hazlerod. Pho—what misgivings—why these idle qualms, This shrinking backwards at the bugbear conscience; In early life I heard the phantom nam'd, And the grave sages prate of moral sense Presiding in the bosom of the just; Or planting thongs about the guilty heart. Bound by these shackles, long my lab'ring mind, Obscurely trod the lower walks of life, In hopes by honesty my bread to gain; But neither commerce, or my conjuring rods, Nor yet mechanics, or new fangled drills, Or all the iron-monger's curious arts, Gave me a competence of shining ore, Or gratify'd my itching palm for more; Till I dismiss'd the bold intruding guest, And banish'd conscience from my wounded breast. Crusty. Happy expedient!—Could I gain the art, Then balmy sleep might sooth my waking lids, And rest once more refresh my weary soul.
Mercy Otis Warren (The Group A Farce)
Nonsense! Everything is simple if you really set your mind on it. Don’t get it into your head that you’re indispensable. Someone else would drill your Ruthenian blockheads while you were away. And by the way, Papa could fix up things with regard to your leave in half an hour. He knows a dozen people at the War Office, and at a word from higher quarters you’ll get what you want. It really wouldn’t do you any harm, either, to see something of the world outside your riding school and parade ground. No more excuses now — the matter’s settled. Papa will see to it.
Stefan Zweig (Beware of Pity (Woolf Haus Classics))
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
The question revives Kropp, more particularly as he hears there’s no more beer in the canteen. “It’s not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they’d swallowed concrete.” “That’s the uniform,” I suggest. “Roughly speaking it is,” says Kat, and prepares for a long speech; “but the root of the matter lies somewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he’ll snap at it, it’s his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We sing spiritlessly, for it is all we can do to trudge along with our rifles. At once the company is turned about and has to do another hour’s drill as punishment. On the march back the order to sing is given again, and once more we start. Now what’s the use of all that? It’s simply that the company commander’s head has been turned by having so much power. And nobody blames him. On the contrary, he is praised for being strict. That, of course, is only a trifling instance, but it holds also in very different affairs. Now I ask you: Let a man be whatever you like in peacetime, what occupation is there in which he can behave like that without getting a crack on the nose? He can only do that in the army. It goes to the heads of them all, you see. And the more insignificant a man has been in civil life the worse it takes him.
Erich Maria Remarque (All Quiet on the Western Front)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
breakfast. You were given a label yesterday. Write your home address on it and tie it to your suitcase and then take it to the postal depot after breakfast. It’s on the way to the parade ground.’ Surely they’d not have to have their irons when they did their first round of drill? ‘Excuse me, Corp, if we have to bring our irons back after breakfast then wouldn’t it be better to take our suitcases then?’ The woman scowled, unhappy about being shown up. ‘Leave the cases here and collect them when you bring your irons back. The extra half a mile added to your
Fenella J. Miller (Reporting For Duty (The Army Girls #1))
The most common type of police call, then as now, was for disturbances. In the domestic kind, a rookie, who was barely twenty-one and unmarried, might have to assume the role of family counselor. Also, police frequently encountered mentally disturbed persons or, in the slang phrases, “psychos” and “nut cases.” Since they had virtually no training in dealing with such people, they tried to calm them down. If that failed, arrest or transportation to a hospital was the only recourse. Rookies soon realized that their basic police training, which had largely stressed firearms, self-defense and drill—all subjects that Uncle Sam had already taught them—were of little value in their actual street duties. Of course, the rookie would also note that gentlemen with “Dr.” before their name and a string of letters after it did not seem to have much success in dealing with family disputes or the emotionally disturbed.
Thomas A. Reppetto (American Police, A History: 1945-2012: The Blue Parade, Vol. II)
Nor could they compete very well with the immensity of the Stalin cult in all its forms: the parades celebrating Stalin as a god on earth, the newspapers describing his heroic deeds, the radio addresses, the history books written by the Kremlin ideologists, the rallies and paramilitary drills of the Young Pioneers.
David Remnick (Lenin's Tomb: The Last Days of the Soviet Empire)
The spasms had been troubling him again. In fact, amoebic dysentery had been his constant companion, a result of a harsh life of more than three decades. And an enlarged prostate too. He was more comfortable with the pain these afflictions caused than the feel of the cold metal of a gun in his hands whenever he had had to hold it. But that was on very rare occasions, deep inside the forest along the Eastern Ghats: memorial meetings for fallen comrades, ceremonial parades or military drills. Presently, though, he was hundreds of miles away from the jungles of central India.
Rahul Pandita (Hello Bastar)
After his transfer, Trump was put in charge of a special drill team for New York City’s Columbus Day parade. In white gloves and dressed in full uniform, Trump led the procession south along Fifth Avenue toward St. Patrick’s Cathedral, where he shook hands with Francis Cardinal Spellman. Turning to Major Anthony “Ace” Castellano, one of NYMA’s commanders, Trump said, “You know what, Ace? I’d really like to own some of this real estate someday.” When
Michael Kranish (Trump Revealed: The Definitive Biography of the 45th President)
CheckFate by Stewart Stafford Now hear this about Fate! Its coils squeezing around you, Directing your every move, It is your second skin glue. Scream unilateral lockdown, As in Covid fever dream years, Fate is your silent partner, Lifer cellmate chained to all your fears. As you hide in a shack in the Andes, Fate's squatter gatecrashes to stay, Tracked by a big cat in the Pampas, Jaguar-spotted stalker in your DNA. Fate deals its stacked tarot cards, Catch-22's lotto winners - broke and few, A drill sergeant drones' whipped parade In lockstep as one of Fate's crew. © 2025, Stewart Stafford. All rights reserved.
Stewart Stafford
It wouldn’t be fair to say that my father had pushed me to become a doctor because he didn’t—at least not overtly. I had wanted to follow in my father’s footsteps from the very beginning. But ever since I was a child, he had very carefully nudged me in the specific direction of heart surgery by basically discounting every other profession in the world. He would say, “Son, what’s more important than keeping people’s hearts beating?” I thought I was so clever that once I had said, “What good is a beating heart without a functioning brain?” He had, of course, very quickly replied, “It’s as good as any beating heart. The important thing to note is that you can keep even a nonfunctioning brain alive as long as you have a beating heart. Doesn’t work the other way around, does it?” There had been about five minutes in my junior year of undergrad, when I had come home after reading about the use of power tools in orthopedic surgery, during which I had said to my father, “I think orthopedics is going to be my thing, Dad.” The next day he had brought home a trunk full of items from Home Depot and one extra-large cow femur bone. He then ran the cow bone over with his car in the driveway until it splintered, cracked, and broke in several places, and then he gave me a bag of tiny screws and bolts and a cordless drill. “Have at it, kid.” I had spent sixteen hours straight in the garage without so much as a drink of water. By the time I had finished, I was exhausted and thoroughly spent but proud of the fully assembled cow bone, which I paraded through the house. My mother was mortified and told my father he had created a monster. He just laughed from the couch, hollering back to me, “Looks pretty, but will it support sixteen hundred pounds?
Renee Carlino (After the Rain)
Who knows," he asked as his narrative drew toward its close, "but it may be given to us, after this life, to meet again in the old quarters, to play chess and draughts, to get up soon to answer the morning roll call, to fall in at the tap of the drum for drill and dress parade, and again to hastily don our war gear while the monotonous patter of the long roll summons to battle? Who knows but again the old flags, ragged and torn, snapping in the wind, may face each other and flutter, pursuing and pursued, while the cries of victory fill a summer day? And after the battle, then the slain and wounded will arise, and all will meet together under the two flags, all sound and well, and there will be talking and laughter and cheers, and all will say: Did it not seem real? Was it not as in the old days?
Shelby Foote (The Civil War, Vol. 3: Red River to Appomattox)