Paperback Novel Quotes

[T]he only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of.

And of course these days I feel like there is a nation of us - displaced southerners and children of the working class. We listen to Steve Earle, Mary J. Blige, and k.d. lang. We devour paperback novels and tell evil mean stories, value stubbornness above patience and a sense of humor more than a college education. We claim our heritage with a full appreciation of how often it has been disdained. And let me promise you, you do not want to make us angry.

There's nothing like a printed book; the weight, the woody scent, the feel, the look.

Real love isn't ambivalent. I'd swear that's a line from my favorite best-selling paperback novel, "In Love with the Night Mysterious", except I don't think you've ever read it. Well, you ought to, instead of spending the rest of your life, trying to get through "Democracy in America." It's about this white woman whose daddy owns a plantation in the Deep South, in the years before the Civil War. And her name is Margaret, and she's in love with her daddy's number-one slave, and his name is Thaddeus. And she's married, but her white slave-owner husband has AIDS: Antebellum Insufficiently-Developed Sex-organs. And so, there's a lot of hot stuff going down, when Margaret and Thaddeus can catch a spare torrid ten under the cotton-picking moon. And then of course the Yankees come, and they set the slaves free. And the slaves string up old daddy and so on, historical fiction. Somewhere in there I recall, Margaret and Thaddeus find the time to discuss the nature of love. Her face is reflecting the flames of the burning plantation, you know the way white people do, and his black face is dark in the night and she says to him, "Thaddeus, real love isn't ever ambivalent.

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up. "All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?" He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words: Do not fear that which cannot be seen. For they are lost in between. 'Tis the ones who come alive That your blood will allow to thrive. Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question." His blood crawled over to the next page. Answer, answer, you always say, But it doesn't work that way. In time, the truth you shall find. And then you will understand my rhyme. "I'm such a masochist to even try talking to you" Underneath the words, a picture of an obscene gesture formed. "Oh very nice, Nashira. Very nice. Wherever did you learn that?" In your pocket I reside. Ever privy to your deride. But more than that, I can see. And that includes bathroom stall graffiti Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!" Calm yourself, you evil troll. My job is not to console. But if it is privacy you seek, Leave me in your backpack so I can't peek. Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.

You came out of prison incredibly buff or with an addiction to paperback novels.

The word "avant-garde," for example, despite its note of impartiality, generally serves to dismiss-as though by a shrug of the shoulders-any work that risks giving a bad conscience to the literature of mass consumption.

It's not that I want to kill people, I just do it to stop them talking.

Romance novels constitute 46 percent of all mass market paperbacks sold in the United States, and according to Harlequin, over half its customers buy an average of 30 novels a month

Miss Lasqueti consumed mostly crime thrillers, which constantly seemed to disappoint her. I suspect that for her the world was more accidental than any book’s plot. Twice I saw her so irritated by a mystery that she half rose from the shadow of her chair and flung the paperback over the railing into the sea.

Life's a book filled on pages Just awaiting to be written. Some don't open it for ages, Maybe afraid of being bitten.

Why did you not start with this human secret?” he says, holding a paperback novel up. I can’t read the title, but by the cover it looks like a murder mystery. “These are utterly amazing,” he says.

I know the formulahe wants her she refuses him he charms her she holds her ground he does something dramatic like saves her from a fire or reinstates her family's lost fortune or dies she realizes she loved him all along wedding bells ring or pirate flags unfurl or she joins a convent happily ever afterbut I don't expect to live that way. I've learned that life is not like novels. Especially not like novels with rippling muscles on paperback covers. After reading a couple hundred of those booksyou know hypothetically speakingyou start to see that there's not that much difference between a romance and an epic fantasy. You've got your quest sometimes it involves a ring and a hero who will stop at nothing to do what he has to. The difference is usually the girl. And I'm not that girl. I'm not the girl who inspires men to commit acts of heroism. In real life those girls speak much more quietly and breathe a lot louder than I do. I'm not the girl who strikes men speechless with her beauty. Really really not. I don't even know how to flutter my eyelashes. But that's life. Not romance-novel life just real life.

What she discovered was mostly shelves of battered paperbacks, not exactly the insulation she’d had in mind, and when the dynamite bundle exploded in the room next door, she was pelted with Nora Roberts and James Patterson novels as the wall buckled.

Bit by bit, he has pared down his desires to what is now approaching a bare minimum. He has cut out smoking and drinking, he no longer eats in restaurants, he does not own a television, a radio, or a computer. He would like to trade his car in for a bicycle, but he can’t get rid of the car, since the distances he must travel for work are too great. The same applies to the cell phone he carries around in his pocket, which he would dearly love to toss in the garbage, but he needs it for work as well and therefore can’t do without it. The digital camera was an indulgence, perhaps, but given the drear and slog of the endless trash-out rut, he feels it is saving his life. His rent is low, since he lives in a small apartment in a poor neighborhood, and beyond spending money on bedrock necessities, the only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of.

People bring you books, cheap paperbacks, when you’re in the hospital: this was how I found out that I hate mystery novels.

Are we squad goals?” Ravi whispered to Pip. Cara heard and snorted.

Dogeared pages means someone is reading a paperback...

I don't see Peter," Own said, coming out of the turnstile behind me. But I van was there, reading a paperback novel. The book looked so small in his hands, almost unstable, like it might crumble to dust. He had a tan and looked at once different from my memory and unmistakably himself. I was so happy that the first thing I said to him instead of hello was "Thank you.

Nine years ago, my sister handed me a paperback she had picked up in an airport shop on her way to India. It was a gloomy-looking book, with a black an white photo of a steam train approaching through fog on the cover. Cutting across the top of the photo was . . . an author's name I did not know: J.K. Rowling. I began to read the novel and by page three, I was hooked.

Horror is a woman’s genre, and it has been all the way back to the oldest horror novel still widely read today: Frankenstein by Mary Shelley, daughter of pioneering feminist author Mary Wollstonecraft. Ann Radcliffe’s gothic novels (The Mysteries of Udolpho, The Italian) made her the highest-paid writer of the late eighteenth century. In the nineteenth century, Mary Elizabeth Braddon and Charlotte Riddell were book-writing machines, turning out sensation novels and ghost stories by the pound. Edith Wharton wrote ghost stories before becoming a novelist of manners, and Vernon Lee (real name Violet Paget) wrote elegant tales of the uncanny that rival anything by Henry James. Three of Daphne du Maurier’s stories became Hitchcock films (Jamaica Inn, Rebecca, The Birds), and Shirley Jackson’s singular horror novel The Haunting of Hill House made her one of the highest-regarded American writers of the twentieth century.

First came Jaws by Peter Benchley, a novel about a stressed-out great white shark suffering from portion control issues. It sank its teeth into the New York Times Best-Seller List and hung on for an astonishing forty-five weeks.

Carefully squeezing through the forest of adults that crowded the aisles, feeling like an intruder in a forbidden temple, he cautiously pushed deeper into the newsstand and found a new paperback by a writer whose novel about vampires he had read and reread until the cover was falling apart. There had been an all-black cover on the vampire book. This new one gleamed like polished chrome. It was called THE SHINING, but it cost $2.50 and he had spent all but $1.25 of his weekly allowance on some STAR WARS stuff at the mall.

When other girls had tea parties on the playground, I brought out my secondhand Ouija board and attempted to raise the dead. While my classmates gave book reports on The Wind In The Willows or Charlotte’s Web, I did mine on tattered, paperback copies of Stephen King novels that I’d borrowed from my grandmother. Instead of Sweet Valley High, I read books about zombies and vampires. Eventually, my third grade teacher called my mother in to discuss her growing concerns over my behavior, and my mom nodded blithely, but failed to see what the problem was. When Mrs. Johnson handed her my recent book report on Pet Sematary,, my mom wrinkled her forehead with concern and disapproval. "Oh, I see,"she said disappointingly, as she turned to me. "You spelled ‘cemetery’ wrong.” Then I explained that Stephen King had spelled it that way on purpose, and she nodded, saying, “Ah. Well, good enough for me.

Choosing a color for your paperback book cover feels like entering a mall and seeing a dress you love, just your size, and available in a number of colors – each of which is lovely in its own manner – so you want them all! ...But you must choose only one... Isn't this one of the hardest choices to make? :-)

It was one bright, beautiful moment in the middle of a hideous world, and when I went back to the trenches, I pulled that moment up and slept on it every night until the war was over. The girl in the hat, in the moment of her joy. Quinn, Kate. The Rose Code (pp. 321-322). William Morrow Paperbacks. Kindle Edition.

I have just published a revised version of my book for Kindle and it will be available soon. When it is, I will make a formal announcement. The story is the same but without the noticeable errors. The revised paperback is already available, Thank you for your patience and thanks to all who are reading "A Woman Of Courage.

The Golden Notebook by Doris Lessing, the extraordinary novel that changed my life and the lives of so many other young women in the 1960s. I have the paperback copy I read at the time, and it’s dog-eared, epiphany after epiphany marked so that I could easily refer back to them. Does anyone read The Golden Notebook nowadays? I

novels Cry Hard, Cry Fast (1955), Murdering the Wind (1956), Slam the Big Door (1960), A Flash of Green (1962), and the astonishingly good The End of the Night (1960) were among his finest work. There were also an imposing number of other paperback originals that were also first-rate crime stories—among them Dead, Low Tide (1953) and One Monday We Killed Them All (1961)

He would read as his supper cooked over a small, smokeless campfire, it didn’t matter what: words from some battered and coverless paperback porno novel, or maybe Mein Kampf, or an R. Crumb comic book, or one of the baying reactionary position papers from the America Firsters or the Sons of the Patriots. When it came to the printed word, Flagg was an equal opportunity reader.

Studying the Bible requires hard work. It takes self-discipline and due diligence. It requires prayerful consideration of the text you are reading, along with the remote text of the other books. Reading the Bible is not a casual read like reading a paperback novel or the daily newspaper. The Bible is a rich, deep, literary, living gold-mine filled with everything that mankind needs for life – eternal life. Studying and understanding the Bible is not for the lazy. Studying the Bible requires muscle and a shovel. It requires mental muscle and a willingness to use honest intelligence (the metaphorical shovel) to dig deep beyond all of our preconceived ideas, our false beliefs, and our comfortable traditions. Studying the Bible takes muscle and a shovel.

I need fiction, I am an addict. This is not a figure of speech. I don’t quite read a novel a day, but I certainly read some of a novel every day, and usually some of several. There is always a heap of opened paperbacks face down near the bed, always something current on the kitchen table to reach for over coffee when I wake up. Colonies of prose have formed in the bathroom and in the dimness of the upstairs landing, so that I don’t go without text even in the leftover spaces of the house where I spend least time….I can be happy with an essay or a history if it interlaces like a narrative, if its author uses fact or impression to make a story-like sense, but fiction is kind, fiction is the true stuff….I don’t give it up. It is entwined too deeply within my history, it has been forming the way I see for too long.

talked about growing up in Bayonne, New Jersey, in the 1950s, a city without a single bookstore. I bought all my reading material at newsstands and the corner “candy shops,” from wire spinner racks. The paperbacks on those spinner racks were not segregated by genre. Everything was jammed in together, a copy of this, two copies of that. You might find The Brothers Karamazov sandwiched between a nurse novel and the latest Mike Hammer yarn

Carmen measured her days in books. She kept a paperback under the desk for quiet periods, when she had remade as many window displays as one could usefully do in one day, and dusted, polished, straightened and checked the samples. When she had first started working at Dounston’s, they had always been so busy, and she’d kept her reading for the bus and lunchtime. Now, she could get through a novel every three days, and it kept getting faster. It was very, very worrying.

She did have one book—a thick paperback snatched up in passing, until that moment something bought years ago and never read, perhaps it was meant for this kind of situation: Manzoni’s I Promessi Sposi, in translation as The Betrothed. She did not want to begin it because what would happen when she had read it? There was no other. Then she overcame the taboo (if she did not read, they would find a solution soon; if she did read the book, they would still be here when it was finished).

Letty dozed in the webbing of her recliner, a copy of The Quarterly Journal of Economics covering her face. Beneath that, pressing against her nose, was a paperback version of J. D. Robb’s Celebrity in Death, which Letty estimated was the fortieth of the In Death novels she’d read. While not as prestigious as the Journal, the Robb novel was distinctly more intelligent and certainly better written; but, a girl has to maintain her intellectual status with the D.C. deep state, so the Journal went on top.

Also, Nick’s stomach was rumbling uncomfortably. No one had showed up from the truck-stop down the road, and he looked at the telephone, more with disgust than with longing. He was quite fond of science fiction, picking up falling-apart paperbacks from time to time on the dusty back shelves of antique barns for a nickel or a dime, and he found himself thinking, not for the first time, that it was going to be a great day for the deaf-mutes of the world when the telephone viewscreens the science fiction novels were always predicting finally came into general use.

There are many ways to measure a year, but the reader is likely to measure it in books. There was the novel that felt as fresh and full of promise as the new year in January, the memoir read on the bus to and from work through the grey days of March, the creased paperback fished from a pocket in the park in May, the stacks of books thumbed through and sandy-paged, passed around at the beach in August, the old favorite read by light coming in the window in October, and the many books in between. And when we each look back at our own years in reading, we are almost sure to find that ours was exactly like no other reader’s.

A box of dominoes, a deck of cards, those were under the folded blankets. There are a lot of paperbacks on the shelves in the bedrooms, detective novels mostly, recreational reading. Beside them are the technical books on trees and the other reference books, Edible Plants and Shoots, Tying the Dry Fly, The Common Mushrooms, Log Cabin Construction, A Field Guide to the Birds, Exploring Your Camera, he believed that with the proper guidebooks you could do everything yourself; and his cache of serious books: the King James Bible which he said he enjoyed for its literary qualities, a complete Robert Burns, Boswell’s Life, Thompson’s Seasons, selections from Goldsmith and Cowper. He admired what he called the eighteenth-century rationalists: he thought of them as men who had avoided the corruptions of the Industrial Revolution and learned the secret of the golden mean, the balanced life, he was sure they all practiced organic farming. It astounded me to discover much later, in fact my husband told me, that Burns was an alcoholic, Cowper a madman, Dr. Johnson a manic-depressive and Goldsmith a pauper. There was something wrong with Thompson also; “escapist” was the term he used. After that I liked them better, they weren’t paragons any more.

In my introduction to Warriors, the first of our crossgenre anthologies, I talked about growing up in Bayonne, New Jersey, in the 1950s, a city without a single bookstore. I bought all my reading material at newsstands and the corner “candy shops,” from wire spinner racks. The paperbacks on those spinner racks were not segregated by genre. Everything was jammed in together, a copy of this, two copies of that. You might find The Brothers Karamazov sandwiched between a nurse novel and the latest Mike Hammer yarn from Mickey Spillane. Dorothy Parker and Dorothy Sayers shared rack space with Ralph Ellison and J. D. Salinger. Max Brand rubbed up against Barbara Cartland. A. E. van Vogt, P. G. Wodehouse, and H. P. Lovecraft were crammed in with F. Scott Fitzgerald. Mysteries, Westerns, gothics, ghost stories, classics of English literature, the latest contemporary “literary” novels, and, of course, SF and fantasy and horror—you could find it all on that spinner rack, and ten thousand others like it. I liked it that way. I still do. But in the decades since (too many decades, I fear), publishing has changed, chain bookstores have multiplied, the genre barriers have hardened. I think that’s a pity. Books should broaden us, take us to places we have never been and show us things we’ve never seen, expand our horizons and our way of looking at the world. Limiting your reading to a single genre defeats that. It limits us, makes us smaller. It seemed to me, then as now, that there were good stories and bad stories, and that was the only distinction that truly mattered.

Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.

The Disruption Machine What the gospel of innovation gets wrong. by Jill Lepore In the last years of the nineteen-eighties, I worked not at startups but at what might be called finish-downs. Tech companies that were dying would hire temps—college students and new graduates—to do what little was left of the work of the employees they’d laid off. This was in Cambridge, near M.I.T. I’d type users’ manuals, save them onto 5.25-inch floppy disks, and send them to a line printer that yammered like a set of prank-shop chatter teeth, but, by the time the last perforated page coiled out of it, the equipment whose functions those manuals explained had been discontinued. We’d work a month here, a week there. There wasn’t much to do. Mainly, we sat at our desks and wrote wishy-washy poems on keyboards manufactured by Digital Equipment Corporation, left one another sly messages on pink While You Were Out sticky notes, swapped paperback novels—Kurt Vonnegut, Margaret Atwood, Gabriel García Márquez, that kind of thing—and, during lunch hour, had assignations in empty, unlocked offices. At Polaroid, I once found a Bantam Books edition of “Steppenwolf” in a clogged sink in an employees’ bathroom, floating like a raft. “In his heart he was not a man, but a wolf of the steppes,” it said on the bloated cover. The rest was unreadable.

female? Is your reader under 18? Over 40? Is your reader married? Does your reader have children? Grandchildren? Has your reader graduated high school? College? If your reader is done with school, what is her occupation? If your reader is still in school, which extracurricular activities does he take part in? Does your reader live in the city? In the country? In the suburbs? What ethnicity is your reader? What is your reader’s religion, if any? Does your reader go through a book per day? Or only a book per month? A few books per year? Does your reader have a great deal of money to spend on books? Or is your reader more strapped for cash? Does your reader prefer eBooks or paperbacks? How does your reader feel about audiobooks? Does your reader buy books, borrow from a friend, or check out books from the library? Does your reader enjoy discussing books with others, or would she rather not? Does your reader socialize mainly on the Internet or in-person?

5.0 out of 5 starsA great story! Enjoy reading it! By JMF on March 14, 2013 Format: Paperback Verified Purchase I enjoyed very much reading this book. I could not put this interesting family saga down! Amy Kwei's imagination brilliantly makes the characters come to life. She calls it a novel, yet it is obviously the story of her family. I learned much that I did not know about Chinese culture and tradition as well as life in the 1930s to the beginning of World War II. The facts were well researched. This is a most moving account of the tragic binding of women's feet and its consequences on one woman - the grandmother. I never understood why a country so highly civilized and refined in art and poetry could afflict such cruelty on the women in its upper class. How the grandmother as a child yearned to have fun running around with her brother, but was prevented to do so by her crippled feet. The description of the war and hardshiops of the Japanese occupation is vividly narrated and the upheaval war brought upon China. Yet the humanity of some Japanese-Americans is also beautifully described. Despite all these tragic happenings, the author keeps a positive and hopeful attitude. The novel is full of suspense and I hope the author is already working on a sequel and will not disappoint her readers, who are anxious to know how her family fared in the future. This book is a treasure!

ALLISON MONTCLAIR grew up devouring hand-me-down Agatha Christie paperbacks and James Bond movies. As a result of this deplorable upbringing, Montclair became addicted to tales of crime, intrigue, and espionage. Montclair now spends their spare time poking through the corners, nooks, and crannies of history, searching for the odd mysterious bits and transforming them into novels of their own. Montclair is the author of The Right Sort of Man, the first Sparks & Bainbridge mystery.

I flash the paperback's front at her. I don't care who the hell sees. I love romance novels.

It’s available at Amazon in both ebook and paperback editions right here: THE DEAD AMERICAN

She could smell him again. The odor of secret things locked up in storage. Boxes of paperback novels that had grown moldy from the dampness. A leather ball glove. Incense and half-burned candles. Faded jeans and flannel shirts.

Sergeant Pettigrew looked puzzled, blew into his red moustache, shook his head and listened carefully until his chief’s footsteps had faded away in the distance. Then he took a paper-backed wild-west novel from his drawer and ponderously immersed himself in it. “Oh, ’ell,” said Sergeant Pettigrew as the telephone jangled. He marked his place in the book with a thick forefinger and contorted himself into a listening posture. “Swarebridge police station,” he said in what he thought was the terse manner employed by the sheriff of Four Horse Gulch.

I could understand the impulse to make the novel more accessible. I want as many people as possible to read The Mill on the Floss too. But like paperback editions of classic novels issued with updated covers resembling those of Twilight, it seemed a pandering and misbegotten effort, as if no young reader today might possibly pick up a novel written one hundred and fifty years ago unless the book were in sexy neo-Gothic drag.

...this is something out of a bad novel, before the Revolution happened, before a man called Hitler rose to power and rewrote the world like a lurid paperback.

When Children of Dune came out in hardback in 1976, it was an instant best seller. True to the prediction of David Hartwell and the gut feeling of my father, it became the top-selling hardback in science fiction history up to that time . . . more than 100,000 copies in a few months. When the novel came out in paperback the following year, Berkley Books initially printed 750,000 copies. That wasn’t half enough, and they went back to press. Six months after the release of the paperback, Dad said paperback sales were approaching two million copies.

My attachment to books is sensual as well as intellectual. A friend of mine once broke my concentration to remark that I will caress a book as I read along. I hadn't noticed but it's true: my hands move constantly over the pages. I love to hold them, feel them. I love the way books smell. I will fold a paperback in two and break the spine. I will bend the spine of a hardback, felling the turned page rend just enough until it rest loosely in position.

Found it! But it’s on the other side,” said Ian, pointing across the massive pit. He handed Dad’s leash to Barley and lifted the staff. “Okay, I got this. Aloft Elevar!” Magic shot out of the staff, but it disappeared halfway across the chasm.

paperback novel of the escapist kind, SAS action stuff where men were men and women mattresses.

The Night Stalker. Earlier on in this chapter I said that television was too homogenized to cough up anything that was really charmingly awful; ABC-TV’s The Night Stalker series is the exception that proves the rule. It’s not the movie that I’m talking about, remember. The film of The Night Stalker was one of the best movies ever made for TV. It was based on an abysmal horror novel, The Kolchak Tapes, by Jeff Rice—the novel was issued as a paperback after the unpublished manuscript landed on producer Dan Curtis’s desk and became the basis of the film.

I’ve read romance novels for years, and always felt they were perfect...if you’re a woman. My goal was to write something that gave the same sense of belonging to men that women get from romance novels. Don’t get me wrong; I’m mad about women. But I’m a good friend and sort of pupil of Laura Havemeyers. She even gave me some help in getting the woman’s voice just right - but I am a man, and I think like a man, so my new book, Hot Coffee and Tropical Desires, (Kindle and Paperback) is erotic in a way men can relate to. So, as Laura told me, if you love her books, your partner, your male friend will love my books. She told me that some of the things my protagonist thinks are the sorts of things no woman wants to know about her partner. But they are the kinds of things men think, and so I wrote it that way. For men. But also for women who like erotica. I’ve been interested in the writing of Anaïs Nin for a long time and I always wondered how any woman could relate to that! I hope you like my crazy book.

He sold smoked bluefish pâté and cocktail sauce, lemons, asparagus, corn on the cob, sun-dried tomato pesto, and fresh pasta. He sold Ben & Jerry's, Nantucket Nectars, frozen loaves of French bread. It was a veritable grocery store; before, it had just been fish. Marguerite inspected the specimens in the refrigerated display case; even the fish had changed. There were soft-shell crabs and swordfish chunks ("great for kebabs"); there was unshelled lobster meat selling for $35.99 a pound; there were large shrimp, extra-large shrimp, and jumbo shrimp available with shell or without, cooked or uncooked. But then there were the Dusty staples- the plump, white, day-boat scallops, the fillets of red-purple tuna cut as thick as a paperback novel, the Arctic char and halibut and a whole striped bass that, if Marguerite had to guess, Dusty had caught himself off of Great Point that very morning.

The TIE fighter pilots chasing the Falcon were among the best in the Empire. But they couldn't compete with Han Solo. Either they weren't good enough, or they weren't crazy enough. Only a lunatic would have plunged his ship into a suicidal journey through these asteroids.

Obi-Wan wasn’t even fighting. He was only a vessel, emptied of self. The Force, shaped by his skill and guided by his clarity of mind, fought through him.

He remembered the Question of Master Jrul: What is the good, if not the teacher of the bad? What is the bad, if not the task of the good?

Be mindful of the currents of the living Force: to do one’s duty is not always to do right. Concern yourself with right action. Let duty take care of itself.

It is possible that even the war itself has been only one further move,” he said with elegant, understated precision, “in some greater game.

And so the mask becomes the man,” he sighed with a hint of philosophical melancholy. “I shall miss the face of Palpatine, I think; but for our purpose, the face of Sidious will serve. Yes, it will serve.

Save your twisted words, my lord. There are no politicians here. The Sith will never regain control of the Republic. It’s over. You’ve lost.” Mace leveled his blade. “You lost for the same reason the Sith always lose: defeated by your own fear.

You'll call me heartless for thinking such thoughts. Maybe I was: a cavity yawned in my ribs, where once I'd felt a heart beat back.

I might set at the window in that tower there my chest covered in diamonds, and gaze over the hills, remembering my lost love. A romantic picture, but utterly stupid. I should be bored after an hour.

His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.

Notoriety is by no means a death sentence in the world of art.

Existence as a society wife must be akin to standing in a bog. That slow, sinking sensation. I would be dragged down day by day, grow vacuous and preoccupied with frivolity like those around me. I should begin to resemble Papa or - God forbid - Mrs Pearce. At least with David I may strive to be a better person, practical and helpful to my fallen creatures.

His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little Golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.

Grief is a violent emotion, a sort of acid that eats away at the best parts of us.

In the three decades after World War II, we saw a movement to elevate culture for the masses. The middlebrow consensus, we could say, tracked with the upheaval of the modern movement in art, architecture, literature, and music. It meant publication of paperbacks of classic novels, the Great Books push, Leonard Bernstein on television, Thelonious Monk on the cover of Time, an expanding English major in colleges and universities, and so on. These days, it all seems like ancient history. Do we have a new, fruitful way to think about culture that goes beyond midcentury middlebrow? 2. If, as children, people don’t learn to love fiction, music of a

The paperback was compromise enough. And that’s what I’ve become: paper spine, paper limbs, brain of cheapo crumpled paper, the final type that publishers used before surrendering to the touch displays, that bad thin four-times-deinked recycled crap, 100% acidfree postconsumer waste. I have very few books with me here—Hitler’s Secretary: A Firsthand Account, Benjamin Franklin: An American Life, whatever was on the sales table at Foyles on Charing Cross Road, and in the langues anglais section of the FNAC on the Rue de Rennes—books I’m using as models, paragons of what to avoid. I’m writing a memoir, of course—half bio, half autobio, it feels—I’m writing the memoir of a man not me.

It didn’t take her more than a couple of seconds to realize that Nolan treated his car the same way he treated his raincoat. The front and back seat were cluttered with empty paper cups, old newspapers and several paperback novels. Mysteries, she noted. The great Nolan Adams read mysteries. A container filled with loose change was propped inside his ashtray.

Shelving Jane Austen novels and getting covered in vegetable oil and writhing around on the hood of a Jaguar - are they really so different?

Well, I brought a book. When I was young, there was one week when my parents were away on vacation in the Bahamas, and Roy and Betsy were watching us. I fell ill with the chicken pox, and when Roy was off work, he’d read to me while I rested.” I smiled up at him. “That’s a wonderful story.” “I felt better, and I think the book did the trick. So I brought it with me.” He reached into his jacket pocket and brought out a beaten paperback. Peering at it, at an angle, I just managed to read the title. The Princess Bride, it read. I

She shook her head, laughing when I took her hand and gave her a spin. She didn’t know it, but I’d been reading her paperbacks after she went to sleep. The romance novels she would read in the brief spaces of time she wasn’t studying or practicing were now my study materials.