Paper Plane Quotes

We've searched our database for all the quotes and captions related to Paper Plane. Here they are! All 98 of them:

I'd be rather be a kid and play with paper planes than be a man and play with a woman's heart.
Niall Horan
Sometimes I feel alone. Some days are long and hard. But when I look out into this world, I am struck by the impossible beauty of it all. Those billions of magnificent accidents that led us to where we are today, that led us to paper planes and nautilus shells and the tiny, crooked smiles of children. When I think about the small perfections of the world, I have faith that my time will come. I have faith that someday, a warm light will flood over me and I will find peace.
Avery Monsen (All My Friends Are Dead)
When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it. When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on. But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it. And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
And anyway, the truth isn't all that great. I mean, what's the truth? Planes falling out of the sky. Buses blowing up and ripping little kids into millions of pieces. Twelve-year-olds raping people and then shooting them in the head so they can't tell. I can't watch the news anymore or look at the papers. It's like whoever sits up there in Heaven has this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and makes everything crazy, like fairy dust that's past its expiration date.
Michael Thomas Ford (Suicide Notes)
The future is as blank as a plane sheet if you don't have an eagle's eye, that's why you should climb to a vantage point to get a good perspective view at your future.
Michael Bassey Johnson
Fletch is back from Austin, and turns out what sounded great on paper didn't match up to reality. He says its so hot down there, I'd spontaneously combust the second I stepped off the plane. Plus with humidity turning the air as thick as oatmeal, my hair would always be a disaster. So, Austin's out.
Jen Lancaster
I opened the paper bag and frowned. "You left me a garlic bagel?" "Last awake, last choice," Alex said. "My breath is going to be terrible." "More terrible," Alex corrected. "Well, that's fine. I'm not kissing you. Are you kissing him, T.J.?" "Wasn't planing on it." T.J. popped the last of his bagel in his mouth and grinned. "I - I didn't say anything about -" I stammered. "I didn't mean ..." My face felt like it was crawling with fire ants. "Whatever. T.J., why are you wearing those glasses, anyway?" I'm good at subtly changing the conversation like that when I'm embarrassed. It's a gift.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Many people would have to hang by their teeth from a frayed cord suspended by a paper clip from a leaking hot air balloon over the Grand Canyon in order to feel what I feel standing on the third step of a stepladder trying to put millet in the bird feeder.
Ursula K. Le Guin (Changing Planes)
He turned the entire living room into an airport, complete with a four-foot-high LEGO traffic control tower and a fleet of paper planes, plastic army pilots taped safely into their cockpits. From deep beneath the couch, a large utility flashlight illuminates some sort of...landing strip? I crouch down for a better look. Oh. My. God. Stuck to the carpet in parallel, unbroken paths from one wall to the other are two lanes of brand-new maxi pads. Plastic dinosaurs stand guard at every fourth pad–triceratops and T rexes on one side, brontosauruses and pterodactyls on the other–protecting the airport from enemy aircraft and/or heavy flow.
Sarah Ockler (Bittersweet)
Just us two men," my father said, my father who had so longed for a son that he had flown paper planes--adoption forms in triplicate--all the way to Africa to make his dream come true.
Marcus Samuelsson (Yes, Chef)
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
Humanity was heaved back to the paper age in half a second. Life-support systems spat out bolts of energy and died. Precious manuscripts were lost. Banks collapsed as all financial records for the past fifty years were completely wiped out. Planes fell from the sky, the Graum II space station drifted off into space, and defense satellites that were not supposed to exist stopped existing. People took to the streets, shouting into their dead cell phones as if volume could reactivate them. Looting spread across countries like a computer virus while actual computer viruses died with their hosts, and credit cards became mere rectangles of plastic. Parliaments were stormed worldwide as citizens blamed their governments for this series of inexplicable catastrophes. Gouts of fire and foul blurts of actual brimstone emerged from cracks in the earth. These were mostly from ruptured pipes, but people took up a cry of Armageddon. Chaos reigned, and the survivalists eagerly unwrapped the kidskin from their crossbows.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Magnus stopped dead. The room was illuminated only by a reading lamp; all the other light came from outside the windows. Alec was painted with streetlights and moonlight, shadows curling around his biceps and the slender indentations of his collarbones, his torso all smooth, sleek, bare skin until the dark line of his jeans. There were runes on the flat planes of his stomach and the silvery scars of old Marks snaked around his ribs, with one on the ridge of his hip. His head was bowed, his hair black as ink, his luminously pale skin white as paper. He looked like a piece of art, chiaroscuro, beautifully and wonderfully made. Magnus had heard the story of how the Nephilim were created many times. They must have forgotten to leave out the bit that said: And the Angel descended from on high and gave his chosen ones fantastic abs.
Cassandra Clare (The Bane Chronicles)
Sometimes I feel alone. Some days are long and hard. But when I look out into the world, I am struck by the impossible beauty of it all. Those billions of magnificent accidents that led us to where we are today, that led us to paper planes and nautilus shells and the tiny, crooked smiles of children. When I think about all the small perfections of the world, I have faith that my time will come. I have faith that someday, a warm light will flood over me and I will find peace.
Avery Monsen (All My Friends Are Dead)
I wish I was one of those people who clean as they go, who are models of organization and clarity, but I'm just not. If I find myself with a piece of paper in my hand, and I'm unsure where to put it, I lay it down on the nearest surface and hope it folds itself into a paper plane and flies wherever it's supposed to go.
Abbi Waxman (The Garden of Small Beginnings)
We are like people drawn inside of a square on a piece of paper. We cannot get out of the black lines, we exhaust ourselves by examining every part of the square, hoping to find a fissure. Until one of us suddenly understands, because he was predestined to understand, that within the plane of the paper escape is impossible. That the exit, simple and open wide, is perpendicular to the paper, in a third dimension that up until that moment was inconceivable.
Mircea Cărtărescu (Solenoid)
I watched as he ignored the world and focused on his hands. He creased a simple paper plane and dreamt of other lands. I watched him reach to throw that plane into the open sky. A passing breeze upheld its wings and made the paper fly. I watched a pleasant smile control his lips throughout the flight, until the little paper plane had floated out of sight. I hoped to see him chase the plane into the light of day. Instead, he creased another one and threw it too away.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Yes, interest! The worm of interest. Are you surprised? No? Yes? One conclusion I have reached here after a year in my cell is that the only emotion people feel nowadays is interest or the lack of it. Curiosity and interest and boredom have replaced the so-called emotions we used to read about in novels or see registered on actors' faces. Even the horrors of the age translate into interest. Did you ever watch anybody pick up a newspaper and read the headline PLANE CRASH KILLS THREE HUNDRED? How horrible! says the reader. But look at him when he hands you the paper. Is he horrified? No, he is interested. When is the last time you saw anybody horrified?
Walker Percy (Lancelot)
Things were launching themselves from the ornate sunburst spires, glittering leech shapes made of shifting planes of light. There were hundreds of them, rising in a whirl, their movements random as windblown paper down dawn streets. “Glitch systems,” the voice said.
William Gibson (Neuromancer (Sprawl, #1))
Harris loved to read and he shared everything he read. He read to whoever happened to be in the room from whatever paper he happened to be making his way through. Ann Landers and the horoscope, of course, headlines, cartoons, Miss Manners, Heloise, the lives of others, in many forms, long articles on astronomy or anthropology, political pieces, op-ed pieces, book reviews, church bazaars, executions, plane crashes, disco artists, whatever caught his interest.
Lewis Nordan (Lightning Song)
Paper: Some inexpensive plain bond paper A pad of Strathmore Drawing Paper, 80 lb., 11" × 14" Pencils: A #2 ordinary yellow writing pencil with an eraser at the top A #4 drawing pencil—Faber-Castell, Prismacolor Turquoise, or other brand Marking pens: Sharpie (or other brand) fine point non-permanent black A second marker, fine point permanent black Graphite stick: #4 General’s is a good brand, or other brand Pencil sharpener: A small handheld sharpener is fine Erasers: A Pink Pearl eraser A Staedtler Mars white plastic eraser A kneaded eraser—Lyra, Design, or other brand Masking tape: 3M Scotch Low Tack Artist Tape Clips: Two 1-inch-wide black clips Drawing board: A firm surface large enough to hold your 11" × 14" drawing paper—about 15" × 18" is a good size. This can be improvised from a kitchen cutting board, a piece of foam board, a piece of Masonite, or thick cardboard. Picture plane: This too can be improvised using an 8" × 10" piece of glass (you will need to tape the edges), or an 8" × 10" piece of clear plastic, about 1⁄16" thick. Viewfinders: You will make these from black paper—“construction” paper is a good thickness, or you could use thin black cardboard. You will find instructions for making the viewfinders here A small mirror: About 5" × 7" that can be taped to a wall, or any available wall mirror.
Betty Edwards (Drawing on the Right Side of the Brain: The Definitive Edition)
If they bomb us while we're asleep, will we wake up dead?
Allayne L. Webster (Paper Planes)
There's a plane to everywhere leaving shortly
John Green (Paper Towns)
I seem to have fallen victim to the illusion, so common on the Mundane Plane, that committing facts to paper will somehow help me make sense of them.
Robert Kroese (Mercury Rises)
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
If you chance to live and move and have your being in that thin stratum in which the events that make the news transpire- thinner than the paper on which it is printed- then these things will fill the world for you; but if you soar above or dive below that plane, you cannot remember nor be reminded of them. Really to see the sun rise or go down every day, so to relate ourselves to a universal fact, would preserve us sane forever.
Henry David Thoreau (Life Without Principle)
All my work will explode inside my body, each fragment of my anatomy will acquire a life of its own, outside mine, Humberto won’t exist, only these monsters, the despot who imprisoned me at La Rinconada to force me to invent him, Ines’s honey complexion, Brigida’s death, Iris Mateluna’s hysterical pregnancy, the saintly girl who was never beatified, Humberto Penaloza’s father pointing out Don Jeronimo dressed up to go to the Jockey Club, and your benign, kind hand, Mother Benita, that does not and will not let go of mine, and your attention fixed on these words of a mute, and your rosaries, the Casa’s La Rinconada as it once was, as it is now, as it was afterwards, the escape, the crime, all of it alive in my brain, Peta Ponce’s prism refracting and confusing everything and creating simultaneous and contradictory planes, everything without ever reaching paper, because I always hear voices and laughter enveloping and tying me up.
José Donoso (The Obscene Bird of Night)
Equally important was the fact that the interpretation provided the model for how Tianming had hidden his message in the three stories. He employed two basic methods: dual-layer metaphors and two-dimensional metaphors. The dual-layer metaphors in the stories did not directly point to the real meaning, but to something far simpler. The tenor of this first metaphor became the vehicle for a second metaphor, which pointed to the real intelligence. In the current example, the princess’s boat, the He’ershingenmosiken soap, and the Glutton’s Sea formed a metaphor for a paper boat driven by soap. The paper boat, in turn, pointed to curvature propulsion. Previous attempts at decipherment had failed largely due to people’s habitual belief that the stories only involved a single layer of metaphors to hide the real message. The two-dimensional metaphors were a technique used to resolve the ambiguities introduced by literary devices employed in conveying strategic intelligence. After a dual-layer metaphor, a single-layer supporting metaphor was added to confirm the meaning of the dual-layer metaphor. In the current example, the curved snow-wave paper and the ironing required to flatten it served as a metaphor for curved space, confirming the interpretation of the soap-driven boat. If one viewed the stories as a two-dimensional plane, the dual-layer metaphor only provided one coordinate; the supporting single-layer metaphor provided a second coordinate that fixed the interpretation on the plane. Thus, this single-layer metaphor was also called the bearing coordinate. Viewed by itself, the bearing coordinate seemed meaningless, but once combined with the dual-layer metaphor, it resolved the inherent ambiguities in literary language. “A subtle and sophisticated system,” a PIA specialist said admiringly. All the committee members congratulated Cheng Xin and AA. AA, who had always been looked down on, saw her status greatly elevated among the committee members. Cheng
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
I liked the way the boats looked, but I didn’t do anything about it. After a blowup with the feculent Times bloater—lying there on his waterbed playing the paper comb and drinking black rum—I flew up to Houston, Texas— don’t ask me why—and bought a touring bike. A bicycle, not a motorcycle. And I pedaled it to Los Angeles. The most terrible trip in the world. I mean Apsley Cherry-Garrard with Scott at the pole didn’t have a clue. I endured sandstorms, terrifying and lethal heat, thirst, freezing winds, trucks that tried to kill me, mechanical breakdowns, a Blue Norther, torrential downpours and floods, wolves, ranchers in single-engine planes dropping flour bombs. And Quoyle, the only thing that kept me going through all this was the thought of a little boat, a silent, sweet sailboat slipping through the cool water. It grew on me. I swore if I ever got off that fucking bicycle seat which was, by that time, welded into the crack of me arse, if ever I got pried off the thing I’d take to the sea and never leave her.
Annie Proulx (The Shipping News)
Imagine if you will—and you will—a mushroom cloud bigger than anything that you currently see out that window. Imagine jet planes and bombers the size of apartment complexes dropping technological marvels of deconstruction upon this city, this world, all around the epicenter of a blooming death cloud. Imagine that mushroom coming to a head, knowing that it is filled with unimaginable heat and concrete, dust, papers—human faces, eyes, and brains. Gray matter filling the radioactive cloud with electricity as all that is inside us leaves us and becomes one with the mushroom. Glass will melt and connect with steel, and we will melt and connect with each other as everything that made us whole is criminally dissected and rearranged. Everything below us, from the sewer tunnels to the subway line, will be consumed into the cloud and jettisoned into the stratosphere, where it will become nothing but silken ash, hardened to a black substance, and turned back to a black dust, transfixed into a black nothing. A stinking, glowing crater all that remains of where you had your first kiss and told someone that you loved them. A mess of a world where everything you’ve ever done quickly becomes all that you’ll ever do.
Michael A. Ferro (TITLE 13: A Novel)
Inej kept her eyes averted, shuffling a stack of papers into a pile on the desk as Kaz stripped out of his vest and shirt. She wasn’t sure if she was flattered or insulted that he didn’t seem to give a second thought to her presence. “How long will we be gone?” she asked, darting a glance at him through the open doorway. He was corded muscle, scars, but only two tattoos—the Dregs’ crow and cup on his forearm and, above it, a black R on his bicep. She’d never asked him what it meant. It was his hands that drew her attention as he shucked off his leather gloves and dipped a cloth in the washbasin. He only ever removed them in these chambers, and as far as she knew, only in front of her. Whatever affliction he might be hiding, she could see no sign of it, only slender lockpick’s fingers, and a shiny rope of scar tissue from some long ago street fight. “A few weeks, maybe a month,” he said as he ran the wet cloth under his arms and the hard planes of his chest, water trickling down his torso. For Saints’ sake, Inej thought as her cheeks heated. She’d lost most of her modesty during her time with the Menagerie, but really, there were limits. What would Kaz say if she suddenly stripped down and started washing herself in front of him? He’d probably tell me not to drip on the desk, she thought with a scowl.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
My laboratory is a place where I write. I have become proficient at producing a rare species of prose capable of distilling ten years of work by five people into six published pages, written in a language that very few people can read and that no one ever speaks. This writing relates the details of my work with the precision of a laser scalpel, but its streamlined beauty is a type of artifice, a size-zero mannequin designed to showcase the glory of a dress that would be much less perfect on any real person. My papers do not display the footnotes that they have earned, the table of data that required painstaking months to redo when a graduate student quit, sneering on her way out that she didn’t want a life like mine. The paragraph that took five hours to write while riding on a plane, stunned with grief, flying to a funeral that I couldn’t believe was happening. The early draft that my toddler covered in crayon and applesauce while it was still warm from the printer. Although my publications contain meticulous details of the plants that did grow, the runs that went smoothly, and the data that materialized, they perpetrate a disrespectful amnesia against the entire gardens that rotted in fungus and dismay, the electrical signals that refused to stabilize, and the printer ink cartridges that we secured late at night through nefarious means. I
Hope Jahren (Lab Girl)
Two large trials of antioxidants were set up after Peto’s paper (which rather gives the lie to nutritionists’ claims that vitamins are never studied because they cannot be patented: in fact there have been a great many such trials, although the food supplement industry, estimated by one report to be worth over $50 billion globally, rarely deigns to fund them). One was in Finland, where 30,000 participants at high risk of lung cancer were recruited, and randomised to receive either ß-carotene, vitamin E, or both, or neither. Not only were there more lung cancers among the people receiving the supposedly protective ß-carotene supplements, compared with placebo, but this vitamin group also had more deaths overall, from both lung cancer and heart disease. The results of the other trial were almost worse. It was called the ‘Carotene and Retinol Efficacy Trial’, or ‘CARET’, in honour of the high p-carotene content of carrots. It’s interesting to note, while we’re here, that carrots were the source of one of the great disinformation coups of World War II, when the Germans couldn’t understand how our pilots could see their planes coming from huge distances, even in the dark. To stop them trying to work out if we’d invented anything clever like radar (which we had), the British instead started an elaborate and entirely made-up nutritionist rumour. Carotenes in carrots, they explained, are transported to the eye and converted to retinal, which is the molecule that detects light in the eye (this is basically true, and is a plausible mechanism, like those we’ve already dealt with): so, went the story, doubtless with much chortling behind their excellent RAF moustaches, we have been feeding our chaps huge plates of carrots, to jolly good effect. Anyway. Two groups of people at high risk of lung cancer were studied: smokers, and people who had been exposed to asbestos at work. Half were given 3-carotene and vitamin A, while the other half got placebo. Eighteen thousand participants were due to be recruited throughout its course, and the intention was that they would be followed up for an average of six years; but in fact the trial was terminated early, because it was considered unethical to continue it. Why? The people having the antioxidant tablets were 46 per cent more likely to die from lung cancer, and 17 per cent more likely to die of any cause,* than the people taking placebo pills. This is not news, hot off the presses: it happened well over a decade ago.
Ben Goldacre (Bad Science)
What? Am I to be a listener only all my days? Am I never to get my word in—I that have been so often bored by the Theseid of the ranting Cordus? Shall this one have spouted to me his comedies, and that one his love ditties, and I be unavenged? Shall I have no revenge on one who has taken up the whole day with an interminable Telephus or with an Orestes which, after filling the margin at the top of the roll and the back as well, hasn't even yet come to an end? No one knows his own house so well as I know the groves of Mars, and the cave of Vulcan near the cliffs of Aeolus. What the winds are brewing; whose souls Aeacus has on the rack; from what country another worthy is carrying off that stolen golden fleece; how big are the ash trees which Monychus hurls as missiles: these are the themes with which Fronto's plane trees and marble halls are for ever ringing until the pillars quiver and quake under the continual recitations; such is the kind of stuff you may look for from every poet, greatest or least. Well, I too have slipped my hand from under the cane; I too have counselled Sulla to retire from public life and take a deep sleep; it is a foolish clemency when you jostle against poets at every corner, to spare paper that will be wasted anyhow. But if you can give me time, and will listen quietly to reason, I will tell you why I prefer to run in the same course over which Lucilius, the great nursling of Aurunca drove his horses.
Juvenal
As she made her way through the tedium of check-in lines, security lines, boarding lines, she noticed several people wearing paper surgical masks. She wondered if they were being paranoid about that new virus she’d been hearing about. As she stepped from the jetway into the plane, it struck her that for fifteen hours she’d be sealed in a metal tube with hundreds of people. She wished she’d thought to get a mask for herself. It was good she was leaving when she was; if the virus spread, it might get complicated to fly. But then she looked around at all the people cramming their wheelie bags into overhead bins, adjusting their neck pillows, scrolling through the in-flight video choices, and dismissed the idea. Restless humans. You’d never stop them traveling.
Geraldine Brooks (Horse)
From this I think we can conclude that the definitive English holorime has yet to be written. However, an old children's riddle does seem to come close. It is the one that poses the question "How do you prove in three steps that a sheet of paper is a lazy dog?" The answer: (1) a sheet of paper is an ink-lined plane; (2) an inclined plane is a slope up; (3) a slow pup is a lazy dog.
Bill Bryson (The Mother Tongue: English and How It Got That Way)
Whereas males of both species played the field in similar ways, a human marriage had nothing on a vampire mating. A marriage could be dissolved by a judge with a little slip of paper. A marriage could be ended in a blink if the humans got tired of each other or fell out of love. With vampires, there was no dissolving a mating. A mated pair didn't grow tired of one another, and they certainly didn't fall out of love. When two vampires mated, a link formed to tether them to one another on a level that transcended the physical plane and fused them into one on a spiritual and emotional level, which was why the loss of a mate left a male in a state of despair if it didn't kill him outright. A mating was for life and plainly demonstrated the vampire race's link to the animal kingdom.
Donya Lynne (Rebel Obsession (All the King's Men, #4))
He had done it all, from barnstorming to crop dusting, and had even flown a Davis Waco with the Baby Ruth Flying Circus. It was an advertising blitz unlike anything the country had ever seen. Billy would fly over county and state fairs, racetracks, and crowded beaches in his red and white plane, dropping hundreds of tiny rice paper parachutes—each one bearing a small Baby Ruth candy bar—on the crowds below.
Fannie Flagg (The All-Girl Filling Station's Last Reunion)
He was mayor and assemblyman, but had died tragically in a plane crash during his campaign for senator. I think fulfilling his father's dreams was part of Brad's drive into politics. So needless to say, I was representing his family, and it was imperative to be presentable at all times in public. No more running to the store in pajamas and hair curlers. Oh, wait, I never did that. That was Shannon, I thought smugly.  ​"Dr. Wallace," I repeated, my train of thought having completely derailed. "I'm sure you are aware that my sister is not only suffering from a deluded sense of present reality, her memory of past events is also incredibly warped. This.." I lightly touched the notebook paper on which Shannon had written her letter. "Is nothing more than a pack of lies."  ​Sitting back in the comfortable chair, I crossed my arms over my chest. I was a little sore,
Heather Balog (Letters To My Sister's Shrink)
[ Dr. Lois Jolyon West was cleared at Top Secret for his work on MKULTRA. ] Dr. Michael Persinger [235], another FSMF Board Member, is the author of a paper entitled “Elicitation of 'Childhood Memories' in Hypnosis-Like Settings Is Associated With Complex Partial Epileptic-Like Signs For Women But Not for Men: the False Memory Syndrome.” In the paper Perceptual and Motor Skills,In the paper, Dr. Persinger writes: On the day of the experiment each subject (not more than two were tested per day) was asked to sit quietly in an acoustic chamber and was told that the procedure was an experiment in relaxation. The subject wore goggles and a modified motorcycle helmet through which 10-milligauss (1 microTesla) magnetic fields were applied through the temporal plane. Except for a weak red (photographic developing) light, the room was dark. Dr. Persinger's research on the ability of magnetic fields to facilitate the creation of false memories and altered states of consciousness is apparently funded by the Defense Intelligence Agency through the project cryptonym SLEEPING BEAUTY. Freedom of Information Act requests concerning SLEEPING BEAUTY with a number of different intelligence agencies including the CIA and DEA has yielded denial that such a program exists. Certainly, such work would be of direct interest to BLUEBIRD, ARTICHOKE, MKULTRA and other non-lethal weapons programs. Schnabel [280] lists Dr. Persinger as an Interview Source in his book on remote viewing operations conducted under Stargate, Grill Flame and other cryptonyms at Fort Meade and on contract to the Stanford Research Institute. Schnabel states (p. 220) that, “As one of the Pentagon's top scientists, Vorona was privy to some of the strangest, most secret research projects ever conceived. Grill Flame was just one. Another was code-named Sleeping Beauty; it was a Defense Department study of remote microwave mind-influencing techniques ... [...] It appears from Schnabel's well-documented investigations that Sleeping Beauty is a real, but still classified mind control program. Schnabel [280] lists Dr. West as an Interview Source and says that West was a, “Member of medical oversight board for Science Applications International Corp. remote-viewing research in early 1990s.
Colin A. Ross (The CIA Doctors: Human Rights Violations by American Psychiatrists)
The hell of it is that my son, my only child, has to turn out to be,” he added with a return of his old spirit, black eyes flashing, “the one man in Washington, D.C. who hates my guts!” “You weren’t too fond of him, either, if you recall,” she pointed out. He glared at her. “He’s hot-tempered and arrogant and stubborn!” “Look who he gets it from,” she said with a grin. He unlinked his hands as he considered that. “Those can be desirable traits,” he agreed with a faint smile. “Anyway, it’s nice to know I won’t die childless,” he said after a minute. He lifted his eyes to her face. “Leta can’t know any of this. When and if the time comes, I’ll tell her.” “Who’s going to tell him?” she ventured. “You?” he suggested. “In your dreams,” she said with a sweet smile. He stuffed his hands back into his pockets. “We’ll cross that bridge when the river comes over it. You’ll be careful, do you hear me? I’ve invested a lot of time and energy into hijacking you for my museum. Don’t take the slightest risk. If you think you’ve been discovered, get out and take Leta with you.” “She’s afraid to fly,” she pointed out. “She won’t get in an airplane unless it’s an emergency.” “Then I’ll come out and stuff her into a car and drive her to the airport and put her on a plane,” he said firmly. She pursed her lips. He was very like Tate. “I guess you would, at that.
Diana Palmer (Paper Rose (Hutton & Co. #2))
How will you inspire others? Will you even know? Will it be because they see your work? Read your papers? Delight in your products? Or will it be because of that way you listen to them when they speak? How warmly you hug? How you live as you move through your days? Will it be something you say? Or some way that you say it? Or will it be the resounding peace that words cannot express? Although you might not be able to see the impact your life is having, it is there, under the surface, on another plane that we can feel but perhaps not see.
Elle Luna (The Crossroads of Should and Must: Find and Follow Your Passion)
What do you think?” Summer said. “I think they’re full of shit,” I said. “Important shit or regular flag-rank shit?” “They’re lying,” I said. “They’re uptight, they’re lying, and they’re stupid. Why am I worried about Kramer’s briefcase?” “Sensitive paperwork,” she said. “Whatever he was carrying to California.” I nodded. “They just defined it for me. It’s the conference agenda itself.” “You’re sure there was one?” “There’s always an agenda. And it’s always on paper. There’s a paper agenda for everything. You want to change the dog food in the K-9 kennels, you need forty-seven separate meetings with forty-seven separate paper agendas. So there was one for Irwin, that’s for damn sure. It was completely stupid to say there wasn’t. If they’ve got something to hide, they should have just said it’s too secret for me to see.” “Maybe the conference really wasn’t important.” “That’s bullshit too. It was very important.” “Why?” “Because a two-star general was going. And a one-star. And because it was New Year’s Eve, Summer. Who flies on New Year’s Eve and spends the night in a lousy stopover hotel? And this year in Germany was a big deal. The Wall is coming down. We won, after forty-five years. The parties must have been incredible. Who would miss them for something unimportant? To have gotten those three guys on a plane on New Year’s Eve, this Irwin thing had to be some kind of a very big deal.
Lee Child (The Enemy (Jack Reacher, #8))
One August morning at Blair House, he read in the papers that the body of an American soldier killed in action, Sergeant John Rice, had been brought home for burial in Sioux City, Iowa, but that at the last moment, as the casket was to be lowered into the grave, officials of the Sioux City Memorial Park had stopped the ceremony because Sergeant Rice, a Winnebago Indian, was not “a member of the Caucasian race” and burial was therefore denied. Outraged, Truman picked up the phone. Within minutes, by telephone and telegram, it was arranged that Sergeant Rice would be buried in Arlington National Cemetery with full military honors and that an Air Force plane was on the way to bring his widow and three children to Washington. That, as President, was the least he could do.
David McCullough (Truman)
All these rich people with their private-jet escape routes to New Zealand—maybe it’s the operational manager in me, but all I can think about are apocalypse logistics: What zombie pilot is going to fly all those planes, and which zombie air-traffic controller is going to help land them? And who is going to do all the ongoing work of cooking and cleaning and shopping? Is the New Zealand infrastructure prepared for this? And why would people in New Zealand allow planes full of potential plague-germ carriers onto their island, no matter how much money they have? Would money have value in the new postapocalyptic economy—or would toilet paper be worth even more? Do the pilot and crew who flew you to New Zealand get saved, or do they get barred at the security gate of the bunker?
Ellen Pao (Reset: My Fight for Inclusion and Lasting Change)
You drive, walk, eat, look at television, read, and all the while, beyond you and the cozy circle created by your lady around herself and you, like the natural emanations of stars, other lives circle yours, seeds still winged and wind-borne, looking for sympathetic soil. You feel the juices and solids of your body in attempted rearrangement, or, more disturbing, making an effort to create a stillness that approximates death, beyond which the body does become soil, receptive to all wind-borne seeds. In a not especially prolonged stillness, as though no chances could be taken that you might decide to become perpetual motion, words fall out of the air, a random fall from which you might be tempted to make selection, and as you do not move, cannot, a string of words falls onto you, and from you, onto the paper: winter rye greening up, smoothing the old brown earth with a fine new plane: Carpenter Rye, neighbor.
Coleman Dowell (Island People)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I know I said this before, but it bears repeating. You know Tate won’t like you staying with me.” “I don’t care,” she said bitterly. “I don’t tell him where to sleep. It’s none of his business what I do anymore.” He made a rough sound. “Would you like to guess what he’s going to assume if you stay the night in my apartment?” She drew in a long breath. “Okay. I don’t want to cause problems between you, not after all the years you’ve been friends. Take me to a hotel instead.” He hesitated uncharacteristically. “I can take the heat, if you can.” “I don’t know that I can. I’ve got enough turmoil in my life right now. Besides, he’ll look for me at your place. I don’t want to be found for a couple of days, until I can get used to my new situation and make some decisions about my future. I want to see Senator Holden and find another apartment. I can do all that from a hotel.” “Suit yourself.” “Make it a moderately priced one,” she added with graveyard humor. “I’m no longer a woman of means. From now on, I’m going to have to be responsible for my own bills.” “You should have poured the soup in the right lap,” he murmured. “Which was?” “Audrey Gannon’s,” he said curtly. “She had no right to tell you that Tate was your benefactor. She did it for pure spite, to drive a wedge between you and Tate. She’s nothing but trouble. One day Tate is going to be sorry that he ever met her.” “She’s lasted longer than the others.” “You haven’t spent enough time talking to her to know what she’ s like. I have,” he added darkly. “She has enemies, among them an ex-husband who’s living in a duplex because she got his house, his Mercedes, and his Swiss bank account in the divorce settlement.” “So that’s where all those pretty diamonds came from,” she said wickedly. “Her parents had money, too, but they spent most of it before they died in a plane crash. She likes unusual men, they say, and Tate’s unusual.” “She won’t go to the reservation to see Leta,” she commented. “Of course not.” He leaned toward her as he stopped at a traffic light. “It’s a Native American reservation!” She stuck her tongue out at him. “Leta’s worth two of Audrey.” “Three,” he returned. “Okay. I’ll find you a hotel. Then I’m leaving town before Tate comes looking for me!” “You might hang a crab on your front door,” she said, tongue-in-cheek. “It just might ward him off.” “Ha!” She turned her eyes toward the bright lights of the city. She felt cold and alone and a little frightened. But everything would work out. She knew it would. She was a grown woman and she could take care of herself. This was her chance to prove it.
Diana Palmer (Paper Rose (Hutton & Co. #2))
A plane in mathematics is not merely a flat surface but a flat surface of infinite thinness and size. Trivial? Not to us. When I say plane, I'm not thinking of a tabletop or sheet of glass or a piece of paper. You might point to any one of these objects; but all of them are precisely that: objects. They exist in the world. And because they do, they are defined by their breadth and reach. To a mathematician, a tabletop is no more a plane than a slice of rum cake is. In the world we know, in fact, the only thing that can actually be called a plane--or a portion of one, anyhow--is a shadow. You see? Words fail us. Even the world fails us. Are there not a thousand forms of sorrow? Is the sorrow of death the same as the sorrow of knowing the pain in a child's future? What about the melancholy of music? Is it the same as the melancholy of a summer dusk? Is the loss I was feeling for my father the same I would have felt for a man better-fit to the world who might have thrown a baseball with me or taken me out in the mornings to fish? Both we call grief. I don't think we have words for our feeling any more than we have words for our thoughts. I don't even believe that we actually do the things we call thinking and feeling. We do something, but it is only out of crudeness that we call it thinking; and when we do the other thing, we call it feeling. But I can tell you, if you asked Archimedes ... or Brahmagupta ... or Hilbert ... when they'd first known that they'd solved their great problem, I suspect they'd all say they had a feeling.
Ethan Canin (A Doubter's Almanac)
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.
Ian Fleming (Casino Royale (James Bond, #1))
Louis Acker, a well-known Boston astrologer, in an unpublished paper entitled “Mind: A Holographic Computer,” sets out to explain, via a Pythagorean model, how the One God split himself into 2, 3, 4, and so on to create the multitudes. This process is similar to that of vibratory patterns interfering with each other. Just as there are set notes on a musical scale, there are “common nodal points,” or “fundamental carrier frequencies,” in the creation of the multitudes; a transference of energy from higher dimensions to lower ones can be facilitated by means of principles of resonance and through laws of harmonics. This can be proved on the physical plane with simple tuning forks. All forks with the same dimensions in a room will vibrate if one is rapped. This is the principle of resonance: mutual vibrations. Any tuning fork in the proper geometric proportion to the rapped fork will begin to vibrate as well.42
Marc J. Seifer (Transcending the Speed of Light: Consciousness, Quantum Physics, and the Fifth Dimension)
           •   On dunces: in the old days, if you were found out to be a dunce on any given subject you would have been asked to don a donkey hat for an hour, and made to stand to the right of the blackboard with your back to the class, dodging an array of projectiles -bits of erasers, paper planes, dried snot balls et cetera- but nowadays, in startling contrast, you’d be invited to stand outside, in the cold hallway, thereby sharply decreasing your chances to learn anything of the lesson you were supposed to catch up on. Another triumph of modern thinking!
Patric Juillet (Memoirs of a Sardine lover (Life Between the Tides Book 1))
The plants continued to grow at an alarming rate, adding as much as a foot to their height and girth every week, so that by the end of September they’d made themselves conspicuous from just about any point on the property. There they were, a couple of jolly green giants lurking behind the barn—and I found myself in a state of almost perpetual anxiety and dread. I’d read in the papers that the state police sometimes did aerial reconnaissance to locate marijuana gardens, and anytime I heard the drone of a small plane overhead, I raced outside to see if its flight path would take it over my plants.
Anonymous
and at as after an add act adjective answer ask am animal ant ax Africa Medial that can had back last has than man hand plant began stand black happen fast apple /a/ LONG A, OPEN SYLLABLE RULE Initial able acre agent apron Asia apex April Medial paper lady baby radio crazy labor lazy flavor tomato navy station basic label equator relation vapor enable volcano vibration basis hazy potato ladle vacation tablecloth table /a/ LONG A, FINAL E RULE Initial ate age ache ale ape ace Medial make made face same came state late tale place name wave space gave base plane game shape baseball spaceship racetrack shapeless cake /a/ LONG A, AI DIGRAPH Initial aim aid ailment ail Medial rain train wait tail chain jail mail pain sail strait afraid brain claim detail explain fail gain main obtain paid remain wait plain laid faint grain rail nail See also List 7, Suggested Phonics Teaching Order; List 8, Phonics Research Basis. // LONG A, AY DIGRAPH Medial always mayor layer maybe gayly haystack wayside payment rayon jaywalk player daylight Final day say away play may today pay gray bay stay birthday highway repay anyway way pray lay gay hay crayon
Edward B. Fry (The Reading Teacher's Book Of Lists (J-B Ed: Book of Lists 67))
A German pilot came out of his plane, drew his legs into a ball, his head down. Papers flew out of his pockets. He did a triple somesault through our formation. No chute.
Rick Atkinson (The Day of Battle: The War in Sicily and Italy, 1943-1944 (The Liberation Trilogy Book 2))
A dainty man of a nervous disposition, Father Laughton detests discord above all things. He always climbs down before seriously disagreeing with anyone; he can’t dismiss the most disruptive student from his class without feeling sorry twenty seconds later and racing down the corridor to summon him back. As a result, his music appreciation courses are notoriously anarchic – in fact they make anarchy look like a slow day at the library – and yet, at the same time, they are marked by a kind of goodwill, and the priest always seems happy there, in the midst of the melee, humming along to a Field larghetto or a Chopin mazurka while paper planes, pencil cases, books and larger objects fly through the air around him.
Paul Murray (Skippy Dies)
Childbirth is such a privilege,” she said patiently. “It changes your life. Your body is torn apart, but your heart is suddenly stronger and yet more vulnerable at the same time. The pain is part of the journey. Nothing worth having is easy.” She
Amanda Dick (The Trouble with Paper Planes)
Yet they weren’t freed from death, despite signatures on papers ending the fight. Planes continued to disappear over foreign soil, ships sank in the Pacific waves, trucks swerved off roads, and infections traveled among the men with a final desperate attempt to prevent their homecoming.  A message from Western Union still made a mother’s heart go numb. And
Rachel S. Neal (Sewing for the Insane)
There’s something magical about the experience of taking a blank sheet of paper and being able to make it take flight with just a few careful, strategic folds. The art of paper plane making has been used for generations, not just to prototype big ideas and lofty innovations—without the humble paper plane, there might have been no Wright brothers’ first flight—but also to teach children about engineering, physics, possibility and small miracles. With one or two simple folds, a child learns that her actions can affect her results and that the way she builds something matters.
Bernadette Jiwa (Meaningful: The Story of Ideas That Fly)
If they bomb us while we're asleep, will we wake up dead?
Allayne Webster, Paper Planes
A sense of humor was essential survival equipment in the palace jungle—but nothing too clever. So was an ability to enjoy food and drink. To these I secretly added an ability to enjoy plane-spotting. It turned out to be quite useful. Many of my tensest moments were experienced in royal airplanes, but surprisingly often I could deflect the Princess’s fiercest rocket with a calculated display of nerdish interest in what I could see out of the window. As it happened, I was able to indulge this lonely vice almost immediately as I caught the bus back to Heathrow. Farewells at KP were polite but perfunctory, and Richard and Anne gave no hint as to the outcome of my interview. Richard ventured the comment that I had given “a remarkable performance,” but this only added to the general air of theatrical unreality. I was pretty sure I had eaten my first and last royal Jersey royal potato. Back in Scotland, my despondency deepened as I inhaled the pungent aroma of my allocated bedroom in the Faslane transit mess. It was not fair, I moaned to myself, to expose someone as sensitive as me to lunch with the most beautiful woman in the world and then consign him to dinner with the duty engineer at the Clyde Submarine Base. And how could I ever face the future when every time the Princess appeared in the papers I would say to myself—or, far worse, to anyone in earshot—“Oh yes, I’ve met her. Had lunch with her in fact. Absolutely charming. Laughed at all my jokes . . .” Now thoroughly depressed, I was preparing for a miserable night’s sleep when I was interrupted by the wardroom night porter. He wore a belligerent expression so convincing that it was clearly the result of long practice. No doubt drawing on years of observing submarine officers at play, he clearly suspected he was being made the victim of a distinctly unamusing practical joke. In asthmatic Glaswegian he accused me of being wanted on the phone “frae Bucknum Paluss.” I rushed to the phone booth, suddenly wide-awake. The Palace operator connected me to Anne Beckwith-Smith. “There you are!” she said in her special lady-in-waiting voice. “We’ve been looking for you everywhere. Would you like the job?
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
Success isn’t guaranteed even if you make the best plane in the world. John Collins spent three years perfecting his paper plane model, the ‘Suzanne’, in the hope of claiming the Guinness World Record for the longest paper airplane flight. He did indeed have the best paper plane in the world, but he recognised that he didn’t have the best throwing arm. It wasn’t until he partnered with Joe Ayoob, a former college-football quarterback, in 2012, that the pair broke the record that had stood since 2003.
Bernadette Jiwa (Meaningful: The Story of Ideas That Fly)
Much of the negation poisoning the democratic process has stemmed from a confusion of the personal and the statistical. I may hold down an excellent job, but the failure of the stimulus to meet its targets infuriates me. I may live in peaceful Vienna, Virginia, safe from harm—but a report that several Americans have died violently in Kabul appears like a fatal failure of authority. By dwelling on the plane of gross statistics, I become vulnerable to grandiose personal illusions: that if I compel the government to move in this direction or that, I can save the Constitution, say, or the earth, or stop the war, or end poverty now. Though my personal sphere overflows with potentiality, I join the mutinous public and demand the abolition of the established order. This type of moral and political displacement is nothing new. The best character in the best novel by Dickens, to my taste, is Mrs. Jellyby of Bleak House, who spent long days working to improve “the natives of Borrioboola-Gha, on the left bank of the Niger,” while, in her London home, her small children ran wild and neglected. Dickens termed this “telescopic philanthropy”—the trampling of the personal sphere for the sake of a heroic illusion. Mrs. Jellyby, sitting in quite a nest of waste paper, drank coffee all the evening and dictated at intervals to her eldest daughter. She also held a discussion with Mr. Quale, the subject of which seemed to be—if I understood it—the brotherhood of humanity, and gave utterance to some beautiful sentiments. I was not so attentive an auditor as I might have wished to be, however, for Peepy and the other children came flocking about Ada and me in a corner of the drawing-room to ask for another story; so we sat down among them and told them in whispers “Puss in Boots” and I don’t know what else until Mrs. Jellyby, accidentally remembering them, sent them to bed.3 The revolt of the public has had a telescopic and Jellybyan aspect to it. Though they never descended to details, insurgents assumed that, by symbolic gestures and sheer force of desire, they could refashion the complex systems of democracy and capitalism into a personalized utopia. Instead, unknowingly, they crossed into N. N. Taleb’s wild “Extremistan,” where “we are subjected to the tyranny of the singular, the accidental, the unseen, and the unpredicted.” In that unstable country, “you should always be suspicious of the knowledge you derive from data.”4 I can’t command a complex social system like the United States, but I can control my political expectations of it: I can choose to align them with reality. To seize this alternative, I must redirect the demands I make on the world from the telescopic to the personal, because actionable reality resides in the personal sphere. I can do something about losing my job, for example, but I have no clue what could or should be done about the unemployment rate. I know directly whether a law affects my business for better or worse, but I have no idea of its effect on the gross domestic product. I can assist a friend in need, but I have little influence over the natives of Borrioboola-Gha, on the left bank of the Niger. Control, however tenuous, and satisfaction, however fleeting, can only be found in the personal sphere, not in telescopic numbers reported by government. A
Martin Gurri (The Revolt of the Public and the Crisis of Authority in the New Millennium)
It’s not really such a bad place,” she says, looking around the room. She’s moved on to dessert. “They know how to make a decent rice pudding.” My hand shakes a little when I pour creamer into her coffee. If I got on a plane tonight I could be in Rome in time for dinner tomorrow. Homemade pasta, fresh tomatoes and basil. Real Parmesan cheese, not the kind that comes in packets. And wine—maybe something I haven’t tasted before, a grape varietal I don’t yet know. It would be nothing like here. A break from this place. From Mom. I want to get home and e-mail Paul. I will be there. I am coming. I feel her eyes on me as I pack up my things. “You should dye your hair before you leave,” she says finally. “See if the salon can fit you in this week.” “That’s a good idea.” I kiss her goodbye. “I bet Hannah is gorgeous, she’ll look just like Emily did at that age. Beautiful, but not the brightest bulb. It’s good you’re going. You’ll have to send me pictures.” She surveys my face. I try to keep it blank, unreadable. “Use my brightening mask when you get home. It’ll clear up whatever’s happening on your chin.” “I will.” I shift my purse full of papers and snacks and bottled water from one shoulder to the other. “I love you, see you tomorrow.
Liska Jacobs (The Worst Kind of Want)
I closed my eyes, gripping the paper tightly as I felt him back away from me. I didn’t turn around. I was afraid that if I did, I wouldn’t be getting on that plane.
December Davenport (The Intimate Life of Octavia Wood: A Short Story)
Yes I enjoyed flying on government planes and helos, but not enough to stay in the military and remain government property for twenty years. Not for the sake of a pension that might or might not ever be paid. Or if it was paid, might be paid in IOUs or ration cards or whatever paper confetti they decided to dole out to the veterans in the future.
Matthew Bracken (Castigo Cay)
This visual of two different worlds and planes of existence converging on a mountain top was actually quite amazing and eye opening to witness. The “haves” and the “have nots.”  It gave me a new perspective. More perspective than I feel I’d gained on the journey so far. People simply don’t know how good they have it, even when things seem terrible or difficult. Although I’d chosen to do this hike and live this way temporarily, I understood there were people out there who lived like this permanently, without any choice, while in much worse conditions and circumstances. Any Dick and Jane can say, “Yeah, I know there are people out there who live like that, and I understand and feel sorry for them.” I’m sure some people reading this are thinking that same thing. I’ll tell you right now, I’ve been to third world countries and you can see it, sympathize with it, and think you understand it; but in reality, you may not. Not until you’ve experienced and lived it for yourself. I thought I understood it simply by seeing it, but it wasn’t until I’d lived parts of that “have not” experience, that I realized just how much I didn’t understand it. Defecating outside and maybe not having toilet paper. Sleeping outside, not having running water or hot water, not having showers, and being miles from the nearest help. Not having whatever you want to eat every day or possibly running out of food, or not finding water. Not having electricity, not having climate control, and having your feet as your only means of transportation. Dealing with any and all elements whenever they should arise, as well as having limited hygiene products and smelling terrible every day. This only scratches the surface. I won’t pretend to know exactly what it’s like for people who are stuck in this lifestyle permanently, but in making this journey I certainly gained a much better understanding. I knew that even though it was the life I’d chosen to live at that time, I still had it better than probably half the people on the planet. I could get a reprieve (for a price) anytime I went into town. I could end any suffering, discomfort, and pain I experienced on any day I chose... but I didn’t.  I was enjoying the experience and perspective I was gaining on an almost daily basis. The time for personal reflection and the thousands of moments I had each day that belonged to me and only me was intoxicating. The whole experience was surreal, yet at the same time more real than anything in the modern world. Everything around you out there “is what it is” and isn’t trying to be anything else. It’s simple and honest, which is more than can be said for the “modern” world, where many things are never as they seem, and most everybody wants something from you. 
Kyle Rohrig (Lost on the Appalachian Trail (Triple Crown Trilogy (AT, PCT, CDT) Book 1))
So, if people don't want a war - are opposed to a war - how do you get away with it? You change public opinion and manufacture consent, that's how. You construct a carefully organised deception. A well-crafted and perfectly executed lie. Stage a false flag attacks, created by our own security services, blame it on terrorists, blow up British or US soldiers, bomb our buildings, fly planes into them, lie about weapons of mass destruction that can annihilate us in forty-five minutes flat. And bombard people with it in the media. Terrorists! Terrorism! Cells! Al-Qaeda! Isis! So every single time you turn on the new or read a paper, it's there. Despite the fact that statistically, you're more likely to be killed in a car accident or by your own bathtub than killed by a terrorist! And all the while, they're hiding the real reasons. Oil and gas. Gold. Regime change. Land. Power. Money. So they carry on until the public gets scared and angry, and yes, let's bomb these bastards! And how dare these people threaten and attack us! Then they want the war. The public are practically begging for it by then! Like George Orwell said, "The people believe what the media tells them". And if you control the media, the money, the politics, and the military, you control the whole systems.
Sibel Hodge (Untouchable)
Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
Shirley A. Martin (Bloodline Gypsy: Jook and Gypsies vol. 1)
Cowardice of this degree is, I know, uncommon. Many people would have to hang by their teeth from a frayed cord suspended by a paper clip from a leaking hot air balloon over the Grand Canyon in order to feel what I feel standing on the third step of a stepladder trying to put millet in the bird feeder.
Ursula K. Le Guin (Changing Planes: Stories)
Still, national politics meant little to him: about as much as paper airplanes would mean to the survivor of a plane crash.
Harry Mulisch (The Assault)
If you decide what color jelly beans to eat based just on the papers that get published, you’re making the same mistake the army made when they counted the bullet holes on the planes that came back from Germany.
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
If I find myself with a piece of paper in my hand, and I’m unsure where to put it, I lay it down on the nearest surface and hope it folds itself into a paper plane and flies wherever it’s supposed to go. While optimistic, this
Abbi Waxman (The Garden of Small Beginnings)
paper planes, or angel wings, anything to lift the heavy, to let her dream… she’s always been searching for some way to escape gravity
butterflies rising
I’ve learned to write on trains and in hotels and waiting rooms. On the tray tables on planes. I take notes at lunch, under the table, or in the bathroom. I write in museum stairwells, in cafés, in the car on the shoulder of the motorway. I jot things down on scraps of paper, in notebooks, on postcards, on my other hand, on napkins, in the margins of books. Usually they’re short sentences, little images, but sometimes I copy out quotes from the papers. Sometimes a figure carves itself out of the crowd, and then I deviate from my itinerary to follow it for a moment, start on its story. It’s a good method; I excel at it. With the years, time has become my ally, as it does for every woman—I’ve become invisible, see-through. I am able to move around like a ghost, look over people’s shoulders, listen in on their arguments and watch them sleep with their heads on their backpacks or talking to themselves, unaware of my presence, moving just their lips, forming words that I will soon pronounce for them.
Olga Tokarczuk (Flights)
To go back for a moment to that "paper-piled table" in Melville's room at Twenty-sixth Street: on it stood an inclined plane that for lack of more accurate designation one must call "desk"; for though it had a pebbled green-paper surface, it had no cavity for inkwell, no groove for pen and pencil, no drawer for papers, like the little portable desks that where cherished as heirlooms in the late nineteenth century. Rather, it was open underneath; and pasted on one side wall, well out of sight, it was a printed slip of paper that read simply, "Keep true to dreams of thy youth
Eleanor Melville Metcalf (Herman Melville: Cycle and Epicycle)
Fold the plane in half. Watch out, this is a mountain fold. Flip the plane over, make a valley fold, and then flip it back over. That’s how to create a mountain fold.
John M. Collins (The New World Champion Paper Airplane Book: Featuring the World Record-Breaking Design, with Tear-Out Planes to Fold and Fly)
Make a very straightforward wing fold:
John M. Collins (The New World Champion Paper Airplane Book: Featuring the World Record-Breaking Design, with Tear-Out Planes to Fold and Fly)
paper planes, or angel wings, anything to lift the heavy, to let him dream… he’s always been searching for some way to escape gravity
butterflies rising (wild spirit, soft heart)
It's humiliating begging complete strangers for help. I don't like relying on charity" "We do what we can" Danijela said. "One day, if we survive this, we will even the score. We'll do our best to help others.
Allayne L. Webster (Paper Planes)
Whether it was butterflies, or paper planes, or kites. She was always chasing after something. And I was always chasing after her.
Shireen Ayache (Card of Truth)
Do you remember my telling you R’s story?” “The one about the man who faked his own death?” “No, the one about the man who worked for the local council and used an entire year’s budget to construct a landing strip for small planes—on which, of course, no small plane ever landed.” “I remember. He planned the whole thing when he was a kid. His classmates testified, saying that back then he would spend all day making paper planes.” “That’s the one. Now, think: if that had happened in a city, how long would everybody have been telling the story?” “Weeks.” “And if it had happened in a town?” “Months.” “And if it had happened in small town?” “Years.
María José Ferrada (How to Order the Universe)
It wasn’t easy at first. He had expected difficulties with his parents and he wasn’t mistaken. His mother had a terrible fear of the bush—which had developed in the weeks when he had disappeared and she had had to believe he was dead. They talked many nights before she relented. He was older now, more seasoned, and she knew that. He had done well the past summer, when he had returned with Derek. With Caleb’s help, his mother came around. “How will you find the Smallhorns?” she asked. “The pilot, the man who flew me out, will know where they are.” Brian had kept the pilot’s name. The man had a one-plane operation working out of International Falls, on the Minnesota-Canada border, and Brian called. “The Smallhorns? Yeah—they’re up in the Williams Lake area in a fish camp but I’m not due to go up there until fall. I’m booked solid all summer with fishing charters. I can’t take the time to run you up there.” “How about getting me close? I can make my own way in a canoe.” “Just a minute.” Brian heard papers shuffling as the pilot went through his records. “Yeah, here. I’m due to take a couple of guys fishing in ten days. We’re going to the Granite Lake area and with my fuel I can take you maybe another hundred miles. That’s still a hundred miles short of the Smallhorns’ camp but it’s all chain lakes up there and you can do it without any really bad portages. I’ll give you a good map. How heavy is your gear?” “Maybe two hundred pounds, plus me and a canoe. Can you haul a canoe?” “Sure. On the floats. We’re taking one canoe and I can fit yours on the other float. When are you figuring on coming out?” “I’m not … sure.” “I’m due to make a supply run to them in the fall before trapping
Gary Paulsen (Brian's Return (Hatchet, #4))
Beside me, Matt reached for my barf bag with a green-tinged face. “These things are metal death contraptions.” 
“Go find your own.” I swiped back the bag. As the plane pulled around to get in line for takeoff, I clutched the paper bag close.

Priya Ardis (Gods of Merlin)
What kind of relationship, you may wonder, can these two siblings have, being so many years and worlds apart? It’s just past 7:00 pm. Football practice ended half an hour ago, and David and his brother Michael walk through the door with hearty appetites and mountains of homework. I hear the door creak and the thump of equipment hitting the floor. Next I hear David’s husky voice cooing, “Come on, baby” to his little sister, whom he has rescued from the swing in the front room. I peek around the corner just in time to see her respond by grabbing his face and wiggling towards him. “Shh… shh… shh…” he says, as he cradles her in his arms and bounces her gently back and forth, holding her securely against his chest. Back and forth, back and forth—they are engaged in a dance, two unlikely companions frozen in a single moment. For a short time they will be under the same roof, in the same world. Then suddenly, their lives will diverge into strikingly separate paths—hers of blocks and ABCs and babyhood, his of college term papers, interviews, and adulthood. But for now, they are in the same plane. She is learning from his strong arms to trust. He is learning from her vulnerability to give. He is a father of tomorrow, in an internship of sorts, learning gentleness and devotion from this little bundle called Sister.
Theresa Thomas (Big Hearted: Inspiring Stories from Everyday Families)
A business card. I pull it out, my fingertips running across the name embossed on thick, black paper. Waylon Spencer. Suddenly, I remember that man on the plane. That was only yesterday,
Stacy Willingham (All the Dangerous Things)
of the tiny aircraft and helped the third passenger aboard, his girlfriend Sandra, 30. The plane taxied and sped down the runway. As it rose into the blue California sun, Norman felt a surge of excitement. But as they banked east over Venice Beach, it was clear there was a storm ahead. In front of them a thick blanket of grey cloud was smothering the San Bernardino Mountains. Only the very tips of their 3,000 m (10,000 ft) peaks showed above the gloom. Norman Senior asked the pilot if it was okay to fly in that weather. The pilot reassured them: it was just a thirty-minute hop. They’d stay low and pop through the mountains to Big Bear before they knew it. Norman wondered if he’d be able to see the slope he’d won the championship on when they wheeled round Mount Baldy. His dad nodded and sat back to read the paper and whistle a Willie Nelson tune. Up front, Norman was savouring every moment. He stretched up to see over the plane’s dashboard and listened to the air traffic chatter on his headphones. As the foothills rose below them, he heard Burbank control pass their plane on to Pomona Control. The pilot told Pomona he wanted to stay below 2,300 m (7,500 ft) because of low freezing levels. Then a private plane radioed a warning against flying into the Big Bear area without decent instruments. Suddenly, the sun went out. The greyness was all around them, as thick as soup. They had pierced the storm. The plane shook and lurched. A tree seemed to flit by in the mist, its spiky fingers lunging at the window. But that couldn’t be, not up here. Then there really was a branch outside and with a sickening yawn, time slowed down and the horror unfurled. Norman instinctively curled into a ball. A wing clipped into a tree, tumbling the plane round, up, down, over and round. The spinning only stopped when they slammed into the rugged north face of Ontario Peak. The plane was instantly smashed into debris and the passengers hurled across an icy gully. And there they lay, sprawled amid the wreckage, 75 m (250 ft) from the top of the 2,650 m (8,693 ft) high mountain and perched on a 45-degree ice slope in the heartless storm.
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
So much of our life is about preparing to act, avoiding judgment, or fitting in. The thought of taking small, bold, radical actions without a plan—even something as innocuous as writing words or making brushstrokes on a blank piece of paper—is frightening. Let’s put an end to that. Let’s separate crossing a highway and jumping out of a plane from the act of creation.
Chase Jarvis (Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Work + Life)
Sometimes I just stare out the window. It's unbelievable how lovely just two plane trees, a slice of sky, and the facade of the building across the street can be. A narrow view like that has birds, insects, rays of sunlight, shadows, gusts of wind, paper flying about, human faces and backs, butterflies, drops of water, rivulets, clouds, airplanes, vapor trails. Also, love stories, quarrels, solitary travels, escapes, reunions. Impossible to put down all the ideas that come to mind looking at those good things — ideas that before I realize it have become the signs that aggravate the teachers.
Giacomo Sartori (Bug)
That’s true as hell,” Marcus chuckled, tossing the cleaned paper plate into the open heater’s door. “Why’d we ever join the Army?” “Because we were stupid, and now we’re addicted to the adventure,” Felix replied. “I wanted to see the world and didn’t want to do it from a boat. I’m too big to be in a plane. I’m too smart to be a Marine, so I joined the Army.
Mark Loren (MINNESOTA FALL 2 (October Fall Series, #6))
Even the newest military planes had checklists that appeared on touch screens. If a hydraulic pump failed, a message would pop up showing specific actions the pilot should take. On the 737, a light showing “low hydraulic pressure” might illuminate with no further explanation. Pilots would have to rely on memory or turn to their paper handbook. “Training issue,” the Boeing executive responded to Reed, in rejecting such changes. If Boeing had been building a brand- new plane, it would have been required to have the electronic checklist. But because the MAX was being examined as an amendment to the original type certificate awarded in 1967, managers could pursue an exception. The MAX was actually the thirteenth version of the plane, counting all the variants along the way— the official application would call it an update of the 737- 100,
Peter Robison (Flying Blind: The 737 MAX Tragedy and the Fall of Boeing)
Perhaps you could send useful “how to” tips. You could clip news items out of the paper and send them to your customers with a little note that just says, “Hi John, thought this might interest you. Joe Girard.” Some salesmen send expensive personalized calendars. This keeps their name in front of the customer all year long. Another salesman I know keeps postcards in his briefcase and jots off a personal note to his good customers while waiting for an appointment or a plane. Watch the ways in which the giant companies spend millions just to keep their name in front of the public. I have learned from them, and you should too, because we have businesses just like them, only maybe not so big.
Joe Girard (How to Sell Anything to Anybody)
Shepherd sat next to him close to the front of the plane. As it taxied for take-off, Muller took a pair of reading glasses out of his jacket pocket, a sheaf of papers from a leather briefcase and began to read, occasionally making marks in the margin with a gold fountain pen. After an hour a stewardess in a tight-fitting green uniform handed out plastic trays with finger sandwiches, followed by a colleague offering coffee or tea. Shepherd passed on the food and the drink. Muller took a cheese sandwich and put away his paperwork. ‘This is your first time in Baghdad, right?’ he asked. ‘Yeah,’ said Shepherd. The lie came easily. He doubted that Yokely would want too many people knowing that he had been a passenger on a rendition flight. ‘Although I was in Afghanistan when I was with the Regiment. Another life.’ ‘Iraq’s not dissimilar,’ said Muller. ‘The difference is that before Saddam Iraq was a decent enough country. He ran it into the ground.’ ‘The Major said you were special forces. Delta Force,
Stephen Leather (Hot Blood (Dan Shepherd, #4))
Maybe there was always an invisible tether connecting California to Pennsylvania, and it was simply waiting to be tugged on, waiting for someone to see its existence
Mindy Michele (Paper Planes and Other Things We Lost)
Cal studied Savvy as the C-130 sped down the runway. The plane held a half-dozen marines and supplies bound for Manda Bay. She'd chosen the seat across from him near the tail of the aircraft and donned protective headphones. Between the headphones and other passengers, there was no way for them to discuss the mission during the flight. He’d been released from the brig at two thirty in the morning and was told he’d be departing on the transport as scheduled. Savvy hadn't stopped by his CLU to offer an explanation, and he’d decided not to go to hers. He needed to sleep. They'd have time to sort things out before departure. But daylight brought no communication from her, and he’d been surprised to find himself alone in the vehicle that delivered him to the airstrip the US military shared with the international airport. He’d begun to wonder if the op would be canceled, when she arrived seven minutes before their scheduled takeoff. She’d dropped into the seat across from him with little more than a nod in his direction, donned the headphones, and cracked open a file. She stared at the papers on her lap as if they held the meaning of the universe. They reached cruising altitude. The interior was loud, but not so loud the headphones were necessary. Still, she kept them on. He’d been watching her for twenty minutes, noting that she had yet to turn a page. He’d been looking forward to seeing her. He’d wanted to check the bruises on her neck, make sure she was okay. But the concern had evaporated in the wake of her avoidance. Her utter lack of acknowledgment of what had transpired last night. He reminded himself she’d been assaulted. It was wrong of him to expect her to be rational, cool, and calm today. She’d said the man had assaulted her before, and Evers had indicated the same with his words and actions. She had the right to be messed up. If this were a normal situation. But nothing about this was normal. They were heading into a covert op, and he knew next to nothing of their plan. Worse, he needed to know if she was on her game. He needed Savannah James, Paramilitary Operations Officer for the Special Operations Group within SAD. He needed the covert operator who could do everything he could do, backward and in high heels. He didn’t know if that woman had boarded this turboprop. Flights always took longer on C-130s, and he estimated they’d be in the air about three and a half hours. Too long to wait to find out what was going on in that complex brain of hers. He unbuckled his harness and moved to the empty seat next to her. Her fingers tightened on the files in her lap. He reached over and extracted the papers from her grip and set them aside. He slid a hand down her arm and took her hand, interlocking his fingers with hers. Her hand was tight, stiff, then all at once, she relaxed and squeezed his hand. After a moment, she pulled off the protective headphones and leaned her head on his shoulder. Something in his chest shifted. He was holding hands with Savvy as she leaned on him, and it felt…right. Good. Like something he’d needed forever but hadn't known. Several marines sat too close for them to attempt conversation, and a guy sitting across the empty fuselage watched with unabashed curiosity. Cal didn't care. He liked the way she leaned on him. The way she was willing to accept comfort. The way her hand felt in his. And he was thankful he hadn't been cut from this mission, no matter how much he hadn't wanted it at first. The idea of her having to pretend to be a sexual plaything to anyone but him made his blood pressure spike. It was messed up, but he couldn't deny it. The fact that he didn't like the idea of any other man touching her—even if it was only an act—was a problem to deal with when they returned to Camp Citron. Right now, he was a soldier embarking on a mission, and as he would on any mission, he’d protect his teammate at all costs.
Rachel Grant (Firestorm (Flashpoint #3))
It was the only time before or since when Americans became emotionally invested in the idea of self-deprivation and frugality. Third graders roamed their neighborhoods in packs, gathering scrap materials, tires, and paper and cooking fat and old sneakers whose soles could be sacrificed for the rubber. The Big Three automakers stopped making cars and started making planes. Factory workers took secrecy oaths. Everybody had a secret now.
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
Two People She reads the paper, while he turns on TV; she likes the mountains, he craves the sea. He'd rather drive, she'll take the plane; he waits for sunshine; she walks in the rain. He gulps down cold drinks, she sips at hot; he asks, "Why go?" She asks, "Why not?" In just about everything they disagree, but they love on another and they both love me.
Eve Merriam