“
Goodbye, Papa, you saved me. You taught me to read. No one can play like you. I'll never drink champagne. No one can play like you."
-Liesel
”
”
Markus Zusak (The Book Thief)
“
Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.
”
”
Markus Zusak (The Book Thief)
“
Per aspera ad astra, Papa,' I whispered. Through hardship to the stars.
”
”
Ruta Sepetys (Salt to the Sea)
“
Children don’t know the meaning of yesterday, of the day before yesterday, or even of tomorrow, everything is this, now: the street is this, the doorway is this, the stairs are this, this is Mamma, this is Papa, this is the day, this the night.
”
”
Elena Ferrante (My Brilliant Friend (The Neapolitan Novels, #1))
“
I..." He struggled to answer. "When everything was quiet, I went up to the corridor and the curtain in the livingroom was open just a crack... I could see outside. I watched, only for a few seconds." He had not seen the outside world for twenty-two months.
There was no anger or reproach.
It was Papa who spoke.
How did it look?"
Max lifted his head, with great sorrow and great astonishment. "There were stars," he said. "They burned by eyes.
”
”
Markus Zusak (The Book Thief)
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
A monster. I despise my true form. (Acheron)
I can’t imagine why. Other than killing me, you were actually cute in a very Papa Smurf kind of way. (Tory)
Papa Smurf? I don’t look like Papa Smurf. (Acheron)
No, baby, you don’t at all. You look like sex on a stick. Now is your ego all better? (Tory)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
I don't need to punish people for sin. Sin is its own punishment, devouring you from the inside. It's not my purpose to punish it; it's my joy to cure it.
”
”
William Paul Young (The Shack)
“
I don't like it, papa," she said. "But then I dare say soldiers - even brave ones - don't really like going into battle.
”
”
Frances Hodgson Burnett (A Little Princess)
“
You have a wound too, Papa." Hanna took Brigan's left hand, which was wrapped in a bandage, and inspected it. "Did you throw the first punch?
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
You must learn to respect," Papa said.
But I do not respect her," I said.
Papa paused for a moment, and patted my leg. "Then you must learn to hide your disrespect.
”
”
Lawrence Hill (Someone Knows My Name)
“
It's not a pretty world, Papa.'
'I've noticed,' my father said softly.
”
”
Chaim Potok (My Name Is Asher Lev)
“
Good-by, Good-by, world. Good-by, Grover's Corners... Mama and Papa. Good-by to clocks ticking... and Mama's sunflowers. And food and coffee. And new-ironed dresses and hot baths...and sleeping and waking up. Oh, earth, you're too wonderful for anybody to realize you.
”
”
Thornton Wilder (Our Town)
“
It’s just a mild disagreement, Papa. Remi has this whole need to breathe in and out, which annoys me. If he would just stop breathing, I’d be fine. (Aimee)
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
When your mama was the geek, my dreamlets," Papa would say, "she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.
”
”
Katherine Dunn (Geek Love)
“
It was on my fifth birthday that Papa put his hand on my shoulder and said, 'Remember, my son, if you ever need a helping hand, you'll find one at the end of your arm.
”
”
Sam Levenson
“
She told Papa about it. He made her stick out her tongue and he felt her wrist. He shook his head sadly and said,
"You have a bad case, a very bad case."
"Of what?"
"Growing up.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
Papa was a man with silver eyes, not dead ones.
Papa was an accordion!
But his bellows were all empty.
Nothing went in and nothing came out.
”
”
Markus Zusak (The Book Thief)
“
There is a saying that to understand is to forgive, but that is an error, so Papa used to say. You must forgive in order to understand. Until you forgive, you defend yourself against the possibility of understanding.
”
”
Marilynne Robinson (Home (Gilead, #2))
“
No one can ever make you feel inferior without your permission, Tory. Don’t give it to them. Realize that it’s their own insecurities that make them attack you and others. They’re so unhappy with themselves that the only way they can feel better is by making everyone as unhappy as they are. Don’t let those people steal your day, baby. You hold your head high and know that you have the one thing they can never take away from you. (Theo)
What's that, Papa? (Tory)
My love. Your mother’s love and the love of your family and true friends. Your own self-respect and sense of purpose. Look at me, Torimou, people laugh at me all the time and say that I’m chasing rainbows. They told George Lucas that he was a fool for making Star Wars – they used to even call it Lucas’s Folly. Did he listen? No. And if he’d listened to them you wouldn’t have had your favorite movie made and think of how many people would never have heard the phrase 'May the Force be With You.' (Theo)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
He was just hungry, Papa. He's going to die.
He's going to die anyway.
He's so scared, Papa.
The man squatted and looked at him. I'm scared, he said. Do you understand? I'm scared.
The boy didn't answer. He just sat there with his head down, sobbing.
You're not the one who has to worry about everything.
The boy said something but he couldn't understand him. What? He said.
He looked up, his wet and grimy face. Yes I am, he said. I am the one.
”
”
Cormac McCarthy (The Road)
“
I’m not sure I have a heart to give any more, Papa.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
What we want most is to be held...and told..that everything (everything is a funny thing, is baby milk and papa's eyes, is roaring logs on a cold morning, is hoot owls and the boy who makes you cry after school, is mama's long hair, is being afraid and twisted faces on the bedroom wall)...is going to be alright.
”
”
Truman Capote
“
Just take me with you. Please.
I cant.
Please, Papa.
I cant. I cant hold my son dead in my arms. I thought I could but I cant.
”
”
Cormac McCarthy (The Road)
“
I’ve been kissed by men who did a very good job. But they don’t give kissing their whole attention. They can’t. No matter how hard they try parts of their minds are on something else. Missing the last bus—or their chances of making the gal—or their own techniques in kissing—or maybe worry about jobs, or money, or will husband or papa or the neighbors catch on. Mike doesn’t have technique . . . but when Mike kisses you he isn’t doing anything else. You’re his whole universe . . . and the moment is eternal because he doesn’t have any plans and isn’t going anywhere. Just kissing you.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
He scarcely saw his parents. When Christopher was small, he was terrified that he would meet Papa out walking in the Park one day and not recognize him.
”
”
Diana Wynne Jones (The Lives of Christopher Chant (Chrestomanci, #2))
“
Our home has been nothing but a playroom. I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls.
”
”
Henrik Ibsen (A Doll's House)
“
Madame? What do I look like?”
“You have many thousands of freckles.”
“Papa used to say they were like stars in heaven. Like apples in a tree.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Son, you can't go around painting yourself black, you hear?"
"Why not, Papa?"
"Because they'll take you away."
"Why?"
"Because you shouldn't want to be like black people or Jewish people or anyone who is...not us."
"Who are Jewish people?"
"You know my oldest customer, Mr. Kaufmann? Where we bought your shoes?"
"Yes."
"Well, he's Jewish."
"I didn't know that. Do you have to pay to be Jewish? Do you need a license?"
.....
"...you've got beautiful blond hair and big safe blue eyes. You should be happy with that; is that clear?
”
”
Markus Zusak (The Book Thief)
“
There is a saying that to understand is to forgive, but that is an error, so Papa used to say. You must forgive in order to understand. Until you forgive, you defend yourself against the possibility of understanding. ... If you forgive, he would say, you may indeed still not understand, but you will be ready to understand, and that is the posture of grace.
”
”
Marilynne Robinson
“
Tidak ada perasaan yang bertahan selamanya. Aku belajar itu dari Papa. Cepat atau lambat, sesuatu yang kita miliki akan hilang dan yang tertinggal kemudian cuma rasa benci.
”
”
Windry Ramadhina (Memori)
“
God help me if I ever injure my back," Clayton quipped.
"God help you if you ever turn it," Whitney snapped, "for there'll surely be some heartbroken papa or cuckolded husband ready with a knife--if I don't murder you first.
”
”
Judith McNaught (Whitney, My Love (Westmoreland, #2))
“
Just you wait. Papa Koschei is coming, coming, coming, over the hills on his red horse and he's got bells on his boots and a ring in his poket and he knows your name, Marya Morevna.
”
”
Catherynne M. Valente (Deathless)
“
If you make my children, make any child, feel bad for who they are, I will teach you why people fear mama grizzlies more than papa grizzlies.
”
”
Patricia Briggs (Dead Heat (Alpha & Omega, #4))
“
Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.
”
”
Markus Zusak (The Book Thief)
“
But to feel nothing so as not to feel anything – what a waste!
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
That is the case with us all, papa. One half of the world cannot understand the pleasures of the other.
”
”
Jane Austen (Emma)
“
Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her.
He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)
”
”
Markus Zusak (The Book Thief)
“
Remember, the people who know me are the ones who are free to live and love without any agenda."
"Is that what it means to be a Christian?" It sounded kind of stupid as Mack said it, but it was how he was trying to sum everything up in his mind.
"Who said anything about being a Christian? I'm not a Christian."
The idea struck Mack as odd and unexpected and he couldn't keep himself from grinning. "No, I suppose you aren't."
They arrived at the door of the workshop. Again Jesus stopped. "Those who love me come from every system that exists. They were Buddhists or Mormons, Baptists or Muslim, Democrats, Republicans, and many who don't vote or are not part of any Sunday morning religious institutions. I have followers who were murderers and many who were self-righteous. Some were bankers and bookies, Americans and Iraquis, Jews and Palistinians. I have no desire to make them Christian, but I do want to join them in their transformation into sons and daughters of my Papa, into my brothers and sisters, into my Beloved."
"Does that mean," asked Mack, "that all roads will lead to you?"
"Not at all," smiled Jesus as he reached for the door handle to the shop. "Most roads don't lead anywhere. What it does mean is that I will travel any road to find you.
”
”
William Paul Young (The Shack)
“
Pheoby, yuh got tuh go there tuh know there. Yo' papa and yo' mama and nobody else can't tell yuh and show yuh. Two things everybody's got tuh do fuh theyselves. They got tuh go tuh God and they got tuh find out about livin fuh theyselves.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Let me say for now that we knew once the Creation was broken, true fathering would be much more lacking than mothering. Don't misunderstand me, both are needed- but an emphasis on fathering is necessary because of the enormity of its absence
”
”
William Paul Young (The Shack)
“
But one thing I learned from the Saints,
when the crossroads are open to you, you must decide a path.
I will not stand still while the world makes my choices.
”
”
Elizabeth Acevedo (Clap When You Land)
“
هذه اللحظات الرائعة حيث يختزل العالم في شخص, لا نوجد الا من أجله ولأجله, نرتعش عندما نسمع وقع خطواته, وتخور قوانا عندما نراه. من نخشي كسره من فرط ضمه, من نضطرم حين نقبله, ويصبح العالم من حولنا مشوشا
”
”
Jean-Louis Fournier (Où on va, papa ?)
“
When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty.... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman.
”
”
Louisa May Alcott (Little Women)
“
oh child", spoke papa tenderly."Don't ever discount the wonder of your tears.They can be healing waters and a stream of joy.Sometimes they are the best words the heart can speak.
”
”
William Paul Young
“
20 minutes later: a girl on Himmel Street. She looks up. She speaks in whisper. ‘The sky is soft today, Max. The clouds are so soft and sad, and…’ She looks away and crosses her arms. She thinks of her papa going to war and grabs her jacket at each side of her body. ‘And it’s cold, Max. It’s so cold…
”
”
Markus Zusak (The Book Thief)
“
Papa loves you with a dying and infernal love," the youngest girl said.
"Undying," the eldest girl corrected. "And eternal.
”
”
Martine Leavitt (Keturah and Lord Death)
“
The King smoothed the blanket on Thackeray's back. He opened his mouth, and shut it. Then he opened it again, and after a moment, said, "You used to call me Papa, do you remember that?"
The question took Azalea back.
"No," she said.
”
”
Heather Dixon Wallwork (Entwined)
“
In that most burdensome moment of all human history, with blood appearing at every pore and an anguished cry upon His lips, Christ sought Him whom He had always sought—His Father. “Abba,” He cried, “Papa,” or from the lips of a younger child, “Daddy.”
This is such a personal moment it almost seems a sacrilege to cite it. A Son in unrelieved pain, a Father His only true source of strength, both of them staying the course, making it through the night—together.
”
”
Jeffrey R. Holland
“
Papa's in a bad way, Locke. I wanted to see you before you saw him - he has some...things he wishes to discuss with you. I want you to know that whatever he asks, I don't want you...for my sake...well, please, just agree. Please him, do you understand?"
"No garrista who loves life has ever tried to do otherwise. You think I'm inclined to walk in on a day like today and deliberately twist his breeches? If your father says 'bark like a dog' I say 'What breed, Your Honour?
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
What we want most is only to be held…and told…that everything (everything is a funny thing, is baby milk and Papa’s eyes, is roaring logs on a cold morning, is hoot-owls and the boy who makes you cry after school, is Mama’s long hair, is being afraid, and twisted faces on the bedroom wall)…everything is going to be all right.
”
”
Truman Capote (Other Voices, Other Rooms)
“
Papa, Yeva said to the duke, desperate to stand beneath an open sky again. Why must I be the one to hide?
”
”
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
“
Svijet malih ljudi na velike istine nikad nije spreman. Čak i papa bi se smrtnički uplašio ako bi mu se dokazalo postojanje boga.
”
”
Borislav Pekić
“
As the children were sitting there eating pears, a girl came walking along the road from town. When she saw the children she stopped and asked, "Have you seen my papa go by?"
"M-m-m," said Pippi. "How did he look? Did he have blue eyes?"
"Yes," said the girl.
"Medium large, not too tall and not too short?"
"Yes," said the girl.
"Black hat and black shoes?"
"Yes, exactly," said the girl eagerly.
"No, that one we haven't seen," said Pippi decidedly.
”
”
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
“
The boy heaved a sigh. "I would ask to go with you," he said, " but I have to finish my lessons. I so look forward to the day when I know everything. Then I won't have to read any more books or do any more counting."
Beatrix smiled. "I don't wish to be discouraging, Rye, but it's not possible to know everything."
"Mama does." Rye paused reflectively. "At least, Papa says we mus t pretend she does, because it makes her happy."
"Your father," Beatrix informed him with a laugh, " is one of the wisest men I've ever known.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Papa sat down at the table and poured his tea from the china tea set with pink flowers on the edges. I waited for him to ask Jaja and me to take a sip, as he always did. A love sip, he called it, because you shared the little things you loved with the people you love.
”
”
Chimamanda Ngozi Adichie (Purple Hibiscus)
“
You know him? (Papa Bear)
I used to. But if you guys want to chop him up and make hamburgers out of him, I wouldn’t mind in the least. Hell, I’ll even go get the grinder. (Fury)
”
”
Sherrilyn Kenyon (Dead After Dark)
“
Adults, waiting for tomorrow, move in a present behind which is yesterday or the day before yesterday or at most last week: they don't want to think about the rest. Children don't know the meaning of yesterday, or even of tomorrow, everything is this, now: the street is this, the doorway is this, the stairs are this, this is Mamma, this is Papa, this is the day, this the night.
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
Did you hear that?” the duke asked with a wide grin, turning to Dare. “She said 'papa.'“
The viscount returned the candy dish and tea tray to the relocated end table. “I distinctly heard
'baboon.'“
“Hm, well, you're distinctly deaf.
”
”
Suzanne Enoch (London's Perfect Scoundrel (Lessons in Love, #2))
“
And I thanked mi papa who'd always said to me that we, los Indios, the Indians, were like the weeds. That roses you had to water and giver fertilizer or they'd die. But weeds, indigenous plants, you gave them nada-nothing; hell you even poisoned them and put concrete over them, and those weeds would still break the concrete,
”
”
Victor Villaseñor (Burro Genius)
“
Adaon seized up a number of swords. Jace held out his hand for one.
“Come to papa,” he crooned.
“I can’t believe you have a beard,” Emma noted, momentarily diverted.
Jace touched his bristly cheek. “Well, it has been a week, at least. I expect it makes me look manly, like a burnished god.”
“I hate it,” said Emma.
“I like it,” said Clary loyally.
“I don’t believe you,” said Emma. She stuck out her hand toward Adaon. “Give me my sword. Jace can use it to shave.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Let's really look at one another!...It goes so fast. We don't have time to look at one another. I didn't realize. So all that was going on and we never noticed... Wait! One more look. Good-bye , Good-bye world. Good-bye, Grover's Corners....Mama and Papa. Good-bye to clocks ticking....and Mama's sunflowers. And food and coffee. And new ironed dresses and hot baths....and sleeping and waking up. Oh, earth,you are too wonderful for anybody to realize you. Do any human beings ever realize life while they live it--every,every minute? (Emily)
”
”
Thornton Wilder (Our Town)
“
She had heard Papa sing so many songs about the heart; the heart that was breaking - was aching - was dancing -was heavy laden - that leaped for joy - that was heavy in sorrow - that turned over - that stood still. She really believed the heart actually did those things.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
Sometimes, what people choose to write down on paper is more important than what they say."
Caleb didn't know what Sarah meant. But I knew. I wrote in my journal every night. And when I read what I had written, I could see myself there, clearer than when I looked in the mirror. I could see all of us: Papa, who couldn't always say the things he felt; Caleb, who said everything; and Sarah, who didn't know that she had changed us all.
”
”
Patricia MacLachlan (Skylark (Sarah, Plain and Tall #2))
“
You must not imagine that Papa or I have the least notion of compelling you to marry anyone whom you hold in aversion, for I am sure that such a thing would be quite shocking! And Charles would not do so either, would you, dear Charles?”(Elizabeth Ombersley)
“No, certainly not. But neither would I consent to her marriage with any such frippery fellow as Augustus Fawnhope!”
“Augustus,” announced Cecilia, putting up her chin, “will be remembered long after you have sunk into oblivion!”
“By his creditors? I don’t doubt it.
”
”
Georgette Heyer (The Grand Sophy)
“
T.R.’s real name was Theodore Roosevelt. He was just a puppy when Papa took me to Atlanta to hear the president speak; I named him Theodore Roosevelt when I got home that day—then shortened it to T.R. so folks wouldn’t think my dog was a Republican.
”
”
Olive Ann Burns (Cold Sassy Tree)
“
Could I be your girl, too?" I asked quickly.
The large, broad-shouldered man looked away before he answered. "Well, now," he said, as though he had given it deep thought, "I sure do think I would like that."
"But," I said, concerned that he hadn't noticed, "I don't look like your other girls."
"You mean because you white?"
I nodded.
"Abinia," he said, pointing toward the chickens, "you look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?
”
”
Kathleen Grissom (The Kitchen House)
“
Now, Mama, Papa, and sir," said Ramses, "please withdraw to the farthest corner and crouch down with your backs turned. It is as I feared; we will never break through by this method. The walls are eight feet thick. Fortunately I brought along a little nitroglycerin--"
"Oh, good Gad," shrieked Inspector Cuff.
”
”
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
“
Papa, do you like my new friend?" Frances Catherine asked when they were halfway across the field.
"I surely do."
"Can I keep her?"
"For the love of...No, you can't keep her. She isn't a puppy. You can be her friend, though," he hastily added before his daughter could argue with him.
"Forever, papa?"
She 'd asked her father that question, but Judith answered her. "Forever," she shyly whispered.
Frances Catherine reached across her father's chest to take hold of Judith's hand. "Forever," she pledged.
”
”
Julie Garwood (The Secret (Highlands' Lairds, #1))
“
A scientist, an artist, a citizen is not like a child who needs papa methodology and mama rationality to give him security and direction; he can take care of himself, for he is the inventor not only of laws, theories, pictures, plays, forms of music, ways of dealing with his fellow man, institutions but also of entire world views, he is the inventor of entire forms of life.
”
”
Paul Karl Feyerabend (Science in a Free Society)
“
Nora: It's true Torvald. When I lived at home with Papa, he used to tell me his opinion about everything, and so I had the same opinion. If I thought differently, I had to hide it from him, or he wouldn't have liked it. He called me his little doll, and he used to play with me just as I played with my dolls. Then I came to live in your house -
Helmer: That's no way to talk about our marriage!
Nora [undisturbed]: I mean when I passed out of Papa's hands into yours. You arranged everything to suit your own tastes, and so I came to have the same tastes as yours.. or I pretended to. I'm not quite sure which.. perhaps it was a bit of both -- sometimes one and sometimes the other. Now that I come to look at it, I've lived here like a pauper -- simply from hand to mouth. I've lived by performing tricks for you, Torvald. That was how you wanted it. You and Papa have committed a grievous sin against me: it's your fault that I've made nothing of my life.
”
”
Henrik Ibsen (A Doll's House)
“
In the brightest hour of my darkest day, I realized what is wrong with me"
~Forever
”
”
Papa Roach
“
From a memory deep inside her, so faint it only held sounds and slips of color, a tiny, three-year-old Azalea wailed, "Papa."
"Papa," said Azalea to the lifeless form of the King. The word was so forgein, it choked her throat. "Papa... you can't leave us, Papa... It would be very...out of order-"
Bramble knelt opposite her, grasping the King's bandaged hand.
"She's-she's right, Papa," Bramble stuttered. "We have...rules..."
Clover fell to her knees and pressed her handkerchief to his chest. Blood soaked through.
"Papa," she whispered.
The girls knelt around the King, their skirts spead out like forlorn blossoms, swallowing , and whispering one word.
"Papa."
"Papa."
"Papa.
”
”
Heather Dixon Wallwork (Entwined)
“
All his life the example of a syllogism he had studied in Kiesewetter's logic - "Caius is a man, men are mortal, therefore Caius is mortal" - had seemed to him to be true only in relation to Caius the man, man in general, and it was quite justified , but he wasn't Caius and he wasn't man in general, and he had always been something quite, quite special apart from all other beings; he was Vanya, with Mama, with Papa, with Mitya and Volodya, with his toys and the coachman, with Nyanya, then with Katenka, with all the joys, sorrows, passions of childhood, boyhood, youth. Did Caius know the smell of the striped leather ball Vanya loved so much?: Did Caius kiss his mother's hand like that and did the silken folds of Caius's mother's dress rustle like that for him? Was Caius in love like that? Could Caius chair a session like that? And Caius is indeed mortal and it's right that he should die, but for me, Vanya, Ivan Ilych, with all my feelings and thoughts - for me it's quite different. And it cannot be that I should die. It would be too horrible.
”
”
Leo Tolstoy (The Death of Ivan Ilych)
“
I," she [the Holy Spirit] opened her hands to include Jesus and Papa, "I am a verb. I am that I am. I will be who I will be. I am a verb! I am alive, dynamic, ever active and moving. I am a being verb. And as my very essence is a verb, I am more attuned to verbs than nouns. Verbs such as confessing, repenting, living, loving, responding, growing, reaping, changing, sowing, running, dancing, singing, and on and on. Humans, on the other hand, have a knack for taking a verb that is alive and full of grace and turning it into a dead noun or principle that reeks of rules. Nouns exist because there is a created universe and physical reality, but the universe is only a mass of nouns, it is dead. Unless 'I am' there are no verbs and verbs are what makes the universe alive.
”
”
William Paul Young (The Shack)
“
Because Days come and go but my feelings for you are forever, one last kiss before I go, dry your tears, it is time to let you go
”
”
Papa Roach
“
The street to my left was backed up with traffic and I watched the people waiting patiently in the cars. There was almost always a man and a women, staring straight ahead, not talking. It was, finally, for everyone, a matter of waiting. You waited and you waited- for the hospital, the doctor, the plumber, the madhouse, the jail, papa death himself. First the signal red, then the signal was green. The citizens of the world ate food and watched t.v. and worried about their jobs or lack of the same, while they waited.
”
”
Charles Bukowski (Women)
“
My Papa's Waltz:
The whiskey on your breath
Could make a small boy dizzy;
But I hung on like death:
Such waltzing was not easy.
We romped until the pans
Slid from the kitchen shelf;
My mother's countenance
Could not unfrown itself.
The hand that held my wrist
Was battered on one knuckle;
At every step you missed
My right ear scraped a buckle.
You beat time on my head
With a palm caked hard by dirt,
Then waltzed me off to bed
Still clinging to your shirt.
”
”
Theodore Roethke
“
Writer's block is when your imaginary friends won't talk to you.
”
”
Mary Papas-Μαρία Παπαδοπούλου
“
Amy was looking around the sanctum in awe. "It's...beautiful!"
The girl was modest and thoughtful. How bizarre. So rarely did Ian see these qualities in others–especially during the quest for the 39 Clues. Naturally, he had been taught to avoid these behaviors at all costs and never to consort with anyone who possessed them. They were distasteful–FLO, as Papa would say. For Losers Only. And Kabras never lost.
Yet she fascinated him. Her joy in running up Alistair's tiny lawn, her awe at this piddling cubbyhole–it didn't seem possible to gain so much happiness from so little. This gave him a curious feeling he'd never quite experienced. Something like indigestion but quite a bit more pleasant.
Ah well. Blame it on the ripped trousers, he thought. Humiliation softened the soul.
”
”
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
“
In a pocket of his knapsack he'd found a last half packet of cocoa and he fixed it for the boy and then poured his own cup with hot water and sat blowing at the rim.
You promised not to do that, the boy said.
What?
You know what, Papa.
He poured the hot water back into the pan and took the boy's cup and poured some of the cocoa into his own and then handed it back.
I have to watch you all the time, the boy said.
”
”
Cormac McCarthy (The Road)
“
..Pamanku yang berjiwa lapang dan merupakan umat Nabi Muhammad yang amat pemurah, menyediakan kopi miskin dalam menu warungnya. Sesekali, secara diam-diam, pamanku menyuruh kami menambahkan gula untuk kopi miskin, karena ia tak sampai hati pada kaum yang papa itu. Namun aneh, pembeli melarat yang telah terbiasa dengan kopi miskin malah tak menyukai hal itu. Pelajaran moral nomor dua puluh dua: kemiskinan susah diberantas karena pelakunya senang menjadi miskin.
”
”
Andrea Hirata (Dwilogi Padang Bulan)
“
Tadas was sent to the principal today," announced Jonas at dinner. He wedged a huge piece of sausage into his small mouth.
"Why?" I asked.
"Because he talked about hell," sputtered Jonas, juice from the plump sausage dribbling down his chin.
"Jonas, don't speak with your mouth full. Take smaller pieces," scolded Mother.
"Sorry," said Jonas with his moth stuffed. "It's good." He finished chewing. I took a bite of sausage. It was warm and the skin was deliciously salty.
"Tadas told one of the girls that hell is the worst place ever and there's no escape for all eternity."
"Now why would Tadas be talking of hell?" asked Papa, reaching for the vegetables.
"Because his father told him that if Stalin comes to Lithuania, we'll all end up there.
”
”
Ruta Sepetys (Between Shades of Gray)
“
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.
Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
”
”
Katherine Dunn (Geek Love)
“
As it turned out, Ilsa Hermann not only gave Liesel Meminger a book that day. She also gave her a reason to spend time in the basement, her favorite place, first with Papa, then Max. She gave her a reason to write her own words, to see that words had also brought her to life.
"Don't punish yourself", she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.
”
”
Markus Zusak (The Book Thief)
“
Before Jesse could say another word, the bedroom door jerked open and Lucie’s father stood on the threshold, looking alarmed.
“Lucie?” he said. “Did you call out? I thought I heard you.”
Lucie tensed, but the expression in her father’s blue eyes didn’t change—mild worry mixed with curious puzzlement. He really couldn’t see Jesse.
Jesse looked at her and, very irritatingly, shrugged as if to say, I told you so.
“No, Papa,” she said. “Everything is all right.”
He looked at the manuscript pages scattered all over the rug. “Spot of writer’s block, Lulu?”
Jesse raised an eyebrow. Lulu? he mouthed.
Lucie considered whether it was possible to die of humiliation. She did not dare look at Jesse.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Son, that's a pretty hard question to answer. But I do believe that any wish you make can come true if you help the wish. I don't think that the Lord meant for our lives to be so simple and easy that every time we wanted something, all we had to do was wish for it and we'd get it. I don't believe that at all. If that were true, there would be a lot of lazy people in this old world. No one would be working. Everyone would be wishing for what they needed or wanted.
"Papa," I asked, "how can you help a wish?"
"Oh, there are a lot of ways," Papa said. "Hard work, faith, patience, and determination. I think prayer and really believing in your wish can help more than anything else.
”
”
Wilson Rawls (Summer of the Monkeys)
“
In 1930 the price of cotton dropped. And so, in the spring of 1931, Papa set out looking for work, going as far north as Memphis and as far south as the Delta country. He had gone west too, into Louisiana. It was there he found work laying track for the railroad. He worked the remainder of the year away from us, not returning until the deep winter when the ground was cold and barren. The following spring after the planting was finished, he did the same. Now it was 1933, and Papa was again in Louisiana laying track. I
”
”
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
“
Are we not perhaps all afraid in some way? If we let Christ enter fully into our lives, if we open ourselves totally to him, are we not afraid that He might take something away from us? Are we not perhaps afraid to give up something significant, something unique, something that makes life so beautiful? Do we not then risk ending up diminished and deprived of our freedom? . . . No! If we let Christ into our lives, we lose nothing, nothing, absolutely nothing of what makes life free, beautiful and great. No! Only in this friendship are the doors of life opened wide. Only in this friendship is the great potential of human existence truly revealed. Only in this friendship do we experience beauty and liberation. And so, today, with great strength and great conviction, on the basis of long personal experience of life, I say to you, dear young people: Do not be afraid of Christ! He takes nothing away, and he gives you everything. When we give ourselves to him, we receive a hundredfold in return. Yes, open, open wide the doors to Christ – and you will find true life. Amen.
”
”
Pope Benedict XVI
“
The goblins of the city may hold committees to divide a single potato, but the strong and the cruel still sit on the hill, and drink vodka, and wear black furs, and slurp borscht by the pail, like blood. Children may wear through their socks marching in righteous parades, but Papa never misses his wine with supper. Therefore, it is better to be strong and cruel than to be fair. At least, one eats better that way. And morality is more dependent on the state of one’s stomach than of one’s nation.
”
”
Catherynne M. Valente (Deathless)
“
As the carriage rolled under the Institute’s gates, James saw his parents standing in the courtyard.
“And where have you been?” Will demanded as James clambered out of the carriage. The others leaped down behind him, the girls, being in gear, needing no help to dismount. “You stole our carriage.”
James wished he could tell his father the truth, but that would be breaking their sworn promise to Ragnor.
“It’s only the second-best carriage,” James protested.
“Remember when Papa stole Uncle Gabriel’s carriage? It’s a proud family tradition,” said Lucie, as the group of them approached the Institute steps.
“I did not raise you to be horse thieves and scallywags,” said Will. “And I recall very clearly that I told you—”
“Thank you for letting them borrow the carriage to come and get me,” said Cordelia. Her eyes were wide, and she looked entirely innocent. James felt an amused stab of surprise: she was an interestingly skilful liar. “I had very much wanted to come to the Institute and see what I could do to help.”
Will softened immediately. “Of course. You are always welcome here, Cordelia.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
THE ONE WHO STAYED
You should have heard the old men cry,
You should have heard the biddies
When that sad stranger raised his flute
And piped away the kiddies.
Katy, Tommy, Meg and Bob
Followed, skipped gaily,
Red-haired Ruth, my brother Rob,
And little crippled Bailey,
John and Nils and Cousin Claire,
Dancin', spinnin', turnin',
'Cross the hills to God knows where-
They never came returnin'.
'Cross the hills to God knows where
The piper pranced, a leadin'
Each child in Hamlin Town but me,
And I stayed home unheedin'.
My papa says that I was blest
For if that music found me,
I'd be witch-cast like all the rest.
This town grows old around me.
I cannot say I did not hear
That sound so haunting hollow-
I heard, I heard, I heard it clear...
I was afraid to follow.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
NO MUSE IS GOOD MUSE
To be an Artist you need talent, as well as a wife
who washes the socks and the children,
and returns phone calls and library books and types.
In other words, the reason there are so many more
Men Geniuses than Women Geniuses is not Genius.
It is because Hemingway never joined the P.T.A.
And Arthur Rubinstein ignored Halloween.
Do you think Portnoy's creator sits through children's theater
matinees--on Saturdays?
Or that Norman Mailer faced 'driver's ed' failure,
chicken pox or chipped teeth?
Fitzgerald's night was so tender because the fender
his teen-ager dented happened when Papa was at a story conference.
Since Picasso does the painting, Mrs. Picasso did the toilet training.
And if Saul Bellow, National Book Award winner, invited thirty-three
for Thanksgiving Day dinner, I'll bet he had help.
I'm sure Henry Moore was never a Cub Scout leader,
and Leonard Bernstein never instructed a tricycler
On becoming a bicycler just before he conducted.
Tell me again my anatomy is not necessarily my destiny,
tell me my hang-up is a personal and not a universal quandary,
and I'll tell you no muse is a good muse
unless she also helps with the laundry.
”
”
Rochelle Distelheim
“
I try not to think in terms of good and bad. I prefer to think in terms of light and dark. I believe that all people have a light that shines inside of them. This light allows us to see into other people's hearts, to see the beauty there. The love. The sadness. The humanity. Some people, though, have lost this light. They have darkness inside them, so that is all they see in others: darkness. No beauty. No love. Why do they hate us? Because they cannot see our light. Nor can they extinguish it. As long as we shine our light, we win. That is why they hate us. Because they will never take our light from us." -Max (Papa)
”
”
R.J. Palacio (White Bird)
“
Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough."
"None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?"
Kalmar shook his head.
Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?"
"Yes, sir. I believe you." Kalmar buried his face in his father's fur.
"Remember that in the days to come. Nia, Janner, Leeli - help him to remember.
”
”
Andrew Peterson (The Monster in the Hollows (The Wingfeather Saga, #3))
“
He was a baby once. He must have been sweet and clean and his mother kissed his little pink toes. Maybe when it thundered at night she came to his crib and fixed his blanket better and whispered that he mustn't be afraid, that mother was here. Then she picked him up and put her cheek on his head and said that he was her own sweet baby. He might have been a boy like my brother, running in and out of the house and slamming the door. And while his mother scolded him she was thinking that maybe he'll be president some day. Then he was a young man, strong and happy. When he walked down the street, the girls smiled and turned to watch him. He smiled back and maybe he winked at the prettiest one. I guess he must have married and had children and they thought he was the most wonderful papa in the world the way he worked hard and bought them toys for Christmas. Now his children are getting old too, like him, and they have children and nobody wants the old man any more and they are waiting for him to die. But he don't want to die. He wants to keep living even though he's so old and there's nothing to be happy about anymore.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
She'd been told time and again that it was rude stare, but she didn't obey her mother's rule now. The giant mesmerized her and she wanted to remember everything she could about him.
He must have felt her staring at him, though because he suddenly turned and looked directly her.
Brenna decided to make her papa proud of her and behave like a proper young lady. She grabbed a fistful of her skirt, hiked it up to her knees, and bent down to curtsy. She promptly lost her balance and almost hit her head against the floor, but she was quick enough to lean back so she could land on her
bottom.
She stood back up, remembered to let go of her skirts, and peeked up at the stranger to see what he thought about her newly acquired skill.
The giant smiled at her.
As soon as he looked away, she squeezed herself up against Rachel's backside again.
"I'm going to marry him," she whispered.
”
”
Julie Garwood (The Wedding (Lairds' Fiancées, #2))
“
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats.
She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter.
She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing.
His dark brows knitted together. “I wasn’t sure. Should I not have—”
She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?”
“A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—”
“No,” she said as the tears spilled over at last. “It was not a mistake.”
“Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.”
Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible.
Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.”
Kaz nodded as if steeling himself, flexed his fingers once more.
“Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?”
Inej laughed, her hood falling back from her hair.
“That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground.
“Mama!” she called out. “Papa!”
Inej saw them turn, saw her mother grip her father’s arm. They were running toward her.
Her heart was a river that carried her to the sea.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
People are always thinking they can use the Lord to get their own way-- all they have to do is pray and God's gonna take away all their suffering and give them what they whatever they ask for. But it don't work that way. God's doing His business, and it's up to us to be serving Him, not the other way around."
Then why do people pray at all? My papa asked Jesus to help him escape with me when I was just a little girl. But Jesus didn't help us."
Praying ain't about asking for your own way. It's all about talking things over with God, just like you and me are talking things over. In the end, you have to be trusting the Lord to do what's best."
So the Lord thought it was best that my papa died and my mama was sold?"
Delia slowly shook her head. "I don't know, honey, I just don't know. The hardest thing of all to understand is why a loving God keeps letting us suffer... I don't know all the answers myself. I seen my share of suffering, believe me. But there two things I do know for sure. One is that God loves us... And the second thing is that God's always in control of everything that happens. When bad things come our way and it starts looking like He don't love us, all I can say is that maybe we ain't knowing everything He knows."
Kitty's tears started falling again. "I still don't understand."
Remember what you told me about the fighting up in Charleston? How you was standing on that porch, not able to see what's going on? This here's the same thing. We're standing in the smoke, hearing the noise [of the battle] all around us, and we don't know what God's doing because we can't see things clearly as He sees them. But He's gonna make everything turn our okay when the smoke clears. When it does, God's gonna be the winner and all our suffering here on earth is gonna finall make sense. We're gonna look in Jesus' face and say, 'O Lord, it was worth it all.
”
”
Lynn Austin (A Light to My Path (Refiner's Fire, #3))