“
I am who I am firstly because of genetics, and, running a very close second, because of choices: ones my parents made, such as choosing to emigrate to America; ones their parents made, like my Papa Butler opting to ignore medical advice and instead warming my mum in the oven to keep her alive; and very conscious ones that I've made for myself.
”
”
John Barrowman (Anything Goes)
“
THE ONE WHO STAYED
You should have heard the old men cry,
You should have heard the biddies
When that sad stranger raised his flute
And piped away the kiddies.
Katy, Tommy, Meg and Bob
Followed, skipped gaily,
Red-haired Ruth, my brother Rob,
And little crippled Bailey,
John and Nils and Cousin Claire,
Dancin', spinnin', turnin',
'Cross the hills to God knows where-
They never came returnin'.
'Cross the hills to God knows where
The piper pranced, a leadin'
Each child in Hamlin Town but me,
And I stayed home unheedin'.
My papa says that I was blest
For if that music found me,
I'd be witch-cast like all the rest.
This town grows old around me.
I cannot say I did not hear
That sound so haunting hollow-
I heard, I heard, I heard it clear...
I was afraid to follow.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
Jack Holloway told me he would get the son of a bitch who killed my child and the mate of my child," Papa continued. "Jack Holloway did get that son of a bitch. Jack Holloway got you. You are the man who killed my child. Get off my planet, you son of a bitch.
”
”
John Scalzi (Fuzzy Nation (Fuzzy Sapiens, #7))
“
Sophia, with real nobility of character, then asked Papa to explain something she had read in Sir John Malcolm's History of Persia, which the Vicar, whose only personal extravagance was his purchase of books, had lately added to his library.
”
”
Georgette Heyer (Arabella)
“
One night I was layin' down,
I heard Papa talkin' to Mama,
I heard Papa say to let that boy boogie-woogie.
'Cause it's in him and it's got to come out.
”
”
John Lee Hooker
“
I’m tired of calling @PapaJohns. I wish they’d call me for once. I’m starting to think they don’t love me.
”
”
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
“
John Carstairs smiled sadly. "As long as there is love and memory, there is no true death
”
”
Cassandra Clare
“
figured Tom would have liked it better to be thanked from the bottom of Papa’s purse but didn’t say anything.
”
”
John D. Fitzgerald (More Adventures of the Great Brain)
“
Todo hombre es inventor del mundo y justifica todo lo que hay en él mediante el milagro de sí mismo, de la misma forma que todo hombre está convencido de que su nombre aparece el primero en la lista para entrar en el cielo... Todo católico sabe que podría haber sido Papa si se hubieran dado las circunstancias, y todo criminal, hasta el más insignificante, cree en su fuero interno que en realidad es Pretty Boy Floyd o John Dillinger. Todo hombre sabe que su don lo liberará si es lo suficientemente afortunado.
”
”
Harry Crews (The Gospel Singer)
“
Juste avant le miracle, quand j'étais en soins intensifs, à deux doigts de mourir, Maman me disant que je pouvais lâcher, moi qui m'y efforçais et mes poumons qui s'obstinaient à chercher de l'air, elle avait murmuré quelque chose en sanglotant contre l'épaule de Papa, quelque chose que j'aurais aimé ne pas entendre et qu'elle ne doit jamais savoir que j'ai entendu. Elle a dit : « Je ne serai plus jamais maman. ». Ça m'avait profondément marquée. Tout le reste de la réunion, je n'ai plus pensé qu'à ça. Au ton qu'elle avait eu en disant ça, comme si elle ne serait plus jamais heureuse, ce qui était sans doute le cas.
”
”
John Green (The Fault in Our Stars)
“
- Viens t’agenouiller avec moi près de la fenêtre, David, et prions pour que ta maman se sente bien demain, et que rien n’arrive à ton papa ce soir, et que toi et moi… que toi et moi ne souffrions pas trop, ni demain, ni jamais.
Cela m’avait l’air d’une prière magnifique, alors j’ai regardé par la fenêtre et j’ai commencé, mais mes yeux sont tombés sur la Bible de néon, en dessous de nous, et je n’ai pas pu continuer. Et puis j’ai vu les étoiles du ciel qui brillaient autant que la belle prière et j’ai recommencé, et la prière est venue sans que j’aie à réfléchir, et je l’ai offerte aux étoiles et au ciel de la nuit.
”
”
John Kennedy Toole (The Neon Bible)
“
Hay estudios que muestran que la mariguana es mejor para tu salud que esos cigarros —se defendió Hank.
Alaska tragó un gran bocado de papas fritas, le dio una fumada a su cigarro y sopló el humo hacia Hank, que estaba al otro lado del círculo.
—Puede que muera joven —dijo—, pero al menos moriré inteligente.
”
”
John Green (Looking for Alaska)
“
El papa Benedicto XVI había dicho que la pederastia se consideraba normal hasta fecha tan reciente como los años setenta.
[...]
- Benedicto dijo: "Nada es bueno o malo en sí mismo". Dijo "nada", Clark -repitió Juan Diego a su exalumno-. La pederastia no es "nada"; seguramente la pederastia sí es "mala en sí misma", Clark.
”
”
John Irving (Avenue of Mysteries)
“
John, watching in dismay, saw his great chance slipping through his fingers, and he swung around to demand of his father, “Papa, does this mean Richard has bested you and Aquitaine is lost?” Eleanor winced, Geoffrey rolled his eyes, and Henry gave his youngest a look John had never gotten from him before. “My life would have been much more peaceful if I’d had only daughters,” he snapped. “As for Aquitaine, it is yours if you can take it.
”
”
Sharon Kay Penman (Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3))
“
My own literary work, on the contrary, was always done as quietly and methodically as a piece of tapestry. I knew exactly what I had got to say, put the words firmly in their places like so many stitches, hemmed the edges of the chapters round with what seemed to me graceful flourishes, touched them finally with my cunningest points of colour, and read the work to papa and mamma at breakfast next morning, as a girl shows her sampler.
Praeterita, Volume 2
”
”
John Ruskin (Praeterita: The Autobiography Of John Ruskin)
“
We’ll meet at the same time tomorrow,’ said Shmuel. ‘Don’t be late this time,’ said Bruno, standing up and dusting himself down. ‘And don’t forget the striped pajamas.’ Both boys went home in high spirits that afternoon. Bruno imagined a great adventure ahead and finally an opportunity to see what was really on the other side of the fence before he went back to Berlin – not to mention getting in a little serious exploration as well – and Shmuel saw a chance to get someone to help him in the search for his papa. All in all, it seemed like a very sensible plan and a good way to say goodbye.
”
”
John Boyne (The Boy in the Striped Pajamas)
“
Poor John,” said Mama. “This is a very hard job. Keeping Jack in line behind him.”
“Huge,” said Anna.
“Nearly impossible,” said Justin.
And they began to laugh all over again.
A long time later, Grandfather and Jack came back. They were very quiet. They sat next to each other at the table where Mama and Papa and Anna and Justin were drinking coffee.
Grandfather poked Jack gently.
Jack looked up at Grandfather.
“Doggie sorry,” said Jack.
Grandfather poked Jack again.
“Jack sorry,” said Jack, using his name for the first time.
Grandfather sat back.
“That’s very good,” he said, pleased with himself.
“Drat,” whispered Jack.
”
”
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
“
Bruno had an urge to give Shmuel a hug, just to let him know how much he liked him and how much he’d enjoyed talking to him over the last year. Shmuel had an urge to give Bruno a hug too, just to thank him for all his many kindnesses, and his gifts of food, and the fact that he was going to help him find Papa. Neither of them did hug each other though, and instead they began the walk away from the fence and towards the camp, a walk that Shmuel had done almost every day for a year now, when he had escaped the eyes of the soldiers and managed to get to that one part of Out-With that didn’t seem to be guarded all the time, a place where he had been lucky enough to meet a friend like Bruno.
”
”
John Boyne (The Boy in the Striped Pajamas)
“
This says Lou can drive, signed, Horace Bricker.”
Aunt Lou nodded.
“Yes, Horace taught me how to drive. That’s proof.”
Papa’s mouth opened. He looked at me, then closed it again.
“How about,” said Papa slowly, handing the paper back to Aunt Lou, “you drive on the tractor roads that go through the meadows. Could you do that?”
“Oh yes!” said Aunt Lou happily. “You didn’t think I wanted to drive on the main roads, did you? With all the fools out there?”
She tapped Grandfather on the shoulder.
“How about it, John? Want to go driving? Past the slough and across the far meadows? We can go fast!”
She stopped and looked at Papa.
“We can go fast, can’t we?”
Papa put his hands over his eyes and leaned on the table.
Jack put his hands over his eyes and leaned on the table, too.
”
”
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
“
Eat your beans, Jack,” said Mama, pointing to his plate.
“Doggie no beans,” said Jack, frowning.
“They’re good, Jack,” said Justin.
“No,” said Jack.
Grandfather dropped his fork on the floor.
“Drat,” he said.
“I’d like you to eat some beans, Jack,” repeated Mama.
Jack climbed down out of his chair.
“Drat, drat, drat,” he yelled.
Everyone was quiet.
Grandfather finally spoke.
“That sounded…a little bit…like…”
“You, Boppa,” said Papa.
Grandfather sighed and stood up.
“I guess I’m the one who should take care of this,” he said.
He took Jack’s hand and they went outside.
Mama bit her lip. Papa stared at his plate. Suddenly, Mama began to laugh. We laughed, too.
“Poor John,” said Mama. “This is a very hard job. Keeping Jack in line behind him.”
“Huge,” said Anna.
“Nearly impossible,” said Justin.
And they began to laugh all over again.
”
”
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
“
It must be a shock to see us so old,” Hannah said. “I’m afraid I couldn’t climb a tree or shoot a marble if my life depended on it. Neither could Andrew, but I doubt he’ll admit it.”
“If I put my mind to it,” Andrew said, “I could beat Drew with one hand tied behind my back. He was never any match for me.”
Hannah raised her eyebrows. “It seems to me he outplayed you once.”
“Pshaw. What’s one game?”
If Aunt Blythe hadn’t come back just then, I’d have argued, maybe even challenged Andrew to a rematch, but instead, I smiled and leaned my head against Hannah’s shoulder, happy to feel her arm around me. This close, she still smelled like rose water.
Turning the pages of the album, Hannah showed us pictures of Mama and Papa, Theo, herself--and Andrew.
“These are my favorites.” She pointed to the photographs John had taken of us in the Model T. We were all smiling except Theo. He sat beside me, scowling into the camera, still angry about Mrs. Armiger and the music lessons.
“We wanted Theo to come with us today,” Hannah said, “but he’s living down in Florida with his third wife--a lady half his age, I might add.”
Andrew nudged me. “He sends his best, said he hopes to see you again someday.”
I glanced at Aunt Blythe but she was staring at the photograph. “The resemblance is incredible. If I didn’t know better, I’d swear it was Drew.”
Andrew chuckled. “Take a good look at me now. This is how the poor boy will look when he’s ninety-six.”
I studied his rosy face, his white hair and mustache. His back was bent, but his eyes sparkled with mischief. Going to his side, I put my arms around him. “You’re not so bad,” I said. Dropping my voice to a whisper, I added, “I wouldn’t be surprised if you could still beat me in a game of ringer.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
After a while, Hannah said, “I heard Papa and Mama talking last night. Mama told Papa she thinks John Larkin is fond of me.”
To my annoyance, a little smile danced across her face. “I’m fond of John too,” she admitted, “but Papa--”
Hannah bit her lip and frowned. “Papa said a girl with my notions will never find a husband. He told Mama I’d end up an old-maid suffragette. Those were his very words, Andrew.”
Forgetting everything except making her happy, I said, “No matter what Papa thinks, you’ll marry John. What’s more, women will get the vote and drive cars and do everything men do, even wear trousers and run for president.”
Hannah sucked in her breath. “The way you talk, Andrew. I could swear you’ve been looking in a crystal ball.”
Clapping my hand over my mouth, I stared at her. Whatever had made me say so much? I didn’t even want to think about her marrying John, and here I’d gone and told her she would, as well as revealing a bunch of other stuff she shouldn’t know.
“Do you see anything else in my future?” Hannah was leaning toward me, her face inches from mine, gazing into my eyes, her lips slightly parted. “Will John and I be happy? Will we have lots of children? Will we live a long, long time?”
I tightened my grip on the branch. I was drowning, losing my identity, speaking words that made no sense. “You’ll be old when I’m young,” I whispered, “but I’ll remember, I’ll never forget, I’ll always love--”
“What are you talking about?” Hannah reached out and grabbed my shoulders. “Are you all right?”
For a moment, I was too dizzy to answer. I wasn’t sure who I was or where I was or what we’d been talking about. Feeling sick, I clung to the tree. Gradually, things came back into focus, the world steadied. Birds sang, leaves rustled, the branches swayed slightly. The strength in Hannah’s hands calmed me.
I took a few deep breaths and managed to smile. Hannah relaxed, but she was obviously still worried. “Will you ever be yourself again, Andrew?”
“I hope so.” I said it so fervently Hannah looked at me oddly. If only I could tell her the truth. She’d understand everything then. But would she believe me?
Hannah sighed and wiped the sweat off her face with the back of her hand. “I reckon the heat’s enough to give anybody the fantods.” She smiled at me. “Come on, Andrew, I’ll race you to the pump for a drink.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
You aren’t worried about tomorrow, are you?”
“What do you think?”
He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.”
“I must have been a raving lunatic,” I muttered.
Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house.
“It’s John again,” Theo said. “Papa will start charging him room and board soon.”
Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife.
“Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?”
I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.”
“What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him.
As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John.
“They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.”
Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough.
We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth.
Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet.
“Be quiet,” Theo hissed in my ear. “Do you want to get us killed?”
We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
The fact that my parents did not have the where-with-all to buy toys, didn’t slow me down. Sometimes at the nearby dumps or in garbage cans, I would find discarded toys that could be repaired. In some cases, my father would restore a toy, such as my pedal fire engine that he fixed and repainted. My cousin Walter and I enjoyed years of peddling around, bumping into things and pretending to put out non-existing fires. Never mind that it had been restored, for us it was as good, if not better, than new. Papa was fairly handy. He didn’t always get it right, but more often than not he fixed things good enough for them to work again. He was also a reasonably good artist and painted copies of artwork done by well-known artists. For whatever reason, I never saw him do anything original, but his work did inspire me to try painting and construct things by myself.
Much of the material I used came from the other side of U.S. Highway 1, or Tonnele Avenue, where the dumps were located. I didn’t know it at the time, however Tonnele Avenue was named after John Tonnele, a farmer and politician in the 1800’s. There were also some railroad tracks that I had to cross, but the dangers of crossing a highway or railroad tracks didn’t stop me, even though there were frequent articles in the Jersey Journal of people getting hurt or killed doing exactly this. To me the dumps were a warehouse of treasures.
”
”
Hank Bracker
“
He was tempted to tell the boy the circumstances of that first meeting, but that would be poor repayment to John for his priceless gift, these precious few days with his son. “He was a verra gallant soldier, indeed,” Jamie agreed, straight-faced. “And right about the hands, as well. Have ye begun your schooling with the sword, then?” “Just a little.” Willie was forgetting his embarrassment in enthusiasm for the new topic. “I’ve had a little whinger since I was eight, and learnt feint and parry. Papa says I shall have a proper sword when we reach Virginia, now I am tall enough for the reach of tierce and longé.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
”
”
Philippa Gregory (Wideacre)
“
Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
Holly Berries
A Confederate Christmas Story
by Refugitta
There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent.
I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands.
From the Southern Illustrated News.
”
”
Philip van Doren Stern (The Civil War Christmas Album)
“
at the Throttle ALL WEEK I WONDERED what could possibly have happened to Tom on his first train ride that made it the most exciting experience of his life. When I finally received his second letter I understood why he had said that all the kids in town would turn green with envy. When I showed the kids the letter they didn’t actually turn green any more than a yellow-bellied coward has a yellow belly. But you never saw such a bunch of envious kids in your life. When Tom came home for the Christmas vacation with Sweyn he told Papa, Mamma, Aunt Bertha, our four-year-old foster brother Frankie, and me all about riding in the locomotive from Provo to Salt Lake City.
”
”
John D. Fitzgerald (The Great Brain at the Academy)
“
I’m coming,” John growled. He rolled his pants legs up a little more, then gingerly stepped into the water. He grimaced. “Boy howdy, is it cold!” Addie giggled behind her hand. “You’ll get used to it in a minute.” He still wore his bowler, vest, and jacket, but with his pants rolled up and the wonder on his face, he reminded her of a little boy dressed in his father’s clothes. She leaned down and flicked cold water at him. A dollop splashed on his cheek and rolled down his neck. His eyes went wide, then he grinned and took off his hat. He scooped up a hatful of water and started toward her. Adrenaline kicked in, and she scurried backward with her hands out. “I give, I give!” He advanced on her. “You’re not getting off that easy.” “Do it, Papa!” Edward splashed water as he practically danced along beside his father. Gideon barked excitedly as if he approved as well. “Traitor,” Addie told him. Her feet slid on the moss-covered rocks. She threw out her hands to try to regain her balance, and John caught her arm. She clutched at him, and in the next moment, she was in his arms, and they both tumbled into the stream. Cold water filled her mouth and nose and soaked her clothing. Her water-heavy dress dragged her down, but she managed to sit up. Laughter bubbled from her throat when she saw John. His wet hair hung in his face, and his suit was soaked. “Hungry?” She picked a flopping minnow off his shoulder and tossed it back into the water. “That was too small to keep anyway,” he said.
”
”
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
“
Miss Addie!” Edward, too, rushed to her side, but Gideon reached her first and pranced around her. “I’m all right,” she said as John arrived. He knelt beside her and slipped his arm around her. “Are you injured?” She had no idea of her true condition with him so close. Assessing the pain level, she leaned her head against his shoulder. His presence was the best medicine. “I-I don’t think so.” Edward threw himself atop her, and she pulled him onto her lap when she realized he was crying. “It’s okay, darling.” “You’re bleeding,” the child wailed. John moved away, and she hugged Edward, relishing the little-boy scent of grass and dog. “It’s merely a scratch, Edward. Proof of valor.” John was still near enough that she could smell his bay rum hair tonic. “I should call the doctor,” John said. He placed his hand on her shoulder. “No, no, I think I can get up with your assistance.” Aware she was showing more of her leg than was seemly, Addie flipped her skirt into place. She brushed a kiss across Edward’s cheek and scooted him onto the grass. “Papa’s going to help me up.” She grasped John’s arm and allowed him to lift her to her feet. “Does anything hurt?” he asked. She smiled into his face. “Only my pride.” “Let’s get you inside.” She glanced at the heap of wheels and metal. “No, I want to get back on the bicycle.” His mouth gaped. “You aren’t afraid?” “I’m terrified. But if I don’t get back on now, I might never do it. The fall will expand in my mind. I want to learn this.” She released his arm and stepped away, though she preferred to stay close to him. “The bicycle appears unharmed.” “But you’re not. You’re bleeding.” She bent her elbow up to have a look. “As I said, it’s merely a scratch.
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Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
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One night I was layin' down, I heard Papa talkin' to Mama. I heard Papa say, to let that boy boogie-woogie. ‘Cause it's in him and it's got to come out. —John Lee Hooker, “Boogie Chillen
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Anonymous
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Is Papa crying, do you suppose?' whispered John.
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Susan Coolidge (Clover)
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That old honorary Cuban had simplified the question all to hell when he’d said that a moral act is something you feel good after. Conversely, you feel bad after an immoral act. But what about the act that is neither moral nor immoral, Papa? How are you supposed to feel then?
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John D. MacDonald (A Tan and Sandy Silence (Travis McGee #13))
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And when one is feeling gay and full of joy, the saké must be brought out to lift the spirits higher. And they drank, your papa and mine and the mayor's brother, and I only a little because I was even happier than they and needed no false joy.
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John Okada (No-No Boy (Classics of Asian American Literature))
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Egidio incited Julius’s dreams of conquest with heady prophecies of the resurrection of imperial splendor in a papa; golden age, while Agnostino Chugi, the trusted financial mastermind of Julius’s inner circle, orchestrated the sale of indulgences.
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John T. Spike (Young Michelangelo: The Path to the Sistine)
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Papa laid aside a book he was reading. “He gets it from his father,” Papa said. “His father is always complaining about immigrants coming to this country and taking jobs away from Americans.” “But Sammy’s grandfather was an immigrant,” Tom said. “When you come right down to it,” Papa said, “we are all immigrants except the Indians. What men like Mr. Leeds fail to understand is that it is the mingling of the different cultures, talents, and know-how of the different nationalities which will one day make this the greatest nation on earth. All intolerant persons must have somebody or something to hate. Mr. Leeds is an intolerant person who hates immigrants.
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John D. Fitzgerald (The Great Brain)
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I think a major shift in the next missionary movement is going to be in identity where people realize, “I am the Beloved son and daughter whom the Papa loves, in whom He is well pleased.” Lucifer was the first orphan. So when he left heaven, he has had one major assignment – making sure people don't get home. And that's what Jesus came for. Jesus says in John 14:18, “I will not leave you as an orphan. I will come to you.” Identity has to be the foundation of the next missionary movement. You teach what you know, but you reproduce what you are. So there's going to be impartation of identity in Him.
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Julia C. Loren (Claim your Anointing)
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Papa glared at Sweyn. “The death of any living thing, be it a plant or an animal or a person is never ridiculous,” he said. “You will march in that funeral procession with your brothers.
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John D. Fitzgerald (More Adventures of the Great Brain)
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When we got to the railroad tracks, I looked over my shoulder. Papa and about a hundred adults had joined the funeral procession. You would have thought we were burying the Mayor.
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John D. Fitzgerald (More Adventures of the Great Brain)
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Until that moment, she had not known that she was not afraid to die. But she might not have to. She could shoot a dog without thinking twice, and she was sure she could shoot a man too, even if it would mean going to jail. But could she shoot more than one man? She didn’t know, but maybe she could. Newspaper reporters and the sheriff would claim she had lost her mind like they would say about Ruby McCollum in Live Oak one day soon, but her soul knew the truth: rescuing Robbie from a killing place would not be as immoral as leaving him there. The stench of pain and death from the Reformatory reached all the way out to this creek, dripping from aerial roots reaching toward the water. And if the law said she was wrong to shoot at the men chasing her brother, the law was wrong too. Uncle June had said he didn’t think his killing in the war was a sin because those men were trying to kill him. She would know the truth, at least. Miz Lottie, who had given her the gun, would certainly know. Papa would too. If she lived long enough, one day she would write a book about how she had helped set Robbie free. She’d tried the courthouse, hadn’t she? She’d brought Harry T. Moore and the glorious John Dorsey to try that way, but justice in Gracetown didn’t exist for Negroes. She’d told the judge about Lyle McCormack’s true-life violations and all he’d cared about was Papa’s imaginary one. No one was left to look out for Robbie except her.
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Tananarive Due (The Reformatory)
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Jeffrey Foskett, a member of The Beach Boys’ band, is also hanging out and joins Papa onstage for a few songs. He sings “Lucille” and “Roll Over Beethoven.” I can’t believe the range this guy has. He hits high notes with an easy, effortless falsetto that soars above the music, as only a young Brian Wilson could. His control, range, power, and versatility make him a true master and leave a lasting impression on anyone who hears him, especially me. I play drums that night with an intensity and passion that I have never tapped into.
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John Stamos (If You Would Have Told Me)
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I found Lord John and William in the parlor, both of them a little flushed. “Mother Claire.” Willie took my hand and gently kissed it. “Come and look. Papa has found something he thinks you will like. Come and see it,” he repeated, drawing me gently toward the table. “It” was a large wooden chest, made of some expensive wood, banded in gold. I blinked at it and put out a hand to touch it. It looked rather like a cutlery safe but much bigger. “What …?” I looked up to find Lord John standing beside me, looking somewhat abashed. “A, um, present,” he said, deprived for once of his smooth manners. “I thought—I mean, I perceived that you lacked somewhat in the way of … equipment. I do not wish you to abandon your profession,” he added gently. “My profession.” A
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Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
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Mother Claire! Where’s Papa? There are—” He had seized me by the arms as I reeled backward, but his concern for me was superseded by a sound from the hall beyond the landing. He glanced toward the sound—then let go of me, his eyes bulging. Jamie stood at the end of the hall, some ten feet away; John stood beside him, white as a sheet, and his eyes bulging as much as Willie’s were. This resemblance to Willie, striking as it was, was completely overwhelmed by Jamie’s own resemblance to the Ninth Earl of Ellesmere. William’s face had hardened and matured, losing all trace of childish softness, and from both ends of the short hall, deep blue Fraser cat-eyes stared out of the bold, solid bones of the MacKenzies. And Willie was old enough to shave on a daily basis; he knew what he looked like.
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Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
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The syllogism he had learnt from Kieswetter's logic: "Caius is a man, men are mortal, therefore Caius is more", had always seemed to him correct as applied to Caius, but certainly not as applies to himself. That Caius -- man in the abstract -- was mortal, was perfectly correct, but he was not Caius, not an abstract man, but a creature quite, quite separate from all others. He had been little Vanya with a mama and papa, with Mitya and Volodya, with toys, a coachman, and a nurse, and later with Katenka – Vanya, with all the joys, sorrows, and enthusiasms of his childhood, boyhood, and youth. Had Caius ever kissed his mother’s hand so dearly, and had the silk folds of her dress ever rustled so for him? Had Caius ever rioted at school when the pastries were bad? Had he ever been so much in love? Or presided so well over a court session?
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John-Paul Sartre
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Así, el Vaticano invitó al periodista John Cornwell a que llevara a cabo una investigación formal, facilitándole el acceso a los implicados en todo lo ocurrido aquella noche. Dicha investigación tomó forma de libro y acabó saliendo a la luz bajo el título de Como un ladrón en la noche. En opinión de Cornwell, Luciani no murió víctima de un asesinato: «Las pruebas me llevaron a una conclusión que me parece más vergonzosa y más trágica que cualquiera de las conspiraciones propuestas hasta el presente […]. Se dejó morir por no sentirse capacitado para ser papa». Según el periodista, Juan Pablo I llegó a esa
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Javier García Blanco (Historia negra de los papas (ENIGMAS Y CONSPIRACIONES) (Spanish Edition))
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En abril de 1521, Martín Lutero apareció frente a sus acusadores eclesiásticos en la Dieta de Worms. Le habían dado el ultimátum para que se retractara de su sólida fe en la suficiencia y perspicuidad de las Escrituras. Se dice que Lutero respondió de la siguiente manera: «A menos que esté convencido por las Escrituras y la razón simple, no acepto la autoridad de los papas y concilios, ya que se han contradicho entre sí mismos. Mi conciencia está cautiva a la Palabra de Dios… ¡Dios me ayude! Esta es mi posición».
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John F. MacArthur Jr. (El manual bíblico MacArthur: Un estudio introductorio a la Palabra de Dios, libro por libro)
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The owner of Papa John's may not be the best pitchman, but he's the worst at acting. Papa John's commercials actually make me yearn for a Men's Wearhouse commercial.
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Jim Gaffigan
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But, Papa,” Emma whispered. “Papa, you’re dead.” John Carstairs smiled sadly. “As long as there is love and memory, there is no true death,” he said.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))