Palomino Horse Quotes

In a therapy session, the only labels the horses get are the ones the client gives them.” “So you wouldn’t want me to notice that the Palomino horse, the one with the white mane and the tan body, looks like you and that she’s always making a nuisance of herself?” “Sackett?” I was outraged on Sackett’s behalf more than my own. “Sackett isn’t annoying! And Sackett’s a he, which just proves my point about pre-conceived ideas. If you knew he was a he and not a she, you wouldn’t be able to label him as Georgia and say mean things. Sackett is wise! Whenever things get really deep, you can always count on Sackett being right in the thick of things.” I heard the affront in my voice and I glowered at Moses for a moment before launching my own attack. “And Lucky is just like you!” I said. Moses just stared at me blandly, but I could tell he was enjoying himself. “Because he’s black?” “No, stupid. Because he’s in love with me, and he tries to pretend every day like he doesn’t want to have anything to do with me,” I shot back. Moses choked, and I punched him hard in the stomach, making him gasp and grab for my hands. “So you want the clients to not pay any attention to the color of the horse. That’s not even human nature, you know.” Moses pinned my hands over my head and stared down into my flushed face. When he could see I wasn’t going to continue punching he relaxed his hold, but he looked back toward the horses and continued talking.

The river had a dream in it. I faced the opposite bank and stood there naked in the water. I saw a band of horses in a field dotted with dogwood and willow. Each was like the others in temperament, all roans except for a single old palomino that looked at me as the others grazed in the thin moonlight. It was bloodied on its hooves and carried the marks of both lash and brand on its haunches. Ducking its head sweetly it entered the shallow water. As it walked toward me the blood washed downstream and the horse left a little red wake as it walked. It stepped lightly but bore no grimace on its face, and was only tentative in its step. I stood, still naked, and softly splashed the water around me with both hands. Not hard, just back and forth through the water with my hands in semicircles. It neared and I watched it snort a little and as it neared it shook its head, once, twice, calmly. It stood before me, old and worn from the lash and it bled into the gently flowing water and stood tall despite its wounds. It leaned in and nuzzled me about my shoulder and neck and I leaned in too and nuzzled back and put my arms around it and I could feel the power in its bruised old muscles. The horse's eyes were black and soft.

Afterword to “Where Hesperus Falls” Words, words, words are the enemy of a writer. I take great pleasure in simplifying language and sentences whenever I can. If I’ve started something, I write through to the end of the paragraph or section, then go back and prune out whole sentences. I’m pleased if I reach the end having deleted thirty sentences, making the thing tighter without losing any of the impact. Of course, I keep having to go back to make sure that I have the right words and no repetition. Norma catches a lot of this, and it’s a great deal of work. I liked it much better in the old days when I could still see and could assimilate a whole page at a time like other writers do. You mustn’t try too hard to produce effects either. They have to come kind of quietly, sneaking up on you out of the action and feeling. When you want to describe something that’s flamboyant, weird and strange, anything a little bit outrageous, wicked or nasty, you don’t do it by exposition, which can become long-winded and tiresome. You have one of your characters describe it to somebody else. Instead of writing that a man is an evil beast, without a redeeming quality, you have a girl come in out of the cold with her clothes torn and say: ‘I met this fellow, Steve, and he did such and such. That man is a beast. Do you know what he did to Henrietta? He pulled all her hair out.’ I’m exaggerating, but this is almost a trade secret: not having the exposition come from the writer, but rather from the mouths of the characters themselves. So cut those words out. Sometimes you can combine the adjective and the noun into a single notion. Instead of saying there was a horse colored all kinds of different colors, you say a palomino came down the road. —Jack Vance The Phantom Milkman I’ve had all I can stand.

palomino.

palomino.

Mounted on a bay horse (or, according to some accounts, a palomino) with clipped tail and ears and a plow-horse’s harness, the abbot’s representative carried a whip, a seed bag of wheat, and a basket filled with 120 rissoles. These were crescent-shaped pastries made of rye flour, stuffed with minced veal cooked in oil. A dog followed, also with clipped ears and tail, and with a rissole tied around his neck. The agent circled a stone cross at the entrance to the court three times, cracking his whip on each tour, dismounted and knelt at the lion platform, and, if each detail of equipment and performance was exactly right so far, was allowed to proceed. He then mounted the platform, kissed the lion, and deposited the rissoles plus twelve loaves of bread and three portions of wine as his homage. The Sire de Coucy took a third of the offerings, distributed the rest among the assembled bailiffs and town magistrates, and stamped the document of homage with a seal representing a mitered abbot with the feet of a goat.

Bet you did not know that in Mexico they call a Palomino an Isabella. Or that George Washington's warhorse was an Arab named Magnolia. I sure as hell did not. Hey, Magnolia! Takes a mighty secure man to ride a horse into battle with a name like that; well, to ride a horse into battle at all.

I hope you do too!     Hi, my name is Abbie and this diary is all about me and my very first pony, Sparkle who is a beautiful 13 hand Palomino. She is the best first pony anyone could wish for and we’ve had so many great adventures together. Luckily, I live on a rural property with lots of land and also other neighborhood girls to ride with. We have our very own “Saddle Club” and it’s such a great way to grow up. I have many fun times to share with you and if you’re anywhere near as horse mad as me, I’m sure you’ll enjoy reading this book. Now, from the beginning…

Dayna, wait,” she called ahead. “I hear Tux up there.” She pointed at the tumbled rocks. She saw Dayna slowly turn Champagne and head back at a slow walk. “Why would Shane’s dog go up there?” she drawled. “Maybe he found Bando.” Liv tried to keep the sarcasm out of her voice. “Isn’t that what we’re all trying to do?” “I don’t hear any barking,” Dayna said doubtfully. Liv blew out an exasperated breath. “Well, I heard him. Are you coming with me to look, or not?” “Oh all right, but this is a total waste of time,” she heard Dayna mutter behind her. “We’re never gonna find that colt alive.” “Don’t be so sure.” Liv called over her shoulder as she leaned forward to help Cactus Jack climb over the stony surface. “These Spanish horses have survival skills your fancy palominos could only wish for.” Dayna caught up. “That’s a laugh.” She shrugged. “My dad says your grandparents’ horses are just scruffy little leftovers from the past. The herd is down to, what? Thirty-three horses now and it’s gonna keep shrinking. So much for their survival skills.” “We can build it up again. And there are thirty-four horses if we can find Bando.